(1) THE POSTMAN RINGS FIRST. David Brin can be good at thinking things up – and he’s put his creative powers to work to support the US Postal Service: “Going Postal? And the ‘TOC’ you want… the book no one has read.”
Below, find the TOC you’ll want to tick… the Table of Contents of a book that might help…. but first… yes, there are countless times I’d prefer to be wrong! Especially when it comes to the predictions made in THE POSTMAN!
TIME Magazines called EARTH one of “8 best predictive novels,” and there have been many other hits. But I always figured that my portrayal of lying-betraying-prepper “Holnists” in THE POSTMAN would prove to be artistic exaggeration — not a how-to manual for evil and treason.
Just as Adolf Hitler described his approach in Mein Kampf — and no one took him at his word — Nathan Holn is recalled having laid it all in the open… but Americans didn’t believe anyone would so baldly offer such a despicable program. The warning went unheeded till it was too late.
Likewise, Donald Trump has said publicly that his attack on the U.S. Postal Service is intended directly to interfere in the election. Of course crashing USPS also undermines rural America, a major part of the GOP base. So how is this supposed to benefit Republicans? The answer is… it’s not. Chaos and dysfunction are the goal. To Trump’s puppeteers, it doesn’t matter if he loses, so long as America dissolves into bitterness and pain.
Already it’s clear we need to start a mass movement akin to BLM to support Postal Workers!
(2) NOT EVERYTHING NEEDS TO BE COMIC-CON. Robert J. Sawyer challenges some assumptions about Canadian sff award voters in a Facebook post.
Yesterday, I attended the annual general meeting of the Canadian Science Fiction and Fantasy Association, which was held by Zoom, due to the COVID pandemic.
The first issue the chair raised was what he considered to be a precipitous drop in the number of voters over the years. Years ago, he said, the number was in the mid-two-hundreds and he cited year-by-year figures showing a steady decline down to the current tally of 140 or so. Much discussion ensued about how to beef up the number.
My feeling is two-fold. First, it’s NOT an Aurora-specific issue, and, second, it’s NOT even a problem….
When people talk about bringing in vast new swaths of fans to beef up Aurora voting numbers, they usually mean finding a way to get young fans involved. But young fans, by and large, AREN’T SF&F readers, and have their own fandom traditions — they expect, for instance, their events to be high-cost and run to professional standards (even if mostly staffed by volunteers).
These are the fine folk who enjoy the Calgary Comic and Entertainment Expo; Fan Expo in Toronto; Anime North, also in Toronto; OtakuThon in Montreal; and so-called “comic-cons” across the country. They want to see actors and comic-book artists. Politely, they don’t need us — AND WE DON’T NEED THEM.
If traditional fandom is shrinking — and it IS, mostly through attrition as people get old and finally go on to that great hucksters’ room in the sky — then so be it. But is that hurting the Aurora Awards?
I say no. I had no horse in the race this year — I was not even eligible in any category except for related work (for my bimonthly columns in GALAXY’S EDGE magazine) and wasn’t nominated. But I studied the ballot and, even more important for posterity, the actual winners this year, and my verdict is this: the Auroras are doing just fine.
… In the past, we’ve also seen ballots with conspicuous omissions and even more conspicuous inclusions. When a Canadian work is nominated for the Hugo, the Nebula, or the World Fantasy Award, it SHOULD raise eyebrows when it has been squeezed off the Aurora ballot by lesser creations.
This year, though, the best short-form Aurora went to the most-generally-lauded Canadian-authored (or, at least, co-authored) work on the ballot: THIS IS HOW YOU LOSE THE TIME WAR by Amal el-Mohtar and Max Gladstone, which had already won the Hugo AND the Nebula Awards.
In the past, we’ve seen huge numbers of votes of dubious pedigree: people who have no known connection to fandom but a personal connection to one of the nominees nominating and voting en masse, propelling dubious works onto the ballot and sometimes shamefully even winning the award.
Thankfully, those days of hustling seem to have fallen by the wayside….
(3) NASFIC 2020. The virtual Columbus 2020 NASFiC Opening Ceremonies start 3:00 p.m. on Friday, August 21. Here’s =“How To Attend”:
Attending the North American Science Fiction and Fantasy Convention will now be easy as everything will be online!
On the day the convention begins, the page you are viewing now will provide you with a virtual “log book”. When you have signed it, this website will provide you access to several more pages, with embedded chat channels and streaming video.
It will be free, but we will still accept donations.
While we might all be stuck at home wishing that we could sit in a bar with our friends, one of the benefits of the new virtual world in which we find ourselves is that travel is instantaneous and free. This means that we can have conventions that are genuinely global, and very cheap or free to attend.
Into this space comes FutureCon. It is being organised primarily by folks in Brazil, but with a lot of help from Francesco Verso in Italy, and also a bunch more people around the world. It will take place from September 17th-20th, and will be free to all on YouTube. All of the programming will be in English. Confirmed guests include Ann Vandermeer, Aliette de Bodard, Chen Qiufan, Ian McDonald, Lavie Tidhar and Nisi Shawl. But more importantly there will be speakers from over 20 different countries including Argentina, Croatia, India, Mexico, Nigeria, Pakistan, Turkey & Uganda.
… Francesco can read in many different langauges, and he said something today in a launch meeting for the event that really struck a chord. I’m paraphrasing slightly, but the gist was, “the quality of science fiction is evenly distributed around the world, but it is unevenly visible.” I hope that FutureCon can be an important step along the road to changing that.
(5) IN THE ZOOM WHERE IT HAPPENS. Cora Buhlert has written up everything else at CoNZealand that was not the Hugo ceremony: “Cora’s Adventures at CoNZealand, the Virtual 2020 Worldcon, and Some Thoughts on Virtual Conventions in General”.
… After the 1960s SF panel, I had only ten minutes to get to my next panel “Translation: The Key to Open Doors to Cultural Diversity in SFF”. I was moderating again and the panelists were Libia Benda from Mexico, Luis F. Silva from Portugal, Wataru Ishigame, speaking from the POV of a publisher publishing translated SFF in Japan, and Neil Clarke of Clarkesworld Magazine as the token American. Though that would be mean, because Neil Clarke has done more than pretty much any other magazine editor to bring translated SFF to English speaking readers.
Again, we had a lively e-mail debate before the panel and just as lively a debate during the panel, complete with an audio zoombombing by a Mexican street vendor. I had also asked all panelists to recommend some SFF books or stories from their country that had been translated into English (and Neil Clarke generally recommended SFF in translation), so there were book recommendations as well.
The translation panel also overran by almost half an hour, because once the Zoom recording was stopped, the Zoom meeting just remained open. After ascertaining that the audience could still hear us, we just continued talking about SFF in translation for another twenty five minutes or so, until the Zoom host shut down the room. Now that’s something that could never have happened at a physical con, unless you were the last panel of the day and the room wasn’t needed again….
(6) RUNNING THE NUMBERS. Steve Mollman studies the “No Award” tea leaves in “The 2020 Hugo Awards: Interesting Statistics” at Science’s Less Accurate Grandmother. Lots of graphs.
I called my post from last week “Results and Final Thoughts“… but after it went up, I had another thought. So that title was a lie! Many people out there analyze various aspects of the results, but I want to look at two things: how many people vote in each category, and how many people vote No Award.
… Voting No Award in first place usually means one of two things, I would claim. First, it could mean that you find the concept of the category invalid. Every year, I vote No Award for Best Series, Best Editor, and a couple other categories, for example, and leave the rest of my ballot blank. I have some fundamental disagreements with the premises of those categories, and do not think they should be awarded. (Very few Hugo voters agree with me, though, clearly.) It could also mean that you just found everything in that category subpar: this year I voted No Award for Best Short Story, but still ranked finalists below it.
How well does Mollman’s interpretation hold up? And what is there to learn in the voting pattern from Jeannette Ng’s acceptance speech for the 2019 Campbell Award?
(7) BEYOND THE GREEN BOOK. NPR’s Glen Weldon chimes in: “‘Lovecraft Country’: Facing Monsters—And A Monstrous History”.
Here is a list of things that the HBO series Lovecraft Country, premiering Sunday, August 16th, has in common with the 2018 film Green Book:
1. Setting: Jim Crow-era America
2. Acting: Subtle, nuanced performances (Viggo Mortenen’s dese-and-dose Green Book gangster notwithstanding).
3. Subject: Story features a road trip involving a travel guidebook written to inform Black people where they can safely eat and stay. (Green Book: Entire film; Lovecraft Country: Opening episodes only.)
And here is a brief, incomplete list of the things that Lovecraft Country prominently features that Green Book emphatically does not:
1. A story centered on the lives of Black characters.
2. Black characters with agency, absent any White Savior narrative
Shoggoths, of course, are creatures imagined by writer H.P. Lovecraft — blobs covered with eyes that continuously arise and dissolve back into their putrid, pulsating flesh. (The Shoggoths of Lovecraft Country are shaped more like Pit-bulls than protoplasm, though they’ve got that whole creepy-eyes thing covered.)
Lovecraft Country is only the latest in a series of movies, television series and novels to engage with America’s greatest moral, economic, social and psychological wound — the legacy of slavery — by way of the fantastic. Creators like Jordan Peele, Damon Lindelof, Toni Morrison and Colson Whitehead didn’t avail themselves of, respectively, body-swapping, superheroes, an angry ghost and an entirely literal subterranean mass-transit system as a means to distract from, or to trivialize, racial injustice. No: They knew that when grappling with a foundational truth so huge and ugly and painful, utilizing the metaphorical imagery of science-fiction and horror offered them a fresh way in — an opportunity to get their audiences to re-examine, to re-feel, the enduring impact of that evil.
…Though it’s sure to be compared to Watchmen, given both its prominent HBO Sunday night berth and its determination to view race in America through the prism of science fiction, Lovecraft Country is lighter in tone, and far pulpier in sensibility, than Lindelof’s comparatively grand, sweeping epic. It’s much more apt to go looser and loopier, sprinkling magic spells, sacred codexes, secret passages and the occasional light tomb-raiding into the mix. It’s also far more eager to serve up the satisfyingly grisly thrills of pulp horror — bad guys getting their bloody, cosmic comeuppance, for example.
But for every fun, if wildly anachronistic, element — needle-drops like Rihanna’s “Bitch Better Have My Money,” say, or abdominal muscles like Majors’ — Lovecraft Country is always careful to re-center itself on its characters, and their hemmed-in status as Black women and men in 1950s America. Between every narrow escape and exposition dump about “finding the missing pages from the forbidden tome” or whatever, it gives its characters and their relationships breathing room. Case in point: Letitia’s contentious bond with her sardonic, disapproving sister Ruby (the quietly astonishing Wunmi Mosaku, in a warm, deeply compelling performance) gets a chance to grow and complicate. And in a later episodes (only the first five were screened for press), Ruby happily manages to step off the sidelines and mix it up with the series’ deep, abiding weirdness.
(8) YS REVIEW. NPR’s Etelka Lehoczky offers “Feeling Deluged By News? Let ‘The Daughters Of Ys’ Wash Over You”.
Though M. T. Anderson couldn’t possibly have planned it, his new book The Daughters of Ys feels like it was created for just this moment. The story’s driving force and key image — a torrential flood of natural and unnatural origin that sweeps away a city — is the perfect symbol for our era. If you’ve felt your brimming anxiety about the coronavirus overflow as you’ve tried to keep up with the never-ending tide of news about it, you’ll sympathize with Anderson’s characters.
This book is an excellent read right now for other reasons, too. Trying to keep abreast of your daily news feed may have made you impatient of any pleasure reading that isn’t perfectly absorbing (OK, that’s the last flood pun, I swear). A graphic novel, The Daughters of Ys is fun and easy to read. Anderson’s story, a reinterpretation of a Breton folktale, is effortlessly page-turning and actually feels a bit like a young adult title — not surprisingly, considering YA is Anderson’s preferred genre. But like Anderson’s National Book Award-winning The Astonishing Life of Octavian Nothing, this book is both accessible to a wide age range and rich with ideas that will intrigue adults. (Note, however, that due to dark themes, some gore and the fact that the characters have sex, it may be best kept away from immature readers.)
Best of all, Daughters of Ys is a terrific respite for eyes weary of scanning headlines. Artist Jo Rioux isn’t as well-known as her coauthor — as is often the fate of illustrators who focus on children’s books — but she should be. Her drawings here aren’t just beautiful, with their deep, layered colors and elegant compositions; they’re also smart. Nodding to the original tale’s 5th-century setting, Rioux uses the style and motifs of Anglo-Saxon art (think of the Bayeux Tapestry and the metalwork of Sutton Hoo). But she doesn’t just replicate the style, she uses it to explore the evocative possibilities of minimalist cartooning. The characters’ faces have flat-looking eyes and minimal features, but they express intense, ambiguous emotions. Rioux also borrows the glowing lights and velvety shadows of Maxfield Parrish’s work for certain scenes, including a wonderful interlude set inside a circle of standing stones. The reader is encouraged to recall Parrish’s turn-of-the-20th-century America, when astonishing and alarming technological advances triggered a yearning for the romantic past, and to compare it with our own time.
(9) CHECK OUT COUNTER. WorldCat’s Library100 – I’ve read 41 of these.
What makes a novel “great”? At OCLC, we believe literary greatness can be measured by how many libraries have a copy on their shelves.
Yes, libraries offer access to trendy and popular books. But, they don’t keep them on the shelf if they’re not repeatedly requested by their communities over the years. We’ve identified 100 timeless, top novels—those found in thousands of libraries around the world—using WorldCat, the world’s largest database of library materials.
So, check out The Library 100, head to your nearest library, and enjoy the read!
(10) GOLDENBERG OBIT. American music composer, conductor and arranger Billy Goldenberg (William Leon Goldenberg) died on August 3, aged 84 reports Stephen Jones.
His many credits include Fear No Evil, Silent Night Lonely Night, Ritual Of Evil, Steven Spielberg’s Duel, Don’t Be Afraid Of The Dark (1973), The Legend Of Lizzie Borden, The Ufo Incident, Metamorphoses, This House Possessed, Massarati And The Brain, Prototype, Frankenstein (1986), 18 Again! and Sherlock Holmes And The Leading Lady. On TV Goldenberg composed music for the pilots of Night Gallery (again for Spielberg), Future Cop and Gemini Man, plus episodes of The Name Of The Game (Spielberg’s ‘LA 2017’), The Sixth Sense and Circle Of Fear (along with the theme music for both shows), Amazing Stories and the 1989 mini-series Around The World In 80 Days. He also composed one of the themes to the Universal logo.
(11) MEDIA BIRTHDAY.
- August 16, 1951 — Dimension X’s “The Vital Factor” was first broadcast. The story is that a ruthless millionaire is determined to be the first man to conquer space…no matter what the cost. The script was used later on X Minus One. It was written by Nelson Bond who is the holder of a Nebula Author Emeritus award for lifetime achievement. He’s also the recipient of First Fandom Hall of Fame Award. His Meg the Priestess stories gave us one of the first powerful female characters in the genre. Daniel Ocko and Guy Repp are the actors here. You can listen to it here.
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
- Born August 16, 1884 — Hugo Gernsback. Publisher of the first SF magazines, Amazing Stories in 1926, and Wonder Stories in 1929. He also played a key role in creating fandom through the Science Fiction League. Writer of the Ralph 124C 41+ novel which most critics think is utterly dreadful but Westfahl considers “essential text for all studies of science fiction.” And of course he’s who the Hugos were named after back in 1953. (Died 1967.) (CE)
- Born August 16, 1913 – Will Sykora. Active at least as early as Jan 30 letter in Science Wonder Stories. With Sam Moskowitz, thought the true fannish spirit meant promotion of science. President of ISA (Int’l Scientific Ass’n) which sought to include amateur scientists, maybe the first fan club, unless disqualified in retrospect for insufficient frivolity – or insufficient leftism, which the Futurians were charged with excess of. Charter member of FAPA (Fantasy Amateur Press Ass’n). (Died 1994) [JH]
- Born August 16, 1930 – Paul Lehr. Three hundred covers, fifty interiors. Here is his beginning, Satellite E One. Here is his famous Nineteen Eighty-four (no mustache on Big Brother!). Here is Spectrum 4. Here is The Ringworld Engineers. Here is the Mar 81 Analog. Here is the Aug 96 Tomorrow. What a giant. (Died 1998) [JH]
- Born August 16, 1930 — Robert Culp. He’d make the Birthday Honors solely for being the lead in the Outer Limits episode “Demon with a Glass Hand” which Ellison wrote specifically with him in mind. He would do two more appearances on the show, “Corpus Earthling” and “The Architects of Fear”. Around this time, he makes one-offs on Get Smart! and The Man from U.N.C.L.E. before being Special FBI Agent Bill Maxwell in The Greatest American Hero. Did you know there was a Conan the Adventurer series in the Nineties in which he was King Vog in one episode? (Died 2010.) (CE)
- Born August 16, 1931 – Walt Lee. Monumental if only for his 20,000-entry Reference Guide to Fantastic Films (with Bill Warren) – which, allowing for differences in scale, is like saying Cheops (or Khnum Khufu if you prefer) is monumental if only for the Great Pyramid of Giza. OGH’s appreciation here. (Died 2014) [JH]
- Born August 16, 1933 — Julie Newmar, 87. Catwoman in Batman. Her recent voice work includes the animated Batman: Return of the Caped Crusaders and Batman vs. Two-Face, both done in the style of the Sixties show. They feature the last voice work by Adam West. Shatner btw plays Harvey Dent aka Two Face. She was on the original Trek in the “Friday’s Child” episode as Eileen. She also has one-offs on Get Smart!, Twilight Zone, Fantasy Island, Bionic Woman, Buck Rogers in the 25th Century, Bewitched and Monster Squad. (CE)
- Born August 16, 1934 — Andrew J. Offutt. I know him through his work in the Thieves’ World anthologies though I also enjoyed the Swords Against Darkness anthologies that he edited. I don’t think I’ve read any of his novels. And I’m not Robert E. Howard fan so I’ve not read any of his Cormac mac Art or Conan novels but his short fiction is superb. (Died 2013.) (CE)
- Born August 16, 1934 — Diana Wynne Jones. If there’s essential reading for her, it’d be The Tough Guide to Fantasyland with a playful look at the genre. Then I’d toss in Deep Secret for its setting, and Fire and Hemlock for her artful merging of the Scottish ballads Tam Lin and Thomas the Rhymer. Now what’s the name of the exemplary short story collection she did late in life? Ahhh it was Unexpected Magic: Collected Stories with the great cover by artist Dan Craig. (Died 2011.) (CE)
- Born August 16, 1952 – Edie Stern, F.N., 68. “Andre Norton’s Diamond Celebration” (with husband Joe Siclari) in Fantasy Review. “Fancy Jack” (Jack Speer; with Siclari) in Noreascon 4 Souvenir Book, hello Guy Lillian III (62nd Worldcon). Fellow of NESFA (New England SF Ass’n; service award). Introduction (with Siclari) to Virgil Finlay Centennial book for 2014 World Fantasy Convention. “LeeH” (Lee Hoffman, or for some of us, Hoffwoman), Journey Planet 27. “Wheels of IF” (Irish fandom; with Siclari) for 77th Worldcon Souvenir Book. Noted SF art collector (with Siclari), very helpful with SF con Art Shows. Fan Guest of Honor, Loscon 46. Big Heart (our highest service award; with Siclari). Since 2016, Webmaster of the FANAC Fanhistory Project (fanac = fan activity; Florida Ass’n for Nucleation And Conventions was originally formed for MagiCon the 50th Worldcon, Orlando). [JH]
- Born August 16, 1958 — Rachael Talalay, 62. She made her directorial debut with Freddy’s Dead: The Final Nightmare, and she also worked on the first four of the Nightmare on Elm Street films. Moving from horror to SF, she directed Tank Girl next. A long time Who fan, she directed all three of Twelfth Doctor’s series finales: series 8’s “Dark Water” and “Death in Heaven”, along with series 9’s “Heaven Sent” and “Hell Bent” before directing series 10’s “World Enough and Time” and “The Doctor Falls”. She capped who Who work with “Twice Upon a Time”, the last Twelfth Doctor story. (CE)
- Born August 16, 1967 – Betsy Dornbusch, 53. Five novels, fifteen shorter stories. Co-editor Electric Spec 2006-2015. Essays & interviews there. Likes writing, reading, snowboarding, punk rock, the Denver Broncos, and how are you, Mr. Wilson? [JH]
- Born August 16, 1969 – Michael Buckley, 51. A score of novels, some about the Nat’l Espionage, Rescue, & Defense Society (which spells – ), NY Times Best Sellers; some about the Sisters Grimm (yes). Robotomy for the Cartoon Network. Finn and the Intergalactic Lunchbox just released (April). Used to be in a punk rock band called Danger, Will Robinson. [JH]
(12) COMICS SECTION.
- Pearls Before Swine meets a genie who’s lost it.
- Candorville unintentionally gets some super investment advice.
- Prickly City finds interplanetary
(13) MALTINS TALK ANIMATION. [Item by Martin Morse Wooster.] Leonard and Jessie Maltin’s latest Maltin on Movies podcast, which dropped on the 14th, is with animation expert Jerry Beck.
Beck runs two websites: animationscoop.com for news and cartoonresearch.com for longer articles. One recent article on cartoonresearch.com by Keith Scott lists all the voice actors on Tex Avery’s cartoons, which did not give credits for voice work.
Beck in the interview discusses many aspects of his career, including his providing the commentary for DVDs of Fritz Freleng cartoons to running a popular panel at Comic-Con called “Worst Cartoons Ever” so that fans can howl at a smorgasbord of stinkers. Beck also has written several histories of animation. But he was also one of the first Americans to understand the importance of anime. He recalled that when Hayao Miyazaki’s Nausicaä of the Valley of the Wind was released in the mid-1980s, Roger Corman controlled the rights and released it in a heavily-cut, badly dubbed version. Beck realized Miyazaki’s importance and was the first to distribute Miyazaki’s films uncut to theaters.
As part of his anime distribution, Beck talked to the producers of Akira, who explained that they were shutting down their studio and offered Beck the contents. Eight months later, Beck got a call from the Port of Los Angeles (“and I’ve never gotten a call from a port before”) with eight giant containers of cels and other stuff, which Beck sold to the delight of serious collectors.
Also in the podcast, Maltin revealed that he learned Roman numerals from Popeye cartoons, which taught him that MCMXXXVI meant “1936”.
(14) BRING ME THE HEAD OF ADMIRAL ACKBAR. Coming right up! The Nerdist says it will be one of the lots available for bid in a Star Wars prop auction happening August 26-27.
For sci-fi movie prop collectors, items from the Star Wars saga are the Holy Grail. Now, fans who have wanted to get their hands on authentic items from a galaxy far, far away are in for a treat. Several props and costumes from the saga are going up for auction by The Prop Store of Los Angeles and London. Some very coveted pieces are among the items, including a full Darth Vader costume from 1977.
These Star Wars items are part of a much larger sci-fi/horror movie auction, being held on August 26th and 27th. One lucky fan will have a chance to get their hands on one of the great heroes of the Rebel Alliance: this Admiral Ackbar sculpt. Made after Return of the Jedi, from the original mold, it will set you back at least $3,000 to $5,000.
(15) BLESSED EVENT. Queen Elizabeth II has revealed her favourite film and it’s an SF movie, namely the 1980 Flash Gordon – The Guardian has the story: “Brian Blessed: Flash Gordon is the Queen’s favourite film”.
Brian Blessed has claimed that the Queen revealed to him that her favourite film is Flash Gordon, the 1980 sci-fi in which he stars as Prince Vultan.
Speaking about the film’s 40th anniversary to Edith Bowman on Yahoo Movies, the actor said that whenever he goes, people demand he recite his character’s catchphrase.
“Everywhere I go, they all want me to say ‘Gordon’s alive!’,” said Blessed. “The butcher, the baker, the candlestick maker, horses and queens, and prime ministers, they all want me to say ‘Gordon’s alive!’, it’s their favourite film.”
He continued: “The Queen, it’s her favourite film, she watches it with her grandchildren every Christmas.”
The actor then assumed the Queen’s accent, quoting her as saying: “You know, we watch Flash Gordon all the time, me and the grandchildren. And if you don’t mind, I’ve got the grandchildren here, would you mind saying ‘Gordon’s alive’?”
(16) STAR TREK, THE NEXT GAG. ScreenRant is sure they know: “The 10 Funniest Star Trek Episodes, Ranked”.
6. TNG: Qpid
From this fourth season episode of The Next Generation comes one of Worf’s most famous quotes. Transported to Sherwood Forest by Q and adorned in the costume of Will Scarlett, one of Robin Hood’s Merry Men, Worf exclaims, “I am not a merry man.”
“Qpid” has one of the series lightest touches, to the point it feels like an old Errol Flynn film. While Picard plays Robin Hood, the rest of his Merry Men try to get used to their temporary roles. One of the funniest parts is during the fight between Robin’s friends and Nottingham’s guards. Both Doctor Crusher and Counselor Troi knock two of the bad guys out by bashing large vases over their heads.
(17) STOP-AND-POP. Ethan Alter, in “How Netflix’s new Black superhero movie ‘Project Power’ addresses real-life policing and ‘how police should be held accountable'” on Yahoo! Entertainment, interviews writer Matthew Tomlin (whose next project is co-writer of The Batman) and co-star Joseph Gordon-Levitt about Project Power, which dropped on Netflix this week.
When screenwriter Mattson Tomlin sat down to write Project Power in 2016, he knew that he wanted to create a superhero universe that put Black heroes front and center. The film that arrives on Netflix on Aug. 14 stays true to that vision, with Jamie Foxx and Dominique Fishback portraying the dynamic duo of Art and Robin, who take on a top-secret government agency that’s dispensing ability-enhancing pills on the streets of New Orleans. But there’s also a third superhero in the mix: a white police officer named Frank (played by Joseph Gordon-Levitt), who is the kind of “plays by his own rules” cop that’s been a popular Hollywood protagonist for decades.
As the film begins, Frank’s personal rules include popping those contraband pills to get a super-powered boost for daring busts. But after Art and Robin awaken him to the sordid story behind those drugs — a story that includes the exploitation of Black research subjects — he opts to join their cause. “Ultimately, the character goes through the movie trying to do the right thing,” Tomlin says. “Sometimes he goes about it in a messy way, but that’s where his heart is.”
(18) ROBOTIC VOYAGE TO THE BOTTOM OF THE SEA. “Robot boat completes three-week Atlantic mission”.
A UK boat has just provided an impressive demonstration of the future of robotic maritime operations.
The 12m Uncrewed Surface Vessel (USV) Maxlimer has completed a 22-day-long mission to map an area of seafloor in the Atlantic.
SEA-KIT International, which developed the craft, “skippered” the entire outing via satellite from its base in Tollesbury in eastern England.
The mission was part-funded by the European Space Agency.
Robot boats promise a dramatic change in the way we work at sea.
Already, many of the big survey companies that run traditional crewed vessels have started to invest heavily in the new, remotely operated technologies. Freight companies are also acknowledging the cost advantages that will come from running robot ships.
But “over-the-horizon” control has to show it’s practical and safe if it’s to gain wide acceptance. Hence, the demonstration from Maxlimer.
(19) LIKE YOU DO. “How Do You Solve a Moon Mystery? Fire a Laser at It” – the New York Times explains. Tagline: “Researchers have used reflective prisms left on the moon’s surface for decades, but had increasingly seen problems with their effectiveness.”
…One obvious culprit is lunar dust that has built up on the retroreflectors. Dust can be kicked up by meteorites striking the moon’s surface. It coated the astronauts’ moon suits during their visits, and it is expected to be a significant problem if humans ever colonize the moon.
While it has been nearly 50 years since a retroreflector was placed on the moon’s surface, a NASA spacecraft launched in 2009 carries a retroreflector roughly the size of a paperback book. That spacecraft, the Lunar Reconnaissance Orbiter, circles the moon once every two hours, and it has beamed home millions of high-resolution images of the lunar surface.
The Lunar Reconnaissance Orbiter “provides a pristine target,” said Erwan Mazarico, a planetary scientist at NASA Goddard Space Flight Center who, along with his colleagues, tested the hypothesis that lunar dust might be affecting the moon’s retroreflectors.
(20) MARGE SIMPSON FIRES BACK. The New York Daily News urges you to “SEE IT: Marge Simpson ‘p—ed off’ at Kamala Harris comparison”.
On Wednesday, senior Trump adviser Jenna Ellis compared Democratic vice presidential contender Kamala Harris to Marge Simpson, who’s voiced by actress Julie Kavner.
“Kamala sounds like Marge Simpson,” [Ellis] tweeted.
Marge responded on “The Simpsons” Twitter account with a 27-second clip in which she says the matter makes her uncomfortable.
“I usually don’t get into politics,” Marge said Friday, adding that her show-daughter Lisa informed her the comparison wasn’t meant as a compliment to either woman.
“As an ordinary suburban housewife I’m starting to feel a little disrespected,” the cartoon mom said. “I teach my children not to name-call, Jenna.”
? [Thanks to Cat Eldridge, Andrew Porter, JJ, Cora Buhlert, Cheryl Morgan, John King Tarpinian, John Hertz, Chip Hitchcock, Martin Morse Wooster, Nicholas Whyte, Michael Toman, Daniel Dern, and Mike Kennedy for some of these stories. Title credit goes to File 770 contributing editor of the day Jake.]