Tag Archives: Worlds of IF

Pixel Scroll 3/11/25 The Demolished Hobbit

Posted on by
27

(1) TERRY BROOKS ANNOUNCES SEMI-RETIREMENT. Shannara series author Terry Brooks is stepping back. Delilah S. Dawson will be producing future installments. “Easy Come, Easy Go” at Terry Brooks Online.

Let’s start with a few life facts that I have come to accept and just recently decided to address. I am now eighty-one years old. I have been writing in the Shannara series since 1968 – which is more than fifty years. I have written steadily with no breaks save for vacations and illnesses. I have a total count of just under fifty books to my name as of today. In all that time, I have been writing at least one book or often two at the same time.

I am still writing regularly, but I noticed recently that my physical and mental abilities have diminished. Not that I am derailed in any measurable way from what I was, but my endurance, concentration, attention span and memory are not what they once were. All this is a function of what aging involves and living requires of us at one point or another. I knew this was coming, but I did not expect it when it arrived and have spent my eightieth year coming to terms with its presence. Whatever happens, I do not want to be one of those writers who is remembered for going on a bit too long than his or her faculties could tolerate and thereby produce books that are less than my best work.

Accordingly, I have decided to step back from my intense writing lifestyle and settle down into a form or semi-retirement. This was a hard choice to make. I hate to admit that I don’t have the abilities I once had.  But better to face up to your diminishments than pretend they don’t exist. Better to make some adjustments to account for the onset of those diminishments before the readers you rely on to support your efforts begin to point them out.

Beginning immediately, with the publishing of my new book GALAPHILE, I am stepping back in my author role and engaging help from another writer in steering the series in the proper direction with the necessary amount of care. I will no longer be doing the primary writing. My new co-author will take on that task. Instead, I will offer what help I can with providing storyline ideas, revisionary plot suggestions and a thorough overview that will help my co-author to continue to give you the kind of book you would expect of me. I know her well and have been friends with her for years. Both my editor and I have agreed that she is the right choice to take on the task of continuing SHANNARA. That she can provide the skills and inventiveness that is needed to accomplish this is something of which I am sure. She is every bit as professionally capable and committed as I am. What help and support I can give her, I will. That she will give you what you want and expect is something I am certain she will do.

Her name is Delilah Dawson, and she is a skilled professional writer and a delightful person.  If you haven’t read any of her work to date, I encourage you to do so now….

Delilah S Dawson and Terry Brooks

(2) WORLDS OF IF #178. Justin T. O’Conor Sloane, Editor-in-Chief of the Starship Sloane Publishing Company, has announced that the second issue of Worlds of IF, the relaunched classic science fiction magazine, is available to order: Buy Worlds of IF: Science Fiction #178. Click here to see the Table of Contents.

The cover art is by Rodney Matthews (front) and Marianne Plumridge (back).

(3) SCIENCE WRITERS CONFERENCE CANCELLED. [Item by John A Arkansawyer.] Carnegie Mellon and Pitt were trading hosting duties. Now they’re not, thanks in part to budget cuts: “Pitt, CMU pull out of hosting conference for science writers” from the Pittsburgh Post-Gazette.

Citing federal funding cuts, the University of Pittsburgh and Carnegie Mellon University have pulled out of a prior commitment to host a science conference that would have brought around 1,000 visitors to the city.

The ScienceWriters conference, put on by the National Association of Science Writers and the Council for the Advancement of Science Writing, has been an annual mainstay for science journalists and communicators for years. Pitt and CMU had agreed on Nov. 6 to host and fund the conference and act as the hosting city, which rotates each year, per a Wednesday statement from the association.

“On Feb. 13, 2025, representatives of both universities informed CASW that they were withdrawing their commitment, including the financial support, for the conference,” per the statement. “Despite our efforts, subsequent discussions have not led to a resolution.”

Both Pitt and CMU said the decision to step away from the conference was directly related to federal cuts to research funding, saying those cuts cinched resources that would have otherwise made the hosting doable….

(4) SEVERAL TOP NASA STAFF CHOPPED. “NASA Eliminates Chief Scientist and Other Jobs at Its Headquarters” reports the New York Times.

NASA is eliminating its chief scientist and other roles as part of efforts by the Trump administration to pare back staff at the agency’s Washington headquarters.

The cuts affect about 20 employees at NASA, including Katherine Calvin, the chief scientist and a climate science expert. The last day of work for Dr. Calvin and the other staff members will be April 10.

That could be a harbinger of deeper cuts to NASA’s science missions and a greater emphasis on human spaceflight, especially to Mars. During President Trump’s address to Congress last week, he said, “We are going to lead humanity into space and plant the American flag on the planet Mars and even far beyond.”

Mr. Trump did not give a timeline for astronauts to reach the red planet, and during an interview on Fox News on Sunday, he said it was not a top priority. “Is it No. 1 on my hit list?” he said. “No. It’s not really.”

He added, “It’d be a great achievement.”

The administration sent notice to Congress on Monday that NASA was abolishing the Office of the Chief Scientist and the Office of Technology, Policy and Strategy….

(5) FANS REACT TO NEW YASSIFIED SHREK. [Item by Mike Kennedy.] Hey, sometimes an ogre of a certain age just needs a bit of, shall we say, touch-up, to feel and look their best. “Did Shrek Get a Nose Job?” asks New York Magazine.

Shrek might live in Far Far Away, but he looks like he just came back from somewhere even Farther Away: Turkey. In a newly released trailer for the highly anticipated Shrek 5, Shrek, Fiona, and their daughter (voiced by Zendaya), and Donkey all gather to scroll through ogre-thirst-trap memes with mister Mirror Mirror on the Wall. There’s no time to discuss how on the nose this is, because Shrek and Fiona have visibly undergone radical, off-putting facial reconstruction. I don’t care that these ogres are a mere amalgamation of zeros and ones inside some DreamWorks animator’s computer. This is serious.

Donkey somehow looks the same level of goofy as before, but Shrek’s and Fiona’s new faces are … jarring. Their noses are shaped differently, their philtrums are less pronounced and longer, their lips and smiles curve in odd ways, and both of them have seemingly larger eyes. It’s like they both got processed through Alix Earle’s favorite TikTok smoothing filter, or as one user on X wrote: “rhinoplasty, lip filler, cheek implants, jaw shave, chin reduction, face lift, blepharoplasty, buccal fat removal, botox, eye lift, cheek filler.”…

(6) DOCUMENTARY TRACKS THE LAST OF STAN LEE. [Item by N.] The framing here seems similar to Abraham Riesman’s nonfiction book True Believer: The Rise and Fall of Stan Lee (nominated for Related Work in 2022). Will this bring the situation to a wider audience? “Stan Lee Doc Alleges Exploitation in Final Years of His Life” at IndieWire.

A new documentary on Marvel Comics co-creator Stan Lee claims that Lee was mistreated and exploited by some of those in his inner circle during the last few years of his life.

Jon Bolerjack, a comic book artist and a former assistant to Lee during the last four years of Lee’s life, filmed the documentary and on Tuesday launched a Kickstarter campaign looking for funding to complete the film, titled “Stan Lee: The Final Chapter.” In a trailer for the movie, Bolerjack says Lee spent “his final years enduring mistreatment, manipulation, and betrayal at the hands of a few very bad actors.”

At this writing, the Kickstarter has raised $29,079 of its $300,000 goal.

Bolerjack says the film includes interviews with other witnesses close to Lee and with comic book creators like Rob Liefeld and Roy Thomas. It also concludes with a string of interviews with other comic book artists who have seen an early cut of the footage discussing what they say are some of the shocking details.

“Seeing Stan in that situation, being taken advantage of, was really hard to watch,” artist Tyler Kirkham says in the trailer.

“I had no idea how badly he had been exploited, and that’s a message people need to hear,” comic book writer Mark Waid added.

Lee, who passed away in 2018 at age 95, was the subject of an investigation from THR shortly before his death in which it was claimed that he was the victim of elder abuse and had other individuals improperly influencing his family members and worked to gain control of his assets and money. Lee’s estate in 2023 lost an elder abuse lawsuit on a technicality against a former attorney, but Bolerjack’s documentary claims to explore other aspects of Lee’s exploitation.

The trailer for the documentary does not name any individuals specifically, but it has several sequences involving Max Anderson, Lee’s former road manager for many of his convention appearances. Anderson was named in THR’s 2018 investigation, though he has denied wrongdoing…

(7) WHEN THE WICKED WITCH LANDED ON SESAME STREET. The Wikipedia explains why you probably haven’t seen “Episode 847”.

Episode 847 (commonly known as the “Wicked Witch episode“) is the 52nd episode from the seventh season of the American educational children’s television series Sesame Street. It was directed by Robert Myhrum and written by Joseph A. Bailey, Judy Freudberg and Emily Kingsley, it originally aired on PBS on February 10, 1976. The episode involves the Wicked Witch of the West, from the film The Wizard of Oz (1939), losing her broomstick over Sesame Street and causing havoc as she attempts to recover it. Margaret Hamilton, who portrayed the witch in the film, reprises her role in the episode. Produced as the 52nd episode of the series’ seventh season, the episode was created to teach children how to overcome their fears.

Shortly after its premiere, the creators of the series and Children’s Television Workshop received numerous letters from angry parents, who said that the Wicked Witch had frightened their children. Due to this, the episode was pulled from rebroadcast and was not seen by the public again until 2019, when clips of the episode were shown during a “Lost and Found” event celebrating Sesame Street’s 50th anniversary and the full episode was archived in the Library of Congress. It was then only available for private viewing until June 2022, when it was leaked online by an unknown individual.

Scribbles To Screen is one of the YouTubers who have analyzed the episode: “Wicked Witch Sesame Street Episode Found”.

(8) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

March 11, 1952 – Douglas Adams. (Died 2001.)

By Paul Weimer: Douglas Adams is an author who competes with the equally late Terry Pratchett as the greatest humorist in science fiction and fantasy history. 

I think of The Hitchhikers Guide to the Galaxy as a sort of ever being re-written palimpsest. You have surely heard the stories that Adams was writing some of the original radio scripts right before the actual BBC broadcast. While this shows his ability to produce on the cutting edge of a deadline, it does mean that the polish wasn’t there. But the genius, secret of Adams was that he could write, and rewrite his work, changing it, tweaking it, altering it, reflecting it. 

The core story is always there. An ordinary human (or at least he starts ordinary), Arthur Dent, winds up on an adventure in time and space when his house, and then his planet are scheduled for demolition. The details change from iteration to iteration, from radio plays, to novels, to the TV series, to the video game (one of the hardest Infocom games!  That damned Babel fish!) to the movie. But the main throughline is the same. A humorous irrepressible set of characters, situations and ideas that he continually and enthusiastically refined and refined.  Just like Greek Mythology is not a monolith, neither is The Hitchhiker’s Guide to the Galaxy.

A person who hated and despised me in High School had exactly one thing in common with me–we were perhaps the only two people in the entire school who knew what a Vogon was. I had seen the TV show first, then read the novel, then played the game, and then only some years later when they came available on the internet, actually got to listen to the versions of the radio plays and learned the real story. I remember being upset at the changes, but have mellowed and come to see the genius of his endless reinvention and updating of the material. 

And then there was Dirk Gently’s Holistic Detective Agency, which is such a weird and unusual bird of an idea, and it was born, as it were, from the unfinished Doctor Who episode “Shada” that he wrote.  (Yes, he wrote two of my favorite DW episodes, “The Pirate Planet” and “City of Death”. “Shada” would have been his second).  Ghosts, time travel, changing history, and wry British humor.  And of course, in Adams fashion, there are TV and audio adaptations of Dirk Gently, where, again, the work is changed, refined, and the palimpsest nature of his writing and humor and creations comes to light again. 

Thinking of his work, in any of its iterations, always brings to me a smile. He died in 2001. Requiescat in pace. I raise a Pangalactic gargle blaster to you, good sir.

Douglas Adams

(9) COMICS SECTION.

(10) DAVID EHRLICH TAKEDOWN. “’The Electric State’ Review: Another Lifeless Netflix Mockbuster” accuses IndieWire’s critic David Ehrlich.

Whatever your expectations for a (supposedly) $320 million Russo brothers Netflix movie starring Chris Pratt as a Chris Pratt type, Millie Bobby Brown as a wannabe Edward Furlong, and Woody Harrelson as the voice of an animatronic Mr. Peanut, I would recommend that you lower them.

A derivative, self-impressed, and seriously confused adventure set in the aftermath of a global war between humans and the talking robots that were “invented” by Walt Disney to amuse tourists at his theme parks (suck it, William Grey Walter!), “The Electric State” is essentially a feature-length adaptation of the argument its directors have been making in the press since “Avengers: Endgame,” the scale and success of which seemed to convince them it was the ultimate film in every sense of the word, and thus inspired them to proselytize about how cinema as we know it is about to be replaced by AI holograms of Tom Cruise or whatever. …

… Truth be told, there isn’t a single laugh — or even a knowing smile — to be found in this relentlessly stale ordeal, which does for sci-fi adventure comedies what “The Gray Man” did for action thrillers: absolutely nothing….

(11) GRRM CAMEO. Did you catch these George R. R. Martin and Robert Redford cameos in the Season 3 premiere of Dark Winds? “High Stakes Chess feat. George R. R. Martin and Robert Redford!” New episodes premiere Sundays at 9:00 p.m. on AMC and AMC+.

Dark Winds is an American psychological thriller television series created by Graham Roland. Based on the Leaphorn & Chee novel series by Tony Hillerman… Executive producers include Roland, McClarnon, George R. R. Martin and Robert Redford.

(12) ON THE ROAD. And Michael Cassutt, in a “Not-A-Blog Guest Post” tells what he’s doing for GRRM.

This is not your occasional message from George or the minions of Fevre River, but a new addition to the team – I’m Michael Cassutt, writer of fiction, non-fiction, lots of television (TWILIGHT ZONE, MAX HEADROOM, EERIE INDIANA, more recently THE DEAD ZONE and Z-NATION).  Since October I’ve been working with George as his “creative director,” helping to shape and advance non-HBO TV, film and game projects and even some publishing. (No, I’m not “helping” George with his writing.)

Last spring and early summer I directed a short film titled THE SUMMER MACHINE, based on a lost TWILIGHT ZONE TV concept by George, from my script. We shot for eight days in Alamagordo and Las Cruces, New Mexico, with a cast led by Lina Esco, Charles Martin Smith and Matt Frewer, and just recently finalized the cut.

This is the fifth film that George has produced, following four adaptations of stories by his great friend Howard Waldrop: NIGHT OF THE COOTERS, HEIRS OF THE PERISPHERE, MARY MARGARET ROAD-GRADER and THE UGLY CHICKENS. Four are complete.

So what do you do with a short film? Theatrical exhibition is always a goal, but difficult for even feature-length projects these days.

Streaming? Yes, but you have a short film, under 40 minutes in length. Where does it fit on Netflix, Amazon, Apple+ etc.? Almost nowhere.

But you want your film seen, so . . . .

You hit the festival circuit….

(13) STEVE VERTLIEB Q&A. Interfleet Broadcasting brings viewers “75 Years Of Cherished Reflections And Memories From A Nearly 80 Year Old ‘Monster Kid’”. Steve’s segment begins 48 minutes into the video. Originally aired on Leap Day last year.

Join us for an interview with actor writer and Film Journalist Steve Vertlieb. He has spent most of his life around film makers!. John 1 hosts with the Tipsy Toaster since NY Pete is exploring and trying to find his way. Tiny Bean is also on Deck that is if those pesky internet people fix the lines after an Arcta class storm.” I was both honored and humbled on February 29th, 2024 to do a ninety-minute interview with the folks at Interfleet Broadcasting that I hope you’ll find interesting. We discuss Science Fiction/Fantasy/Horror Films and Literature, as well as Ray Harryhausen, Ray Bradbury, “King Kong,” Boris Karloff, Robert Bloch, Peter Cushing, Buster Crabbe, Frank Sinatra, the early years of television, and the history of Music for the Movies, with such composers as Bernard Herrmann, Miklos Rozsa, and John Williams. I’d like to thank the hosts of the program for their most gracious kindness toward me. You’ll find the interview some forty-eight minutes into the broadcast.

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, N., Steve Vertlieb, John A Arkansawyer, Justin T. O’Conor Sloane, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, Steven French, Kathy Sullivan, and Teddy Harvia for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel “Good, Bester, Best!” Dern.]

Professor Jameson Rides the Intergalactic Range Once Again!

Posted on by
1

By Justin T. O’Conor Sloane, Editor Worlds of IF Science Fiction: [An excerpt from his editorial in the forthcoming issue.]

The second issue of Worlds of IF Science Fiction magazine will be here soon and I am beyond excited to be publishing in this issue one of the “lost” and never-before-published Professor Jameson stories by Neil R. Jones, titled “Battle Moon!”

Nobody knew what had happened to the lost stories and it was believed, incorrectly, that there were a total of six stories that had yet to be published. But there is ONE more that no one knew about, a PREVIOUSLY UNKNOWN story titled, “The Metal Menace!” The addition of “The Metal Menace” to the Professor Jameson series will require that histories of the series be appended to include this story. All of this thanks to Mike Dooley, whose enthusiasm for the Professor Jameson stories ultimately led to the discovery of the manuscript of “The Metal Menace” and the other six stories, bringing them at long last, to the publishing world and the reading public, after untold years spent in the dusty oblivion of archival boxes!

Mike spent years diligently tracking down these stories and attempting to get them published, but because of the various legal ambiguities surrounding the rights, no one was willing to publish them. But his steadfast perseverance in working to see these stories published was finally coming to fruition as I saw nothing problematic with any of it and knew this to be the perfect magazine in which to introduce the stories to the world: a relaunched classic, ideal for showcasing these previously unpublished and newly rediscovered science fiction stories from a legendary series. How wonderful! It was meant to be.

Neil R. Jones

 The process to acquire the rights moved very quickly and smoothly I am happy to say. (Waiting patiently for this issue to hit the presses will have been the hard part for everyone.) Entirely through Mike’s efforts and the relationships that he has built with members of the Jones family over the years and librarians at Syracuse University like Amy McDonald who are the custodians of the stories, Starship Sloane Publishing was granted the rights to publish these stories by Javene Decker of the Neil R. Jones literary estate (thank you!) and Neil R. Jones Papers, Special Collections Research Center, Syracuse University Libraries (thank you!).

I think this is a big deal, even if there are only several dozen serious fans of the series out there right now—which, by the way, is good enough for me! Though I reckon there are far more than that and I hope that many new fans will be made with the appearance of these stories from the classic era of science fiction.

The Professor Jameson series influenced some of the greatest science fiction writers of all time, like Isaac Asimov and Frederik Pohl and in turn, that influence has been transmitted into popular culture in some very memorable ways (see more about this in Douglas Draa’s excellent essay in this very issue). Professor Jameson is the longest-running science fiction series in history—and now running even longer!—and is the oldest series involving cyborgs. I also have a special place in my heart for these stories as T. O’Conor Sloane published the first twelve installments of the series while the editor of Amazing Stories. They were extremely popular with the readership.

The remaining five stories will be published in upcoming issues of IF. In this issue, we are presenting the first and the second to last of the unpublished stories, with the new and corrected sequence of these stories now understood to be as follows:

#25 “Battle Moon”
#26 “The Lost Nation”
#27 “The Voice Across Space”
#28 “The Satellite Sun”
#29 “Hidden World”
#30 “The Metal Menace”
#31 “The Sun Dwellers”

Neil R. Jones

In doing it this way, we will follow the sequence with the exception of the previously unknown story, which is the true #30, “The Metal Menace,” because my enthusiasm to bring it to science fiction readers could not wait until a future issue, simple as that. Further to all of this, I have been informed by Mike that “The Sun Dwellers,” which is in fact the final story in the series, is NOT a finished manuscript. What?! So, I am pleased to say that Mike will be sharing co-writer credit with Mr. Jones in completing the manuscript—with the blessings of the Jones estate. Is that cool or what? It will be a history-rich writing credit for a good guy and super sleuth who has spent years working to bring these lost stories to science fiction fans everywhere—in the process becoming its own noteworthy story, a story of lost stories. Quite an accomplishment. Cheers, Mike! (Be sure to read Mike’s guest editorial in this issue to get the full scoop.)

To be able to conclude the Professor Jameson series at long last, with its never-before-published stories, almost 100 years after the first story appeared in print, is an exciting development I think and hopefully readers will agree! I am honored to help Mike see all of his hard work finally materialize (and those who helped him along the way). This is part of the continuum I wrote about in the editorial of the debut issue. I had also thought about publishing these stories in Galaxy, but decided against doing such as the rights would need to be revisited, but more importantly, because Worlds of IF is literally the perfect magazine for these stories, both in the tradition of its approach to its content and especially as the illustrious former editor of this very magazine, Frederik Pohl, was a fan of the series. Again, it was just meant to be. The Prof rides the science fiction range once again on wild stories swift and sure to entertain!

Pixel Scroll 2/29/24 Scrollaris

Posted on by
37

(1) STOKER AWARD UPDATE SPARKS KERFUFFLE. [Item by Anne Marble.] The Horror Writers Association has realized that Camp Damascus by Chuck Tingle was in the wrong category in the list of finalists — it is not a YA novel. So they moved it to the Adult category – increasing the finalists there from five to six (i.e, nobody was dropped). And because of this change, they added a YA novel by author Kalynn Bayron to the YA category.

But as a result, some people are yelling at Kalynn Bayron on social media — apparently because they think she “stole” the nomination from Chuck Tingle. And Brian Keene has stepped in and asked people to yell at Mr. Keene instead. Let’s see if the people who were so eager to yell at Kalynn Bayron (a young Black YA author) are just as eager to yell at Brian Keene. (Somehow, I doubt it.)

(2) STOKERCON GOH NEWS. Paula Guran will be unable to attend StokerCon 2024 the convention announced today in a newsletter. A reason was not given; the committee hopes she will be able to join them at a future event.

The remaining GoHs are Justina Ireland, Nisi Shawl, Jonathan Maberry and Paul Tremblay.

(3) ANNUAL YARDSTICK. Publishers Weekly reports “New Lee & Low Diversity Baseline Survey Finds Minor Changes” in the publishing industry.

The third edition of Lee & Low Books’ quadrennial “Diversity Baseline Survey” found that the publishing industry has made incremental gains in broadening its workforce since the survey was introduced in 2015.

The survey’s top-line findings show that white people made up 72.5% of this year’s 8,644 respondents, down from 76% in 2019 and 79% in 2015. Those identifying as biracial/multiracial were the second largest group, at 8.3%—a significant increase over the 3% in 2019 who identified as biracial/multiracial. The percentage of respondents who were Asian/Native Hawaiian/Pacific Islander/South Asian/Southeast Indian rose slightly, to almost 8%, from 7% in 2019. Black respondents held even at about 5% of the publishing workforce, while those identifying as Hispanic/Latino/Mexican fell to 4.6%, from 6% in both 2019 and 2015….

(4) REACH OUT. Dream Foundry calls for donations to “Con or Bust”, which seeks to assist creators or fans of color with opportunities they can’t afford:

Con or Bust has received a slew of applications for extremely exciting opportunities that we are not currently able to fund or support. You can help us change that! Since late October, we’ve had to defer or decline 14 applications requesting over $25,000 in fiscal support. In most cases even a small portion of the request made as a grant would be a huge help to the applicant. Most fiscal grants we’ve made are $500, and that’s also the largest amount we’ve granted out of our unrestricted funds. …

…If you’ve ever been to an industry event that inspired, motivated, or nurtured you, then you know what these opportunities can mean. Help us bring that to more people!

(5) WRITERS AND ARTISTS, GET READY. Dream Foundry is also looking ahead to their annual Writing and Arts Contest which opens to submissions from April 1 through May 27, 2024.

(6) MACHINES IN TRAINING. Rivka Galchen is “Thinking About A.I. with Stanisław Lem” in The New Yorker.

…“Solaris” is mostly serious in tone, which makes it a misleading example of Lem’s work. More often and more distinctively, he is funny and madcap and especially playful on the level of language. A dictionary of his neologisms, published in Poland in 2006, has almost fifteen hundred entries; translated into English, his invented words include “imitology,” “fripple,” “scrooch,” “geekling,” “deceptorite,” and “marshmucker.” (I assume that translating Lem is the literary equivalent of differential algebra, or category theory.) A representative story, from 1965, is “The First Sally (A) or, Trurl’s Electronic Bard.” Appearing in a collection titled “The Cyberiad,” the story features Trurl, an engineer of sorts who constructs a machine that can write poetry. Does the Electronic Bard read as an uncanny premonition of ChatGPT? Sure. It can write in the style of any poet, but the resulting poems are “two hundred and twenty to three hundred and forty-seven times better.” (The machine can also write worse, if asked.)

It’s not Trurl’s first machine. In other stories, he builds one that can generate anything beginning with the letter “N” (including nothingness) and one that offers supremely good advice to a ruler; the ruler is not nice, though, so it’s good that Trurl put in a subcode that the machine will not destroy its maker. The Electronic Bard is not easy for Trurl to make. In thinking about how to program it, Trurl reads “twelve thousand tons of the finest poetry” but deems the research insufficient. As he sees it, the program found in the head of even an average poet “was written by the poet’s civilization, and that civilization was in turn programmed by the civilization that preceded it, and so on to the very Dawn of Time.” The complexity of the average poet-machine is daunting….

(7) THE ROOM WHERE IT HAPPENS. It was the club’s first in-person meeting outside of a Loscon since the pandemic. See photos at “We’re Back Baby! LASFS 1st Meeting in Years” on the Los Angeles Science Fantasy Website.

(8) OCTOTHORPE. Episode 104 of the Octothorpe podcast is “Groundbreaking and Great”. And humble!

Octothorpe 104 is here! We know you’ve eagerly been awaiting our takes on the Hugo Awards, so here they all are, as we discuss our favourite SF of 2023!

Hang on, what do you mean? Something else happened with the Hugo Awards and you thought we were talking about that? Well, er…maybe next time!

John is in the bottom-left, sitting in a chair, wearing a blue shirt and purple trousers, holding a can, and reading an ebook. Alison is in the upper-middle, lying down upside down, wearing a purple shirt and stripy trousers, and reading an ebook. Liz is in the bottom-right, wearing a pink shirt with green trousers, holding a mug of a hot beverage, and reading a physical book. They are surrounded by floating beer bottles, books, the Moon, a mug with a moose on it, and two cats. The word “Octothorpe” appears in scattered letters around the artwork, against a pinky-purple background.

(9) FREE READ. Worlds of If #177 is available as a free download for a limited time at the Worlds of If Magazine website. And the print version and t-shirts are also available for order there.

(10) JAIME LEE MOYER HAS DIED. Author and poet Jaime Lee Moyer was found dead today after friends requested a wellness check. C.C. Finlay announced on Facebook:

Dear friends of Jaime Lee Moyer, we have some very sad news. No one had heard from Jaime in more than ten days, which was concerning because her latest book was scheduled for release this week.

This morning we contacted her rental company and the East Lansing Police Department and asked them to perform a wellness check. They found Jaime deceased in her bedroom, apparently from natural causes. They’ve contacted her family to make formal arrangements. We only just received the news, and we don’t know any other information at this time.

Jaime has friends in the writing community all over the world. We thought this would be the best way to reach you. If you are a friend of hers, a client, or are waiting to hear an answer from her on anything else, we wanted you to know as soon as possible.

With love and grief,

Charlie and Rae

(11) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born February 29, 1952 — Tim Powers, 72. Now Tim Powers is a writer that I really admire. He’s decently prolific as he has twenty novels published. Now remember this essay is about what I like, so I may or may not mention what something that you, so please do t be too miffed by that. 

Where to start?  That’s easy as it has to be The Anubis Gates. Victorian London and Egypt. Ancient Egypt. Time travel. Anubis. Oh ymmm. It’s on my list of To Be Listened To list as I’ve already read it several times and the sample at Audible indicates Bronson Pinchot does a great job of narrating this. 

Tim Powers

Just as good in a very different manner is On Stranger Tides takes place during the so-called Golden Age of Piracy which was nothing of the kind, when an individual on his way from Britain to Haiti has a series of increasingly wild adventures. I know the novel was purchased to be part on the Pirates of Caribbean franchise. I’ve not seen the film, so I don’t know how much, if anything of his novel made it into the film, but I’m betting nothing except the name did.

Declare, a secret history of the Cold War, is extraordinary. I mean it really. When I was still actually reading novels as opposed to listening to them, as I’m doing now, I didn’t spend six to eight hours a day on one but I remember I did on Declare just to see where the story went. Stellar.

The Vickery and Castine series is just fun, and I mean that as a compliment. Set in contemporary LA, rogue federal agents Sebastian Vickery and Ingrid Castine can see ghosts and other things that are the secret reality of that city. It’s an ongoing series with four novels so far. Highly recommended. 

Then there’s Three Days to Never which I’m not convinced actually makes sense but is really fun to read with its wild mix of supernatural history of what actually happened, time travel and foreign agents. 

Ok, those are my picks as the Powers novels that I really like. So what’s your choices? 

(12) COMICS SECTION.

(13) TWO COMPANIONS CUT A RUG. Radio Times makes sure we don’t miss out when “Karen Gillan and Jenna Coleman share cute Doctor Who reunion”.

Amy Pond and Clara Oswald may have never met on-screen, but the former Doctor Who companions certainly look like they get along behind the camera.

Karen Gillan (Amy) and Jenna Coleman (Clara) were spotted together at an event in London last night, with former Doctor Who showrunner Steven Moffat also in attendance.

Gillan took to the opportunity to share a video of the trio on the dance floor on TikTok alongside the caption: “We might have had a few red wines… but look WHO it is!”…

@karengillan

We might have had a few red wines…but look WHO it is! #doctorwho

? original sound – Karen Gillan

(14) AGBABI Q&A. HAL interviews 2021 Clarke Award nominee Patience Agbabi, author of The Past Master, at Carbon-Based Bipeds.

HAL: Hello Patience, and congratulations to you on finishing your tetralogy. I’m curious, did you always know this would be a four-book cycle or did the project grow more organically?

PATIENCE: …In reality, a series made sense for lots of other reasons since I had too many ideas to fit into a single book: I wanted to explore the past as well as the future; to take different angles on ecological issues, becoming more covert as the series progressed; and also, I wanted to develop my hero, Elle, from a 3-leap girl to a 4-leap young woman. Elle is black, of Nigerian origin and autistic. It was a positive challenge to show the reader how she overcomes numerous obstacles to reach maturity. I originally submitted the manuscript as young YA but Canongate wanted to market it as middle-grade since my hero was 12 and children like to read up. But since my hero gets one year older with each instalment, I knew I’d be segueing into YA territory anyway, which demands a greater level of introspection.

(15) STRINGS ATTACHED. SOMETIMES. “Muppets, marionettes and magic: My life with puppets” – hear an interview with Basil Twist, who created puppets for the My Neighbour Totoro production by the Royal Shakespeare Company  at BBC Sounds.

Basil Twist’s fascination for puppets started as a child watching productions his mum put on as an amateur puppeteer. Basil built his own puppet characters of Star Wars as a kid and loved it, but became a ‘closeted puppeteer’ in his teens. It wasn’t cool anymore, and playing with dolls was seen as feminine. Basil pursued an education at college, but became unhappy and dropped out. Later moving to New York, Basil could finally embrace his puppetry passions. He scoured phone books and bashed phones to track down people involved in puppetry. His diligence took him around the world, winning awards and captivating crowds along the way. During the pandemic Basil found his biggest challenge to date – bringing the much-loved animated Japanese character Totoro to life for a live action stage show…. 

(16) OUTSIDE THE BOX. The Onion reports “Litter-Robot Recalls Thousands Of Self-Cleaning Litter Boxes That Accidentally Transported Cats To Year 1300”. (Could they be using the same version of the software as my comments section, which unaccountably tells people they’re in random years?)

(17) TODAY’S THING TO WORRY ABOUT. Jessica Grose wonders “Could Swifties or Trekkies Decide the Election?” in a New York Times opinion piece. (Well, maybe I exaggerate. I don’t think it really worries her.)

…Social media is where many young voters live — about a third of adults under 30 regularly get news from TikTok, according to Pew Research. And turning out young voters who are otherwise not particularly politically engaged will be key to winning elections up and down the ballot in November. The left-leaning Working Families Party isn’t exactly a threat to take the White House in 2024, but it is on to a new way of reaching Gen Z voters at a time when the old ways are increasingly useless.

As Marcela Valdes explained this week for The New York Times Magazine, young voters tend to have low turnout rates. “No one is more ambivalent about participating in elections than young people,” she wrote. (It’s worth noting, though, that turnout among Americans ages 18 to 29 was historically high in 2018, 2020 and 2022, according to C.I.R.C.L.E., the Center for Information and Research on Civic Learning and Engagement at Tufts University.)…

(18) TOMORROW’S THING TO WORRY ABOUT! Kathryn Schulz doubts we’re prepared for “What a Major Solar Storm Could Do to Our Planet” as she tells readers of The New Yorker.

…But “space-weather forecaster” is an optimistic misnomer; for the most part, he and his colleagues can’t predict what will happen in outer space. All they can do is try to figure out what’s happening there right now, preferably fast enough to limit the impact on our planet. Even that is difficult, because space weather is both an extremely challenging field—it is essentially applied astrophysics—and a relatively new one. As such, it is full of many lingering scientific questions and one looming practical question: What will happen here on Earth when the next huge space storm hits?

The first such storm to cause us trouble took place in 1859. In late August, the aurora borealis, which is normally visible only in polar latitudes, made a series of unusual appearances: in Havana, Panama, Rome, New York City. Then, in early September, the aurora returned with such brilliance that gold miners in the Rocky Mountains woke up at night and began making breakfast, and disoriented birds greeted the nonexistent morning.

This lovely if perplexing phenomenon had an unwelcome corollary: around the globe, telegraph systems went haywire. Many stopped working entirely, while others sent and received “fantastical and unreadable messages,” as the Philadelphia Evening Bulletin put it. At some telegraph stations, operators found that they could disconnect their batteries and send messages via the ambient current, as if the Earth itself had become an instant-messaging system.

Owing to a lucky coincidence, all these anomalies were soon linked to their likely cause. At around noon on September 1st, the British astronomer Richard Carrington was outside sketching a group of sunspots when he saw a burst of light on the surface of the sun: the first known observation of a solar flare. When accounts of the low-latitude auroras started rolling in, along with reports that magnetometers—devices that measure fluctuations in the Earth’s magnetic field—had surged so high they maxed out their recording capabilities, scientists began to suspect that the strange things happening on Earth were related to the strange thing Carrington had seen on the sun….

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, Daniel Dern, Kathy Sullivan, Lise Andreasen, JeffWarner, Anne Marble, Jean-Paul Garnier, Jeffrey Smith, SF Concatenation’s Jonathan Cowie, Steven French, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day JeffWarner.]

Pixel Scroll 11/7/23 Pixel Scrollightly Seems Like A Good Character Name

Posted on by

(1) PHILADELPHIA SCIENCE FICTION SOCIETY CONTEST GOES INTERNATIONAL. [Item by Lew Wolkoff.] For the past 25 years the Philadelphia Science Fiction Society (PSFS) has run a Young Writers’ Contest for students in grades 5-8 and grades 9-12. Winners receive a cash prize and two free memberships (winner and parent or guardian) to the Philadelphia Science Fiction Conference (Philcon). This year, Philcon will be November 17-19 at the Doubletree by Hilton in Cherry Hill, NJ.

The contest is open to any student in the grades mentioned, but in past years, most submissions have been from the greater Philadelphia area. This year, things were different. The contest was mentioned in some Asian scholastic magazines, and there were submissions from India, Nepal, and Afghanistan. The second place winner in the High School category was, in fact, B.S. Raagul of Tasmil Nadu, India.

Some of the winning stories may be posted on the PSFS or Philcon website after Philcon is over says Lew Wolkoff, Contest Committee Chair.

(2) NORWESCON LOVES TERRY BROOKS. Seattle Met’s profile  “Terry Brooks Has Found a Family in Seattle’s Fantasy Scene” includes a quote from Norwescon chair SunnyJim Morgan.

… It’s safe to say that Brooks—who now splits his time between Seattle and Cannon Beach, Oregon—made the right choice. If you’re a fantasy fan, you might know that Brooks has written 23 New York Times bestsellers and sold over 25 million novels worldwide. Sister of Starlit Seas, the third book in his Viridian Deep fantasy series hits shelves on November 14.

It didn’t take long for the Emerald City to embrace Brooks when he first moved here in 1986. Nearly 38 years later, Brooks is still repaying the support that galvanized his career, regularly communicating with the huge fantasy and sci-fi community in Seattle and trying to inspire the next generation of writers in the genre. Later this month he’ll take part in a speaking tour across the Pacific Northwest, visiting Spokane, Seattle, and Tukwila, before heading out of state.

“He is a fan favorite,” says SunnyJim Morgan, the chair for Norwescon, Seattle’s annual science fiction and fantasy convention that has run continuously since 1978 and attracts up to 2,300 fantasy and sci-fi fans every year. “He’s one of those A-list, top-tier genre authors that we would love to have come every year. But they often can’t make it because they’re so overwhelmed with requests.”…

(3) 2025 WESTERCON NEEDS YOU TO FILL IN THE BLANK. In a post at Westercon.org, Kevin Standlee announces that the Westercon 77 (2025) Site Selection Ballot has been released. However, because there are no filed bids for 2025 he goes into some detail about how the fate of the convention will be decided.

The ballot to select the site of the 77th West Coast Science Fantasy Conference (Westercon 75) to be held in 2025 is now available online at http://www.westercon.org/wp-content/uploads/2023/11/Westercon-75-Site-Selection-Ballot-for-Westercon-77.pdf. No bids filed to host Westercon 77 by the filing deadline for the ballot, nor have any write-in bids files as of the date of this posting. The final deadline to file a bid as a valid write-in is the close of voting at Westercon 75 (Loscon 49) on Friday, November 24, 2024 at 6:00 pm Pacific Standard Time. The results of voting will be announced at the Westercon 75 Business Meeting on the morning of Saturday, November 25, 2024. Should no valid bid win the election, the Westercon Business Meeting will determine the site of Westercon 77 per the provisions of the Westercon Bylaws.

There is a site for the 2024 convention — Westercon 76. It will be held in Salt Lake City, UT from July 4-7.

(4) SAG-AFTRA STRIKE PROGRESS. Note: the main articles at the links mainly discuss Monday’s negotiations, with some updates from Tuesday’s session.

“Actors Strike: SAG-AFTRA & Studios End Talks For Night; Guild Responds To Offer” reports Deadline.

…As has been the case for months, AI remains one of the major issues that divides the two sides. The studios are looking to seal the deal with what one source called “an expanded version of what the WGA agreed to,” while the guild wants project-specific protections on scans of performers and re-use of their likenesses. Well-positioned sources on both sides admit that part of the problem is coming up with effective guardrails for a technology that is evolving in leaps and bounds….

The Hollywood Reporter adds, “As SAG-AFTRA Responds to Studio Offer, AI Protections for High-Earning Members Remain Sticking Point”.

… Multiple sources familiar with the state of the negotiations tell The Hollywood Reporter that SAG-AFTRA has pushed back on an AI clause that is included in the studios’ latest offer. The Alliance of Motion Picture and Television Producers is seeking to secure AI scans for Schedule F performers — guild members who earn more than the minimum for series regulars ($32,000 per TV episode) and feature films ($60,000). The companies’ suggested clause would require studios and streamers to pay to scan the likeness of Schedule F performers. SAG-AFTRA is seeking to attach compensation for the reuse of AI scans, as AMPTP member companies would also need to secure consent from the performer. The language in the AMPTP’s offer would see the studios and streamers secure the right to use scans of deceased performers without the consent of their estate or SAG-AFTRA, according to a union-side source….

(5) UNLISTED NUMBERS FROM NOW ON. “The ‘Wall Street Journal’ Drops Its Bestseller Lists” – Publishers Weekly tells why.

The Wall Street Journal has stopped running its weekly bestseller lists. The final lists were carried in the past weekend’s editions. The paper ran a total of six fiction and nonfiction lists, as well as a hardcover business list. All were powered by Circana BookScan.

The fiction and nonfiction categories were both divided into hardcover, e-book, and combined lists. In something of a unique feature, the lists combined adult and children’s titles on one list. Thus, last week’s top-selling hardcover fiction book was Jeff Kinney’s No Brainer, while The Woman in Me by Britney Spears was number one in all three nonfiction categories, including the e-book/print combined list.

Paul Gigot, editorial page editor at the WSJ, said that the company’s contract with Circana expired, “and we are not renewing it.” He added that all other aspects of the paper’s book coverage will “continue as usual.”

(6) TOTALING THE UNACCOUNTABLE. The New York Times’ Ian Wang reviews Naomi Alderman’s new novel, The Future: “In ‘The Future,’ Earth Barrels Toward Fiery Destruction”.

There are few figures in the Bible more cruelly evocative than Lot’s wife, who is transfigured into a pillar of salt for looking back at Sodom. The poet Anna Akhmatova mourned “her swift legs rooted to the ground”; Kurt Vonnegut wrote of her backward glance, “I love her for that, because it was so human.” Naomi Alderman’s “The Future,” like much great science fiction, turns the symbolic into tangible, chemical reality. Early in her novel, a woman is frozen to death with a chemical refrigerant made of paramagnetic salts: a Lot’s wife for the Information Age.

Alderman’s Sodom is our own polarized, plutocratic world. Some names have been changed — instead of Bezos or Musk, we have Lenk Sketlish, Zimri Nommik and Ellen Bywater as our unsavory tech tyrants — but the pressure points are the same: A.I., algorithms, deadly pandemics and the existential threat of climate change, all bound up with the rise of an increasingly unaccountable billionaire class. Whether by divine will or not, “The Future” finds the earth barreling toward fiery destruction….

(7) THE MEASURE OF AMERICANS AND THEIR BOOKS. Book Riot attempts to answer a question with the help of two studies: “What Are The Book-Owning and Book-Reading Habits of Americans? Two New Reports Shed Insight”.

The poll from YouGov includes this information:

  • 20% of Americans own between one and ten books;
  • 14% own between 11 and 25 books; and
  • 13% between 26 and 50.

There are more interesting numbers related to book ownership, too. Only 9% state that they own no physical books, while 69% own fewer than 100. Some 6% have no idea how many books they own. For those of you thinking that you’re now among the percentage of Americans who own a lot of books, you might be right: 4% of Americans claim to own between 500 and 1,000 books, while 3% claim to own more than 1,000 books. These numbers represent physical books, which remain the most common type of book for Americans to own. About 50% of Americans own an ebook, while 9% claim to own at least 100 ebooks…

The article also covers results of a survey by the National Endowment for the Arts.

(8) IF AND ONLY IF. When Worlds of IF is revived the staff will include Robert Silverberg as contributing editor. And bonus content is already being posted to the website.

Worlds of IF is pleased to welcome science fiction legend Robert Silverberg as contributing editor. A multiple winner of both Hugo and Nebula Awards, a member of the Science Fiction and Fantasy Hall of Fame, and a Grand Master of SF, his input and stories will be a welcome addition to the revival of the magazine.

In addition to finalizing the editorial staff and acquisitions for the inaugural issue, Worlds of IF is rolling out bonus content on the website with new features added frequently including “An Interview with Gideon Marcus of Galactic Journey”, multiple time Hugo Finalist, and audio adaptations of classic stories from the pages of IF, most recently “Double Take” by Wilson Parks Griffith from 1955 and “Communication” by Charles Fontenay from 1956.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 7, 1910 — Pearl Argyle. Catherine CabalI in the 1936 Things to Come as written by H.G. Wells based off his “The Shape of Things to Come” story. Being a dancer, she also appeared in 1926 The Fairy Queen opera by Henry Purcell, with dances by Marie Rambert and Frederick Ashton. Her roles were Dance of the Followers of Night, an attendant on Summer, and Chaconne. At age thirty-six, she died of a sudden massive cerebral hemorrhage while visiting her husband in New York. (Died 1947.)
  • Born November 7, 1914 — R. A. Lafferty. Writer known for somewhat eccentric usage of language.  His first novel Past Master would set a lifelong pattern of seeing his works nominated for Hugo and Nebula Awards as novels but not winning either though he won a Hugo short story for “Eurema’s Dam”. He had received a World Fantasy Lifetime Achievement Award, and was honored with the Cordwainer Smith Foundation’s Rediscovery award. (Died 2002.)
  • Born November 7, 1950 — Lindsay Duncan, 73. Adelaide Brooke in the Tenth Doctor‘s “The Waters of Mars” story and the recurring role Lady Smallwood on Sherlock in “His Last Vow,” “The Six Thatchers,” and “The Lying Detective”. She’s also been in Black Mirror, A Discovery of Witches, Frankenstein, The Storyteller: Greek Myths, Mission: 2110 and one of my favorite series, The New Avengers.
  • Born November 7, 1954 — Guy Gavriel Kay, 69. So the story goes that when Christopher Tolkien needed an assistant to edit his father J. R. R. Tolkien’s unpublished work, he chose Kay who was then a student of philosophy at the University of Manitoba. And Kay moved to Oxford in 1974 to assist Tolkien in editing The Silmarillion. Cool, eh? Kay’s own Finovar trilogy is the retelling of the legends of King Arthur, Lancelot and Guinevere which is why much of his fiction is considered historical fantasy. Tigana likewise somewhat resembles Renaissance Italy . My favorite work by him is Ysabel which strangely enough is called an urban fantasy when it isn’t. It won a World Fantasy Award. 
  • Born November 7, 1960 — Linda Nagata, 63. Her novella “Goddesses” was the first online publication to win the Nebula Award. She writes largely in the Nanopunk genre which is not be confused with the Biopunk genre. To date, she has three series out, to wit The Nanotech Succession, Stories of the Puzzle Lands (as Trey Shiels) and The Red. She has won a Locus Award for Best First Novel for The Bohr Maker which the first novel in The Nanotech Succession. Her 2013 story “Nahiku West” was runner-up for the Theodore Sturgeon Memorial Award, and The Red: First Light was nominated for both the Nebula Award and the John W. Campbell Memorial Award for Best Science Fiction Novel. Her site is here.
  • Born November 7, 1974 — Carl Steven. He appeared in Star Trek III: The Search for Spock as a young Spock, thereby becoming the first actor other than Leonard Nimoy to play the role in a live action setting. Genre one-offs included Weird Science, Teen Wolf and Superman.  He provided the voice of a young Fred Jones for four seasons worth of A Pup Named Scooby-Doo which can be construed as genre. Let’s just say his life didn’t end well and leave it at that. (Died 2011.)

(10) COMICS SECTION.

  • The Far Side demonstrates that aliens need anger management too.

(11) LOST RELIC OF THE LIGHTER-THAN-AIR AGE. Any number of times I drove past this structure just to soak up the history. Gone now. “Fire destroys second world war-era blimp hangar in California” – the Guardian has the story.  

A giant second world war-era wooden hangar that was built to house military blimps based in southern California was destroyed on Tuesday in a raging fire that authorities expect could continue burning for days.

Firefighters responded to the blaze just before 1am, the Orange county fire authority said, and found the hangar “fully engulfed” with flames tearing through the roof. The ferocity of the fire brought more than 70 firefighters to the scene and prompted authorities to make the unusual decision of deploying helicopters typically used to fight wildfires in an effort to slow the blaze.

Crews were unable to stop it from within the hangar due to the “dynamic nature” of the fire and the collapse risk, fire chief Brian Fennessy said at a news conference on Tuesday morning. Officials determined the only way to fight the fire was to allow the landmark to collapse.

“It’s a sad day for the city of Tustin and all of Orange county,” Fennessy said.

Fennessy said no injuries were reported. The blaze could continue burning for hours, or even days, he said.

The historic hangar was one of two built in 1942 for the US navy in the city of Tustin, about 35 miles south-east of Los Angeles. At the time, the navy used lighter-than-air ships for patrol and antisubmarine defense.

According to the city, the hangars are 17 stories high, more than 1,000ft long and 300ft wide, putting them among the largest wooden structures ever built. The burning structure was known as the north hangar….

(12) A BRIEF HISTORY OF MUSIC FOR THE MOVIES (2011), AND FILM COMPOSERS ROUNDTABLE DISCUSSION. Steve Vertlieb invites you to read “Vertlieb’s Views: Tribute to Film Music” at The Thunder Child.

“A Brief History Of Music For The Movies! (2011)”

Much of the most profoundly beautiful music of the twentieth century was composed for films. From the earliest days of sound with scores by Max Steiner for both RKO Radio and Warner Bros, Erich Wolfgang Korngold at Warners, Alfred Newman at Fox, and Victor Young at Paramount, this distinctively Western art form would evolve and mature into some of the most significant, and influential symphonic scoring of the last century.

As the late thirties and early nineteen forties arrived, composers such as Max Steiner, Erich Wolfgang Korngold, Miklos Rozsa, Bernard Herrmann, Alfred Newman, and Victor Young would dominate the soundtrack of the American motion picture screen, while Arthur Bliss and others would favor British films with their own original music.

Hugo Friedhofer’s sublime score for William Wyler’s “The Best Years of Our Lives” pervasively influenced the sounds of post war America, while Dimitri Tiomkin, Franz Waxman, Elmer Bernstein, Leonard Bernstein, Alex North, John Green, Henry Mancini, Ernest Gold, William Alwyn, Phillip Sainton, Jerry Goldsmith, John Barry, James Horner, Ennio Morricone, David Amram, Lee Holdridge, James Bernard and, of course, John Williams would both transform and reinvent the soundtrack of our lives.

Steve also recommends viewing this three hour “live” lecture commissioned by writer/director Robert Tinnell for his film class at The Factory Digital Filmmaking Program on May 4th, 2011, presenting a significantly compressed overview of the history of motion picture music.

It was never intended as definitive but, rather, an understandably simplified evening’s exploration for a then youthful audience of the significance and enduring importance of a century of original film scoring.

A FILM COMPOSERS ROUNDTABLE

This remarkable roundtable of composers and orchestrators assembled ten years ago for a sequence in the unfinished feature length motion picture documentary “The Man Who ‘Saved’ The Movies.”

Below: Pictured from left to right are acclaimed motion picture orchestrator Patrick Russ, Erwin Vertlieb, Emmy winning film and television composer/conductor Lee Holdridge, writer/film score musicologist Steve Vertlieb, and one of the most brilliant composers working in film today, the marvelous Mark McKenzie.

(13) PICKLE FLAVOR TRENDING. Reviewer Angela L. Pagán uses her tastebuds to put the product to the test: “Here’s What the New Heinz Pickle Ketchup Tastes Like” in The Takeout.

…As both an advocate for all applications of ketchup and an ardent pickle lover, I have a lot riding on this new condiment. I’ve chosen to try the ketchup innovation on the perfect blank canvas: a fresh batch of French fries, hot out of the fryer. Two of my favorite items have finally come together as one, but are they truly a match?

Well, as with any real relationship, the pairing isn’t perfect.

One dip of the fries into the new ketchup and the answer is immediately clear. The ketchup tastes like classic Heinz ketchup, full of sweet tang, blended with a dill scent and such a light dill note at the end that you might miss it if you don’t get enough ketchup on your fry.

This isn’t to say that Heinz is pulling a fast one on consumers by not delivering on what the product says it contains (as some brands have lately). Heinz Pickle Ketchup is clearly labeled as containing “pickle seasoning,” which is exactly what it tastes like—a sprinkle of dill flavor mixed into a whole lot of ketchup.

Unfortunately, since this is meant to do justice to pickle fans, the ketchup falls just a bit short of that goal. For a brand that touts its pickle prowess profusely (say that five times fast) in the announcement of this new release, it seems to have fallen victim to the same mistake many other brands make when it comes to pickle products. There’s not enough pickle flavor in this Pickle Ketchup for my taste….

(14) VIDEO OF THE DAY. Ryan George sells himself on the idea in “Five Nights at Freddy’s Pitch Meeting”.

 [Thanks to Andrew Porter, Ersatz Culture, John King Tarpinian, Chris Barkley, Lise Andreasen, Lew Wolkoff, Steve Vertlieb, Jean-Paul L. Garnier, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Jack Lint.]