(1) I’M JUST A POE BOY. [Item by Martin Morse Wooster.] In the Washington Post, Andrea Sachs writes about the Edgar Allan Poe Museum in Richmond, which opened in April 1922. The museum has as official greeters two black cats, Edgar and Pluto. The museum will celebrate its centennial on April 28 with an UnHappy Hour, where guests will cosplay characters from the 1920s, with music by “local surfrock band The Embalmers.” And if your kids are bored, they can leap into a coffin! “Why you should visit the Edgar Allan Poe Museum in Richmond”.
… From “The Raven,” Edgar Allan Poe’s acclaimed poem, we know that birds can speak. If the Enchanted Garden at the Poe Museum in Richmond, which celebrates its centennial this year, had a voice, it might have a choice word to say as well.
“Evermore,” the bricks from the Southern Literary Messenger building, the writer’s former office, would utter. “Evermore,” the ivy clipped from his mother’s grave would whisper. “Evermore,” the copy of the bust of Poe would intone, before asking after the original plaster statue of his head. (Rest easy, Mr. Poe. After police recovered the stolen object from the bar at the Raven Inn in 1987, it has been living safely and soberly inside the museum’s reading room.)To be sure, 100 years is not forever, but for a museum dedicated to a 19th-century American author who wades in the dark recesses of the human psyche, it comes close….
There’s a website: The Poe Museum – Illuminating Poe for everyone, evermore.
It only took THIRTY-FOUR YEARS, but SFWA is FINALLY changing its name to The Science Fiction and Fantasy Writers Association (instead of Science Fiction and Fantasy Writers of America). Text of a letter I sent to the SFWA FORUM on February 25, 1988:
At the SFWA meeting during the Brighton WorldCon [in August 1987), Charles Sheffield proposed changing the name of our organization from the Science Fiction Writers of America to the Science Fiction Writers Association. Why? He said the current name was insulting to overseas members. I agree, but, as I pointed out at that meeting, you don’t have to be separated from the United States by an ocean to feel excluded by the present name.
Now Joel Rosenberg has written to the FORUM (Number 104, page 33), again talking about American vs. overseas members. Let’s put this to rest. Canadians do not live overseas from the States, and they certainly do not consider themselves Americans, any more than the other non-U.S.-residents of North and South America do.
There are 21 Canadians in SFWA, making us by far the largest non-American nationality. I can’t speak for my compatriots, but I dislike SFWA’s current name and I object to having my country fall between the cracks of this debate….
(3) UNMET TWAIN. [Item by Cora Buhlert.] Here’s a very good article on Ukraine and Russia and why both countries are different by Ukrainian novelist Andrey Kurkov: “Ukranians Will Never Be Russians” in The Sunday Times.
… Ukrainians are individualists, egoists, anarchists who do not like government or authority. They think they know how to organise their lives, regardless of which party or force is in power in the country. If they do not like the actions of the authorities, they go out to protest. Therefore, any government in Ukraine is afraid of the street; afraid of its people.
Russians loyal to their authority are afraid to protest and are willing to obey any rules the Kremlin creates. Now they are cut off from information, from Facebook and Twitter. But even before they believed the official TV channels more than the news from the internet.
In Ukraine, about 400 political parties are registered with the Ministry of Justice. This only once again proves the individualism of Ukrainians. Not a single nationalist party is represented in the Ukrainian parliament. Ukrainians do not like to vote for either the extreme left or the extreme right. Basically, they are liberals at heart.
In the 1920s and 1930s peasants were sent to Siberia and the Far East as a punishment for not wanting to join collective farms. Ukrainians are not collective, everyone wants to be the owner of his own land, his own cow, his own crop. Looking at this history, they can safely say: “We and the Russians are two different peoples!”…
(4) MOORCOCK. “Dangerous Visions: Final Programmes and New Fixes: A conversation with Michael Moorcock” is a conversation between Michael Moorcock and Mike Stax from the symposium presented by City Lights in conjunction with PM Press on February 26 and 27, exploring the radical currents of sf. It happened during the celebration of the US launch of the book Dangerous Visions and New Worlds: Radical Science Fiction, 1950 to 1985 edited by Andrew Nette and Iain McIntyre.
(5) LISTEN UP. Cora Buhlert’s new Fancast Spotlight is for the sword and sorcery podcast Rogues in the House, one of her personal favorites: “Fancast Spotlight: Rogues in the House”.
Tell us about your podcast or channel.
Rogues in the House, as the title may suggest, is a sword-and-sorcery focused podcast. We explore everything from Conan the Cimmerian to Elric of Melnibone, and we aren’t afraid to dive into adjacent genres and topics. Masters of the Universe, Willow, and the Witcher tend to simmer in our soup as well.
We call ourselves half-baked experts and usually place fun in front of fidelity, though we do do our homework.
(6) HIGH SCORE. Delia Derbyshire discusses how she and her colleagues developed the Doctor Who theme in this 1965 clip from BBC’s Tomorrow’s World.
Tomorrow’s World visits the BBC Radiophonic Workshop, a studio dedicated to the production of cutting edge electronic sound effects, soundscapes and electronic music for use in BBC television and radio programmes. Pioneering sound engineer Delia Derbyshire – who, along with colleague Dick Mills, realised Ron Grainer’s famous Doctor Who Theme at the Radiophonic Workshop – shows how electronic sounds are produced, and demonstrates some of the processes and techniques used in the workshop to build these sounds into otherworldly scores for the likes of Quatermass and the Pit
(7) END OF AN ERA. The Tellers of Weird Tales blog pays tribute to the late Marvin Kaye, who edited the magazine from 2012 to 2019: “Marvin Kaye (1938-2021)”.
…Marvin Kaye was certainly multitalented. He had an admirable career, the kind that few men or women born in later decades have been able to attain. We should be thankful to him–and his wife–for bringing so much back from the past and placing it before us so that we might all enjoy it once again.…
(8) WILLIAM HURT (1950-2022) Actor William Hurt, whose first film was Altered States, and who gained fame in non-genre roles such as his Oscar-winning performance in Kiss of the Spider Woman, died March 13. Variety’s tribute includes Hurt’s late-career genre work.
…More recently, Hurt became well known to a younger generation of movie lovers with his portrayal of the no-nonsense General Thaddeus Ross in 2008’s “The Incredible Hulk.” He later reprised the role in “Captain America: Civil War” and “Avengers: Infinity War,” “Avengers: Endgame” and “Black Widow.”
…After appearing on stage, Hurt secured a lead role in “Altered States,” playing a troubled scientist in Ken Russell’s offbeat film, a notable entry in the body horror genre.
… A rare attempt at popcorn entertainment with 1998’s big-screen adaptation of “Lost in Space” was a modest hit, but didn’t earn enough money to spawn a franchise and Hurt looked miserable throughout the movie.
He also appeared in the TV mini-series version of “Dune,” in Steven Spielberg’s “A.I. Artificial Intelligence” and in M. Night Shyamalan’s “The Village.”…
(9) MEMORY LANE.
1987 — [Item by Cat Eldridge] The history of Roger Zelazny’s Hugos is quite fascinating, both ones he actually won and the ones that he got nominated for but didn’t win.
His first was a nomination at Pacificon II at “A Rose for Ecclesiastes” which was followed by a nomination at Tricon for “The Doors of His Face, the Lamps of His Mouth” and a win for …And Call Me Conrad (also known as This Immortal) in a tie with Dune.
At NyCon 3 the next year, two of his novelettes woulde to get nominated, “For a Breath I Tarry” and “This Moment of the Storm” as did his “Comes Now the Power” short story.
Baycon would see him win the Hugo for Best Novel for Lord of Light and get a nomination for the “Damnation Alley” novella. The novel version of Damnation Alley would come after Baycon.
Jack of Shadows would get nominated at the first L.A. Con. Doorways in the Sand got that honor in MidAmeriCon where his “Home is The Hangman” novella won a Hugo.
At Chicon IV, “Unicorn Variation” wins the Best Novelette and at ConFederation, “24 Views of Mt. Fuji, by Hokusai” would win Best Novella. The next year at Conspiracy ’87, “Permafrost” would get a Hugo for Best Novelette, his final Hugo.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
- Born March 13, 1928 — Douglas Rain. Though most of his work was as a stage actor, he was the voice of the HAL 9000 for 2001: A Space Odyssey and its sequel. He’s in Sleeper a few years later as the voices of the Evil Computer and Various Robot Butlers. (Died 2018.)
- Born March 13, 1933 — Diane Dillon, 89. With husband Leo Dillon (1933 – 2012), illustrators of children’s books, and paperback book and magazine covers. Over fifty years they created more than a hundred genre book and magazine covers together as well as considerable interior art. They were nominated for Best Professional Artist at St.Louis Con and Heicon ’70 before winning it at the first Noreascon, and The Art of Leo & Diane Dillon was nominated at Chicon IV for Best Related Non-Fiction Book. She and her husband would get a much deserved World Fantasy Award for Lifetime Achievement.
- Born March 13, 1951 — William F. Wu, 71. Nominated for two Hugos, the first being at L.A. Con II for his short story, “Wong’s Lost and Found Emporium”; the second two years later at ConFederation for another short story, “Hong’s Bluff”. The former work was adapted into a Twilight Zone episode of the same name. He’s contributed more than once to the Wild Card universe, the latest being a story in the most excellent Texas Hold’Em anthology five years back. Though definitely not genre in general, The Yellow Peril: Chinese Americans in American Fiction, 1850-1940 is decidedly worth reading.
- Born March 13, 1956 — Dana Delany, 66. I’ve come today to praise her work as a voice actress. She was in a number of DCU animated films, first as Andrea Beaumont in Batman: The Mask of The Phantasm, then as Lois Lane in Superman: The Animated Series, Superman: Brainiac Attacks and Justice League: The Flashpoint Paradox. (That’s not a complete listing.) Remember that Wing Commander film? Well there was an animated series, Wing Commander Academy, in which she was Gwen Archer Bowman. And though definitely not genre or even genre related, I must single out her role in Tombstone as it is a most excellent film indeed.
- Born March 13, 1966 — Alastair Reynolds, 56, As depressing as they are given what they lead up to, the Prefect Dreyfus novels are my favorites of his novels. That said, Chasm City is absolutely fascinating. His present novel in the Revelation Space series, Inhibitor Phase, was damn great.
- Born March 13, 1968 — Jen Gunnels, 54. Writer and genre theater critic, the latter a rare thing indeed. She does her reviews for Journal of the Fantastic in the Arts, Foundation: The Review of Science Fiction and New York Review of Science Fiction. With Erin Underwood, she has edited Geek Theater: Anthology of Science Fiction and Fantasy Plays. She’s also an editor at Tor these days where her writers are L. E. Modesitt, Jr., Richard Baker, Kit Reed, Emily Devenport, and F. Paul Wilson.
(11) IT’S A WONDERFUL GENRE. Brian Murphy explains what the fantasy genre would look like, if Tolkien had never written The Hobbit and The Lord of the Rings: “Fantasy Without Tolkien? Yes That Happened, and Yes It Matters” at DMR Books.
… But I also believe what he said implies that fantasy would not have mattered without Tolkien. If so, this deserves rebuttal. So here goes.
The modern fantasy genre does NOT all come from Tolkien, and it would have arrived even without him. In fact, it already had. And pre-Tolkien fantasy matters.
To set the stage, early fantasists Lord Dunsany, William Morris, George MacDonald, and H. Rider Haggard were writing long before Tolkien. Tolkien himself read and loved many of these authors and his work bears their influence. As it should; much of their work is great.
Sword-and-sorcery existed long before The Lord of the Rings (1954) and even The Hobbit (1939). Starting in the late 20s and early 30s, Robert E. Howard, Clark Ashton Smith, C.L. Moore, and Fritz Leiber produced an amazing body of work that attracted fanbases in pulp magazines Weird Tales and Unknown….
(12) ABOUT OUR PARTNERS. In the Washington Post, Homer Hickam says we will have to work with the Russians at the International Space Station for now, but we should “proceed on our own to carefully resolutely work to decommission” the station. “Our space partnership with Russia can’t go on”.
…In nearly every arena, the Biden administration has imposed harsh sanctions on Russia. The space station should not be immune. It’s time to end our well-intentioned partnership with Russia — even if, as seems almost certain, it would mean the early closing and decommissioning of the space station.
The realpolitik of the International Space Station is that it is not only a symbol of cooperation between us and the Russians, but it also provides a certain amount of diplomatic leverage. The fact is, Russia needs the ISS a lot more than we do.
When the space station began continuous occupancy in 2000, we wanted to learn how to build large structures in space and get experience with lengthy spaceflight. These goals have been accomplished, and now the station is approaching obsolescence, its recently planned life extension to 2030 notwithstanding. With our flourishing commercial space companies, who are already cutting metal on their own future space stations, plus our federal government’s Artemis moon program, the United States is entering a new golden age of space exploration. The Russians, meanwhile, are stuck in the past with antiquated spacecraft and nowhere to go except the ISS.
If we are truly determined to stop Putin’s brutal war, we have to use every lever we’ve got. Unhappily, that includes the space station….
However, a comment from “BilTheGalacticHero” challenges some of Hickam’s facts:
This is a shockingly ignorant and contradictory opinion piece by Homer Hickam. The US commercial spaceflight industry is almost wholly dependent on the ISS for business. No companies are “cutting metal” on commercial space stations. Studies are just now starting. Axiom is creating a module for the ISS but obviously that’s different. On one hand Hickam says we should ditch the station and on the other he says we should keep the station and ditch the Russians. Which is it? Ditching the station is the worst option by far. With proper planning the other ISS partners could operate the station without the Russian segment but that’s not something that can happen overnight. In addition, the Cygness rebost hasn’t happened yet and Cygness alone cannot maintain long term ISS attitude control.
(13) HELLO MY BABY. Saturday Night Live explains why The Princess and the Frog was so bad it ended up on Disney Minus.
(14) VIDEO OF THE DAY. Amber Ruffin says “Marvel’s New Comic Princess Is Racist As Hell”.
Native women have been hyper-sexualized throughout American history, and the consequences have been devastating. Recently, Marvel Comics introduced a new character named Princess Matoaka. Instead of taking the opportunity to show a brave strong Native women, they really let us all down.
[Thanks to Martin Morse Wooster, John King Tarpinian, Andrew Porter, Cora Buhlert, John A Arkansawyer, Michael Toman, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day David Shallcross.]