Tag Archives: Richard Donner

Pixel Scroll 5/21/25 “I Don’t Want To Teach This Particular World To Sing,” Said Tom Dyspeptically

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(1) STURGEON AWARD NEWS. The 2025 finalists for the Theodore Sturgeon Memorial Award for the best short science fiction story have been selected. File 770 has the list here: “Theodore A. Sturgeon Memorial Award 2025 Finalists”.

(2) LUCAS MUSEUM, DUE TO OPEN IN 2026, CUTS STAFF. “Lucas Museum lays off staff in Los Angeles one year before opening” reports the San Francisco Chronicle.

The Lucas Museum of Narrative Art in Los Angeles — the $1 billion institution founded by “Star Wars” filmmaker George Lucas and his wife, Mellody Hobson — has laid off 14% of its full-time staff, a year ahead of its scheduled opening in 2026. 

Fifteen full-time employees — many from the education and public programming departments — were let go last week, along with seven part-time, on-call workers. 

The museum said the cuts were part of a “necessary shift of the institution’s focus” to ensure its timely debut in Exposition Park.

“It is a tremendously difficult decision to reorganize roles and to eliminate staff, but the restructure will allow the museum’s teams to work more efficiently to bring the museum to life for the public,” the institution confirmed in a statement to the Chronicle. “ The museum will also continue hiring new roles in strategic operational areas in anticipation of the 2026 opening.”

Among those laid off was Bernardo Rondeau, curator of film programs, who was notified while attending the Cannes Film Festival. 

The move follows the February departure of director and CEO Sandra Jackson-Dumont, whose role was divided between Lucas, now overseeing content, and Jim Gianopulos, the former chairman of 20th Century Fox and Paramount Pictures, serving as interim CEO….

Artist’s rendering of Lucas Museum of Narrative Art

(3) GRRM WILL PRODUCE NEW WALDROP ADAPTATION. George R. R. Martin has signed on with Lion Forge Entertainment to adapt Howard Waldrop’s A Dozen Tough Jobs into an adult animated feature film, The Hollywood Reporter can exclusively reveal.

The renowned author will produce the project, a reimagining of the Greek classic story of the 12 labors of Hercules. A Dozen Tough Jobs transports the mythic tale to 1920s Mississippi, where Hercules is re-envisioned as a former sharecropper fighting to regain his freedom…

… Joe R. Lansdale (Bubba Ho-Tep, Hap & Leonard) is writing the screenplay. French animation studio Blue Spirit, the Emmy-winning studio behind Netflix’s Blue Eye Samurai, will provide animation services for the film under Lion Forge Animation….

(4) JIM BUTCHER Q&A. “14 Million Books Later, Jim Butcher Thinks His Wizard Detective Needs a Hug” says the New York Times. (Interview is behind a paywall.)

… Depression, which he had struggled with for much of his life, was deadening his days. His marriage was fraying. The charming raconteur, telling jokes to hundreds of fans on the science fiction and fantasy convention circuit, belied a man in crisis. So, he made a decision to end things.

As the deadline for his next book loomed, Butcher took two bottles of pills that he’d been using to treat chronic migraines and braced for the worst. He recalled feeling terribly sick for 36 hours. But he survived.

“I am really lucky to be here,” Butcher said quietly, as his 7-year-old pit bull, Brutus — named for an earth spirit in one of his books — dozed next to him on the couch.

Afterward, he thought about what his death might have done to his two sons, James (a novelist himself) and Dylan. He felt he needed to “own up to the consequences of my choice, and what could have happened if I hadn’t just been very fortunate.”

The result was the next installment in the series, “Ghost Story.” The book followed Harry Dresden’s ghost as he tried to solve his own murder, observing the ripple effects of his death “It’s a Wonderful Life”-style. It was the first in the series that Butcher didn’t plan out chapter by chapter ahead of time.

Butcher hasn’t opened up publicly about his mental health difficulties until recently, and he’s still reluctant to discuss them. He has been divorced twice, separations that have taken a toll (though he is newly engaged). Sowards said that there was a period where she wasn’t sure when she was going to get another book from him.

“We were able to be patient, and we supported him,” she said.

For lunch, Butcher sears me a steak on the stovetop, not unlike the typical meal that McAnally, the taciturn bartender from his books, would serve up. As Butcher carefully glazes the meat with a heart-healthy balsamic, I suggest that talking to a reporter is probably not great for his blood pressure.

“I mean, I debated whether or not to do this interview,” Butcher said, after adding garlic powder.

Stepping outside into the brisk, pine-scented air, he tells me that talking about his mental health was motivated, in part, by an interaction he had with a fan. At a book signing, he met a young man carrying a printout of writing advice Butcher had published on his LiveJournal. He autographed it and offered the fan encouragement about his own writing.

Butcher thought little of it at the time. But afterward, he said, the fan got in touch to tell Butcher that he had been prepared to kill himself, and that the writer’s words of support helped him decide to keep going. Since then, the two have struck up a friendship.

“I’ve talked to other young men who’ve had the same issues,” Butcher said. “I say, ‘You’re feeling overwhelmed. You need to make your world a bit smaller for a while. Set out some reasonable goals for yourself, get up in the morning, get the bed made, get the kitchen cleaned up, make sure your house looks nice.’”…

(5) IMAGINARY PAPERS. Arizona State University’s Center for Science and the Imagination has published the latest issue of Imaginary Papers, their quarterly newsletter on science fiction worldbuilding, futures thinking, and imagination.

 In this issue, Anna Maria Grzybowska writes about Endling: Extinction is Forever, a 2022 video game exploring environmental crisis and nonhuman agency; Fitz Madrid explores psychedelic tendencies in speculative fiction, with particular attention to Philip K. Dick’s 1969 novel Ubik; and Ari Brin reports on an anthology of rediscovered stories by nineteenth-century science fiction pioneer Robert Duncan Milne.

 (6) TODAY’S DAY.

(7) DISCWORLD REREAD. Christopher Lockett continues his series with “Discworld Reread #2: Equal Rites”.

…In Equal Rites (1987), we meet the character who is, to my mind, Sir Terry’s greatest achievement. I suppose everybody has their favourites, and there are definitely a good number of characters crowding the top tier. But for me, Esmerelda “Granny” Weatherwax is the apex.

Much like The Colour of Magic and The Light Fantastic, Equal Rites is set in a Discworld that is still under construction—the shape of it identifiable in the unformed clay, which will eventually take more precise form with each sculpting session. One such refinement we already see at work is the way in which this novel’s satire is more substantive: not just taking the piss of fantasy’s tired and formulaic conventions, but pointing to the ways in which some of those conventions are reflective of broader social considerations.

Not to put too fine a point on it, but Equal Rites is very much a feminist novel. As the title’s pun might suggest … and as the opening paragraphs make clear, in case you weren’t paying attention:

“This is a story about magic and where it goes and perhaps more importantly where it comes from and why, although it doesn’t pretend to answer all or any of these questions.

“It may, however, help to explain why Gandalf never got married and why Merlin was a man. Because this is also a story about sex, although probably not in the athletic, tumbling, count-the-legs-and-divide-by-two sense unless the characters get totally beyond the author’s control. They might.

“However, it is primarily a story about a world. Here it comes now. Watch closely, the special effects are quite expensive.” (11)

A novel about magic. And sex, though probably not in the rumpy-bumpy sense of the term—which means sex in the sense of gender, which further means that, should it come under the scrutiny of the current U.S. regime, it might find itself disappeared, because D.E.I….

(8) MAKING A COUNT. “WHAT THE HELL ARE PEOPLE DOING?” asks Max Comperatore, a software developer/prompt engineer based in Argentina. His site delivers “live-ish” estimates of what the human race is doing right now, from sleeping to warfare, restroom use, and intimacy. (It doesn’t deal with really small numbers, like how many are reading File 770…)

The Changelog includes – “Fixed ‘Intimacy’ count to always be an even number.”

(9) LIPSYNCH BY AI. “What if Making Cartoons Becomes 90% Cheaper?” asks the New York Times (behind a paywall).

“Fear not! For I shall lead ye to riches beyond your wildest dreams!”

Inside a tiny recording booth in downtown Los Angeles, John Peck waited for a verdict from the voice-over engineer: Did the line sound pirate-y enough?

Try again, the engineer suggested, perhaps with more throaty emphasis on “wildest.” It might make the animated character Mr. Peck was voicing — a buccaneer with a peg leg — a tiny bit funnier.

Mr. Peck, 33, cleared his throat and gave it a whirl, prompting chuckles from the production team. A couple of clicks on a laptop later, and an artificial intelligence tool synced Mr. Peck’s voice with a cartoon pirate’s mouth movements. The character was destined for an episode of “StEvEn & Parker,” a YouTube series about rapscallion brothers that attracts 30 million unique viewers weekly.

Just a few years ago, lip-syncing a minute of animation could take up to four hours. An animator would listen to an audio track and laboriously adjust character mouths frame by frame. But Mr. Peck’s one-minute scene took 15 minutes for the A.I. tool to sync, including time spent by an artist to refine a few spots by hand.

Toonstar, the start-up behind “StEvEn & Parker,” uses A.I. throughout the production process — from honing story lines to generating imagery to dubbing dialogue for overseas audiences. “By leaning into the technology, we can make full episodes 80 percent faster and 90 percent cheaper than industry norms,” said John Attanasio, a Toonstar founder.

“This is how you build the next generation of hot intellectual property,” Mr. Attanasio added excitedly…

(10) COMICS SECTION.

(11) TURING PAPERS TO AUCTION. [Item by Steven French.] The Guardian reports“Alan Turing papers saved from shredder could fetch £150,000”. However, although the thesis is signed, the other papers are just off prints and if Filers would rather not pay £40-60,000, Turing’s foundational paper “On Computable Numbers” can be downloaded here (for free).

Widely considered the father of theoretical computer science, Alan Turing’s influence on modern life continues to be felt in the age of artificial intelligence. But despite this legacy, a cache of his most important papers was nearly shredded – only to be saved at the last minute when their significance was recognised at a family event.

At auction next month, the papers are expected to sell for as much as £150,000 in 13 separate lots.

Among the collection is the wartime codebreaker’s personal signed copy of his 1938 PhD dissertation, Systems of Logic Based on Ordinals, valued at between £40,000 to £60,000.

Also featured is his paper On Computable Numbers, also known as Turing’s proof, which introduced the world to the idea of a universal computing machine in 1936. It has been described as the first programming manual of the computer age and also has a guide price of £40,000 to £60,000….

(12) DONE WITH NO PUBLIC ANNOUNCEMENT. “Google Decided Against Offering Publishers Options in AI Search” reports Livemint.

While using web site data to build a Google Search topped with artificial intelligence-generated answers, an Alphabet Inc. executive acknowledged in an internal document that there was an alternative way to do things: They could ask web publishers for permission, or let them directly opt out of being included.

But giving publishers a choice would make training AI models in search too complicated, the company concludes in the document, which was unearthed in the company’s search antitrust trial. It said Google had a “hard red line” and would require all publishers who wanted their content to show up in the search page to also be used to feed AI features. Instead of giving options, Google decided to “silently update,” with “no public announcement” about how they were using publishers’ data, according to the document, written by Chetna Bindra, a product management executive at Google Search. “Do what we say, say what we do, but carefully.”

Site owners that rely on traffic can’t afford to skip listing on Google, which still holds more than 90% of the search market, making it a gateway to the modern web. Many have reluctantly let Google use their content to power search AI features, like AI Overviews, which provides AI-generated responses for some queries — despite the fact that the feature often eats into their traffic. By answering questions directly, AI Overviews obviates the need for users to click on links, depriving sites of opportunities to make money by showing ads and selling products….

(13) CRITIQUE OF THE AI INDUSTRY. [Item by Steven French.] Karen Hao, author of a new book in the development of AI is sceptical about a possible AI apocalypse but nevertheless argues that it could undermine democracy and has already distorted the research landscape: “’Every person that clashed with him has left’: the rise, fall and spectacular comeback of Sam Altman” in the Guardian.

The apocalyptic visions of a superintelligent AI turning against humanity have been a distraction, she thinks. “Ultimately, what’s going to cause catastrophe is people, not rogue AI, and we need to watch what the people are doing.” However, she has met people who genuinely believe AI will destroy humanity. “I spoke to people whose voices were literally quivering in fear, that is the degree to which they believe, and if you truly believe that, that’s terrifying.” Then there are those who use the idea of how AI could become so powerful as “a rhetorical tool to continue saying: ‘That’s why we good people need to continue controlling the technology and not have it be in the hands of bad people.’” But as far as Hao can see, “we’ve not gotten more democratic technologies, but more authoritarian ones.”

Neither does Hao have much sympathy for the argument that the development of AI requires huge investment. “I don’t think it needs the level of investment these companies say it needs,” she says. “They have already spent hundreds of billions of dollars on developing a technology that has yet to achieve what they said it’s going to achieve,” says Hao. “And now you expect us to spend trillions? At what point do we decide that actually they’ve just failed?

“When I was covering AI pre-ChatGPT and the wide range of research that was happening, there were such exciting ideas … ChatGPT erased people’s imaginations for what else could be possible.” Generative AI has taken over – not just OpenAI, but at other tech companies including Google’s DeepMind – and this, says Hao, “has distorted the landscape of research, because talent goes where the money goes.”

(14) SUPERMAN II AND SUPERMAN TOO. Youtuber Russkafin analyzes two directors’ input to the Superman sequel. Watch it at the link: “CUT CUT: Superman II – Lester vs Donner”.

Did you know there are two very different versions of Superman II? You’ve probably heard of “The Donner Cut” and “The Lester Cut,” but maybe you didn’t know what that meant or what the difference was. In this video we go into great detail about how and why there are two different cuts, what the differences are, and weigh in on which version ultimately holds up better.

(15) TRAILER PARK. “Disney’s ‘Zootopia 2’ Lets the Fur Fly in New Teaser” – Animation Magazine sets the frame:

…Judy and Nick find themselves on the twisting trail of a great mystery when Gary De’Snake arrives in Zootopia and turns the animal metropolis upside down. To crack the case, they must go undercover to unexpected new parts of town, where their growing partnership is tested like never before….

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Galen Charlton, Joey Eschrich, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, Steven French, Kathy Sullivan, Teddy Harvia, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 4/24/25 I Have Filed My Resistance For A Pocketful Of Novels

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(1) BRITISH FANTASY AWARDS NEWS. The first round of voting for the British Fantasy Awards is open until May 9. These nominees will make up part of the eventual shortlist. Complete guidelines at the link.

To be eligible to vote, you must be a member of the British Fantasy Society or be an attendee at Fantasycon 2024 in Chester, or have bought a ticket to the upcoming World Fantasy Convention in Brighton this year. You can vote by completing the form here: https://forms.gle/LbGiqY8sywYSrTLF7

Eligible titles must have been published for the first time in the English language in 2024, anywhere in the world.

Once the voting is closed, the votes are tallied and the short list for each category is formed. This shortlist is sent to the jurors who may then add up to 2 egregious omissions, based on their knowledge of the category. Once the short list is finalised, the jurors will have the opportunity to read, listen to, and/or view the works and discuss them as a group to decide upon the winners.

The winners will be announced at an awards ceremony at World Fantasy Convention in Brighton, held from 30th October to 2nd November. You can find out more about the convention and book your ticket here: World Fantasy Convention 2025

Call for Jurors

We are now also inviting applications to be a juror for the British Fantasy Awards. You do not need to be a member of the BFS to volunteer as a juror – and in fact, we like to include as many non-members as possible. The only qualification you need to be a juror is a love of Fantasy in all its forms and the time and willingness to review the materials for as many categories as you volunteer for.

(2) LONDON SFF ART DISPLAY. “’Building Bigger Worlds’ exhibition wows fans of SciFi artist John R Mullaney” at downthetubes.net. Images of the exhibit at the link.

…Reading-based artist John R Mullaney has been creating highly detailed cutaway artwork featuring locations, architecture, vehicles, spaceships and weapons from major sci-f cinema properties, for more than two decades. Each piece undergoes a laborious hand drawn process, taking months to complete. The finished art has been approved by some of Hollywood’s biggest studios and printed in a range of officially-licensed bestselling books, which fans of the movies and TV shows enjoy reading….

(3) BY GEORGE. “’Star Trek,’ ‘Twilight Zone’ and ‘Ocean’s 11’ Writer Had A Rough Childhood In Cheyenne” — the Cowboy State Daily profiles a beloved sff figure.

Mr. George Clayton Johnson. Storyteller. A middle school dropout who escaped lonely life in a cold, barren little town only to become one of the most imaginative minds of Tinseltown.

He was inspired by visionaries and inspired others to become visionaries. He traveled the world and led countless millions to new worlds. But the irony is that Mr. Johnston never returned to a place that he never left, and the elation he evoked in so many others came from a determination to overcome the depths of lonely desperation in the Cowboy State.

The author of “Ocean’s 11.” One of the most revered and provocative storytellers of “The Twilight Zone.” The screenwriter who introduced the world to “Star Trek.”…

George wearing his party hat in 2010.

(4) OCTOTHORPE. Live from Reconnect, the 2025 Eastercon in Belfast, comes episode 133 of the Octothorpe podcast, “I Understand That Alison Has Never Been Pope”.

We discuss the fun we’ve had at the convention, and also discuss other forthcoming Eastercons through to 2030. It’s possibly more coherent than some other live episodes?

An uncorrected transcript is available here. Really, this time.

John, Alison and Liz are sat behind a table at Reconnect doing a live podcast. The words “Octothorpe 133” appear at the bottom.

(5) PARLIAMENT DEBATES AI. “MPs argue that AI text and data-mining exemption lacks effective ‘opt-out’” reports The Bookseller.

James Frith, Labour MP for Bury North, opened a Westminster Hall debate on the impact of artificial intelligence (AI) on intellectual property on Wednesday 23rd April, calling for amendments to the data bill “that recognise the super massive concerns” of the creative industries.

The debate comes just two months after the government closed its consultation on AI and copyright, which received thousands of responses.

During the debate, various members criticised the text and data-mining exemption, which is intended to improve access to content for the training and development of AI models, pointing out the lack of an effective opt-out mechanism.

In terms of copyright law, Frith said the issue “is not uncertainty in the law” – which he argued is “clear” about infringement – but “the opacity in the technology”. This view was shared by some but was not universally held, with Polly Billington, Labour MP for East Thanet, highlighting the gaps in the law when it comes to protecting independent writers and artists. “Smaller creatives, such as many in my constituency, find it extremely difficult to enforce copyright as it currently is, which is one of the reasons I think we should be using this opportunity to create strengthening of our copyright laws to protect low-paid workers,” she said….

… Chamberlain called for a response from Meta, while Frith said that “AI developers must be required to disclose which copyrighted works they’ve used to train or fine-tune their models”.

Meanwhile, Alison Louise Hume, Labour MP for Scarborough and Whitby, referred to the payments writers receive via the Authors’ Licensing and Collecting Society (ALCS) at the end of March, for secondary usage of their works. She praised this “vital income stream” for writers, emphasising that licensing “does work”, and called for “granular transparency requirements” in the Data Bill, and a “stop to unregulated scraping”.

(6) NASA CASTS ITS SPELL. [Item by Jeffrey Smith.] NASA’s Landsat satellites have taken gazillions of photos of our planet over the years, and now have a tool by which you can enter your name — or any other word — and see it spelled out in images of Earth. (I tried “File 770,” but it doesn’t do numbers.) Hovering over the picture tells you where in the world the picture is from. “Your Name in Landsat” at NASA. Here’s their rendering of “Mike”.

(7) DAVID SCHLEINKOFER (1951-2025). Artist David Schleinkofer died April 20. Downthetubes.net has an extensive tribute with many images: “In Memoriam: SF and Fine Artist David Schleinkofer”.

We’re sorry to report the passing of American SF and fine artist David Schleinkofer, who died earlier this week, of Lou Gehrig’s Disease.

David was a professional artist and illustrator for over 40 years who had a distinct airbrush style, who received his art training at Bucks County Community College and The Philadelphia College of Art, now The University of The Arts, both in Pennsylvania.

“His work was eminent in the 1970s, especially on the cover to a book called Tomorrow and Beyond in 1978,” noted fellow artist Bob Eggleton on Facebook, “sort one of the first books to collect the works of many many SF/Fantasy artists of the 1970s. It became the granddaddy inspiration of the Spectrum annuals in the 1990s.

“David’s work featured in this book and he was on many SF paperbacks and in the 1980s, on a short-lived but visually stunning magazine called Science Digest.”…

(8) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

April 24, 1930 — Richard Donner. (Died 2021.)

Tonight we have Richard Donner who has entered the Twilight Zone, errr, the Birthday spotlight. As a genre producer, he’s responsible for some of our most recognizable productions.

His first such works was on The Twilight Zone (hence my joke above in case you didn’t get it) as he produced six episodes there including “Nightmare at 20,000 Feet”. He’d go on to work in the Sixties on The Man from U.N.C.L.E., Get Smart! and The Wild Wild West. He closed out this period by producing Danger Island (which I’ve never heard of) where, and I quote IMDB, “Archaeologists are being pursued by pirates around an island in the South Pacific. On this island, various adventures await them.” It’s at least genre adjacent, isn’t it? Who here has seen it?

The Twilight Zone is streaming on Paramount +; Get Smart! is currently on HBO; The Man from U.N.C.L.E. and Wild Wild West aren’t streaming right now. 

So forty-nine years ago and then two years later, he directs not one but two now considered classic films in two very different genres. First out was The Omen  with an impressive cast far too long to list here that got mixed reviews but had an audience that loved and which birthed (that’s deliberate) a franchise and garnered two Oscar nominations.

Next out was, oh guess, go ahead guess, Superman. Yes, it would win a much-deserved Hugo at Seacon ’79. DC being well DC the film had a very, very difficult time coming to be and that was true of who directed the film with several sources noting that Donner may have been much as the fourth or fifth choice to do so. Or more. Yes, I love this film, both for Reeves and for itself. 

So what did he do post-Superman? Well something happened during the production of Superman II and he was replaced as director by Richard Lester during principal photography with Lester receiving sole directorial credit.  

That being most likely caused by tensions, and that was the polite word, which he had with all of the producers concerning the escalating production budget and ever lengthening production schedule. Mind you both films were being shot simultaneously, so I’m not sure how he got blamed first the second being out of control separately. 

If you’re so inclined, Superman II: The Richard Donner Cut was released oddly enough when the film came out so I’m assume he had the legal right to do so which I find damn odd. I’ve not seen this cut. Who here has?

He did go on to direct The Goonies. Now I really don’t think it’s genre, but I will say that the treasure map and the premise of treasure make it a strong candidate for genre adjacent, wouldn’t you say? Truly a great film! 

He went on to direct one of my favorite Bill Murray films, Scrooged. The Suck Fairy says she still likes that film and will agree to watch it every Christmas as long as there’s lots of hot chocolate to drink. With cream on top. And chocolate chip cookies. Somehow it’s alway snowing when we watch it…

His last work was a genre one, Timeline, about a group of archaeologists who travel back to fourteenth century France, based on a Michael Crichton thriller. I’d never had of this one until now. Who’s seen it? 

Richard Donner

(9) COMICS SECTION.

  • Bizarro introduces an underpublicized Avenger. 
  • Loose Parts knows the sound of silence.
  • Rubes thinks a different name is called for. 

(10) WHAT’S COMING TO ANIMATION FILM FEST. “Annecy Unveils 2025 Lineup (Full List)” at The Hollywood Reporter.

Annecy, the world’s leading animation film festival, unveiled its official program on Wednesday, with a line-up that includes features from some 20 countries across Europe, Asia and the Americas and a range of styles, from the big-budget 3D computer animated feature Into the Mortal World from Chinese director Zhong Ding; to the hand-drawn title Balentes by Italian filmmaker Giovanni Columbu, and the digital cut out animation of Mexican filmmaker Aria Covamonas: The Great History of Western Philosophy.

Covamonas’ debut premiered at the Rotterdam festival, and Annecy’s 2025 lineup features a best-of selection of recent fests, including Berlinale highlights Lesbian Space Princess and Tales from the Magic Garden, and several features premiering in Cannes next month, including The Magnificent Life of Marcel Pagnol from The Triplets of Belleville director Sylvain Chomet; Dandelion’s Odyssey from Japanese director Momoko Seto; and Death Does Not Exist from Canadian filmmaker Felix Dufour-Laperrière….

(11) ABOUT THE YELLOWSTONE SUPERVOLCANO. [Item by Mark Roth-Whitworth.] No, the cap does not read “Make America Boom Again”. “Hidden magma cap discovered at Yellowstone National Park” at ABC News.

Geoscientists have discovered a magma cap at Yellowstone National Park that is likely playing a critical role in preventing a massive eruption in one of the largest active volcanic systems in the world.

The cap is made of molten silicate materials and supercritical water — a liquid-like gas that forms after water exceeds its critical point of 374 degrees Celsius — and porous rock. It is located about 2.4 miles below the Earth’s surface and essentially acts as a lid, trapping pressure and heat below it, according to the team of researchers who uncovered it.

The scientists found the cap by using a 53,000-pound vibroseis truck, a device capable of injecting low-frequency vibrations into the Earth to study the geology of the volcanic system. By generating tiny earthquakes that send seismic waves into the ground, the researchers were able to measure how the waves reflected off subsurface layers.

The scientists were surprised to see “something physically happening” at that depth, said Brandon Schmandt, professor of earth, environmental and planetary sciences at Rice University and co-author of the study, in a statement….

(12) PITCH MEETING. Ryan George takes inside the “Snow White Pitch Meeting”.

[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, John Coxon, Jeffrey Smith, Mark Roth-Whitworth, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Peer.]

Pixel Scroll 4/24/24 The City With Two Dates Twice

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(1) NAOMI KRITZER Q&A. Hear from Naomi Kritzer in this 2024 Minnesota Book Awards roundup: “Meet the Finalists: GENRE FICTION”.

Minnesota Book Award finalist Andrew DeYoung (2023) moderated a discussion between all four 2024 finalists in contention for the Minnesota Book Award for Genre Fiction: C.M. Alongi, author of Citadel (Blackstone Publishing); Tashia Hart, author of Native Love Jams  (self-published); Naomi Kritzer, author of Liberty’s Daughter (Fairwood Press); Emma Törzs, author of Ink Blood Sister Scribe (William Morrow/HarperCollins Publishers).  The Minnesota Book Awards are sponsored by Education Minnesota; Macalester College is the 2024 category sponsor for the Genre Fiction category.

(2) MURDERBOT’S VOICE. AudioFile Magazine has been “Talking with Author Martha Wells” about the audio versions of her series.

…This relatability is part of what has made The Murderbot Diaries so beloved. Golden Voice Kevin R. Free, who has narrated all of the unabridged audiobooks in the series, says that fans regularly reach out to him to tell him that they’ve listened over and over again. “When people say, ‘It’s comforting to me when I listen to this,’ I just feel so happy that I’m bringing people comfort.” Free stresses that he’s also a fan of the books, and he’s quick to give full credit to Wells….

(3) APPLY FOR SLF OLDER WRITERS GRANT. The Speculative Literature Foundation will accept applications for the 2024 Older Writers Grant from May1 through May 31. The complete guidelines are here.

Since 2004, the $1,000 Older Writers Grant has been awarded annually to writers who are at least fifty years of age at the time of application to assist such writers who are just starting to work at a professional level. These funds may be used as each writer determines will best assist their work. This grant, as with all SLF grants, is intended to help writers working with speculative literature.

Grant applications are open to all: you do not need to be a member of SLF to apply for or receive a grant. Launched in January 2004 to promote literary quality in speculative fiction, the Speculative Literature Foundation addresses historical inequities in access to literary opportunities for marginalized writers. Our staff and board are committed to representing racial, gender, and class diversity at all levels of our organization. This commitment is at the heart of what the Speculative Literature Foundation stands for: equal access to create and advance science fiction, fantasy, and horror literature. We strive to enable writers at any stage of their career and of any age, any ethnicity, any gender expression, from any location and of any economic or social status, who want to learn about, or create within, the speculative arts. The SLF is a 501(c)3 non-profit.

(4) NEW VOLUME IN THE TAFF LIBRARY. Sue Mason’s Into the Wide Purple Yonder: A Fan Artist in America, a report of her westbound TAFF trip to the USA and the 2000 Chicago Worldcon (Chicon 2000), was published in 2023 by Alison Scott, illustrated with many photographs and artwork by Sue herself. David Langford says it now has been “Added to the TAFF site with the kind permission of Sue and Alison on 24 April 2024.” Cover artwork by Sue Mason.

(5) DOES THIS WARNING SOUND FAMILIAR? Annalee Newitz and Charlie Jane Anders devote their latest Our Opinions Are Correct podcast to “Fascism and Book Bans (with Maggie Tokuda-Hall)”.

Science fiction has been warning us about fascism for decades — so why haven’t we listened? How did Nazis become just another monster in our stories, like werewolves or cyborgs? Plus we talk about the new wave of book censorship with Maggie Tokuda-Hall, co-founder of the new organization Authors Against Book Bans.

(6) POWER PACKED. CBR.com lists the “13 Most Powerful Artifacts In The Marvel Universe (That Most Fans Forgot Exist)”. We’ll begin by reminding you about —

#13 — Casket Of Ancient Winters

First Appearance: Thor (Vol. 1) #346, by writer/penciler Walt Simonson, inker Terry Austin, colorist Christie Scheele, and letterer John Workman Jr.

Created by the frost giants, this ancient weapon has limitless power stored within it. The Casket of Ancient Winters can unleash a devastating icy wind that can consume entire worlds. It often gets forgotten because it has been stored in Odin‘s treasure room safely for years.

The Casket of Ancient Winters briefly appeared in the MCU. Loki used it to help the frost giants take over Asgard. His plan was unsuccessful, and the artifact remained locked in Odin’s vault, but it is an endlessly powerful tool that has been seemingly forgotten by Marvel fans.

(7) SUFFOLK UNIVERSITY JOURNAL APPRECIATION OF DEB GEISLER. “In memory of Deborah Geisler: a life of impact” – read the complete article in The Suffolk Journal.

…Geisler was known for her snark and humor, from her cherished pocket constitution to her in-class commentary. In her beloved 1980s Mazda GLC, Geisler was a vibrant presence on campus, one that worked to push her students just as much as she worked to foster their passion for journalism.

Edwards, who had a class with Geisler in the spring of 2020 at the start of the coronavirus in 2020, said her spirit was pivotal to maintaining community and morale throughout Zoom classes.

“Through the transition to virtual learning, Deb made it so all about the students. She put her students before herself, she again always found time to make us laugh. She was very, very flexible. She really was just great,” said Edwards.

Geisler was heavily involved in the Suffolk and Boston communities. At Suffolk, she was the adviser to The Suffolk Voice. Her passion for all things science fiction led her to chair Noreascon 4, the 2004 World Science Fiction Convention, along with her involvement in conventions through the years….

(8) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born April 24, 1930 — Richard Donner. (Died 2021.) Tonight we have Richard Donner who has entered the Twilight Zone, errr, the Birthday spotlight. As a genre producer, he’s responsible for some of our most recognizable productions.

His first such works was on The Twilight Zone (hence my joke above in case you didn’t get it) as he produced six episodes there including “Nightmare at 20,000 Feet”. He’d go on to work in The Sixties on The Man from U.N.C.L.E., Get Smart!, and The Wild Wild West. He closed out this period by producing Danger Island (which I’ve never heard of) where, and I quote IMDB, “Archaeologists are being pursued by pirates around an island in the South Pacific. On this island, various adventures await them.” It’s at least genre adjacent, isn’t it?

Richard Donner in 1979. Photo by Alan Light.

So forty-eight years ago and then two years later, he directs not one but two now considered classic films in two very different genres. First out was The Omen with an impressive cast far too long to list here that got mixed reviews but had an audience that loved and which birthed (that’s deliberate) a franchise and garnered two Oscar’s nominations.

Next out was, oh guess, go ahead guess, Superman. Yes, it would win a much-deserved Hugo at Seacon ’79. DC being DC the film had a very, very difficult time coming to be and that was true of who directed the film with several sources noting that Donner may have been much as the fourth or fifth choice to do so. Or more.

So what did he do post-Superman? Well something happened during the production of Superman II and he was replaced as director by Richard Lester during principal photography was Lester receiving sole directorial credit.  That being most likely tensions, and that was the polite word, which he had with all of the producers concerning the escalating production budget and production schedule. Mind you both films were being shot simultaneously. 

If you’re so inclined, Superman II: The Richard Donner Cut was released oddly enough when the film came out so I’m assume he had the legal right to do so which I find damn odd. 

He did go on to direct The Goonies. Now I really don’t think it’s genre, but I will say that the treasure map and the premise of treasure make it a strong candidate for genre adjacent, wouldn’t you say? Truly a great film! 

He went on to direct one of my favorite Bill Murray films, Scrooged. The Suck Fairy says she still likes that film and will agree to watch it every Christmas as long as there’s lots of hot chocolate to drink

His last work was a genre one, Timeline, about a group of archaeologists who travel back to fourteenth century France, based on a Michael Crichton thriller.

(9) COMICS SECTION.

(10) SUN-RELATED SFF ON LEARNEDLEAGUE. [Item by David Goldfarb.] There was a One-Day Special quiz about the Sun recently. Most of it isn’t relevant to our interests, but there were two questions involving SFF:

4.  In the Marvel Universe, Brazilian mutant Roberto da Costa draws powers from the Sun that include super strength, flight, and the ability to generate blasts of energy. What superhero name does da Costa use as a member of both the X-Men and the New Mutants?

Only 17% of players knew this was “Sunspot”.

7.  The 1953 science fiction story “The Golden Apples of the Sun” follows a spaceship tasked with approaching the Sun and trying to literally capture a sample of its material within a giant metal cup operated by a robot hand. The title of the story was taken from a line in the 1899 poem “The Song of Wandering Aengus.” Name either the author of the sci-fi story (who is American) or the writer of the namesake poem (who is Irish).

45% of players got this one. The poet was William Butler Yeats; I won’t insult Filers by giving the name of the SF author.

If anyone is curious about the whole quiz they can find it by following this link.

(11) WINNING WITH BREATHABLE AIR. NPR explains how “New Catan board game introduces climate change to gameplay”.

In the original version of the popular board game Settlers of Catan, players start on an undeveloped island and are encouraged to “fulfill your manifest destiny.” To win you have to collect resources and develop, claiming land by building settlements, cities, and roads.

A new version of the board game, Catan: New Energies, introduces a 21st-century twist — pollution. Expand responsibly or lose. In the new version, modern Catan needs energy. To get that energy players have to build power plants, and those plants can run on renewable energy or fossil fuels. Power plants operated on fossil fuels allow you to build faster but also create more pollution. Too much pollution causes catastrophes….

(12) SANCTIONS IGNORED. “New Isekai Anime Series Believed to Have Been Outsourced to North Korea” – CBR.com tells what raised people’s suspicions.

…This week, 38North published an article revealing that a North Korean animation studio was believed to have worked on the upcoming anime Dahlia in Bloom. This is despite sanctions currently being observed forbidding businesses from working with state-owned North Korean companies. An analysis of leaked files shows that the North Korean studio was likely April 26 Animation Studio, also known as SEK Studio. 38North adds that the studio is North Korea’s leading animation studio, producing many series for domestic TV.

Analysis of the files has also revealed that instructions in Chinese were provided to the North Korean studio, with 38North adding that a Chinese company likely acted as an intermediary between the North Korean studio, Dahlia in Bloom‘s animation studio and others. Other animated series the studio is believed to have worked on are HBO’s Iyanu, Child of Wonder and Invincible Season 3. Files have also been identified that may suggest a relationship with the Japanese animation studio Ekachi Epilka (Demon Lord, Retry!).

Despite its many risks, outsourcing in the Japanese anime industry is often done due to significantly lower labor costs.…

(13) VIDEO OF THE DAY. Phil Foglio recommended a video – “The Process: Inking Old-School”.

[Thanks to Steven French, Teddy Harvia, Kathy Sullivan, Michael J. Walsh, David Goldfarb, Daniel Dern, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day OGH.]

Pixel Scroll 7/6/21 And Why Are There So Many Files About Pixels?

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(1) SUPERVULNERABLE. If you want every moviegoer to have a shot at breaking your password, use one of these: “DC and Marvel superheroes top breached password lists” at TechRepublic.

Specops Software, a password management and authentication company, released a roundup of “Star Wars”-themed breached passwords for the sci-fi holiday May 4 also known as Star Wars Day. On Monday, the company brought the DC and Marvel universes into the fold and released a roundup of commonly used superheroes found on compromised password lists.

…To determine the list, the company said it assessed more than 800 million breached passwords from a subset of more than 2 billion breach passwords in Specops Breached Password Protection. Having appeared on lists of breached passwords more than 151,000 times, Marvel’s Loki ranked No. 1 in Specops findings. Runner-up “Thor” appeared on breached password lists nearly 148,000 times to edge out No. 3 “Robin.” In order, “Joker” and “Flash” round out the top five.

Interestingly, the top 10 includes six DC characters compared to Marvel’s four appearances with “Batman” (DC), “Superman” (DC), “Vision” (Marvel), “Falcon” (Marvel) and “Penguin” (DC) topping the list. The findings add a cybersecurity fold to the classic debate about the two comic book universes.

(2) ESSENCE OF WONDER. “’For All Mankind’: Reimagining Space, Society, and History on the Apple TV+ Show” will be the topic of Essence of Wonder with Gadi Evron on Saturday, July 10 at 3:00 p.m. Eastern. Register at the link. Can be viewed on StreamYard, YouTube, and Facebook Live.

Gadi couldn’t stop talking about “For All Mankind” until we promised to build an episode around it. Joining him and Karen to share their impressions of the show will be R.W.W. Greene (author of The Light Years and Twenty Five to Life), Helen Montgomery (Chair of Chicon 8), and Alex Fayette (board member of both Karen’s and Gadi’s startups).

(3) NOT JUST MASKS. [Item by Martin Morse Wooster.] In the Washington Post, Lauren Orsini discusses how cosplayers coped during the pandemic.  She focuses on professional cosplayers such as Yaya Han, who shifted to making masks during the early part of the pandemic but has managed to recoup some of her income streams through social media and promotional material for videogame companies. “Cosplaying in the pandemic, after E3 and other conventions were cancelled”.

…Ejen Chuang, a cosplay photographer and the author of Cosplay In America, said that based on his informal polls in the fandom, it wasn’t unusual for cosplayers to have pared down their participation during the pandemic. However, there have been a few opportunities over the past year: Even as some events took on a virtual format, a handful brought cosplay along with them. Hashtags like Anime Expo’s #MaskYourMasquerade and #DragonConGoesVirtual encouraged cosplayers to show off their looks and win prizes, even while they were staying safe at home.

Some cosplayers also found ways to meet safely in person during the pandemic. Chuang organized multiple socially-distanced photoshoots in his local Austin, Texas. By shooting with a long lens, he could photograph from six feet away or more while simulating proximity.

“You usually show the back of the camera to the cosplayer as you go,” he said, referring to the LCD screen found on the photographer’s side of a modern digital camera. “What I had to do was put my camera on a bench, walk six feet away, and then the cosplayer would look at the camera, give me feedback, walk away, and then I would pick it up again.”…

(4) THE SJW CREDENTIAL THAT ATE TOKYO. “A super realistic giant 3D cat has appeared on a Shinjuku billboard” in Japan and Time Out has the story:

… The digital billboard spans over three floors and stands out from the rest as it features a curved LED screen, which can display 4K images, and is accompanied by speakers…

To introduce the new 3D technology to the streets of Tokyo, Cross Shinjuku has started teasing a short video of a giant 3D calico cat. The cat will have its official debut on Monday July 12, when it will wake up when the screen turns on at 7am every morning and go to sleep in the evening before the screen turns off at 1am. The cat will also appear every so often in between ads throughout the day and meow at nearby pedestrians.

For now, the cat is only showing up briefly during the day, so you’ll have to keep your eyes peeled.

There’s a dedicated live YouTube video that let’s you monitor the billboard for feline appearances in realtime. When the cat shows up, this is what you see —

(5) INSTANT SEQUEL. Yahoo! looks back at the late director’s impact as a blockbuster creator: “How Hollywood idiocy almost killed Richard Donner’s Superman”.

…Donner was a proven commercial entity when he was given the project, having just had an enormous (and shamelessly enjoyable) smash with the first Omen (1976). So it was that the producers – Ilya Salkind, his father Alexander, and their partner Pierre Spengler – handed him a 550-page monster of a script by Godfather scribe Mario Puzo, and assigned him the job of directing not only Superman, but Superman II, which they intended to film at the same time.

This kill-two-birds production strategy has been fairly common practice in the decades since – it happened with the Back to the Future sequels, the Matrix sequels, the entire Lord of the Rings trilogy, and the second and third Pirates of the Caribbeans. James Cameron is doing it with Avatars 2 and 3. But it was really breaking new ground in the 1970s, when the very concept of the numbered sequel was in its infancy, and it seems to have caused teething troubles from start to finish.

(6) MEMORY LANE.

  • 1968 —  Fifty-three years ago at BayCon, Roger Zelazny was nominated for two Hugos. He would win the Best Novel Hugo for Lord of Light where the other nominated works were The Einstein Intersection by Samuel R. Delany, Chthon by Piers Anthony, The Butterfly Kid by Chester Anderson and Thorns by Robert Silverberg. He was also nominated for a Best Novella for “Damnation Alley” but would lose out to Philip José Farmer‘s “Riders of the Purple Wage”.  Zelazny’s acceptance speech according to the BayCon Hugo Awards Ceremony Transcription cleaned version was concise: “Completely unexpected. Thank you very much. End of speech.”

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born July 6, 1916 — Donald R. Christensen. Animator, cartoonist, illustrator, writer. He worked briefly at Warner Bros. studio, primarily as a storyboard artist for Bob Clampett’s animation unit.  After that, he worked for Dell, Gold Key and Western Publishing comic books, as well as Hanna Barbera, Walter Lantz Productions and other cartoon studios. He wrote and provided illustrations for such comic book titles as Magnus, Robot Fighter, Donald Duck, and Uncle Scrooge. (Died 2006.)
  • Born July 6, 1918 — Sebastian Cabot. He’s here because he’s in the Hugo nominated The Time Machine as Dr. Philip Hillyer. Several years later, he’ll be in the animated The Sword in the Stone voicing both Lord Ector and The Narrator. Likewise he’d be Bagheera in The Jungle Book, and The Narrator in The Many Adventures of Winnie the Pooh. Lastly he shows up in the Sandman film as Count, Conrad Nagel Theater. (Died 1977.)
  • Born July 6, 1945 — Burt Ward, 76. Robin in that Batman series. He would reprise the role in voicing the character in The New Adventures of Batman and Legends of the Superheroes, and two recent animated films, Batman: Return of the Caped Crusaders and Batman vs. Two-Face. (Has anyone seen these?) The latter are the last work done by Adam West before his death. 
  • Born July 6, 1951 — Rick Sternbach, 70. Best known for his work in the Trek verse sharing with Star Trek: The Motion Picture where he designed control panel layouts and signage for the Enterprise. He’s next hired for Next Gen where communicator badge, phasers, PADDs and tricorders are all based on his designs. These designs will also be used on DS9 and Voyager. He also pretty much designed every starship during that time from the Cardassian and Klingon ships  to the Voyager itself. He would win the Best Professional Artist Hugos at SunCon and IguanaCon II, and he was the Artist Guest of Honor at Denvention 3. 
  • Born July 6, 1952 — Hilary Mantel, 69. Though best remembered as the author of the Wolf Hall franchise, she’s actually written some genre fiction. The Mysterious Stranger involves supernatural occurances in a small British town in the Fifities; and Beyond Black is about a psychic who sees more than she wants to. She also indulged in alternative history in the short story, “The Assassination of Margaret Thatcher – August 6th 1983”. 
  • Born July 6, 1952 — Geoffrey Rush, 69. First genre role is like the Mystery Men series which I’ll bet everyone has forgotten, followed by House on Haunted Hill, Finding Nemo and some other genre work as well with his major genre role being as Barbossa in the Pirates of the Caribbean franchise. And I’ll include his role in Shakespeare in Love as Philip Henslowe even if strictly speaking it’s not genre related as I really, really love that film. 
  • Born July 6, 1946 — Sylvester Stallone, 75. Although I think Stallone made a far less than perfect Dredd, I think the look and feel of the first film was spot on for the 2000 A.D. series which was something the second film, which though it had a perfect Dredd in Karl Urban, utterly lacked. And Demolition Man with him as Sergeant John Spartan was just perfect.
  • Born July 6, 1957 — John Barnes, 64. I read and really liked the four novels in his Thousand Cultures series which are a sort of updated Heinlein-style take on the spread of humanity across the Galaxy. What else by him do y’all like? I see he’s not put out a novel in a decade now, a pity that. Much of his fiction is available at the usual suspects though not most of the Thousand Cultures series.

(8) CLOUD CITY ON HOLD. [Item by Mike Kennedy.] JEDI (cloud computing services) contract with Microsoft cancelled; replacement contracts with both Amazon & Microsoft to be let. Unclear which is to be Master & which to be Padawan. “Pentagon cancels disputed JEDI cloud contract with Microsoft”.

The Pentagon said Tuesday it canceled a disputed cloud-computing contract with Microsoft that could eventually have been worth $10 billion. It will instead pursue a deal with both Microsoft and Amazon and possibly other cloud service providers.

“With the shifting technology environment, it has become clear that the JEDI Cloud contract, which has long been delayed, no longer meets the requirements to fill the DoD’s capability gaps,” the Pentagon said in a statement.

The statement did not directly mention that the Pentagon faced extended legal challenges by Amazon to the original $1 million contract awarded to Microsoft. Amazon argued that the Microsoft award was tainted by politics, particularly then-President Donald Trump’s antagonism toward Amazon’s chief executive officer, Jeff Bezos. Bezos owns The Washington Post, a news outlet often criticized by Trump.

The Pentagon’s chief information officer, John Sherman, told reporters Tuesday that during the lengthy legal fight with Amazon, “the landscape has evolved” with new possibilities for large-scale cloud computing services. Thus it was decided, he said, to start over and seek multiple vendors.

Sherman said JEDI will be replaced by a new program called Joint Warfighter Cloud Capability, and that both Amazon and Microsoft “likely” will be awarded parts of the business, although neither is guaranteed. Sherman said the three other large cloud service providers — Google, IBM and Oracle — might qualify, too.

(9) CROSSING ONE GAME WITH ANOTHER. “Animal Crossing Edition Monopoly arrives in August” reports Yahoo!

Tom Nook apparently isn’t content to sell houses to millions of Animal Crossing: New Horizons players. It seems he wants Monopoly players to fork over their bells as well. That’s right, as leaks suggested in recent days, Animal Crossing Edition Monopoly is on the way.

Rather than the traditional Monopoly format of buying properties and charging other players rent when they land on one of them, you’ll be collecting bugs, fish, fossils and fruit. You’ll also meet some other characters and carry out island tasks. When you stop by Nook’s Cranny, you can use bells to buy decorations, which are worth Nook Miles. Whoever collects the most Nook Miles is the winner….

(10) FURNISH YOUR UFO. “Ikea Believes In Aliens: Their New Assembly Manuals Are Proof” – and Print Magazine posted several pages of examples.

The US government recently released a statement that essentially declared that aliens aren’t not real. With the recent spat of unexplained aerial phenomena, they stopped themselves short of saying “I believe,” X-Files style and offered zero evidence of extraterrestrial life existing.

Because of this announcement, IKEA is ready to open its doors to new customers, especially if they have seven eyes and green lizardy skin. In recent work with Ogilvy Dubai, the beloved furniture brand created a unique collection of assembly manuals explicitly made for, you guessed it, aliens.

At first glance, these manuals might not seem all that different than the brand’s typical guidebooks. When looked at a little closer, you’ll find alien-like creatures and an undecipherable language made precisely for the little beings depicted.

(11) NEW CHAMPION. “The Largest Comet Ever Found Is Making Its Move Into a Sky Near You” says the New York Times.

Astronomers spy rocky and icy wanderers of all shapes and sizes zipping past Earth all the time. But earlier this month, they were flabbergasted when they caught sight of the largest comet they’d ever seen.

One of its discoverers, Pedro Bernardinelli, an astrophysicist at the University of Pennsylvania, conservatively estimates the object’s dusty, icy nucleus is between 62 and 125 miles long. That means this comet is as small as five Manhattan Islands, or it’s larger than the Island of Hawaii. Hale-Bopp, which lit up night skies in the late 1990s with its 25-mile-long nucleus, was long perceived to be a giant among comets. But the nucleus of this comet, Comet C/2014 UN271, “is still two or three Hale-Bopps across,” said Teddy Kareta, a planetary astronomy graduate student at the University of Arizona. “It’s just wild.”

“With a reasonable degree of certainty, it’s the biggest comet that we’ve ever seen,” said Colin Snodgrass, an astronomer at the University of Edinburgh.

The comet is currently inside Neptune’s orbit. Over the next decade, it will scoot toward the inner solar system. More of its ices will be vaporized by the sun’s glare, causing it to effervesce and brighten. In 2031, it will get within a billion miles of the sun — almost but not quite making it to Saturn — before journeying back to the coldest, darkest fringes of our galactic neighborhood.

(12) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Trailers:  Demon Slayer Mugen Train,” the Screen Junkies say that if you’re a fan of the Demon Slayer anime series, you’ll “wipe that Pocky dust off your wall scroll” to see this film.  But if you don’t know anything about the series, you’ll be as confused as someone who starts the MCU with Age of Ultron.

[Thanks to John King Tarpinian, Cat Eldridge, Mike Kennedy, Rob Thornton, Theoryman, Andrew Porter, Martin Morse Wooster, JJ, and Michael Toman for some of these stories. Title credit belongs to contributing editor of the day Jim Janney.]