Pixel Scroll 10/14/24 Pixelling Pigeons In The Scroll

(1) SEATTLE WORLDCON 2025 SHORT STORY CONTEST. The Seattle Worldcon 2025 today announced a short story writing contest with adult and young adult entry categories. The winners in each category will be recognized at the convention, receive free memberships to the convention, and have their stories published in an upcoming anthology by Grim Oak Press. Full details at the link: “Writing Contest – Seattle Worldcon 2025”.

Stories must draw inspiration from the Worldcon theme: Building Yesterday’s Future–For Everyone. This theme was selected to invoke nostalgia for the hopeful science-fictional era of the early 1960s, when Seattle held its first (and until now, only) Worldcon, followed up by the Century 21 Exposition (a.k.a. 1962 World’s Fair), showing the world a vision of its technological future, complete with freshly built Monorail and Space Needle.

(2) WHEN BAD NEWS IS BIG NEWS. Charlie Jane Anders answers the question “Why Are Toxic ‘Superfans’ Such a Nightmare for Hollywood?”

…But even if @Fanboy3997 is not a king-maker, he can do a certain amount of damage to a franchise. This is at least partly a reflection of the fact that the internet, like so many other media before it, does a better job of boosting negativity and hate than spreading anything positive. (“If it bleeds, it leads.”)

Disgruntled fans can help to shape the narrative about a project in various ways.

1) They can drown out the people who actually like it.

2) They can even harass anybody who expresses enthusiasm for a project they don’t like.

3) They can do the aforementioned review bombing, and harass actors and creators.

4) They can create the appearance of a major backlash, even if it’s really just five people and an swarm of bots.

5) And, though journalists will never admit it, a angry fans have a major ally in the journalistic profession, which will assist in blowing their complaints way out of proportion and creating a fake controversy in order to manufacture drama that in turn will lead to eyeballs on news sites.

To some extent, this is what happened with Star Wars: The Last Jedi, a movie that was a massive financial success and one of the most successful movies of all time, with an “A” on Cinemascore (signifying that audiences in theaters overwhelmingly loved it.) What I’m convinced were a relatively small number of fans had a meltdown, which probably would’ve had a limited impact if journalists hadn’t chosen to run with it and create a news cycle around the backlash. That, in turn, led to the notion that 

(3) IDENTIFYING DANGER. “INTERVIEW: J. Michael Straczynski” at Grimdark Magazine asks JMS in the context of his work on Last Dangerous Visions.

[GdM] Can you explain your perspective, and, by extension, Ellison’s, on what makes a story “dangerous” in speculative fiction?

[JMS] The distinction you draw is correct, in terms of how this relates to speculative or science fiction. There has been a lot of hard-edged, socially challenging writing in other forms and genres. Alan Ginsberg’s Howl, Jack Kerouac’s On the Road, the raw emotionalism of Lawrence Ferlinghetti’s A Coney Island of the Mind, JD Salinger’s Catcher in the Rye…all of them pushed the frontiers of writing, and many of them got banned or ended up in court on obscenity charges. But they kept on writing, because it was necessary to take a stand for literary freedom.

The SF genre was (and to a degree still is) fairly conservative and, seeing what happened to the writers noted above, tended to steer clear of controversy. This persisted up until the time of Harlan’s first Dangerous Visions anthology and the slow birth of New Wave Science Fiction (with writers like Michael Moorcock, Ursula K. Leguin, Samuel R. Delany and others poking at the walls of conservatism) which DV codified from individual efforts into a movement.

What makes a story dangerous in speculative fiction? Anyone who is willing to risk controversy, to speak to the flaws of society, to sexual and political issues even though they might get in trouble as a result. Harlan once wrote that “the chief commodity a writer has to sell is their courage,” and for me, that’s what a dangerous vision is all about: a story that requires a modicum of courage to tell it.

(4) FIRST FANDOM ANNUAL 2024. Editors John L. Coker III and Jon D. Swartz invite fans to order the First Fandom Annual 2024, devoted to a “History of the Sam Moskowitz Award”.

Sam Moskowitz, I-Con XIV (1995), Long Island, NY. Photo by John L. Coker III
  • Remembering Sam Moskowitz
  • The Sam Moskowitz Archive Award
  • The Sam Moskowitz Collection

Articles by Sam, photographs With Hal W. Hall, David A. Kyle, Robert A. Madle, Julius Schwartz, Jon D. Swartz, Ph.D., Joseph Wrzos

Fifty-six pages, 28# paper, heavy gloss color covers, printed endpapers, face-trimmed, saddle-stitched, B&W interiors, with color illustrations throughout.

Limited to (26) copies, available for $35. each (includes packaging, Priority Mail, insurance).  Please send check or money order for $35 (payable to John L. Coker III) at 4813 Lighthouse Road, Orlando, FL – 32808.

(5) ALTERNATE BATMAN. [Item by Danny Sichel.] Paul Dini found some notes in his car on which he had long ago written alternate ideas for the resolution to Batman Beyond.

(6) ART HENDERSON (1942-2024). Virginia fan Art Henderson died October 12 at the age of 82. He is survived by his wife, Becky.   

Art and Becky Henderson at the 1974 Worldcon. Photo by and (c) Andrew Porter.

(7) TODAY’S BIRTHDAY.

[Written by Mike Glyer.]

Born October 14, 1952 Charlie Williams. (Died 2021.) Fan artist Charlie Williams first came to prominence as a regular contributor to Chat, the Chattanooga clubzine published by Rich and Nicki Lynch. He also later appeared in all 30 issues of their Hugo-winning genzine Mimosa.

Williams was a member of the Knoxville Science-Fantasy Federation and in the 1970s, he owned a comics store in Knoxville and taught cartoon illustration at the University of Tennessee. At one time he was a member of the Spectator Amateur Press Association. He was guest of honor at Imagincon ’81 (1981), Con*Stellation II (1983), and Roc*Kon 8 (1983).

Williams loved to draw complex, inventive scenes several of which are displayed below, including a cover for an issue of File 770 from the Eighties.

A “Homage to Howard”
A “Homage to Howard”

(8) COMICS SECTION.

  • Brewster Rockit discovers the reason for a recent space event.
  • Eek! obviously thinks it’s “threat or treat”.
  • Lio has a classic reference.
  • The Argyle Sweater missed an update.
  • Macanudo underrates genre reading.
  • Tom Gauld knows about speed reading.
  • And he’s had better days.

(9) POLITICAL COMICS. The makers of the “Stop Project 2025 Comic” website say:

We’re a group of comic book writers & artists who are furious about Project 2025, The Heritage Foundation’s plan to consolidate power under authoritarian rule. So we made a bunch of comics to explain their agenda and move you to vote against it.

(10) VIDEO GAME WITH NUANCE. “Metaphor: ReFantazio is the rare fantasy game that goes beyond racism 101” declares The Verge’s reviewer.

…But Metaphor is more than just a stylish, dynamic RPG — it’s also the rare fantasy story that tackles discrimination with nuance.

In a lot of fantasy, I’m annoyed by the storytelling conceit of using discrimination against fantasy races as an allegory for real-world racism. Stories featuring this trope usually stop at the “racism is bad” surface level, demonstrating that with ugly over-the-top displays of violence (hey there, Dragon Age) while ignoring the subtleties that make racism so heinous and pervasive. Metaphor manages to incorporate and tackle both aspects of this reality. 

There’s a moment when you’re reading a fantasy book with a companion, and they mention that realizing their goal of a world where everyone is treated equally won’t be enough. “Equal competition doesn’t mean equal footing,” Heismay says. It’s the first time I’ve seen a video game acknowledge that simply stopping the big bad evil racist won’t magically make up for the countless generations of oppression. The game does the same with class and wealth. There’s a character vying for the throne who wishes to essentially “eat the rich” and redistribute their wealth at the point of a guillotine. But by virtue of her extremely low status, she sees everybody with more than a few coins to rub together as her ideological enemy. It’s just like when people in poverty lash out at other people a little bit less in poverty when their real enemies are the wealthy powerholders who exploit that animosity. It’s awesome that the game calls that out….

(11) SPACE DETECTIVE WORK. NASA’s JPL announces “First Greenhouse Gas Plumes Detected With NASA-Designed Instrument”.

The imaging spectrometer aboard the Carbon Mapper Coalition’s Tanager-1 satellite identified methane and carbon dioxide plumes in the United States and internationally.

Using data from an instrument designed by NASA’s Jet Propulsion Laboratory in Southern California, the nonprofit Carbon Mapper has released the first methane and carbon dioxide detections from the Tanager-1 satellite. The detections highlight methane plumes in Pakistan and Texas, as well as a carbon dioxide plume in South Africa.

The data contributes to Carbon Mapper’s goal to identify and measure greenhouse gas point-source emissions on a global scale and make that information accessible and actionable.

(12) ANNUAL APPARITION. “It’s Spirit Halloween season. How does the retailer stay afloat year-round?” NPR tried to find the answer.

SELYUKH: It is unusual. To be clear, it is a private company – Spirit Halloween – so we don’t know for sure, all of the under-the-hood stuff. They do skip the most expensive parts of being a retailer. That’s kind of how they save a lot of money on rent, utilities, workers. If you think about it, their stores – most of them are not permanent. Most of the store workers are temporary. Much of the year, Spirit Halloween mainly pays a big team to scout real estate locations, looking for empty store fronts. Then in late summer, the hustle starts for new stores to materialize. They’ve built over 1,000 of them.

RASCOE: That has to be a really big operation, like, turning all of these empty spaces into stores.

SELYUKH: It is, and it is very fast, too. You know, last year, I talked to a woman who worked at a mall where Spirit Halloween took over shuttered Sears, and she was describing an insane speed, like a matter of days. And I should say, I have tried a few times to get a tour of how Spirit Halloween works in an empty store or at least an interview with some official, and they don’t do interviews.

RASCOE: So you got ghosted. You see what I did there….

(13) EUROPA CLIPPER LAUNCHES. “NASA spacecraft rockets toward Jupiter’s moon Europa” and AP News wishes it bon voyage.

A NASA spacecraft rocketed away Monday on a quest to explore Jupiter’s tantalizing moon Europa and reveal whether its vast hidden ocean might hold the keys to life.

It will take Europa Clipper 5 1/2 years to reach Jupiter, where it will slip into orbit around the giant gas planet and sneak close to Europa during dozens of radiation-drenched flybys.

Scientists are almost certain a deep, global ocean exists beneath Europa’s icy crust. And where there is water, there could be life, making the moon one of the most promising places out there to hunt for it.

Europa Clipper won’t look for life; it has no life detectors. Instead, the spacecraft will zero in on the ingredients necessary to sustain life, searching for organic compounds and other clues as it peers beneath the ice for suitable conditions…

(14) COMET A3 FROM THE DC SUBURBS OF MARYLAND. [Item by Rich Lynch.] An iPhone photo…I just held the phone as steady as I could and hoped for the best. I’m actually amazed that it worked!

For those wanting to see the comet, this evening it’s located halfway between Venus and Arcturus, and remains visible for probably a couple of hours after the sun has set.

(15) TAKE INSPIRATION FOR YOUR HALLOWEEN BAKING. “Swedish chef making a pumpkin pie” – a Muppets excerpt.

(16) IN NO TIME AT ALL. Boing Boing says “’Skip Danger vs the Space-Time Continuum’ is a hilarious anti-time travel movie”.

…A  wonderfully self-aware homage to Back to the Future and Hot Tub Time Machine — minus, perhaps, the actual time machine. 

[Thanks to Kathy Sullivan, Teddy Harvia, Mike Kennedy, N., Danny Sichel, Rich Lynch, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day John A Arkansawyer.]

Pixel Scroll 2/14/24 Big Pixel in Little Scroll

(1) OOKPIK FIXED. Terry Fong, chair of the Montréal in 2027 Worldcon bid, sent an official reply to a question from File 770 about the $350 level presupport.

We goofed on the wording of one of our membership presupport levels. The description of our highest level (Ookpik) now reads as follow:

“We will pay your Advance WSFS membership (voting fee) in the 2027 Site Selection election. You still will have to join the 2025 Worldcon as at least a WSFS (supporting) member in order to vote on the 2027 Site Selection. (Of course, you have to cast your own ballot.) If we win, you will get a full attending membership including a WSFS membership. All the perks of lower support levels, a piece of nifty swag from a previous CANSMOF-sponsored convention AND a fridge magnet.  You also get a unique nifty cool ribbon for your support at this level.”

Apologies to all for any confusion arising from our previous wording.

(2) HEAR TERRY PRATCHETT. Fanac.org has added an audio recording of Terry Pratchett’s GoH speech from Noreascon 4 (2004).  

It’s very, very, funny. The recording is about 1 hr, 10 minutes long. It does not include all the Q&A. Audio provided by Steven Silver. Thanks, Steven! Portrait of Terry Pratchett by Charles Williams, from the N4 Program Book.

Noreascon 4 Program Book art by Charles Williams

(3) NERD LOVE. [Item by Daniel Dern.] From the New York Times: “Who Kissed First? Archaeology Has an Answer”.

This is a love story:…

They met a week earlier at a pub near the University of Copenhagen, where both were undergraduates. “I had asked my cousin if he knew any nice single guys with long hair and long beards,” Dr. Rasmussen said. “And he said, ‘Sure, I’ll introduce you to one.’”

Dr. Arboll, in turn, had been looking for a partner that shared his interest in Assyriology, the study of Mesopotamian languages and the sources written in them. “Not many people know what an Assyriologist actually does,” he told her.

“I do,” said Dr. Rasmussen, who had taken some of the same classes.

Dr. Arboll, now a professor of Assyriology at the university, said, “When I heard that, I knew she was a keeper.” …

(4) NOW, WHATEVER YOU DO, DON’T PANIC! [Item by SF Concatenaton’s Jonathan Cowie.] Douglas Adams’ novel The Hitch-Hiker’s Guide to the Galaxy (1979) was the subject of the last third of this week’s BBC Radio 4 show A Good Read.

Now, I came to Hitch-Hiker’s in its original incarnation as the 1978 BBC 4 Radio show the last two episodes of which greatly benefited from some cohesiveness from John Lloyd. That season and the subsequent ‘Christmas edition’ (which became the first episode of the second season) is for me what Hitch-Hiker’s is all about: to me, you can keep the subsequent series; the fist season and Christmas episode alone were works of true genius).

I was not alone, Hitch-Hiker’s was a favourite with almost all to my fellow members of my college SF group, Hatfield PSIFA (now Hertfordshire University PSIFA). And even then we were not alone.  I remember at the 1979 Worldcon in Brighton, Britain, when the Hugo Award short-list for ‘Best Dramatic Presentation’ was read out there was a huge cheer from the audience.  As it happened, the film Superman won and Kal El himself in the mortal guise of Christopher Reeve (not Clark Kent) took to the stage. He, very graciously, said while he was happy that technically Superman had won that clearly for the people there in the hall it was Hitch-Hiker’s that was the true winner… (You have to remember that, back in the 1970s, N. America dominated the Worldcon and Hugos far more than they do today.)

Which brings us to this week’s BBC Radio 4 A Good Read.  The presenter noted that though the novel (1979) came out some 45 years ago, Hitch-Hiker’s had never been a subject on that programme!  It has to be said that the novel did not get an entirely smooth ride as one of the show’s panelists did not like SF and another took a more of a curate’s egg approach.  All this despite the presenter noting that 15 million copies of the book had been sold among other related adaptations to other media and merch.  Nonetheless, some interesting points were made including that the character Zaphod Beeblebrox was a politician who actually never did run anything but was a self-serving, self publicist… It was noted that here there are parallels with some of today’s politicians (examples, it was hinted, including in the UK and elsewhere (the US?), who could she have meant?).

“Harriett’s choice is Douglas Adams’ story about Arthur Dent’s journey through space with an alien called Ford Prefect after earth is demolished to make way for a bypass.”

You can access this episode of A Good Read at the link. Remember to skip to the programme’s final third. (Phew. Now, where’s my towel?)

(5) COURT TOSSES FOUR CLAIMS IN SUIT AGAINST OPEN AI. “Court Trims Authors’ Copyright Lawsuit Against Open AI”Publishers Weekly knows where it was clipped.

A federal judge in California this week dismissed four of six claims made by authors in a now consolidated lawsuit alleging that Open AI infringes their copyrights. But the court gave the authors a month to amend their complaint, and the suit’s core claim of direct infringement—which Open AI did not seek to dismiss—remains active.

Following a December 7 hearing, federal judge Araceli Martínez-Olguín needed just 13 pages to dismiss a host of claims made by the authors, including vicarious infringement (count two), claims that Open AI removed or altered copyright management information (count three); negligence under the unfair competition law (count five); and unjust enrichment (count six). The court allowed a fourth claim of “unfairness” under the unfair competition law to proceed, however, holding that, if true, the authors’ claims that Open AI used their copyrighted works “to train their language models for commercial profit may constitute an unfair practice.”….

Amazing Stories has a more quotes from the decision in its post “Breaking: AI Copyright Infringement Claims Rejected”.

(6) THE ‘SHOW’ SHOULD GO ON. Philip Athans turns to an old paperback for an example of “What We Can Learn From A Random Science Fiction Novel: ‘Show’ Vs. Info Dump” at Fantasy Author’s Handbook.

…When I say “show, don’t tell,” the first thing I’m attacking is the info dump. This is when authors effectively stop the story and start explaining, when they start writing an article instead of a scene. I’ve called out one author on that here, so you can see an example of what not to do, but in reading—and loving—Star Bridge, when I got to Chapter 8, I found a fantastic example of how to balance showing a character’s experience of an imagined world while conveying, not dumping, all sorts of specific information about how that world operates.

In Star Bridge, authors Jack Williamson and James E. Gunn seems to have committed the cardinal sin of opening each and every chapter with what, on the surface, would appear to be short info dumps. Presented under the title THE HISTORY, we’re “told” a little about the unique future in which interstellar travel, via a teleportation device, is strictly controlled by Eron, a monopoly that has reached essentially imperial status. The story begins with our hero, Horn, having been sent to assassinate the leader of this monopoly. It’s a fun ride, and one that goes into deeper places as the story unfolds….

(7) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born February 14, 1970 Simon Pegg, 54. Though Simon Pegg’s certainly not James Doohan, who’s beloved for being the first and for most Trekkies still the only  Montgomery “Scotty” Scott no doubt, I found his version in Star TrekStar Trek Into Darkness and Star Trek Beyond to be quite true to the original character. Though it’s been eight years since the last film, they are talking apparently about a fourth film. 

(For the record, I thought the primary actors were fine in all three, but the scripts in the second two sucked. And the less said a certain recast villian from the original series, the better.)

Simon Pegg in 2016.

Paramount + has all of the Tom Cruise Mission Impossible films of which there are eight so far. Pegg is Benji Dunn, an IMF technician, who debuts in Mission: Impossible III as a supporting protagonist before returning in Mission: Impossible – Ghost ProtocolMission: Impossible — Rogue NationMission: Impossible – FalloutMission: Impossible – Dead Reckoning Part One, and Part Two, no longer as a supporting cast member but as a leading cast member. 

So who’s seen some of these? Opinions please?

Now let’s deal with his non-franchise film roles. His first venture into the genre was Shaun of the Dead which he co-wrote with Edgar Wright and had an acting role in as, errr, Shaun. Of course he got, wait for it, the meaty role. You can groan now. 

It was inspired by ideas they used for their Spaced comedy series about two women living in a small but posh apartment, particularly an episode in which Pegg’s character hallucinates a zombie invasion. Though not SF, the fourteen episodes often made references to popular culture, including SF and horror films, comic books, and video games. 

At Romero’s invitation, Pegg and Wright made both cameo appearances in Romero’s Land of the Dead. Not meaty roles, but they are there. 

He appeared in a Ninth Doctor story, “the Long Game” as The Editor. The BBC press release for this episode says Pegg had grown up with Who and he considered it a “great honour” to guest star on the series, and he was rather pleased at being cast as a bad guy.

I’m going to note just several of the animated works he did. He did the voice and motion capture for detective Thompson in The Adventures of Tintin (also known, though I didn’t know this before as charmingly as The Adventures of Tintin: The Secret of the Unicorn). And he did the voice of what sounds like a bad sneeze, Reepicheep the Mouse, in The Chronicles of Narnia: The Voyage of the Dawn Treader.

Let’s end with Nandor Fodor and the Talking Mongoose, a curious film indeed. It is based on the legend of Gef an apparently talking mongoose , a story that got extensive coverage in the British tabloid press in the early 1930s. Pegg plays investigator Nandor Fodor, and Neil Gaiman voices Gef.  It left British critics terribly annoyed. Not that it takes much to annoy them, does it? 

(8) COMICS SECTION.

  • Eek! reveals the truth about a superhero’s laundry.
  • Speed Bump shows the last person on Earth learning the reason she’s still around.

(9) FANTASTIC CAST. Variety names names: “Fantastic Four: Pedro Pascal, Vanessa Kirby, Joseph Quinn Cast at Marvel (variety.com)

The superhero quartet — the first characters created for Marvel Comics by Stan Lee and Jack Kirby — will be played by Pedro Pascal as Reed Richards (aka Mr. Fantastic), Vanessa Kirby as Sue Storm (aka the Invisible Woman), Joseph Quinn as Johnny Storm (aka the Human Torch) and Ebon Moss-Bachrach as Ben Grimm (aka the Thing).

As part of the casting announcement, Disney has swapped the release dates of “The Fantastic Four” (now set for July 25, 2025) and “Thunderbolts” (now set for May 2, 2025). Those are two of four Marvel tentpoles currently set to open in 2025, along with “Captain America: Brave New World” in February and “Blade” in November. Four Marvel films are also scheduled for 2026, including “Avengers: The Kang Dynasty.” That’s a ramp up from 2024: Marvel only has “Deadpool & Wolverine” for theaters, on July 26….

(Image courtesy of Marvel Studios)

(10) OH WHAT A TANGLED WEB. Inverse critic Hoai-Tran Bui declares that “Madame Web Is Embarrassing for Everyone Involved”.

Madame Web isn’t so much a movie as it is the pretense of one — a collection of Easter eggs and prequel nonsense strung together by half-assed ADR and dialogue that feels like it was drummed up in Screenwriting 101. But the most alarming thing about Madame Web is that it is a movie that never really gets started. Instead, it’s just one long prelude to the actual story, like being trapped in one of Cassie Webb’s time-looping visions with no escape….

(11) REPO’D AGAIN. “Alex Cox Directing Kiowa Gordon in ‘Repo Man 2’” reports Variety.

Alex Cox is getting back behind the wheel.

The “Repo Man” director is revisiting the off-kilter world of extraterrestrials and car repossession that he mined so memorably in the 1984 cult classic in a new sequel that is being introduced to buyers at the Berlin Film Festival and European Film Market. Entitled “Repo Man 2: The Wages of Beer,” the film is being backed by Buffalo 8 Productions, a film and media company best known for the critically acclaimed work on Netflix series “The Jeffrey Dahmer Tapes.” Cox wrote the script along with directing the film.

Kiowa Gordon, best known for his role as Embry Call in “The Twilight Saga” and for his work in the AMC series “Dark Winds,” is set to lead the cast as Otto. Emilio Estevez played Otto in the 1984 original. The film picks up after Otto has boarded his trusty 1967 Chevy Malibu to journey across the infinities of time and space. In that time he has aged exactly 90 minutes. 

(12) FOR THOSE WITH YOUNGER DIGESTIVE TRACTS. “Mountain Dew pie and chocolate tacos revealed in Taco Bell showcase” reports Independent. See the hour-long event in this YouTube video: “Taco Bell Presents Live Más Live 2024”.

(13) THAT IS THE QUESTION. Revisit Sir Patrick Stewart’s visit to Sesame Street from many years ago: “Patrick Stewart Soliloquy on B”.

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Daniel Dern, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Danny Sichel.]

Artist Charlie Williams Has Died

Fanartist Charlie Williams of Knoxville, TN died September 3 of cancer. (A different fan than the Charlie Williams of Nashville who died in April of this year.)

He first came to prominence as a regular contributor to Chat, the Chattanooga clubzine published by Rich and Nicki Lynch. He also later appeared in all 30 issues of their Hugo-winning genzine Mimosa.

Williams was a member of the Knoxville Science-Fantasy Federation and in the 1970s, he owned a comics store in Knoxville and taught cartoon illustration at the University of Tennessee. At one time he was a member of the Spectator Amateur Press Association.

Guy H. Lillian III noted, “I needn’t tell you how much brilliant fan art he gifted to Southern fandom” – including Guy’s own Challenger. In 1984 Williams won the Southpaw Award for Best Humorist given at DeepSouthCon.

Williams’ friend Rusty Burke visited him not long ago and he told Facebook readers: “I was privileged to be with Charlie near the end, while Shelly and I were in Knoxville. I hope he was aware I was there, telling everyone in the room how important he was to me. He really helped set my life on the course it has taken since college days. So many memories, so many good times, such a remarkable guy. He leaves behind his wonderful wife, Sylvia (who fed me I don’t know how many meals, and heaping helpings of good feedback and advice, back in the ’70s and early ’80s, before I left Knoxville), son Chuck, daughter Olivia, and her husband Ian and their children Liam, Soleil, and Luna.” 

He was guest of honor at Imagincon ’81 (1981), Con*Stellation II (1983), and Roc*Kon 8 (1983).

Williams loved to draw complex, inventive scenes several of which are displayed below, including a cover for an issue of File 770 from the Eighties.