Tag Archives: Squid Game

Pixel Scroll 11/25/23 The Pixelman’s Scroll is Half-Constructed

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(1) OVERCOMING REJECTION. Her rejection slips are a key part of the display: “Malorie Blackman’s career honoured in British Library exhibition” in the Guardian.

“To my great embarrassment, I’ve just discovered that I have been holding onto your novel, HACKER, since February 1990”, read a letter to Noughts & Crosses author Malorie Blackman from the senior commissioning editor of Simon & Schuster, dated nearly two years later. “I’m afraid we are not publishing any teenage novels in the near future”. The printed letter, addressed to “Marlorie”, with the extra “r” struck through in pen, was one of 82 rejection letters the writer received before her first book was published.

Hole-punched and stored in a ring binder, the letter is now on display at a British Library exhibition about Blackman, who has gone on to write more than 70 books for children and young adults, including the million-selling Noughts & Crosses series. The rejections folder is one of the artefacts that the author is most excited for the public to see, she says. “I hope that does encourage people.”…

…The exhibition traces Blackman’s young adulthood: the Lewisham homeless shelter she lived in aged 13 is pictured; the comics she turned to as a “shield against the real world” are displayed. In the local library, which she says “saved my life”, she would read novels, including classic fiction – the likes of Jane Eyre. Later, at 22, she came across Walker’s The Color Purple – the first novel she had read that was written by a Black author and featured Black protagonists. “It had a profound effect on me,” says Blackman. “She was a Black woman author. They existed!”…

(2) MEDICAL UPDATE. Jane Yolen suffered a fall the other day and required surgery. Her daughter Heidi has been posting updates on Facebook and says the surgery went great.

(3) REVENGE IS A DISH BEST SERVED BY PROCESS SERVERS. “‘Squid Game: The Challenge’ Contestants Threaten Lawsuit After Claiming They Suffered Hypothermia & Nerve Damage During Filming” reports Deadline.

Squid Game: The Challenge contestants are threatening legal action against Netflix and producers after claiming they were injured during the filming of the game show.

A British personal injuries law firm is representing two unnamed players who say they suffered hypothermia and nerve damage while shooting in cold conditions in the UK.

Express Solicitors said in a press statement that it had sent letters of claim to Studio Lambert, the co-producer of Netflix’s Squid Game: The Challenge.

The contestants’ allegations concern their experience shooting the show’s opening game ‘Red Light, Green Light,’ in which players must evade the attention of a menacing robotic doll.

The game was filmed at Cardington Studios, a former Royal Air Force base in Bedford, during a cold snap in Britain. Netflix confirmed at the time that three of 456 players required medical attention.

Express Solicitors, which specializes in no win no fee claims, said its clients risked their health by having to stay motionless for long periods during the shoot as they attempted to stay in the competition….

(4) AUTHORS’ RIGHTS IN THE AGE OF AI. [Item by Francis Hamit.] The Authors Licensing and Collecting Society is the UK outfit that manages the Public Lending Right. I’ve been a member for several years and get regular payments for my photocopying royalties, something that does not exist in the U.S. 

The ALCS’ two-page white paper “Authors and AI principles” is the most sensible thing I’ve seen yet about AI and Authors’ rights. 

First on the list of principles:

1. Human authors should be compensated for their work and have transparent information of uses of their work – new technologies and types of uses should respect the established precedent that there must be fair payment for use and transparency regarding how works have been used.  

There should be no use without payment. While many systems of remuneration reflect the ways in which we consume media at the time, the principles of copyright remain: that authors should share in the enjoyment of their work, especially financially. Licensing continues to be an effective way to adapt to, support and remunerate a wide range of uses of original works. As authors works are often used in ways to develop AI technology, authors must also have transparent information regarding when and how their work has been used….

(5) DIY DALEK. Dr. Glyn Morgan pays tribute to fans in a post to the UK Science Museum blog — “Building for the Fans: Daleks and Doctor Who”.

…Fans are the lifeblood of any creative endeavour, but this is particularly powerful point for science fiction: were it not for the continued enthusiasm from fans then Doctor Who might have died never to be regenerated after initially leaving the air in 1989, or after the underperforming TV-movie in 1996 (starring the criminally underrated Paul McGann)….

…Along with the Doctor’s equally iconic TARDIS, the Dalek is a firm favourite construction project for fans and has been since they first appeared, inspiring people’s creativity and technical innovation at home. Indeed, building your own Dalek became such a recognised rite of passage for fans that the BBC issued official instructions on how to build your own as part of a Radio Times special issue celebrating the tenth anniversary of Doctor Who in 1973. The article suggested that the project would be particularly good ‘as an exercise for a well-equipped school, using the resources and facilities of several departments- woodwork, metalwork, art and so on.’ The practicality of the design was tested by students of London’s Highbury Grove School (now City of London Academy Highbury Grove): ‘With help from their staff, they produced [a] magnificent black-and-orange specimen in two weeks, at a cost of £12’, which is a considerable saving on the approximately £250 the 1963 originals cost: although the Radio Times models were designed to be static, not operational TV props. Either way, I suspect it would cost a little more now…. 

(6) HOW HAS THE LAST WHO ANNIVERSARY SPECIAL AGED? Very well decrees Gizmodo’s James Whitbrook in “10 Years Later, Doctor Who’s ‘Day of the Doctor’ Still Hits”.

For a show that is about the capability to be everywhere and anywhere, any period in time, Doctor Who is a show that is arguably burdened with context. Now 60 years old today, the thought of navigating any of its stories without an awareness of its place in that history is almost unthinkable. But every once in a while, in a very long while, Doctor Who wields that context to set itself free.

That’s the paradox—as well as the philosophy of John Rawls—that sits at the heart of “The Day of the Doctor,” Doctor Who’s 50th anniversary special that climaxed a blockbuster period of celebrations for the series 10 years ago tonight. It is, of course, almost impossible to think of “Day” outside of this context—metatextually, we now know so much of what almost happened during its production and ideation that it’s almost a miracle to revisit the final product and not deem it miraculous for simply existing. 

…And it is about the weight of context. The tragic heart of “Day of the Doctor” is John Hurt’s aforementioned “War” Doctor: the regeneration that took part in the Time War, an incarnation left to banished memories out of the shame of what he had to do to end the conflict between the Time Lords and the Daleks once and for all, one petrified to even call himself a Doctor for the hurt he wielded to do so. Following him on the eve of the final days of the conflict as he steals a weapon of mass destruction from his own people—the Moment, a weapon so powerful, so horrifying, it developed its own conscience to almost stop itself from being—the War Doctor’s arc is one about wrestling with the weight of his own personal history, a push and pull that haunts him, and is compacted when he comes face to face with his future: two further incarnations of himself that yes, still feel the pain of the Time War, a pain muted in some ways, but still, a future for himself that exists beyond the horrifying task he has burdened himself with…

(7) TODAY’S THING TO WORRY ABOUT. “Robot Takes Order at Wendy’s. It Catches an ‘Attitude’” claims the Daily Dot.

Wendy’s has started rolling out its new AI chatbot system that is supposed to be handling customer orders at the drive thru. However, according to one TikTok video, what was intended to be a seamless transition turned into a comical and frustrating experience.

The video, which was posted by Macey (@maceitrain) this week, kicks off with Macey already mid-order, requesting a Coke. The Wendy’s robot promptly responds with a simple, “Anything else?”

The TikToker then proceeds to modify her order. “Can I make the junior bacon cheeseburger Biggie bag a medium, please?” she says.

After each update to the order, the robot mechanically repeats, “Anything else?”

…The video has since accumulated over 944,200 views with over 550 comments. Some commenters were not overly impressed by the speed of the new ordering system.

“I feel like that took longer than having a human take the order,” one commenter said….

(8) MARTY KROFFT (1937-2023). Marty Krofft, who partnered with his older brother Sid to build a kids’ TV empire around shows like The Banana Splits Adventure Hour, H.R. Pufnstuf and Land of the Lost, died November 25. The Hollywood Reporter profile is here.

The Kroffts followed Pufnstuf with The Bugaloos (1970-72), the Claymation series Lidsville (1971-73), Sigmund and the Sea Monsters (1973-75) and Land of the Lost (1974-76)…

Indeed, the Kroffts’ style was so popular that McDonald’s copied it to create Mayor McCheese and McDonaldland for an early ’70s advertising campaign. The Kroffts sued, winning a reported seven-figure settlement in 1977….

…Marty joined his brother full-time in 1958 after Sid’s assistant left, and they opened Les Poupees de Paris, an adults-only burlesque puppet show that played to sold-out crowds at a dinner theater in the San Fernando Valley….

Les Poupees went on the road and played world’s fairs in Seattle in 1962, New York in 1964 and San Antonio in 1968. It featured 240 puppets, mostly topless women, and Time magazine called it a “dirty puppet show.”

After that, it was so popular, “we couldn’t even get our own best friends in the theater,” Sid said. It drew an estimated 9.5 million viewers in its first decade of performances….

(9) TODAY’S BIRTHDAYS.

[Written by Cat Eldridge.]

Born November 25, 1926 — Poul Anderson. (Died 2001.) Need I say that he’s one of my favourite writers? I’m reasonable sure that along with Heinlein, Bradbury and Le Guin that he was the first of the writers that I read extensively. And as Algis Budrys said in his Galaxy review column of February 1965, “we will all soon realize he has for some time been science fiction’s best storyteller.”

Poul Anderson

Poul was really, really prolific which will mean that I’m not going to detail everything he did here. Indeed, ISFDB list twenty-three novels and an amazing thirty-three collections of his short stories! So where to start? 

Well in my case, that is quite easy as my go to works by him when I want to be entertained at length by great storytelling is the Technic History stories with those of Nicholas van Rijn and Dominic Flandry being the ones I like the best. Not that other stories aren’t excellent in their own as they are. 

Now there’s the ever so fun Hoka novels (Earthman’s Burden and Star Prince Charlie) and the Hoka! short stories, a sequel to the first novel, that were co-written with Gordon R. Dickson. 

I’ve always enjoyed his Time Patrol stories as they’re some of the best such tales that were ever written. These of course, as are all of his short stories, to found in The Collected Short Works of Poul Anderson that NESFA published. All seven volumes are now available as epubs! 

What’s next?  Orion Shall Rise remains one of my most read novels by him. It’s part of his Maurai & Kith series, a most interesting future history. The short stories, also excellent, were collected in, not surprisingly, his Maurai & Kith collection. 

I was surprised to find that Operation Chaos and Operation Luna actually had a handful of short stories as well, six to be exact, one written by Eric Flint. I shall need to seek them out. Another set of novels that I’ve read several times. 

Let’s not forget The Unicorn Trade that he and Karen collaborated on. Such a wonderful collection it is.

Yes, there’s lots more, but I’m going to finish off with A Midsummer Tempest which is always a delight to experience. 

No, I didn’t forget he won seven Hugo Awards and three Nebula Awards. All well deserved. 

And if you go here, you get to hear the delightful story of Karen and her role role in filk songs. I’m told that Poul had a fine singing voice. I wonder if there’s any recording of him and her singing.  

(10) MONITORING WHO MEDIA. [Item by SF Concatenation’s Jonathan Cowie.] More from Beeb.  Alas you have to have a BBC Sounds account to download in this case… “Doctor Who: 60 years of Friends and Foes”.

As Doctor Who celebrates its 60th anniversary, Sue Perkins explores how the programme has reflected our social history across the decades both on and off screen. From advances in technology to politics, violence, gender and sexuality.

Featuring archive footage, interviews and new conversations with showrunner Steven Moffat, script editor Andrew Cartmel, former companions including Anneke Wills, Katy Manning and Janet Fielding, and the voice of the Daleks Nicholas Briggs along with Dalek Operator Barnaby Edwards. Also, there’s analysis from several academics who have published books on the subject.

Sue examines how progressive the show has been, questioning if our favourite time traveller has kept with the times.

Sue Perkins

(11) BEWARE SPOILERS. If you have already seen the newest Doctor Who special, or don’t care about spoilers, you’re a candidate to read this Inverse profile about the latest iteration of the sonic screwdriver: “54 Years Later, The Oldest TV Sci-Fi Hero Just Got A Massive Tech Upgrade”.

(12) CULTURAL CORNER. Lavie Tidhar tweeted a fresh humorous sendup of the classic poem.

(13) VIDEO OF THE DAY. “Tolkien explains on BBC how he started The Hobbit” is a brief clip from a 1968 interview.

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Patrick Morris Miller.]

Pixel Scroll 9/22/23 Brand New Pixels Right Off The Cosmic Assembly Line

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(1) FINALLY! MAX TO RUN FINAL HALF-SEASON OF DOOM PATROL. [Item by Daniel Dern.] According to Gizmodo, the long-overdue final half of the final season (Season 4) of Doom Patrol on MAX (aka HBO MAX, originally on DC’s streaming platform, yeesh) — the first half finished showing back in January — with, according to Gizmodo, “two episodes October 12, followed by a weekly drop through November 9.”

(While this is the first time actual drop dates have been announced, I’ll believe this is real only after I’ve seen ’em.)

Doom Patrol has been among my short-list favorites for comics-based live-action superhero/sf shows/movies:

  • Reason 3, history: I’ve been a DP fan since the group debuted back in June 1963, in DC’s My Greatest Adventure #80, for the modest price of twelve cents.

While I missed some issues/runs during the 1970s (when I thought I was done reading comics), I de-gafiated in time for fabulous mind-blowing runs starting with Grant Morrison, followed by Rachel Pollack, and others.

(Here’s the cover.)

The initial team consisted of Rita “Elastigirl” Farr, Larry “Negative Man” Trainor, and Cliff “Robotman” Steele, led by doctor/scientist-in-a-wheelchair Niles “The Chief” Calder.

(As opposed to Marvel’s X-Men, who started in their eponymous comic dated September 1963. (Reminder, comic issue dates often weren’t the same as “when released.”) (The DP Wikipedia page discusses some of the “plagiarism? coincidence” questions.)

  • Reason 2, respectful faithfulness to canon, versus teeth-gnashing gratuitous/disrespectful changes. The characters and plots come from all eras, heroes (and villains), and plots arcs, going back to Mento, Beast Boy, General Immortus, the Brain & Monsieur Mallah, and Garguax, through Flex Mentallo, Crazy Jane, Danny The Street, Coagula, and Casey “Space Case” Brinke.

That said, the creators haven’t hesitated to explore and extend characters’ backstories and development. Our heroes (and villains) bring a lot of baggage, and it gets unpacked.

  • Reason 1, this is a mind-blowingly great show. Plots, acting, visuals, ideas, and dialogue. A lot of heart. And a great cast, including Timothy Dalton, Alan Tudyk, Matt Bomer, Brendan Fraser, Diane Guerrero (to name the ones I’m familiar with).

Note, a fair amount of “adult language.” (Not at the level of The Boys, though.) Given the predicaments, all justified.

Plus the flying vampire butts, who we’ve previously seen singing/performing “Shipoopi” (from The Music Man).

I’m excited.

(2) CHENGDU WORLDCON UPDATES. [Item by Ersatz Culture.]

I think this needs someone more versed than me in Chinese culture/cuisine/promotional merchandise to fully explain…  As far as I can tell, for 158 yuan – around $21 USD – you get a gift box containing two jars of different types of bean paste, a mecha-panda figurine, a mobile phone ring holder (?) and 2 ribbons.

The branding is mainly associated with “the 6th Chengdu International SF Convention”, which seems like it was due to be held in November 2021, but got cancelled due to the pandemic, and hasn’t been rescheduled.  However, the packaging does also say “A Tribute to the 2023 Chengdu World Science Fiction Convention” and “Originating from the 2023 Chengdu World SF Convention site”, but I don’t think that it’s official Worldcon merchandise.

Estimated shipping date is 10th October; there’s a link to a purchase page at the Weibo link.

  • Two posts about the SF-themed tunnels that lead to the SF museum/con venue

One of these was mentioned in the 2023-09-15 Scroll, but it turns out there are three newly constructed SF-themed tunnels leading to the con venue, although currently only one is open to traffic, with the other two due to open in October.  

Red Star News has a couple of posts about them; yesterday they had an article going into detail about them [Chinese only], and today they posted a video: “Red Star Video: In Chengdu Drive into the ‘tunnel’ and look up at the ‘starry sky’”.

(3) TRIO OF WARNINGS. At Writer Beware, Victoria Strauss posts three “Cautions: Babelcube, Barnes & Noble Book Order Scams, Audiobook Order Scam (Featuring a Fake Non-Profit)”. Here’s an excerpt of the third warning:

Audiobook Order Scam (Featuring a Fake Non-Profit)

This one comes courtesy of 20/Twenty Literary Group, a fake literary agency with a roster of imaginary agents that does all the things that real agencies don’t, and none of the things they do.

Its latest gambit: an audiobook order scam.

The author is contacted by one of 20/Twenty’s imaginary agents with an offer to re-publish the author’s book–for a fee, naturally. Shortly afterward…surprise! The author gets a call from a Jennifer Lim, who claims to represent a society for the blind. Jennifer wants to order 5,000 audiobooks to be distributed to the society’s members! Naturally, 20/Twenty can oblige. The cost is steep–but oh, those royalties!…

(4) IS THEIR LOVE REAL? “Is The Creator the best science fiction movie of 2023 – or is AI controlling the hype?” – the Guardian’s Ben Child raises suspicions.

…Ahead of any official reviews of the AI-centric piece, studio 20th Century has allowed select critics to tweet their opinions, and the consensus seems to be that this could be the discerning sci-fi fan’s movie of the year. To reach that level for me, Edwards would have to deliver a film on a par with Neill Blomkamp’s District 9 (2009), Alex Garland’s Ex-Machina (2014) or Grant Sputore’s I Am Mother (2019). These films were full of vim and verve and imagined future worlds so rich and detailed that you can imagine never-ending sequels spinning off into infinity – perhaps the mark of all great celluloid sci-fi….

…Are studios using artificial intelligence to handpick journalists who are statistically more likely to provide positive hype? If it’s not happening already, it almost certainly will be soon. In the meantime, let’s hope Edwards’ film really is the zeitgeist-defining AI flick we’ve all been waiting for. If mankind is going down, the least we can expect is to do so while drinking in the finest tech-inspired entertainment human civilisation has ever delivered….

(5) GENRE CONTENT INDEED. Fascinating article: “I’m a fake brand, in a fake world: The secrets behind designing a great fictional brand for TV and film” at It’s Nice That.

Duff Beer, Dunder Mifflin Paper, Wonka Candies, Barbie merchandise… We’ve seen countless made-up brands transcend seamlessly from the screen into the real world. So what’s the key to their success? We chat to the graphics team behind the Barbie film, Wes Anderson’s go-to graphic designer, motion designer and 3D artist Lorenzo Bernini, and Adult Swim’s president Michael Ouweleen….

…When it comes to the make-up of fictional brands, Erica notes how, if done correctly, they can make the stylised world feel like a real place, and can become a playground for the characters to fully express themselves within the storyline. In Asteroid City, for instance, all of the roadside cafes have menus written on the facade, because cars don’t have time to stop for a menu. “The cafe is the canvas of the menu board,” she says. Additionally, one of the characters named Shelly constantly carries a book entitled Invisible Spectrum Elemental Surface Atomic Spectroscopy. There’s also a Girl Scout character who’s always walking around with her Jam Krispies. “Often the brands have a purpose for existing in the script. It’s about understanding what the purpose of that action prop is, and what they’re trying to say about a particular character.”…

(6) EATING THE FANTASTIC. Scott Edelman invites listeners to join Hildy Silverman for a Georgian feast in Episode 207 of the Eating the Fantastic podcast.

My guest this time around is Hildy Silverman, perhaps best known for having been the Editor-in-Chief of Space and Time Magazine from 2005 through 2018. But she’s also a writer of science fiction, fantasy, horror, and the interstitial spaces between. Her short stories have appeared in such anthologies as The Dystopian States of America, Bad Ass Moms, Release the Virgins, Baker Street Irregulars, and most recently, Three Time Travelers Walk Into.

Hildy Silverman

In 2013, her short story “The Six Million Dollar Mermaid,” which appeared in the anthology Mermaids 13: Tales from the Sea, was a finalist for the WSFA Small Press Award. In 2020, she joined the Crazy 8 Press authors collective, which publishes novels and anthologies by its membership. She is a past president of the Garden State Speculative Fiction Writers and has frequently pontificated with me on the science fiction convention circuit.

We discussed the kindergarten incident which taught her all she ever wanted to do was write, how to keep writing when the whole world is telling you to stop, what she learned early on from such literary lions as Sue Miller and Jayne Anne Phillips, the lunch that changed her life, why she loves writing for themed anthologies (and how to do it right), what made her decide to take over as editor and publisher of Space and Time magazine, how to beat the odds of the slush pile, the ways being an editor helped her become a better writer, how she’s managed to collaborate without killing her writing partner, and so much more.

Scott Edelman is raising money to upgrade his podcasting equipment. Between auctions and listener donations, he’s at about the 60% mark. Plenty of fun stuff still up on eBay here.

(7) TENTACLED TEASER. Variety fills readers in about the forthcoming series: “Squid Game The Challenge Trailer; Netflix Sets November Premiere”. November 22, to be precise.

…“Squid Game: The Challenge” will see 456 contestants from around the world battle it out through various challenges based on the Korean game show in the scripted series, as well as introducing some new games.

Only one winner will take home the $4.56 million cash prize….

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 22, 1917 — Samuel A. Peeples. Memory Alpha says that he’s the person that gave Roddenberry the catch phrase he used to sell Trek to the network: “[As] fellow writer Harlan Ellison has credited him with the creation of one of the most famous catch phrases in Star Trek-lore, ‘[Gene Roddenberry] got “Wagon Train to the stars” from Sam Peeples. That’s what Gene said to me. They were at dinner and Sam Peeples, of course, was a fount of ideas, and Gene said something or other about wanting to do a space show and Sam said, “Yeah? Why don’t you do Wagon Train to the stars?”’” (Died 1997.)
  • Born September 22, 1939 — Edward A. Byers. Due to his early death, he has but two published novels, both space operas, The Log Forgetting and The Babylon Gate. EOFSF says “Byers was not an innovative writer, but his genuine competence raised expectations over his short active career.” There’s no sign his double handful of stories was collected, though his two novels are in-print. (Died 1989.)
  • Born September 22, 1954 — Shari Belafonte, 69. Daughter of Harry Belafonte, I first spotted her on Beyond Reality, a Canadian series that showed up when I was living in upstate Vermont. You most likely saw her as Elizabeth Trent in Babylon 5: Thirdspace as that’s her most well-known genre performance. 
  • Born September 22, 1957 — Jerry Oltion, 66. His Nebula Award-winning Abandon in Place novella is the beginning of the Cheap Hyperdrive sequence, a really fun Space Opera undertaking. Abandon in Place was nominated for a Hugo at LoneStarCon 2 (2013). The Astronaut from Wyoming was nominated for a Hugo at Chicon 2000
  • Born September 22, 1971 — Elizabeth Bear, 52. I’m only going to note the series that I really like but of course you will add the ones that you like. First is her White Space series, Ancestral Space and Machine, which I’ve read or listened to each least three times.  Next up is the sprawling Promethean Age series which is utterly fascinating, and finally The Jenny Casey trilogy which came out at the usual suspects several years ago.
  • Born September 22, 1982 — Billie Piper, 41. Best remembered as the companion of the Ninth and Tenth Doctors, she also played the dual roles Brona Croft and Lily Frankenstein in Penny Dreadful. She played Veronica Beatrice “Sally” Lockhart in the BBC adaptation of Philip Pullman’s The Ruby in the Smoke and The Shadow in The North. 
  • Born September 22, 1985 — Tatiana Maslany, 38. Best known for her superb versatility in playing more than a dozen different clones in the TV series Orphan Black which won win a Hugo for Dramatic Presentation (Short Form), for its “By Means Which Have Never Yet Been Tried“ episode, She received a Best Actress Emmy and more than two dozen other nominations and awards. She’s playing She-Hulk in a Marvel series. 

(9) COMICS SECTION.

  • Bizarro illustrates a tangled legal phrase.
  • Dork Tower shows us the kind of letter a warrior writes, just before a big battle. Big franchise alert.
  • The Argyle Sweater finds a crew member with a complaint about a Star Trek photo booth.

(10) EPIC COSPLAY PHOTOS. Bored Panda arrays “105 Of The Best Cosplay Costumes We’ve Ever Seen”. See photos at the link.

Includes an example of extreme dedication – the black plastic suit of “#7 My Catwoman Cosplay From 1992 ‘Batman Returns’”.

SaintElena added: “I experience almost everything the same as Michelle [Pfeiffer], unfortunately. If I spend more than 2 hours in this suit actively moving, then I can get heat stroke. If I’m not moving very actively, then I can break the stay in the suit up to 4 hours.”

(11) POLICE ROBOTS IN NYC ARE NOW A REALITY. [Item by Francis Hamit.] This isn’t what Asimov envisioned when he wrote the Three Laws but it’s close.  I invested in Knightscope in 2017 for several reasons.  Reading science fiction led me to make Robotics one of my beats as a trade magazine journalist.  I was once the West Coast Editor for ROBOTX News.  Economic circumstances made me transition from Real Estate broker to Security Captain, a temp gig that became a 20 years career while also continuing to be a professional writer.  So I understood instantly what Knightscope’s robots could add to the equation.  They extend the range and presence of human guards.  Security has never been a well-respected business, sort of the Rodney Dangerfield of corporate life but that’s changing because of all of the flashmob thieving and mass shootings.  It has evolved to a very serious part of corporate life with a strong moral center, led by a new generation of military and police veterans.

Knightscope is now a public company and trades under KSCP on the NASDAQ.  The share price has been under attack by trolls and short sellers for most of that time.  That gave me the opportunity of increasing my shares by a factor of ten at a very low price this year. So I’m not claiming to be objective.  It’s a very high risk investment but this NYPD trial is a tipping point.

(12) FEAR REVERED. The Chicago Sun-Times’ Richard Roeper looks back to the beginning: “‘The Exorcist’ at 50: Some things to look for in the classic that elevated horror”.

…When I’m asked about the scariest movie I’ve ever seen, there’s no asterisk, no hesitation, no wavering: It’s “The Exorcist.” I’ve never been as mesmerized, as terrified, as ain’t-no-way-you’re-sleeping-tonight shocked, as I was when I first saw William Friedkin’s demonic, head-turning, supernatural horror film at the Dolton Theater in the spring of 1974. (Warner Bros. actually released the film on Dec. 26, 1973 — the day after Christmas, how about that — but I had to wait for a second-run showing with the more user-friendly $1 admission price.)…

“The Exorcist” became the first pure horror film to be nominated for the best picture Oscar and continues to be a major influence on the genre to this day.In memory of Friedkin’s death last August and in anticipation of the 50th anniversary of the film, we’re getting a theatrical re-release and a 4K Ultra HD Blu-Ray and Digital edition of “The Exorcist” that includes the Original Theatrical Version and the Extended Director’s Cut, which incorporates 11 extra minutes of footage and ends with a certain exchange that offers a slightly more hopeful note.

(13) TRAIN UP ON THIS TOOL FOR WRITERS. “Decoding the Submission Grinder” is a $20 course offering at Reach Your Apex. Scheduled for Saturday, September 23 at 2:00 p.m. Eastern.

This class will show you how to use The Submission Grinder—the donation-supported web app for writers—to enhance your submission process. Find new publishers for your work that meet your criteria, track your submissions, track your income and expenses, set reminders for yourself, and more.  This course will help beginners and intermediate users get the most out of the tool to enhance their submission process. This course will be taught by David Steffen; co-founder, owner, data administrator, and developer of The Submission Grinder.

(14) WHO HYPE. “Doctor Who shares new pics of David Tennant’s Doctor reunited with Donna” – Radio Times makes sure we don’t miss them.

…The BBC has released some exciting new stills from the upcoming Doctor Who 60th-anniversary specials – showing David Tennant’s Doctor reunited with Catherine Tate’s Donna Noble….

[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Daniel Dern, Ersatz Culture, Lise Andreasen, Francis Hamit, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 4/30/23 I Demand That The Emergency Pixel System Be Activated Immediately 

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(1) ROAD TRIP. Connie Willis told her Facebook readers all about attending the 2023 Jack Williamson Lectureship in mid-April:

…This year’s guest of honor was Arkady Martine, and she brought her wife, Vivian Shaw, with her, so we got two guests for one. They were great, and so were the panels, which the Lectureship features. I especially loved the one on Artificial Intelligence, which focused on the new dangers and possibilities of ChatGPT, and one on worldbuilding. I also loved Cordelia’s lecture on a very out-of-the-ordinary experience she had while working at the Santa Clara County Crime lab. Unlike the usual investigation of shoeprints, surveillance tapes, cell phones, etc., she suddenly found herself in a convoy with a SWAT team in L.A., driving a coworker’s car without the lights on in an attempt to arrest a bunch of human traffickers….

(2) SAWYER GETS LIFETIME ACHIEVEMENT AWARD. Robert J. Sawyer was presented with the L. Ron Hubbard Lifetime Achievement Award at the Writers and Illustrators of the Future award banquet in LA on April 28. In his acceptance speech Sawyer describes career decisions where he followed his heart in ironic terms as if they had been mistakes. But they weren’t mistakes, were they.

…Many writers do media tie-ins or work in other people’s universes. My first agent tried to steer me in that direction, too, getting me a three-book contract in the STAR WARS universe. But I bailed out; I just couldn’t bring myself to play in somebody else’s sandbox.

And then I screwed up AGAIN: my second novel was called FAR-SEER, and, at its end, I gave the protagonist, a talking dinosaur named Afsan, a heroic death scene. Well, when I sent the manuscript to my agent, he said I was nuts for killing the main character: “Rob, baby,” he said — that’s how agents talk — “Rob, baby, this could be an ongoing series, and, if not a cash cow, then certainly a monetary Megalosaurus!”

So, Afsan got a reprieve and I forced out two more books about the lovable lizard. But, as before, I just couldn’t stand it; at the end of the third book, I took the same escape route Charlton Heston did from the PLANET OF THE APES sequels: I destroyed the entire planet!…

(3) BEM IN A FLASH. Cora Buhlert has had a flash story called “Bug-eyed Monsters and the Women Who Love Them” published at Way Station, a brand-new space opera magazine, which she says doesn’t have an actual issue out yet.

Captain Crash Martigan of the rocket scout squad was on patrol, protecting New Pluto City and its inhabitants from bug-eyed monsters.

Of course, bug-eyed monsters wasn’t their real name. No, the creatures had a long and official Latinate name that no one could remember nor pronounce. So the colonists took to calling them bug-eyed monsters, because that’s what they looked like….

(4) IS ANALOG USEFUL AGAIN? [Item by Mike Kennedy.] Back in the day (the 1970s when I was an Electrical Engineering student at the University of Alabama), I had occasion to build a special-purpose hybrid analog/digital computer. The only reason for its existence was so high school students visiting us as prospective UA engineering students could play tic-tac-toe and see EE at work. It was used one day, then stripped down for parts. The very idea of a programmable analog component gets my EE juices flowing a little bit, though it’s certainly nowhere enough to entice me out of retirement. There have always been problems for which analog computation was perfectly suited. But, as the article below notes, building those damn things is no joke, and every time the problem changes, the design changes. Or, perhaps, the tense should be changed to, well, “changed.“ This could become a very exciting field going forward.  “The Unbelievable Zombie Comeback of Analog Computing” in WIRED.

When old tech dies, it usually stays dead. No one expects rotary phones or adding machines to come crawling back from oblivion. Floppy diskettes, VHS tapes, cathode-ray tubes—they shall rest in peace. Likewise, we won’t see old analog computers in data centers anytime soon. They were monstrous beasts: difficult to program, expensive to maintain, and limited in accuracy.

Or so I thought. Then I came across this confounding statement:

Bringing back analog computers in much more advanced forms than their historic ancestors will change the world of computing drastically and forever.

Seriously?

I found the prediction in the preface of a handsome illustrated book titled, simply, Analog Computing. Reissued in 2022, it was written by the German mathematician Bernd Ulmann—who seemed very serious indeed.

I’ve been writing about future tech since before WIRED existed and have written six books explaining electronics. I used to develop my own software, and some of my friends design hardware. I’d never heard anyone say anything about analog, so why would Ulmann imagine that this very dead paradigm could be resurrected? And with such far-reaching and permanent consequences?

I felt compelled to investigate further….

(5) HOWARD DAYS. Ken Lizzi shares a report and several photos of the Robert E. Howard Days, which took place in April this year: “Howard Days 2023. Plus Savage Journal Entry 41.”

I made the Hajj, the Pilgrimage, to Cross Plains, Texas this weekend to visit the Robert E. Howard museum. Not coincidentally, it was also the weekend of the 2023 edition of Howard Days. I am, to be blunt, tired. It is only a five hour drive from Casa Lizzi, which is why I had no excuse to put off the visit. Still, on top of non-stop activity and limited sleep, that drive back proved less pleasant than the lovely drive out: putting a Gulf Coast thunder storm behind me Thursday morning as I wended my way north and west deep into the heart of Texas, into cattle and old oil boom country to the AirBnB I shared with Bryan Murphy and Deuce Richardson….

(6) APPENDIX N. The good folks at Goodman Games continue their articles on SFF authors listed in Appendix N:

Ngo Vinh-Hoi profiles Jack Williamson: “Adventures in Fiction: Jack Williamson”.

In the storied list of Appendix N authors, there is one name that encapsulates nearly the entire course of modern American science fiction and fantasy: Jack Williamson. John Stewart Williamson was born on April 29th, 1908 in an adobe hut in what was then still the Arizona Territory. Seeking to better themselves, the Williamson family travelled by horse-drawn covered wagon to New Mexico in 1915, where Williamson recalled that they “homesteaded in Eastern New Mexico in 1916 after the good land had been claimed. We were living below the poverty line, struggling for survival.”

This isolated, hardscrabble existence continued throughout Williamson’s entire youth, but his imagination and inquisitive mind helped him to endure…. 

Jeff Goad profiles Fletcher Pratt: “Adventures in Fiction: Fletcher Pratt”.

The Appendix N is a list of prolific authors of science fiction and fantasy. But Fletcher Pratt is not one of them, at least not in comparison to most of the authors on the list. He primarily wrote historical nonfiction about the Civil War, Napoleon, naval history, rockets, and World War II. So why is Fletcher Pratt listed in the Appendix N and why does he have the coveted “et al” listed after The Blue Star?

Well, digging a bit deeper into his writings and his career, it is no surprise that Gary Gygax was smitten with this fellow….

(7) MEMORY LANE.

1999 – [Compiled by Cat Eldridge.]

Our Beginning this Scroll comes courtesy of Richard Wadholm. Green Tea was a novella first published in Asimov’s Science Fiction in the October-November 1999 issue. It was shortlisted for the Theodore Sturgeon Memorial Award. 

Wadholm, a Clarion graduate, had a very brief visit in our corner of things writing one novel, Astronomy, and six stories. None are available at the usual suspects. 

He was, interestingly enough, a contributing writer, to Synapse, the Electronic Music Magazine  which published in the Seventies.

And now for our Beginning…

Friend Beltran, this moment has weighed on me for the past six days. At last we meet.

Will you take tea with me? Not to worry, I am not here to poison you with tainted tea. Not from a beautiful service like this, certainly. This tea kettle is pewter, yes? And the brew pot— terra cotta, in the manner of the great smuggling mandarins of the Blanco Grande? Quite so. I must beg your indulgence for its use. I was very thirsty; I have come a long way to see you.

Perhaps my name escapes you. That is the way in this profession we share. Say that I am your delivery man. Indeed, the item you procured at such dear cost is close to hand.

My fee? Whatever you arranged with the navigator Galvan will suffice. A cup of tea from this excellent terra cotta pot would do nicely. And, if you are not too pressed, the answer to a simple question?

Who was it for, the thing you birthed on our ship? Was it for the mercenaries on Michele D’avinet? Or for the Chinese smugglers who used the glare of D’avinet to hide their passing?

I suppose it doesn’t matter much either way. Whoever your treasure was intended for, they were someone’s enemy, but they were no enemy of Beltran Seynoso’s, yes? And we, the crew of the Hierophant, we were merely witnesses. Our only offense was that we could connect you with the destruction of a little star in the outer reaches of Orion.

I wronged you, my friend. You are indeed a man of pitiless resolve. Sitting here, making tea in your kitchen, in this rambling manse, on this pretty little moon of yours, I underestimated you. I pictured a dilettante, playing at a rough game.

Forgive, forgive.

That story you told our captain, that you represented an Anglo syndicate dealing in—what was it? April pork bellies? We took that for naivete. No one goes from trading in April pork bellies to dealing in ‘Tuesday morning perbladium. Not even the Anglos.

And then there was that improbable load you hired us to turn.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born April 30, 1913 — Jane Rice. Her first story “The Dream” was published in the July 1940 issue of Unknown. Amazingly, she’d publish ten stories there during the War. Her only novel Lucy remains lost due to somewhat mysterious circumstances. Much of her short stories are collected in The Idol of the Flies and Other Stories which is not available in digital form. (Died 2003.)
  • Born April 30, 1920 — E. F. Bleiler. An editor, bibliographer and scholar of both sff and detective fiction. He’s responsible in the Forties for co-editing the Best SF Stories with T.E. Dikty. They later edited Best Science-Fiction Stories. He also did such valuable reference guides like The Checklist of Fantastic Literature and The Guide to Supernatural Fiction. (Died 2010.)
  • Born April 30, 1926 — Edmund Cooper. Pulpish writer of space opera not for the easily offended. His The Uncertain Midnight has an interesting take on androids but most of his work is frankly misogynistic. And he was quite prolific with over twenty-four novels and a dozen story collections. A lot of his work is available at the usual digital suspects. (Died 1982.)
  • Born April 30, 1934 — William Baird Searles. Author and critic. He‘s best remembered for his long-running review work for Asimov’s  where he reviewed books, and Amazing Stories and F&SF where he did film and tv reviews. I’m not familiar with his writings but I’d be interested to know who here has read Reader’s Guide to Science Fiction and Reader’s Guide to Fantasy which he did, as they might be useful to own. (Died 1993.)
  • Born April 30, 1938 — Larry Niven, 85. One of my favorite authors to read, be it the Gil Hamilton the Arm stories, Ringworld, Protector, The Mote in God’s Eye with Jerry Pournelle (The Gripping Hand alas didn’t work for me at all), or the the Rainbow Mars stories which I love in the audiobook version. What’s your favorite Niven story? And yes, I did look up his Hugos. “Neutron Star” was his first at NyCon followed by Ringworld at Noreascon 1 and in turn by “Inconstant Moon” (lovely story) the following year at L.A. Con I,  “The Hole Man” (which I don’t remember reading but did listen in preparing this Birthday — most excellent!) at Aussiecon 1 and finally “The Borderland of Sol” novelette at MidAmericaCon. He’s not won a Hugo since 1976 which I admit surprised me.
  • Born April 30, 1968 — Adam Stemple, 55. Son of Jane Yolen. One-time vocalist of Boiled in Lead. With Yolen, he’s written the Rock ‘n’ Roll Fairy Tales, Pay the Piper and Troll Bridge which are worth reading, plus the Seelie Wars trilogy which I’ve not read. He’s also written two Singer of Souls urban fantasies which I remember as engaging. 
  • Born April 30, 1973 — Naomi Novik, 50. She wrote the Temeraire series which runs to nine novels so far. Her first book, His Majesty’s Dragon, won the Astounding Award. She most deservedly won the Nebula Award for Best Novel for Uprooted which is a most excellent read. I’ve not yet read her Spinning Silver novel which won a Mythopoeic Fantasy Award for Adult Literature, so opinions are welcome. 

(9) COMICS SECTION.

(10) WHAT’S ON THE WAY? John Shirley interviews Charles Stross about The Future in “Optimism Optimized & Pessimism Prodded” at Instant Future.

Q. Will the pace of change overwhelm us? I seem to perceive, behind many of your novels, a writer conflicted about technological advancement; not against it, certainly no luddite, but concerned about its nature. It would seem that we need that advancement—but we’ve failed to develop a protocol for advancing technology intelligently. For one thing, a technology that pollutes is only half-invented. This seems clear in the age of anthropogenic climate change. Should we slow the pace? Can we?

A: I think, going by the news headlines, the pace of change has *already* overwhelmed us. The Tofflers made this case fairly well in their book *Future Shock* back in the 1970s, and that was in a then-stable media environment that wasn’t polluted with memes generated by bad actors (eg. state level disinformation agencies) and chatbots (often just trying to sell something — Ivermectin as a cure for COVID19, for example).

One problem is that we’re nearing the crest of a sigmoid curve of accelerating advances in a new technological area — computing, networking, and information processing. It seems unlikely progress on miniaturization of semiconductors will proceed for many more generations (our densest integrated semiconductor circuits already have tracks and other features on the order of a hundred atoms wide: it’s hard to see how we can shrink mechanisms below the atomic scale). So, just as progress with steam locomotion had tapered off by the 1920s after a brisk acceleration from roughly 1790 through 1870, and aviation surged from the original Wright Flyer and its contemporaries around 1900 to the SR-71 and Boeing 747 by the early 1970s but subsequently stopped getting bigger or faster, we’re approaching an era of consolidation and very slow incremental gains in our IT. People are now exploring the possible ways of monetizing the technologies we’ve acquired over the past few decades, rather than making qualitative breakthroughs. I first saw a virtual reality headset and interface in use at a conference in the early 1990s; the fact that Apple are apparently bringing one to market this summer, and Meta (aka Facebook) sank billions — evidently fruitlessly — into trying to commercialize VR over the past few years, should be a huge warning flag that some technologies just don’t seem to be as useful as people expected.

(11) UPHEAVAL IN THE SIXTIES. [Item by Cora Buhlert.] At Galactic Journey I was talking about some of the 1968 unrest in (West) Germany as well as the 1968 Oberhausen Short Film Festival, where George Lucas won an award for the original short film version of THX-1138 4EB. Also present at the festival was a very young Werner Herzog, which is interesting since Herzog claimed not to be familiar with Star Wars or Lucas, when he guest-starred in The Mandalorian. Of course, Herzog might just have forgotten meeting at a festival Lucas 55 years ago. Oh yes, and there also was a scandal at that festival surrounding a short film with a very upstanding cast member. “[April 14, 1968] In Unquiet Times: The Frankfurt Arson Attacks, the Shooting of Rudi Dutschke and Electronic Labyrinth THX-1138 4EB” at Galactic Journey.

…With West Germany burning and all the terrible things happening here and elsewhere in the world, it’s easy to forget that there are bright spots as well. One of those bright spots is the 14th West German Short Film Days in Oberhausen….

(12) SURVIVING THE RUNWAY. “Louis Vuitton collaborates with the director of Squid Game in a bid to woo South Korea’s elite” – Yahoo! has the story.

…The event was dreamed up by Ghesquière and Hwang Dong-hyuk, the director of the hit Netflix series, Squid Game, in which contestants compete in a series of children’s games and are murdered if they lose. He could hardly have found a more effective way of winnowing out weaklings than this runway. HoYeon Jung, a Korean actress who opened the show, took it in her stride. She was probably used to tough conditions having starred in Squid Game….

[Thanks to Andrew Porter, John King Tarpinian, Cora Buhlert, Paul Di Filippo, Lise Andreasen, Chris Barkley, Michael Toman, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Lis Carey.]

Pixel Scroll 6/14/22 Colonel Pixel, With The Godstalk, In The Scrollatory

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A very abbreviated Scroll due to the rest of the day having been spent accompanying my mother to a routine medical appointment and related errands.

(1) UNDERSTANDING HORROR FICTION. Anne Marble’s “What Knife?! 6 Things You May Not Know About Horror Novels” on Medium sheds some light on the genre.

Horror novels often get a bad name. Misperceptions abound. Assumptions are made. Fingers are pointed — at reader and fan alike. As if the world needed more finger-pointing.

Horror can be spooky. It can be gross. Or sad. Or funny. Or all of the above. Just like any other genre….

The middle of Anne’s post takes up an important controversy about horror fiction.

3) Not All Horror Novels Are Gross and Gory. But Some Are, and That’s OK!

Many horror writers rely on atmosphere and unease rather than gore to make their stories scary. Even most authors who use graphic violence will use it sparingly — just to make your imagination work and make the book even more terrifying.

For Medium, Anita Durairaj listed 5 Terrifying Books Without the Gore. There are always posts asking for recommendations for non-gory horror on Reddit.

If you do want gory reads, check out the extreme horror and splatterpunk genres. On the Fangoria website, check out Splatterpunk for Dummies, Or Defining the Genre For Those Who Love Horror Fiction by acclaimed reviewer “Mother Horror” Sadie Hartmann (co-owner of the Night Worms subscription box company).

But look out! The best splatterpunk and extreme horror books aren’t just about gore. They’re about people. So they can still break your heart. Just ask people who have read Jack Ketchum’s influential novel The Girl Next Door. The Lineup includes it in its article 9 Extreme Horror Books with Heart.

Many authors known for gory books write more than just that. One example is Brian Keene, who has gory books like The Rising and Ghoul (which is also a coming-of-age story) but also metafiction like The Girl on the Glider.

(2) SQUID IN REALITY. The Hollywood Reporter says: “‘Squid Game’ Reality Series Coming to Netflix With Biggest Cash Prize in TV History”.

Netflix is staging a real-life Squid Game series that’s billed as “the biggest reality competition ever.”

The streamer announced a reality TV production based on its global dystopian smash at the Banff World Media Festival on Tuesday.

While the stakes won’t be life or death (presumably), Squid Game: The Challenge will have 456 players competing in a series of games for the chance to win $4.56 million. Netflix claims the payout is the largest lump-sum cash prize in TV history (though Fox’s X Factor has previously given out recording contracts worth $5 million), and that the show likewise also sports the largest competition series cast ever assembled.

… The reality competition will consist of 10 episodes (one more than the first season of the dramatic series) and also released a teaser video….

The show is casting participants through this website: “Squid Game: The Challenge Casting”.

You’ve seen the drama, now it’s your chance to take part in Netflix’s biggest ever social experiment! This supersized unscripted show turns the scripted world of the drama into reality. Real-life players will be immersed in the iconic Squid Game universe and will never know what’s coming next. Here they’ll compete in a series of heart-stopping games in order to become the sole survivor* and walk away with a life-changing cash prize.

With a fortune up for grabs, who will be an ally, who will you trust, and who will you betray in this ultimate test of character?

*Please note: Win or lose, all players will leave unscathed. But if you win, you win big!

(3) TERMINATE RUSSIAN OIL. [Item by Mike Kennedy.] Ex-Governator Schwarzenegger has laid down the law to his fellow Austrians… The Telegram channel of the Kyiv Independent reports: “Schwarzenegger denounces Europe for buying Russian fuel. Hollywood star and ex-California Governor Arnold Schwarzenegger said at the Austrian World Summit in Vienna that “we have blood on our hands because we are financing the war.” The European Union has imposed a partial oil embargo on Russia but refused to impose an embargo on Russian gas….”

Schwarzenegger posted the video to his YouTube channel with this introduction:

This morning, I spoke at my annual environmental summit I co-host with my dear friend, President Van der Bellen, the president of Austria. I spoke about the unbelievable power of technology transforming the clean energy crusade. 7 million people die every year from pollution. The Russian missiles launched into Ukraine are funded by our addiction to fossil fuels. There is blood on our hands. We have a moral obligation to use the technology available to us to create a clean energy future.

Schwarzenegger‘s talk is primarily about clean energy/climate change/pollution. His remarks about the war in Ukraine and funding same through purchasing Russian oil begin just before minute 11 and continue (to some degree) through the end of his talk a few minutes later.

(4) MEDIA BIRTHDAY.

1947 – [By Cat Eldridge.] Tom & Jerry cartoon, Dr. Jekyll and Mr. Mouse (1947). The Hanna-Barbera cartoons were considered by many cartoon fans to be quite inferior to the Warner Bros. cartoons which were regarded as the gold standard of the animation done during the Forties and Fifties. I’m not making that judgement here as I really liked the Tom & Jerry cartoons and particularly the ones done in the Forties. 

Dr. Jekyll and Mr. Mouse is a one-reel, as they were called, cartoon and is the thirtieth Tom and Jerry short which is seventy five years old this day. It directed by William Hanna and Joseph Barbera who wrote the script as well. It was produced by Fred Quimby. It has animation by Ed Barge, Michael Lah, Pete Burness, Ray Patterson, Kenneth Muse and Al Grandmain. That’s a lot of animators for such a short undertaking! (Some are not credited on the cartoon itself.) 

Surely I don’t a need SPOILER ALERT on this cartoon? Seriously?  You want one? Well here it is just in case you haven’t seen it.

The story is the Tom, our ever annoyed feline, is quite pissed that Jerry, our smarter mouse, keeps drinking his milk so he poisons it with a mix of, well, everything toxic that he can find including mothballs. Does it do that? No, it doesn’t. Instead it turns Tom into an incredibly strong mouse. Much cartoon violence happens.  END SPOILER ALERT

It was nominated for the Academy Award for Best Short Subject: Cartoons in 1947, but lost to Warner Bros.‘ Tweetie Pie. 

This short was shown in the 1983 movie, The Hunger.

Please don’t offer a link to online copies of Dr. Jekyll and Mr. Mouse as they are all bootlegs as it’s still under copyright. Hanna and Barbera passed respectively in 2001 and 2006 in the ages of ninety-six and ninety-one, bless them. 

(5) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 14, 1908 — Stephen Tall. The pseudonym of Compton Crook. His first published work was “The Lights on Precipice Peak“ in Galaxy, October 1955. Not a prolific writer, he’d do about twenty stories over the next quarter of a century and two novels as well, The Ramsgate Paradox and The People Beyond the Wall. “The Bear with the Knot on His Tail” was nominated for a Hugo at the first L.A. Con. He has not yet made into the digital realm other than “The Lights on Precipice Peak” being available at the usual suspects. In 1983, the Compton Crook/Stephen Tall Memorial Award for best first science fiction novel in a given year was established by the Baltimore Science Fiction Society in his name. (Died 1981.)
  • Born June 14, 1914 — Ruthven Todd. He’s here for his delightful children’s illustrated trio of Space Cat books — Space Cat Visits Venus, Space Cat Meets Mars and Space Cat and the Kittens. I’m pleased to say they’re available at all the usual digital suspects and yes I’ve read them. He also wrote Over the Mountain and The Lost Traveller which are respectively a lost world novel and a dystopian novel.  Side note: he was an editor of the works of William Blake which must have a really interesting undertaking! (Died 1978.)
  • Born June 14, 1919 — Gene Barry. His first genre role was in The War of the Worlds as Dr. Clayton Forrester. He’d have a number of later genre appearances on Science Fiction Theatre, Alfred Hitchcock Presents, The Devil and Miss Sarah, The Girl, the Gold Watch & Dynamite, plus multiple appearances on Fantasy Island and The Twilight Zone. He’d appear in the ‘05 War of The Worlds credited simply as “Grandfather”. (Died 2009.)
  • Born June 14, 1921 — William Hamling. Author and editor who was active as an sf fan in the late 1930s and early 1940s. His first story “War with Jupiter”, written with Mark Reinsberg, appeared in Amazing Stories in May 1939. He’d write only short stories, some nineteen of them, over the next twenty years. Genre adjacent, his Shadow of the Sphinx is a horror novel about an ancient Egyptian sorceress. He would be the Editor of two genre zines, Imagination for most of the Fifties, and Imaginative Tales during the Fifties as well. He published four issues of the Stardust fanzine in 1940, and contributed to the 1940 Worldcon program. He was best known for publishing adult magazines and books, which led to First Amendment litigation, and also a criminal prosecution that resulted in a jail term. (Died 2017.)
  • Born June 14, 1939 — Penelope Farmer, 83. English writer of children’s fantasy novels, best-known for the novel Charlotte Sometimes, a boarding-school story that features a multiple time slip. There’s two more novels in this, the Emma / Charlotte series, The Summer Birds and Emma in Winter. Another children’s fantasy by her, A Castle of Bone, concerns a portal in a magic shop. 
  • Born June 14, 1949 — Harry Turtledove, 73. I wouldn’t know where to begin with him considering how many series he’s done. I’m fairly sure I first read novels in his Agent of Byzantium series and I know his Crosstime Traffic series was definitely fun reading. He’s won two Sidewise Awards for How Few Remain and Ruled Britannia, and a Prometheus for The Gladiator. Hugos? Well there was one.  ConAdian saw him win for his “Down in the Bottomlands” novella, and his “Must and Shall” novelette picked up a nomination at L.A. Con III, and Chicon 2000 where he was Toastmaster saw his “Forty, Counting Down” honored with a nomination. 
  • Born June 14, 1958 — James Gurney, 64. Artist and author best known for his illustrated Dinotopia book series. He won a Hugo for Best Original Artwork at L.A. Con III for Dinotopia: The World Beneath, and was twice nominated for a Hugo for Best Professional Artist. The dinosaur Torvosaurus gurneyi was named in honor of him.

(6) HEAR FROM VANDANA SINGH. In October 2021, as part of the TED Countdown climate summit in Edinburgh, Vandana Singh, who is one of our Climate Imagination Fellows, gave a talk that is really a performance of a short speculative fiction story. Here is a link to the video. The story is hopeful, and focuses on the fundamental interconnectedness of humans with nonhuman beings and Earth systems.

Vandana’s books include Ambiguity Machines and Other Stories and The Woman Who Thought She Was a Planet and Other Stories. She’s also a physicist and a researcher and educator on the climate crisis.

“The world is a living tapestry … As the weave of life is torn apart in one place, the threads unravel in another,” says author and physics professor Vandana Singh, acknowledging humanity’s interconnectedness with the planet — and the uncertain future we face if we don’t protect it. Reading an excerpt from her latest work of speculative fiction, Singh shares a hopeful vision for Earth’s renewal.

(7) A MAKER OF HISTORY. The Hugonauts podcast interviewed David Brin.

This week we talk with David Brin about his writing, what it was like seeing his book adapted into a movie, the future of sci-fi, how aliens would be welcomed in Los Angeles, and what it was like to study writing under Ursula K. Le Guin with Kim Stanley Robinson! David Brin is an astrophysicist whose international best-selling novels include The Postman, Startide Rising, and the Uplift War. He consults for NASA, companies, agencies, and nonprofits about the onrushing future. His first nonfiction book, The Transparent Society, won the Freedom of Speech Award. His newest book is Vivid Tomorrows: Science Fiction and Hollywood.

[Thanks to Chris Barkley, Andrew Porter, Daniel Dern, Joey Eschrich, Michael Toman, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Ingvar.]