(1) GASBAGS OF DEATH. Let Michael Moorcock tell you all about “The hubris of the great airship designers”, in his review of His Majesty’s Airship: The Life and Tragic Death of the World’s Largest Flying Machine by S.C. Gwynne. Behind a paywall at Spectator.
…The airship race of the 1920s and 1930s carried that familiar mixture of visionary idealism, populist politics and wishful thinking which so often ended in tragedy. The explosion of the swastika-emblazoned Hindenburg in 1937 is the best known, but the years before the second world war, as countries rushed to launch successful lighter-than-air ships, saw many other disasters. Very few crashed without loss of life. Most took a substantial number of crew and passengers with them as they split in two, turned end-up, went down in flames or disappeared into the wastes of the polar ice. The only large ships to survive were withdrawn from service after dramatic test failures or the loss of sister ships. As S.C. Gwynne points out in this excellent account of perhaps Britain’s greatest imperial folly, not a single ship could pass an airworthiness test, and even ‘safe’ ships such as the Graf Zeppelin or Vickers’s ‘private’ R100 barely escaped disaster on many occasions.
The R101 was the dream of the charming imperial romantic Christopher Birdwood Thomson, who imagined a benign commonwealth held together by the power of mighty airships capable of carrying statesmen, goods and soldiers to any part of its far-flung lands. His fellow visionaries included the alcoholic daredevil G.H. Scott, our most experienced airshipman; Britain’s best navigator E.L. Johnston; and Michael Rope, R101’s designer. All of them believed that they had learned from the Zeppelins’ mistakes.
Their enthusiasm far outweighed their experience. They were fired up on Verne- and Wells-inspired serials in the likes of Modern Boy (whose long-running star was Biggles), where Britons consolidated their empire and saved the world by inventing great cigar-shaped flying machines. The Freudian appeal of those aerial monsters hasn’t gone unremarked, of course; but having experienced the euphoria of powered lighter-than-air flight, of seeing the detailed countryside passing slowly below, the only sound being the engines’ purr, I can vouch for the strong appeal of airship flight….
(2) CHICKEN OUTFIT. CBS’ Sunday Morning show today did a segment about “Aardman Animations: Creating the magic of stop-motion”.
The animation wizards behind Wallace & Gromit and Shaun the Sheep are back with a sequel to their 2000 hit feature, “Chicken Run.” Correspondent Seth Doane visits the Bristol, England studios of Aardman Animations, where artists have painstakingly filmed “Chicken Run: Dawn of the Nugget,” a comic adventure in which daredevil chickens seek to rescue their precious hen from a dastardly factory farm. (Think “Chicken: Impossible.”)
(3) CHANGING THE IMBALANCE. “The Book World Still Isn’t Diverse. Dhonielle Clayton Is Trying to Change That” reports the New York Times. “Her solution? A packaging business that sells ideas for commercial genre fiction featuring characters from broadly diverse backgrounds.”
One evening this fall, a crowd of writers and publishing professionals mingled in a speakeasy-style lounge in Midtown Manhattan. The party, hosted by a new company called Electric Postcard Entertainment, was the kind of lavish affair that’s become rare for the book business in an era of corporate consolidation and cuts.
Guests traded industry gossip and sipped potent signature cocktails with names like “timeless love” and “immortality serum” — phrases that alluded to the company’s coming romance and fantasy projects. The crowd included executives from Sony, film agents and producers, book scouts, novelists and editors and publicists from publishing houses like Macmillan, Simon & Schuster and William Morrow.
The company’s sales pitch was delivered stealthily via gift bags stuffed with candles, a branded sweatshirt and tea. Along with the party swag was a small sealed envelope holding a plastic card with a QR code that led to a website, where excerpts from 10 of the company’s new book projects were posted. There was a lesbian time-travel romance, a novel about an immortal Black travel writer who wanders the globe for centuries and a fantasy about the epic rivalry between two prominent Black families who wield magic.
The stories hadn’t yet been fully written — these were teasers for potential books, and Electric Postcard, which generated those book ideas, was looking for buyers. A note on the site urged interested parties to contact New Leaf Literary & Media, an agency that represents Electric Postcard’s projects.
The mastermind behind those fictional plots and dozens more is Dhonielle Clayton — a former librarian whose hyperactive imagination has spawned a prolific factory for intellectual property. Though her name doesn’t always appear on the covers of the books she conceives, she has quietly become an influential power broker in the book world….
(4) FINALE. Rachel Stirling describes the last days of her mother, Diana Rigg, in “‘It’s gone on too long. Push me over the edge’: Diana Rigg’s dying wishes in the grip of cancer” in the Guardian. Note: explicit descriptions of patient care.
…It has taken three years for me to feel able to listen to the tapes we made. I have come to Brighton to transcribe them and to write this piece about the circumstances surrounding the recordings. I have splashed out on a room with a balcony overlooking the sea. The staff kindly moved a battered old card table into the space in front of the window so I can write down her words in long hand, which feels more suitable than typing. I light a candle, put the small tube of her ashes I have brought with me on to the table, pour a glass of her preferred prosecco, toast the raucous hen party making a right cacophony in the road below, and press play.
My mother’s dulcet tones come through loud and clear. She is two months away from death but still strong, with lungs that filled theatres before actors were ubiquitously mic’d. She is still raging, still as gloriously articulate as she always was.
“I’ve always spoken out,” she says. “I spoke out when I was very young doing The Avengers and learned I was earning less than the cameraman. I received universal opprobrium. I was called ‘money grabbing’. I spoke for peace in Vietnam, in Northern Ireland. I marched for peace in Iraq. I stood up for what is right. I speak my mind. If I see something is unfair, I’ll do my best to address it. I think this is unfair.
“I have cancer and it is everywhere, and I have been given six months to live,” she says. “Yet again we found ourselves in the bathroom this morning, my beloved daughter and I, half-laughing and half-crying, showering off together, and it was loving, and it was kind, but it shouldn’t happen.
“And if I could have beamed myself off this mortal coil at that moment, you bet I would’ve done it there and then.”
She adds that nobody talks about “how awful, how truly awful the details of this condition are, and the ignominy that is attached to it. Well, it’s high time they did. And it’s high time there was some movement in the law to give choice to people in my position. This means giving human beings true agency over their own bodies at the end of life. This means giving human beings political autonomy over their own death.”
(5) DAVID DRAKE (1945-2023). Hammers Slammers author David Drake died December 10 at the age of 78 reports the Wikipedia (and his website). He was the creator of the Lord of the Isles, RCN, and several other series of his own. He also collaborated on series with Eric Flint and S.M. Stirling, where he wrote the plot outlines and the co-author wrote the rest of the books.
Drake’s first published short story “Denkirch”, a Lovecraft pastiche, appeared in August Derleth’s 1967 collection Travellers By Night (1967). His Seventies Hammers Slammers short fiction was published in a collection under that title in 1979. That was also the year that his novel The Dragon Lord came out, the first of his works that I read, a memorable interpretation of King Arthur as rather like Mussolini.
Drake was a Vietnam War veteran who practiced as a lawyer before becoming a full-time writer.
He founded a small press, Carcosa, with Karl Edward Wagner (editor) and James Groce. Their efforts were recognized with a shared World Fantasy Award in 1976. He received the Phoenix Award for lifetime achievement, given by Southern fandom, in 1984.
In November 2021 he announced he was retiring from writing novels, due to unspecified cognitive health problems.
(6) TODAY’S BIRTHDAY.
[Written by Cat Eldridge.]
Born December 10, 1960 — Kenneth Branagh, 63. I first saw him in Much Ado About About Nothing, the Shakespearean comedy which he adapted and he is in it with his then-wife Emma Thompson. Truly lovely film.
So let’s look at his genre work as a performer. Dead Again might or might not be his first genre film where he was Mike Church / Roman Strauss, but Mary Shelley’s Frankenstein where he was Victor Frankenstein is genre and he directed it well. I’ve heard varying opinions on it. What did y’all think of it?
Then there’s Wild Wild West where he was Arliss Loveless, some bastardized variant on Michael Dunn’s perfectly acted Dr. Miguelito Quixote Loveless. He didn’t work for me. Not at all.
Alien Love Triangle is a thirty-minute film starring Kenneth Branagh, Alice Connor, Courteney Cox and Heather Graham. Teleportation. Aliens. Genders, alien.
He got to play in Rowling’s universe in Harry Potter and the Chamber of Secrets as Gilderoy Lockhart. Great role it was.
Oh, and in an alternate reality sort of way, he plays William Shakespeare in All is True, another name for Shakespeare’s play Henry VIII. It’s a very lovely role and a sweet film as well. Recommended.
For hard SF, I’ve got him directing Thor. (Well sort of hard SF.) For fantasy, he directed Cinderella and Artemis Fowl.
Finally he’s Hercules Poirot in the three Agatha Christie films produced so far — Murder on the Orient Express, Death on the Nile and A Haunting in Venice. He was also director and producer for these. He’s certainly a different manner of that detective. Really different.
(7) COMICS SECTION.
- Crabgrass today is a thoughtful strip about cosmology.
(8) TAKING A BREAK FROM THE SANDBOX. Gizmodo says there probably could be a future sequel based on Dune Messiah, just don’t expect it soon: “Dune 3 Release Would Be After Another Denis Villeneuve Film”.
It’s been Denis Villeneuve’s plan since day one: adapt Frank Herbert’s epic sci-fi novel, Dune, in two parts, and then bring the story of Paul Atreides to a close with an adaptation of the follow-up, Dune Messiah. He’s been saying that since before the release of Dune: Part One but, at that time, it was more a dream than reality. With each passing day though, that dream moves closer to reality, even if it’s going to take longer than fans might expect.
“[Dune Messiah is] being written right now,” the director said at a South Korean press conference, picked up by Variety. “The screenplay is almost finished but it is not finished. It will take a little time… There’s a dream of making a third movie… it would make absolute sense to me.”
Yes yes. The dream. We covered all that. But when, Denis? WHEN? “I don’t know exactly when I will go back to Arrakis,” Villeneuve added. “I might make a detour before just to go away from the sun. For my mental sanity I might do something in between, but my dream would be to go a last time on this planet that I love.”
So it seems the plan, hypothetically, is for Dune: Part Two to finally come out on March 15, 2024, Villeneuve to make another film, and then if the demand warrants it, go back to Arrakis, as he phrased it, one last time.
(9) TOYMAKER. The showrunner told Entertainment Weekly that “’Doctor Who’ star Neil Patrick Harris had ‘never heard’ of show”.
Call it How Neil Patrick Harris Met Your Favorite British Time Travel Show.
Doctor Who showrunner Russell T Davies tells EW that the American actor was completely unfamiliar with the beloved science fiction series when the executive producer approached Harris about playing a villain called The Toymaker on this Saturday’s final 60th anniversary special episode, “The Giggle.”
“He’d never heard of it in his life, bless him,” Davies says with a laugh. “I was lucky enough to work with the great man on a show called It’s a Sin, about the AIDS crisis in the 1980s, and working with him was such a joy. The Toymaker, he’s kind of the god of games, so he shuffles cards, he does magic tricks, and all of that fits Neil Patrick Harris. If you go through agents, they often tell you to go away. I was able to send just a text saying, ‘Do you fancy reading this?’ He read it and literally phoned me up going, ‘Let me get this right, so the Doctor’s an alien, right?’ I was like, ‘Oh my god, you really have never heard of Doctor Who!’ But he couldn’t resist it, and he came to Cardiff, and we had the most spectacular time.”…
(10) BEWARE SPOILER. Probably stop reading now if you want to keep your Doctor Who experience pristine until you’ve watched the latest installment. Otherwise, the Nerdist explains “DOCTOR WHO Uses the Toymaker to Teach Real Life TV History Lesson”.
…While the Toymaker is fictional, the episode’s story about a dummy named Stooky Bill, the first TV image, and John Logie Baird are real….
(11) PLENTY OF ROOM FOR IMPROVEMENT. “Cherokee language on the packaging of the Wilma Mankiller doll said ‘Chicken Nation’ instead of ‘Cherokee Nation.’ Critics said Mattel made other errors.” “Mattel Has a New Cherokee Barbie. Not Everyone Is Happy About It.” – the New York Times has the story.
A Barbie doll in the likeness of Wilma Mankiller, the first woman to be elected chief of the Cherokee Nation, has been hailed by tribal citizens. It’s also been lamented for its inaccuracies.
An event held Tuesday in Tahlequah, Okla., marked the anniversary of Ms. Mankiller becoming chief in 1985 and celebrated her Barbie doll. Mattel, the company that produces Barbie dolls, announced the new toy last month as part of the “Inspiring Women” series that includes the conservationist Dr. Jane Goodall, the journalist Ida B. Wells and the writer Maya Angelou.
The doll’s release has been met with some criticism. The doll itself portrays Ms. Mankiller, who died in 2010, with dark hair, wearing a turquoise dress and carrying a basket, a depiction that Chuck Hoskin Jr., principal chief of the Cherokee Nation, said was “thoughtful” and “well done.” However, he noted that some in the community said the doll’s basket wasn’t authentically Cherokee.
“To someone who doesn’t read Cherokee syllabary, they’re not going to notice it,” Mr. Hoskin said. “To the Cherokee people for whom Wilma is of such enduring significance and we have such enduring love for her, to see our seal incorrect, it’s very disappointing because it would not have taken much effort or thought to avoid that.”
The packaging also identified the tribe as “Cherokee Nation of Oklahoma,” instead of the tribe’s official name, Cherokee Nation, which is used in all of the tribe’s treaties with the federal government.
“I don’t like to blame anybody, but I really wish that they could have gotten the packaging correct,” said Pamela Iron, the executive director of the nonprofit American Indian Resource Center and a close of friend of Ms. Mankiller….
(12) ADVANTAGES OF DIVERSITY. [Item by SF Concatenation’s Jonathan Cowie.] In this week’s Science journal there is an article arguing that increasing diversity on spacecraft mission teams reduces risk.
Lack of diversity on spacecraft teams creates risks for a mission. Many studies show that diverse teams outperform homogeneous teams because they focus on and process facts better and are more innovative—essential skills for a spacecraft mission team. Additional studies show that improving diversity is most critical in four types of activities: launching a new product, troubleshooting an existing product or process, planning for the future, and responding to crises. Spacecraft missions involve all four activities, so teams that lack diversity have an increased risk of failures at all stages of the development process. This issue needs to be addressed.
(13) VIDEO OF THE DAY. Variety covers last night’s episode of Saturday Night Live in “Adam Driver ‘SNL’ Monologue: ‘Wokeness Killed Han Solo’”.
Adam Driver is done with your “Star Wars” complaints.
As the host of the Dec. 9 episode of “Saturday Night Live,” he performed his monologue while playing the piano and reciting a letter of Christmas wishes to Santa.
“I would like people to stop coming up to me on the street saying, ‘You killed Han Solo!’,” he said. “I didn’t kill him. Wokeness killed Han Solo.”…
… He began the Christmas list saying, “Hey, Santa. It’s me, Adam Driver, from the nice list. And also ‘Girls.’ I turned 40 this year, Santa, so I would like five pairs of chinos. I also want one of those giant metal Tesla trucks. I think it would pair perfectly with my teeny tiny micropenis.”…
[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Kathy Sullivan, Michael J. Walsh, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Bill.]
