Guest Post: The Best SF/F Television Episodes of 2024

By N.: An odd list to publish on the literal final day of Hugo nominations, to be sure. Being honest, this wasn’t planned. Seeing Journey Planet’s list of Graphic Novel contenders made me realize that there wasn’t an equivalent list for TV shows, which have historically been a massive part of Dramatic Presentation but are harder to keep track of in the age of streaming. Thus, here’s an impromptu list of the Best SF/F Television Episodes of 2024 (in this fan’s opinion). If it’s too late for your nominations, consider this a general recommendation list. Perhaps one will come out earlier in 2025.

A few ground rules: all of these came out in 2024. One episode or two-parter per series, to provide a wider view of the best that genre TV has to offer. If you would like to seek these shows out, I suggest using JustWatch to find out where they stream in your region.

(WARNING: Descriptions are written to exclude spoilers, but clips are included that likely do have them. View at your own risk.)

10. Doctor Who – “73 Yards”

Written by Russell T Davies

Directed by Dylan Holmes Williams

With Russell T. Davies’ return to the show, a new Doctor and a new start on Disney+, it’s business as usual for the time lord—growing pains as the show finds its footing. “73 Yards,” in particular, has proven to be a particularly divisive installment, with much of its runtime focused solely on companion Ruby, as she’s terrorized by a mysterious woman who, by standing 73 yards (that’s 67 meters) away from her, begins to dismantle her life and turn everyone against her. To those that enjoy the episode, this is an inventive break from the formula—a quiet, eerie little quasi-ghost story that inserts a bit of existential horror into the British institution, and demonstrates that the show’s secret weapon remains its variety.

9. Evil – “How to Survive a Storm”

Written by Rockne S. O’Bannon & Anju Andre-Bergmann

Directed by John Dahl

This CBS/Paramount+ religious supernatural thriller from the The Good Wife creators never amassed a large viewership, but did have a dedicated watcherbase of fans that fell in love with the series for its deft mix of monster-of-the-week antics, humor, genuine emotion and genuinely scary horror. In its fourth and final season, possibly the best encapsulation of Evil’s underrated, shaggy appeal is its tenth episode, where a hurricane hits New York, against the backdrop of which spring demonic attacks, revelations, and a shocking demise. Though late in the series’ run and heavy in its consequential plot turns, “How to Survive a Storm” may be worth seeking out to understand what many viewers were missing.

8. Star Trek: Lower Decks – “Fissure Quest”

Written by Lauren McGuire

Directed by Brandon Williams

Lower Decks weathered the initial turbulence of cynicism from Trekkies and came out the other side as among the most beloved of the modern Trek shows, with its premature cancellation inspiring a wave of mourning. Thankfully, the show went out on a high note, its penultimate episode being a celebration of the entire franchise. Following Brad Boimler’s clone William—now captain of his own ship—as he attempts to close interdimensional rifts and save the multiverse, “Fissure Quest” gives audiences a treat by surrounding him with alternate versions of fan-favorite Trek characters (including Jolene Blalock returning to acting as T’Pol, and Garak and Bashir as the married couple fans only dreamed of). Rather than a pure fanservice-fest, this is also a legit Trek story, representative of Lower Decks’ ability to navigate the divide between playful and earnest.

7. Star Trek: Prodigy – “Ouroboros” (Parts 1 and 2)

Written by Kevin Hageman & Dan Hageman & Aaron J. Waltke

Directed by Sean Bishop & Ruolin Li

The other show that stands above the rest of modern Trek, Prodigy is the yin to Lower Decks’ yang—while the latter is an animated show made for adults that treats Trek with a lighter touch; Prodigy is an animated show that handles darker themes in a way both kids and adults can enjoy (plus the inclusion of Janeway and a well-written Wesley Crusher don’t hurt). Its two part second season finale (and likely series finale) sees series antagonist Ascensia launch a desperate all-out attack on the Federation, which gives way to a larger looming threat. Among the action-packed family thrills in these last two episodes, the most thrilling is watching our central group of alien misfits, who started at the bottom rungs of the universe and who we’ve watched struggle throughout the series, finally achieve their spot as heroes.

6. Fallout – “The Beginning”

Written by Gursimran Sandhu

Directed by Wayne Yip

Fallout had a much tougher path to follow as a video game-to-TV show adaptation than The Last of Us, being based on a larger, long-running series more nebulous in its narrative than the latter’s more linear, cinematic telling. This makes the series we got all the more impressive, a show that faithfully translates its source material’s idiosyncrasies while simultaneously expanding on its post-apocalyptic setting. The finale of the first season, where Lucy is finally able to reunite with her father, provided key answers about said world in an emotionally-shattering hour that completely shifted and redrew the dynamics between the characters (With some particularly stunning revelations at play) and complicated the series’ central factions, cementing the show on the list of proven video game adaptations.

5. Agatha All Along – “Death’s Hand in Mine”

Written by Gia King & Cameron Squires

Directed by Jac Schaeffer

The MCU spinoff centered around WandaVision fan-favorite Agatha Harkness was largely seen by fans as a wholly average side excursion in the universe—save for its seventh episode, which would easily rank high on a list of the MCU’s best TV episodes. Centered around coven member Lilia Calderu, who experiences time non-linearly, as she undergoes her Witches’ Road Test, “Death’s Hand in Mine” is anchored by a bravura performance from theatre legend Patti Lupone as Lilia. It takes a lot of elements to pull off an “unstuck in time” premise, and even more to pull off one with emotional resonance for a character we’ve spent relatively little time with. As with Lilia’s memories, this episode makes every second count.

4. House of the Dragon – “The Red Dragon and the Gold”

Written by Ryan Condal

Directed by Alan Taylor

With changes to the book that may not bode well for future seasons, controversial turns of character, and an overall sense of wheel-spinning, House of the Dragon’s second season has been controversial, seen as a drop in quality from the first among fan circles—least of which from the writer of the book himself. The fourth episode of the season was different, kicking the plot off into high gear with political intrigue that recalls GOT at its height, building tensions among the characters that culminates in one of the most indelible action sequences in the franchise’s history—a kaiju battle with dragons. Even those who were down on the season as a whole couldn’t deny this installment.

3. Arcane – “Pretend Like It’s the First Time”

Written by Amanda Overton

Directed by Armand DeLord & Bart Maunoury

Netflix’s adult animation League of Legends adaptation is as much characterized by its stunning animation and complicated characters as it is by the brutality of its world. This last aspect gets turned on its head in what opens up Part 3 of Arcane’s final season, in which Ekko wakes up in an alternate timeline—-one where Vi is long dead, but Powder has remained Powder and Zaun is in an apparent period of prosperity. As Ekko finds himself experiencing peace for the first time, Jayce suffers through an even worse future. While the second season of Arcane could feel condensed and rushed at points. “Pretend Like It’s The First TIme” excels as a “what-if” story that’s as beautiful as it is tragic, letting both Ekko and the audience live in a world that ultimately can’t last.

2. Interview with the Vampire – “I Could Not Prevent It”

Written by Kevin Hanna & Rolin Jones

Directed by Emma Freeman

A remix of Anne Rice’s Vampire Chronicles novels that puts the queerness front and center, Interview may have been the most consistent genre show of 2024, so much that it was hard to choose between this episode and “Don’t Be Afraid,. Just Start the Tape.” The edge, though, has to go the the second season’s penultimate episode, in which the show finally depicts that horrible event that those familiar with this story are all too familiar with. As Lestat makes his grand return, Interview sows doubt on the reliability of the story it’s been presenting us, all while hiking up the tragedy to maximum level.

1. X-Men ‘97 – “Remember It”

Written by Beau DeMayo

Directed by Emi Yonemura

X-Men ‘97 was a magic trick (or rather a mutant trick?); a sequel series to a 30-year-old cartoon that avoided easy nostalgia for a tense and layered political story that elegantly repackaged the themes of the comics for an older audience, told at an all-too-perfect time. This is best encapsulated in its fifth episode, in which the now Magneto-led X-Men travels to mutant sanctuary nation Genosha on the eve of its admittance to the UN. What is meant to be a moment of celebration winds up devolving into sheer horror, tragedy, and loss. A beautifully stunning half-hour of television, “Remember It” is the best SF/F episode of 2024.

Pixel Scroll 9/6/24 24 Views of Mount Pixel, By Scroll-You-Say

(1) PROS FOR SALE. Galactic Journey’s Gideon Marcus is at the Worldcon – the 1969 Worldcon: “[September 6, 1969] A hot time in the old town (Worldcon in St. Louis!)”.

… Jack Gaughan was the first artist since Frank Paul in ’56 to be the convention Guest of Honor.  Harlan Ellison was the toastmaster, a job he’s quite good at.  A little longwinded, but always funny.  On Friday, he auctioned off Bob Silverberg for $66 before Silverbob, in turn, auctioned Harlan off for $115 to a bunch of young ladies wearing Roddenberry sweatshirts….

(2) SFWA’S NEW QUARK. The Science Fiction and Fantasy Writers Association has inaugurated a monthly public-facing roundup of the organization’s news: “Quark – A SFWA Public Digest”.

In an effort to maintain transparency and foster communications with all members of the SFF community and the public, SFWA would like to introduce Quark, a monthly digest which will give quick updates on what’s been happening within the organization…. 

(3) I WISH I WAS A SPACEMAN, THE FASTEST GUY ALIVE [Item by SF Concatenation’s Jonathan Cowie.] This week’s Word of Mouth over at BBC Radio 4 took a look at what it is like to be an astronaut. It began with a quick dive into the film Gravity musing on what was real – an encounter with an imaginary George Clooney who somehow imparted unknown but critical information – and what was not. But soon the programme got into the real meat of what it is like to be a spaceman with an interview with Chris Hadfield. I have to say it was one of the best interviews I have heard with an astronaut. Topics covered included: the why’s of space techno-speak, overcoming fear, sense of place and Chris’ getting into being a fiction author. All good stuff. 

Colonel Chris Hadfield is a veteran of three spaceflights. He crewed the US space shuttle twice, piloted the Russian Soyuz, helped build space station Mir and served as Commander of the International Space Station. 

Getting words and language right in as clear and a concise way is a matter of life and death for astronauts. Crews are traditionally made up of different nationalities and Russian is second to English on board. Chris Hadfield who flew several missions and captained the International Space Station talks about how astronauts communicate and the special language they use that he dubs NASA speak. He speaks several languages and lived in Russia for twenty years. As an author he has written several novels based on his experience in Space and as a fighter pilot the latest of which is The Defector. His books The Apollo Murders are being made into a series for TV. He tells Michael about the obligation he feels to share in words as best he can an experience that so few people have – of being in space and seeing Earth from afar. 

You can hear the 25-minute programme here.

(4) HOMEWARD BOUND. Starliner Updates reports:

Boeing’s Starliner spacecraft undocked from the International Space Station on Friday, Sept. 6, with separation confirmed at 6:04 p.m. Eastern time.

The reusable crew module is expected to land at 12:01 a.m. Eastern time (10:01 p.m. Mountain time) Saturday at White Sands Space Harbor at the U.S. Army’s White Sands Missile Range in New Mexico.

AP News posted this overview: “Boeing Starliner returns to Earth without NASA astronauts”.

After months of turmoil over its safety, Boeing’s new astronaut capsule departed the International Space Station on Friday without its crew and headed back to Earth.

NASA’s two test pilots stayed behind at the space station — their home until next year — as the Starliner capsule undocked 260 miles (420 kilometers) over China, springs gently pushing it away from the orbiting laboratory. The return flight was expected to take six hours, with a nighttime touchdown in the New Mexico desert….

… A minute after separating from the space station, Starliner’s thrusters could be seen firing as the white, blue-trimmed capsule slowly backed away. NASA Mission Control called it a “perfect” departure.

Flight controllers planned more test firings of the capsule’s thrusters following undocking. Engineers suspect the more the thrusters are fired, the hotter they become, causing protective seals to swell and obstruct the flow of propellant. They won’t be able to examine any of the parts; the section holding the thrusters will be ditched just before reentry….

(5) NESFA SHORT STORY CONTEST. The New England Science Fiction Association is having a Short Story Contest (again) for non-professional writers.  Deadline is September 30.  Submissions must be less than 7500 words, and sent to storycontest@boskone.org. Full details here: “Short Story Contest”.

…The winner, runners-up, and honorable mentions will be announced during the awards ceremony at Boskone, in NESFA’s newsletter following Boskone, and in various electronic media, including e-zines, newszines, and the Boskone and NESFA websites, blogs, and Facebook pages.

The winner will receive a certificate of achievement, three NESFA Press books, and a free membership to their choice of the next Boskone or the Boskone after that.

Runners-up will receive a certificate and two NESFA Press books. Honorable mentions will receive a certificate and one NESFA Press book….

(6) EATING THE FANTASTIC. Scott Edelman invites listeners to munch on Mattar Paneer with horror writer William J. Donahue in Episode 235 of the Eating the Fantastic podcast.

William J. Donahue

Horror writer William J. Donahue is the author of such novels as Burn Beautiful Soul (2020), Crawl on Your Belly All the Days of Your Life (2022), and most recently, Only Monsters Remain (2023). His short story collections include Brain Cradle (2003), Filthy Beast (2004) and Too Much Poison (2014). When not writing fiction, Donahue works as a full-time magazine editor and features writer. Over the past 15 years, his writing and reporting have earned nearly a dozen awards for excellence in journalism from the American Society of Business Publication Editors.

We discussed the artistic endeavor which had him performing under the name Dirty Rotten Bill, why the first three novels he wrote will never see the light of day, what he was doing with one of those heads from the film 8 Heads in a Duffel Bag, why he finds playing with the apocalypse so appealing, the reason he’s neither a plotter or a pantser, but a plantser, how a vegetarian is able to do damage to human flesh in his fiction, the way our journeys were different and yet we managed to wind up at the same destination, how wrestling changed his life, why we keep writing and submitting in the face of rejection, and much more.

(7) GAME ON! N. helps readers evaluate potential game Hugo nominees in “Hugo Award Gamer Grab Bag 2025: Indelible Indies” at the Hugo Book Club Blog.

Last year saw the formal introduction of the Best Game or Interactive Work category to the Hugo Awards, set for re-ratification in 2028. This year saw beloved RPG title Baldur’s Gate 3 win the prize (accepted by an attending dev team!), showing that this category does indeed have juice.

Still, questions remain on logistics, and how Worldcon attendees can best evaluate games in the face of the sprawling gaming industry. That’s what we hope to tackle in this (sporadic) series of guest posts, in which we plan to highlight various genre titles worthy of Hugo consideration (and plain worthy of playing). Easing into this inaugural post, here are three acclaimed indie SFF video games of note released so far in 2024 that we think voters would enjoy…

(8) CLOSING THE STARGATE. Slashfilm thinks they know “Why The Sci-Fi Channel Canceled Stargate SG-1 After Season 10”.

…So, what was “Stargate SG-1” about? The series picks up roughly a year after the events in [Roland] Emmerich’s movie, by which point the titular artifact has become common knowledge among the masses and the U.S. government has leveraged it to traverse distant worlds. An elite U.S. Air Force squad named SG-1 is deployed with the intention of warding off alien attacks, as the dark forest hypothesis comes into play with access to galactic civilizations both benign and malignant. The Goa’uld, the Replicators, and the Ori emerge as key threats to Earth, and the series draws heavily from history and mythology to weave intriguing cultural tapestries that intertwine, and often clash, with our own.

However, this well-oiled machine, which often ran on fumes due to budgetary constraints or a dearth of fresh creative directions, came to a halt in August 2006, when the Sci-Fi Channel (where the show had migrated to in 2002), announced that there would be no 11th season. Speculations about dwindling ratings, ever-expanding production costs, and poor marketing were cited to justify this cancellation. However, the real reason “Stargate SG-1” was axed can be traced to a network decision that had little to do with such logistical aspects. But what happened, exactly?

… In a now-archived interview with Variety, Mark Stern, former exec VP of original programming for the Sci-Fi Channel (now known as Syfy), clarified that “SG-1” cancellation was not ratings-based. “[The cancellation] was not a ratings-driven decision. We’re actually going out on a high note,” Stern said, while affirming that the cast and crew were given enough time to wrap up the narrative in a satisfactory manner, with all loose ends tied up in the series finale….

(9) TODAY’S BIRTHDAY.

[Written by Dr. Valentin D. Ivanov.]

September 6, 1951 Aleksandar Karapanchev.  (Died 2021.) Aleksandar Karapanchev was a Bulgarian speculative fiction writer, journalist and poet. He was also an active fan, publisher and editor. He graduated from the University of Sofia with degrees in Turkish and Russian languages. However, the most impactful part of his career was the work at the specialized speculative fiction publishers RollisOrphia and Argus in the 1990s. 

He joined fandom well before that and came to love and enjoy genre literature. He edited many dozens of books, served in the juries of a host of writing competitions and on the boards of non-profit organizations aimed to support and advance the speculative fiction. The last ten years of his life he was the secretary of Terra Fantastica – the society of Bulgarian speculative fiction writers.

Karapanchev authored tens of stories, published in the periodicals and in various anthologies. He was the recipient of tens of accolades and awards, including two Eurocons – for the Fantastica, Euristics and Prognotics (FEP) magazine he edited in 1989 and for his debut book in 2002. In 1996 as an editor he won, together with the team of the Argus publishing house, the most prestigious speculative genre accolade in Bulgaria – the Graviton award.

His most notable pieces of fiction are the short stories Stapen Croyd, describing the consequences of a noise catastrophe that has left the humanity in constant unrest and In the UNIMO Epoch, about the destructive effect of the consumerism. His stories have been translated in English, German and Russian. He also authored some poetry and a lot of genre-related non-fiction – reviews, articles on the history and modern tendencies of the genre.

Many young Bulgarian writers owe major improvements in their style to the diligent and careful editorial work of Aleksandar Karapanchev. His passing in 2021 was a major blow to the community.

(10) COMICS SECTION.

(11) LATEST ARTIFICIAL INTELLIGENCE NEWS. [Item by SF Concatenation’s Jonathan Cowie.] “LLMs produce racist output when prompted in African American English” – a news report in Nature. “Large language models (LLMs) are becoming less overtly racist, but respond negatively to text in African American English. Such ‘covert’ racism could harm speakers of this dialect when LLMs are used for decision-making.”

From the research paper’s abstract:

 Hundreds of millions of people now interact with language models, with uses ranging from help with writing1,2 to informing hiring decisions3. However, these language models are known to perpetuate systematic racial prejudices, making their judgements biased in problematic ways about groups such as African Americans4,5,6,7. Although previous research has focused on overt racism in language models, social scientists have argued that racism with a more subtle character has developed over time, particularly in the United States after the civil rights movement8,9. It is unknown whether this covert racism manifests in language models. Here, we demonstrate that language models embody covert racism in the form of dialect prejudice, exhibiting raciolinguistic stereotypes about speakers of African American English (AAE) that are more negative than any human stereotypes about African Americans ever experimentally recorded.

Primary research paper here, and it’s open access.

(12) NIGHT PATROL. Atlas Obscura explains how “In This Beautiful Library, Bats Guard the Books”.

THE 60,000 BOOKS IN THE Joanine Library are all hundreds of years old. Keeping texts readable for that long, safe from mold and moisture and nibbling bugs, requires dedication. The library’s original architects designed 6-foot (1.8 meters) stone walls to keep out the elements. Employees dust all day, every day.

And then there are the bats. For centuries, small colonies of these helpful creatures have lent their considerable pest control expertise to the library. In the daytime—as scholars lean over historic works and visitors admire the architecture—the bats roost quietly behind the two-story bookshelves. At night, they swoop around the darkened building, eating the beetles and moths that would otherwise do a number on all that old paper and binding glue….

(13) VOLCANISM ON THE MOON 120 MILLION YEARS AGO. [Item by SF Concatenation’s Jonathan Cowie.] Back when the dinosaurs were scaring Raquel Welch (I have never really forgiven them for that) 120 million years ago, there was volcanic activity on the Moon. Research reported in this week’s Science looks at samples from China’s the Chang’e-5 spacecraft.

Igneous rocks on the Moon demonstrate that it experienced extensive volcanism, with the most recent precisely dated volcanic lunar rocks being 2 billion years old. Some types of volcanic eruption produce microscopic glass beads, but so do impacts. Wang et al. examined thousands of glass beads taken from a lunar sample collected by the Chang’e-5 spacecraft (see the Perspective by Amelin and Yin). They used compositional and isotopic measurements to distinguish volcanic- and impact-related beads, identifying three beads of volcanic origin. Radiometric dating of those volcanic beads showed that they formed 120 million years ago and were subsequently transported to the Chang’e-5 landing site. The results indicate recent lunar volcanism that is not predicted by thermal models.

See the primary research here

(14) REV. B. HIBBARD’S VEGETABLE ANTIBILIOUS FAMILY PILLS. [Item by Andrew Porter.] From the site Daytonian in Manhattan. An advertisement in The Evening Post on August 25, 1837 promised in part:

They are highly appreciated for the relief they afford in affections of the Liver and Digestive Organs.  The worst cases of Chronic Dyspepsia, Inveterate Costiveness, Indigestion, Dyspeptic Consumption, Rheumatism, Nervous or Sick Headache and Scurvy, have been entirely cured by a proper use of them.  Also, Liver Complaints, Fever and Ague, Bilious Fever, Jaundice, Dysentery or Bloody Flex, the premonitory symptoms of Cholera, Dropsical Swelling, Piles, Worms in Children, Fits, Looseness and Irregularity of the Bowels, occasioned by Irritation, Teething, &c.

(15) WHERE WOLF? “’Wolf Man’ Trailer Sees Christopher Abbott’s Monster Unleashed”, and Deadline sets the scene.

Universal Pictures on Friday debuted the first teaser for Wolf Man, its new film in which Christopher Abbott (Poor Things) transforms into the classic movie monster.

Co-starring three-time Emmy winner Julia Garner (Ozark), Sam Jaeger (The Handmaid’s Tale) and young up-and-comer Matilda Firth (Subservience), the New Zealand-shot reboot helmed for Blumhouse and Universal by Leigh Whannell (The Invisible Man) follows a family that is being terrorized by a lethal predator. Pic is slated for release in theaters on January 17, 2025….

[Thanks to Steven French, Kathy Sullivan, Teddy Harvia, N., Steven Lee, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Jon Meltzer.]

2023 Seiun Awards

Protocol of Humanity

The winners of the 2023 Seiun Awards were announced August 5 at Sci-con2023, the 61st Japan Science Fiction Convention, held at the Urawa Community Center in Saitama.

Thanks to N. for making the translations into English.

BEST JAPANESE LONG WORK

BEST JAPANESE SHORT WORK

BEST TRANSLATED LONG WORK

  • Foundation trilogy (new translation), by Isaac Asimov. Translated by Yasuko Kaji (Sogen SF Bunko, Tokyo Sogensha)

BEST TRANSLATED SHORT WORK

BEST MEDIA

BEST COMIC

BEST ARTIST

BEST NONFICTION

FREE NOMINATION

  • No award

[Thanks to Hirohide (Jack R.) Hirai for the story. Thanks to N. for the translations to English.]

2023 Seiun Awards Finalists

Nominees for the 54th Seiun Awards, the Japanese speculative fiction award honoring the best works of the previous calendar year, were announced April 13, alongside the opening of voting for attendees of Sci-con2023, the 61st Japan Science Fiction Convention, to be held in August at the Urawa Community Center in Saitama. The winners will be announced on August 5.

Thanks to N. for making the translations into English.

Best Japanese Long Work

Best Japanese Short Work

Best Translated Long Work

Best Translated Short Work

Best Media


Best Comic

Best Artist

Best Nonfiction

Free Nomination

[Thanks to N. for the story and the translations to English.]

43rd Japan SF Grand Prize

The Science Fiction and Fantasy Writers of Japan (SFWJ) announced the 43rd Japan SF Grand Prize winners on February 19:  

  • “SF suru Shiko: Yoshio Aramaki Hyoryoshu” [Critique of Speculative Reason: Collected Essays on Science Fiction, written by Yoshio Aramaki] (Japanese title: (SFする思考 荒巻義雄評論集成)  by Yoshio Aramaki (荒巻義雄)  (Takanashi Shobou)
  • “Zangetsuki” [Morning Moon] (Japanese title: 残月記) by Masakuni Oda (Futabasha).

The other finalists were:

  • Anomalous Papers (異常論文) edited by Kyosuke Higuchi (樋口恭介). An anthology published by Hayakawa Shobo in October 2021.
  • THE MAP AND THE FIST (地図と拳), written by Ogawa Satoshi (小川哲). A novel published by Shuei-sha in June 2022.
  • Kaiju Within (わたしたちの怪獣) written by Mikihiko Hisanaga (久永実木彦). A novelette contributed for Shimi no Techo vol. 6 in August 2022.

Publisher Futushaba describes the story of “Zangetsuki”/(Morning Moon ) in a press release:

Japan, in the near future, falls under a notorious dictatorship. This book contains the title story that depicts the fate of a man infected by selenomania, an infectious disease that is turning the world upside down, and the unwavering love of a woman living quietly by his side, as well as two other works. The stories take place in a fictional world created by the author’s immeasurable imagination based on the motif of the moon. One step into the world and you will be trapped in a whirlpool of imaginations—never returning to reality. Check out this long-awaited, new breakthrough!

The members of the prize selection committee were Masahiko Inoue, Gin Kusakami, Mari Kotani, Yūki Shansendō, and Toruya Tachihara. The eligibility period for the prize ran from September 1, 2021 to August 31, 2022.

Also, SFWJ honored three persons with the 43rd Japan SF Grand Prize Contribution Award: the late Mr. Tsukasa Shikano (science writer), the late Mr. Yasumi Tsuhara (novelist), and the late Masayoshi Yasugi (novelist). They contributed to the Japanese SF scene for many years by writing various works in their careers.

The Science Fiction and Fantasy Writers of Japan (Japanese official name: 日本SF作家クラブ, Nihon SF Sakka Club) is an organization of science fiction and fantasy-related people, professional or semi-professional.

[Based on a press release. Additional translation by N.]

2022 Seiun Award Winners

Seiun Award 2022

The 2022 Seiun Awards were presented on August 27 at the 59th Japan Science Fiction Convention (F-CON) in Fukushima Prefecture.

Thanks to N. for providing the translations, who credits Terrie Hashmoto with tips and some of the translations. All titles are in English, with Romanji in the Long Work and Short Story categories. English titles, in the event of no existing English title, are translated.

BEST JAPANESE LONG WORK

[TIE]

  • Irina: The Vampire Cosmonaut (Tsuki to Raika to Nosferatu), by Keisuke Makino (Gagaga Bunko, 10/19, 7 volumes)
  • Man Kind, by Taiyo Fujii (S-F Magazine, serialization ended in August 2021 issue)

BEST JAPANESE SHORT STORY

  • “How to Defeat Science Fiction Writers” (SF Sakka no Taoshikata), by Satoshi Ogawa (Anomalous Papers, Kyosuke Higuchi, ed. Hayakawa, 10/19)

BEST TRANSLATED LONG WORK

  • Project Hail Mary, by Andy Weir (translated by Kazuko Onoda)

BEST TRANSLATED SHORT STORY

  •  “The One With the Interstellar Group Consciousnesses” by James Alan Gardner (translated by Chiori Sada)

BEST DRAMATIC PRESENTATION

BEST COMIC

  • Psychic Squad (Zettai Karen Children), by Takashi Shiina (63 volumes)

BEST ARTIST

BEST NONFICTION

  • Super Sentai (Illustrated Gakken Book), edited by Dai Matsui (Gakken)

FREE NOMINATION

“The new movie version, which spanned almost 15 years since 2007, has finally come to an end. Starting from the TV series, it has been about 25 years. Many people did not live to see the end, and the conclusion of the event literally embodied the curse of Eva. We would like to pay tribute not only to the movie as a stand-alone product, but also to the completion of the series over the years.”

TWEETED ACCEPTANCE REMARKS

Best Long Work [Tie]:

“Man Kind,” which ended its serialization last year, has been selected for the 53rd Nebula Award in the Novel category.
Thank you to all of you who have been following my long serialization.

The “Irina: The Vampire Cosmonaut” series has won the “Nebula Award, Japanese Novel Category”! (Simultaneously awarded with Mr. Taiyo Fujii)
We are very grateful for this wonderful honor and for all of you who supported us. Thank you so much!

Illustration celebrating “Irina: The Vampire Cosmonaut’s win by the character designer Hiromi Katou

Best Dramatic Presentation: Here is the award for Godzilla.

“Godzilla Singular Point” has won the 53rd Nebula Award in the media category!
Director Atsushi Takahashi took the stage at today’s award ceremony at the 59th Japan Science Fiction Convention F-CON.

Please enjoy #Godzilla SP on Blu-ray & DVD and Netflix!

Best Comic:

“Zettai Karen Children” won the Nebula Award in the comic category. Thank you! Finally, I was recognized as a science fiction writer! From now on, it is now safe to call myself a “science fiction writer!” (How about that?)

Best Nonfiction:

“#GAKKEN’s Illustrated Book: Super Sentai” won the Nebula Award!

We are very honored to announce that we have won the 53rd #Nebula Award for Nonfiction! Thank you very much for this very prestigious award! We would like to express my heartfelt thanks to all those who recommended and voted for this book!

2022 Seiun Award Nominees

Art from F-CON, the 2022 Japanese Science Ficton Convention

The 2022 Seiun Award nominees were revealed on May 15. The announcement of the winners and the award ceremony will be held at the 59th Japan Science Fiction Convention (F-CON) to be held in Fukushima Prefecture from August 27-28, 2022.

Thanks to N. for the translation. All titles are in English, with Romanji in the Long Work and Short Story categories. English titles, in the event of no existing English title, are translated.

BEST JAPANESE LONG WORK

  • A Situation Beyond Statistics (Toukeigai Jitai), by Yuri Shibamura (Hayakawa Bunko JA, 2/17)
  • Space Battleship Yamato: Dawn Chapter, Aquarius Algorithm (Uchuu Senkan Yamato: Reimei-hen Aquarius Algorithm), by Yuya Takashima (Kadokawa, 9/27)
  • What Will You Be Doing at the End? Can I See You Just One More Time? (Shūmatsu Nani Shitemasu ka? Mō Ichido dake, Aemasu ka?) by Akira Kareno (Kadokawa Sneaker Bunko, 7/30, 11 volumes)
  • The Youngest Princess in Blue (Aoi no Suehime), by Mitsuhiro Monden (Sōgen Suiri Bunko, 9/24)
  • JAGAE Eccentric Legend of Oda Nobunaga (JAGAE Oda Nobunaga Den Kidou), by Baku Yumemakura (Shodensha, 6/10)
  • Irina: The Vampire Cosmonaut (Tsuki to Raika to Nosferatu), by Keisuke Makino (Gagaga Bunko, 10/19, 7 volumes)
  • Kiryu Police: White Bone Road (Kiryu Keisatsu: Hakkotsu Kaidou), by Ryoe Tsukimura (Hayakawa Shobō, 8/18)
  • Man Kind, by Taiyo Fujii (S-F Magazine, serialization ended in August 2021 issue)

BEST JAPANESE SHORT STORY

  • “Anonymous Akashic Records” (UchiAka-shic Record), by Yuba Isukari (S-F Magazine, June 2021)
  • “A Human History of Cleaning & Cleaning Equipment” (Souji to Souji Yougu no Jinruishi), by Yuri Matsuzaki (Anomalous Papers, Kyosuke Higuchi, ed. Hayakawa Shobō, 10/19)
  • “You Made Me Human” (Kisho ga Watashi wo Ningen ni Shitekureta), by Todoki Uka (S-F Magazine, February 2021)
  • “The Subjectivist” (Shukansha), by Koichi Harukure (S-F Magazine, August/October 2021)
  • “On the Imagination and Creativity of Invertebrates” (Musekitsui-doubutsu no Souzouryoku to Souzousei ni Tsuite), by Yuichi Sakanaga (Kawade Shobo Shinsha NOVA 2021 Summer Issue, 4/6)
  • “How to Defeat a Science Fiction Writer” (SF Sakka no Taoshikata), by Satoshi Ogawa (Anomalous Papers, Kyosuke Higuchi, ed. Hayakawa, 10/19)
  • “Seven Billion Pessimists” (Nana Okunin no Pessimist), by Nirou Katase (S-F Magazine, August 2021)
  • “Selling The Body” (Shintai wo Uru Koto), by Miyuki Ono (S-F Magazine, August 2021)

BEST TRANSLATED LONG WORK

  • Network Effect, by Martha Wells (translated by Naoya Nakahara)
  • The Man with the Compound Eyes, by Wu Ying-Mi  (translated by Satoshi Oguriyama)
  • The Fated Sky, by Mary Robinette Kowal (translated by Akinobu Sakai)
  • Death’s End, by Cixin Liu (translated by Nozomi Omori, Wan Chai, Sakura Mitsuyoshi, Ko Tomari)
  • No Enemy But Time, by Michael Bishop (translated by Yutaka Oshima)
  • Project Hail Mary, by Andy Weir (translated by Kazuko Onoda)
  • This Is How You Lose the Time War, by Amal El-Mohtar and Max Gladstone (translated by Kazuko Yamada)
  • Children of Time, by Adrian Tchaikovsky (translated by Masayuki Uchida)

BEST TRANSLATED SHORT STORY

  • “Yakiniku Planet,” by Liang Qingshan (translated by Keita Kojima)
  • “Mother Tongues,” by S. Qiouyi Lu (translated by Umiyuri Katsuyama)
  • “Nomad,” by Karin Lowachee (translated by Naoya Nakahara)
  • “The Man Who Ended History: A Documentary,” by Ken Liu (translated by Yoshimichi Furusawa)
  • “Power Armor: A Love Story,” by David Barr Kirtley (translated by Naoya Nakahara)
  • “The King of Time,” by Baoshu (translated by Kosaku Ai)
  • “A Witch’s Guide to Escape: A Practical Compendium of Portal Fantasies,” by Alix. E Harrow (translated by Fumiyo Harashima)
  • “The One With the Interstellar Group Consciousnesses” by James Alan Gardner (translated by Chiori Sada)

BEST DRAMATIC PRESENTATION

BEST COMIC

  • Ōoku: The Inner Chambers, by Fumi Yoshinaga (19 volumes)
  • Attack on Titan, by Hajime Isayama (34 volumes)
  • An Interstellar Voyage Fit for a Baron (Danshoku ni Fusawashii Ginga Ryokou), by Rasenjin Hayami (3 volumes)
  • Psychic Squad (Zettai Karen Children), by Takashi Shiina (63 volumes)
  • Astronaut Cat, by Ryo Aizawa (one-shot)
  • Beastars, by Paru Itagaki (22 volumes)
  • JoJolion, by Hirohiko Araki (27 volumes)
  • Sōbōtei Kowasubeshi, by Kazuhiro Fujita (25 volumes)

BEST ARTIST

BEST NONFICTION

  • NHK: 100 Minutes of Masterpieces – Ray Bradbury’s “Fahrenheit 451”, by Kazuhisa Todayama (NHK Publishing)
  • SF Prototyping: New Strategies of Innovation from Science Fiction, by Michito Miyamoto, Yuuki Namba, Hirotaka Osawa (Hayakawa)
  • Rurubu Universe, edited by Kimiyo Hayashi (JTB Publishing)
  • The Thoughts of Shinichi Hoshi, by Michiaki Asaba (Chikuma Shobō)
  • The Best of Japanese SF Comics, edited by Kenta Fukui (Sōgen Suiri Bunko)
  • Super Sentai (Illustrated Gakken Book), edited by Dai Matsui (Gakken)
  • A Physicist Gets Into Sci-Fi Movies, by Yuichi Takamizu (Kobunsha)
  • World Science Fiction Writers Conference, edited by Hayakawa Shobo Editorial Department (Hayakawa Shobo)

FREE NOMINATION

“A novel-generating AI created by an individual and released in July 2021, as it became a hot topic as a creative AI that can be easily enjoyed on the Web.”

“Date is the app’s release. For the app’s release and its scale as a social phenomenon after the production announcement in 2016.”

“Date is the release of the most recent game in the series, “Super Robot Wars 30.” In honor of the increased visibility of robot works, including past works, due to the crossover of robot works.”

“Research into a treatment for kidney disease in cats made the news and raised more than 200 million yen. The reason for this event was that it drew attention to the theme of animal physiology, a topic that is close to our hearts, and that it was a reminder of the high impact of “buzz” on the Internet.” (English article)

“The new movie version, which spanned almost 15 years since 2007, has finally come to an end. Starting from the TV series, it has been about 25 years. Many people did not live to see the end, and the conclusion of the event literally embodied the curse of Eva. We would like to pay tribute not only to the movie as a stand-alone product, but also to the completion of the series over the years.”

“While the whole world was suffering from the new coronavirus, the Freedom was built in Shanghai, China in April, and the Nu Gundam was built in Fukuoka, Japan in December. The construction of two mobile suits (Freedom is not a Gundam) in one year was unprecedented and the first time in history. It could be said to be a modern version of the construction of the Great Buddha to pray for the dispersal of Corona.” (English article)

“Although private citizens have used public organizations for space travel in the past, it is significant that they have successfully completed a manned spaceflight mission that will lead to private space travel in the future.”

Best SF/F Games of 2021? Insert Disc Here

By N: With the DisCon III Business Meeting being held in December, that means we won’t know until then the latest status of the proposed Best Video Game category that was referred to the Hugo Awards Study Committee. Just in case it’s repeated as a special category by next year’s Worldcon, considering the time investment some games demand, I’ve set up a spreadsheet (styled after Lady Business’ Spreadsheet of Doom) as a way for nominators to catalogue and keep track of their favorite eligible games of the year, so there’s little rushing through last year’s games in 2022. From AAA to indie, anything goes as long as it’s SF/F.

I’ve christened this ship by adding some acclaimed games that came out in 2021, from the big blockbuster releases…

…to the hotly anticipated games that met expectations…


…to indie games that gained fans through their creativity and innovation.

Edits are open to any and everyone. Feel free to add what I missed!

Here’s the link: https://docs.google.com/spreadsheets/d/1AQ4DtTa5EWEAGoz028qVGDtXdhMQcMZtkkLUOFZIvDQ/edit?usp=sharing

Dramatic Presentation Watch:
The Clone Wars

Introduction: This is the first in an occasional series of recommendation posts spotlighting potential contenders for the 2021 Best Dramatic Long/Short Form Hugo categories (and possibly Graphic Story later).

By N.

DRAMATIC PRESENTATION WATCH: Star Wars: The Clone Wars: “Old Friends Not Forgotten”/”The Phantom Apprentice”/”Shattered”/”Victory and Death” (Long Form)

The final chapter of The Clone Wars happens over the course of 4 interconnected episodes. Ahsoka Tano finally returns to the Jedi order, reuniting with her master (and best friend) Anakin Skywalker. This reunion is short-lived when General Grievous attacks Coruscant…or rather, when the events of “Revenge of the Sith” kick into gear. What follows is a tragedy, as Ahsoka experienced Order 66 firsthand and the Clone Wars meet a harrowing end, to say little of what becomes of her friend…

Star Wars, to this writer, is a funny franchise. Its introduction to the global public in the 1970s no doubt shaped the course of moviemaking, further popularizing both the American blockbuster and clear-eyed, spectacular genre filmmaking, becoming a merchandising behemoth in the process (Holiday Specials notwithstanding). The following two entries of the trilogy served to further cement its legacy as not just a beloved piece of SF/F but a key part of pop culture, period.

And yet…something happened to Star Wars. George Lucas came back to direct the “Prequel Trilogy,” charting the fall of series villain Darth Vader from his rise as Jedi Anakin Skywalker, premiered in 1999 and concluded in 2005 to initial befuddlement that evolved into anger and mockery. This past decade saw the “Sequel Trilogy,” set after the original trilogy, which attempted to both invoke nostalgia for the original movies and recontextualize their binary view on good vs. evil in a 21st-century light. This resulted in an entry that heavily called back to “A New Hope” only to dissipate from the public consciousness, a highly polarizing entry, and an entry that tried to please everyone and pleased few. Connected to the “Sequel Trilogy” was a larger pushback from those fed up with Star Wars – fed up with the heavy marketing, the discourse that came with these new movies, and the extremely vocal fans.

The supplemental material of Star Wars, however, has always seemed to be better received than the later main entries. The dearly-departed Extended Universe greatly expanded the world of Star Wars, unlocking its potential and firing-up the imaginations of fans and writers, many of whom would wind up working on Star Wars properties themselves. Rogue One and Solo: A Star Wars Story both got resounding mehs, but the Disney+ series The Mandalorian holds rave reviews. There’s a disconnect here between these examples and the main movies; the Original Trilogy, as much as Empire Strikes Back elevated it, was still largely an exercise in invoking the old serials of Lucas’ youth mixed with an Akira Kurosawa-inspired 70’s brat mentality; the actual worldbuilding was incidental (A New Hope, in particular, has that “making this all up on the fly” feel to it.) The more popular the franchise became, the greater the urge to dig into the world became. Ultimately, this was largely to the greater series’ detriment; Like the later Sequel Trilogy, Lucas was attempting to do things with the prequels, both deconstructing the Jedi as a wholly just force and maintaining the series’ fun sensibility. If there’s a trend here, it’s that while works on the sidelines of Star Wars can explore its world with ease, main entries that attempt this seem to always stumble into poor critical receptions, arguably because that was never the intention of the series in the first place.

This writer himself was never big into Star Wars, and still, admittedly, feels a detachment from the franchise. It seems like a series one has to watch at a formative age to feeI a special attachment to; me, I was born a year before Phantom Menace came out and never watched any of the movies as a kid. The only piece of Star Wars media I watched was, coincidence, Clone Wars—not the 2003 miniseries, but this Clone Wars. I remember when the series first premiered in film form and was lambasted, coming fresh off the heels of the prequels and seeming to overturn the beloved miniseries in favor of a kiddie Saturday morning cartoon feel. Seven seasons and a jump to Netflix and Disney+ later, that’s been proven to not be the case. Dave Filoni and collaborators used that supplemental freedom to do what the prequels were unable to do; flesh out the world, flesh out characters that had previously been afterthoughts, and to give credence to the notion of moral ambiguity in the world of Star Wars

That plays out in this 4-part finale, where the already strong storytelling is bolstered by the dramatic irony of how ROTS plays out Ahsoka Tano went from an “annoying add-on” to one of the most beloved Star Wars characters ever; seeing the events from her perspective, as well as from the perspective of the Clones that audiences had come to love over the course of seven seasons, end the series on a sobering note of sublimity.

I had not seen Clone Wars since middle school, so (possibly unavoidably with Star Wars) I felt a hint of nostalgia while watching these episodes. Detached as they are from the rest of the season, they stand alone (though not apart from each other). Due to the cohesive storytelling and combined length, if they’re to be considered for the Hugo Awards, it really has to be for Long Form. Television has always had a spotty history in the category (only a few shows, only in their first seasons), so asking voters to look at what amounts to an arc might be a high order. But, speaking as someone who isn’t really into Star Wars, this set of episodes is worth it.