Tag Archives: National Film Registry

National Film Registry Adds Terminator 2, Apollo 13, Nightmare Before Christmas, and Lady and the Tramp

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SF film Terminator 2: Judgment Day, Hugo-winner Apollo 13, Tim Burton’s The Nightmare Before Christmas, and classic Disney animated film Lady and the Tramp are among the 25 movies inducted into the National Film Registry this year. Librarian of Congress Carla Hayden announced the selections today.

Films Selected for the 2023 National Film Registry

(chronological order)

  • A Movie Trip Through Filmland (1921)  
  • Dinner at Eight (1933)
  • Bohulano Family Film Collection (1950s-1970s)
  • Helen Keller: In Her Story (1954)
  • Lady and the Tramp (1955)
  • Edge of the City (1957)
  • We’re Alive (1974)
  • Cruisin’ J-Town (1975)
  • ¡Alambrista! (1977)
  • Passing Through (1977) 
  • Fame (1980)
  • Desperately Seeking Susan (1985)
  • The Lighted Field (1987)
  • Matewan (1987)
  • Home Alone (1990)
  • Queen of Diamonds (1991)
  • Terminator 2: Judgment Day (1991)
  • The Nightmare Before Christmas (1993)
  • The Wedding Banquet (1993)
  • Maya Lin: A Strong Clear Vision (1994)
  • Apollo 13 (1995)
  • Bamboozled (2000)
  • Love & Basketball (2000)
  • 12 Years a Slave (2013)
  • 20 Feet from Stardom (2013)

The public submitted 6,875 titles for consideration this year.

The public can submit nominations throughout the year on the Library’s web site Nominations for next year will be accepted until Aug. 15, 2024. Cast your vote at loc.gov/film.

Turner Classic Movies (TCM) will host a television special Thursday, Dec. 14, starting at 8 p.m. ET to screen a selection of films named to the registry this year. Hayden will join TCM host, film historian and Academy Museum of Motion Pictures Director and President Jacqueline Stewart, who is chair of the National Film Preservation Board, to discuss the films.

Under the terms of the National Film Preservation Act, each year the Librarian of Congress names to the National Film Registry 25 motion pictures that are “culturally, historically or aesthetically” significant. The films must be at least 10 years old. More information about the National Film Registry can be found at loc.gov/film.

Ron Howard Reflects on Apollo 13. Since his first childhood role as Opie on The Andy Griffith Show, to his later acting in Happy Days and American Graffiti, Ron Howard has been associated with mid-century American innocence.

In Apollo 13, he returned to that ideal as a director, telling the story of a 1970 failed lunar landing that turned into a heart-stopping triumph of American ingenuity in bringing the crew safely back to Earth.

“It’s a very honest, heartfelt reflection of something that was very American, which was the space program in that time and what it meant to the country and to the world,” Howard told the Library of Congress.

The technical advisor on the film was Capt. David Scott, an astronaut who went to the moon. He gave Howard a mission statement.

“He said you have a chance to tell people what it was like within the framework of a narrative that is entertaining. You have the chance to really get it right and let people know what the Apollo era was all about. We took that very seriously,” Howard said.

The crew was fanatical about getting small details right, an effort led by the film’s star, Tom Hanks.

“I was very proud of the outcome,” Howard said. “The experience remains an absolute highlight. It was one of those experiences that none of us involved in will ever forget.”

The press release’s commentary on the films named in the lede follows:

Apollo 13 (1995)

The extreme challenges involved in space travel present compelling cinema storylines, and one cannot imagine a more harrowing scenario than the near tragic Apollo 13 space mission. Director Ron Howard’s retelling is equally meticulous and emotional, a master class in enveloping the audience into a complicated technological exercise in life-and-death problem-solving. Based on the 1994 book “Lost Moon: The Perilous Voyage of Apollo 13” by astronaut Jim Lovell and Jeffrey Kluger, “Apollo 13” blends skillful editing, crafty special effects, a James Horner score, and a well-paced script to detail the quick-thinking heroics of both the astronaut crew and NASA technicians as they improvise and work through unprecedented situations. The talented cast includes Tom Hanks, Bill Paxton, Kevin Bacon, Gary Sinise, Ed Harris and Kathleen Quinlan.

Lady and the Tramp (1955)

This exquisitely animated love story between a spoiled cocker spaniel and a mutt was arguably the most mature animation and love story created until then by Disney Studios. It also marked a technological innovation for Disney. In addition to standard theatrical formats, Disney released the film in the wide screen CinemaScope process, in part to keep people going to the theaters following the advent of television. One of the studio’s most beloved animated works, this unlikely love story is made memorable by endearing songs, excellent voice talents (which included Barbara Luddy, Larry Roberts, Bill Thompson, Verna Felton, Bob Baucom, Peggy Lee and Stan Freberg) and iconic moments including a kiss involving spaghetti.

The Nightmare Before Christmas (1993)   

The king of dark whimsy, Tim Burton won over an even larger (and decidedly younger) crowd with this delightful stop-motion animated offering. Jack Skellington, whose giant pumpkin head rests precariously on top of his rail-thin body, is the king of Halloween Town; one year he dreams of bringing a little Christmas magic to his humble hamlet. Conceived and produced by Burton (with direction by Henry Selick), “Nightmare” features creative set design to construct an imaginary world, songs by Danny Elfman and the voice talents of Chris Sarandon, Catherine O’Hara, William Hickey, Ken Page, Paul Reubens and Glenn Shadix. It has become both a Yuletide and Halloween tradition for adults, kids, hipsters and many Halloween fanatics.

Terminator 2: Judgment Day (1991)

Science fiction film sequels sometimes fail because the original reveals the stunning main secrets, thus reducing the awe and surprise factors in future installments. Not so with “Terminator 2.” Director James Cameron retained the many virtues of the original and added a deft script with more nuanced characters and plot twists, a large budget and cutting-edge special effects for an even more chilling story revealing the bleak future portended in the original. Arnold Schwarzenegger’s mission changes from ending the future of humanity to ensuring its survival, from killing the mother to protecting the son from an assassin adept at quicksilver. The film also marked somewhat of a technical milestone in the transition from practical to CGI special effects.

National Film Registry Adds Carrie, Iron Man, The Little Mermaid

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Sf and fantasy films Iron Man and The Little Mermaid, and horror film Carrie are on the list of 25 movies inducted into the National Film Registry of the Library of Congress this year. Librarian of Congress Carla Hayden announced the selections today.

Films Selected for the 2022 National Film Registry

(chronological order)

  • Mardi Gras Carnival (1898)
  • Cab Calloway Home Movies (1948-1951)
  • Cyrano de Bergerac (1950)
  • Charade (1963)       
  • Scorpio Rising (1963)
  • Behind Every Good Man (1967)
  • Titicut Follies (1967)
  • Mingus (1968) 
  • Manzanar (1971)
  • Betty Tells Her Story (1972)
  • Super Fly (1972)
  • Attica (1974)
  • Carrie (1976)
  • Union Maids (1976)
  • Word is Out: Stories of Our Lives (1977)
  • Bush Mama (1979)
  • The Ballad of Gregorio Cortez (1982)
  • Itam Hakim, Hopiit (1984)
  • Hairspray (1988)
  • The Little Mermaid (1989)
  • Tongues Untied (1989)
  • When Harry Met Sally (1989)
  • House Party (1990)
  • Iron Man (2008)
  • Pariah (2011)    

Selected for their cultural, historic or aesthetic importance to preserve the nation’s film heritage, the newest selections bring the number of films in the registry to 850, many of which are among the 1.7 million films in the Library’s collections.

Turner Classic Movies (TCM) will host a television special Tuesday, December 27, starting at 8 p.m. Eastern to screen a selection of motion pictures named to the registry this year. Hayden will join TCM host, film historian and Academy Museum of Motion Pictures Director and President Jacqueline Stewart, who is chair of the National Film Preservation Board, to discuss the films.

“I am especially proud of the way the Registry has amplified its recognition of diverse filmmakers, experiences, and a wide range of filmmaking traditions in recent years,” Stewart said. “I am grateful to the entire National Film Preservation Board, the members of the public who nominated films, and of course to Dr. Hayden for advocating so strongly for the preservation of our many film histories.”

The public submitted 6,865 titles for consideration this year. Several selected titles drew significant public support through online nominations. They include Betty Tells Her Story, Carrie, Iron Man, The Little Mermaid and When Harry Met Sally.

Under the terms of the National Film Preservation Act, each year the Librarian of Congress names to the National Film Registry 25 motion pictures that are “culturally, historically or aesthetically” significant. The films must be at least 10 years old. More information about the National Film Registry can be found at loc.gov/film.

The press release’s commentary on the films named in the lede follows:

Carrie (1976)

Brian De Palma stands as an icon of the new wave of filmmakers who remade Hollywood and its filmmaking conventions beginning in the 1960s and 70s. After some intriguing independent efforts, De Palma burst onto the national spotlight with “Carrie.” Never one to feature subtlety in his films, De Palma mixes up a stylish cauldron of horrific scenes in “Carrie,” adapted from the Stephen King novel. Combine a teen outcast with telekinetic powers facing abuse from cruel classmates and a domineering religious mother, and you have a breeding ground for revenge, with the comeuppance delivered in a no-holds barred prom massacre. The flamboyant visual flair and use of countless cinema techniques may occasionally seem overdone, but the film’s influence remains undeniable to this day, often cited by other critics and filmmakers for its impact on the horror genre.

Iron Man (2008)

Marvel Studios enthralled audiences with 2008’s “Iron Man,” a superhero film that transcends and elevates the genre. Key factors in the film’s success include the eclectic direction of Jon Favreau, superb special effects and production design, and excellent performances from Gwyneth Paltrow as the sidekick and Robert Downey Jr., as the brooding, conflicted hero out to make amends for his career as an armaments mogul. Critics sometimes love to take shots at superhero movies but many recognized “Iron Man” for its unexpected excellence. Joe Morgenstern in The Wall Street Journal wrote: “The gadgetry is absolutely dazzling, the action is mostly exhilarating, the comedy is scintillating and the whole enormous enterprise, spawned by Marvel comics, throbs with dramatic energy because the man inside the shiny red robotic rig is a daring choice for an action hero, and an inspired one.” Richard Corliss in Time noted the film’s place in a uniquely American tradition: “Some of us know that there’s an American style — best displayed in the big, smart, kid-friendly epic — that few other cinemas even aspire to, and none can touch. When it works, as it does here, it rekindles even a cynic’s movie love.”

The Little Mermaid (1989)

When you combine a beloved Hans Christian Andersen tale with the beauty and heart of truly remarkable Disney magic, you end up with an animated film for the ages. Ariel, the titular mermaid, lives under the sea but longs to be human. She is able to live her dream with a little help from some adorable underwater friends and despite the devious efforts of a sea witch named Ursula (a recent addition to Disney’s peerless rogue’s gallery of cartoon villains). Alan Menken composed the memorable score and collaborated with Howard Ashman on songs that have become modern standards such as “Under the Sea;” “Part of Your World” and “Kiss the Girl.” Adding to the film’s irresistible charm is a fantastic array of voice artists including Jodi Benson, Buddy Hackett, Pat Carroll and Kenneth Mars. An extraordinary success — artistically and commercially — at the time of its release, “Mermaid” proved a touchstone film during the “The Disney Renaissance” of the 1980s and 90s.

[Based on a press release. Thanks to N. for the story.]

Return of the Jedi Among 25 Films Added to National Film Registry

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  • Hellbound Train

Sf and fantasy films Star Wars Episode VI — Return of the Jedi, The Lord of the Rings: The Fellowship of the Ring, WALL•E, and horror movies A Nightmare on Elm Street, What Ever Happened to Baby Jane? are on the list of 25 movies inducted into the National Film Registry of the Library of Congress this year. Also, Hellbound Train, which includes some fantastic elements. Librarian of Congress Carla Hayden announced the selections today.

Films Selected for the 2021 National Film Registry
(chronological order)

  1. Ringling Brothers Parade Film (1902)
  2. Jubilo (1919)
  3. The Flying Ace (1926)
  4. Hellbound Train (1930)
  5. Flowers and Trees (1932)
  6. Strangers on a Train (1951)
  7. What Ever Happened to Baby Jane? (1962)
  8. Evergreen (1965)
  9. Requiem-29 (1970)
  10. The Murder of Fred Hampton (1971)
  11. Pink Flamingos (1972)
  12. Sounder (1972)
  13. The Long Goodbye (1973)
  14. Cooley High (1975)
  15. Richard Pryor: Live in Concert (1979)
  16. Chicana (1979)
  17. The Wobblies (1979)
  18. Star Wars Episode VI — Return of the Jedi (1983)
  19. A Nightmare on Elm Street (1984)
  20. Stop Making Sense (1984)
  21. Who Killed Vincent Chin? (1987)
  22. The Watermelon Woman (1996)
  23. Selena (1997)
  24. The Lord of the Rings: The Fellowship of the Ring (2001)
  25. WALL•E (2008)

Selected for their cultural, historic or aesthetic importance to preserve the nation’s film heritage, the newest selections include epic trilogies, major roles for Jennifer Lopez and Cicely Tyson, extraordinary animated features, comedy and music, and films that took on racially-motivated violence against people of color decades ago. The selections bring the number of films in the registry to 825, representing a portion of the 1.7 million films in the Library’s collections.

Turner Classic Movies (TCM) will host a television special Friday, December 17, starting at 8:00 p.m. Eastern to screen a selection of motion pictures named to the registry this year. Hayden will join TCM host and film historian Jacqueline Stewart, who is chair of the National Film Preservation Board, to discuss the films. Also, select titles from 30 years of the National Film Registry are freely available online in the National Screening Room.

A few films selected for the registry drew significant public support this year through online nominations. The original Star Wars trilogy’s third release from “a galaxy far, far away” in 1983 drew the most public votes for Star Wars Episode VI — Return of the Jedi.

“Little did I know when I started writing a tale about good, evil, friendship and the Force, it would become a lifelong journey of creativity, imagination and innovation for so many,” said filmmaker George Lucas. “A great honor of learning ‘Return of the Jedi’ has been included in the National Film Registry is knowing the original trilogy of the Star Wars Saga will be preserved in full as nominated by the public, safeguarded as part of our shared American Cinema heritage by our nation’s oldest federal cultural institution, the Library of Congress, and the National Film Preservation Board.”

The kickoff to another epic trilogy of films, The Lord of the Rings: The Fellowship of the Ring from 2001, based on the beloved stories of J.R.R. Tolkien, also earned strong public support.

“In 1951, Professor Tolkien expressed the wish that ‘… other minds and hands, wielding paint and music and drama…’ might one day come to the world of middle-earth. And they did — actors and artists, composers and musicians, linguists and digital wizards — a myriad of talent came together to bring his vast work of imagination to life on the screen,” said the filmmaking team of Peter Jackson, Fran Walsh and Philippa Boyens. “It is a great honor to have ‘The Lord of the Rings: The Fellowship of the Ring’ selected this year by the National Film Registry. We are proud to be part of an archive that celebrates and preserves the art of visual storytelling, for generations to come.” 

Two innovative animated features from different eras also join the registry this year. Disney’s Flowers and Trees, which was released in the dark days of the Great Depression in 1932, showcased the magic of cinema with birds singing and trees in full color. It was the first three-strip Technicolor film shown to the public and set a new standard.

Some 76 years later, Pixar Animation Studios would release a unique masterpiece with 2008’s WALL•E, combining animation, science fiction, an ecological cautionary tale and a charming robot love story. The film would go on to win the Oscar for Outstanding Animated Feature.

“Hellbound Train, a silent film from 1930, is a staunchly Christian film, made by the evangelical couple of James and Eloyce Gist. Until recently, it was an overlooked milestone in Black cinema and now joins the registry. Its obvious plot — the Gists were amateur filmmakers, using untrained actors — was to scare sinners straight. It was played in churches and fairgrounds to accompany the Gists’ sermons.

It depicts a train with each car dedicated to particular sins — dancing, drinking, adultery — being conducted by Satan himself. The print was painstakingly reassembled from more than 100 reels of 16mm at the Library by filmmaker S. Torriano Berry, preserving this early example of guerilla filmmaking carried out with a missionary zeal.

In 2013, the Library released a report that determined 70 percent of the nation’s silent feature films have been lost forever and only 14 percent exist in their original format. 

Each year the Librarian of Congress names to the National Film Registry 25 motion pictures that are “culturally, historically or aesthetically” significant. The films must be at least 10 years old. More information about the National Film Registry can be found at loc.gov/film.

The Librarian makes the annual registry selections after conferring with the distinguished members of the National Film Preservation Board and a cadre of Library specialists. Also considered were more than 6,100 titles nominated by the public. Nominations for next year will be accepted through Aug. 15, 2022, at loc.gov/programs/national-film-preservation-board/film-registry/nominate/.

The press release’s commentary on the six films named in the lede follows the jump.

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National Film Registry Announces 2020 Selections

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A Clockwork Orange, Shrek and The Dark Knight, inspired by sf, fantasy and comics, are on the list of 25 movies inducted into the National Film Registry of the Library of Congress this year. Also, A Cabin in the Sky, which includes some fantastic elements. Librarian of Congress Carla Hayden announced the selections today.

Films Selected for the 2020 National Film Registry
(chronological order)

  1. Suspense (1913)
  2. Kid Auto Races at Venice (1914)
  3. Bread (1918)
  4. The Battle of the Century (1927)
  5. With Car and Camera Around the World (1929)
  6. Cabin in the Sky (1943)
  7. Outrage (1950)
  8. The Man with the Golden Arm (1955)
  9. Lilies of the Field (1963)
  10. A Clockwork Orange (1971)
  11. Sweet Sweetback’s Baadasssss Song (1971)
  12. Wattstax (1973)
  13. Grease (1978)
  14. The Blues Brothers (1980)
  15. Losing Ground (1982)
  16. Illusions (1982)
  17. The Joy Luck Club (1993)
  18. The Devil Never Sleeps (1994)
  19. Buena Vista Social Club (1999)
  20. The Ground (1993-2001)
  21. Shrek (2001)
  22. Mauna Kea: Temple Under Siege (2006)
  23. The Hurt Locker (2008)
  24. The Dark Knight (2008)
  25. Freedom Riders (2010)

Selected because of their cultural, historic or aesthetic importance to the nation’s film heritage, the 2020 titles include blockbusters, musicals, silent films, documentaries and diverse stories transferred from books to screen. They bring the number of films selected for preservation in the registry to 800, a fraction of the 1.3 million films in the Library’s collections.

Under the terms of the National Film Preservation Act, each year the Librarian of Congress names to the National Film Registry 25 motion pictures that are “culturally, historically or aesthetically” significant. One reason for tThe preservation program is research showing that 70 percent of the nation’s silent feature films have been lost forever and only 14 percent exist in their original 35 mm format.  The films must be at least 10 years old. More information about the National Film Registry can be found at loc.gov/film.

The Librarian makes the annual registry selections after conferring with the distinguished members of the National Film Preservation Board (NFPB) and a cadre of Library specialists. Also considered were more than 5,500 titles nominated by the public. Nominations for next year will be accepted through the fall at here.

2018 Additions to National Film Registry

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  • Walt Disney introduces each of the Seven Dwarfs in a scene from the original 1937 Snow White and the Seven Dwarfs theatrical trailer.

Three films of genre interest — Snow White, The Shining, and Jurassic Park — are among the 25 works added this year: “Library of Congress National Film Registry Turns 30”.

Librarian of Congress Carla Hayden announced today the annual selection of 25 of America’s most influential motion pictures to be inducted into the National Film Registry of the Library of Congress because of their cultural, historic and aesthetic importance to the nation’s film heritage.

…Among this year’s selections are Alfred Hitchcock’s 1940 thriller “Rebecca”; film noir classics “Leave Her to Heaven” (1945) and “The Lady From Shanghai” (1947), which was directed by Orson Welles; Disney’s 1950 animation “Cinderella”; “Days of Wine and Roses,” Blake Edwards’ uncompromising commentary about alcoholism (1962); James L. Brooks’ 1987 treatise on the tumultuous world of television news, “Broadcast News” and Steven Spielberg’s groundbreaking 1993 tale about the rebirth of dinosaurs, “Jurassic Park.”

Two contemporary Western dramas headline this year’s list: the 1961 “One-Eyed Jacks,” Marlon Brando’s only directorial endeavor, and Ang Lee’s critically acclaimed “Brokeback Mountain.” Released in 2005,“Brokeback Mountain” also has the distinction of becoming the newest film on the registry while the 1891 “Newark Athlete” is the oldest.

The Librarian makes the annual registry selections after conferring with the distinguished members of the National Film Preservation Board (NFPB) and a cadre of Library specialists. Also considered were more than 6,300 titles nominated by the public.  Nominations for next year will be accepted through the fall at loc.gov/programs/national-film-preservation-board/film-registry/nominate/.

The citations for the three genre films are quoted below. The complete list is available here.

  • Cinderella (1950)

It would take the enchanted magic of Walt Disney andhis extraordinary team to revitalize a story as old as Cinderella. Yet, in1950, Disney and his animators did just that with this version of the classic tale. Sparkling songs, high-production value and bright voice performances have made this film a classic from its premiere. Though often told and repeated across all types of media, Disney’s lovely take has become the definitive version of this classic story about a girl, a prince and a single glass slipper. Breathtaking animation fills every scene, including what was reportedly Walt Disney’s favorite of all Disney animation sequences: the fairy godmother transforming Cinderella’s “rags” into an exquisite gown and glass slippers.

  • Jurassic Park (1993)

The concept of people somehow existing in the age of dinosaurs (or dinosaurs somehow existing in the age of people) has been explored in film and on television numerous times.  No treatment, however, has ever been done with more skill, flair or popcorn-chomping excitement than this 1993 blockbuster. Set on a remote island where a man’s toying with evolution has run amok, this Steven Spielberg classic ranks as the epitome of the summer blockbuster. “Jurassic Park” was the top public vote-getter this year.

  • The Shining (1980)

Director Stanley Kubrick’s take on Stephen King’s terrifying novel has only grown in esteem through the years. The film is inventive in visual style, symbolism and narrative as only a Kubrick film can be. Long but multi-layered, “The Shining” contains stunning visuals — rivers of blood cascading down deserted hotel hallways, disturbing snowy mazes and a mysterious set of appearing and disappearing twins — with iconic performances by Jack Nicholson and Shelley Duvall. 

2017 Additions To National Film Registry

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Burt Lancaster, Gaby Hoffmann and Kevin Costner in Field of Dreams (1989).

“Is this Heaven?” Well, it is if you love Field of Dreams as much as I do. Or liked Christopher Reeve’s Superman, Disney’s Dumbo, or The Goonies. All are motion pictures on the list of 2017 additions to the National Film Registry announced today.

1. Ace in the Hole (1951)
2. Boulevard Nights (1979)
3. Die Hard (1988)
4. Dumbo (1941)
5. Field of Dreams (1989)
6. 4 Little Girls (1997)
7. Fuentes Family Home Movies Collection (1920s and ’30s)
8. Gentleman’s Agreement (1947)
9. The Goonies (1985)
10. Guess Who’s Coming to Dinner (1967)
11. He Who Gets Slapped (1924)
12. Interior New York Subway, 14th Street to 42nd Street (1905)
13. La Bamba (1987)
14. Lives of Performers (1972)
15. Memento (2000)
16. Only Angels Have Wings (1939)
17. The Sinking of the Lusitania (1918)
18. Spartacus (1960)
19. Superman (1978)
20. Thelonious Monk: Straight, No Chaser (1988)
21. Time and Dreams (1976)
22. Titanic (1997)
23. To Sleep With Anger (1990)
24. Wanda (1971)
25. With the Abraham Lincoln Brigade in Spain (1937-38)

Librarian of Congress Carla Hayden said–

The selection of a film to the National Film Registry recognizes its importance to American cinema and the nation’s cultural and historical heritage. Our love affair with motion pictures is a testament to their enduring power to enlighten, inspire and inform us as individuals and a nation as a whole.  Being tasked with selecting only 25 each year is daunting because there are so many great films deserving of this honor.

Here are the official descriptions of the items of genre interest:

Dumbo (1941)

Disney’s charming, trademark animation finds a perfect subject in this timeless tale of a little elephant with oversize ears who lacks a certain confidence until he learns — with the help of a friendly mouse — that his giant lobes enable him to fly. Disney’s fourth feature film gained immediate classic status thanks to its lovely drawing, original score (which would go on to win the Oscar that year) and enduring message of always believing in yourself.

Field of Dreams (1989)

Iowa farmer Kevin Costner one day hears a voice telling him to turn a small corner of his land into a baseball diamond: “If you build it, they will come.”  “They” are the 1919 Black Sox team led by the legendary Shoeless Joe Jackson. Although ostensibly about the great American pastime, baseball here serves as a metaphor for more profound issues. Leonard Maltin lauded “Field of Dreams” as “a story of redemption and faith, in the tradition of the best Hollywood fantasies with moments of pure magic.”

The Goonies (1985)  

The fingerprints of executive producer Steven Spielberg visibly mark every second of “The Goonies,” with the plot sporting a narrative structure and many themes characteristic of his work. Spielberg penned the original story, hand-selected director Richard Donner and hired Chris Columbus (who had written the 1983 “Gremlins”) to do the offbeat screenplay. With its keen focus on kids of agency and adventure, “The Goonies” protagonists are Tom Sawyeresque outsiders on a magical treasure hunt, and the story lands in the continuum between where “Our Gang” quests leave off and the darker spaces of Netflix’s recent “Stranger Things” pick up.

Superman (1978)

Director Richard Donner’s treatment of the famous superhero was not the first time the character had been on the big screen. Kirk Alyn played the role back in a 1948 serial and George Reeves appeared in both theatrical and TV versions in the 1950s. However, for many, Christopher Reeve remains the definitive Man of Steel. This film, an “origins” story, recounts Superman’s journey to Earth as a boy, his move from Smallville to Metropolis and his emergence as a true American hero. Beautiful in its sweep, score and special effects, which create a sense of awe and wonder, “Superman” — as the tag line reads — makes you “believe a man can fly.”

The Librarian made the annual registry selections after conferring with members of the National Film Preservation Board (NFPB) and a cadre of Library specialists, and considering the 5,200 titles nominated by the public.

The Library also announced that 64 motion pictures, previously named to the National Film Registry, are now freely available online here, among them the cartoon “Popeye the Sailor Meets Sindbad the Sailor”.

[Thanks to Andrew Porter for the story.]

“The Princess Bride” and Silent “20,000 Leagues” Among 2016 National Film Registry Additions

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20000_leagues_under_the_sea_-_movie_scene_-_newspaper_july_1917

From the silent movie 20,000 Leagues Under the Sea (1916)

Librarian of Congress Carla Hayden announced today 25 additions to the National Film Registry, raising to 700 the total number of movies chosen for their cultural, historic or aesthetic importance since the registry was instituted by Congress in 1988.

Among the selections of genre interest are Frank Capra’s 1937 big-budget fantasy Lost Horizon; Alfred Hitchock’s 1963 horror masterpiece The Birds; Rob Reiner’s 1987 parody of classic fairy tales, The Princess Bride; and the 1988 animation and live-action comedy Who Framed Roger Rabbit.

The documentaries and shorts named to the registry include “The Atomic Cafe” (1982), which documents the threat of nuclear war following World War II.

The silent films selected this year include the 1916 20,000 Leagues Under the Sea, touted as the first submarine photoplay.

Here is the complete list.

Films Selected for the 2016 National Film Registry

  1. Atomic Cafe (1982)
  2. Ball of Fire (1941)
  3. Beau Brummels, The (1928)
  4. Birds, The (1963)
  5. Blackboard Jungle (1955)
  6. Breakfast Club, The (1985)
  7. Decline of Western Civilization, The (1981)
  8. East of Eden (1955)
  9. Funny Girl (1968)
  10. Life of an American Fireman (1903)
  11. Lion King, The (1994)
  12. Lost Horizon (1937)
  13. Musketeers of Pig Alley, The (1912)
  14. Paris Is Burning (1990)
  15. Point Blank (1967)
  16. Princess Bride, The (1987)
  17. Putney Swope (1969)
  18. Rushmore (1998)
  19. Solomon Sir Jones films (1924-28)
  20. Steamboat Bill, Jr. (1928)
  21. Suzanne, Suzanne (1982)
  22. Thelma & Louise (1991)
  23. 20,000 Leagues Under the Sea (1916)
  24. Walk in the Sun, A (1945)
  25. Who Framed Roger Rabbit (1988)

The Library of Congress press release carried these descriptions of the films of genre interest:

2016 National Film Registry

  • The Atomic Cafe (1982) Produced and directed by Kevin Rafferty, Jayne Loader and Pierce Rafferty, the influential film compilation “Atomic Cafe” provocatively documents the post-World War II threat of nuclear war as depicted in a wide assortment of archival footage from the period (newsreels, statements from politicians, advertisements, training, civil defense and military films).  This vast, yet entertaining, collage of clips serves as a unique document of the 1940s-1960s era and illustrates how these films—some of which today seem propagandistic or even patently absurd (“The House in the Middle”)—were used to inform the public on how to cope in the nuclear age.
  • The Birds (1963) Alfred Hitchcock’s four sequential masterpieces—“Vertigo,” “North by Northwest,” “Psycho” and “The Birds”—revealed a director who had reached the pinnacle of his craft.  In “The Birds,” Hitchcock transfixed both critics and mass audiences by deftly moving from anxiety-inducing horror to glossy entertainment and suspense, with bold forays into psychological terrain.  Marked by a foreboding sense of an unending terror no one can escape, the film concludes with its famous final scene, which only adds to the emotional impact of “The Birds.”
  • The Lion King (1994) Disney Studios further solidified its position as the producer of modern-day animated masterpieces with this lyrical 1994 offering.  The story of a young lion cub destined to become King of the Jungle, but first exiled by his evil uncle, “The Lion King” was a triumph from the moment of its release and has charmed new generations of viewers.  Like Disney’s beloved “Bambi,” “The Lion King” seamlessly blends innovative animation with excellent voice-actors (Jonathan Taylor Thomas, James Earl Jones, Moira Kelly, Nathan Lane, Matthew Broderick and Whoopi Goldberg) and catchy, now-classic songs by Sir Elton John and Tim Rice.  It is the film’s storytelling that resonates—funny, innovative, suspenseful—for both children and adults.  Since its release, the film has spawned an animated TV series, two made-for-video sequels and a highly imaginative Broadway show.
  • Lost Horizon (1937) Frank Capra’s big-budget romantic fantasy “Lost Horizon” (based on the James Hilton novel) offered an emotional respite to an American public seeking escape from the Depression and yearning for their own personal utopias.  Through the book and film, the term Shangri-La became a household word.  In the story, dashing diplomat Ronald Colman and a group of plane passengers are kidnapped and taken for mysterious reasons to a remote valley in the Himalayas where they find a seemingly blissful paradise, refuge from a world on the precipice of war. Along with memorable adventure, “Lost Horizon” stands out for its stunning cinematography and fantastic, extravagant sets, a hallmark of the Golden Age of Hollywood.
  • The Princess Bride (1987) The 1980s produced many feel-good movies and “The Princess Bride” is one of the decade’s most beloved. Adapting his popular 1973 novel for the screen, William Goldman collaborated with director Rob Reiner to craft a lighthearted parody of classic fairy tales that retains the writer’s wit and memorable characters and adds bravura performances and a barrage of oft-quoted dialogue. It is a joyride filled with assorted storybook figures like the beautiful title character (Robin Wright), her dashing true love (Cary Elwes), makers of magic spells (Billy Crystal and Carol Kane) and a rhyming colossus (Andre the Giant). As the devious Vizzini, Wallace Shawn incredulously exclaims “Inconceivable!” at every turn. Swashbuckling Mandy Patinkin dreams of avenging family honor and someday declaring, “Hello. My name is Inigo Montoya. You killed my father. Prepare to die!”  The film continues to delight audiences, drawing new generations of fans.
  • 20,000 Leagues Under the Sea (1916) Directed by Stuart Paton, the film was touted as “the first submarine photoplay.” Universal spent freely on location, shooting in the Bahamas and building life-size props, including the submarine, and taking two years to film. J. E. Williamson’s “photosphere,” an underwater chamber connected to an iron tube on the surface of the water, enabled Paton to film underwater scenes up to depths of 150 feet. The film is based on Jules Verne’s “20,000 Leagues Under the Sea” and to a lesser extent, “The Mysterious Island.” The real star of the film is its special effects. Although they may seem primitive by today’s standards, 100 years ago they dazzled contemporary audiences. It was the first time the public had an opportunity to see reefs, various types of marine life and men mingling with sharks. It was also World War I, and submarine warfare was very much in the public consciousness, so the life-size submarine gave the film an added dimension of reality. The film was immensely popular with audiences and critics.
  • Who Framed Roger Rabbit (1988) Described by Roger Ebert as “not only great entertainment but a breakthrough in craftsmanship,” “Who Framed Roger Rabbit” introduced a new sense of realism into the interactions between cartoons and live-action characters on screen.  In this film noir comedy, set in a 1940s Hollywood where cartoon characters are real, private investigator Eddie Valiant (Bob Hoskins) is hired to prove the innocence of the accused murderer and uncontrollably crazy ‘toon’ Roger Rabbit (voiced by Charles Fleischer), with memorable appearances by Roger’s voluptuous wife, Jessica Rabbit (voiced by Kathleen Turner), and the chillingly evil Judge Doom (Christopher Lloyd). The film evokes a love for the golden age of animation, represented through the construction of Roger Rabbit himself, who embodies Disney’s high-quality animation, Warner Bros.’ character design and Tex Avery’s sense of humor. The spirit of the film is artfully summarized in this one line: “I’m not bad, I’m just drawn that way.”  Executive producer Steven Spielberg worked tirelessly to negotiate the use of over 140 beloved cartoon characters in the film, making this the first time Warner Bros. and Disney characters shared the screen and the last time Mel Blanc voiced Bugs Bunny and Daffy Duck before his death in 1989.