By Ahrvid Engholm: Journalist, author, genre historian (and fan, certainly, from the 1940s and on!) Bertil Falk is acclaimed for performing the “impossible” task of translating Finnegans Wake to Swedish, the modernist classic by James Joyce, under the title Finnegans likvaka. As reported in DAST Magazine:
…He has worked on it since the 1950’s (a little now and then, not 24/7…). He calls the translation a “motsvariggörande” (“making equal/similar”) since the book is a huge maze in several layers difficult to really translate. Falk is known as the one reviving Jules Verne Magasinet in 1969 and recently also published a three part history of Swedish science fiction, titled Faktasin….
A few years ago fan Erik Andersson (a major fanzine publisher and fandom columnist in Jules Verne magasinet in the ‘90s) translated Ulysses, though not the easiest prose still not as difficult as Finnegans Wake. Joyce seems to fit well with sf fandom, maybe because the world of fandom is just as odd and quirky as the world of Joyce…
Then, with that introduction, we can look back to Bertil Falk’s earliest published work.
From Stockholms-Tidningen April 2, 1946. On the 75th anniversary of the publishing of his story debut, Bertil Falk posted the newspaper clip and noted that the pseudonym he picked, “Rymdluffaren” (The Space Hobo), was taken from a short story by Eando Binder published in Jules Verne Magasinet.
The following tale of the future is written by a young man of age 12, and stands well in competition with futurist stories by adults. (Translation by Ahrvid Engholm.):
A Trip in Space
The big rocketship “Stockholm” started with roaring rockets from Bromma rocketfield. “Stockholm” is one of ten Swedish rocketships on the route Earth-Mars.
And now I sat inside this rocketship. It was my first rocket journey, and I was very curious about how it would all turn out.
Thirteen minutes after take off Earth was the size of a plate and you could make out all the continents. While Earth shrank the Moon and Mars continued to grow.
The rocketship made a stop on the Moon. There I made a visit to the big Moon museum that for the moment had an exhibition of Venusian art. After about an hour the rocketship continued again, and now you could see one of the most beautiful sights in the universe. Outside it was dark, and everywhere stars were gleaming and blinking. Wonderfully beautiful comet swarms were visible almost everywhere. But even if the comet swarms were beautiful, they were still dangerous. Every rocket has a comet warner that gives a buzz as soon as a comet swarm is nearby. Without these comet warners it would be almost dangerous to go out in space.
After a trip of three hours and five minutes the rocketship landed on the international rocketfield of Mars. Several atomic cars stood and waited outside the rocketfield to take passengers to the Martian tourist hotel No 157. When I had arrived at the hotel I sat down by the TV-radio to hear the news.
I am very interested in politics and tensely follow the civil war on Venus between the marsh people and sea people. The news reported that the king of the marsh people Kara-mo and the president of the sea people Tola-kar had initiating peace negotiations. So, will there finally be peace, I said with a sigh and turned off the radio…
…When I teach craft workshops, I admonish writers to write down everything someone says about their work, the good and the bad. Most writers still pause over their notes as I say something like, This story is marvelous. I loved reading it. They don’t write that down. They think those comments are irrelevant, and yet the positive comments are the truly important ones.
Because they’re the ones that show us the pathway to success. Not to make us write another work exactly like the one we just finished, but to show us that yes, indeed, there are people who love what we do.
No one will love everything that we do. It’s just not in the human DNA. If we were alike, then we wouldn’t have variety. Some of us like sf and some of us hate it. Some of us like to windsurf and some of us are afraid to try. Some of us love cities and some of us would rather live in a remote place.
We build readers one at a time, and at different times. Someone might not read our first novel until decades after it hit print. Someone might love a novel that we struggled to write. (Never discourage that fan or tell them that the novel was work.)…
Hana O. came to the library to turn in her submission for the middle school’s first Two Sentence Horror Story contest. It was handwritten lightly, almost timidly, in pencil, with a smiley face and a flower drawn at the end of the last sentence.
“Here ya go,” the 12-year-old whispered as she looked down at her sneakers and handed me her entry:
“Margaret,” she calls, in that horrifyingly sweet voice that gives me the chills, and I see her, her lifeless, pitch black eyes meeting my gaze. I look away, and when I look back, she’s there, smiling at me with a knife in her hand.
Gulp! This seventh grader’s story caught me off guard, despite having received scores of similar ones over the two weeks prior. I have worked in the library at South Pasadena (CA) Middle School for over a decade, and one of the best parts of my job is coming up with ways to connect with students beyond circulating books. We’ve had famous guest authors, writing workshops, collaborative art projects, and poetry slams.
In October 2019, I tried to come up with a library-friendly way to celebrate Halloween—my favorite holiday—and thought a short writing contest would do the trick. Two sentences max, not a lot of gore please, and pinkie swear to me that you did not copy this off the internet. I figured a handful of my library regulars would participate, I’d pick “the scariest” story and reward the winner with a Starbucks gift card. And we’d all have a little fun in the process.
More than 150 entries later, I realized I’d hit a nerve. Kids who had never stepped foot in the library came in droves to turn in the darkest, most macabre and eyebrow-raising fictional tales of death, loss, and horror. It turns out, more than a few middle schoolers devote quite some time to pondering the concepts of death and dying….
Loyalty is excited to welcome Sheree Renée Thomas, Oghenechovwe Donald Ekpeki, and Zelda Knight, the editors of Africa Risen, for a virtual conversation moderated by Loyalty’s own Hannah Oliver Depp! This event will be held digitally via Crowdcast. Click here to register for the event with a donation of any amount of your choice. You can also order the book below to be automatically added to the event’s registration list. Donations will go to the Marsha P. Johnson Institute. There will also be an option to snag the book during the event.
(4) STILL UNPACKING FROM THE WORLDCON. Read Morgan Hazelwood’s notes about the Chicon 8 panel “Decolonizing SFF” or view the video commentary at Morgan Hazelwood: Writer in Progress.
While most of us know the bloody tales of how the European powers colonized much of the globe, fewer are cognizant of the ways colonization affects the stories we tell today.
Science fiction and fantasy have a lot of bedrock colonial assumptions and strategies that need to be dug up, re-examined, and tossed out. What does decolonial SFF look like? We’ll talk about the tropes and publishing realities that need to be looked at critically and enthuse about our favorite writers and works that are combating the status quo within speculative fiction, as well as those that are striking off in new directions.
The panelists for the titular panel were: Michael Green Jr, Janna Hanchey, Sarah Guan, and Juan Martinez.
Back in June, I asked whether Gandalf knows about atoms. Today’s question is a simpler one. The Sun, as you may be aware, is a huge ball of mainly hydrogen burning in a fusion reaction caused by the Sun’s own gravity squishing its atoms together, more or less.
Alternatively, the sun is the last fiery fruit of the golden tree Laurelin, rescued from its dying branches after it was murdered by Morgoth and the big-arse spider Ungoliant. The fruit was placed in a vessel and given to a demi-god who steers the burning fruit through the sky. The kind of fruit isn’t stated but it wasn’t a banana because that is technically a berry. Yet, even if it was a durian, that is quite a size difference….
(7) OCTOTHORPE. John Coxon is Chris Garcia, Alison Scott is Chris Garcia, and Liz Batty is Chris Garcia in Octothorpe episode 69, “Hugo Thunderdome”.
What if we were all Christopher J Garcia? We discuss statistics from this year’s Hugo Awards and get into the weeds with Liz, before taking you back to Chicon 8 and featuring a chat between John, Alison, and Chris himself. Listen here!
(8) GUESS WHO TRANSLATED JOYCE INTO SWEDISH. [Item by Ahrvid Engholm.] Journalist, author, genre historian (and fan, certainly, from the 1940s and on!) Bertil Falk is acclaimed for performing the “impossible” task of translating Finnegans Wake to Swedish, the modernist classic by James Joyce, under the title Finnegans likvaka: Finnegan’s Wake in Dast Magazine. (Available from Booksamillion.)
He has worked on it since the 1950’s (a little now and then, not 24/7…). He calls the translation a “motsvariggörande” (“making equal/similar”) since the book is a huge maze in several layers difficult to really translate. Falk is known as the one reviving Jules Verne Magasinet in 1969 and recently also published a three-part history of Swedish science fiction, titled Faktasin.
Fan Erik Andersson (in the 1990s major fanzine publisher and fandom columnist in Jules Verne Magasinet) a few years ago translated Ulysses, though not the easiest prose still not as difficult as Finnegan’s Wake. Joyce seems to fit well with sf fandom, maybe because the world of fandom is just as odd and quirky as the world of Joyce…
(9) JULES BASS (1935-2022). Jules Bass, who co-created Rudolph and Frosty the Snowman, died October 25 at age 87 reports NPR.
…Bass pioneered stop-motion animation with Arthur Rankin Jr. under Rankin/Bass Productions, which formed in 1960. The duo produced 1964’s Rudolph the Red-Nosed Reindeer and 1969’s Frosty the Snowman, becoming the creators of other iconic characters like the narrator for Rudolph, Sam the Snowman (voiced by Burl Ives), and the Abominable Snowman.
Rankin/Bass Productions’ animation style, called Animagic, used dolls with wire joints and captured their movements one frame at a time, Rankin/Bass historian Rick Goldschmidt told NPR in 2004. The single-frame stop motion process took a painstakingly long time, with a movie that lasted under an hour taking more than a year to animate, he said….
Bass and Rankin not only worked on holiday specials but produced other animated series like ThunderCats and The Jackson 5ive. They also created adaptations of novels like J.R.R Tolkien’s The Hobbit, for which they received a Peabody award for in 1977, and The Return of the King in 1980….
(10) MEMORY LANE.
1956 — [By Cat Eldridge.]Alfred Hitchcock Presents’ “And So Died Riabouchinska”
Good evening. This misty bit of ectoplasm forming on the inside of your television tube is one Alfred Hitchcock. Coming to you from across that great barrier that divides the quick from the dead: the Atlantic Ocean. I have materialized with the expressed purpose of warning you that during tonight’s sales you will witness a playlet entitled “And So Died Riabouchinska”. Oh yes, before we have our play I would like to make an announcement to those of you who can’t stay until the end. The butler did it.— Alfred Hitchcock making his introduction.
Ray Bradbury scripted “And So Died Riabouchinska,” which was broadcast on Alfred Hitchcock Presents on CBS on February 12, 1956. It was one of five scripts he’d write for the series, while two more stories of his stories would be adapted for it.
Bradbury wrote the original which was titled “Riabouchinska” in the 1940s and it was first sold to Suspense, a CBS radio series and broadcast on November 13, 1947. Bradbury resold serial rights and it was first published under the title “And So Died Riabouchinska” in the second issue of The Saint Detective Magazine which published it in their June/July 1953. It was last published in his Machineries of Joy collection.
OK REALLY STRANGE SPOILERS NOW. SENSITIVE FILERS SHOULD GO AWAY. REALLY GOOD THEY SHOULD.
I hadn’t realized how well our author could script pure horror, quiet horror, until I researched this one. The ventriloquist was inspired by Michael Redgrave’s performance in the Dead of Night anthology film.
In the Hitchcock episode we have Fabian played by Claude Rains, an ageing and none too successful vaudeville player who gets tangled up in a murder at the run-down theater where he was performing.
When he goes home, he has a conversation with his wife. He’s pulls out his doll, Riabouchinska, an actual doll here who was voiced by Iris Adrian, and engages in conversation with it, much to the utter anger of his wife and the bemusement of the detective who’s played by Charles Bronson who has shown up to ask him about the murder. The doll claims that Fabian’s wife is jealous of her and doesn’t like her very much.
Note the doll apparently replies to the astonishment of the detective. The look on the Riabouchinska’s face is always chilling. Our detective comes to be suspicious of Riabouchinska believing that she’s much more than a mere doll. Which she is obviously.
(Yes, there’s is a murder here. It really doesn’t count other as a way to get the detective there.)
He discovers that Fabian’s doll eerily resembles that of a missing girl called Ilyana from back in the Thirties, but Fabian says that cannot be and with explains how he fell in love with his Russian assistant and that he modeled his dummy after her.
He created his wooden dummy by crafting her with love and devotion. Before long he claims the doll started talking to him. The detective of course still doesn’t believe him. Smart detective.
It’s left absolutely ambiguous if it’s a magical doll or that missing infant.
AND NOW THE CURTAIN CLOSES.
Hitchcock had these words to finish the show
That was pleasant. It also reminded me of my youth. When I was once a part of a vaudeville act called ‘Dr. Speewack And His Puppets’. But I never cared for Dr. Speewack, he thought he was better than the rest of us. But so much for tonight’s entertainment. Until the next time we return with another play. Good night.
Bradbury would later do this story again on The Ray Bradbury Theatre. That version you can see on Paramount +, Alfred Hitchcock Presents is streaming on Peacock.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born October 27, 1926 — Takumi Shibano. Teacher, Writer, Editor, and Fan from Japan. He co-founded and edited Uchujin, Japan’s first SF magazine, in 1957. He was a major figure in the establishment of Japanese SFF fandom, and he founded and chaired four of the first six conventions in that country. In 1968 the Trans-Oceanic Fan Fund (TOFF) paid for him to attend a Worldcon for the first time, in the U.S., where he was a Special Guest. He wrote several science fiction novels starting in 1969, but his work translating more than 60 science fiction novels into Japanese was his major contribution to speculative fiction. From 1979 on, he attended most Worldcons and served as the presenter of the Seiun Awards. He was Fan Guest of Honor at two Worldcons, in 1996 and at Nippon 2007, he was given the Big Heart Award by English-speaking fandom, and he was presented with a Special Hugo Award and a Special Seiun Award. (Died 2010.) (JJ)
Born October 27, 1939 — John Cleese, 83. Oscar-nominated Actor, Writer, and Producer from England whose most famous genre work is undoubtedly in the Hugo finalist Monty Python and the Holy Grail, but who has also appeared many other genre films, including the Saturn-nominated Time Bandits, Mary Shelley’s Frankenstein, The Great Muppet Caper, the live-action version of The Jungle Book, two of the Harry Potter movies, and the remake of The Day the Earth Stood Still – and, surprisingly, in episodes of the TV series The Avengers, Doctor Who, and 3rd Rock from the Sun. And he wrote a DC Elseworlds tale, Superman: True Brit, in which Superman was British. Really. Truly.
Born October 27, 1940 — Patrick Woodroffe. Artist and Illustrator from England, who produced more than 90 covers for SFF books, including works by Zelazny, Heinlein, and GRRM, along with numerous interior illustrations, in the 1970s. He was also commissioned to provide speculative art for record album cover sleeves; his masterwork was The Pentateuch of the Cosmogony: The Birth and Death of a World, a joint project with the symphonic rock musician Dave Greenslade, which purported to be the first five chapters of an alien Book of Genesis, consisting of two music discs by the musician and a 47-page book of Woodroffe’s illustrations. It sold over 50,000 copies in a five-year period, and the illustrations were exhibited at the Brighton UK Worldcon in 1979. Hallelujah Anyway, a collection of his work, was published in 1984, and he was nominated for Chesley and BSFA Awards. (Died 2014.) (JJ)
Born October 27, 1948 — Bernie Wrightson. Artist and Illustrator, whose credits include dozens of comic books and fiction book covers, and more than hundred interior illustrations, as well as a number of accompanying works of short fiction. His first comic book story, “The Man Who Murdered Himself” appeared in the House of Mystery No. 179 in 1969. With writer Len Wein, he later co-created the muck creature Swamp Thing in House of Secrets No. 92. In the 70s, he spent seven years drawing approximately fifty detailed pen-and-ink illustrations to accompany an edition of Frankenstein. And in the 80s, he did a number of collaborations with Stephen King, including the comic book adaptation of that author’s horror film Creepshow. In 2012, he collaborated with Steve Niles on Frankenstein Alive, Alive! for which he won a National Cartoonists Society’s award. He was Guest of Honor at numerous conventions, was honored with an Inkwell Special Recognition Award for his 45-year comics art career, and received nominations for Chesley Awards for Superior and Lifetime Artistic Achievement and for a Stoker Award for Superior Achievement in an Illustrated Narrative. (Died 2017.)
Born October 27, 1953 — Robert Picardo, 69. Actor and Writer who played the Emergency Medical Hologram on 170 episodes of the Saturn-winning Star Trek: Voyager, a role which he reprised in cameos in the film Star Trek: First Contact and episodes of Deep Space Nine and the fan series Star Trek: Renegades. He is also credited with writing a Voyager tie-in work, The Hologram’s Handbook. He has a long list of other genre credits, including the films The Man Who Fell to Earth, Total Recall, Innerspace, Legend, Amazon Women on the Moon, and Gremlins 2 (for which he received a Saturn nomination to match the one he received for Voyager), and recurring roles in the TV series Stargate SG-1, Stargate Atlantis, Smallville, and Sabrina, the Teenage Witch. Since 1999 he has been a member of the Advisory Board, and now the Board of Directors, of The Planetary Society, which was founded by Carl Sagan to provide research, public outreach, and political advocacy for engineering projects related to astronomy, planetary science, and space exploration.
Born October 27, 1963 — Deborah Moore, 59. English actress and the daughter of actor Roger Moore and Italian actress Luisa Mattioli. She’s an Air Hostess in Die Another Day, a Pierce Brosnan Bond film. And she was a secretary in Goldeneye: The Secret Life of Ian Fleming. Her very first role was as Princess Sheela in Warriors of the Apocalypse.
Born October 27, 1970 — Jonathan Stroud, 52. Writer from England who produces speculative genre literature for children and young adults. The Bartimaeus Trilogy, winner of Mythopoeic Award for Children’s Literature, is set in an alternate London, and involves a thousand-year-old djinn; Lockwood & Co. is a series involving ghost hunters in another alternative London. I’ve read a few of the latter – they’re fun, fast reads.
[I know it’s a few bucks cheaper on Amazon.com, who also claims they (already?) have used copies…)
Bud’s Art Books also has the Miracleman Omnibus ($90) (MSRP $100). Given that it’s 800+ pages, not necessarily overpriced. Looks like it includes, cough, more of the pre-Moore MarvelMan. (Not on my shopping list, but definitely on my library/e-library borrow list)
(14) RETURN OF THE NO-PRIZE. I first learned what a “No-Prize” was from Deb Hammer Johnson – who had won one — when we were grad assistants in the Dept. of Popular Culture at BGSU. Marvel Comics will be celebrating the tradition with variant covers.
Coveted by generations of True Believers, Marvel Comics’ legendary No-Prizes return in the form of eye-catching new variant covers this February! Coined by Stan Lee, the legendary Marvel No-Prize was originally awarded to fans who called out continuity errors in stories and later were given to those who could expertly explain them away! Over the years, the term and format of the prize itself evolved in many ways, but the spirit of it has remained the same! Celebrating this staple of comics fandom, these variant covers will take readers back to the glory days of the No-Prize by utilizing photographs of the actual iconic envelopes that were mailed out to “winners” in decades past!
Take a walk with four Black speculative poets through the state of Black speculative poetry today. Come discover what they’re reading, what they’re writing, and their favorite places to read Black speculative poetry. What themes are at the forefront of the field for Black voices, and what are they hoping to see more of in the future.
Effie Seiberg, a consultant for Silicon Valley tech startups, gives you a brief overview of some of the really cool stuff happening in technology today that people might not be aware of, and some thoughts on how to approach researching topics for your writing without going into an endless vortex.
Astronomers recently discovered an unusually fluffy, Jupiter-sized planet akin to a marshmallow that may be the least dense gas giant ever recorded orbiting a red dwarf star. The planet, dubbed TOI-3557 b, is located 580 light-years away from Earth in the Auriga constellation and was recently observed by scientists using a 3.5-meter telescope at Kitt National Observatory in Arizona who recently shared their findings in The Astronomical Journal. …
The planet was initially spotted by NASA’s Transiting Exoplanet Survey Satellite (TESS) by detecting a drop in brightness of the host star as the marshmallow world passed in front of it. Through further observations, Kanodia and his team were able to deduce that TOI-3757 b is approximately 100,000 miles wide, which is slightly larger than Jupiter, and that the planet completes an orbit around its host star every 3.5 days….
(17) THEY WILL BE ASSIMILIATED. [Item by SF Concatenation’s Jonathan Cowie.] This week’s Nature cover story is DNA Borgs. Yes, they were named after Star Trek.
The cover shows an artist’s interpretation of Borgs, a novel kind of extrachromosomal element described by Jillian Banfield and her colleagues in this week’s issue. Many microorganisms have extra genetic information encoded in DNA that is outside their chromosome. These extrachromosomal elements are usually in the form of relatively small plasmids. But in their analysis of groundwater, sediments and wetland soil, Banfield and her colleagues found that species of the methane-oxidizing archaea Methanoperedens hosted unusually large, linear extrachromosomal elements.
The team named these elements Borgs — after the aliens in Star Trek — because they assimilate genetic material from other organisms and their environment. The researchers identified at least 19 types of Borg and speculate that they might be helping their hosts to consume methane.
Primary research here. (Open Access ‘cos Trekies will no doubt want to see)
(18) REFUGEEING TO GALLIFREY. Matthew Jacobs, who wrote the script for 1996’s Doctor Who: The Movie, is the figurative tree on which the ornaments hang in his documentary Doctor Who Am I about the world of Doctor Who conventions and events. A lot of the fannish bits in the trailer were shot at Gallifrey One in LA.
In 1996, a Doctor Who TV movie was envisioned to lead the franchise into an exciting new future with a fresh direction but was met only by an outcry from disapproving fans. Now, follow the film’s screenwriter, Matthew Jacobs, as he is reluctantly pulled back into the world of the Doctor Who fandom that rejected his work 25 years earlier, where he unexpectedly finds himself a kindred part of this close-knit, yet vast, family of fans. The documentary features the original cast of the 1996 movie, including Paul McGann (The Three Musketeers, Queen of the Damned), Eric Roberts (Inherent Vice, The Dark Knight, The Expendables), and Daphne Ashbrook (Star Trek: Deep Space Nine).
[Thanks to Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, Cathy Green, Steven French, Jennifer Hawthorne, Daniel Dern, SF Concatenation’s Jonathan Cowie, Ahrvid Engholm, John King Tarpinian, Chris Barkley, Andrew Porter, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]