(1) BOOKS THAT FETCHED BIG BUCKS. AbeBooks lists the “Most expensive sales from January to March 2025”. The complete top 10 is at the link. Here are the three fantasy/SF books that brought the highest prices.

1. The Velveteen Rabbit by Margery Williams and William Nicholson – $28,000
Paper covered boards with Nicholson’s illustrations, covered in matching original dust wrapper First published in 1922, The Velveteen Rabbit has become one of the most beloved children’s stories of all time. This rare and fragile first edition is particularly notable for its seven color illustrations, some double-page, each with its original printed caption. The endpapers feature delightful drawings of rabbits.
This exceptional copy retains its paper-covered boards with Nicholson’s illustrations and original publisher’s pictorial dustwrapper with matching design. It presents in near-fine condition, with only a short split to the foot of the upper joint and light spotting to early pages. The dustwrapper, while showing a small chip to the spine foot and minor fraying, remains remarkably well-preserved for such a delicate publication.
“The Velveteen Rabbit has struck a chord with child and adult readers alike since its original publication in 1922, with its combination of Margery Bianco Williams’s underlying message and William Nicholson’s striking double page colour illustrations, which work in harmony with the text. The first edition is both rare and inherently fragile so copies in such exemplary condition are very seldom found. In thirty years as a specialist in rare children’s books this is only the fourth such copy we have sold.”
4. Charlotte’s Web by E.B. White – $18,700
Author’s presentation copy, inscribed to friend and fellow novelist, Elizabeth Taylor on the front end paper, “For Elizabeth Taylor / and I do like Irish whiskey / E B White” E.B. White and British novelist Elizabeth Taylor maintained a literary friendship despite rarely meeting in person. Their connection flourished through The New Yorker, where White’s wife Katherine served as Taylor’s first editor. This first edition of Charlotte’s Web carries their relationship in ink – White’s inscription reads “For Elizabeth Taylor / and I do like Irish whiskey,” a fitting note from an author known to store manuscripts in whiskey boxes and keep a bottle ready for guests.
The first issue (marked ‘First edition, I-B’ on verso) features Garth Williams’ original color dustwrapper and line drawings, showing only slight toning to the spine.
“Charlotte Web has long been a popular with children the world over, but what makes this book particularly special is the inscription by the books author, E.B.White to fellow novelist, Elizabeth Taylor. The notion of author to author associations strikes a particular chord with sophisticated book collectors, the book marking an intersection of the author’s creative endeavour and their life outside the text. It is evidence of this personal contact which influences the author’s work which gives books like this an animation all of their own. Taylor had the misfortune to be a contemporary of the much more famous actress of the same name, but was nevertheless a successful (and lately, increasingly read) author in her own right, described by Kingsley Amis as ‘one of the best English novelists born this century’.”
8. Do Androids Dream of Electric Sheep? by Philip K. Dick – $15,500
First edition review copy with publisher’s original publicity slip 1968 marked a turning point in science fiction with Do Androids Dream of Electric Sheep? Dick’s tale of bounty hunter Rick Deckard stalking artificial beings through a post-apocalyptic landscape would redefine the genre’s approach to human consciousness and artificial life.
In its original grey cloth binding with gilt spine lettering, this review copy offers a rare glimpse into the novel’s publication. The inclusion of the publisher’s publicity slip and unclipped dust jacket makes this example particularly noteworthy in Dick’s bibliography.
“As one of the genre’s most influential authors, Dick’s exploration of themes like reality, identity, and authoritarianism has left a lasting impact on literature and film. His thought-provoking narratives, often blending dystopian futures with psychological intrigue, have inspired numerous adaptations, including the iconic Blade Runner.”
(2) FLASHY MEETS THE BUGS. The discussion Cat Eldridge sparked yesterday with his piece about George Macdonald Fraser’s “Flashman” made me track down my parody of the series, “Flashman at Klendathu”, and add it to File 770’s library of my fanwriting. The article originally appeared in Guy H. Lillian’s fanzine Challenger in 2008, adorned with this wonderful illo by Charlie Williams.

(3) EATING THE FANTASTIC. Scott Edelman invites listeners to break for brunch with writer Adeena Mignogna on Episode 253 of the Eating the Fantastic podcast.

Ever since Adeena Mignogna dared to eat a donut on the Capclave Donut Carnival episode of this podcast, I knew I’d eventually host her for a more in-depth conversation. And that time is now!
Mignogna is the author of the the Robot Galaxy series, which so far is a quartet, made up of Crazy Foolish Robots; Robots, Robots Everywhere; Silly Insane Humans; and Eleven Little Robots. As you’ll hear in our chat, there’ll be many more to follow. She’s also the author of Lunar Logic — the first novel in a series which doesn’t yet have an overarching title, though the second book will be titled Moonbase Mayhem, so who knows, perhaps there’ll be something alliterative there as well.
She’s also one of the hosts of the long running BIG Sci-Fi podcast. When not writing or podcasting, Adeena is a physicist, astronomer, and software engineer who’s worked for nearly three decades in the aerospace industry as a Mission Architect.
We discussed how Star Trek changed her life, which Trek character she used as her screen name on fan forums when she first went online as a young teen, why she never wrote fanfic, the feedback from a friend which saved her NaNoWriMo novel from being trunked, how she discovered she’s neither a plotter nor a pantser but rather something in-between, her favorite science fiction novel of all time (and the important lesson it taught her about her Robot Galaxy series), why she went the indie route and how she knew she had the chops to pull it off, the manner in which we gender robots, the reason writing each book in her quartet was more fun than the one before, why she remains hopeful about our AI future, how she finally learned she was a morning writer after years of trying to write at night, and much more.
(4) PEN AMERICA LITERARY AWARDS. The 2025 PEN America Literary Awards were announced on May 8. None of the fiction appears to be genre.
The PEN/E.O. Wilson Literary Science Writing Award went to Jason Roberts for Every Living Thing: The Great and Deadly Race to Know All Life.

(5) JEOPARDY! [Item by Rich Lynch.] The current Jeopardy champion going into today’s match is Dan Moren, a sff author, editor and podcaster with an entry in the Science Fiction Encyclopedia.
(6) RETURN TO SUMMERISLE. “Are you here for the burning?” – The Observer covers a dedicated fan’s restaging of The Wicker Man.
As the sun sinks over the Irish Sea, Fergal O’Riordan stands on a headland in south-west Scotland and looks up with tears in his eyes at the 7 metre-tall wicker man, blazing against the darkening sky. Five years of work going up in smoke. He couldn’t be happier.
Dubliner O’Riordan first contacted me in February to tell me about a documentary he was making on Robin Hardy’s 1973 cult folk-horror classic The Wicker Man. The project had consumed him since 2020, costing him all his savings, and almost his marriage, his family and his sanity.
Publicity seeker, I assumed. But when I finally got to meet O’Riordan, 55, last weekend, for the premiere of his film, Return to Summerisle, in the small town of Newton Stewart, it became apparent that he had been deadly serious…
(7) ORWELL ARCHIVE GAINS DOCUMENTS. “About 160 historic George Orwell papers saved for nation after outcry” reports the Guardian.
George Orwell’s correspondence, contracts and readers’ reports relating to his earliest novels are among historic papers that have been saved for the nation after an outcry over their initial dispersal.
University College London (UCL) said it had acquired the archive of the Nineteen Eighty-Four author’s publisher as “a valuable piece of Britain’s cultural heritage”.
About 160 items, dating from 1934 to 1937, are to be added to the Orwell Archive in UCL Special Collections, the world’s most comprehensive holdings of research material relating to him….
…The collection had belonged to his publisher, Victor Gollancz, who founded one of the 20th century’s foremost publishing houses.
The company was acquired by the Orion Group, which became part of Hachette, owned by the French multinational Lagardère, whose decision to sell the archive because its warehouse was closing was condemned last year as an act of cultural vandalism….
(8) DISRUPTION OF THE DAY. “Librarian of Congress Carla Hayden Fired by White House” reports Publisher Weekly.
In the latest blow to professional research and the literary and arts community, the Trump administration fired Librarian of Congress Carla Hayden on May 8. “Tonight, the White House informed Librarian of Congress Carla Hayden that she has been relieved of her position,” a Library of Congress spokesperson confirmed in an email to PW. No reason for Hayden’s removal was provided, and no further information has been announced regarding the library’s staffing or budget.
Hayden has led the Library of Congress since 2016, when she was appointed by President Barack Obama and confirmed and sworn in by the U.S. Senate. She was the first woman and first Black person to head the nation’s library, a federal resource whose vast on-site and online collections are the research arm of the U.S. Congress and an information hub for organizations and individuals worldwide. Hayden is a past CEO of the Enoch Pratt Free Library in Baltimore, and from 2003 to 2004 served as president of the American Library Association….
…Rep. Hakeem Jeffries (D–N.Y.), the Democratic leader in the House of Representatives, issued a statement calling the removal “unjust” and “a disgrace” that represents the president’s “ongoing effort to ban books, whitewash American history, and turn back the clock.” Calling the Library of Congress is “the People’s Library,” Jeffries added: “There will be accountability for this unprecedented assault on the American way of life sooner rather than later.”…
(9) TARIFF TERROR. “‘A kick in the teeth’: UK film industry’s horror at possible Trump tariffs” says the Guardian.
It is a sunny May afternoon in leafy Surrey, and Richard St Clair is carefully preparing a bomb. It is not real, but it will look like it is when shown on a Netflix TV show. Across the workshop a colleague is cheerfully sandpapering a pile of hip bones for the 28 Years Later zombie film – trailers suggest a lot of skeletons will be involved.
They are working at db Props, a small company based at Shepperton Studios that has made everything from Thor’s hammer to Alan Turing’s computer in The Imitation Game.
Yet for all its work on huge productions, the workshop has a shadow hanging over it, cast by Donald Trump. The US president this week sent shock waves through the global film industry with a surprise statement that he will bring in a 100% tariff on movies “produced in Foreign Lands”. “WE WANT MOVIES MADE IN AMERICA, AGAIN!” he wrote on his social network Truth Social.
“I’m terrified about this new Trump thing – whatever that may be,” says Dean Brooks, the owner of db Props and a 45-year veteran of the props trade after joining at 16. “This has been a proper kick in the teeth.”
Britain’s film and video production industry employs about 99,000 people, but it punches well above the UK’s economic weight globally, and has a glamour that other industries cannot match. Hollywood relies heavily on Britain to make its films and big budget TV series such as the recent Star Wars series Andor and Tom Cruise’s Mission Impossible franchise. In turn the UK relies on Hollywood for work: inward investment and co-production spend on film and high-end television in the UK reached £4.8bn in 2024, representing 86% of the total, according to the British Film Institute.
(10) STEPHEN FABIAN (1930-2025). Sff artist Stephen Fabian, whose impressive black & white covers adorned fanzines before he moved on to a successful pro career, died May 6 at the age of 95. Bob Eggleton was among those who announced his passing.
Fabian was a Hugo finalist for Best Fanartist twice (1970-1971) and Best Professional Artist seven times (1975-1981).
He won the British Fantasy Award for Artist in 1980 and 1985, and his “The End of Days” (Chacal #2) won the Artwork award in 1978. He was also a finalist three other times.
His success apparently was a pleasant surprise to him. Fancyclopedia 3 notes:
…Fabian did not start out to be an artist. He attended several schools before joining the U.S. Air Force in 1949, where he served as a teacher of radio and radar. He left the Air Force in 1953 and worked for electronic firms as an engineer until 1973, when he found himself out of work….
Fabian studied drawing and painting on his own, and began submitting artwork to fanzines in the 1960s, becoming a well-known fan artist. The day he was laid off work, he received letters asking him to submit his work to both Amazing and Galaxy. He immediately switched from electronics engineer to full-time SF artist….
In addition to prozines, Fabian produced artwork for TSR’s Dungeons & Dragons game from 1986 to 1995, particularly on the Ravenloft line.
There’s some pretty amazing artwork in the gallery on his website. See it while you can.
(11) PETER MORWOOD (1956-2025). Irish novelist and screenwriter Peter Morwood died May 9. He was best known for his Horse Lords and Tales of Old Russia series. He lived in Ireland with his wife, writer Diane Duane, with whom he co-authored several works. Duane announcement of his death on Facebook said:
…I am in utter shock and terrible pain to have to inform everyone that our friend, my dear husband and creative partner of nearly forty years, Peter Morwood, passed away suddenly early this morning after a brief illness that as late as yesterday (when his doctor saw him) had seemed to be on the mend.
I’m not in any position to say much more about this situation now, as you’ll understand my current mental state is not up to the task. (I keep expecting to wake up from a truly terrible dream, but this one shows no sign of breaking.) I will let people know more about this in coming days.
There will be a postmortem shortly to determine the exact cause of his death. I’ll share what details of this are appropriate as they become clear….
Duane and Morwood married at Boskone in February 1987.
Duane has asked for financial support:
Meanwhile in the short term I’m very much going to need assistance with the expenses that in the days that follow will inevitably surround what’s happened. For those people who want to assist, please feel free to use the Ko-Fi account here, and simply tag the associated messages, etc, “P expenses”. ETA: Please choose the Stripe payment option at Ko-Fi rather than PayPal, as PP seems to be having some kind of obscure difficulties at the moment. I have disconnected PayPal until this is resolved.

(12) MEMORY LANE.
[Written by Cat Eldridge.]
Soylent Green (1973)
Fifty-two years ago, Soylent Green was in general distribution in the States. It had premieres earlier in LA and NYC, respectively, on April 18th and April 19th.
The film was directed by Richard Fleischer who had previously directed Fantastic Voyage and Doctor Doolittle, and, yes, the latter is genre. Rather loosely based off of Harry Harrison’s Make Room! Make Room! Novel, it starred Joseph Cotten, Chuck Connors, Charlton Heston, Brock Peters, Edward G. Robinson in his final film role, and Leigh Taylor-Young.
The term soylent green is not in the novel though the term soylent steaks is. The title of the novel wasn’t used according to the studio on the grounds that it might have confused audiences into thinking it a big-screen version of Make Room for Daddy. Huh? It’s worth noting that Harrison was not involved at all in the film and indeed was was contractually denied control over the screenplay. No idea why he agreed to this but hopefully the money was good.
So how was reception at the time? Definitely mixed though Roger Ebert of the Chicago Sun-Tribune liked it: “Richard Fleischer’s ‘Soylent Green’ is a good, solid science-fiction movie, and a little more. It tells the story of New York in the year 2022, when the population has swollen to an unbelievable 80 million, and people live in the streets and line up for their rations of water and Soylent Green.”
Other were less kind. A.H. Weiler of the New York Times summed it up this way: “We won’t reveal that ingredient but it must be noted that Richard Fleischer’s direction stresses action, not nuances of meaning or characterization. Mr. Robinson is pitiably natural as the realistic, sensitive oldster facing the futility of living in dying surroundings. But Mr. Heston is simply a rough cop chasing standard bad guys. Their 21st-century New York occasionally is frightening but it is rarely convincingly real.“
Audience reviewers at Rotten Tomatoes currently give it an excellent percent rating.
It was nominated for a Hugo at DisCon II, the year Sleeper won.

(13) COMICS SECTION.
- F Minus may have side effects.
- Nancy needs a new question.
- Off the Mark tries another take on a movie joke.
- Saturday Morning Breakfast Cereal still needs an answer.
- The Argyle Sweater brings home a pet.
- The Barn makes first contact.
(14) BIG SQUEEZE. “Games Workshop Freezes Assets Amid Worldwide Seller Takedown” – Spikeybits has a long report about the litigation.
Games Workshop has initiated a worldwide Warhammer crackdown, suing 280 sellers, freezing accounts, and sales platforms.
If you’ve checked your favorite online marketplace lately and noticed a few listings mysteriously vanish, you’re not imagining things. Games Workshop just dropped the legal equivalent of an orbital bombardment—suing 280 sellers across the globe and freezing their assets in one sweeping move.
We’re talking shut-down stores, locked accounts, and some very panicked vendors. Some were clearly pushing counterfeit kits, while others got hit for less obvious reasons, like using the word Citadel in a brush holder listing. Let’s break down who got caught in the blast radius, why it matters, and what this means for the rest of us trying to hobby in peace….
(15) TRAILER PARK. Netflix is airing Old Guard 2.
Andy (Charlize Theron) and her team of immortal warriors are back, with a renewed sense of purpose in their mission to protect the world. With Booker (Matthias Schoenaerts) still in exile after his betrayal, and Quynh (Veronica Ngô) out for revenge after escaping her underwater prison, Andy grapples with her newfound mortality as a mysterious threat emerges that could jeopardize everything she’s worked towards for thousands of years. Andy, Nile (KiKi Layne), Joe (Marwan Kenzari), Nicky (Luca Marinelli) and James Copley (Chiwetel Ejiofor) enlist the help of Tuah (Henry Golding), an old friend who may provide the key to unlocking the mystery behind immortal existence. Directed by Victoria Mahoney, and also starring Uma Thurman, The Old Guard 2 is an emotional, adrenaline-pumping sequel, based on the world created by Greg Rucka and illustrator Leandro Fernandez.
[Thanks to Kathy Sullivan, Teddy Harvia, Mike Kennedy, Danny Sichel, Rich Lynch, Michael J. Walsh, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, and Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day Jack Lint.]