Pixel Scroll 4/6/25 Always Check Where You’re Walking When Pixels Are Present

(1) 2025 HUGO AWARD FINALISTS. The Seattle Worldcon 2025 Hugo Award Finalists were announced today.

Congratulations to all the finalists, especially the authors of two Best Related entries published by File 770, Chris Barkley and Jason Sanford for “The 2023 Hugo Awards: A Report on Censorship and Exclusion” and Camestros Felapton and Heather Rose Jones for “Charting the Cliff: An Investigation Into the 2023 Hugo Nomination Statistics”.

(2) HUGO AWARD BASE DESIGNER. Seattle Worldcon 2025 has announced that the Hugo Awards Base will be designed by Joy Alyssa Day, a professional glass sculpture artist. Joy, with her partner BJ, have previously designed the Hugo Awards base for LonCon in 2014. Examples of Joy’s sculptures can be found at her website, GlassSculpture. Below are photos of the 2014 Hugo Award base, and their work on the Cosmos Award given by the Planetary Society.

(3) OCTOTHORPE. Episode 132 of the Octothorpe podcast, “Almost Everything Is Not Mac” is here early, because the hosts John Coxon, Alison Scott, and Liz Batty are discussing this year’s Hugo Awards finalists.

An uncorrected transcript is available here.

A black background. Text in purple reads “Octothorpe 132” while text MADE OF FIRE says “Scorching hot takes on the Hugo finalists”.

(4) WHY NOT SAY WHAT HAPPENED? Scott Edelman returns with episode 22 of his Why Not Say What Happened? Podcast, “The Conundrum of Condensing Marie Severin into 1,200 Words”. And here’s where it’s available on multiple platforms.

This time around, I grow anxious over a dream discovery of long-lost original comic book artwork, realize I was wrong about a certain Alan Moore/Frank Miller memory, contemplate the difficulty of condensing the life of Marie Severin into a mere 1,200 words, share the meager remains of what was once a massive comic book collection, remember there’s an issue of Fantastic Four I need to track down to solve an early fannish mystery, rededicate myself to Marie Kondo-ing my creative life, and more.

A 1972 Marie Severin Hulk Sketch

(5) FISHING FOR A SUPERSTAR. “Doctor Who showrunner Russell T Davies is manifesting DC star Viola Davis being the next iteration of the villainous Master, calling her ‘one of the greatest actors in the world’” at GamesRadar+.

Given that beloved sci-fi series Doctor Who has been on air for over 60 years now, countless actors have featured either in major roles or as guest stars.

From Simon Pegg playing a villainous editor in ‘The Long Game’ to Andrew Garfield facing off against aliens in ‘Daleks in Manhattan’, the seemingly endless list also includes Get Out star Daniel Kaluuya, Oscar winner Olivia Colman, and Black Panther’s very own Letitia Wright – to name but a few.The question is then – who would showrunner Russell T Davies love to have on the series in a guest role, who hasn’t been featured before? Putting that to the man himself in a recent interview ahead of Doctor Who season 2 hitting our screens, Davies is puzzled at first admitting to GamesRadar+ that “almost everyone has been in it”. And he’s right – hell, even pop star icon Kylie Minogue even showed up for the Titanic themed episode ‘Voyage of the Damned’….

…As Davies tells us: “I simply worship Viola Davis, one of the greatest actors in the world, we should be so lucky we should have that money. She just brings quality, depth, and surprise. Every time I see her she does something surprising, which is a very Doctor Who quality. She’d get it. I say this hoping that you print it, then her agent will read it and say ‘yes, you can have Viola for absolutely no money, she will come to Cardiff for free.'” Well – here’s hoping!

(6) BOOP-OOP-A-DOOP! “’Boop!’ Arrives on Broadway, With a Surprising 100-Year Back Story” reports the New York Times. Link bypasses paywall.

Betty Boop has arrived on Broadway, nearly a century after she first boop-oop-a-dooped her way onto the big screen. “Boop! The Musical,” like the “Barbie” and “Elf” films that preceded it, imagines a transformational encounter between an anthropomorphic character and the real world (well, a fictional world full of people)….

…Jasmine Amy Rogers, the actress starring as Betty Boop on Broadway, described her as “full of joy” and “unapologetically herself.” “She is sexy, but I don’t think it is merely sex that makes her sexy,” she continued. “I would say it’s the way she carries herself, and her confidence and her unabashed self.”…

Betty, created at the height of the Jazz Age, is obviously modeled on flappers, and her relationship to music history has been a subject of debate and litigation.

In 1932, a white singer named Helen Kane sued, alleging that the “baby vamp” style of the Betty Boop character, including the “boop-oop-a-doop” phrase, was an unlawful imitation of Kane. At a widely publicized trial in 1934, Fleischer countered by pointing out that a Black singer, Esther Lee Jones, who performed as Baby Esther, had used similar scat phrases before Kane. Kane lost….

…Rogers said she hopes that over time, women of different ethnicities will portray the character, but said she is proud to play her as a Black woman, with nods to Baby Esther and the scat technique of jazz singing. “Jazz lives so deep in the heart of Betty that I feel as if we can’t really have a full discussion about her without involving the African American race,” she said…

(7) GOOD DOG. Krypto takes us home: Superman | Sneak Peek”.

(8) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

April 6, 1937Billy Dee Williams, 88.

Rather obviously, Billy Dee Williams’ best-known role is as — and no I did know this was his full name — Landonis Balthazar “Lando” Calrissian III. He was introduced in The Empire Strikes Back as a longtime friend of Han Solo and the administrator of the floating Cloud City on the gas planet Bespin. 

(So have I mentioned, I’ve only watched the original trilogy, and this is my favorite film of that trilogy? If anyone cares to convince me I’ve missed something by not watching the later films, go ahead.) 

He is Lando in the original trilogy, as well in as the sequel, The Rise of Skywalker, thirty-six years later. The Star Wars fandom site thinks this might be the longest interval between first playing a character and later playing the same character, being a thirty-six year gap.

He returned to the role within the continuity in the animated Star Wars Rebels series, voicing the role in “Idiot’s Array” and “The Siege of Lothal” episodes. Truly great series if you haven’t seen, and available of course on Disney+. 

He voiced him in two audio dramas with one being the full cat adaption of Timothy Zahn’s Dark Empire. 

Now this is where it gets silly, really silly. The most times he’s been involved with the character is in the Lego ‘verse. Between 2024 with The Lego Movie to Billy Dee Williams returned to the role in the Star Wars: Summer Vacation in 2022, he has voiced Lando in eight Lego films, mostly made as television specials.

Going from hero to villain, he was Harvey Dent in Batman, and yes in The Lego Batman Movie. Really they made it. I’d like to say I remember him here but than they would admitting this film made an impression on me which it decidedly didn’t. None of the Batman Films did in the Eighties.

He’s in Mission Impossible as Hank Benton, an enforcer for a monster, in “The Miracle” episode; he’s Ferguson in  Epoch: Evolution, the sequel to Epoch, which looks like quite silly, and I’m using this term deliberately, sci-film, and finally he voiced himself on Scooby-Doo and Guess Who?,  the thirteenth television series in the Scooby-Doo franchise. 

Billy Dee Williams

(9) COMICS SECTION.

My cartoon for this week’s @newscientist.com

Tom Gauld (@tomgauld.bsky.social) 2025-04-06T11:46:12.460Z

(10) WHY ARE KIDS OBSESSED WITH THE TITANIC? “So You Think You Know a Lot About the Titanic …” in the New York Times (behind a paywall.)

Parents often look down at the whorl on the top of their children’s heads and wonder what, exactly, is going on inside. An industry of books, video games, films, merchandise and museums offers some insight: They’re probably thinking about the Titanic.

Last fall, Osiris, age 5, told his mother, Tara Smyth, that he wanted to eat the Titanic for dinner. So she prepared a platter of baked potatoes — each with four hot-dog funnels, or smokestacks — sitting on a sea of baked beans. (He found it delicious.) Since first hearing the story of the Titanic, Ozzy, as he’s known, has amassed a raft of factoids, a Titanic snow globe from the Titanic Belfast museum and many ship models at his home in Hastings, England.

About 5,500 miles away in Los Angeles, Mia and Laila, 15-year-old twins, devote hours every week to playing Escape Titanic on Roblox. They have been doing this for the last several years. Sometimes, they go down with the ship on purpose — “life is boring,” explained Mia, “and the appeal is that it’s kind of dramatic.”

Nearly 113 years after the doomed White Star Line steamship collided with an iceberg on April 14, 1912, and sank at around 2:20 a.m. the next day, it remains a source of fascination for many children. The children The New York Times spoke to did not flinch at the mortal fact at the heart of the story: That of the more than 2,200 passengers on the Titanic, more than twice as many passengers died as those who survived.

“I really like whenever it just cracked open in half and then sank and then just fell apart into the Atlantic Ocean,” said Matheson, 10, from Spring, Texas, who has loved the story since he read “I Survived the Sinking of the Titanic, 1912” at age 5. After many frustrating bath time re-enactments involving flimsy ship models, Matheson and his father, Christopher Multop, designed a Tubtastic Titanic bath toy — of which they say they now sell about 200 a month (separate floating iceberg included)….

John Zaller, the executive producer of Exhibition Hub, the company that designed “Bodies: The Exhibition” and “Titanic: An Immersive Voyage,” a traveling exhibition with interactive elements, attested that Titanic kids often knew more than their tour guides. At the Titanic experience, children can sit in a lifeboat and watch a simulation of the ship sinking, see a life-size model of the boiler room be flooded with water, and follow along with the passengers on their boarding pass, ultimately finding out whether they survived the wreck.

“The biggest takeaway for kids is, ‘I lived!’ or ‘I died!’” Mr. Zaller said. “They understand the power of that.”…

(11) APRIL FOOLISHNESS. Except it happened in March: “An AI avatar tried to argue a case before a New York court. The judges weren’t having it” at Yahoo!

It took only seconds for the judges on a New York appeals court to realize that the man addressing them from a video screen — a person about to present an argument in a lawsuit — not only had no law degree, but didn’t exist at all.

The latest bizarre chapter in the awkward arrival of artificial intelligence in the legal world unfolded March 26 under the stained-glass dome of New York State Supreme Court Appellate Division’s First Judicial Department, where a panel of judges was set to hear from Jerome Dewald, a plaintiff in an employment dispute.

“The appellant has submitted a video for his argument,” said Justice Sallie Manzanet-Daniels. “Ok. We will hear that video now.”

On the video screen appeared a smiling, youthful-looking man with a sculpted hairdo, button-down shirt and sweater.

“May it please the court,” the man began. “I come here today a humble pro se before a panel of five distinguished justices.”

“Ok, hold on,” Manzanet-Daniels said. “Is that counsel for the case?”

“I generated that. That’s not a real person,” Dewald answered.

It was, in fact, an avatar generated by artificial intelligence. The judge was not pleased.

“It would have been nice to know that when you made your application. You did not tell me that sir,” Manzanet-Daniels said before yelling across the room for the video to be shut off….

… As for Dewald’s case, it was still pending before the appeals court as of Thursday.

(12) ONCE FICTION, NOW SCIENCE. [Item by Steven French.] The Guardian reports “Biologist whose innovation saved the life of British teenager wins $3m Breakthrough prize”. Harvard Professor, David Liu —  

 … was chosen for inventing two exceptionally precise gene editing tools, namely base editing and prime editing. Base editing was first used in a patient at Great Ormond Street in London, where it saved the life of a British teenager with leukaemia.

The young woman’s doctor apparently called the technique at the time, ‘science fiction’!

(13) ETERNAUT TRAILER. The Eternaut premieres on Netflix on April 30.

After a deadly snowfall kills millions, Juan Salvo and a group of survivors fight against a threat controlled by an invisible force. Based on the iconic graphic novel written by Héctor G. Oesterheld and illustrated by Francisco Solano López.

(14) WHY IS MARS RED? [Item by SF Concatenation’s Jonathan Cowie.] Well, we all know the answer – an on-going process of the radiolysis of water (here UV and high energy particles from Solar wind splitting water) produces oxygen radicals that oxidise iron to hematite (a form of iron(III) that on Earth often gives some sandstones their red colour…)  Well, maybe not!   New research now suggests otherwise.  Data from three orbiters combined with a look at Earth minerals suggests that the Martian red minerals were formed over three billion years ago when Mars was decidedly wet. Had Mars been warmer, then these minerals would have gone. ; Mars’ red colour looks like being ferrihydrite (Fe5O8H  nH2O) that forms under decidedly wet conditions.  This is yet more evidence – if more is needed – that Mars was wet billions of years ago. 

The primary research, by French, US and British based astrophysicists, is  Valantinas, A. et al (2025) “Detection of ferrihydrite in Martian red dust records ancient cold and wet conditions on Mars”. Nature Communications, vol. 16, 1712. Meanwhile over at DrBecky there is a 12-minute video which you can see here: “New study explains why Mars is RED”. I keep on telling people that the machines are taking over but nobody ever listens to me… In fact they rule Mars!

[Thanks to SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, Steven French, Scott Edelman, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 12/20/24 How Much Is That Shoggoth In The Attic? The One With The Horrifying Tale

(1) ENTERING PUBLIC DOMAIN IN 2025. At John Mark Ockerbloom’s blog Everybody’s Libraries you can use this hashtag to access his #PublicDomainDayCountdown – a series of daily posts through the end of the year highlighting the works falling out of copyright in the U.S. Here are some examples.  

(2) OTHER COVERAGE. Animation Magazine is ready: “Popeye & Tintin Enter the Public Domain in 2025”

Two icons of comics and animation history will be entering the public domain in the U.S. as of January 1, 2025, opening their earliest representations up to be used and repurposed without permission or payment to copyright holders: E.C. Segar’s idiosyncratic sailor-man Popeye and Belgian comics artist Hergé’s globe-trotting reporter Tintin.

The Public Domain Review is also doing a countdown “What Will Enter the Public Domain in 2025?” (They give a hat tip to Ockerbloom’s blog.)

(3) NEVALA-LEE AND MALZBERG DIALOGS. [Item by Alec Nevala-Lee.] I was very sorry to see the post announcing the death of Barry Malzberg, who was an important figure in my life. It inspired me to look back at our voluminous email correspondence, which I’ve decided to put online, on the assumption that other people might find it interesting as well: “Barry N. Malzberg and Alec Nevala-Lee (Emails 2016–2023)”.

In 2016, I reached out to Barry N. Malzberg with a question relating to my book Astounding: John W. Campbell, Isaac Asimov, Robert A. Heinlein, L. Ron Hubbard, and the Golden Age of Science Fiction. The result was an intermittent email correspondence that grew over the next six years to an astounding 25,000 words. I’m posting it here because it contains a lot of interesting material, as well as the single greatest compliment that I’ve ever received, which Malzberg emailed to me on February 2, 2017: “It is clear to me that you may be already science fiction’s most promising writer and thinker to emerge since Alfred Bester stumbled into the room almost eight decades ago. Like the Elizabethan theater before Shakespeare, we have been waiting for you without really knowing we were waiting for you.” I don’t believe that this was ever true—certainly not when Malzberg said it to me—but I’ve treasured it ever since. Malzberg, for all his flaws, was an essential figure in my life, and I deeply regret that I’ll never have the chance to speak to him again.

(4) OCTOTHORPE. Episode 125 of the Octothorpe podcast, “I’m Physically Present in This Hotel Room”, is belatedly here!

We read some letters of comment, we discuss the Seattle online Business Meeting plan and also the news from Smofcon 41, and Liz tells us what the objectively correct best Christmas movie is.

Get the transcript here.

John wears an Octothorpe Christmas jumper and a green and red hat with elf ears, Alison wears a red Christmas jumper and a moose/reindeer hat, and Liz wears a blue jumper and a Christmas tree hat. The words “Octothorpe 125” appear at the top in a Christmassy font that looks like it has snow on the letters.

(5) SFF REVIEWS. Lisa Tuttle, in “The best recent science fiction, fantasy and horror – reviews roundup” for the Guardian, discusses: Troll: A Love Story by Johanna Sinisalo; How to Build a Universe that Doesn’t Fall Apart Two Days Later by Philip K Dick; The Woman Who Fell to Earth by RB Russell; and Mystery Lights by Lena Valencia.

(6) MEMORY LANE.

[Written by Paul Weimer.]

December 20, 1985 Enemy Mine

By Paul Weimer: First, for me, came the movie. It was 1985, and if you’ve been following my timeline of movie watching, this was when I was finally going to movies on my own. Back to the Future was a big movie I saw that year, but that winter, there was Enemy Mine

I had not read the novella that the movie is based on, although I would, later, get an edition that included all of the ancillary material that helped inspire the novella. And, of course, the film. 

This again was 1985 and like Back to the Future, I was delighted to be able to immerse myself in a new property. This was in space but it was not Star Wars or Star Trek, and it was better than a lot of the dreck I had seen on television, mostly. Dawitch and Jerry as played by Dennis Quaid and Louis Gossett Jr. were compelling and I did see it opening weekend…but it turns out, not many other people did. Despite the performances and the obvious appeal of a Cold War story, the movie financially bombed.  

I blame the poster.  Look at the poster sometime.  I had gone in, looking at that poster, expecting a movie where the two are continually at war, and what I got was something far more interesting, complex and dynamic…two people from two different species who hate each other, but eventually learn to trust, even love one another. The movie’s message is powerful, and its advertising completely ignores it. It does it a disservice (Years later, when seeing John Carter, I would remember it being similarly badly served).  

And thanks to the movie, I still want to go to the Canary Islands, to the volcanic area that the movie is filmed in. It’s a bleak and eyecatching place, and my camera and I would love to capture it and experience the location first-hand. 

(7) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

Born December 20, 1960 Nalo Hopkinson, 64.

By Paul Weimer: There are some authors and their books that shake you completely and utterly out of your comfort zone. Nalo Hopkinson is one of those authors. We cast our minds back to the late 1990s as I was growing in my science fiction reading, moving toward my path of being a reviewer and critic. I had not yet really started to read that widely, but I was learning.  When I saw Brown Girl in the Ring, her debut novel, it looked completely different than anything I had ever read before. So, in the spirit of trying to broaden my reading, I picked it up.

And it knocked me on my arse. Late 21st century Toronto setting. Afro-Caribbean culture? African Mythology and deities mixed in with a believable and immersive dystopian future. This novel hit buttons of mine hard, and buttons that I didn’t know I had. I think that this was one of the first novels that started my quest to start looking for books “Beyond the Great Walls of Europe”, to engage with other traditions, cultures, starting points. It was absolutely superb.  And if you haven’t read it, it’s short and punchy, I devoured it in a couple of days.

Since then, Hopkinson has been a feature in my reading ever since, from Midnight Robber through works like The Salt Roads to more recent works like her recent Blackheart Man. Nalo’s output is not a tsunami of novels and stories; her work is more like the work of Ted Chiang, a few startingly potent and polished gems that are potent and powerful.  She’s not a writer for every cup of tea, that uncompromising nature of her work means that there can be some rather tough subjects and themes in the work. But I think her work is worth it.

Nalo Hopkinson

(8) COMICS SECTION.

(9) KRYPTO’S VALUE. Brian Cronin’s CBR. Newsletter discussed the origins and role of Krypto – unfortunately, there’s no public link to it. (And it wouldn’t be nice for me to gank the whole article.)

…Like most new characters (including Batman’s answer to the dog trend, Ace the Bathound, who debuted a few months later), Krypto was only intended to be a one-off character, just something that Otto Binder and Curt Swan could introduce to get through another issue of the Superboy feature, but fan response was strong enough that Krypto soon returned, and became a regular fixture in the series. He was then added to the main Superman comic books, as well (althoguh he did not play as major of a role in the stories of Superman as an adult as he did in Superboy stories, there is just something special about a boy and his dog). Krypto was a major part of the Superman titles in the 1960s, as the titles began to introduce more and more characters, like Streaky the Super Cat (she and Krypto had quite the rivalry).

What made Krypto so special to Superman?

The importance of Krypto was made clear by the late, great Martin Pasko in Action Comics #500 (by Pasko, Swan, and Frank Chiaramonte), when Superman is walking with reporters through the Superman Pavilion of the Metropolis World’s Fair, and reflecting on his life. Krypto comes up, and Superman speaks about the loneliness that comes from being the “Last Son of Krypton.” It is not just a matter of being the only survivor from your planet, which, of course, carries along a tremendous amount of survivor’s guilt, but there is also the problem where, because of the way that Earth gives you special powers, that you are alone on THIS planet, too, because you’re different than everyone else. That is, therefore, why Krypto was so important to Superman, because it was someone that Superman could relate to, even if he was “only” a dog…

(10) HAPPY BIRTHDAY SPACE FORCE. “US Space Force 5 years later: What has it accomplished so far, and where does it go from here?” Space tries to supply an answer. Will this bureaucratic growth survive a second Trump administration, despite being founded during the first?

The U.S. Space Force celebrates its fifth anniversary today.

The service was formally established on Dec. 20, 2019, when President Donald Trump signed it into law with the National Defense Authorization Act, the bill that allocates U.S. military spending each year. Since then, the U.S. Space Force has grown to nearly 15,000 servicemembers and civilian personnel. In its fifth year, Space Force has overseen astronaut launches from its facility at Florida’s Cape Canaveral Space Force Station and has even seen one of its own active Guardians, as Space Force members are known, launch into space.From GPS navigation networks to weather forecasting, from broadband internet to early-warning missile detection systems, the U.S. (like many other nations) increasingly depends on space-based technologies for its way of life. Space Force’s role in protecting and overseeing these technologies has evolved and grown over the last five years, and will likely continue to do so as it moves forward. But just what has Space Force accomplished in its first five years, and where will it go from here?

… From a piece of legislation to launching its own personnel from its own launch site, Space Force set a brisk pace in its first five years.

The service’s current Chief of Space Operations, Gen. Chance Saltzman, highlighted the rapid growth of Space Force in remarks given at the Center for Strategic and International Studies’ (CSIS) “Celebrating the U.S. Space Force and Charting Its Future” event in Washington, D.C., on Dec. 17.

“On average, we have tripled in size every year for the last five years in personnel, an astounding growth rate for any government organization,” Saltzman said. “We have reimagined operations, redefined policies [and] reworked processes from the ground up to forge a service purpose-built for great power competition.

“All of this in just five years.”…

(11) WHO IS NUMBER ONE? A nice way to see out the year! “Booksellers predict Orbital by Samantha Harvey will be UK No 1 bestselling book” reports the Guardian.

This year’s Booker prize winner will be the Christmas No 1 bestseller, predict UK booksellers. 

The Booksellers Association (BA) asked bookshop staff which book they think could reach the festive top spot, and Orbital by Samantha Harvey was the most popular response.

The slim volume was “selling well even before the Booker prize win, and since then it has been flying off the shelves,” said Amanda Truman, who owns Truman Books in Farsley, West Yorkshire.

Fleur Sinclair, president of the BA and owner of Sevenoaks Bookshop in Kent, would be “amazed” if Orbital doesn’t top the charts. Between its Booker win and “accessible paperback format and price, so many of our customers are buying it both for themselves and as gifts”.

Orbital became the first Booker novel to hit No 1on the UK bestseller chart in the week of its win, with 20,040 copies sold that week. The novel follows a day in the life of six astronauts on the International Space Station.

Aside from the novel “being a literary masterpiece, awards really help sell books”, said Jude Brosnan, marketing manager at Stanfords bookshops. “Along with all the extra promotion they provide, we find customers really appreciate recommendations – even more so at this time of year.”

(12) OSCARS IN TIMES TO COME. [Item by Steven French.] The Guardian’s “Week in Geek” pushes for more recognition for ‘mo-cap’ acting: “Aliens, Gollum and talking raccoons: when will the Oscars finally reward mo-cap acting?”

Picture the future: it’s the Oscars 2034, and the best actor prizes are no longer split into male and female categories. Instead, there is an award for best performer in a live action role, and another for best actor in a performance capture role. Meryl Streep and Tom Hanks can finally go head-to-head for their epic turns in Sophie’s Choice II and Even Bigger respectively, while Zoe Saldana and Andy Serkis are up for the latter for their startling performances in Avatar 6 and The Lord of the Rings: What Gollum Did Last Summer.

Some might suggest this is a tantalising vision of a world where the Academy has finally caught up with the realities of modern acting. Others would no doubt point out that the Oscars has been rewarding work where the actor’s real face is obscured by makeup, prosthetics, masks, or other transformations for decades, ever since John Hurt received a best actor nod for The Elephant Man in 1980. The difference is that while Robert Downey Jr somehow managed to snag a nomination for playing an Australian method actor donning blackface in the biting 2008 satirical comedy Tropic Thunder, the likes of Avatar’s Saldana and Lord of the Rings’ Serkis seem doomed to Oscars limbo, as they pour their hearts repeatedly into roles only to watch awards season roll by like an indifferent Na’vi riding a banshee past a crying Jake Sully.

(13) VIDEO OF THE DAY. [Item by Todd Mason.] Colbert and company love their animation… “’It’s A Worm-derful Life’ – A Late Show Animated Holiday Classic”.

Santa and his workshop are, like America, having a bumpy sleigh ride transitioning to the incoming Trump administration. When Elon Musk is put in charge of Christmas efficiency as part of his D.O.U.C.H.E. program, Santa must either pledge absolute loyalty, or face a gladiator battle of ancient Roman proportions. Will Father Christmas survive? Will Joe Biden stay awake through the entire special? Will RFK Jr.’s brainworms have enough brain meat left to eat this winter? Find out in “It’s A Worm-derful Life,” the new Late Show Holiday Animated Classic!

[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Alec Nevala-Lee, John Coxon, Todd Mason, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Jeff Jones.]

Pixel Scroll 12/19/24 Credentially Centigrade

(0) I opened a ticket with Jetpack customer service yesterday after the eighth consecutive post without a subscriber notification. They’re looking into it.

(1) UP, UP AND AWAY. The ‘full length’ Superman Official Teaser Trailer dropped today.

(2) A SUPERBOY AND HIS DOG. Deadline follows up the trailer with: “’Superman’: James Gunn On Superhero’s ‘Complicated’ Relationship With Krypto; ‘He’s Not Nearly The Best Dog’”.

In a moving moment in the trailer, a bloodied Superman who has fallen to a snowy Earth suddenly whistles and out of the blue we see a storm in the distance as Krypto the dog comes to some form of a rescue.

Said Gunn at a presser for the trailer about including the canine in this live-action version of Superman: “I think we’re seeing that from the beginning we’re seeing a little bit of a different side of Superman than what we’ve seen.”

“This movie at the end of the day is not about power. This movie is about a loose term of the word a human being and who he is as a person and virtually struggling in his day-to-day life, and we see a different aspect of him in the beginning.” [says James Gunn]

“His relationship with Krypto is complicated. He’s not nearly the best dog. There’s a lot more to Krypto than you see in this trailer.”…

(3) YOUR FACE BELONGS TO US. [Item by SF Concatenation’s Jonathan Cowie.] Your Face Belongs to Us by Kashmir Hill is BBC Radio 4’s Book of the Week.

What if you could be identified by anyone with just a blurry photo..?  Now, we (SF fans) are surely all aware of the Orwellian nightmare of social control and identity.  In Your Face Belongs to Us Kashmir Hill looks at the ClearView AI…  and it’s not really that good…

Today ClearView AI declares that it has a database of 50 billion facial images sourced “from public-only web sources, including news media, mugshot websites, public social media, and many other open sources.” Your face may well belong to them.

Your Face Belongs To Us was shortlisted for the Royal Society Science book prize 2024 and described by the Financial Times as “A parable for our times”. According to The Economist, “A walk down the street will not quite feel the same again.”

You can download the following episodes: Episode 1Episode 2Episode 3Episode 4, and Episode 5

(4) JEOPARDY! [Item by David Goldfarb.] I started taking notes when the Jeopardy round had a clue about a File 770 favorite:

That’s Weird, $600: Weird Tales magazine published his story “The Black Ferris”, which formed the basis for “Something Wicked This Way Comes”

Challenger Eric Weldon-Schilling was up on his Bradbury.

That’s Weird, $1000: It’s the formal & familial, though maybe not terribly polite way to address the trio of witches in “Macbeth”

After a noticeable pause, challenger Sarah Rosenthal rang in and tried, “What are ‘The Weird Sisters’?” and this was right.

The Jeopardy! round had a category “Poli Sci”. Double Jeopardy had “Poli Sci-Fi”.

There was a little bit of SFF content elsewhere, too.

Victorian Verse, $400: The Victorians loved these supernatural little creatures, often spelled with an “E” in place of an “I”, as in Yeats’ “The Stolen Child”

Eric got it: “What are faeries?”

Poli Sci-Fi, $400: Located somewhere in the Rockies, the capitol of this country dominates its 12 surrounding districts.

Champion Ashley Chan had read her “Hunger Games” and responded, “What is Panem?”

$800: George Lucas said of this “Return of the Jedi” guy, “Richard M. Nixon was his name. He subverted the Senate & finally took over”

Eric knew it: “Who is Emperor Palpatine?”

$1200: Secretary of Education Laura Roslin suddenly ascends to the presidency of the 12 colonies on this series

Eric, perhaps a fan, got this too: “What is ‘Battlestar Galactica’?”

$1600: This “Star Trek” organization, the UFP for short, has a president, a federal council & a supreme court

Eric again: “What is the United Federation of Planets?” And he then went to the last question in the category.

$2000: A prominent member of the Ape National Assembly, this doctor is both Minister of Science & Chief Defender of the Faith

Ashley came in here with “Who is Caesar?” but this cost her $2000.

Sarah and Eric didn’t try it — it was Dr. Zaius.

(5) JUDGE SIGNALS A LOSING CASE. “Florida Court Urges School District To Settle In Book Banning Case” reports Publishers Lunch.

A federal judge in Florida has urged the Escambia County School Board to settle a book-banning case brought by PEN, PRH, and others, mindful that it has cost local taxpayers hundreds of thousands of dollars. As of last September, the school board had already spent more than $440,000 on attorneys’ fees. District Judge T. Kent Wetherell II wrote in the footnote of a court order that a settlement, “should be particularly important to (the school board) because it is spending taxpayer money to defend this suit and it could end up having to pay all or part of Plaintiffs’ attorney’s fees on top of its own attorneys’ fees if Plaintiffs prevail in this case.”

Escambia County banned 1,600 titles from school libraries, including dictionaries and encyclopedias. In December, the parties attempted mediation but came to an impasse after eight hours. Additionally, the Tallahassee Democrat reports that Escambia County school officials have spent almost $200,000 in another lawsuit over the removal of picture book And Tango Makes Three. (Nassau County was also sued over the removal of this book and it was restored to shelves in September.)

Last January, Wetherell wrote, “The Court simply fails to see how any reasonable person would view the contents of the school library (or any library for that matter) as the government’s endorsement of the views expressed in the books on the library’s shelves.”

(6) FORTY WHACKS. Camestros Felapton continues to map out his plan for cashing in on a literary trend in “Dahrk Snarl II: The Romantasy of the Blood-Axe”.

[Simon Goquickly] Dear Mr Snarl, or may I call you Dahrk? So lovely to have you back.
[Snarl] You said you had a job for me.
[Simon Goquickly] I do, I do!
[Snarl] It had better not be one of them barbarianistas that make hot mud drinks. If I wanted to drink hot mud I’d fight the geyser golems of Gahst.
[Simon Goquickly] My, my, you fought the geyser golems of Gahst?
[Snarl] It was a misunderstanding see? I thought they said it was a “geezer” and I thought how hard could it be to fight some regular geezer? Turned out it was a ‘omonid.
[Simon Goquickly] A homonym?
[Snarl] That as well….

(7) BARRY MALZBERG (1939-2024). Author and editor Barry Malzberg died December 19. Following a series of medical problems, of which the last were pneumonia and a bacterial infection, a few days ago he was moved into hospice care. His daughter, Erika, informed friends today: “ My dad passed away this evening, around 4:30pm. My sister had been with him for a few hours and I was just getting back after having visited with my mother. He took his last breath almost the moment I arrived. It was very, very peaceful and we are so grateful.” 

His first science fiction story, “We’re Coming Through the Window”, was published in the August 1967 issue of Galaxy.

Many of his science short stories and novels in the late 1960s were published under the pseudonym “K. M. O’Donnell”.

His novel Beyond Apollo won the inaugural John W. Campbell Memorial Award (1973).

His nonfiction works won two Locus Awards: The Engines of the Night (1983), and Breakfast in the Ruins: Science Fiction in the Last Millennium (2008).

Malzberg collaborated with Mike Resnick on more than 50 advice columns for the SFWA Bulletin. They have been collected as The Business of Science Fiction.

(8) MEMORY LANE.

[Written by Paul Weimer.]

A Clockwork Orange

By Paul Weimer:

…or, Paul gets snakebit by looking at acclaimed films.

I’ve mentioned in earlier columns how I started to in the early to mid 90’s to read SFF books that had been nominated and won awards. I did the same thing for a while with films as well. Although I was not and would not be interested in photography as something for me to do for another decade, in retrospect, my interest in image started earlier, even more subconsciously, than I realized. 

Anyway, I had heard of the brilliance of A Clockwork Orange, and I had been watching a number of 70’s films, and so a trip to the video store (remember those?) meant that it was time for me to engage with Kubrick’s film. I had already seen Dr. Strangelove (I had won a copy in an early online contest) and of course, 2001. So I thought I knew what I was in for when I watched A Clockwork Orange.

Reader, I was not and did not.

Much of the film I was enthralled by. I had not yet read the Burgess book, but the worldbuilding, the dark future of Britain was enthralling. The movie is well acted, even if it is hard to take (poor, poor Alex’s reconditioning).  The score, even if I was and am not a music fan, was memorable (and I bought the soundtrack on CD).  It’s a dark future but an enthralling one. 

But that scene. You know the scene. The imagery. Alex’s break-in, his deadly sexual assault with that gigantic sculpture of a helpless woman. THAT I had not signed up for. That was hard to take. That I had not been warned about. I’ve only watched the movie a few times since, as brilliant as it is…and I skip that scene. Every single time after the second time, where I stopped and froze the cascade of images that we see in the height of the assault.  But I don’t need to see this scene anymore. So it goes.

But I still do use the phrase a “bit of the old ultraviolence” now and again. The movie is unforgettable, and revolutionary. 

(9) COMICS SECTION.

(10) LONDON CRITICS’ CIRCLE. [Item by Steven French.] Feminist body-horror movie The Substance is nominated in the London Critics’ Circle awards. “Anora and The Brutalist lead London film critics’ award nominations” – the Guardian has details. It appears this is the only film of genre interest in contention, except for the Technical Achievement category:

Film of the year

  • The Substance

Director of the year

  • Coralie Fargeat – The Substance

Screenwriter of the year

  • Coralie Fargeat – The Substance

Actress of the year

  • Demi Moore – The Substance

Supporting actress of the year

  • Margaret Qualley – The Substance

Technical achievement award

  • The Substance – makeup, Stéphanie Guillon & Pierre-Olivier Persin
  • Beetlejuice Beetlejuice – visual effects, Angus Bickerton

Also worth mentioning is the animated feature category.

Animated feature of the year

  • Flow
  • Inside Out 2
  • Memoir of a Snail
  • Wallace & Gromit: Vengeance Most Fowl
  • The Wild Robot

(11) LIKE SANDS THROUGH AN HOURGLASS. Didn’t you predict this? “’Dune: Prophecy’ Getting Season 2” reports Deadline.

HBO‘s Dune: Prophecy will be returning for a second season. The news was announced today during a virtual press conference with showrunner EP Alison Schapker, and stars Emily Watson and Olivia Williams.

The prequel series to Legendary’s Denis Villeneuve-directed Dune movies will air its Season 1 finale on Sunday….

(12) WHAT IF AI WAKES UP? [Item by SF Concatenation’s Jonathan Cowie.] In today’s Christmas Nature: “What should we do if AI becomes conscious? These scientists say it’s time for a plan”.

Look, I keep on telling folk that the machines are taking over, but no-one ever listens! Indeed, some say we should be concerned for any putative, war-mongering AIs welfare…. 

We all know what happened with the Forbin Project and younger fans will be well aware of issues with Skynet.   Well now someone is calling us to have AI care policies….

Researchers call on technology companies to test their systems for consciousness and create AI welfare policies.

A group of philosophers and computer scientists are arguing that AI welfare should be taken seriously. In a report posted last month on the preprint server at arXiv, ahead of peer review, they call for AI companies not only to assess their systems for evidence of consciousness and the capacity to make autonomous decisions, but also to put in place policies for how to treat the systems if these scenarios become reality.

(13) MOON’S BIRTHDAY QUESTIONED. “You don’t look a day over 4.35 billion! Here’s the moon’s anti-aging secret”Laist shares a theory.

The Moon has long been the Earth’s close companion, but researchers have struggled to understand exactly when the moon formed, because tiny crystals in the moon rocks brought home by astronauts suggested two different ages.

Now, a study in the journal Nature argues for the earlier age, saying that the ancient Moon also went through a period when it got hot and partially remelted, producing new rocks about 4.35 billion years ago.

The rock-melting heat came from early gravitational interactions with the Earth, which stretched and squeezed the Moon, warming it up.

This process is called “tidal heating.” It is how Jupiter currently heats up its moon Io, the most volcanically active spot in the solar system….

… Nimmo says that lab workers have analyzed moon rocks brought back by the Apollo astronauts and found that almost all of the samples were 4.35 billion years old, suggesting they formed around 200 million years after the solar system started.

The trouble is, he says, simulations of the solar system’s evolution suggest the Moon had to have emerged earlier than that-–because at 200 million years, pretty much all of the material winging around had already been swept up into planets….

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, David Goldfarb, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]