Sondi Warner is an author with a flair for the paranormal. Her debut novel, Lead Me Astray, was selected as an Amazon Editor’s Pick Best Romance in March 2022 and published by W by Wattpad Books. Sondi is also an avid astrologer, gardener, and painter, who draws inspiration from the natural world and the cosmos. She shares her home in Baton Rouge, Louisiana, with her soulmate, their four amazing kids, and their mischievous pets, Se7en and Jack. Sondi’s new sci-fi title,Eidola Mater: Mother of Gods, is posting exclusively to Wattpad in April 2024 — check it out here.
By Sondi Warner: Great science fiction and fantasy transcend mere entertainment, sparking a profound awareness of the boundless potential of human creativity. These genres transport readers to worlds where reality is reimagined and perceptions are challenged—like the perception that women are not among the primary architects of sci-fi/fantasy.
In the vast cosmos of creativity, a fascinating phenomenon persists—the notion that women are somehow “bad” at crafting serious science fiction and fantasy.
Pat Murphy, American science writer and author, famously explained the thinking behind this misconception that women destroy sci-fi: “A persistent rumbling that I have heard echoing through science fiction … says, in essence, that women don’t write science fiction. Put a little more rudely, this rumbling says: ‘Those damn women are ruining science fiction.’ They are doing it by writing […] ‘soft’ science fiction and fantasy.”
Hard science fiction, with its laser focus on scientific accuracy and intricate technical details, has long been associated with male writers. The genre’s rules were etched into the fabric of the universe generations ago, relegating female authors to the lesser realm of “soft” science fiction, which is character-driven and speculative.
Meanwhile, fantasy carries its own conventions and historical biases. Male authors have perpetuated the “chosen one” or heroic quest trope. Women who dare to deviate from these established norms are sometimes considered less authentic within the genre.
The assertion that women can do anything men can do may forever spark celestial debates. Perhaps all sides can agree that when it comes to writing science fiction and fantasy, differences exist.
As the trailblazing author Ursula K. Le Guin once astutely pointed out, “Women are writing many of the things male […] writers thought could never be written.” These differences are not diminishments; they are diversifications—the cosmic engine spinning out new constellations.
In other words, what women are writing is different; but different is good. And rather than destroying science fiction and fantasy, we have made noteworthy contributions to the genres.
From inception, women have shaped science fiction and fantasy. Mary Shelley, the visionary behind Frankenstein, has become a cultural icon. Gertrude Barrows Bennet, writing under the pseudonym Francis Stevens, is considered the inventor of “dark fantasy” and is claimed to have had an observable impact on her contemporary, H.P. Lovecraft. Notably, Leigh Brackett blazed trails by being the first woman short-listed for a Hugo Award, and her work on the screenplay “The Empire Strikes Back” popularized the concept of a space opera.
In the present day, three-time Hugo Award-winning author N.K. Jemisin—acclaimed for her masterful The Broken Earth trilogy—persists in revolutionizing science fiction and fantasy. Jemisin deftly merges themes of survival, power dynamics, and a world on the precipice of catastrophe. Her novel The Fifth Season, with its intricate world-building and compelling characters, has earned widespread critical acclaim and numerous awards. She is well-known for featuring bisexual and transgender characters, too.
Jemisin and the other luminaries above remind us that the imagination knows no bounds, and women’s voices resonate across the galaxies of science fiction and fantasy. Women have always helped build these worlds. Women continue to challenge gatekeepers to make these worlds more inclusive.
As a science fiction and fantasy writer myself, I use these powerful tools of literature for social change. In my books, I delve into LGBTQ+ themes and characters that reflect the complexity of the human race. I write stories rife with imaginary elements—magic and supernatural creatures—set within science fiction and fantasy worlds. But beyond the surface, I write stories that envision a society where acceptance of differences is the norm.
Women are different from men and, regardless, essential in science fiction and fantasy. Women illuminate the fields with their brilliance, maintaining an enduring influence. Our stories reveal not only our perspectives but also the aspirations and wonders of millions of fans who admire and rejoice in our works. As the saying goes, the future is female, and so is the past and present of science fiction and fantasy.
ABOUT LEAD ME ASTRAY
Lead Me Astray follows Aurie Edison, a ghost who teams up with a psychic empath and a werewolf detective to solve her own murder. Along the way, she discovers a passionate and complex relationship with her two partners, as well as secrets of her past. Lead Me Astray is a diverse and inclusive story that blends fantasy, mystery, and romance in a thrilling and captivating way.
Paul Weimer joins James Bacon and Christopher J. Garcia in a forthcoming issue of Journey Planet that focuses on the future of the Hugo awards, looking at realistic and achievable solutions to prevent a recurrence of what occurred in 2023.
Button created by Brad Templeton’s ClariNet the day after a mixup in announcing a 1992 Hugo winner.
Paul is one of a number of people who were treated appallingly by the Chengdu Worldcon, whose valid nomination was arbitrarily made ineligible by Dave McCarty under Ben Yalow, in the disastrous Chengdu Hugo Awards corruption of 2023
This fanzine considers what next, looking forward, looking at solutions, looking to rebuild trust, honesty, respectfulness and democracy.
The editors welcome hearing from fellow fans who are keen to see through changes. To be part of the change, to help see it through.
This issue will work to bring together ideas, and imaginative but manageable proposals that other fans can galvanise around.
We know many fans already have thrown themselves into considerable amounts of work, ensuring the Hugo’s are spectacular, transparent and democratic with check points and if they have time, we will see what they too think, as well as seeking input from experienced practitioners, who are like ourselves appalled, but may have views on workloads and feasibility.
Making the argument now is important, to ensure there is support, as fans will be at Glasgow in person, or have representatives, to speak for and vote on motions.
There has been much hot air, obfuscation and silence. Figuring things out with the people who will have to work to deliver on any changes is vitally important. Moving notions and ideas forward needs the engagement and the views of those by all stakeholders directly impacted while welcoming all who from the community who wish to be part of the solution.
While many parts of Fandom have had vast amounts of activity, discussion and engagement, we hope we can create a focus point for distilling these into potential motions and suggestions. Contributions will have limitations in length, (1,200 words) and also contributors will be asked to state if they will be at Glasgow willing to put forward their argument.
We will work to connect common ideas, to see if consensus can be formed, while also seeking an understanding of the mechanics required from a parliamentary perspective. We have planned with Mike Glyer to then publish the articles in order on File 770 for broader consideration and looking to galvanise consensus.
Paul wants to focus on “What is to be Done”, a more productive approach than speculation on the whys and wherefores, and how important it is to “be part of the change” and we welcome that.
The 2024 Pulp Factory Awards finalists have been announced. These works received the most nominating votes from members of the Pulp Factory, a professional association of pulp writers, artists, editors and publishers.
The awards will be handed out at a ceremony held at the Windy City Pulp and Paperback Convention in Lombard, IL, April 5-7, 2024.
BEST PULP NOVEL
Evolution Man Year Two by Charles F. Millhouse (Stormgate Press)
Journey to Stormrest: Chronicles of Altiva by Teel James Glenn (Airship 27)
The Terrors by Brian K. Morris (Rising Tide Publications)
BEST PULP SHORT STORY
“The Devil Takes a Bride” by Mark Allen Vann – Mystery Men (& Women) Vol. 9 (Airship 27)
“The Exile of Avalon” by Jaime Ramos – Mystery Men (& Women) Vol. 9 (Airship 27)
“Inn Good Spirits” by Nancy Hansen – Occult Magazine #10 (Cathaven Press)
“The Price of Rescue” by Teel James Glenn – Swords and Heroes Anthology (Tule Fog Press)
(1) OTHERWISE AWARD UPDATE. Sumana Harihareswara, Motherboard chair, has shared news about the Otherwise Award in “Our pause and interim plans”.
As has been the case for many volunteer-run organizations, the Otherwise Award has struggled since the start of the pandemic in 2020. Our (volunteer) board and other volunteers have had to juggle many more issues than previously around health, paid work, and caretaking concerns than previously, which has resulted in our falling behind on the administration and maintenance of the Award. We’re sorry that we didn’t communicate about this earlier—that made it hard for readers, authors, and publishers to know what to expect.
Our Motherboard met recently to discuss how to move forward. We remain dedicated to our mission: to celebrate science fiction, fantasy, and other forms of speculative narrative that expand and explore our understanding of gender . But we’re discussing how, as an organization, to continue to pursue that mission in a sustainable way, given our limited resources.
Here are the decisions we’ve made so far.
Most of our programs are paused. This is us acknowledging what’s already been happening. We were later than usual at deliberating and announcing the Awards for work published in 2020 and in 2021, and did not run a Fellowships process in 2021 or 2023. We have not yet convened a jury to consider works published in 2022, 2023, or 2024.
We intend to run the Fellowships this year. We will open applications in several months—August at the earliest, October at the latest.
We may honor 2022 and 2023 work in a different way. We’re exploring various approaches to celebrating work from those years. That celebration may end up taking a very different form than usual.
We’re considering alternative approaches to the Award in the future. It could be that we’ll convene a jury soon to read 2024 work and deliberate towards an Award, but if we do, we may change our practices to reduce the workload on individual jury members and to make our procurement system for recommended works less laborious. Also, we currently rely on volunteer work for almost all of the organization’s labor (exceptions being technological work on our website, and art commissioned to give to Award winners); we may try to find ways to focus more on paid labor.
We’ll be at Readercon. We usually honor the most recent Award winner at WisCon , but this year we have no new award winner, and WisCon is taking a break . So we will instead hold some Otherwise-related events at Readercon (July 11-14, 2024, near Boston, Massachusetts). Specifics to be determined.
(2) GET READY FOR THE OSCARS. Animation World Network has been running a series about this year’s Academy Awards nominees in the animation and effects categories.
Take a deeper look at ‘The Boy and the Heron,’ ‘Elemental,’ ‘Nimona,’ ‘Robot Dreams,’ and ‘Spider-Man: Across the Spider-Verse,’ all vying for the Best Animated Feature Oscar at the 96th Academy Awards coming March 10, 2024.
Take a deeper look at ‘The Creator,’ ‘Godzilla Minus One,’ ‘Guardians of the Galaxy Vol. 3,’ ‘Mission: Impossible – Dead Reckoning Part One,’ and ‘Napoleon,’ all vying for the Best Visual Effects Oscar
Take a deeper look at ‘Letter to a Pig,’ ‘Ninety-Five Senses,’ ‘Our Uniform,’ ‘Pachyderme,’ and ‘War Is Over! Inspired by the Music of John and Yoko,’ all vying for the Best Animated Short Film Oscar
(3) MEETING BUTLER. Syrus Marcus Ware delves into memory to bring us “Octavia E. Butler, Remembered”, a 2022 article at Them.
When the novelist Octavia E. Butler entered a room, you felt it. Tall, commanding, yet soft-spoken, the author’s presence inspired as much comfort as attention; you couldn’t help but be enraptured by her. The first and only time I met her was on a rainy afternoon in 2005. She was in Toronto promoting Fledgling, a brilliant novel about a young racialized vampire who challenges the white supremacy of the wider vampire community. I had been granted an hour’s time to interview not only my favorite author, but the dreamer who inspired me to become a speculative fiction writer and artist. What was supposed to be an hour turned into an entire day in her bountiful presence….
(4) BARDS AND SAGES CLOSING. Walter J. Wiese writes, “I seem to have a track record of having publications close right before they’re about to print my work. I had a story due to appear in the April issue of B&SQ.”
Bards and Sages Publishing posted a “Closure Announcement” saying they were shutting down beginning this week.
Effective March 6, 2024, I will begin the process of winding down Bards and Sages Publishing. There is a lot that needs to be unraveled and sorted out before I can formally close everything down. The most immediate impact is the closure of the Bards and Sages Quarterly and ceasing publication of new issues.
If you are an author or artist who was previously published in an issue of the Bards and Sages Quarterly, those issues will remain on sale until the end of 2024. After that, all back issues will be removed from sale, and all rights will revert to their respective authors.
The same is true for back issues of The Society of Misfit Stories and all of our anthologies. These will remain on sale through the end of the year and then unpublished. At that time, all rights will revert back to their respective authors and artists.
I’ve already informed our authors that we have stand-alone publishing contracts with about the decision. I will work with those authors individually to make sure all of their rights revert to them in a timely manner, and provide them with any raw files we have of their books. They will be free to use those files to either self-publish or take to another publisher if they wish.
Regarding our RPG offerings: I own all rights to the RPG materials through work-for-hire agreements. If other publishers are interested in buying the rights to any of our RPG products or properties, I will entertain offers. Email [email protected] to discuss.
With that out of the way, I want to provide the reasons for this decision.
As I have noted previously, I have been struggling with mental health issues for some time now. I am being treated for generalized anxiety and depression, and though my condition has improved, I’m still not where I feel I need to be to properly commit the time and effort needed to being an effective publisher.
At the end of last year, I was diagnosed with additional physical health issues that will require surgery and treatment. While none of them are life-threatening, they are an additional weight that requires my attention.
As most people who have known me a while also realize, publishing has always been my love, but it has never been my primary income source. Like a lot of micro presses, I have a proverbial “day job,” and that day job has become increasingly more complex over the last few years….
All of these issues impacted my decision. However, I also have to confess to what may have been the final straws. AI…and authors behaving badly….
(5) CARR-LICHTMAN CATALOG. Mark Funke Books has posted an online SF Catalog of Terry/Carol Carr and Robert Lichtman Material – see it here: “Science Fiction Archives”. (Click for larger image.)
Universal/DreamWorks Animation’s Kung Fu Panda 4is coming in higher with a $19.4M Friday (including previews) and $55M, which is the same amount that How to Train Your Dragon: Hidden World opened to back in 2019. Brand animation always opens big. That’s still the second best stateside start for the Kung Fu Panda franchise. CinemaScore is A-, the same grade as the first movie, but a notch down from the As earned on two and three.
Legendary/Warner Bros’ Dune: Part Twoearned around $12.3M yesterday for what’s shaping up to be a $44M second weekend, -47%, for a running total of $154.7M. With those two movies leading the pack, it’s shaping up to be a $133.3M weekend, +13% over the same frame a year ago when Scream VI bowed. Wow. It’s been a while since we’ve seen an up weekend.
Lionsgate/Blumhouse’sImaginaryis third with $3.6M yesterday (including previews) at 3,118 theaters for what’s shaping up to be a $9.3M opening. Not shocking to see this movie below its $10M-$14M projection, nor saddled with a C+ CinemaScore and 57% on PostTrak. It is rather slow for a PG-13 horror film and there’s nothing really hip to hook the girls ala M3GAN. But it was cheap to make at $10M. Still more product means depth at the box office….
Harry Potter actress Miriam Margolyes has some thoughts about the people who are still superfans of the famous film franchise.
During an interview with New Zealand’s 1News network, Margolyes was asked how Harry Potter and Blackadder fans approach her differently when they see her in public. She explained that fans of the British sitcom that starred Rowan Atkinson usually ask her to say “Wicked child.” But instead of answering the question about Harry Potter, she decided to share how she feels about the fandom.
“I worry about Harry Potter fans because they should be over that by now,” Margolyes said. “It was 25 years ago, and it’s for children,” clarifying, “I think it’s for children.
The actress portrayed Professor Pomona Sprout in the film franchise. Her character taught herbology and was the head of the Hufflepuff House. While speaking with the host, Margolyes seemed confused about the fact that those who grew up with the books and movies are still so engrossed in the Wizarding World, despite being adults at this point.
“They get stuck in it,” she explained. “I do Cameos, and people say, ‘We’re having a Harry Potter-themed wedding, and I think, ‘Gosh, what’s their first night of fun going to be?’ I can’t even think about it. No.”
She did note, “Harry Potter is wonderful. I’m very grateful to it” but doubled down on her original thought, which is that “it’s over.”…
(8) IT’S IMPOSSIBLE. One of the audiobooks up for the British Book Awards is Impossible Creatures by Katherine Rundell, narrated by Samuel West (Bloomsbury Children’s Books). Publishing Perspectives reports: “British Book Awards: 2024 Books of the Year Shortlists”.
(9) FIVE TO DRAW TO. Lisa Tuttle’s “The best recent science fiction and fantasy – reviews roundup” for the Guardian covers The Mars House by Natasha Pulley; Annie Bot by Sierra Greer; The Warm Hands of Ghosts by Katherine Arden; Jumpnauts by Hao Jingfang; and Alien Clay by Adrian Tchaikovsky.
(10) TODAY’S BIRTHDAY.
[Written by Cat Eldridge.]
Born March 9, 1955 — Pat Murphy, 69. What work do I like most that Pat Murphy’s done? Well that’d be There and Back Again, by Max Merriwell if only because it, a) was indeed a lovely and playful take off The Hobbit, and b) shows how bloody obstinate, well I had another phrase in mind, that the Tolkien Estate can be at times which is why it’s no longer in print though copies are available at I think are still reasonably priced rates.
Pat Murphy. Photo by Scott Edelman.
Of her first two novels, The Shadow Hunter had Neanderthals and time travelling, and oh my!, her second, The Falling Woman, was about an archaeologist who sees the spirits of ancient people while she walks at dusk and dawn. Fascinating. Thirty-six years on, it’s still perfectly readable. And it won a Nebula which it most definitely deserved.
Now I get to The City, Not Long After, the novel that I love nearly as much for its depiction of an empty magical San Francisco as I do for the characters and the story set there. Don’t get me wrong — both of those are stellar too. I get tingly thinking of this novel, something that I admit is rare.
Let’s me finish off the novels I like by her with Adventures in Time and Space with Max Merriwell about a cruise that gets, shall I say, delightfully improbable near or even within the Bermuda Triangle? Yes, it’s written by the same writer who penned by the story that the Tolkien Estate took umbrage to.
As for her short fiction, it is excellent. Both the “Rachel n Love” novelette and the “Bones” novella that first appeared in Asimov’s Science Fiction Magazine would win a Nebula, the former would also win a Sturgeon — the Award, not a fish. Sorry I couldn’t resist. Her 1990 Points of Departure anthology, which won a Philip K. Dick Award, is a generous sampling of her short work and has the “Rachel n Love” novelette and the “Bones” novella in it.
She’s hasn’t published anything in five years, so let’s hope something is forthcoming.
(12) SHE’S A ROCKETGIRL. [Item by Steven French.] Andrew Rovenko, a Ukrainian born photographer now living in Australia was named Australian Photography Magazine’s photographer of the year for this wonderful shot of his daughter in her home-made spacesuit. His photos have been collected in The Rocketgirl Chronicles – see a gallery at the link. Full story at the Guardian: “Rocketgirl on her sixth lockdown: Andrew Rovenko’s best photograph”.
During the pandemic, Melbourne held the world record for the highest number of days spent in lockdown. That’s not really a record you want to have. My family – me, my wife Mariya and our daughter Mia who was four at the time – had done all the standard things: puzzles, daily walks, baked sourdough. By lockdown number six, options for new activities were scarce. But Mia’s obsession with space gave us an idea – to make her a spacesuit. My wife had trained as a costume designer and she thought it might brighten Mia’s day to show her how something can be created from scratch. The best bit was making the papier-mache helmet: they blew up a little balloon and then stuck newspaper cuttings around it.
At the time, we were allowed outside for only two hours each day, and we had to keep within a 5km radius of our home. Having this suit as a prop had a transformative effect on our outings, turning them into space exploration missions. Even as adults, if you put a bold piece of clothing on, you start to play the role of the costume….
(13) JEOPARDY! [Item by David Goldfarb.] The second round of the Jeopardy! Tournament of Champions semifinals featured two questions involving SFF. The very first clue of the game was Literary Awards for $600:
Octavia Butler got the inaugural Infinity Award by the Science Fiction & Writers Association at these star-studded awards
Emily Sands knew this was the Nebula Awards.
Later we had Literary Awards for $1000:
The Hugo Award isn’t named after Victor Hugo, but this Hugo who founded the sci-fi magazine Amazing Stories
Yogesh Raut responded “Who is Luxembourg’s Hugo Gernsback?”
Did you know that Gernsback was from Luxembourg? I did, but only because I had previously learned it from listening to one of Yogesh’s podcasts.
In the 1960s, secret test flights of advanced government spy planes generated U.F.O. sightings. More recently, government and commercial drones, new kinds of satellites and errant weather balloons have led to a renaissance in unusual observations.
But, according to a new report, none of these sightings were of alien spacecraft.
The new congressionally mandated Pentagon report found no evidence that the government was covering up knowledge of extraterrestrial technology and said there was no evidence that any U.F.O. sightings represented alien visitation to Earth.
The 63-page document is the most sweeping rebuttal the Pentagon has issued in recent years to counter claims that it has information on extraterrestrial visits or technology. But amid widespread distrust of the government, the report is unlikely to calm a growing obsession with aliens.
Maj. Gen. Patrick Ryder, a Defense Department spokesman, said the Pentagon approached the report with an open mind and no preconceived notions, but simply found no evidence to back up claims of secret programs, hidden alien technology or anything else extraterrestrial.
“All investigative efforts, at all levels of classification, concluded that most sightings were ordinary objects and phenomena and the result of misidentification,” General Ryder said in a statement.
While many reports of what the government now calls Unidentified Anomalous Phenomena remain unsolved, the new document states plainly there is nothing to see. The Pentagon’s All-domain Anomaly Resolution Office concluded that if better quality data were available, “most of these cases also could be identified and resolved as ordinary objects or phenomena.”…
“I have to tell you something… something insane, but true, about all of us. It started a long time ago. Back in 1977 they detected a sequence…called it the wow signal.” Netflix has revealed their final official trailer for 3 Body Problem, an adaptation of the sci-fi books of same name from Liu Cixin, which many believe are near impossible to adapt. 3 Body Problem is a series inspired by the renowned story about discovering we are not alone in the universe. From the Game of Thrones creators David Benioff and D.B. Weiss. A young woman’s fateful decision in 1960s China reverberates across space and time to a group of brilliant scientists in the present day. As the laws of nature unravel before their eyes five former colleagues reunite to confront the greatest threat in humanity’s history.
[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Kathy Sullivan, Daniel Dern, Walter J. Wiese, David Goldfarb, Jeffrey Smith, Steven French, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]
Winnie the Pooh: Blood and Honey eviscerated the 44th Annual Razzies Awards field when the winners were announced on March 9. The film – which answers the age old question “What does a bear do in the woods?” – swept all five categories in which it was nominated.
The big “winner” exists solely because the original author’s copyright on a beloved Children’s Literature character expired in 2023 – in other words, the film-makers could legally use someone else’s classic creation without even crediting them.
44th GOLDEN RASPBERRY (RAZZIE®) AWARD “WINNERS”
PICTURE
Winnie the Pooh: Blood and Honey
ACTOR
Jon Voight / Mercy
ACTRESS
Megan Fox / Johnny & Clyde
RAZZIE® REDEEMER AWARD
1998 Nominee and current SAG/AFTRA President Fran Drescher, for her brilliant shepherding of the actors’ guild through a prolonged 2023 strike with a successful conclusion.
SUPPORTING ACTRESS
Megan Fox / Expend4bles
SUPPORTING ACTOR
Sylvester Stallone / Expend4ables
SCREEN COUPLE
Pooh & Piglet as Blood-Thirsty Slasher/Killers (!) in Winnie the Pooh: Blood and Honey
REMAKE, RIP-OFF or SEQUEL
Winnie the Pooh: Blood and Honey
DIRECTOR
Rhys Frake-Waterfield / Winnie the Pooh: Blood and Honey
SCREENPLAY
Winnie the Pooh: Blood and Honey, Written by Rhys Frake-Waterfield
Review by Denise Kitashima Dutton: Danish chocolates? Don’t mind if I do! Especially when the package itself gives me a great excuse to indulge. Coffee time? Yes please! And while these chocolates would go great with coffee, I had mine with a stout, and then a mug of green tea. I was pleased.
Rather than doing one long slog as I describe things, let’s do it piece by piece, shall we?
Milk chocolate & toffee = more like a Carmello with that nice, liquidy filling. Yes, there’s a toffee flavor, but the runny filling is more like a very soft caramel. That’s a good thing.
Dark chocolate & mint = wowza that mint is strong! And also very artificial tasting. Blew my wig back y’all. It’s like a melted candy cane, and not in a good way. It’s very oozy, but as much as I love it ooze and the crisp but luscious dark chocolate? I can’t handle that much mint. I let the filling drip out of the second piece, and ate the chocolate. I ain’t ashamed.
White chocolate with marzipan & orange filling = this one I dreaded. I don’t typically like white chocolate unless it’s in a cookie, and orange sweets aren’t my bag. However, this turned out to be one of my favorites. The mix of marzipan and orange balance nicely, and the white chocolate takes a back seat to those yummy fillings. (Okay in all honesty, there’s a touch of dark chocolate on the top and bottom of each piece. But that makes no real headway in the flavor profile.)
Milk chocolate with nougat and hazelnut = a popular blend, and for good reason. That smooth hazelnut filling plays extremely well with the milk chocolate. The hazelnut is a crispy and gave a great crunch. On to the next piece, or I may find I’ve had my Milk Chocolate Haters Club card revoked.
Dark chocolate & ginger flavored toffee = as with the mint and regular toffee, this filing is weepy. Unlike the other two, there’s substantially more chocolate here, and that’s a good thing. Too much ginger filling may have been overkill, as it was with the mint. Instead, there’s a hint of liquid filling in a crunchy chocolate cup, hinting at a nice seasonal gingerbread-esque flavor. Each piece is set into a stiff foil mini-cup, in case things try to leak out of sides. I had no trouble with wannabe escape artists here. And now I know that dark chocolate and gingerbread go well together. Thank you, Jakobsen.
Dark chocolate with marzipan and whole almond = okay, this one’s my absolute favorite of the bunch. I may not like amaretto, but I dig a good marzipan. And this one’s good. Topping it off with a macron almond is almost gilding the lily, but the marzipan stands tall. It’s not overly sweet, which for me is a mark of well done marzipan, with nary a whiff of added flavor to ruin things. (Artificial almond flavor is the devil. There, I’ve said it.)
Before this, I hadn’t heard of Jakobsen chocolates. But then I realized they’re from Carletti, the folks who make Big Ben Licorice. Ah, that I know. And now that I’ve tried these chocolates, I have two favorites from this company. Never a good thing to play favorites; you never know what you’ll miss. I found that out with the delightful white chocolate bits in this box, and now I know there’s more to this brand than packets of pre-wrapped sweets. I feel so educated.
Denise Kitashima Dutton has been a reviewer since 2003, and hopes to get the hang of things any moment now. She believes that bluegrass is not hell in music form, and that beer is better when it’s a nitro pour. Besides GMR, you can find her at Atomic Fangirl, Movie-Blogger.com, or at that end seat at the bar, multi-tasking with her Kindle.
(1) THERE WILL BE NO 2023 HUGO LONGLIST ANTHOLOGY. David Steffen says, “With all of the complications of this year’s nomination list, Diabolical Plots has decided not to produce a new volume of the Long List Anthology this year.”
We do still want to help boost readership for the amazing authors involved, however, so in lieu of the anthology, we have done our best to compile the most comprehensive list of links to the works from this year’s Short Story and Novelette categories that we could.
The Apple TV+ series Murderbot is rounding out its leading cast with Sabrina Wu (Joy Ride), Tattiawna Jones (Orphan Black: Echoes), Akshay Khanna (Polite Society) and Tamara Podemski (Outer Range). The quad will star opposite Alexander Skarsgård, who also executive produces.
Based on Martha Wells’ bestselling Hugo- and Nebula Award-winning book series The Murderbot Diaries, the 10-episode series Murderbot centers on a self-hacking security android who is horrified by human emotion yet drawn to its vulnerable “clients.” Murderbot must hide its free will and complete a dangerous assignment when all it really wants is to be left alone to watch futuristic soap operas and figure out its place in the universe….
Brandon Sanderson, the bestselling author known for his epic fantasy novels, has already raised more than $16 million on crowdfunding platform BackerKit since launching it earlier this week.
The campaign is to fund a leatherbound edition of Words of Radiance, the second book in Sanderson’s fantasy series, The Stormlight Archive. The leatherbound edition will feature premium materials and illustrations, as well as a new “secret project,” Sanderson has teased. Add-ons include an audiobook, which Sanderson says will also be available on Audible, suggesting he has come to an agreement with the audiobook giant . (Sanderson had been in negotiation with the company for better terms for authors).
Sanderson’s BackerKit campaign, which has 55,000 backers and runs through March 30, is the most successful fundraising effort on the platform thus far. This follows Sanderson’s previous record-breaking Kickstarter campaign in March 2022, which raised $41.7 million from 185,341 backers, setting a new record for the most funded Kickstarter in the platform’s history. That campaign supported the release of four books.
(4) CHANGE AT KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel have updated the readers for their March 13 event. Christopher Rowe has suffered a death in the family. Therefore, Richard Butner will take his place, joining Moses Ose Utomi.
(5) EATING THE FANTASTIC. Scott Edelman invites listeners to nosh pastrami with Glenn Hauman in Episode 220 of the Eating the Fantastic podcast.
When I realized Glenn Hauman, with whom I’ve been crossing paths for decades on the con circuit, was going to be a guest at Farpoint, I thought it was about time I captured some of his wit and wisdom for you. Here’s just a small taste of what Glenn’s been up to over the years —
Glenn Hauman.
He’s an electronic publishing pioneer who founded BiblioBytes in 1993, which resulted in him being dubbed a “young Turk of publishing” in The New York Observer. He was an editorial consultant to Simon & Schuster Interactive for many years, during which time he contributed to many Star Trek CD-ROMs, such as the Star Trek Encyclopedia, the Star Trek: The Next Generation Companion, and the Star Trek: Deep Space Nine Companion, plus additional projects for many other properties. He’s published fiction in the Star Trek, X-Men, and Farscape franchises.
The particular piece of fiction which has probably brought him the most fame is Star Trek: Starfleet Corps of Engineers: Creative Couplings, co-authored with Aaron Rosenberg, which featured the first Klingon/Jewish wedding ceremony, and ended up getting him mass media coverage from outlets such as NPR and the Jewish weekly newspaper The Forward. In 2011, Glen teamed up with Peter David, previous guest of the podcast Michael Jan Friedman, Robert Greenberger, and Aaron Rosenberg to launch an electronic publishing endeavor called Crazy 8 Press. He’s also a columnist over at ComicMix.
We discussed how he shook things up during the earliest days of electronic publishing, the embarrassing high school newspaper writings of Ted Chiang, the way the assembly-line nature of comics keeps many creatives from seeing the big picture, why he’s nobody’s first choice for anything but everybody’s second choice for everything, his pre-teen encounters with another pre-teen fan who became a Marvel Comics Executive Editor, the philosophical question he asked actor Michael O’Hare just before Babylon 5 began to air, the lunch that led to his first published short story being about the X-Men, what visiting Don Heck’s house at age 12 taught him about artists and taking an art class from John Buscema at age 13 taught him about himself, the plot of the Warren Worthington novel he never got a chance to write, the free speech lawsuit which had him going head to head with the Dr. Seuss estate, plus much more.
BLADE RUNNER, TRUE DETECTIVE and HANNIBAL meld with the weird worlds of JEFF VANDERMEER in Adrian M. Gibson’s fungalpunk noir debut novel.
TWO YEARS AFTER a devastating defeat in the decade-long Spore War, the island nation of Hōppon and its capital city of Neo Kinoko are occupied by invading Coprinian forces. Its Fungal citizens are in dire straits, wracked by food shortages, poverty and an influx of war refugees. Even worse, the corrupt occupiers exploit their power, pushing the native populace toward the brink of civil unrest.
As a winter storm looms over the metropolis, NKPD Detective Henrietta Hofmann begrudgingly partners up with mushroom-headed patrol officer Koji Nameko to investigate the mysterious murders of Fungal and half-breed children. Their investigation drags them deep into the seedy underbelly of a war-torn city, one brimming with colonizers, criminal gangs, racial division and moral decay.
In order to solve the case and unravel the truth, Hofmann must challenge her past and embrace Fungal ways. What she and Nameko uncover in the midst of this frigid wasteland will chill them to the core, but will they make it through the storm alive?
(7) THOMAS SADLER (1946-2023). Alexiad editor Joseph T. Major shared recently-learned news of the death last year of Thomas Sadler, longtime editor of the fanzine The Reluctant Famulus.
Thomas “Tom” David Sadler, age 76, of Owenton, KY, passed away on Wednesday, February 1, 2023, at his home. Tom was born on March 3, 1946, in Piedmont, AL, the son of Thomas and Elizabeth (Tanner) Sadler. On October 8, 1966, he married Ruth Underhill, and she survives. He had been employed with the City of Adrian before moving to Kentucky. Tom was a published author, and enjoyed reading, writing, and gardening.
Sadler is survived by his wife, Ruth, their children, and grandchildren.
(8) AKIRA TORIYAMA (1955-2024). Dragon Ball creator Akira Toriyama died March 1. The New York Times tribute says a statement by his manga and design production company, Bird Studio, and Capsule Corporation Tokyo, attributed his death to acute subdural hematoma, when blood collects between the skull and brain. It did not specify where he died.
The Dragon Ball comic series debuted in 1984. It follows a boy named Son Goku in his quest to collect magical dragon balls to defend Earth against alien humanoids called Saiyans.
… Mr. Toriyama’s absurd concepts and sense of caricature “sparked a real joyful hysteria” in Japan, Matthieu Pinon and Laurent Lefebvre wrote in their 2023 book, “A History of Modern Manga.”
In 1982, Mr. Toriyama married a former manga artist who published under the pen name Nachi Mikami, Mainichi Shimbun reported. Besides his wife, he is survived by his children, according to the local news media.
When “Dragon Ball” was first published in 1984, it was an immediate hit, becoming one of the best-selling manga series of all time. The adventure story sold more than 260 million copies worldwide, according to the studio that produced the anime adaptation, Toei Animation.
The manga was serialized in the Japanese magazine Weekly Shonen Jump until 1995. In the year after the series ended, the magazine lost about one million of its six million readers, according to “A History of Modern Manga.” The story lived on through anime, such as “Dragon Ball Z,” and video games, including the “Dragon Quest” series for which Mr. Toriyama designed the characters….
(9) TODAY’S BIRTHDAY.
[Written by Cat Eldridge.]
Born March 8, 1921 — Alan Hale Jr. (Died 1990.) Let’s talk about Alan Hale Jr. — son of Alan Hale Sr. who played Little John in the Robin Hood a century ago with Douglas Fairbanks and Wallace Beery, reprised the role in The Adventures of Robin Hood with Errol Flynn and Basil Rathbone, then played him once more in The Rogues of Sherwood Forest. We agreed that Robin Hood is genre, didn’t we?
Alan Hale Jr.
Now we come to Alan Hale Jr.’s Captain Jonas Grumby as he was referred to only in the Gilligan’s Island pilot, better known as The Skipper, which we’ve also agreed is genre. He’s owner and captain of the S.S. Minnow which ends up in the genre based lost island setting with its passengers and sole crew member.
Counting the pilot, it ran for ninety-nine episodes over three seasons sixty years ago. There would later be three television sequels in the late Seventies and early Eighties in color. I don’t remember any of them, do any of you remember them?
There are two Filmation-produced animated sequel series which I’ve mercifully never seen. They were The New Adventures of Gilligan and Gilligan’s Planet, both short lived. Yes, he voiced his character.
Other genre appearances included Fantasy Island, My Favorite Martin, TheWild Wild West and ALF for television series, whereas films were The Giant Spider Invasion, The Fifth Musketeer, and well, and I didn’t see anything else but if I missed anything I’m sure I’ll hear about it.
(10) RINGO AWARDS 2024 NOMINATIONS NOW OPEN. The Mike Wieringo Comic Book Industry Awards return for their sixth year on Saturday, September 21, 2024 as part of The Baltimore Comic-Con. Access the Ringo Awards 2024 Nominations ballot at the link.
Unlike other professional industry awards, the Ringo Awards include fan participation in the nomination process along with an esteemed jury of comics professionals.
More than 20 categories will be celebrated with top honors being given at the awards ceremony in September.
Fan and pro-jury voting are tallied independently, and the combined nomination ballot is compiled by the Ringo Awards Committee. The top two fan choices become nominees, and the jury’s selections fill the remaining three slots for five total nominees per category. Ties may result in more than five nominees in a single category. Nominees will be listed on the ballot alphabetically. Nomination ballot voting is open to the public (fans and pros) between March 8, 2024 and May 23, 2024.
New in 2024, we have changed two categories based on juror, publisher, and voter submissions: The “Best Inker” category has been combined with the “Best Artist or Penciller” category to form a combined “Best Artist or Penciller/Inker Team” category. This update reflects the changing way comics are being created, with more artists working digitally and going directly to inks. When a nominated Penciller/Inker Team wins the final ballot, both individuals will receive separate awards.
Final Ballot Voting
After processing by the Ringo Awards Committee and Jury, the Final Ballots are targeted to be available to comic creative professionals for voting on July 24, 2024 and will be due by August 21, 2024 for final tallying. Presentation of the winners will occur at the Baltimore Comic-Con on the evening of Saturday, September 21, 2024.
“Stranger Things: The First Shadow,” the prequel play to the popular Netflix series, looks to be headed to the Great White Way after debuting in London.
Broadway World was the first to report that equity castingnotices were posted on Thursday seeking New York City-based actors and stage managers for the show with a 2025 start date. There is no venue specified yet for the show. Oscar-nominated filmmaker Stephen Daldry is listed as the director of the New York City production.
“Stranger Things: The First Shadow” was written by Kate Trefry, from an original story by the Duffer Brothers, Jack Thorne and Trefry. The play debuted at the Phoenix Theatre on the West End on Nov. 17, 2023 in previews, with an official opening date of Dec. 14, 2023. Daldry also directed the West End version….
(12) MOST-WATCHED OSCAR WINNING FILMS. JustWatch has published a new report covering the most popular Best Picture winners. JustWatch wanted to see if tastes have shifted to more modern titles, or if the classics have had a lasting impact on audiences. They ranked all of the Best Picture winners since the first Oscars ceremony in 1929.
Key Insights: Modern titles like “Everything Everywhere all at Once” and “Parasite” ranked highest in our study. Meanwhile, classic titles like “Titanic” and “Forrest Gump” managed to break into the top 10. The genres of the top 10 varied between thrillers, dramas, and even one romance.
We created this report by comparing the Best Picture Oscars winners from 1929-2023. JustWatch Streaming Charts are calculated by user activity, including: clicking on a streaming offer, adding a title to a watchlist, and marking a title as ‘seen’. This data is collected from >40 million movie & TV show fans per month. It is updated daily for 140 countries and 4,500 streaming services.
(13) SUCCESSFUL NETFLIX SFF LAUNCHES? JustWatch has also assessed how well three of Netflix’ anime live action remakes did right out of the gate.
Netflix has seen a lot of success with this format, and as their latest production, Avatar: The Last Airbender, is probably their most anticipated release to date, we wanted to see how it stacked up against previous attempts.
Developments relevant to this report include Netflix’s release of Avatar: The Last Airbender and One Piece’s second season announcement in September 2023.
Key Insights:
Death Note topped the charts in almost 3x more countries than One Piece, and 10x more than Avatar: The Last Airbender
Avatar has an above average rating, but by far the least ‘successful’ launch
One Piece had a lower popularity score, but the highest rating out of all three titles
(14) FLOOD WARNING US. [Item by SF Concatenation’s Jonathan Cowie.] My reportage of the coastal flood risk to US homes yesterday was a bit dry as I jumped straight to the research paper. This is what comes of speed scanning the electronic version of the journal. When I got home and saw the paper edition, I found its cover story was that very research and it came with a far more readable descriptor…
The cover shows homes under threat from rising sea levels in Summer Haven, Florida. In this week’s issue, Leonard Ohenhen and colleagues suggest that a considerable amount of land in 32 US coastal cities could be at risk of flooding by 2050. Combining models of changes in land elevation with projected rises in sea levels, the researchers estimated the flooding risk in the cites, including Boston, New Orleans and San Francisco. They note that a combination of coastal subsidence and rising sea levels could put an additional 1,006–1,389 km2 of land at risk of flooding by 2050, which could affect up to 171,000 properties. As a result, they call for improvements to flood defences and subsidence control to bolster current coastal protection.
The holy grail of exoplanets research is to find an Earth-like planet in the habitable zone around its star (where it’s not too hot and not too cold for life to exist) and then study its atmosphere with the James Webb Space Telescope (JWST) to determine if life is present there. But to do that, we have to find these planets first. This is where the TESS mission comes in; this month a research paper was published claiming to have found TWO possible Earth-like planets in the habitable zone. The hope is that we can use JWST to study at least one of them.
…Tyson explained that the film takes place in the sand dunes on the planet of Arrakis. The dunes are home to massive, very hungry sandworms that will appear wherever a thumper — a device that sends repeated vibrations through the sand — is placed.
“Somebody didn’t do the research on that,” he stated. When Colbert asked if that’s because that’s not how sandworms — which are fictional creatures — actually behave, Tyson said, “I’m saying you can’t thump sand.”
He noted that if someone hits sand repeatedly, it’s not audible because it’s sand. “You can’t hear it, but a sandworm can. They hear things differently than we do, Neil Tyson,” Colbert retorted, jokingly. “If you wanted to insulate yourself acoustically from your surroundings, fill the volume with sand,” the astrophysicist responded. “No one will hear you. I’ve got to let it go because there’s no movie without it.”…
[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, Robin Anne Reid, Ryan H., Joseph T. Major, SF Concatenation’s Jonathan Cowie, Steven French, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]
