Pixel Scroll 3/5/25 When You’re In Love With A Scrollable Pixel It’s Hard

(1) DREAMHAVEN BOOKS IN THE NEWS. “Bad author behavior forces decisions on Minnesota booksellers” the Minneapolis Star-Tribune has learned.

…Many years ago, DreamHaven Books owner Greg Ketter was disturbed by misogynistic statements from John Norman, who wrote a book series about a different kind of monster, the “Gor” fantasy books. Ketter took them off the Minneapolis store’s shelves for a time but ended up restocking them when customers requested them.

About a dozen Gaiman titles remain at DreamHaven, although his presence isn’t as big as it once was. That’s largely because Gaiman has been more involved in filmmaking than novel writing in recent years (after the allegations became public, a planned Disney movie of “The Graveyard Book” was put on hold, although several completed film and TV shows are expected to be released eventually. He’s also been dropped by a U.K. publisher and a “Coraline” musical has been scrapped).

“We had a huge section for Neil Gaiman for years but it had been slowing down, so we were just moving things around when everything came out in the news,” said Ketter, who published some of Gaiman’s early work. “We are still selling some of his books and things. We just leave it up to people. If they keep buying books, we keep them on the shelves.”

The attitude is different at Avant Garden, “an unapologetically feminist and LGBTQIA-inclusive” business, according to owner Jenni Hill. Because it was created as a welcoming space for all kinds of people, Hill said, “We strive to carry books in-store that reflect our values.”

That means Avant Garden, which opened about four years ago, has never stocked Rowling titles, which Hill worries might trigger trans customers and their allies: “I don’t want anyone to feel I would advocate for a writer who has been hurtful to our community.”

That’s also why Avant Garden stopped carrying Gaiman titles as soon as the allegations came out.

“I texted Emily, our employee, ‘Let’s remove his books.’ That was literally the whole discussion,” said Hill. “It just doesn’t feel right to profit from those books. And I’d already bought the books, so I will lose money on those. But I won’t restock them for sure.”…

(2) DID YOU NOTICE SOMETHING’S MISSING? Zach Weinersmith tells Saturday Morning Breakfast Cereal readers he’s cut ties with Hiveworks and that’s why for the moment there are no ads on his site. He also explains some things about the business dynamics of advertising in social media.

(3) LIBBY AWARDS. People magazine’s list of the 2025 Libby Awards winners includes many works of genre interest.

…Hosted by library lending apps OverDrive and Libby, the prize, now in its second year, honors the best books published in 2024, as chosen by librarians and library staff.

Debut Author of the Year
The Ministry of Time
 by Kailane Bradley – Winner

Best Fantasy
The Spellshop
 by Sarah Beth Durst – Winner
The Familiar
 by Leigh Bardugo – Runner-Up

Best Horror
Bury Your Gays
 by Chuck Tingle – Winner
I Was a Teenage Slasher
 by Stephen Graham Jones – Runner-Up

Best Romantasy
House of Flame and Shadow
 by Sarah J. Maas – Winner
Faebound
 by Saara El-Arifi – Runner-Up

Best Science Fiction
The Ministry of Time
 by Kailane Bradley – Winner
The Stardust Grail 
by Yume Kitasei – Runner-Up

(4) DOES DOCTOR WHO EVER REALLY ARRIVE AT THE WRONG TIME? [Item by Kathy Sullivan.] This German trailer of the next season of Doctor Who briefly appeared and then was taken down supposedly because it was meant to be released at the end of March.  It includes much of the content from the Season 2 trailer released a few days ago, but has additional bits: “German Doctor Who Trailer Staffel 2 Disney+”.

(5) AI RIGHTS. “’Sign our own death warrant’: Australian writers angry after Melbourne publisher asks them to sign AI agreements” reports the Guardian.

Australian writers, literary agents, and the industry’s peak body have expressed concern after Black Inc Books asked its authors to consent to their work being used to train artificial intelligence.

The Melbourne publisher, which produces the Quarterly Essay as well as fiction and nonfiction by prominent Australian writers, gave them until Wednesday to enter into third-party agreements with an unnamed AI company.

The writers were asked to grant Black Inc “the right to reproduce or use, adapt and exploit the work in connection with the development of any software program, including, without limitation, training, testing, validation and the deployment of a machine learning or generative artificial intelligence system”.

Under the deal the publisher will split the net receipts with the author 50/50.

The Guardian has confirmed that a number of writers published by Black Inc received the request to alter their contracts last week.

The documents sent by the company’s publishing coordinator promise that, by authorising their works to be used by an unspecified AI company, authors would unlock “new revenue streams” with their works receiving “increased visibility and credibility”.

“I feel like we’re being asked to sign our own death warrant,” said Laura Jean McKay, author of Holiday in Cambodia, published with Black Inc a decade ago and shortlisted for three literary awards.

McKay says she had received the addendum to her contract on Friday, and was worried that three business days was not long enough to decipher what Black Inc was asking her to sign….

(6) BROTHER GUY AT SF CONS. The Vatican Observatory blog has a post by Robert Trembley about Brother Guy Consolmagno attending Boskone, just the latest of many he’s been at. The article includes a link to Daniel Dern’s Boskone post here, plus one of his photos of Brother Guy.

Br. Guy attended a science fiction convention over the weekend of Feb. 14-16 in Boston, where he met with friends, and autographed copies of his books….

…Br. Guy was introduced to me by mutual friends at a WindyCon (an SF Con in Chicago) in the mid-90’s – he was curator of meteorites at the Vatican Observatory at the time, and he spoke about the science of meteoritics, and how he was studying meteorites from the VO’s impressive collection. He completely blew me away! I walked away with a entirely different view of the “cool rocks from space” I’d been collecting for a couple years. Br. Guy continues to WOW people with meteorites, as he did at the recent L.A. Religious Education Congress in Anaheim, California.

(7) WHY NOT SAY WHAT HAPPENED? Scott Edelman twenty-first episode of his Why Not Say What Happened? podcast remembers “My Long Weekend Annoying MAD Magazine Publisher Bill Gaines”. You can also download episodes at the site of your choice.

My latest look back at what I was doing in comics during the ’70s has me remembering the weekend I couldn’t stop myself from teasing Bill Gaines about the National Lampoon‘s satirical slam of MAD magazine, why famed con-runner Phil Seuling castigated us fans one afternoon for mistreating our mothers, the words Gerry Conway wrote for Daredevil’s girlfriend Karen Page in the basement of a Times Square Nathan’s, how my 1980 DC Comics vampire story ended up as a 1987 episode of Tales from the Darkside, the continuing mystery of the martial arts series I’d forgotten I’d tried to write for Deadly Hands of Kung Fu (and what Tony Stark had to do with it), and much more.

(8) KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present: Jedediah Berry & Victoria Dalpe on Wednesday, March 12. Location: KGB Bar, 85 East 4th Street, New York, NY 10003, (Just off 2nd Ave, upstairs). Starts at 7:00 p.m. Eastern.

Jedediah Berry

Jedediah Berry’s latest novel, The Naming Song, was described in a starred Library Journal review as “a wonderfully odd ode to language, story, and family.” His first book, The Manual of Detection, won the Crawford Award and the Hammett Prize, and was adapted for broadcast by BBC Radio 4. He is the author of numerous games and interactive works, including a story in cards, The Family Arcana, and the Ennie Award-winning RPG setting The Valley of Flowers (co-written with Andrew McAlpine). He lives in Western Massachusetts with his partner Emily Houk, with whom he runs Ninepin Press, an independent publisher of fiction in unusual formats.

Victoria Dalpe

Victoria Dalpe is a Providence-based horror writer and painter. She has published over forty-five short stories in various collections, the gothic horror novel Parasite Life and the short story collection Les Femme Grotesques. “Dalpe’s horror stories are equal parts intriguing, compelling, and appropriately macabre,”—Rue Morgue. Book one of her dark horror fantasy series Selene Shade: Resurrectionist for Hire was released September of 2024 by Clash Books. Book two in the trilogy, Loving the Dead will be out this fall. Dalpe was also a producer on the drag queen slasher film Death Drop Gorgeous. For upcoming events follow her on Instagram at victorialdalpe

(9) TURING AWARD. “Turing Award Goes to 2 Pioneers of Artificial Intelligence”, Andrew Barto and Richard Sutton. The New York Times has the story (behind a paywall.)

In 1977, Andrew Barto, as a researcher at the University of Massachusetts, Amherst, began exploring a new theory that neurons behaved like hedonists. The basic idea was that the human brain was driven by billions of nerve cells that were each trying to maximize pleasure and minimize pain.

A year later, he was joined by another young researcher, Richard Sutton. Together, they worked to explain human intelligence using this simple concept and applied it to artificial intelligence. The result was “reinforcement learning,” a way for A.I. systems to learn from the digital equivalent of pleasure and pain.

On Wednesday, the Association for Computing Machinery, the world’s largest society of computing professionals, announced that Dr. Barto and Dr. Sutton had won this year’s Turing Award for their work on reinforcement learning. The Turing Award, which was introduced in 1966, is often called the Nobel Prize of computing. The two scientists will share the $1 million prize that comes with the award.

Over the past decade, reinforcement learning has played a vital role in the rise of artificial intelligence, including breakthrough technologies such as Google’s AlphaGo and OpenAI’s ChatGPT. The techniques that powered these systems were rooted in the work of Dr. Barto and Dr. Sutton.

“They are the undisputed pioneers of reinforcement learning,” said Oren Etzioni, a professor emeritus of computer science at the University of Washington and founding chief executive of the Allen Institute for Artificial Intelligence. “They generated the key ideas — and they wrote the book on the subject.”

Their book, “Reinforcement Learning: An Introduction,” which was published in 1998, remains the definitive exploration of an idea that many experts say is only beginning to realize its potential.

(10) GEORGE LOWE (1957-2025). TVLine reports “George Lowe Dead, Voice of Space Ghost Age 67”.

George Lowe, a veteran voice actor whose credits include the title role in Space Ghost Coast to Coast, died on March 2 at age 67, a spokesperson confirms for TVLine…

…An alumnus of the Radio Engineering Institute of Sarasota, Lowe began his career in the 1980s with occasional voiceover work, before landing the title role in Cartoon Network’s Space Ghost Coast to Coast. A send-up of talk shows that featured live-action celebrity guests, the animated series would run for 10 years and more than 100 episodes, including a move to Adult Swim and a brief revival via Turner Broadcasting’s GameTap online video game service…

… Lowe also voiced Space Ghost in the 1995 spinoff Cartoon Planet, the 2007 movie Aqua Teen Hunger Force Colon Movie Film for Theaters and in the 2011 video game Cartoon Network: Punch Time Explosion.

His voice acting credits also include The Brak ShowRobot Chicken, Squidbillies and American Dad

(11) MEMORY LANE.

[Written by Cat Eldridge.]

Stranger in a Strange Land (1962)

Sixty-three years ago at Chicon III where Earl Kemp was the Chair, Wilson Tucker was Toastmaster and Theodore Sturgeon was the Guest of Honor, Robert A. Heinlein’s Stranger in a Strange Land won the Hugo for Best Novel. It had been published the previous year by G. P. Putnam’s Sons. 

Other nominated works that year were Dark Universe by Daniel F. Galouye, Sense of Obligation (also called Planet of the Damned) by Harry Harrison, The Fisherman (also known as Time Is the Simplest Thing) by Clifford D. Simak and Second Ending by James White.  I know all those authors and have read deeply of them save Daniel F. Galouye. Tell me about him please. 

It was his third Hugo in six years after Double Star at NyCon II and Starship Troopers at Pittcon. He’d win his fourth and final Hugo for The Moon is a Harsh Mistress at NyCon 3 in another five years.

The working title for the book was A Martian Named Smith which was also the name of the screenplay started by a character at the end of the novel. 

I must note Jubal Harshaw for me is the most interesting and enjoyable character in the book, an older experienced man who questioned everything, but with compassion, honor and a truly open heart. Harshaw also appears in three later Heinlein novels, The Number of the Beast in the coda, The Cat Who Walks Through Walls and To Sail Beyond the Sunset which I’ll confess I never finished. 

Needless to say the novel is available from the usual suspects. There’s also an audiobook, one of myriad audiobooks done of his novels. 

As always the artwork below is for the first edition. 

(12) COMICS SECTION.

  • xkcd explains a homeowner’s risk of water damage.
  • Brewster Rockit relays a broadcast of the Cat News Network.
  • Bizarro is in on the bust.
  • Free Range discovers why returning to Kansas wasn’t easy.
  • Herman is on the track. Or vice versa.
  • WaynoVision has a variation on a monster.

(13) ‘KIRBYVISION’ DOCUMENTARY PLANNED. Acclaimed documentary film director Ricki Stern (Joan Rivers: A Piece of Work, UFOs: Investigating the Unknown) will be helming Kirbyvision – a feature length documentary telling the story of the legendary Jack Kirby.

Kirby is widely regarded as one of the comic book medium’s most innovative, prolific, and influential creators. At the height of his nearly six decade career, Kirby created or co-created many of Marvel’s major characters including Captain America (with Joe Simon), the Avengers, Black Panther, the Fantastic Four, Hulk, Iron Man, Silver Surfer, Thor, the X-Men, and countless others (with comics impresario Stan Lee). 

He worked similar magic for DC Comics, where he created the sprawling, psychedelic “Fourth World,” a series of political and psychedelic sci-fi epics often considered his most ambitious work. His creations as writer, artist, and editor include Darkseid, Mister Miracle, OMAC, The Demon, and many others who are mainstays of DC’s publishing and screen projects to this day. 

Ricki Stern says: “Jack was not only one of the great comic book artists of all time, but a true visionary genius. In this new feature length documentary, we actively campaign for the recognition he finally deserves as a leading artist and storyteller of the 20th Century.”

Kirby drew his way out of an impoverished, Depression-era upbringing when he co-created Captain America, who brazenly punched out Adolf Hitler on the cover of his very first comic, months before the US had entered World War II. He was soon sent into real combat on the frontlines of the war in Europe, a harrowing experience which had a significant impact on his later work. Kirby’s astounding career touched virtually every genre, including war, romance, westerns, science fiction, horror, and, of course, superheroes. His impact is felt beyond comics to this day everywhere from animation to music to blockbuster films.

(14) FUTURIAN WAR DIGEST. Polygon recalls “How a WWII fanzine helped sci-fi survive the Blitz and beyond”. A 2019 article, but timeless.

…The cost of a mimeograph machine may have been high, but the cost of not talking to each other was higher — even in some of the most dire moments of the 20th century. The oldest zine included in As If is also the longest running fanzine to remain in distribution in Britain throughout the course of the second World War: Futurian War Digest, or FIDO, which printed from October 1940 until March 1945.

FIDO reviewed science fiction works and reflected on the fragile state of the fan community in the United Kingdom during wartime. The first issue of the zine, which was published and distributed less than a month after the start of the London bombing raids known as The Blitz, made a point of announcing the conscription of fan William F. Temple and the death on active duty of sci-fi enthusiast Edward Wade. These sombre announcements ran alongside musings about John Carter of Mars.

In a time of great uncertainty, publisher J. Michael Rosenblum said in the pages of FIDO that his self-avowed goal was to “a) to give news of and to fandom, b) to keep burning those bright mental constellations possessed by all fans.” The publication was created just as much to be an archive and time capsule as a source of entertainment, news, and distraction. By publishing the fanzine, Rosenblum recorded the history of a subculture of science fiction enthusiasts, and helped to keep a community that was being actively ripped apart together.

(15) SUPERMAN’S SPIRIT. Distilled, that is. Onward Giants is hustling the “Limited Edition Super Bottle”.

The Limited Edition Superman Whiskey Bottle is a meticulously crafted collectible designed for fans of both Superman and fine whiskey. Each bottle embodies the timeless power and spirit of Superman, making it not just a bottle of whiskey, but a unique piece of art and a symbol of heroism. This limited edition release is a must-have for collectors and superhero enthusiasts alike.

A Tribute to Superman’s Spirit
Superman represents courage, justice, and hope, and this whiskey bottle captures his essence. The iconic “S” emblem and the heroic silhouette of Superman are artistically integrated into the design, making every bottle a tribute to the hero who has inspired generations.

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Steve Davidson.]

Pixel Scroll 9/7/19 Two Thousand Million Or So Years Ago Two Pixels Were Scrolling

(1) MOSLEY QUITS STAR TREK: DISCOVERY. Walter Mosley tells “Why I Quit the Writers’ Room” in an op-ed for the New York Times. His piece doesn’t name the show he quit. The Hollywood Reporter does: “Author Walter Mosley Quits ‘Star Trek: Discovery’ After Using N-Word in Writers Room”. Mosley writes —  

Earlier this year, I had just finished with the “Snowfall” writers’ room for the season when I took a similar job on a different show at a different network. I’d been in the new room for a few weeks when I got the call from Human Resources. A pleasant-sounding young man said, “Mr. Mosley, it has been reported that you used the N-word in the writers’ room.”

I replied, “I am the N-word in the writers’ room.”

He said, very nicely, that I could not use that word except in a script. I could write it but I could not say it. Me. A man whose people in America have been, among other things, slandered by many words. But I could no longer use that particular word to describe the environs of my experience.

…I do not believe that it should be the object of our political culture to silence those things said that make some people uncomfortable. Of course I’m not talking about verbal attacks or harassment. But if I have an opinion, a history, a word that explains better than anything how I feel, then I also have the right to express that feeling or that word without the threat of losing my job. And furthermore, I do not believe that it is the province of H.R. to make the decision to keep my accusers’ identities secret. If I’ve said or done something bad enough to cause people to fear me, they should call the police.

My answer to H.R. was to resign and move on. I was in a writers’ room trying to be creative while at the same time being surveilled by unknown critics who would snitch on me to a disembodied voice over the phone. My every word would be scrutinized. Sooner or later I’d be fired or worse — silenced….

The Hollywood Reporter solicited CBS’ take on Mosley’s departure –

CBS TV Studios responded to Mosley’s op-ed on Friday in a statement provided to The Hollywood Reporter: “We have the greatest admiration for Mr. Mosley’s writing talents and were excited to have him join Star Trek: Discovery. While we cannot comment on the specifics of confidential employee matters, we are committed to supporting a workplace where employees feel free to express concerns and where they feel comfortable performing their best work. We wish Mr. Mosley much continued success.”

(2) CHANDRAYAAN-2. The lander and rover apparently didn’t make it: “‘We Came Very Close:’ Indian Prime Minister Modi Lauds Chandrayaan-2 Team After Moon Lander Goes Silent”.

India’s space program will bounce back strong from the apparent failure of Friday’s (Sept. 6) lunar landing attempt, Prime Minister Narendra Modi stressed.

The nation’s Chandrayaan-2 moon orbiter dropped a lander called Vikram toward the lunar surface Friday afternoon. Everything went well for a while, but mission controllers lost contact with Vikram when the craft was just 1.3 miles (2.1 kilometers) above the gray dirt.

As of this writing, the Indian Space Research Organisation (ISRO) had still not officially declared Vikram lost; the latest ISRO update stated that descent data are still being analyzed. But Modi’s comments strongly suggest that Vikram and Pragyan, the rover that was supposed to deploy from the lander, are dead.

…Indeed, India plans to develop a Chandrayaan-3 moon mission in the coming years, and the nation also intends to put humans on the lunar surface at some point. ISRO is working to send a second orbiter to Mars in the mid-2020s as well. (The nation’s first Red Planet probe, Mangalyaan, has been studying Mars from orbit since September 2014.)

And there’s still the other half of Chandrayaan-2 to consider. The mission’s orbiter, which arrived at the moon last month, is scheduled to operate for at least a year. The spacecraft is using eight science instruments to study the moon in a variety of ways — creating detailed maps of the lunar surface, for example, and gauging the presence and abundance of water ice, especially in the south polar region.

(3) TIME FOR THE TESTAMENTS. NPR has the answer to “Why Margaret Atwood Said ‘No’ To A ‘Handmaid’s Tale’ Sequel — Until Now”.

…Atwood says it just seemed like the time for a sequel. “People had been asking me to write a sequel for a long time, and I always said no, because I thought they meant the continuation of the story of Offred which I couldn’t do,” she says. “But then I thought, what if somebody else were telling the story? And what if it were 15 or 16 years later? And it was also time, because for a while we thought we were moving away from The Handmaid’s Tale. And then we turned around and started going back toward it, ominously close in many parts of the world. And I felt it was possibly time to revisit the question of, how do regimes like Gilead end? Because we know from The Handmaid’s Tale that it did end.”

(4) DANCING MARVELS. Popsugar features some amazingly skilled kids – who apparently are their high school’s counterparts to my daughter’s colorguard team. “Oh, Snap: This High School Dance Team’s Avengers Routine Is Pretty Freakin’ Marvelous”.

A year after their viral Harry Potter dance routine, the students of Arizona’s Walden Grove high school are at it again with some incredible Avengers-themed homecoming choreography. The talented PAC dance team put their own twist on Marvel’s Cinematic Universe and brought the beloved superheroes back to life — with some badass moves.

The full routine is an intergalatic trip through the Avengers: Infinity War and Avengers: Endgame storylines. […]

(5) WITH RECEIPTS. Mimi Mondal is “Rewriting the history of science fantasy fiction” in the Hindustani Times.

…In 2016, a bust of HP Lovecraft was removed as the trophy for the World Fantasy Award, but the change had caused so much debate that a new trophy — a twisted tree girdling a full moon — wasn’t released till the next year. Last year, after the death of Harlan Ellison, obituaries from grieving fans were mixed with accounts of his serial sexual harassments, including of women author peers. Two months later, NK Jemisin made history by winning her third consecutive Hugo Award for the best novel. Veteran author Robert Silverberg denounced her acceptance speech as “graceless and vulgar” for having passionately spoken against the obstacles faced by black women writers in SFF, again to the thundering applause of the auditorium in San Jose, which I was present to witness. Jemisin’s speech was in more than one way a precursor to Ng’s.

The change in our genre is a reflection of the change that’s happening in the world. As a genre, SFF is fairly new — barely a century old — and, while science fiction in particular (less so fantasy and horror) has always worn a progressive veneer, the stories of progress have always belonged to a small, privileged group of people. But SFF is also a hugely popular and consumer-facing genre, which means trends are driven by those who consume the stories. Changes in SFF are a direct result of the changing reader and buyer demographic, which no longer simply constitutes white men in the West….

(6) YOU’RE GETTING COLDER. “Was Walt Disney Frozen?” Snopes says nope. Is there nothing left for us to believe in?

Half a century onwards, the rumor that Walt Disney’s body was put in cryonic storage remains one of the most enduring legends about the entertainment giant.

(7) LYNLEY OBIT. Actress Carol Lynley died September 3 of a heart attack reports the New York Times. She was 77. Her genre appearances included The Man From U.N.C.L.E., Night Gallery, and Tales of the Unexpected, She was in the feature films Beware! The Blob and Future Cop, and the TV movies that gave rise to series Kolchak: The Night Stalker and Fantasy Island.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 7, 1795 John William Polidori. His most remembered work was “The Vampyre”, the first published modern vampire story published in 1819. Although originally and erroneously accredited to Lord Byron, both Byron and Polidori affirmed that the story is his. Because of this work, he is credited by several as the creator of the vampire genre of fantasy fiction. (Died 1821.)
  • Born September 7, 1937 John Phillip Law. He’s probably best remembered as the blind angel Pygar in the cult  film Barbarella which featured Jane Fonda in that bikini. He shows up in Tarzan, the Ape Man as Harry Holt, and he’s in a South African SF film, Space Mutiny, as Flight Commander Elijah Kalgan, that’s set on a generation ship. Look actual SF! (Died 2008.)
  • Born September 7, 1955 Mira Furlan, 64. She’s best known for her role as the Minbari Ambassador Delenn on entire run of Babylon 5, and also as Danielle Rousseau on Lost, a series I did not watch. She’s reunited with Bill Mumy and Bruce Boxleitner at least briefly in Marc Zicree’s Space Command.
  • Born September 7, 1960 Christopher Villiers, 59. He was Professor Moorhouse in “Mummy on the Orient Express”, a Twelfth Doctor story. It’s one of the better tales of the very uneven Calpadi run. He’s also Sir Kay in First Knight and is an unnamed officer in From Time to Time which based on Lucy M. Boston’s The Chimneys of Green Knowe.
  • Born September 7, 1966 Toby Jones, 53. He appeared in “Amy’s Choice”, an Eleventh Doctor story, as the Dream Lord. In Harry Potter and the Chamber of Secrets, he voiced Dobby the house elf. And in 
  • Finding Neverland, Mr. Smee, Captain Hook’s bo’sun. Guess what work that film was based on. Finally I’ll note that he was — using motion capture — Aristides Silk in The Adventures of Tintin. 
  • Born September 7, 1973 Alex Kurtzman, 46. Ok, a number of sites claim he destroyed Trek. Why the hatred for him? Mind you I’m more interested that he and Roberto Orci created the superb Fringe series, and that alone redeems them for me.
  • Born September 7, 1974 Noah Huntley, 45. He has appeared in films such as 28 Days Later, The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (excellent film), Snow White and the Huntsman (great film), Event Horizon (surely you’ve something else to do) and Dracula Untold (woo, not so great). He’s Gawain in The Mists of Avalon series and shows up as Donovan Osborn in the CW series Pandora which, I’m not kidding, got a Rotten Tomatoes zero percent approval rating. Ouch. 
  • Born September 7, 1993 Taylor Gray, 26. He’s best known for voicing Ezra Bridger on the animated Star Wars Rebels which I highly recommend if you’re into Star Wars at all as it’s most excellent.  He also played Friz Freleng in Walt Before Mickey

(9) MIGNOGNA SUIT WHITTLED DOWN. A Texas state judge delivered a setback to Vic Mignogna, who has brought suit to stifle some of the public #MeToo charges voiced against him. The Dallas News has the story: “In anime’s #MeToo moment, Vic Mignogna a no-show at Tarrant County hearing and his case is mostly an unholy mess”.

State District Judge John Chupp dismissed a number of the claims by Mignogna’s attorney and promised to rule on the remainder in the next 30 days.

…Friday was a significant milestone in a civil lawsuit brought by local anime voice actor Vic Mignogna against two of his Dallas-area colleagues, the fiance of one of the women, and a company that cut ties with him. Mignogna says their statements about his inappropriate behavior with women amount to an unfair campaign to destroy his career. His accusers say his lawsuit is aimed at silencing them.

After three hours of arguments between a tightly scripted defense team and Mignogna’s astonishingly unorganized — and at times ill-prepared and illogical — attorney, Chupp dismissed a number of the claims and promised to rule on the remainder in the next 30 days.

…January’s record-breaking opening of Broly also set off another round of accusations and stories on social media about the 56-year-old actor’s long-rumored inappropriate behavior with women — which allegedly has included aggressive kisses, hugs and unwanted sexual advances.

Online, thousands of anime fans rushed to pick a side in the warfare hashtagged #kickvic and #IStandWithVic. Mignogna repeatedly, and sometimes in great detail, denied all the allegations.

Amid the outcry, Flower Mound-based Funimation Productions, which dubs and distributes anime shows, including much of the Dragon Ball franchise, announced in February that it had severed ties with Mignogna after an internal investigation.

Mignogna’s lawsuit, filed April 18, alleged defamation, tortious interference, conspiracy and other charges against Funimation, voice actors Jamie Marchi and Monica Rial, and Rial’s fiance, Ron Toye. The lawsuit painted the company and three individuals as a band of conspirators leading the charge to reduce Mignogna to ruins.

Friday the 141st District Court’s gallery was packed with interested parties, and many of them were there to support Rial and Marchi.  But Mignogna was nowhere to be found. Perhaps that was for the best, given the often befuddled oral arguments of his Tyler-based attorney, Ty Beard….

And the many worldwide Mignogna fans who have contributed to the massive GoFundMe for his legal fees, a war chest which now stands at more than $242,000,  might well have wanted their money back if they had been in the courtroom today.

…At the end of the proceedings — which went an hour longer than the court had allocated — Chupp dismissed all claims against Marchi, all except defamation against Funimation and all except defamation and conspiracy against Rial and Toye.

Those outstanding claims are weighty ones — Funimation, Rial and Toye are still on a sharp hook. I suspect Chupp needed to give more consideration and study to each before making his ruling. Or maybe the amateurish performance of the plaintiff’s legal team had just worn on his last nerve to the point that the extremely patient judge  needed a break.

(10) A TOAST GOODBYE. Food & Wine says “An Official ‘Mr. Robot’ Beer Will Premiere Along with the Final Season”. Doesn’t it make you wonder what alcoholic beverages should have accompanied the cancellation of The Original Star Trek (Saurian brandy!) or Agent Carter (Crown Russe Vodka?).

All good things come to an end. Including TV shows. (Except maybe The Simpsons.) But for fans of USA Network’s critically-acclaimed hacker drama Mr. Robot, at least they’ll have a beer to toast when the series premieres its fourth and final season on October 6.

In an official collaboration, USA Network has enlisted New York’s Coney Island Brewery to produce fsociety IPA — a hazy IPA inspired by Mr. Robot. Though the connection between television show and branded beer can often feel tenuous, working with the Coney Island-based brand is actually an inspired choice since the beachy New York City neighborhood serves as a significant setting in the show.

(11) THE VEGETARIAN GODZILLA. “Japanese scientists find new dinosaur species”: Yahoo! has photos.

Japanese scientists have identified a new species of dinosaur from a nearly complete skeleton that was the largest ever discovered in the country, measuring eight metres (26 feet) long.

After analysing hundreds of bones dating back 72 million years, the team led by Hokkaido University concluded the skeleton once belonged to a new species of hadrosaurid dinosaur, a herbivorous beast that roamed the Earth in the late Cretaceous period.

A partial tail was first found in northern Japan in 2013 and later excavations revealed the entire skeleton.

The team named the dinosaur “Kamuysaurus japonicus,” which means “Japanese dragon god,” according to a statement issued by the university.

(12) ANOTHER CON REPORT. Emily Stein in CrimeReads offers “An Ode To Podcasts:  Dispatches From Podcon 2019” as a report from a podcasting convention in Seattle that won’t be held again because of financial trouble.

…Earlier this year, I traveled to Seattle to attend PodCon, an annual conference celebrating all things podcasts. While many kinds of podcasts were represented, PodCon has always had a special fondness for audio dramas, or fiction podcasts, and the fervent fandom they inspire. (Have I stayed up until midnight to hear the mind-blowing 50th episode of The Bright Sessions the second it dropped? Maybe! Did I co-create a Facebook group for listeners of I Am In Eskew to trade their nerdy fan theories? Who’s to say? Might I have joined a Discord server just to talk about Debbie’s mysterious notebook in King Falls AM? Yes, I might have. I did.)…

Four months after PodCon 2 came to a close, conference co-founder Hank Green announced that PodCon would not be returning. A variety of financial and logistical challenges had converged to make the event unsustainable, though Green expressed optimism that another conference might develop solutions to the issues they’d found insurmountable. As beloved as many podcasts are, in many ways, the medium is still finding its footing in today’s entertainment landscape. For every My Favorite Murder or Reply All, there’s a multitude of indie podcasts fighting for a wider audience, even as some bask in the glow of a small but fiercely loyal following—a coven of people who’ve found the same secret, whose days all light up when a new episode hits their feed.

(13) ACROSS A SEA OF PAPER. Polygon’s Isabella Kapur acquaints readers with the historic role of the fanzine Futurian War Digest: “Fandom under fire: how fanzines helped sci-fi survive the Blitz and beyond”.

…For the past six months, as part of the exhibition As If: Alternative Histories from Then to Now at The Drawing Center, a small art museum in New York City, I have explored illustration, novels, and posters as well as fanzine materials from as far back as the 1940s. Zines were hard for fans to get their hands on, as they were printed and collated in school clubs or at the dining room table, sometimes mailed out to subscribers and contributors one by one. And yet, these publications formed the backbone of what would become modern fan culture, not just a reflection of media but a reimagining of reality.

The cost of a mimeograph machine may have been high, but the cost of not talking to each other was higher — even in some of the most dire moments of the 20th century. The oldest zine included in As If is also the longest running fanzine to remain in distribution in Britain throughout the course of the second World War: Futurian War Digest, or FIDO, which printed from October 1940 until March 1945.

FIDO reviewed science fiction works and reflected on the fragile state of the fan community in the United Kingdom during wartime. The first issue of the zine, which was published and distributed less than a month after the start of the London bombing raids known as The Blitz, made a point of announcing the conscription of fan William F. Temple and the death on active duty of sci-fi enthusiast Edward Wade. These sombre announcements ran alongside musings about John Carter of Mars.

In a time of great uncertainty, publisher J. Michael Rosenblum said in the pages of FIDO that his self-avowed goal was to “a) to give news of and to fandom, b) to keep burning those bright mental constellations possessed by all fans.” The publication was created just as much to be an archive and time capsule as a source of entertainment, news, and distraction. By publishing the fanzine, Rosenblum recorded the history of a subculture of science fiction enthusiasts, and helped to keep a community that was being actively ripped apart together.

… The physical evidence of this transatlantic fan solidarity can be seen in the unusual shape and size of Futurian War Digest Vol. 1 #9, which was printed on four packages of paper donated by U.S. fan Forrest J. Ackerman. Ackerman, who became a pioneer in his own right, helped fund publications and initiatives similar to FIDO in the United States, contributing to Le Zombie fanzine. Le Zombie, which began production in December 1938, likewise included a “War Department” section which organized to provide fanzines to American fans who had enlisted, in order to help them maintain some level of connection and normalcy under the pressures of war.

(14) THE HARRYHAUSEN WE MISSED. Episode 27 of the Ray Harryhausen Podcast celebrates “Ray Harryhausen’s ‘Lost Movies'” (Part I).

The first of two podcasts exploring Ray Harryhausen’s unmade films, this episode features interviews with contributors to upcoming Titan Books publication, ‘Harryhausen: The Lost Movies’. The book examines Harryhausen’s unrealised films, including unused ideas, projects he turned down and scenes that ended up on the cutting room floor. This book includes never-been-seen-before artwork, sketches, photos and test footage from the Harryhausen Foundation archives.

(15) FAMILIAR FACE. Hayley Atwood will be in the next Mission: Impossible film. More details in The Hollywood Reporter.

https://www.instagram.com/p/B2Fl_JOA_bZ/

[Thanks to John King Tarpinian, Andrew Porter, BravoLimaPoppa, Cat Eldridge, Mike Kennedy, JJ, Martin Morse Wooster, and Chip Hitchcock for some of these stories. Title credit goes to File 770 contributing editor of the day Jon Meltzer.]