Regina Kanya Wang, Yen Ooi and Arthur Liu join Chris Garcia and James Bacon to co-edit an issue dedicated to Chinese science, science fiction, space and fandom, with over 20 articles and interviews, all both in Chinese and English in parallel text.
Featuring a stunning cover From Ocean in the Sky by Sharksden, there is a wide variety of articles, interviews and art.
This issue has exceeded expectations in regard to volume of content, and the editors decided that they would split the issue into two parts, with Part 2 planned for publication in the Chinese New Year.
Contents in this issue include:
If I Have a Dyson Sphere, I Can _______ – The Independent Science Fiction Game Dyson Sphere Program and Its Player Ecology by Bill Black. Translated by Scarlet Zhang
An Encounter with Mars at Lenghu by Arthur Liu. Translated by Shaoyan Hu
Twelve Space-Themed Chinese SF Novels In the 2020s by Arthur Liu
The Female Body and the Future of Humanity by Mia Chen Ma. Translated by Wang Jin and Lily Rathbone
“The Wandering Earth”: Should I Leave Behind the Heavy Shell? by Lyu Guangzhao
The Wandering Fan – A Diaspora View of Chinese Science Fiction by Kin-Ming Looi. Translated by Jiang Qingying
Hunt for the Hidden Treasures of Republican-Era Science Fiction by Ren Dongmei, edited by RiverFlow. Translated by Jack Hargreaves
Dugu Yue Refuses to Be Alone by Zhong Tianyi. Translated by Qing Zhao
Imagining Outer Space in Chinese Science by Huang Mingfen. Translated by Zhou Danxue
Original Art: Lunar Photosynthesis by Angela YT Chan
Narrating Fantastic Stories with Visual Arts – Interview with Feifei RuanInterviewer: Regina Kanyu Wang. Translated by RiverFlow
My Best Art is Always the Next Piece – Interview with Sharksden Interviewer: Regina Kanyu Wang, Translated by Scarlet Zhang
Time travel is never only about the science, rather, the impossibilities.
The science and whimsy of time travel are infinite, complex, and lovely, but I love time travel stories because the quest of traversing Time can explore how possibilities and probabilities shape the person we are in the Present, the person we become in the Future. Fate is more fluid than it would like us to believe.
There are three reasons I love time travel stories. First, it’s a form of storytelling that transcends genre; next, the rules of the time machine or loop are creative and crucial; finally, no matter the plot, Time as a player forces the character to confront the infinity of their impact….
I was looking forward to reading the comedian’s new story collection, “Nothing Like I Imagined.” So I typed Kaling’s name into the Libby app used by my public library to loan e-books. But “The Office” star’s latest was nowhere to be found.
What gives? In 2020, Kaling switched to a new publisher: Amazon. Turns out, the tech giant has also become a publishing powerhouse — and it won’t sell downloadable versions of its more than 10,000 e-books or tens of thousands of audiobooks to libraries. That’s right, for a decade, the company that killed bookstores has been starving the reading institution that cares for kids, the needy and the curious. And that’s turned into a mission-critical problem during a pandemic that cut off physical access to libraries and left a lot of people unable to afford books on their own.
Many Americans now recognize that a few tech companies increasingly dominate our lives. But it’s sometimes hard to put your finger on exactly why that’s a problem. The case of the vanishing e-books shows how tech monopolies hurt us not just as consumers, but as citizens….
(3) BUTLER’S AND OTHERS’ LITERARY ESTATES. The Writers’ Room on NPR discusses “The State Of Literary Estates” with panelists Merrilee Heifetz, literary executor, the Octavia Butler Estate, and former agent for Octavia Butler; Blake Hazard, trustee, F. Scott Fitzgerald Estate and Zelda Fitzgerald Estate; great-granddaughter of F. Scott Fitzgerald and Zelda Fitzgerald; and Miranda Doyle, intellectual freedom chair, Oregon Association of School Libraries; district librarian, Lake Oswego School District.
Much has been made recently of the literary estate of Dr. Seuss choosing to discontinue printing several of his books due to racist imagery and stereotyping in several titles.
Some right-wing news outlets have decried the decision as an example of cancel culture, despite the estate making the decision independently. Seuss’ story isn’t particularly novel, either. Roald Dahl’s books for children have also been criticized for racist language and the author’s anti-Semitism. At the end of 2020, the Dahl family released a statement in which they apologized for “lasting and understandable hurt” caused by his anti-Semitic comments.
Many online and in the news are continuing to discuss the best way to handle problematic content in significant pieces of art from the past. But others are asking fundamental questions: What’s the purpose of a literary estate? And what’s their role in managing the legacy of an artist or author?
(4) CHINA THEME ISSUE. The British Science Fiction Association’s Vector 293 (Spring 2021) is devoted to the theme of Chinese SF, and is produced in collaboration with guest editors Yen Ooi and Regina Kanyu Wang. “Yen Ooi introduces the issue as well as many of its recurring concepts, such as techno-orientalism. Regina Kanyu Wang takes us through the history of women writing SF in China….” And much more.
…Many people have asked me why I wrote a science fiction novel instead of discussing the issue of environmental pollution in a documentary literature, if I wanted to talk about it. But for me, science fiction has a metaphorical role that cannot be found elsewhere. It can transcend the limits of the “present” and incorporate literary symbols that are applicable to all cultures in all countries concerning the imagination of the future. Thus, in science fiction, environmental issues can be generalised to a broader social context, and readers are more willing to consider how their personal actions can affect our environment, or the work and lives of garbage workers they have never met….
I set out to remind myself about fictional books within books and, researching, discovered how much has been said already about the cursed and forbidden ones. The characters of my novel, The Absolute Book, think about some of these in the course of the story—Lovecraft’s Necronomicon or, in Robert Chambers’ short story collection The King in Yellow, the eponymous play said to drive all who encounter it insane. I wanted to suggest that the Firestarter of The Absolute Book—an ancient scroll box which has survived so many library fires that scholars have begun to imagine it starts them—is cursed in some way. I also wanted to suggest the possibility that the Firestarter might in fact be blessed and revelatory….
(6) GRRM, DEVELOPMENT HELLION. George R.R. Martin has what seems like a pretty exhaustive list of all of his current media projects in his most recent post in “Coming…Eventually…Maybe” at Not A Blog. (This excerpt covers only part of them.)
…I am not quite sure why all these stories seem to be breaking now. The SANDKINGS project has been underway for more than a year (Covid obviously shut things down) and IN THE LOST LANDS for something like six years. We also have an animated feature of THE ICE DRAGON in development at Warner’s (as it happens I wrote “Sandkings” and “The Ice Dragon” within a couple weeks of each other, during a Christmas break from my job teaching college in Dubuque, Iowa — that was a good break).
And that’s just in the feature sphere. In television, as seen here, I am working with Kalinda Vazquez on a pilot for Roger Zelazny’s ROADMARKS, and I am part of the terrific team that is trying to bring Nnedi Okorafor’s WHO FEARS DEATH to series on HBO….
(7) BAILIE OBIT. South African-born character actor David Bailie died March 5 at the age of 83. On TV he played “Dask” in the 1977 Doctor Who serial The Robots of Death, and also appeared in Blake’s 7. In movies, he played the mute pirate Cotton in the Pirates of the Caribbean series. His other film credits include The Creeping Flesh (with Christopher Lee and Peter Cushing), Son Of Dracula (1973), Legend Of The Werewolf (also with Cushing), The Beyond (2017), The House That Jack Built and In The Trap. Bailie reprised his Doctor Who role as Dask in the Kaldor City audio drama series, and he was in Big Finish Productions audio dramas playing the “Celestial Toymaker”. Bailie also was a professional photographer, specializing in portrait photography.
…The people he painted were real, though. Like Sorenson in “Bright Future,” many lived in or near Stockbridge. William J. Obanhein, the police chief in Stockbridge, posed for Rockwell several times (though he was better known as “Officer Obie” in Arlo Guthrie’s Vietnam-era ballad “Alice’s Restaurant Massacree” because he had arrested Guthrie for littering)….
(9) MEDIA BIRTHDAY.
March 11, 1971 — On this day in 1971, THX 1138 premiered. It was the first feature film from George Lucas. It was produced by Francis Ford Coppola and written by Lucas and Walter Murch. It starred Robert Duvall and Donald Pleasence. A novelization by Ben Bova was published. The film was not a box office success though critics generally loved it and it developed a cult following after Star Wars released, and it holds a ninety percent rating among the audience at Rotten Tomatoes. (CE)
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born March 11, 1921 — F. M. Busby. Together with his wife and others he published a fan magazine named Cry of the Nameless which won the Hugo award in 1960. Heinlein was a great fan of him and his wife with The Cat Who Walks Through Walls in part dedicated to Busby and Friday in part dedicated to his wife Elinor. He was a very busy writer from the early Seventies to the late Nineties writing some nineteen published novels and myriad short stories before he blamed the Thor Power Tools decision for forcing his retirement which is odd as he published a number of novels after that decision came into effect. (Died 2005.) (CE)
Born March 11, 1952 — Douglas Adams. I’ve have read the book and listened to the full cast production the BBC did of The Hitchhiker’s Guide to the Galaxy but have absolutely no desire to see the film. Wait wasn’t there a TV series as well? Yes there was. Shudder! The Dirk Gently series is, errr, odd and escapes my understanding its charms. He and Mark Carwardine also wrote the most excellent Last Chance to See. It’s more silly than it sounds. (Died 2001.) (CE)
Born March 11, 1963 — Alex Kingston, 58. River Song in Doctor Who. She’s in a number of different stories with a number of different Doctors and was the eventual wife of the Eleventh Doctor. She was in Ghost Phone: Phone Calls from the Dead, as Sheila, and she was Lady Macbeth in the National Theatre Live of Macbeth. Oh, and she’s in the Arrowverse as Dinah Lance, in FlashForward as Fiona Banks, and recently shows up as Sara Bishop on A Discovery of Witches, a series based off the Deborah Harkness novel of the same name. Great series, All Souls Trilogy, by the way. She’s been continuing her River Song character over at Big Finish. (CE)
Born March 11, 1967 — John Barrowman, 54. Best genre role without doubt is as Captain Jack Harkness in Doctor Who and Torchwood. He reprised the role for Big Finish audiobooks and there’s one that I highly recommend which is the full cast Golden Age production with all the original cast. You’ll find a link to my review here. I see he’s been busy in the Arrowverse playing three different characters in the form of Malcolm Merlyn / Dark Archer / Ra’s al Ghul. He’s also had a long history in theatre, so he’s been in Beauty and the Beast as The Beast / The Prince, Jack and The Bean Stalk as Jack, Aladdinas, well, Aladdinand Cinderella as, errrr, Buttons. (CE)
Born March 11, 1989 — Anton Yelchin. Best known for playing played Pavel Chekov in Star Trek, Star Trek Into Darkness and Star Trek Beyond. He also was in Terminator Salvation as Kyle Reese, in the Zombie comedy Burying the Ex as Max and voiced Clumsy Smurf in a series of Smurf films. Really he did. (Died 2016.) (CE)
Born March 11, 1914 – Francis Towner Laney. Active fan in the late 1940s, he left telling us all why in Ah! Sweet Idiocy! (1948). He answered FIAWOL (“Fandom is a way of life”) with FIJAGH (“Fandom is just a [gosh-darned] hobby”); we took things too seriously, he took 130 pages to say; we were a lot of fuggheads, a term he coined, cuttingly, disputably, memorably. (Died 1958) [JH]
Born March 11, 1925 – Christopher Anvil. Twoscore stories about the Federation of Humanity; another dozen about Pandora’s Planet; another nine about War with the Outs; fourscore others; half a dozen collections; two novels; comical, daredevilish, moving. (Died 2009) [JH]
Born March 11, 1953 – Judith Silverthorne, age 68. Six novels for us; nonfiction e.g. Ingrained about pioneer Saskatchewan woodworkers 1870-1930. Two Moonbeam Awards. [JH]
Born March 11, 1964 – Libba Bray, age 57. Nine novels, half a dozen shorter stories. A Great and Terrible Beauty a NY Times Best-Seller. Printz Award for Going Bovine. [JH]
Born March 11, 1970 – Nicole Murphy, age 51. Seven novels, two anthologies, 15 shorter stories. Wrote up Artist Guest of Honour Shaun Tan for the Aussiecon 4 Programme Book (68th Worldcon). Chaired Conflux 4, co-chaired 9. [JH]
Born March 11, 1971 – Jonas Karlsson, age 50. Actor (Guldbagge Award) and author; three novels so far available in English. Born in Salem, the one in Stockholm County, Sweden, not the one in Essex County, Massachusetts. Played Mats, which Swedish-speakers do not rhyme with “Do cats eat bats?”, in Bang Bang Orangutang, a Swedish film which is not SF but who couldn’t love the title? which rhymes in Swedish too. [JH]
9. Jesse Eisenberg (DCEU) — Okay, I’m going to lose some of you right away, so let’s get this over with. I dislike all of Zack Snyder’s movies, especially those with Superman in them. But the worst part of his very bad Superman movies is, without question, Jesse Eisenberg’s take on Lex Luthor. There’s potential here to update Lex from an early 20th-century mad scientist to a 21st-century villain like Mark Zuckerberg. But Eisenberg’s jittery, manic take is all irritating style and no substance, coming off as the perfect embodiment of the phrase “a dumb person’s idea of a smart person.”
3. BEFORE CRITICIZING PROPAGANDA IN NINETEEN EIGHTY-FOUR, GEORGE ORWELL WORKED AS A PROPAGANDIST.
During World War II, Orwell worked for the British Broadcasting Corporation. His role with the BBC Empire Service involved creating and supervising programming that the nation would feed to Indian networks to encourage a pro-Allies sentiment and spark volunteering.
4. GEORGE ORWELL MODELED ROOM 101 AFTER AN OFFICE AT THE BBC.
Nineteen Eighty-Four’s most horrifying setting is Room 101, the Ministry of Love’s torture chamber in which victims are exposed to their worst nightmares. What readers might not know is that Orwell modeled the chilling locale on an actual room.
As a propagandist, Orwell knew that much of what the BBC said had to be approved by the Ministry of Information, possibly in the BBC’s Room 101. He probably drew the name of his nightmare room from there. Curious about what the dreadful room looked like? The room has since been demolished, but in 2003 artist Rachel Whiteread created a plaster cast of the room.
… The section on Cahokia (A.D. 1050 to 1350) — located in what is now Illinois, across the Mississippi River from St. Louis — offers an unexpected reason for a city’s emergence. Many people link cities with capitalism and trade. Cahokia’s 30-meter-tall pyramids, 20-hectare plazas and a population (at the time) bigger than Paris suggest that spiritual revival can also build a major metropolis. Cahokia and Angkor, which reached its peak from A.D. 800 to 1431 in what is now Cambodia, also show how cities can form when power gets concentrated in a few influential people.
Through touring such diverse cities, Newitz shows that the move to urban life isn’t just a setup for a hero of a story. It’s a common setup for many ancient cultures….
Sciopods, Blemyae, and the Green Children of Woolpit: “Aliens” in the Catholic Imagination, Premodern Era Michael F. Flynn
What Has Outer Space to Do with Christ? John C. Wright
Catholic Questions in Science Fiction and Fantasy Tim Powers
I was honored to be asked to pen an essay titled “What Has Outer Space To Do with Christ?” for this volume. The burning question of whether soulless and dispassionate Vulcans can be baptized is not necessarily addressed, but questions of like magnitude are.
However, as is only to be expected, Mike Flynn’s essay on Sciopods and Blemyae is the more interesting. It is the first I ever heard about the Green Children of Woolpit — and if you have not heard these names before, prepare to be fascinated.
…In the new study, the researchers used high-resolution CT scans of ear structures in five Neanderthals, 10 modern Homo sapiens and nine early hominids from Sima de los Huesos, an archaeological site in what is now Spain, who lived before Neanderthals.
The team created 3-D models of these ear structures and ran the measurements through a software model to calculate the sound power transmission, which describes the way sound energy moves from the environment into the ear canal and winds its way toward the cochlea — essentially how much of the sound energy ultimately makes it to your inner ear.
The researchers used this metric to calculate the occupied bandwidth, which reflects the range of frequencies in which at least 90 percent of the sound power reaches the inner ear — the “sweet spot” of hearing, according to Dr. Quam. This sweet spot is the range we hear best in, where our ears are most tuned to sound.
The study found the Neanderthal ear’s sweet spot extended toward frequencies of 3 to 5 kHz, which are specifically dedicated to consonant production. The researchers believe this optimization toward consonants could be a key sign that Neanderthals had verbal language.
“The use of consonants distinguishes human language from mammalian communication, which is almost completely vowels,” Dr. Quam said. “Like grunts, howls, shrieks.”
In fact, the study found Neanderthals’ sweet spot was the same as modern human hearing, whereas the early hominids from Sima de los Huesos had a hearing range somewhere between chimpanzees and modern humans….
This Wednesday, when guest host Niecy Nash removed the Snail’s stovepipe chapeau and Kermit’s adorable little green noggin popped out of a foxhole in the costume’s back, viewers were united in their excitement and delight over this meta, puppet-within-a-puppet, Russian-doll-like moment. (There was a pair of decidedly less adorable actual Russian Dolls who also performed on Wednesday’s premiere, but I’ll get to them later.) Judge Ken Jeong even declared Kermit the “most famous guest ever” to compete on the show, and — sorry Lil Wayne, Dionne Warwick, Gladys Knight, Patti LaBelle, Tony Hawk, et al — Ken wasn’t wrong. Kermit is an icon… and, as it turns out, he’s not a bad Daryl Hall impressionist either.
Sadly, while Kermit the Snail gave a charming and not-at-all-sluggish performance, as he told Niecy: “It’s not easy being green, but sometimes it’s even harder being a snail!”…
(17) VIDEO OF THE DAY. [Item by Rich Lynch.] “Right Up Our Alley” — not exactly genre, but it caught the attention of Guardians of the Galaxy director James Gunn. The video footage is not CGI.
[Thanks to Dan B., Mike Kennedy, Michael Toman, PJ Evans, Andrew Porter, JJ, John King Tarpinian, Martin Morse Wooster, Daniel Dern, Rich Lynch, John Hertz, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Jeff Smith.]