Pixel Scroll 3/19/25 Weres Click Scrolls, And “D’oh!” Say Trolls, And Little Fans Stalk Pixels. A Tribble’d Eat Melange, Too — Wouldn’t Groot?

(1) CLIMATE FICTION PRIZE SHORTLIST. The inaugural Climate Fiction Prize shortlist was posted today. Read short descriptions of the books and author information here: “Explore the shortlist – The Climate Fiction Prize”. The winner will be revealed May 14.

The Climate Fiction Prize shortlist has been announced, with the judges selecting five titles representing the depth and range of climate fiction on offer to readers. The titles, selected from the all-female longlist announced in November, encompass a range of genres, with each tackling the climate crisis differently. More information about each title can be found here.

The shortlisted books:

  • The Ministry of Time by Kaliane Bradley (Sceptre, Hodder)
  • And So I Roar by Abi Daré (Sceptre, Hodder)
  • Briefly Very Beautiful by Roz Dineen (Bloomsbury Circus)
  • Orbital by Samantha Harvey (Jonathan Cape, PRH)
  • The Morningside by Téa Obreht (W&N, Orion)

The Guardian has more information: “Samantha Harvey and Téa Obreht shortlisted for inaugural Climate fiction prize”.

(2) FILER HEADING TO WIKIMANIA. Congratulations to Michael J. “Orange Mike” Lowrey who has been awarded a full scholarship to attend the Wikimania 2025 conference in Nairobi, Kenya this August.

Wikimania is the annual conference celebrating all the free knowledge projects hosted by the Wikimedia Foundation – Wikimedia Commons, MediaWiki, Meta-Wiki, Wikibooks, Wikidata, Wikinews, Wikipedia, Wikiquote, Wikisource, Wikispecies, Wikiversity, Wikivoyage, Wiktionary and Wikifunctions.

(3) INTERNATIONAL COSTUMERS’ GUILD PRESS LAUNCHED. Philip Gust has written a post “Introducing the International Costumers’ Guild Press”.

After several months of work, I’m pleased to announce that the International Costumers’ Guild Press is up and running, with the first two titles just published at the end of January 2025. Visit the International Costumers’ Guild Press page for more details. These two titles are based on existing ICG assets, which enabled me to focus on the publishing process.

The first title is the 2021 Edition of the ICG Masquerade Guidelines. The Guidelines were created by the ICG to assist costume Masquerade Directors in writing and implementing rules to ensure fair compe­tition in the Masquerades they run, and provide a resource for ensuring that all aspects of a successful Masquerade are covered. The Guidelines were created by the ICG Guidelines Committee in 1992. There have been four revisions, in 1994, 2006, 2010, and 2021.

This book is available in paperback, hardcover, and ebook versions. Visit the ICG Masquerade Guidelines page for information about this title, and to locate book sellers who offer the book. The ICG Press also sells the paperback and hardcover versions directly through our publication partner, IngramSpark.

The second title is Myrtle R Douglas: Mother of Convention Costuming. In 2016, the International Costumers’ Guild recog­nized Myrtle R Douglas as “The Mother of Convention Costuming” for creating the first costumes ever worn at a sci-fi/fantasy convention, in 1939. This full-color commemorative book, based on the video I made for my presentation at MidAmeriCon II, the 74th Worldcon, pays homage to the fan who forever influenced what we wear at sci-fi/fantasy conventions.

This book is available in paperback and hardcover versions. Because of the graphic layout and color illustrations, it is not easily adaptable as an ebook. Visit the Myrtle R Douglas: Mother of Convention Costuming page for more information and to locate vendors who sell the book. The ICG Press also sells the paperback and hardcover versions directly through our publication partner, IngramSpark.

The ICG Press will release its third title, a new edition of The Masquerade Handbook, on March 15, 2025. This work was originally compiled and privately distributed by Janet Wilson Anderson in 1991, and has been out of print since then. In 2022, ICG Vice President Leslie L. Johnston, working with ICG members Jill Eastlake and Judy Mitchell, began a project to bring this long-out-of-print title back to life and put it in the hands of today’s costumers. They turned over their work to the ICG Press in late fall of 2024….

And this week the Press announced “ICG Press Titles Now Available in Digital Formats”.

(4) EUROPEAN FAN FUND TAKING NOMINATIONS. European fans have until March 22 to make nominations for the European Fan Fund 2025. The complete guidelines are at the link. [Via Ansible.]

EFF is the European Fan Fund which transports European SF fans to Eurocons.

The purpose of the EFF is to create and strengthen bonds between European fans and fandoms. Currently in almost every country there is a fandom that quite often has little or even no connection to the broader European fandom. Most fans do concentrate on the “here and now” and are not looking for friends in other countries.

Nominations in the race to send a fan to Archipelacon (Eurocon 2025 in Mariehamn, Åland islands, 26-29 June 2025) are open to any European fan living outside Finland, Bulgaria and Poland who was active in fandom prior to January 2023. For more details on the rules, visit the FAQ section.

(5) CHESLEY SEASON. The Association of Science Fiction and Fantasy Artists (ASFA) is taking 2025 Chesley Award suggestions until March 31. The announcement says they accept suggestions from “anyone”. The necessary form to use is at the link.

Chesley Suggestions for 2025 are now open. Please suggest works that were shown or created in 2024. For the publications suggestions the date is based on the publication date.

You have until the end of March to suggest!

 Anyone can suggest a piece. Your own art! Sure! A cover you liked? Yep! A fantastic piece you saw online or at a convention? Totally! Up to five suggestions per category.

(6) TRAILBLAZING GNOME PRESS. Steve Carper reminds Black Gate readers that “In the History of Vintage Science Fiction & Fantasy, Nothing Compares to Gnome Press”.

…Fantasy had long been a staple of what we would now call mainstream publishing but before the 1940s American science fiction was relegated to gaudy pulp magazines, critically reviled as among the lowest forms of fiction. The superweapons that emerged from World War II, especially the atomic bomb, suddenly made the field look prescient, a look into the onrushing future.

With mainstream publishers still reluctant to mine magazine back issues, fans of the genre saw a publishing niche. More than a dozen small presses sprang into mayfly-like existence before 1950.

Gnome was founded in 1948 by two members of New York fandom, Martin Greenberg and David A. Kyle….

… What’s 150,000 words and 1100 images to the internet? I already owned the URL GnomePress.com. The 113 pages there now comprise the first complete bibliography of Gnome Press (by author, title, and publication date), a separate page for each title with color scans of every variant board and cover I own along with contemporary reviews and previously unknown photos of the more obscure authors, information about a range of associational items, and histories both of Gnome and the f&sf field up to the time of its founding.

For all its literally exhausting coverage, the site remains a work in progress….

(7) IT WASN’T JUST AN EXAMPLE OF HOLLYWOOD ACCOUNTING. “Hollywood Filmmaker Charged With $11 Million Conspiracy to Defraud Netflix” – this New York Times link bypasses the paywall.

…The Justice Department on Tuesday charged Carl Erik Rinsch, whom Netflix hired to make a science-fiction series that was never completed, with an $11 million scheme to defraud the company.

According to the indictment, which was announced by prosecutors for the Southern District of New York and the Federal Bureau of Investigation’s New York Field Office, Mr. Rinsch secured funding from the streaming company from 2018 to early 2020. But he put the money in a personal brokerage account and ultimately used it to trade securities, instead of putting it toward the series, the indictment says.

Federal prosecutors charged Mr. Rinsch, who was arrested on Tuesday in West Hollywood, Calif., with engaging in wire fraud, money laundering and monetary transactions derived from unlawful activity.

The indictment does not cite Netflix by name. But the company has been involved in public disputes over the filmmaker’s planned series, which was initially called “White Horse” but was renamed “Conquest.” Last year, an arbitrator ruled that Mr. Rinsch owed the company nearly $12 million in damages and legal fees….

(8) ON THE ROADRUNNER AGAIN. Deadline reports “’Coyote vs. Acme’ Sale In Works After Warner Bros Shelved Toon Movie”.

Warner Bros‘ shelved movie Coyote vs. Acme finally might have found a new home with the studio deep in sale negotiations, we can reveal.

Gareth West’s distributor-financier Ketchup Entertainment is negotiating an all-rights acquisition in the $50 million range for the animated/live-action hybrid project. Ketchup last year rescued the same studio’s The Day the Earth Blew Up: A Looney Tunes Movie.

… Directed by David Green and written by May December scribe Samy Burch, as well as DC Studios co-boss James Gunn and Jeremy Slater, Coyote vs. Acme is based on the Looney Tunes characters and the New Yorker humor article “Coyote v. Acme” by Ian Frazier.

Will Forte, John Cena and Lana Condor star in the movie, which follows Wile E. Coyote, who, after Acme products fail him one too many times in his dogged pursuit of the Roadrunner, decides to hire a billboard lawyer to sue the Acme Corporation. The case pits Wile E. and his lawyer (Forte) against the latter’s intimidating former boss (Cena), but a growing friendship between man and cartoon stokes their determination to win.

Despite test-screening well, the project became a high-profile casualty of WB cost-cutting two years ago and it has been sitting on the shelf for more than a year. The studio reportedly screened the movie to a string of buyers in early 2024 with a price tag of around $70M, which is how much the film is said to have cost. Studio sources claim to us that they didn’t get any offers at the time….

(9) THESE ARE THE OTHER VOYAGES. “’The Only Thing I Wish About It…’: Star Trek: TNG Stars Reveal Their Reactions to Galaxy Quest” at CBR.com.

…During a panel at the Indiana Comic Convention, Collider’s Steve Weintraub asked some Star Trek: The Next Generation alums what they thought of 1999’s Galaxy Quest.

It’s perfect. It perfectly captures the essence (of Star Trek) with love and humor and intelligence…it’s so well-crafted,” said Denise Crosby, who played Lieutenant Tasha Yar in the first season of TNG and the Season 3 episode, “Yesterday’s Enterprise.”

Jonathan Frakes, who portrayed Commander Will Riker in TNG and later Captain Riker in Star Trek: Picard, and has gone on to success directing Star Trek films and television, joked during the panel saying, “It’s almost like they read our mail. The only thing I wish about it is that we had made it.”

Crosby, who is also known for her role as Rachel Creed in 1989’s Pet Semataryadded that she had a small part in getting Galaxy Quest made. In 1997, Crosby hosted and was a co-executive producer of a Star Trek documentary film titled Trekkies that focused on die-hard fans of the franchise.

“Supposedly, and I’ve never asked him to verify this, but apparently on the first day of shooting, the story goes that Tim Allen gave the whole cast a copy of Trekkies,” Crosby said. “I had screened Trekkies for the writers of Galaxy Quest; they had never been to a con, and I was shopping Trekkies around at that time. I knew a production girl at the studio, and she said, ‘We’ve got these writers, they’re doing a rewrite on Galaxy Quest. Can they come to a screening?’” she said….

(10) MARGARET CLARK (1955-2025). Noted editor Margaret Clark died March 16. Books she acquired and edited have won seven of the last nine Scribe Awards for Best Original Novel – Speculative, given by the International Association of Media Tie-In Writers. 

David Mack has written a terrific tribute here: “RIP, Margaret Clark (1955-2025)”.

…Margaret was the first editor to ever hire me to write a book, roughly 25 years ago, when she commissioned me to pen The Starfleet Survival Guide. She took a chance on me before I had any print credits, and in so doing helped launch my professional prose-writing career, altering the trajectory of my life for the better.

During the past 25 years, I’ve written 32 novels for Star Trek, and roughly 40 books in total. Margaret was my editor on 24 of my Star Trek novels, and she also hired me to write a novel based on the TV series The 4400….

… I could be wrong, but I think Margaret might be the longest-serving editor of Star Trek novels in the history of the franchise. She oversaw part of the license for over a decade, and she was the sole acquiring editor for the line for most of the past decade….

(11) MEMORY LANE.

[Written by Paul Weimer.]

March 19, 1999Farscape debuted on this day

By Paul Weimer: Farscape is the punkier, overseas cousin to Stargate SG-1 (the fact that two members of Farscape wound up becoming series regulars in late SG-1 is not lost on me). A product of a vivid imagination, the genius of Jim Henson, and vagaries of trying to find one’s way in a science fiction universe that was brand new. Farscape dared to make its own way, with our Earthling Crichton being dropped in the far end of the galaxy and among a bunch of alien races, conflicts and concerns. And of course, given that he did use an impossible technology to get there, and still seeks to get back, this provided early and interesting hooks for Crichton right from the get go.

But, really, the season really gets its feet under it when it got its villains. The first season is fine, and we get to know the characters and their various sides. But it is Season 2, with the full use of Scorpius (although he did show up in Season 1), that the show really takes off. Bialar, the initial antagonist (and later less of one) really didn’t have the spark that the show needed in a recurring villain opposing the found family (because what else are the crew of Moya but that), and their plans and hopes. But Scorpius really provided the spark that the show needed, especially the “harvey” version in Crichton’s head. 

But where the series really shines, above and beyond the characters, the puppetry, the inventiveness and the uniqueness of its space opera verse, is that the series is self-aware. Crichton is genre savvy, he knows where and what is in for, and he is a protagonist and a hero for fans of the series who love and respect and enjoy science fiction. This makes the series a series for viewers who have watched Star Trek, read science fiction novels, and are and were ready to immerse themselves into a SF universe. Nowadays, some of the episodes and seasons feel padded by the strictures and requirements of network and syndication television, probably more than a few episodes could be excised and you would still get the long form character arcs, development, drama, and shared history that you get between the members of Moya’s crew. 

In some ways, while it is definitely more akin to Stargate SG-1, it, like Babylon 5, was an earnest and mostly successful attempt to create a universe that was neither Star Wars nor Star Trek, but something new, risky, and different. Farscape, even though it did delve into some serious themes, always has felt a bit lighter, more playful than B5. That’s no bad thing.

(12) COMICS SECTION.

(13) CORPUS DELECTI. Get those bids in! “Original body model of ET expected to fetch up to $1m at Sotheby’s” reports the Guardian.

It was last seen standing at the entrance to a spaceship with a potted plant of chrysanthemums, its chest glowing bright red as it stared down at the tearful young boy on the ground below.

Now, the original body model of ET, the Extra-Terrestial, is expected to fetch up to $1m (£700,000) when it is sold at Sotheby’s auction house at in April.

The 3ft tall model was one of three used in the 1982 film, directed by Steven Spielberg, which won four Oscars. It comes directly from the collection of the film’s Oscar-winning special effects artist, the late Carlo Rambaldi, who also worked on King Kong and Alien….

E.T. is an item in Sotheby’s “’There Are Such Things:’ 20th Century Horror, Science Fiction, and Fantasy on Screen” auction which opens for bidding beginning on March 21 and continues through April 3.

The Hollywood Reporter story has more highlights.

…In addition to the model, other items from Rambaldi’s collection are included, like never-before-seen sketches for E.T., an animatronic study of one of E.T.’s eyes, two screen-used sand worm models from Dune (est. $15,000-20,000) and a dinosaur egg (est. $6,000-9,000) and baby dinosaur animatronic from the 1993 Japanese film Rex: A Dinosaur’s Story (est. $8,000-12,000). Items from Blade Runner, Total Recall, Dune, Labyrinth, The Wizard of Oz and Spielberg’s Jurassic Park franchise are also included in the collection….

(14) ARRIVAL. Entertainment Weekly encourages all to “Watch Stitch crash-land on Earth in first ‘Lilo & Stitch’ trailer”.

Ohana means family and — well, you know the rest.

But in case you’ve forgotten, Disney is reminding the masses by retelling the story of Lilo & Stitch via a live-action remake of the beloved 2002 film.

The first trailer for the upcoming film reintroduces Stitch, a chaotic blue alien experiment who quickly becomes the galaxy’s most-wanted extraterrestrial when he steals a spaceship and crash-lands on Earth. The kicker? His arrival just so happens to coincide with a desperate wish from a little Hawaiian girl, Lilo (Maia Kealoha).

“I wish for a friend,” Lilo says in the trailer, staring up at a shooting star. “Like, a best friend.”

And when Lilo’s attempt to adopt a dog leads her to befriend Stitch, that wish comes true. Just not in the way she expected…. 

(15) I’M SO GLAD WE HAD THIS TIME TOGETHER. The horror movie Together comes to theaters August 1.

[Thanks to Kathy Sullivan, Teddy Harvia, Mike Kennedy, N., Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, and Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel “Mairzy of Eastown” Dern.]

2023 Chesley Awards

ASFA, The Association of Science Fiction and Fantasy Artists, announced the winners of the 2023 Chesley Awards on March 29.

BEST COVER: HARDCOVER BOOK  

  • Manzi Jackson – Africa Risen edited by Sheree Renee Thomas, Oghenechovwe Donald Ekpeki, & Zelda Knight (Tor; November 2022)

BEST COVER: PAPERBACK OR EBOOK 

  • Luisa Preissler – The Last Stand of Mary Good Crow By Rachel Aaron (Aaron Bach LLC; June 2022)

BEST MAGAZINE ILLUSTRATION 

  • Tehani Farr – Eternus #1 Metal Variant; October 2022

BEST INTERIOR ILLUSTRATION 

  • Omar Rayyan – Animal Farm by George Orwell (Suntup Editions; December 2022)

BEST GAMING RELATED ILLUSTRATION 

  • Ryan Pancoast – “Discover the Impossible” (WofC Kamigawa: Neon Dynasty; February 2022)

BEST PRODUCT ILLUSTRATION 

  • Nico Delort – The Lighthouse (Mondo; March 2022)

BEST COLOR WORK – UNPUBLISHED 

  • Serena Malyon – ”Steady” Watercolor and acryla gouache

BEST MONOCHROME – UNPUBLISHED 

  • Ed Binkley – “Listener”; Colored Pencil and Acrylic

BEST THREE DIMENSIONAL ART 

  • Dug Stanant – “The Boatman”; Mixed Media

BEST ART DIRECTOR 

  • Neil Clarke – Clarkesworld

ARTISTIC LIFETIME ACHIEVEMENT AWARD 

  • Gregory Manchess

2023 Chesley Award Finalists

The Association of Science Fiction and Fantasy Artists (ASFA) announced its 2023 Chesley Final Ballot on December 21.

Member voting on the winners is open and ends January 10.

BEST HARDBACK ILLUSTRATION 

https://photos.app.goo.gl/Fg8ds39CGvM2wuLG7

  • Marcela Bolívar Blackwater by Michael McDowell (Suntup Editions; Spring 2022) 
  • Donato Giancola The Dragonborne Chair by Tad Williams (Grim Oak Press; April 2022)
  • Manzi Jackson Africa Risen edited by Sheree Renee Thomas, Oghenechovwe Donald Ekpeki, & Zelda Knight (Tor; November 2022) 
  • Tran Nguyen The Dragon’s Promise by Elizabeth Lim (Knopf Books for Young Readers; August 2022)
  • John Picacio Fevered Star by Rebecca Roanhorse (Simon & Schuster / Saga Press; April 2022)
  • Omar Rayyan Animal Farm by George Orwell (Suntup Editions; December 2022)

BEST PAPERBACK/EBOOK COVER ILLUSTRATION

https://photos.app.goo.gl/5WN69faeN3mFxr7w8

  • Micah Epstein The Oleander Sword by Tasha Suri (Orbit; August 2022)
  • Tom Kidd Library of the Sapphire Wind by Jane Lindskold (Baen; February 2022)
  • Luisa Preissler The Last Stand of Mary Good Crow By Rachel Aaron (Aaron Bach LLC; June 2022)
  • Charles Vess The Queen of Summer’s Twilight by Charles Vess (NewCon Press; September 2022)
  • Erin Vest All the Horses of Iceland by Sarah Tolmie (Tordotcom; March 2022)

BEST MAGAZINE COVER

https://photos.app.goo.gl/uiArGCgYzpSMimaW6

  • Ed Binkley Bourbon Penn #26; March 2022
  • Zezhou Chen Clarkesworld #184; January 2022
  • Daniel Conway Clarkesworld #193; October 2022
  • Tehani Farr Eternus #1 Metal Variant; October 2022
  • J C Jongwon Park Clarkesworld #185; February 2022

BEST INTERIOR ILLUSTRATION

https://photos.app.goo.gl/6z1g3kPReMGFA4R79

  • David Álvarez The Collector by John Fowles (Suntup Editions; March 2022) 
  • Bruce Brenneise Sword of Destiny: Illustrated Edition by Andrzej Sapowski (Orbit Books; December 2022)
  • Hilary Clarcq Dark Matter by Blake Crouch (Suntup Editions; July 2022) 
  • Jason Mowry Hannibal by Thomas Harris (Suntup Editions; July 2022) 
  • Omar Rayyan Animal Farm by George Orwell (Suntup Editions; December 2022) 
  • Corinne Reid “The Long view” by Susan Palwick (Tor.com; April 2022)
  • Red Nose Studios/Chris Sickels Seven Vampires: A Judge Dee Mystery by Lavie Tidhar (Tor.com; February 2022)

BEST GAMING RELATED 

https://photos.app.goo.gl/fHDuH3a6t36UQ2D49

  • Bruce Brenneise “Baldur’s Gate Harbor” (WofC Commander Legends; June 2022)
  • Dmitry Burmak “Vodalian Hexcatcher” (WofC Dominaria United; September 2022)
  • Julie Dillon “Thought Scour” (WofC Double Masters 2022; July 2022)
  • Serena Malyon “Soul of Emancipation” (WofC Streets of New Capenna; April 2022)
  • Victor Adame Minguez “Rith Liberated Primeva” (WofC Dominaria United; September 2022)
  • Ryan Pancoast “Discover the Impossible” (WofC Kamigawa: Neon Dynasty; February 2022) 

BEST PRODUCT ILLUSTRATION

https://photos.app.goo.gl/rafZuERDeHqQ5NEY8

  • Antonio Caparo SILA poster for the Illustration West 61 (Society of Illustrators of Los Angeles; 2022)
  • Nico Delort The Lighthouse (Mondo; March 2022)
  • Annie Stegg Gerard Journey’s End (Dragoncon; August 2022)
  • James Jean Everything Everywhere All At Once (a24; March 2022)
  • Greg Ruth The Dune Sketchbook (Mondo; July 2022)
  • Jessica Seaman The Witch (Mondo; March 2022)

BEST COLOR WORK:  UNPUBLISHED

https://photos.app.goo.gl/9MiAmnd53gBwJr647

  • Ed Binkley “Firefly Queen”; Acrylic & Colored Pencil
  • Donato Giancola “Fear”; Oils
  • Mark Harrison “The Singing Tree”; Oils
  • Serena Malyon ”Steady” Watercolor and acryla gouache 
  • Lauren Raye Snow “The Ecstasy of St. Joan”; Procreate and Apple Pencil 

BEST MONOCHROME WORK:  UNPUBLISHED

https://photos.app.goo.gl/UgrbVMZVEZewEovB9

  • Ed Binkley “Listener”; Colored Pencil and Acrylic
  • Jeff Echevarria “The Blessing”; Charcoal, Graphite Powder & Panpastels
  • Shawn E. Russell “Rhythms”; graphite
  • Greg Ruth “Pan’s Labyrinth”; graphite on paper
  • Gary Villarreal “A King’s Futile Plea”; graphite

BEST THREE DIMENSIONAL ART

https://photos.app.goo.gl/JnaBdS8cNLUWiyiE7

  • Dan Chudzinski “The Great Owl”; Mixed Media
  • Nicole Lee Grosjean “Year of the Tiger Paper”; mixed media
  • Ornélie “Underwater”; polymer clay, acrylic paint, butterfly, glass bubbles
  • Christine and Colin Poole “Dove Dreams of Flying Ceramic”; cold finish
  • Forest Rogers “Love Note to Kay Nielsen”; Mixed Media
  • Dug Stanant “The Boatman”; Mixed Media

BEST ART DIRECTOR

  • Neil Clarke Clarkesworld
  • Rebecca Dornsife Suntup Editions
  • Christine Foltzer  Tor.com
  • Lauren Panepinto Orbit Books
  • Lia Ribacchi  Dark Horse Comics

LIFETIME ACHIEVEMENT AWARD

  • Sanjulian/ Manuel Perez Clemente
  • Roger Dean
  • Gregory Manchess
  • Mark Schultz
  • Allen Williams

Are These Awards Dead or Just Pining for the Fjords?

Myriad science fiction and fantasy awards are given but not so many that it goes unnoticed if they skip a year. Here are four sff awards that have missed a beat, with an assessment of whether we’re likely to see them again.

Campbell Award

JOHN W. CAMPBELL MEMORIAL AWARD

LAST GIVEN: 2019

Harry Harrison and Brian W. Aldiss established the John W. Campbell Memorial Award for best science fiction novel of the year following the editor’s 1971 death. The juried award was first presented in 1973. It came to be frequently presented at the University of Kansas Center for the Study of Science Fiction’s (CSSF) Campbell Conference (renamed “Gunn Center Conference” in 2019).    

However, the John W. Campbell Memorial Award for Best Science Fiction Novel has not been given since 2019. A number of awards were forced on hiatus by the pandemic but before that began the Campbell was already in trouble over strong challenges to the reputation of its namesake.

In Jeannette Ng’s acceptance speech at Dublin 2019 for a different award also named after the late editor she called Campbell a fascist who exalted “the ambitions of imperialists and colonizers, settlers and industrialists”, stirring enough controversy that the sponsors promptly renamed it the Astounding Award. And a week later, Chris McKitterick, then the CSSF Director, announced that the Gunn Center (CSSF) was changing the name of the annual Campbell Conference and was “discussing alternatives” for the Campbell Memorial Award.

The Gunn Center for the Study of Science Fiction acknowledges and condemns the problematic words and actions of John W. Campbell.

We had already been discussing changing the name of the Campbell Conference to the Gunn Center Conference, which is in any case more accurate…

As for the John W. Campbell Memorial Award for best science-fiction novel of the year, the Center directors and Award jurors are currently discussing alternatives; when a decision is made, we will announce it.

However, by November 2021 McKitterick had left the Gunn Center for another job under the umbrella of the University of Kansas’ Achievement & Assessment Institute (AAI), and the following month the CSSF got a new director. Despite the CSSF’s then-Associate-Deputy Kij Johnson saying, “The Gunn Center remains in control of the Conference and the Campbell Award, and it will be up to them to decide what comes next,” what happened is that the Center continued running the Sturgeon Award and did nothing with the Campbell Award. Whether they wanted to may have been a moot question — McKitterick says the CSSF doesn’t own the rights. On his own Campbell Award website he wrote, “The new English SF Center does not own or manage the Award, and its Chair [McKitterick] and jury are seeking a new host organization friendly with our history and mission.”

When the award was last given in 2019 the jury members were Gregory Benford, Sheila Finch, Paul Kincaid, Christopher McKitterick (Chair), Pamela Sargent, and Lisa Yaszek.

Jury member Gregory Benford said in 2021, “No clear message yet on the award. We’ve gotten so little from NYC publishing last year and this, we can’t do it. Next year, yes. On the name: we’re divided, with no clear other choice. (I favor keeping just JWC award.)” However, there was no activity throughout 2022 either. Then at the end of the year, unfortunately, Gregory Benford had a major stroke. Although Allen Steele offered a positive update, it would be surprising if Benford resumed work on a literary jury.

With no sponsor, years having passed without a decision on a new name, an award jury divided over making a name change and likely to lose its most highly-awarded member for health reasons, the Campbell Memorial Award has probably come to the end of its run.

Prediction: The award has “joined the choir invisible”.

JAMES WHITE AWARD

LAST GIVEN: 2019

The James White Award, established in 2000, offered non-professional writers the opportunity to have their work published in Interzone, the UK’s leading sf magazine. The winner received a £200 prize. The competition was open to original, unpublished short stories of not more than 6,000 words by non-professional writers.

Quoting the administrator Martin McGrath, their Facebook page announced in August 2020 that “Due to technical issues with the current website, and problems caused by a certain global crises beyond our control, we have not been able to set a timetable for this year and, with a great deal of reluctance, we have concluded that it will not be possible to schedule the competition in 2020.” The text ended with a promise to return in 2021, but there have been no further posts on that page.

In mid-2022 Andy Cox was struggling to produce his final issue of Interzone before handing over to Gareth Jelley, who seems to have found it hard going, with his first issue not seen until this year (dated January, reached subscribers in February) and the second still awaited despite hopes of return to a bimonthly schedule. Therefore he probably has not even been asked about continuing the James White Award.

Prediction: “This is an ex-award.”

NOMMO AWARDS

LAST GIVEN: 2022

The Nommo Awards for Speculative Fiction by Africans are presented by the African Speculative Fiction Society, an organization of professional and semiprofessional African writers, editors, publishers, graphic artists and film makers. The group was founded in 2016, and the awards were given for the first time in 2017.

For the first three years the Nommo Awards ceremonies were held at the Aké Arts & Book Festival in Nigeria. The 2020 ceremony – which had already been taken online due to the pandemic – was postponed out of respect for the people injured in protests then occurring in Lagos and other Nigerian cities. After a delay the virtual ceremony went ahead. The next two ceremonies moved to North American venues, with the 2021 awards given at the World Science Fiction Convention, DisCon III, in Washington, D.C. and the 2022 awards at Chicon 8 in Chicago.

Since the Chicon 8 ceremony there has been no Nommo Awards activity. The African Speculative Fiction Society reportedly said they were suspending it to restructure the organization. While I know the organization wants to do more than just give an award, the Nommos have been successful in drawing attention to some good sff writers.

Prediction: We hope it will soon be ready to fly again.

CHESLEY AWARDS

LAST GIVEN: 2021 (for work published in 2020)

The Association of Science Fiction and Fantasy Artists established the Chesley Awards in 1985 as a peer award to recognize individual works and achievements during a given year. They were initially called the ASFA Awards but were later renamed to honor the famed astronomical artist Chesley Bonestell after his death in 1986. The awards are nominated and decided upon by ASFA members.

ASFA called for suggestions of quality work published in 2021 for use in formulating a 2022 Chesley ballot, however, no ballot went out and no awards were presented. The inability to present awards was attributed to the organization’s lack of volunteers.

In late spring of 2023 a new call for Chesley suggestions went out. Then on July 10 ASFA announced, “We are now in the process of putting together our curated nomination list”.

Prediction: The Chesleys may have been “simply stunned.” They show promising signs of life.

[Thanks to David Langford for an assist on the James White Award.]

Chesley Award Suggestions Open

The Chesley suggestion period is open until April 1st. The Association of Science Fiction and Fantasy Artists (ASFA) invites the public to use the form here to recommend works to Chesley voters. The form also has a link to add the images to a photo album.

“Anyone can suggest during the suggestion period,” says ASFA President Sara Felix. “You must be a member to nominate and vote however.” 

Eligible works are those (1) done in 2021 or (2) works done prior to 2021 but first displayed or published in 2021.

Not ALL suggested works make it onto the list, which is curated “to make sure we get enough nominations to make it on the ballot.”

The Chesley Awards ceremony will be held at Chicon 8. 

2021 Chesley Awards

ASFA, The Association of Science Fiction and Fantasy Artists, announced the winners of the 2021 Chesley Awards on February 6.

BEST COVER: HARDCOVER BOOK

  • Corinne Reid Encounters with the Imaginary Vol. 3 edited by Jeszika Le Vye and Kira Night (Boneshaker Press, September 2020)

BEST COVER: PAPERBACK OR EBOOK

  • Charles Urbach — Ghost Riders in the Sky by Timothy Zahn (Swallow’s End Publishing, April 2020)

BEST MAGAZINE ILLUSTRATION

  • Francesca RestaClarkesworld #169 (October 2020)

BEST INTERIOR ILLUSTRATION

  • Iris CompietThe Dark Crystal Bestiary by Adam Cesare, Brian Froud, Wendy Froud, Iris Compiet (Insight Editions, October 2020)

BEST GAMING RELATED ILLUSTRATION

  • Lindsey Look – “Sublime Epiphany”, Core Set 2021 MtG (WotC, July 2020)

BEST PRODUCT ILLUSTRATION

  • Wylie Beckert — A Clockwork Orange (MONDO poster)

BEST COLOR WORK: UNPUBLISHED

  • Kai Carpenter – “The Selkie” (Oils)

BEST MONOCHROME: UNPUBLISHED

  • Ashley Hankins “Unmasked” (Digital)

BEST THREE DIMENSIONAL ART

  • Lisa Sell – “The Birdcage Bandit” (Mixed Media)

BEST ART DIRECTOR

  • Irene Gallo Tor/Tordotcom

ARTISTIC LIFETIME ACHIEVEMENT AWARD

  • Richard Corben (Final year of eligibility)

The Chesley Awards were established in 1985 as ASFA’s peer award to recognize individual works and achievements during a given year. They were initially called the ASFA Awards but were later renamed to honor the famed astronomical artist Chesley Bonestell after his death in 1986. The Awards are nominated and decided upon by members of the Association of Science Fiction and Fantasy Artists.

ASFA’s New Chesley Award Design

The Association of Science Fiction and Fantasy Artists (ASFA) today presented the new design for the Chesley Award — ASFA’s annual award celebrating the best works in science fiction and fantasy illustration, as voted on by artists and art fans.

The organization commissioned internationally-renowned artist Nekro to create the new design, with initial art direction from current President Sara Felix. “We were looking for a modern interpretation of the muse that propels all artists forward. We thought Nekro would be the perfect choice to craft an inspired take on the goddess Athena who symbolizes wisdom, war, and the arts. He delivered in spectacular fashion,” says Felix.

The final sculpt of Nekro’s work will become the branding identity of the award. The reveal of the final physical sculpt will be forthcoming as a 3-inch medallion, awarded to all Chesley winners starting this year.

The Chesley Awards were established in 1985 as ASFA’s peer award to recognize individual works and achievements during a given year. They were initially called the ASFA Awards, but were later renamed to honor the famed astronomical artist Chesley Bonestell after his death in 1986. The Awards are nominated and decided upon by members of the Association of Science Fiction and Fantasy Artists.

ASFA Membership is available here. The Suggestion List for the Chesley Award is annually assembled by both ASFA members and non-members of the SFF art community. However, nominations and final votes are made by ASFA Members only.

The virtual 2021 Chesley Award Ceremony will be held February 6 at 3:00 p.m. Central.  It will be on Facebook and the asfa-art.com website.

Follow Nekro online at  ArtStation – Nekro, on Twitter and Instagram.

Visit the ASFA website for more information on the Chesleys and ASFA’s mission of community and artist outreach. Follow ASFA on Twitter and Instagram.

[Based on a press release.]

Pixel Scroll 11/18/21 Always Pixeling And Never Scrollmas

(1) DOUBLE-BARRELLED VOTING DEADLINE. November 19 is the deadline for DisCon III members to vote for the Hugos, and ASFA members to vote for the Chesley Awards!

(2) HOW THE NYT BESTSELLER LISTS WORK. John Scalzi stepped in to set the record straight.

The Reddit link to his six-point commentary is here.

So, actual New York Times best selling novelist here.

One: The New York Times list very generally tracks sales, but also employs other criteria in order to mitigate “gaming,” — so, for example, they tend to disregard “bulk buys” of a book and will otherwise asterisk books they think have manipulated sales. Gaming the list is a moving target, so the criteria change over time. The point of the list is to give a snapshot of what people are actually purchasing but also, hopefully, reading (or at least giving to others to read).

(3) THE DOCTOR IS OUT. Radio Times knows we thrive on every crumb of info about the series – even the episode titles: “Doctor Who Flux unveils final episode title: The Vanquishers”.

The title of Doctor Who: Flux‘s sixth and final episode has been officially confirmed.

The Vanquishers will premiere on Sunday 5th December and will see the conclusion of the series’ “massive arc”, which has been spread over all six episodes in a Doctor Who first.

There’s a synopsis too, which hints at what’s in store for Thirteen and her companions. It reads: “In the final epic chapter in the story of the Flux, all hope is lost. The forces of darkness are in control. But when the monsters have won, who can you count upon to save the universe?”

(4) WOULD YOU LIKE TO GUESS? In the Washington Post, Adela Suliman says Warner Bros. is planning a big special for HBO Max for the 20th anniversary of the first Harry Potter film, but no one will say why J.K. Rowling won’t be there. “Harry Potter stars ‘Return to Hogwarts’ in 20-year HBO reunion missing J.K. Rowling”.

Daniel Radcliffe, Emma Watson and Rupert Grint, who played the trio of best friends Harry, Hermione and Ron respectively, came of age on screen where they began as child actors on the fabled Hogwarts school set. The actors grew up in front of a global audience of ardent fans. Now in their 30s, they will join cast members and the films’ makers for a nostalgic TV special.

British author J.K. Rowling, who wrote the books the movies are based on and worked closely with the film’s producers, is absent from the lineup for the Warner Bros. television show. Representatives for Rowling told The Washington Post on Wednesday that they would not be commenting. Warner Bros.also declined to comment.

… Rowling caused a social media storm last year after she shared her opinions on Twitter and months later wrote a lengthy personal essay on transgender issues, and some in the LGBTQ community accused her of transphobia. Grint, Watson and Radcliffe publicly distanced themselves from Rowling’s comments at the time and said they stood with the trans community….

Watson, who played bookish Hermione Granger, shared the news of the television reunion on her Instagram page along with a photo of the young cast, and thanked loyal fans known as “Potterheads.”

“Harry Potter was my home, my family, my world and Hermione (still is) my favorite fictional character of all time,” she said Tuesday. “I am proud not just of what we as group contributed as actors to the franchise but also as the children that became young adults that walked that path.”…

(5) DECEMBER THE FIRST IS (NOT) TOO LATE. Yesterday the Authors Guild sent a warning to members along the same lines SFWA recently did, in respect to the National Library of New Zealand’s plans, and how authors whose books are included can opt-out. (Which they’ll also be able to do after December 1.)  

Despite strong opposition from the New Zealand Society of Authors and international groups including the Authors Guild, the National Library of New Zealand (NLNZ) is moving ahead with its plan to donate 400,000 books from its overseas collection to the Internet Archive for digitization and lending through its Open Library platform. This collection likely contains tens of thousands of books written by American authors—many still protected by copyright—and may include your books.

While it is unfortunate that New Zealand officials are choosing to partner with the Internet Archive—an entity that has consistently flouted copyright law—over our objections, the NLNZ is allowing any author whose book is included in the collection to opt out of the scheme in response to the concerns raised about the legality of “controlled digital lending.”

Authors who do not wish their books to be digitized by the Internet Archive and loaned out through Open Library have until December 1, 2021, to opt out and withdraw their books.
 

Here’s how to opt out:

      1. Check whether your books are included in the collection. NLNZ has provided an Excel spreadsheet of all titles it intends to donate. The spreadsheet is available on this page. Click the link labeled “List of candidate books for donation to the Internet Archive” (it is a large Excel file, so we suggest downloading it and then searching for your name by running a Ctrl+F search). 
      2. If your books are available, send an email to opcmanagement@dia.govt.nz and ask that they be withdrawn. Your email must include the NZNL’s “unique number” (column “I” on the spreadsheet) of each title you would like withdrawn, and proof that you have rights in the titles (emails from persons or organizations whose names correspond with rightsholders’ names will be sufficient proof of rights).

 If you need assistance, please send us an email staff@authorsguild.org.

(6) PETERSON OR HARKONNEN? [Item by Olav Rokne.] Can you tell which statements were said by a Canadian pseudophilosopher, and which ones are said by a fiendish villain from the novel Dune?  Honestly, I couldn’t pass this test even if the Reverend Mother held the Gom Jabbar to my throat.  “Who Said It? Jordan Peterson or Baron Vladimir Harkonnen”.

(7) A NEW HOPE. Orange County (CA) is getting rid of library fines starting next week. The library will still collect for lost or damaged items. 

Orange County Board of Supervisors approved to indefinitely eliminate library late fines. Beginning November 23, OC Public Libraries will take its 100 years of service in a new direction by removing late fines for overdue items. 

“Public libraries play an essential role in providing safe, accessible, and free educational resources for every member in our community,” said Chairman Andrew Do, First District Supervisor. “Eliminating late fines will incentivize residents to take advantage of county library resources once again and not be hesitant to take a book home during their next visit.” 

…OC Public Libraries wishes to reflect its vision of ‘Open Doors, Free Access and Community’ and welcome back patrons that have refrained from coming to the library due to outstanding fines. 

(8) PREVIOUSLY UNSUSPECTED FANZINES. [Item by Bruce D. Arthurs.] Ian Cooke with the British Library tweeted a link to an article calling for contributions to a doctoral research project about UK football fanzines from the 1970s to the present. The accompanying picture of a spread of typical football fanzines reminded me of some of our own generation of fanzines, with mimeo reproduction, some fairly crude art, and layout & design marked more by enthusiasm than talent. Parallel evolution among almost completely unconnected subjects. The direct link is here.

(9) MINUTE MAN. Marc Scott Zicree offers up the Twilight Zone Minute – “The Man in the Bottle”.

(10) MEDIA BIRTHDAY.

1985 — Thirty-six years ago today, Calvin and Hobbes first appeared in serialization from the Universal Press Syndicate. (The very first strip is available here to view.) Created by Bill Watterson, it was his first and only such strip after working in advertising and political cartooning. The last strip of Calvin and Hobbes was published on December 31, 1995. At the height of its popularity, it was featured in over twenty four hundred newspapers worldwide. Despite the overwhelming popularity of the strip, the strip remains notable for the complete lack of official product merchandising as Watterson is absolutely opposed to it being marketed that way. If you’ve purchased any Calvin and Hobbes merchandise, it’s bootleg. Everything by him is copyrighted, so I’m not including any images here. 

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 18, 1939 Margaret Atwood, 82. Well, there’s that work called The Handmaid’s Tale that’s garnering a lot of discussion now. There’s the excellent MaddAddam Trilogy which I wholeheartedly recommend, and I’ve heard good things about The Penelopiad. What else do you like of hers? 
  • Born November 18, 1946 Alan Dean Foster, 75. There’s fifteen Pip and Flinx novels?!? Well the first five or so that I read oh-so-long ago were superb. The Spellsinger series is tasty too. Can’t say anything about his Stars Wars work as I never got into it. Though I’m glad the Evil Mouse is paying him for it finally. 
  • Born November 18, 1950 Michael Swanwick, 71. I will single out The Iron Dragon’s Daughter and Jack Faust as the novels I remember liking the best. His short fiction is quite excellent, and I see the usual suspects have the most excellent Tales of Old Earth collection with this lovely cover. 
  • Born November 18, 1950 Eric Pierpoint, 71. I’d say that he’s best known for his role as George Francisco on the Alien Nation franchise. He has also appeared on each of the first four Trek spin-offs, a neat feat indeed. And he’s got a very impressive number of genre one-offs which I’m sure y’all will tell me about. 
  • Born November 18, 1953 Alan Moore, 68. His best book is Voice of the Fire which admittedly isn’t genre. Though the first volume of The League of Extraordinary Gentlemen is very close. Pity about the film which surprisingly has a forty-four percent rating among audience reviewers at Rotten Tomatoes. His worst work? The Lost Girls which is genre in an odd manner. A shudderingly pornographic manner. Shudder. I’m also fond of The Ballad of Halo Jones and Swamp Thing work that he did as well. And let’s not forget that the The Watchmen won a well-deserved Hugo at Nolacon II. 
  • Born November 18, 1961 Steven Moffat, 60. Showrunner, writer and executive producer of Doctor Who and Sherlock Holmes. His first Doctor Who script was for Doctor Who: The Curse of Fatal Death, a charity production that you can find on YouTube and I suggest you go watch now.   He also co-wrote The Adventures of Tintin: The Secret of the Unicorn, a most excellent animated film. He has deservedly won four Hugo Awards.
  • Born November 18, 1970 Peta Wilson, 51. Wilhelmina “Mina” Harker in The League of Extraordinary Gentlemen film, a bit role as Bobbie-Faye in Superman Returns. Inspector in the “Promises” episode of the Highlander series. Though The League of Extraordinary Gentlemen was not well received, she received a Saturn Award Best Supporting Actress for being in it which is rather surprising I’d say. 
  • Born November 18, 1981 Maggie Stiefvater, 40. Writer of YA fiction, she has myriad series, of which I recommend The Dreamer trilogy, The Wolves of Mercy Falls and the astonishing Raven Cycle. With her sister, Kate Hummel, she writes and records a piece of music for each novel she releases. These are released in the form of animated book trailers. She’s had five Mythopoeic Fantasy Award nominations but so far no wins. 

(12) GRAPHIC EXAMPLES. The New York Times’ Michael Tisserand reviews American Comics: A History by Jeremy Dauber in “A Sweeping History of American Comics”.

…Dauber is particularly nuanced in dealing with the many controversies buffeting comics past and present, from debates over comics codes and depictions of sex and violence to questions of diversity, representation and authority “played out through the stretch of spandex.” He identifies comics’ “original sin” as the publishers’ failure to give creators proper credit, compensation and rights to their work. From there, he digs deep into comics economics, beginning with the $130 once paid to Jerry Siegel and Joe Shuster for Superman and landing at the current multi-platform, multi-billion-dollar industry. There is no shortage of bitter ironies in this part of the tale: “In something that felt like an overdetermined symbol, the original check for $130 made out to Siegel and Shuster for Superman, the site of the grandest battle between creator and corporation, netted $160,000 at auction in 2012.”

(13) SAFETY CONCERN. Seanan McGuire, a GoH at last weekend’s Windycon in Chicago, tweeted about a problem she observed with people behaving like they’d found a loophole in the con’s mask-wearing requirement. Thread starts here. [Via Petréa Mitchell’s SMOF News.] 

(14) ESSENCE OF WONDER. The Essence of Wonder team’s Zoom with 2021 Astounding Award Finalist Lindsay Ellis can be seen now on YouTube.

Lindsay Ellis is so cool! Astounding Award Nominee Lindsay Ellis author of Axioms End and Truth of the Divine joined Alan and Karen this last Saturday to discuss her work, nomination, and a lot of fun was had!

(15) BATTLE ROYALE. [Item by Martin Morse Wooster.] This trailer, which dropped today, asks, “What if all the DC superheroes, all the Looney Tunes characters, Tom, Jerry, and the Scooby-Doo gang were in one incredible universe where they could fight each other?”

(16) FLAKEY NAMES. Boston.com invites everyone to “Meet ‘SNOWbegone Kenobi,’ ‘Jennifer Snowpez,’ and the 160 other snowplows named by Vermont kids”. The full list can be found at VTrans’ “Name A Plow Program” webpage.

In October, Vermont elementary students were tasked with naming the VTrans snowplows as part of their Name a Plow Program. From “Jennifer Snowpez” to “Mr. Pushy” and even “Steve,” their responses did not disappoint.

The state’s elementary schools were tasked with submitting names for VTrans’ 250 snowplows from Oct. 4 to Oct. 22, according to VTrans. The named plow would then be assigned to cover the respective school’s district, according to the state.

…Some schools gave their plows intense names as they prepare to battle the stormy months ahead. The Lunenburg School’s “The Lion’s Snow Destroyer,” Rutland Area Christian School’s “RACS Snow Destroyer,” and “Snowcrusher” from Sustainability Academy to name a few….

The force (of snowplows) must be strong in Vermont this year, as there were six Star Wars referenced plows. “Luke Snow Walker” will be joined by both “Snowbegone Kenobi” and “Obi-Wan KenSNOWbi,” “Storm Trooper,” “Darth Blader,” and of course, “Baby Snowda.”

Other names also had creative references: “Perry the Plowerpus” was the “Phineas and Ferb” inspired plow name from The School of Sacred Heart St. Francis de Sales and “Edgar Allen Snow” was the poetic name of Pacem School’s plow….

(17) CATS NOT DECEIVED BY TELEPORTATION. We’re not talking about the “two to beam up” kind of thing, however, today’s Nature reports “Experiments involving ‘impossible teleportation’ reveal the cognitive powers of the house cat” — “A cat can track its human by voice — if it can be bothered to”.

Pet cats seem to be able to track their human companion’s every move — through sound1.

Domestic house cats (Felis catus) use visual cues to create a mental map of their environment and the whereabouts of any other creatures nearby. However, our feline familiars also have keen ears, which could assist with their mental cartography when their prey — or person — is out of sight.

To investigate this, Saho Takagi at Kyoto University in Japan and her colleagues attempted to hoodwink dozens of house cats through ‘impossible teleportation’ experiments. The researchers placed each cat in a room with two widely spaced audio speakers. First, one speaker played a recording of the cat’s owner calling its name. Then, the second speaker played the same recording after an interval that would be too short for a human to travel between the two locations. Video cameras recorded the cats’ reactions.

The team found that house cats were noticeably surprised by auditory evidence that their people had been ‘teleported’. The cats’ astonishment suggests that they can keep mental notes of their humans’ presence and map that person’s location by voice.

(18) LIKE YOU NEED LITTLE TEENEY BRANDING IRONS FOR ANTS. If you can just find the little holes they made…. “Black holes slamming into the moon could end the dark-matter debate” according to MSN.com.

…A black hole half the size of a golf ball would have a mass equivalent to Earth’s. Even microscopic black holes, with masses comparable to asteroids, would’ve unceasingly sucked in and destroyed everything along their path. 

Slowly, as the universe progressed, swarms of them would have seen planetary systems rise and fall, and billions of years ago there’s a fair chance they’d have even whizzed through our corner of the cosmos. Eventually, these mini black holes would’ve sailed away from each other. But if they did exist, experts think they’d still be roaming in and around the galaxies right this second. 

They are, scientists believe, our newest lead on dark matter — perhaps the greatest mystery of the universe.

Dark matter quests that hope to unveil the strange, invisible particle or force that somehow binds the cosmos together often reach a wall. Solving the puzzle requires, well, actually… finding dark matter. 

So to ensure this innovative hypothesis isn’t a dead end, we’d need to locate unseen, miniature versions of black holes. But how? We have enough trouble finding supermassive, visible ones with high-tech equipment tailored to the search.

That’s where the moon comes in.

“There’s this funny estimate that you can do,” says Matt Caplan, an assistant professor of physics at Illinois State University and one of the theorists behind the research published in March. Caplan contends that if dark matter can indeed be explained by these tiny black holes, then at some point, they would have punctured the moon. 

Yes, you read that correctly: The moon might’ve been bombarded by atomic-sized black holes. Taking it a step further, the wounds they inflicted should still be up there; if these mini-abysses are proven to exist, dark matter may no longer be an everlasting enigma….

[Thanks to Martin Morse Wooster, JJ, John King Tarpinian, Bruce D. Arthurs, Olav Rokne, Chris Barkley, SF Concatenation’s Jonathan Cowrie, Michael J. Lowrey, Jennifer Hawthorne, Andrew Porter, Michael Toman, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Paul Weimer.]

2021 Chesley Nominees

The Association of Science Fiction and Fantasy Artists (ASFA) announced its 2021 Chesley Award nominees on October 28.

Member voting on the winners opens October 29 and ends November 19.

Best Cover: Hardcover Book

  • Tommy Arnold Harrow the Ninth by Tamsyn Muir, Tor Books (August 2020)
  • Iris Compiet The Dark Crystal Bestiary: The Definitive Guide to the Creatures of Thra by Adam Cesare, Insight Editions Illustrated edition (October 2020)
  • Jason Mowry Red Dragon by Thomas Harris, Suntup Editions (Fall 2020)
  • John Picacio Black Sun by Rebecca Roanhorse, Gallery / Saga Press (October 2020)
  • Corinne Reid Encounters with the Imaginary Vol. 3 edited by Jeszika Le Vye and Kira Night, Boneshaker Press (September 2020)

Best Cover: Paperback or Ebook

  • Rovina Cai The Fourth Island by Sarah Tolmie, Tordotcom (October 2020)
  • Scott Fischer Ashes of the Sun by Django Wexler, Orbit (July 2020)
  • Madolyn Locke Valian Styrke: Knight of Fate by Reiter, Sylver Quill Press (November 2020)
  • Charles Urbach Ghost Riders in the Sky by Timothy Zahn, Swallow’s End Publishing (April 2020)
  • Ben Zweifel The Thousand Deaths of Ardor Benn by Tyler Whitesides, Orbit (October 2020)

Best Cover: Magazine

  • Arjun Amky Clarkesworld #170 (November 2020)
  • Evan Cagle “Stranger Things: Into the Fire #4” Variant Cover Dark Horse (July 2020)
  • Tithi Luadthong Lightspeed Issue #123 (August 2020)
  • Tim O’Brien Time (August 2020)
  • Francesca Resta Clarkesworld #169 (October 2020)
  • Rodion Shaldo Clarkesworld #168 (September 2020)

Best Interior Illustration

  • Audrey Benjaminsen Hearts in the Ground by G.V. Anderson, Tor.com (September 2020)
  • Iris Compiet The Dark Crystal Bestiary by Adam Cesare, Brian Froud, Wendy Froud, Iris Compiet, Insight Editions (October 2020)
  • Ejiwa Ebenebe “Boundless Unrivaled” FIYAH Literary Magazine Issue #16: Joy (Autumn 2020)
  • Micah Epstein The Case of the Somewhat Mythic Sword by Garth Nix, Tor.com (January 2020)
  • Sija Hong Monstrous Tales: Stories of Strange Creatures and Fearsome Beasts from around the World, Chronicle Books (September 2020)
  • Michael Komarck The Crippled God by Steven Erikson, Subterranean Press (2020)
  • Jason Mowry Red Dragon by Thomas Harris, Suntup Editions (2020)

Best Gaming Related Illustration

  • Joanna Barnum Overlight: The Lost Spire of Tziuhquatl, Renegade Game Studios (2020)
  • Lindsey Look “Sublime Epiphany” Core Set 2021 MtG WotC (July 2020)
  • Seb McKinnon “Cuombajj Witches” Commander Legends MtG WotC (November 2020)
  • Christian Piccolo “Roswell Skateboard” In-game and real world skate board deck art for Tony Hawk Pro-Skater 1 & 2, Vicarious Visions (September 2020)
  • Charles Urbach “The Whispering Heart” Tabletop RPG Solo Gaming Adventure Das Schwarze Auge (The Dark Eye), Ulisses Spiele (August 2020)
  • Jabari Weathers Dissident Whispers cover Whisper Collective (June 2020)

Best Product Illustration

  • Wylie Beckert A Clockwork Orange (MONDO poster)
  • Jason Edmiston The Invisible Man (MONDO poster)
  • Te Hu Nine songs (Mural for the 14th China International Comic Festival in Guangzhou)
  • Heather Kreiter Genevieve Plush Mascot Plush (Licensed for Gen Con)
  • Vanessa Lemen Psyche (Promo for Reckless Deck: PSYCHE)
  • John Picacio La Maceta / The Flowerpot Loteria card (Lone Boy)
  • Greg Ruth Ad Astra (MONDO poster)

Best Color Work: Unpublished

  • Marcela Bolívar “Hothouse” (Digital)
  • Bruce Brenneise “Garden of Solitude” (Digital)
  • Kai Carpenter “The Selkie” (Oils)
  • Amelia Leonards “Melody of Shattered Bars” (Watercolor/Ink)
  • Rachel Quinlan “Luminous” (Watercolor/Ink)
  • Danny Schwartz “Lily court” (Acrylic on Board)
  • Charles Urbach “Chapters Infinite” (Color pencils)

Best Monochrome: Unpublished

  • Daria Aksenova “? (Yáng)” (Pen and Ink on hand-cut, suspended, layered paper in a
  • hand-built, gilded Italian frame)
  • Ashley Hankins “Unmasked” (Digital)
  • Julia Lundman “Spring Ghosts” (Graphite)
  • Gary Villarreal “Romantic Storyteller” (Graphite)
  • Marta Witkiewicz “Enchanted” (Graphite)

Best Three Dimensional Art

  • Sara Felix “Air Tiara” (Mixed media, resin and metal patinas)
  • Thomas Kuebler “Black Widow” (Mixed Media)
  • Tach Pollard “Wind Walker” (burnt hawthorn)
  • Leia Powell “Flight into Fantasy” (Stained Glass)
  • Forest Rogers “Dream of Quan Yin” (Clay / Mixed Media)
  • Karl Deen Sanders “Siren” (Bronze upon an Onyx base)
  • Lisa Sell “The Birdcage Bandit” (Mixed Media)

Best Art Director

  • Neil Clarke Clarkesworld
  • Rebecca Dornsife Suntup Editions
  • Irene Gallo Tor/Tordotcom
  • Lauren Panepinto Orbit
  • Nadine Schäkel Ulisses Spiele
  • Megan Walker Dark Horse

Artistic Lifetime Achievement Award

  • Richard Corben (Final year of eligibility)
  • Gregory Manchess
  • Iain McCaig
  • Wendy Pini
  • William Stout
  • Allen Williams