Tag Archives: Margaret Hamilton

Pixel Scroll 3/11/25 The Demolished Hobbit

Posted on by
27

(1) TERRY BROOKS ANNOUNCES SEMI-RETIREMENT. Shannara series author Terry Brooks is stepping back. Delilah S. Dawson will be producing future installments. “Easy Come, Easy Go” at Terry Brooks Online.

Let’s start with a few life facts that I have come to accept and just recently decided to address. I am now eighty-one years old. I have been writing in the Shannara series since 1968 – which is more than fifty years. I have written steadily with no breaks save for vacations and illnesses. I have a total count of just under fifty books to my name as of today. In all that time, I have been writing at least one book or often two at the same time.

I am still writing regularly, but I noticed recently that my physical and mental abilities have diminished. Not that I am derailed in any measurable way from what I was, but my endurance, concentration, attention span and memory are not what they once were. All this is a function of what aging involves and living requires of us at one point or another. I knew this was coming, but I did not expect it when it arrived and have spent my eightieth year coming to terms with its presence. Whatever happens, I do not want to be one of those writers who is remembered for going on a bit too long than his or her faculties could tolerate and thereby produce books that are less than my best work.

Accordingly, I have decided to step back from my intense writing lifestyle and settle down into a form or semi-retirement. This was a hard choice to make. I hate to admit that I don’t have the abilities I once had.  But better to face up to your diminishments than pretend they don’t exist. Better to make some adjustments to account for the onset of those diminishments before the readers you rely on to support your efforts begin to point them out.

Beginning immediately, with the publishing of my new book GALAPHILE, I am stepping back in my author role and engaging help from another writer in steering the series in the proper direction with the necessary amount of care. I will no longer be doing the primary writing. My new co-author will take on that task. Instead, I will offer what help I can with providing storyline ideas, revisionary plot suggestions and a thorough overview that will help my co-author to continue to give you the kind of book you would expect of me. I know her well and have been friends with her for years. Both my editor and I have agreed that she is the right choice to take on the task of continuing SHANNARA. That she can provide the skills and inventiveness that is needed to accomplish this is something of which I am sure. She is every bit as professionally capable and committed as I am. What help and support I can give her, I will. That she will give you what you want and expect is something I am certain she will do.

Her name is Delilah Dawson, and she is a skilled professional writer and a delightful person.  If you haven’t read any of her work to date, I encourage you to do so now….

Delilah S Dawson and Terry Brooks

(2) WORLDS OF IF #178. Justin T. O’Conor Sloane, Editor-in-Chief of the Starship Sloane Publishing Company, has announced that the second issue of Worlds of IF, the relaunched classic science fiction magazine, is available to order: Buy Worlds of IF: Science Fiction #178. Click here to see the Table of Contents.

The cover art is by Rodney Matthews (front) and Marianne Plumridge (back).

(3) SCIENCE WRITERS CONFERENCE CANCELLED. [Item by John A Arkansawyer.] Carnegie Mellon and Pitt were trading hosting duties. Now they’re not, thanks in part to budget cuts: “Pitt, CMU pull out of hosting conference for science writers” from the Pittsburgh Post-Gazette.

Citing federal funding cuts, the University of Pittsburgh and Carnegie Mellon University have pulled out of a prior commitment to host a science conference that would have brought around 1,000 visitors to the city.

The ScienceWriters conference, put on by the National Association of Science Writers and the Council for the Advancement of Science Writing, has been an annual mainstay for science journalists and communicators for years. Pitt and CMU had agreed on Nov. 6 to host and fund the conference and act as the hosting city, which rotates each year, per a Wednesday statement from the association.

“On Feb. 13, 2025, representatives of both universities informed CASW that they were withdrawing their commitment, including the financial support, for the conference,” per the statement. “Despite our efforts, subsequent discussions have not led to a resolution.”

Both Pitt and CMU said the decision to step away from the conference was directly related to federal cuts to research funding, saying those cuts cinched resources that would have otherwise made the hosting doable….

(4) SEVERAL TOP NASA STAFF CHOPPED. “NASA Eliminates Chief Scientist and Other Jobs at Its Headquarters” reports the New York Times.

NASA is eliminating its chief scientist and other roles as part of efforts by the Trump administration to pare back staff at the agency’s Washington headquarters.

The cuts affect about 20 employees at NASA, including Katherine Calvin, the chief scientist and a climate science expert. The last day of work for Dr. Calvin and the other staff members will be April 10.

That could be a harbinger of deeper cuts to NASA’s science missions and a greater emphasis on human spaceflight, especially to Mars. During President Trump’s address to Congress last week, he said, “We are going to lead humanity into space and plant the American flag on the planet Mars and even far beyond.”

Mr. Trump did not give a timeline for astronauts to reach the red planet, and during an interview on Fox News on Sunday, he said it was not a top priority. “Is it No. 1 on my hit list?” he said. “No. It’s not really.”

He added, “It’d be a great achievement.”

The administration sent notice to Congress on Monday that NASA was abolishing the Office of the Chief Scientist and the Office of Technology, Policy and Strategy….

(5) FANS REACT TO NEW YASSIFIED SHREK. [Item by Mike Kennedy.] Hey, sometimes an ogre of a certain age just needs a bit of, shall we say, touch-up, to feel and look their best. “Did Shrek Get a Nose Job?” asks New York Magazine.

Shrek might live in Far Far Away, but he looks like he just came back from somewhere even Farther Away: Turkey. In a newly released trailer for the highly anticipated Shrek 5, Shrek, Fiona, and their daughter (voiced by Zendaya), and Donkey all gather to scroll through ogre-thirst-trap memes with mister Mirror Mirror on the Wall. There’s no time to discuss how on the nose this is, because Shrek and Fiona have visibly undergone radical, off-putting facial reconstruction. I don’t care that these ogres are a mere amalgamation of zeros and ones inside some DreamWorks animator’s computer. This is serious.

Donkey somehow looks the same level of goofy as before, but Shrek’s and Fiona’s new faces are … jarring. Their noses are shaped differently, their philtrums are less pronounced and longer, their lips and smiles curve in odd ways, and both of them have seemingly larger eyes. It’s like they both got processed through Alix Earle’s favorite TikTok smoothing filter, or as one user on X wrote: “rhinoplasty, lip filler, cheek implants, jaw shave, chin reduction, face lift, blepharoplasty, buccal fat removal, botox, eye lift, cheek filler.”…

(6) DOCUMENTARY TRACKS THE LAST OF STAN LEE. [Item by N.] The framing here seems similar to Abraham Riesman’s nonfiction book True Believer: The Rise and Fall of Stan Lee (nominated for Related Work in 2022). Will this bring the situation to a wider audience? “Stan Lee Doc Alleges Exploitation in Final Years of His Life” at IndieWire.

A new documentary on Marvel Comics co-creator Stan Lee claims that Lee was mistreated and exploited by some of those in his inner circle during the last few years of his life.

Jon Bolerjack, a comic book artist and a former assistant to Lee during the last four years of Lee’s life, filmed the documentary and on Tuesday launched a Kickstarter campaign looking for funding to complete the film, titled “Stan Lee: The Final Chapter.” In a trailer for the movie, Bolerjack says Lee spent “his final years enduring mistreatment, manipulation, and betrayal at the hands of a few very bad actors.”

At this writing, the Kickstarter has raised $29,079 of its $300,000 goal.

Bolerjack says the film includes interviews with other witnesses close to Lee and with comic book creators like Rob Liefeld and Roy Thomas. It also concludes with a string of interviews with other comic book artists who have seen an early cut of the footage discussing what they say are some of the shocking details.

“Seeing Stan in that situation, being taken advantage of, was really hard to watch,” artist Tyler Kirkham says in the trailer.

“I had no idea how badly he had been exploited, and that’s a message people need to hear,” comic book writer Mark Waid added.

Lee, who passed away in 2018 at age 95, was the subject of an investigation from THR shortly before his death in which it was claimed that he was the victim of elder abuse and had other individuals improperly influencing his family members and worked to gain control of his assets and money. Lee’s estate in 2023 lost an elder abuse lawsuit on a technicality against a former attorney, but Bolerjack’s documentary claims to explore other aspects of Lee’s exploitation.

The trailer for the documentary does not name any individuals specifically, but it has several sequences involving Max Anderson, Lee’s former road manager for many of his convention appearances. Anderson was named in THR’s 2018 investigation, though he has denied wrongdoing…

(7) WHEN THE WICKED WITCH LANDED ON SESAME STREET. The Wikipedia explains why you probably haven’t seen “Episode 847”.

Episode 847 (commonly known as the “Wicked Witch episode“) is the 52nd episode from the seventh season of the American educational children’s television series Sesame Street. It was directed by Robert Myhrum and written by Joseph A. Bailey, Judy Freudberg and Emily Kingsley, it originally aired on PBS on February 10, 1976. The episode involves the Wicked Witch of the West, from the film The Wizard of Oz (1939), losing her broomstick over Sesame Street and causing havoc as she attempts to recover it. Margaret Hamilton, who portrayed the witch in the film, reprises her role in the episode. Produced as the 52nd episode of the series’ seventh season, the episode was created to teach children how to overcome their fears.

Shortly after its premiere, the creators of the series and Children’s Television Workshop received numerous letters from angry parents, who said that the Wicked Witch had frightened their children. Due to this, the episode was pulled from rebroadcast and was not seen by the public again until 2019, when clips of the episode were shown during a “Lost and Found” event celebrating Sesame Street’s 50th anniversary and the full episode was archived in the Library of Congress. It was then only available for private viewing until June 2022, when it was leaked online by an unknown individual.

Scribbles To Screen is one of the YouTubers who have analyzed the episode: “Wicked Witch Sesame Street Episode Found”.

(8) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

March 11, 1952 – Douglas Adams. (Died 2001.)

By Paul Weimer: Douglas Adams is an author who competes with the equally late Terry Pratchett as the greatest humorist in science fiction and fantasy history. 

I think of The Hitchhikers Guide to the Galaxy as a sort of ever being re-written palimpsest. You have surely heard the stories that Adams was writing some of the original radio scripts right before the actual BBC broadcast. While this shows his ability to produce on the cutting edge of a deadline, it does mean that the polish wasn’t there. But the genius, secret of Adams was that he could write, and rewrite his work, changing it, tweaking it, altering it, reflecting it. 

The core story is always there. An ordinary human (or at least he starts ordinary), Arthur Dent, winds up on an adventure in time and space when his house, and then his planet are scheduled for demolition. The details change from iteration to iteration, from radio plays, to novels, to the TV series, to the video game (one of the hardest Infocom games!  That damned Babel fish!) to the movie. But the main throughline is the same. A humorous irrepressible set of characters, situations and ideas that he continually and enthusiastically refined and refined.  Just like Greek Mythology is not a monolith, neither is The Hitchhiker’s Guide to the Galaxy.

A person who hated and despised me in High School had exactly one thing in common with me–we were perhaps the only two people in the entire school who knew what a Vogon was. I had seen the TV show first, then read the novel, then played the game, and then only some years later when they came available on the internet, actually got to listen to the versions of the radio plays and learned the real story. I remember being upset at the changes, but have mellowed and come to see the genius of his endless reinvention and updating of the material. 

And then there was Dirk Gently’s Holistic Detective Agency, which is such a weird and unusual bird of an idea, and it was born, as it were, from the unfinished Doctor Who episode “Shada” that he wrote.  (Yes, he wrote two of my favorite DW episodes, “The Pirate Planet” and “City of Death”. “Shada” would have been his second).  Ghosts, time travel, changing history, and wry British humor.  And of course, in Adams fashion, there are TV and audio adaptations of Dirk Gently, where, again, the work is changed, refined, and the palimpsest nature of his writing and humor and creations comes to light again. 

Thinking of his work, in any of its iterations, always brings to me a smile. He died in 2001. Requiescat in pace. I raise a Pangalactic gargle blaster to you, good sir.

Douglas Adams

(9) COMICS SECTION.

(10) DAVID EHRLICH TAKEDOWN. “’The Electric State’ Review: Another Lifeless Netflix Mockbuster” accuses IndieWire’s critic David Ehrlich.

Whatever your expectations for a (supposedly) $320 million Russo brothers Netflix movie starring Chris Pratt as a Chris Pratt type, Millie Bobby Brown as a wannabe Edward Furlong, and Woody Harrelson as the voice of an animatronic Mr. Peanut, I would recommend that you lower them.

A derivative, self-impressed, and seriously confused adventure set in the aftermath of a global war between humans and the talking robots that were “invented” by Walt Disney to amuse tourists at his theme parks (suck it, William Grey Walter!), “The Electric State” is essentially a feature-length adaptation of the argument its directors have been making in the press since “Avengers: Endgame,” the scale and success of which seemed to convince them it was the ultimate film in every sense of the word, and thus inspired them to proselytize about how cinema as we know it is about to be replaced by AI holograms of Tom Cruise or whatever. …

… Truth be told, there isn’t a single laugh — or even a knowing smile — to be found in this relentlessly stale ordeal, which does for sci-fi adventure comedies what “The Gray Man” did for action thrillers: absolutely nothing….

(11) GRRM CAMEO. Did you catch these George R. R. Martin and Robert Redford cameos in the Season 3 premiere of Dark Winds? “High Stakes Chess feat. George R. R. Martin and Robert Redford!” New episodes premiere Sundays at 9:00 p.m. on AMC and AMC+.

Dark Winds is an American psychological thriller television series created by Graham Roland. Based on the Leaphorn & Chee novel series by Tony Hillerman… Executive producers include Roland, McClarnon, George R. R. Martin and Robert Redford.

(12) ON THE ROAD. And Michael Cassutt, in a “Not-A-Blog Guest Post” tells what he’s doing for GRRM.

This is not your occasional message from George or the minions of Fevre River, but a new addition to the team – I’m Michael Cassutt, writer of fiction, non-fiction, lots of television (TWILIGHT ZONE, MAX HEADROOM, EERIE INDIANA, more recently THE DEAD ZONE and Z-NATION).  Since October I’ve been working with George as his “creative director,” helping to shape and advance non-HBO TV, film and game projects and even some publishing. (No, I’m not “helping” George with his writing.)

Last spring and early summer I directed a short film titled THE SUMMER MACHINE, based on a lost TWILIGHT ZONE TV concept by George, from my script. We shot for eight days in Alamagordo and Las Cruces, New Mexico, with a cast led by Lina Esco, Charles Martin Smith and Matt Frewer, and just recently finalized the cut.

This is the fifth film that George has produced, following four adaptations of stories by his great friend Howard Waldrop: NIGHT OF THE COOTERS, HEIRS OF THE PERISPHERE, MARY MARGARET ROAD-GRADER and THE UGLY CHICKENS. Four are complete.

So what do you do with a short film? Theatrical exhibition is always a goal, but difficult for even feature-length projects these days.

Streaming? Yes, but you have a short film, under 40 minutes in length. Where does it fit on Netflix, Amazon, Apple+ etc.? Almost nowhere.

But you want your film seen, so . . . .

You hit the festival circuit….

(13) STEVE VERTLIEB Q&A. Interfleet Broadcasting brings viewers “75 Years Of Cherished Reflections And Memories From A Nearly 80 Year Old ‘Monster Kid’”. Steve’s segment begins 48 minutes into the video. Originally aired on Leap Day last year.

Join us for an interview with actor writer and Film Journalist Steve Vertlieb. He has spent most of his life around film makers!. John 1 hosts with the Tipsy Toaster since NY Pete is exploring and trying to find his way. Tiny Bean is also on Deck that is if those pesky internet people fix the lines after an Arcta class storm.” I was both honored and humbled on February 29th, 2024 to do a ninety-minute interview with the folks at Interfleet Broadcasting that I hope you’ll find interesting. We discuss Science Fiction/Fantasy/Horror Films and Literature, as well as Ray Harryhausen, Ray Bradbury, “King Kong,” Boris Karloff, Robert Bloch, Peter Cushing, Buster Crabbe, Frank Sinatra, the early years of television, and the history of Music for the Movies, with such composers as Bernard Herrmann, Miklos Rozsa, and John Williams. I’d like to thank the hosts of the program for their most gracious kindness toward me. You’ll find the interview some forty-eight minutes into the broadcast.

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, N., Steve Vertlieb, John A Arkansawyer, Justin T. O’Conor Sloane, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, Steven French, Kathy Sullivan, and Teddy Harvia for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel “Good, Bester, Best!” Dern.]

Pixel Scroll 9/20/24 It’s Not A Cookbook, It’s A Pixel Scroll!

Posted on by
22

(1) BIG DEAL. Marie Vibbert counsels writers about “Playtesting Card Games” at the SFWA Blog. One bit of advice will sound very familiar.

Immolate Your Darlings

You’ve perhaps heard writers talk about “Murdering their darlings,” which refers to the agony of having to cut a beautiful sentence, scene, or even a sub-plot that you love but doesn’t serve the overall arc of the story. I once twisted five drafts of a novel around a scene I absolutely adored before I realized that it had to go. Ow, it hurt.

The same thing happens in games. There might be a mechanic, a special card, an illustration, a subtle joke…and you love it, but it has to go. It’s worse when you have this nice physical card you made for the mock-up.

Even your game’s theme, which might seem the most essential part of it, must be disposable. On the off chance your game is picked up by a publisher, one of the most common things they want to do is re-theme it, probably for some big franchise. (In case you thought someone set out to create the Go Bots 50th Anniversary Card Game.)

You cannot grow attached before completion. The game is in flux. Consider every part expendable in service to the greater whole….

(2) SFF ART UP FOR AUCTION. [Item by Sandra Miesel.] I’ve put some of my sf collection up for sale at RipleyAuctions.com The live auction is October 5 and registration is free. My pieces include: the Kelly Freas’  DAW cover painting for Soldier, Ask Not by Gordon R. Dickson and its preliminary sketch, Kelly’s Analog interior illustration for “The Second Kind of Loneliness” by George R.R. Martin; Kelly’s Laser Books sketch for The Extraterritorial by John Morrissey; Richard Powers’ cover painting for Far Out by Damon Knight; John Schoenherr’s Analog interior illustrations for “And He Fell into a Dark Hole” by Jerry Pournelle, “The Demon Breed” by James Schmitz, “Spaceman” by Murray Leinster, and the ultimate prize: Schoenherr’s scratchboard Analog illustration for the very first installment of “Dune World”. Sandra Miesel at Ripleyauctions.com.

Frank Kelly Freas, American (1922 – 2005), Soldier, Ask Not book cover

(3) REMEMBERING THE FAHRENHEIT FIFTIES. Heritage Auctions has an interesting item on the block – a volume of Fahrenheit 451 inscribed by Bradbury to Hugh Hefner.

40th Anniversary Edition. PRESENTATION COPY, INSCRIBED AND SIGNED BY THE AUTHOR TO HUGH HEFNER: “For Hef! Who published this when almost everyone else was afraid! With gratitude! Ray Bradbury. Nov. 3, ’93. 40 years later!”

Fahrenheit 451 was first published by Ballentine Books, Inc., in 1953, as a revision and expansion of his fifty-six-page novella, “The Fireman.” The novel was sold to Hugh Hefner’s new magazine, Playboy, which published the story in three installments in its fourth, fifth, and sixth issues (March 1954 to May 1954). 

(4) SPOTLIGHT ON MAD MAGAZINE. [Item by Steven French.] If you happen to be in Massachusetts over the next month, check out “What, Me Worry? The Art and Humor of Mad Magazine,” an exhibition running until October 27 at the Norman Rockwell Museum. 

It covers the full 72-year history of Mad, highlighted by the stretch from the mid-1960s to the early 1990s, when the magazine pilloried mass culture—television, movies, politics and more—in a way that introduced satire to kids raised on tamer entertainment like “Leave It to Beaver.”

The Smithsonian article on it is an interesting read in its own right!  “The Madcap History of Mad Magazine Will Unleash Your Inner Class Clown”.

… Mad magazine had its beginnings in 1947, when publisher Maxwell Gaines’ death in an upstate New York boating accident left his Educational Comics company to his 25-year-old son, William Gaines. Under Maxwell, the comics featured stories of science, animals, history and Picture Stories From the Bible. When William took over, he quickly shifted gears to “Entertaining Comics” (EC for short) and started publishing romance, westerns, science fiction, war and horror stories, most notably Tales From the Crypt. Gaines the younger had more than laughs and frights on his mind, however; woven into EC Comics were progressive ideals around racial equality, pacifism, environmentalism and the existential nuclear-age dread rarely spoken of in the placid, conformist 1950s.

In 1952, a comic book poking fun at other comic books debuted, but it would take four issues for Tales Calculated to Drive You MAD to take off. That fourth one featured the parody “Superduperman,” a blueprint for making hay of pop culture and politics. Amid a panic over youth corruption, inspired in part by EC’s other publications, editor Harvey Kurtzman convinced Gaines to retool Mad from a comic book into a magazine, and in July 1955 (Issue No. 24), a future mockery machine emerged….

(5) LITIGATION IS IN THE CARDS. “Cards Against Humanity sues SpaceX, alleges ‘invasion’ of land on US/Mexico border” – Ars Technica has the story.

Cards Against Humanity sued SpaceX yesterday, alleging that Elon Musk’s firm illegally took over a plot of land on the US/Mexico border that the party-game company bought in 2017 in an attempt to stymie then-President Trump’s attempt to build a wall.

“As part of CAH’s 2017 holiday campaign, while Donald Trump was President, CAH created a supporter-funded campaign to take a stand against the building of a Border Wall,” said the lawsuit filed in Cameron County District Court in Texas. Cards Against Humanity says it received $15 donations from 150,000 people and used part of that money to buy “a plot of vacant land in Cameron County based upon CAH’s promise to ‘make it as time-consuming and expensive as possible for Trump to build his wall.'”

Cards Against Humanity says it mowed the land “and maintained it in its natural state, marking the edge of the lot with a fence and a ‘No Trespassing’ sign.” But instead of Trump taking over the land, Cards Against Humanity says the parcel was “interfered with and invaded” by Musk’s space company. The lawsuit includes pictures that, according to Cards Against Humanity, show the land when it was first purchased and after SpaceX construction equipment and materials were placed on the land….

…Cards Against Humanity also set up a website to publicize its lawsuit. “We have terrible news,” the website says. “Seven years ago, 150,000 people paid us $15 to protect a pristine parcel of land on the US-Mexico border from racist billionaire Donald Trump’s very stupid wall. Unfortunately, an even richer, more racist billionaire—Elon Musk—snuck up on us from behind and completely fucked that land with gravel, tractors, and space garbage.”

The website claims that SpaceX made a “lowball offer” to buy the land after Cards Against Humanity complained….

(6) WRITER BEWARE. “Wolves in Authors’ Clothing: Beware Social Media Marketing Scams” says Victoria Strauss at Writer Beware.

For authors, one of the (these days, increasingly few) positives of social media is connecting with other authors. Especially if no one else in your family/social circle is involved in the arts (raises hand), it’s great to be able to find a community where you can discuss craft, business, the ups and downs of querying, the challenges of self-publishing–both sharing your own experiences and learning from others’.

But…what if that friendly author who just DM’d you on one of your social media accounts isn’t actually a writer, but someone who wants to sell you worthless “marketing” services?

… Oooh, conversion enhancement campaign! That’s some sexy jargon right there.

The name on the marketer’s Instagram account (which no longer exists) was Ashley Wallace of Ashley Digitals. You can see the author’s conversation with her–including an unconvincing excuse for why her website URL doesn’t work, an elaborate sales pitch, and false claims about clients….

(7) FOUR-PAGE GOTHAM GAZETTE INSERT IN THURSDAY NYT. [Item by Daniel Dern.] Our household gets the New York Times in the classic physical flattened-dead-tree version; I was bemused to discover the Thursday, September 19 edition included a four-page insert, the Gotham Gazette.

As part of HBO/MAX’s promotion of its new Penguin live-action show, which has just started. I/we haven’t yet tried it (but we just finished, and enjoyed, the first two episodes of Agatha All Along, over on Disney+, which, perhaps-arguably, is bat-adjacent via Walt’s round-eared mascot.)

Here’s some article links — note, the first link has readable images of the four-page insert. Wak, wak, wak.

“The Penguin: Gotham Gazette Offers Interesting Post-The Batman Details” at Bleeding Cool.  This article has readable images of full four online pages. The others below have some partial shots.

“How the New York Times became the Gotham Gazette for a day” at Fast Company. Including “But if you pass through Grand Central Station today, or Little Italy, or Times Square, you’ll see old-school newspaper hawkers schlepping copies of the Gotham Gazette”  [also, according to the ComicBook.com article listed below, at Times Square, Penn Station]

“The Penguin Takeover Heads to New York City to Celebrate Premiere” at Comicbook.com. This article includes deets on the “Penguin take-over” events in NYC and elsewhere:

HBO and Max are gearing up for the premiere of The Penguin with a takeover of the Big Apple. The spinoff of The Batman brings Colin Farrell back as Oz Cobb, aka the titular Penguin and foe of the Dark Knight. The Penguin has started a global campaign leading to the premiere on Thursday, September 19th, with one of its first stops at San Diego’s Gaslamp Quarter. The Penguin Takeover will involve exclusive merchandise trucks all across New York City, along with the lighting of iconic landmarks and collaboration with local businesses using Penguin’s signature plum purple hue….

Max is continuing The Penguin’s presence internationally following the Iceberg Lounge’s success in San Diego. The Penguin will bring the iconic Iceberg Lounge to select locations in France, Spain, The Netherlands, and Thailand, along with other local promotions in the APAC, EMEA, and LATAM regions. Fans might also spot The Penguin’s purple Maserati in the streets of São Paulo, Paris, and other major cities.

The Penguin Takeover will feature the Feast of San Gennaro, the New York Latino Film Festival Block Party, early fan screenings at Alamo Drafthouse, and specialty menu items at participating businesses as Gotham comes to life. The takeover will extend beyond New York, with The Penguin’s iconic Iceberg Lounge and other experiences in select cities worldwide.

Also coverage at MSN.com: “The Penguin makes The Gotham Gazette real for one day only as the Max series takes over The New York Times to explain everything that’s happened since The Batman”.

And Looper: “HBO’s Penguin Confirms Where Batman Is (Or Isn’t)”.

(8) MEMORY LANE.

[Written by Cat Eldridge.]

Anniversary: Buck Rogers in the 25th Century (1979)

Forty-five years ago on this evening, Buck Rogers in the 25th Century first aired on NBC.

It is of course based on characters created by Philip Francis Nowlan. It started out as a comic strip that first appeared in daily U.S. newspapers on January 7, 1929, subsequently appearing in Sunday and international newspapers, then there were books, a radio adaption, comic books, a serial film. You get the idea. 

So after all of that came this series. It was developed by Glen Larson who created Battlestar Galactica and Leslie Stevens who created Outer Limits.  

It lasted but two seasons in total comprising thirty-seven episodes. A feature-length pilot episode for the series was released as a theatrical film, Buck Rogers in the 25th Century. It did spectacularly well at the box office as it cost just three and a half million and made eighteen point seven more than that!  

The film was narrated as was the first season by William Conrad who had found stardom as a detective in the two series, Cannon and Nero Wolfe. Yes, he played Wolfe though briefly as it lasted but fourteen episodes. Who here saw him as Wolfe? 

The only cast that counts was Gil Gerard as Captain William “Buck” Rogers and Erin Gray as Colonel Wilma Deering.  Oh, and Mel Blanc in the first season voicing Twiki. Felix Silva would voice him in the second season. Other cast members I’ll note are Tim O’Connor as Dr. Elias Huer, Pamela Hensley as Princess Ardala and Henry Silva as Kane. Andrew Thom Christopher as Hawk, a bird man with the most comical feather for hair I’ve ever seen! 

Later interviews with Gerard and Gray as well as the directors say that neither got along with the other as they thought each was getting more lines and better stories. Oh well. 

Buster Crabbe who played Buck Rogers in the original thirties Buck Roger’s film serial would play Brigadier Gordon in an episode here. Yes, a nod to his other film series. 

The casting director had a fondness for one of our favorite series. Many of the actors who had played villains in the Batman series guest-starred here such as Frank Gorshin, Roddy McDowall, Julie Newmar and Cesar Romero. 

It’s worth noting that the series re-used most of the props, star fighters, stages, some of the effects film and even costumes from Battlestar Galactica. The network obviously being keen on keeping costs down at all costs.

Ratings were fine for the first season, but dropped drastically in the second season and cancellation was decided by mid-season. 

It has streamed on Amazon and on Peacock, not surprisingly on the latter as that’s owned by NBC, and Prime, but not is not currently streaming anywhere. 

(9) COMICS SECTION.

(10) SQUID GAME RETURNS. “’Squid Game’ Season 2 Trailer: New Players, New Game” – Variety introduces the trailer.

“Squid Game” is back and Netflix has released the first teaser for its hotly anticipated second season. The footage comes as the final reveal of the streamer’s annual Geeked Week fan event.  

The teaser picks things off right after Season 1’s finale, when Seong Gi-hun abandoned his plans to go to the U.S. and instead started a daring chase with a newfound motive. In the short teaser, he appears back in his 456 uniform amid a crowd of new contestants. Another massive cash prize awaits them, with a quick look at the games to come.

The globally successful Korean series follows financially struggling individuals competing in deadly games for a chance to win a life-changing prize, revealing the dark depths of human desperation and resilience…

(11) THE SHAPE OF THINGS TO COME. “Scientists discover weird new kind of shape found in nature” reports Boing Boing.

Mathematicians have identified a new class of shapes that “tile space without using sharp corners.”

From bathroom floors to siding on buildings, it’s common to cover areas without gaps by arranging shapes with straight edges and flat surfaces. In the natural world though, those kinds of shapes are rare. Patterns like those in muscle tissue are created with flowing curves, rounded surfaces, and almost no sharp angles. But the mathematics of these “soft shapes” have been a mystery until now.

“Nature not only abhors a vacuum, she also seems to abhor sharp corners,” says University of Oxford mathematician Alain Goriely who, with colleagues from the Budapest University of Technology and Economics, discovered the new shape class called “soft cells.”

From Oxford University:

In 2D, these soft cells have curved boundaries with only two corners. Such tiling patterns are found, among others, in muscle cells, zebra stripes, the shapes of river islands, in the layers of onion bulbs, and even in architectural design.

In 3D, these soft cells become more complex and interesting. The team first established that, in 3D, soft cells have no corners at all. Then, starting with conventional 3D tiling systems such as the cubic grid, the team showed that they can be softened by allowing the edges to bend whilst minimising the number of sharp corners in this process. Through doing this, they found entire new classes of soft cells with different tiling properties.

Professor Gábor Domokos said: ‘We found that architects – including Zaha Hadid – have constructed these kinds of shapes intuitively whenever they wanted to avoid corners.

(12) TRANSCENDENCE. [Item by SF Concatenation’s Jonathan Cowie.] The concept of transcendence or subliming (the term used in Iain M. Banks’ Culture novels) is a minor, but recurring SF trope by which a civilization evolves to a point when they leave our space-time continuum for a ‘higher’ plane of existence.  I think I first came across this half a century ago reading Arthur C. Clarke’s Childhood’s End.  Anyway, Isaac Arthur over at Isaac Arthur Science Futurism this week takes a bit of a dive into this concept…

Many seek a path to enlightenment through study and meditation, but what does science tell us about transcendence? And could entire civilizations seek to leave this reality behind?

(13) FROM THE CRYPT, ER, ARCHIVE. The Paul Lynde Halloween Special of 1976 has a highly eclectic cast – like Margaret Hamilton and Betty White vamping together!

Bringing Witchypoo from HR Pufnstuf and Wizard of Oz’s wicked Witch of the West together but only Paul Lynde could give you the band KISS and Donny and Marie Osmond in the same show.

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Jon Meltzer.]

Pixel Scroll 1/26/24 La Scroll È Mobile

Posted on by

(1) SATURN AWARDS NEWS. Keanu Reeves will be the inaugural recipient of the Lance Reddick Legacy Award when the 51st Saturn Awards take place on February 4. reports Variety.

The Academy of Science Fiction, Fantasy and Horror Films has announced that Keanu Reeves will receive the inaugural Lance Reddick Legacy Award at the 51st Saturn Awards. The entire show will be dedicated to the memory of the late Reddick, who died at the age of 60 in March 2023.

Reeves, who was friends with Reddick, starred alongside him in the “John Wick” action-thriller franchise. Reddick appeared in all four movies as Charon, the concierge at the Continental hotel, where his character interfaced with Reeves’ titular hitman.

Academy president Robert Holguin and Saturn producers Bradley and Kevin Marcus released a statement on Reeves’ forthcoming honor: “This award symbolizes and celebrates not only a performer’s talent, but their character; someone who’s a true goodwill ambassador in the industry. From science fiction (‘The Matrix Trilogy’), fantasy (‘Bill & Ted’s Excellent Adventure’/’Constantine’) and horror (Francis Ford Coppola’s ‘Dracula’/’The Devil’sAdvocate’), Keanu has done it all — not to mention ‘Speed’ and ‘Point Break.’”…

(2) SNUBBED? [Item by Dann.] The Hollywood Reporter has a story about the backlash to the backlash that protested the lack of Oscar nominations for Greta Gerwig and Margot Robbie.  Media outlets from the New York Times to Slate offered rebuttals suggesting that it’s OK for a successful property to not win every award. “The ‘Barbie’ Oscar Snubs Backlash-Backlash: ‘Everyone Lost Their Minds’”.

The penultimate paragraph includes a quote from a genre fan-favorite:

And finally there was The View‘s Whoopi Goldberg, proclaiming, “[Saying somebody was snubbed] assumes someone else shouldn’t be in there. There are no snubs. That’s what you have to keep in mind: Not everybody gets a prize, and it is subjective. Movies are subjective. The movies you love may not be loved by the people who are voting.”

(3) EATING THE FANTASTIC. Scott Edelman invites listeners to “Munch MVP sandwiches with MVPs Gary K. Wolfe and Jonathan Strahan” in Episode 217 of his Eating the Fantastic podcast.

Gary K. Wolfe and Jonathan Strahan

Gary K. Wolfe is a science fiction critic, editor, and biographer who’s had a monthly review column in Locus since December 1991. He was nominated for the Hugo Award for Best Related Work in 2006 for the book Soundings: Reviews 1992–1996, and again in 2011, for the book Bearings: Reviews 1997–2001. Over the years, he’s won the Eaton Award from the Eaton Conference on Science Fiction, the Pilgrim Award for Lifetime Achievement from the Science Fiction Research Association, the Distinguished Scholarship Award from the International Association for the Fantastic in the Arts, and the British Science Fiction Association Award for nonfiction for the previously mentioned Soundings: Reviews 1992–1996. He’s also (among many other things) edited two wonderful volumes for the Library of America — American Science Fiction: Four Classic Novels 1953-1956 and American Science Fiction: Five Classic Novels 1956-1958.

Jonathan Strahan is a nineteen-time Hugo Award nominated editor and publisher of science fiction, fantasy, and horror. He’s won the Aurealis Award, the William Atheling Jr Award for Criticism and Review, the Australian National Science Fiction Convention’s “Ditmar Award”, and the Peter McNamara Achievement Award. As a freelance editor, he’s edited or co-edited more than sixty original and reprint anthologies and seventeen single-author story collections and has been a consulting editor for Tordotcom Publishing and Tor.com since 2014, where he’s acquired and edited two novels, 36 novellas, and a selection of short fiction. Strahan won the World Fantasy Award (Special – Professional) in 2010 for his work as an editor, and his anthologies have won the Locus Award for Best Anthology four times (2008, 2010, 2013, 2021) and the Aurealis Award seven times. He has been Reviews Editor at Locus since 2002.

As the reason I’m with both of them is — together, they’ve been cohosts of The Coode Street Podcast since May 2010, which had 640 episodes live the last time I looked, and has been nominated for the Hugo Award for Best Fancast ten times, winning once.

We discussed why The Coode Street Podcast is “the Cheers of podcasts,” the foolish statement made during their first episode which meant there had to be more, the identity of the guest who was most resistant to appearing on their show, the reason the podcast made Paul Cornell want to run, the different interviewing techniques necessary when having conversations with the voluble vs. the reticent, the white whales whom they could never snare, how to make sure we’re speaking to more than just our own generations, their advice for anyone who wants to launch a podcast, the way to avoid getting canned responses out of guests, how their conversational methods have changed over 13 years, whether critiquing books or rejecting stories has ever affected relationships with a guest, and much more.

(4) PRESSURE FOR REGULATION. “The Sleepy Copyright Office in the Middle of a High-Stakes Clash Over A.I.” – the New York Times has the story.

For decades, the Copyright Office has been a small and sleepy office within the Library of Congress. Each year, the agency’s 450 employees register roughly half a million copyrights, the ownership rights for creative works, based on a two-centuries-old law.

In recent months, however, the office has suddenly found itself in the spotlight. Lobbyists for Microsoft, Google, and the music and news industries have asked to meet with Shira Perlmutter, the register of copyrights, and her staff. Thousands of artists, musicians and tech executives have written to the agency, and hundreds have asked to speak at listening sessions hosted by the office.

The attention stems from a first-of-its-kind review of copyright law that the Copyright Office is conducting in the age of artificial intelligence. The technology — which feeds off creative content — has upended traditional norms around copyright, which gives owners of books, movies and music the exclusive ability to distribute and copy their works.

The agency plans to put out three reports this year revealing its position on copyright law in relation to A.I. The reports are set to be hugely consequential, weighing heavily in courts as well as with lawmakers and regulators.

“We are now finding ourselves the subject of a lot of attention from the broader general public, so it is a very exciting and challenging time,” Ms. Perlmutter said.

The Copyright Office’s review has thrust it into the middle of a high-stakes clash between the tech and media industries over the value of intellectual property to train new A.I. models that are likely to ingest copyrighted books, news articles, songs, art and essays to generate writing or images. Since the 1790s, copyright law has protected works so an author or artist “may reap the fruits of his or her intellectual creativity,” the Copyright Office declares on its website.

That law is now a topic of hot debate. Authors, artists, media companies and others say the A.I. models are infringing on their copyrights. Tech companies say that they aren’t replicating the materials and that they consume data that is publicly available on the internet, practices that are fair use and within the bounds of the law. The fight has led to lawsuits, including one by The New York Times against the ChatGPT creator OpenAI and Microsoft. And copyright owners are pushing for officials to rein in the tech companies….

(5) RADIO SILENCE. Looking for comments from Kevin Standlee? We’re told he’s probably seeing the questions, but he’s been told he mustn’t say anything, so don’t be offended about getting no response to the Standlee Signal.

(6) ANOTHER BRICK IN THE WALL. “Pharrell Williams: Lego Animated Biopic Coming From Focus Features” at Variety.

The musician and superproducer announced that he is teaming with The Lego Group, director Morgan Neville and Focus Features to create “Piece by Piece,” an animated film about his life using the famous toy blocks.

Per the press release, “Uninterested in making a traditional film about his life, Pharrell set out to tell his story in a way that would set audience’s imaginations free. Developed from his singular vision, ‘Piece by Piece’ defies genres and expectations to transport audiences into a Lego world where anything is possible.”…

(7) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born January 26, 1979 — Yoon Ha Lee, 44. A truly stellar writer.

His first work for us was “The Hundredth Question” story published in The Magazine of Fantasy & Science Fiction in the February 1999 issue. May I note that magazine has published some of the finest short fiction I’ve ever had the pleasure to read?

After “The Hundredth Question”, I count just over a hundred short stories and intriguingly nearly thirty pieces of poetry which is a fair amount of genre work I’d say.

Yoon Ha Lee

Quite interesting is that the stories have several series running there — one that runs off with “The Cat Who Forgot to Fly” and runs five stories (I went to read these); then there’s series of stories about dragons, librarians, mermaids, phoenixes and queens. 

So let’s talk about his novels. His Machineries of Empire space opera novels, well space opera is a gross understatement to it mildly, consisting of Ninefox Gambit, Raven Stratagem and Revenant Gun are splendid works indeed. As a follower of Asian folklore, the fact that these nicely use Korean folklore is a bonus. 

Ninefox Gambit was nominated for a Hugo at Worldcon 75, Raven Stratagem at Worldcon 76 and Revenant Gun at Dublin 2019. None alas won a Hugo.

He likes fox spirits, he really does. (As do I.) So The Thousand World series is a space opera, and yes time that is an accurate term, about thirteen-year-old Min, who comes from a long line of fox spirits. Oh there’s dragons and tigers, oh my here as well. 

I’ve not read his latest novel, Phoenix Extravagant, but magic fueled weaponized armored giants sounds potentially interesting. 

Remember all of those short stories? Well they have been collected,  well I thought most of them had in The Candlevine Gardener and Other Stories but it turned out that those are flash fiction, all sixty five of them as I just discovered, though available are free from his website here.

I just read “The Cat Who Forgot to Fly”. It read like a classic folklore story from well before the 1800s — charming, magical and everyone is fine at the end. All two pages. 

The longer stories can be found in Conservation of Shadows, The Fox’s Tower and Other Tales and Hexarchate Stories.

(8) COMICS SECTION.

(9) SOMETHING ELSE YOU CAN’T SAY. [Item by Cat Eldridge.] Can we please stop calling it AI? They’re not actually artificial intelligences, they’re collections of algorithms doing routines based off them. None could pass a Turing test. “George Carlin’s Estate Sues Creators Of AI Version Of Comedy Icon” at Deadline.

Over 50 years ago, the late and great George Carlin listed off the seven words you couldn’t say on television. Based on a lawsuit from the iconic comedian’s estate filed in federal court in California today, at least two of those words may apply to the creators of an AI generated special that uses Carlin’s style and voice to a 2024 effect.

AKA: “a bastardization of Carlin’s real work,”  the copyright infringement complaint says.

“Defendants’ AI-generated “George Carlin Special” is not a creative work,” it goes on to exclaim. “It is a piece of computer-generated click-bait which detracts from the value of Carlin’s comedic works and harms his reputation.”… 

(10) THE END. Another one from Sam Sykes that tickled me.

(11) VIDEO OF A YEAR AGO. [Item by Danny Sichel.] German band Electric Callboy just (for values of ‘just’ that include ‘over a year ago’) released a very genre-intense video for their song ‘Spaceman’.

Warning: Electric Callboy’s style is a mix of bouncy energetic rave pop and thrashing deathcore growls. They are an extremely non-serious band.

(12) VIDEO OF THE DAY. “The Wicked Witch on Mister Rogers’ Neighborhood (1975)”.

David Newell (Mr. McFeely) recollects Margaret Hamilton’s visit to Mister Rogers’ Neighborhood filmed at WQED in Pittsburgh. In the episode on scary images, Fred Rogers meets the actress who played the Wicked Witch of the West in 1938 movie “The Wizard of Oz”.

[Thanks to Chris Barkley, Daniel Dern, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Dann, Danny Sichel, Kathy Sullivan, Steven French, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day OGH.]