Tag Archives: Nature

Pixel Scroll 12/21/24 A Short Scroll For The Shortest Day

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(0) I’m visiting my brother to help celebrate his birthday. That’s my real excuse!

(1) EATING THE FANTASTIC. Scott Edelman invites listeners to settle in for a steak dinner with Marvel’s Tom Brevoort in Episode 243 of the Eating the Fantastic podcast.

First up — dinner with Tom Brevoort, who holds the record for being the longest-running editor ever at Marvel Comics, having been hired there in 1989 right out of college. Over the decades, he’s overseen titles such as New Avengers, Civil War, and Fantastic Four. He became Executive Editor in 2007, and in January 2011, was promoted to also serve as Senior Vice President of Publishing. He’s an Eisner Award-winner for Best Editor, and is currently the Group Editor of The X-Men.

Tom Brevoort

We discussed how a guy whose first love was DC Comics ended up at Marvel, why he hated his early exposure to Marvel so much he’d tell his parents not to buy them because “they’re bad,” the pluses and minuses of comic book subscriptions (and the horror when issues arrived folded), how Cerebus the Aardvark inspired him to believe he could build a career in indie comics, the most unbelievable thing he ever read in a Flash comic, how he might never have worked at Marvel had I not gone to school with Bob Budiansky, the prevailing Marvel ethos he disagreed with from the moment he was hired, what it takes to last 35 years at the same company without either walking off in disgust or getting fired, the differing ways Marvel and DC reused their Golden Age characters, how to prevent yourself from being pedantic when you own an encyclopedic knowledge of the history of comics, and much more.

(2) ANYONE READING THIS A MILLENNEA IN THE FUTURE. [Item by SF Concatenation’s Jonathan Cowie.] Nature’s two-week Christmas edition is out, and some wag (possibly known to Filers) has a time-travel, prediction letter published…. “If anyone’s reading this Correspondence in 1,130 years’ time, please let us know”. Alas, it is behind a paywall, but due to a little Filer magic…

If anyone’s reading this Correspondence in 1,130 years’ time, please let us know

By Jonathan Cowie

In 1993, as part of Nature’s series of ‘Hypotheses’ articles, astronomer J. Richard Gott III proposed that, assuming the Copernican principle — no observer of the Universe is special — a random observer is likely to encounter an object during the mid-95% window of the object’s lifetime. The length of time for which something has been observable in the past is thus a rough measure of how long it is likely to be observable for in the future (R. J. Gott III Nature 363, 315–319; 1993).

Nearly a year later, a correspondent wrote in applying Gott’s analysis to Gott’s own paper, estimating that the appearance of the Correspondence implied there was a 95% probability that the paper would still be being read in 30.6 years’ time (G. Hewlett Nature 368, 697; 1994). I replied that if I had a Correspondence published in 30 years’ time, in 2024, then following Gott’s calculations, this would considerably extend the period of appreciation of Gott’s work (J. Cowie Nature 369, 194; 1994) — by more than a millennium, I now calculate.

This is that Correspondence. Alas, I shall not be around in 1,230 years’ time to write again.

(3) LOJO’S CHOCOFFEE DRINK. [Item by Cat Eldridge.] Lojo Russo who was a member of Cats Laughing along with what seemed like most of the Minneapolis SFF writing community in the Eighties shares Lojo’s ChoCoffee drink which surely is suitable as a holiday drink.

Coffee: Jamaica Blue Mountain – rich & nutty, or dark roast Italian — if you like your coffee with an edge. 

Chocolate: 1 part heavy cream, 1/2 ;part dark chocolate syrup, 1/4 part sweetened condensed milk (depending on your sweet tooth), vanilla or almond flavoring (vanilla for Jamaica, almond for Italian) — Blend.

Pour chocolate mixture slowly, gently, lovingly into coffee until it suits your tongue. If you’re like my Italian grandfather, who taught me how to enjoy coffee when I was 8, there will be more chocolate cream than coffee.

(4) MEMORY LANE.

[Written by Cat Eldridge.]

Letters from Father Christmas by J.R.R. Tolkien

Every Christmas between the years 1920 and 1943, the ever-so-blessed children of J.R.R. Tolkien received some of the most unique mail that a child could ever hope for: letters from Father Christmas himself! Beautifully illustrated and delivered in various ways, they told of all kinds of things that happened at the North Pole, and about the folk who lived there with Santa. There is the accident-prone and sleepy North Polar Bear and his two cousins who cause havoc, the evil goblins, and of course the elves and gnomes, not to mention snowfolk and cave bears. The letters came, or so it is claimed by those who don’t believe in Father Christmas, from the Tolkien children’s father, J.R.R. Tolkien himself.

In the published collection of these charming letters, we can read how the North Pole came to be snapped in half, why Santa had to move house, what a polar bear’s writing looks like (blocky is the best description) and how Santa had to defend his home from goblins. While this book does not directly connect to Tolkien’s Middle Earth mythos, it is easy for anyone versed in that mythos to recognize the origin of some of its characters in these letters. The goblin attack on Santa’s cellar will become the Goblin-Elf wars in The Lord of the Rings, and Santa’s elf-secretary Ilbereth is the obvious progenitor of the ancient elf-queen Elbereth. We even get a fully developed look at elvish writing and the goblin alphabet!

I’ll return to the book that is Letters From Father Christmas, but let me turn now to a reading of the Letters that I recently attended. In my opinion, the Letters truly don’t come to life for modern-day readers unless they are treated to an oral performance of them by accomplished actors. Surely the Tolkien children had the Letters read aloud to them when they received them as ‘mail’ from Father Christmas. The reading I attended took place in the front area of Longfellow Books, a wonderful independent store in downtown Portland, Maine. Kirsten Cappy, publicity manager for Longfellow, gave this introduction before the reading:

On September 3rd, 1973, my father sat at the breakfast table with a bowed head and proclaimed, “Children (he never called us that), today, a god passed from this world.” Now this was a confusing statement from an ardent atheist who declared even our brief foray into the Unitarian church to have been ‘too constricting’. ‘God’ was placed in the same category as ‘Santa Claus’ in our family. Both were classified as something ‘other children believed in and that we could believe in if we felt so inclined.

The ‘god’ my father spoke of was J.R.R. Tolkien, who had passed away the previous day. My brother and I managed to breathe out the question of ‘who?’ before we were waved away and my father dug mournfully into his cornflakes. Our question was answered that night at bedtime when my father opened his battered copy of The Hobbit and began to read.

The three of us read through The Hobbit and each volume of The Lord of the Rings over a year’s worth of bedtimes. Tolkien’s stories are still synonymous with the bedroom I had at that age and the gaping closet that surely housed Orcs.

I have gone on to like fiction of all sorts, but nothing has matched the intensity and obsession that Tolkien brought to his creation of Middle Earth. His professional, scholarly fascination with the dead and evolved languages of England led him to read Norse myth. He then began to create myths of his own and to create languages to feed the mouths of his myth-makers.

Lying in my bed at night I often pictured Tolkien writing, but I never pictured my father’s god with children. He had, in fact, three children and took the time from his research and his conquest of Middle Earth to play the role of Father Christmas each year. Each year for 23 years there would be a letter on the mantle piece from Father Christmas addressed to the Tolkien children. The letters spoke of each year’s chaotic preparation for Christmas, about Father Christmas’ helpers and about the mishaps that would cause some of the promised gifts to never arrive. The Tolkien children would also address letters to the North Pole. The letters were full of Christmas wishes and curious questions about life at the North Pole and about Father Christmas’ companions, Polar Bear and Ilbereth The Elf. Answers would come from Father Christmas and his helpers with lavish descriptions and detailed drawings.

With us tonight are our favorite Portland actors, Moira Driscoll, Mark Honan and Daniel Noel who comprise The Usual Suspects. The Usual Suspects give dramatic readings of modern and classic fiction bi-monthly at Longfellow Books, where they are the resident performance group. (You will note the extravagant whiskers on Daniel and Mark — they are both appearing in The Christmas Carol at Portland Stage Co.) Tonight they will be reading aloud Tolkien’s Letters from Father Christmas in the voices of Father Christmas, Polar Bear and Ilbereth The Elf. I will pass around copies of the book, so you can look at Tolkien’s sweet, obsessive drawings of the North Pole.

By the end of this introduction, the crowd of some forty folks, half adults and half children, including the offspring of several of the performers, had settled in their seats with cookies and hot drinks in hand. Now it was time for the reading…

Two of the actors, Mark Honan and Daniel Noel, were members of the cast of the recent run of A Christmas Carol at the Portland Stage Company, which was staged at Portland Performing Arts Center. Mark Honan, (Cratchit in A Christmas Carol), who played Father Christmas, is a native of England; Daniel Noel (Marley’s Ghost and several other roles, including the Narrator) was the North Polar Bear — fitting given his charming bear-like nature; and Moira Driscoll played the supercilious elf Ilbereth. They sat side by side with their copies of Letters From Father Christmas in hand — I have the copy Daniel read from complete with his post-it notes! — looking absolutely tinkly. And each read the letters as if they were Father Christmas, the North Polar Bear, or Ilbereth. I truly believed that these were letters from Father Christmas to the Tolkien children (keep in mind that this Father Christmas is not by any means a Christian-based being, but rather a sort of friendly teller of tales about what happens during the course of the year at the North Pole).

And oh, what adventures they told on that cold night! They did not read all the Letters — for that pleasure, you’ll need to listen to Derek Jacobi and his friends do it. But they read for about forty-five minutes, the right amount of time on a cold winter’s night, and their selections gave the enthralled listeners a delightful time indeed. Tolkien’s language in these letters is clearer and more playful than in The Lord of The Rings. Just read these lines, which Daniel performed with a gruff voice and a glimmer in his eye: ‘Polar Bear was allowed to decorate a big tree in the garden, all by himself and a ladder. Suddenly are heard terrible growly squealy noises. We rushed out to find Polar Bear hanging on the tree himself! ‘You are not a decoration,’ said Father Christmas. ‘Anyway, I am alight,’ he shouted. He was. We threw a bucket of water on him. Which spoilt a lot of the decorations, but saved his fur.’

If Tolkien intended The Lord of The Rings to be a ‘mythology for England,’ it’s clear to me that these Letters were a personal mythology for him and his children. No matter that there are reflections of his darker work here — this reading shows beyond any doubt that the Letters were a refuge from the stark realities of being a relatively poorly compensated academic. Even if the children didn’t always get Christmas presents, they did get a letter from Father Christmas.

I turn my attention back to the new edition of Letters From Father Christmas, which was the basis of this performance. This is the first time that all of the letters have been published. What you get are facsimiles of the letters in all their glorious messiness along with a printed version on the facing page in what appears to be a Palatino font so that you can actually read them. This is important, as the handwriting of Father Christmas (roundish like ink dripping from a fountain pen on its last legs), North Polar Bear (chunky — he has big paws), and Ilbereth (best described as spidery) is less than readable. 

And the Letters are most definitely worth reading, as they do form an ongoing story that Tolkien very obviously relished telling in the same manner that he first told The Hobbit to his children: as an unfolding narrative over a period of time. It’s worth your time to see how much effort he put into the Letters — handwritings, drawings, quirky borders — all are here. What his children made of them is not known, nor I suppose does it matter now that they belong to all who read them, but I would have preferred Baillie Tolkien, daughter-in-law of J.R.R., to have given us just a bit more context. I even checked The Letters of J.R.R Tolkien to see if there was anything there about these letters, but not according to the index.

My recommendation is that you read these aloud to anyone who will listen, as hearing them does enhance their charm. Barring that, turn the lights down low, sink deep into that overstuffed chair by the fireplace, drink your cocoa, and listen to the cold winter’s wind howl outside as you read. Listen… Is that the North Polar Bear making his way across the roof? Or is it the Goblins attacking again?

(5) TUNE IN. At Spotify you can access “The Gift – a playlist by The Ray Bradbury Center”.

(6) RIPLEY’S BELIEVE IT. [Item by Steven French.] The Guardian’s review of the West End production of Shakespeare’s The Tempest ends with ‘come for Sigourney Weaver, stay for the weird magic’: “The Tempest review – Sigourney weaves weird magic in West End debut”.

SIGOURNEY Weaver, the latest in the line of high status screen stars to be wooed to the stage by director Jamie Lloyd, may for ever be known as Ellen Ripley to fans of her defining science fiction role on film. She is certainly in alien territory here, and plays Prospero with the steely-voiced conviction of a commander giving urgent instruction to an interstellar space crew at imminent risk of attack. She is making her West End debut in this late Shakespearean drama as its gender-reversed central sorcerer and usurped Duchess of Milan, and the remote isle of sounds and sweet airs which she sequesters appears to be floating in deep space…

(7) THE ORIGINAL RIPLEY. Meanwhile, BBC Sounds is offering the episode of Witness History that explains the origins of “Robert Ripley and the ‘Believe It or Not’ empire”.

In December 1918, sports writer and cartoonist Robert Ripley was struggling to find some content for his column in the New York Globe. So he compiled and illustrated some of the quirkiest sports facts from the year and created what would go onto become the ‘Believe It or Not’ cartoon.

Its popularity grew and, by the time of America’s Great Depression, Ripley was a multi-millionaire who would travel the world on his hunt for more weird and wonderful facts.

His empire expanded into radio and, in 1940, he persuaded the Duke of Windsor – who had abdicated from the throne in 1936 – to give his first commercial radio appearance.

John Corcoran, exhibits director at Ripley’s, tells Vicky Farncombe about that historic moment.

This programme also includes archive courtesy of the Ripley’s Believe It or Not! Archives. 

(8) MASTODONTIA. “They Thought It Was an Old Baseball. It Was a Mastodon Tooth.” – the New York Times tells the story (behind a paywall).

…The box was opened. What he saw inside — two yellowed teeth from a long-dead mastodon — stirred in Dr. Harris a thrill he hadn’t felt in years.

“I was crazy excited,” said Dr. Harris, 50, who has worked in archaeology for nearly 30 years. “It was the same old-school excitement I felt when I got into this field in the first place.”

The discovery of the remarkably well preserved mastodon jaw was announced Tuesday by the New York State Department of Education, which runs the New York State Museum, where scientists are studying the artifact. Fearful that their home near Scotchtown, N.Y., would be overrun by news crews or treasure hunters, the couple declined to be named or interviewed for this article.

According to Dr. Harris, the mastodon jaw was discovered when the couple noticed something poking out of the grass in their backyard.

At first they thought it was an old baseball. It was not a baseball. A little digging revealed two enormous teeth buried in the soil, just inches below the surface. Realizing that this might be something of scientific importance, the homeowners reached out to Dr. Harris. The authenticity of the teeth was apparent immediately, he said, so he contacted Robert Feranec, director of research and collections at the state museum. In October the two scientists organized a small team to excavate a trench 14 inches deep.

There they found the jaw of an adult mastodon — a cousin to the woolly mammoth, which roamed North America until it went extinct about 10,000 years ago. There were also fragments of a toe and a rib. If the homeowners agree, Dr. Harris and Dr. Feranec hope to return to the yard next summer, after the ground has thawed, to see if more of the mastodon is hidden there….

…While it may be uncommon for homeowners to uncover ice age fossils poking out of their yard, the discovery of mastodon bones in Orange County is not exactly rare. In 1780, a preacher named Robert Annan found a collection of enormous bones on his farm in Wallkill, N.Y. The discovery was deemed so important that Gen. George Washington, then the commander of the Continental Army, left his troops camped at Newburgh, N.Y., and rode 25 miles in a sleigh to see the bones himself.

Washington’s viewing party gathered just a few miles from the backyard where the latest fossils were found.

“The highest concentration of mastodons in the country is in Orange County,” said Dr. Feranec, who counted about 60 findings in the area since colonial times.

Orange County is a popular resting place for mastodons because it not only offered ideal places for the animals to live, but also the right conditions to preserve them after they died….

(9) JOLLY OLE ENGLAND. “Scientists think they know why Stonehenge was rebuilt thousands of years ago” says Yahoo!

Scientists made a major discovery this year linked to Stonehenge — one of humanity’s biggest mysteries — and the revelations keep coming.

A team of researchers shared evidence in August suggesting that the Altar Stone, an iconic monolith at the heart of Stonehenge, was transported hundreds of miles to the site in southern England nearly 5,000 years ago from what’s now northeastern Scotland. Just a month later, a report led by the same experts ruled out the possibility that the stone came from Orkney, an archipelago off Scotland’s northeastern coast that’s home to Neolithic sites from that time frame, and the search for the monolith’s point of origin continues.

Now, research building on the two previous studies suggests that Stonehenge may have been reconstructed in England around 2620 to 2480 BC to help unify ancient Britons as newcomers arrived from Europe. The new study, published Thursday in the journal Archaeology International, also reveals how Neolithic people may have moved the 13,227-pound (6-metric-ton) block over 435 miles (700 kilometers) from where it originated….

…Construction on Stonehenge began as early as 3000 BC and occurred over several phases in an area first inhabited as early as 5,000 to 6,000 years ago, according to the researchers.

Previous analysis has shown that bluestones, a type of fine-grained sandstone, and larger silicified sandstone blocks called sarsens were used in the monument’s construction. The bluestones were brought from 140 miles (225 kilometers) away at the Preseli Hills area in west Wales and are thought to have been the first stones placed at the site. The sarsens, used later, came from the West Woods near Marlborough, located about 15 miles (25 kilometers) away.

Researchers believe the Altar Stone was placed within the central horseshoe during a rebuilding phase. While the exact date is unknown, the study authors believe the stone arrived between 2500 and 2020 BC.

It’s during that rebuilding phase, according to the research, that Stonehenge’s builders erected the large sarsen stones to form an outer circle and an inner horseshoe made of trilithons, or paired upright stones connected by horizontal stone beams, which remain part of the monument to this day.

The Altar Stone is the largest of the bluestones used to build Stonehenge. Today, the Altar Stone lies recumbent at the foot of the largest trilithon and is barely visible peeking through the grass….

(10) WHAT ISN’T? CBR.com argues that “Lord of the Rings Film Is Secretly a Christmas Movie”. It’s clickbait, but since I clicked…

…Unlike in The Chronicles of Narnia, Christmas was not celebrated in The Lord of the Rings, but December 25 was still a significant date in Middle-earth’s history. When Frodo first awoke in Rivendell in The Fellowship of the Ring, Gandalf told him that it was “ten o’clock in the morning on October the twenty-fourth,” which matched the timeline from J. R. R. Tolkien’s The Lord of the Rings novel. Based on the order of scenes from the extended edition of the film, it seemed that the Council of Elrond was held the next day and that the Fellowship departed from Rivendell the day after that. But as revealed in the novel, an entire month passed between the Council of Elrond and the Fellowship’s departure, giving Frodo additional time to recover from his Morgul wound. When he and his companions finally set out on their journey to destroy the One Ring, it was December 25, which would have been Christmas Day in the real world. If Die Hard can count as a Christmas movie because it takes place on Christmas Eve, The Fellowship of the Ring should qualify as well…

(11) VIDEO OF THE DAY. “Star Wars Prequels Bloopers” from seven years ago. So it’s just getting ripe…

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Scott Edelman, Mark Roth-Whitworth, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day OGH.]

Pixel Scroll 5/23/24 Shhhh. The Pixels Are Sleeping, Let’s Not Disturb Them

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Ellen Klages

(1) ELLEN KLAGES ON JEOPARDY! [Item by Steven H Silver and David Goldfarb.] One of the contestants on Wednesday’s episode was World Fantasy Award-winning, Hugo- and Nebula-shortlisted author Ellen Klages. Ellen came in third.  She was against a couple of guys who had strong buzzer abilities. The game recap can be found on J! Archive. At the break, she began the story of the scary ham story that she told at the Nebula Award Ceremony in San Jose in 2014.

David Goldfarb took notes on the episode’s sff references.

In the Double Jeopardy round, there was some SFF content in the clues.

Books From the Last Few Years, $1200: There are an infinite number of books in “The Midnight” this, a 2020 bestseller by Matt Haig

Amar Kakirde knew it was a library.

Books From the Last Few Years, $1600: This 2021 Andy Weir book about a plucky astronaut sounds like it may be a long shot

A triple stumper. (This was “Project Hail Mary”.)

Books From the Last Few Years, $800: Author Curtis Sittenfeld wonders what would’ve happened in Hillary never married Bill in the novel titled with this maiden name.

Returning champion Chris D’Amico knew Hillary’s maiden name: “What is ‘Rodham’?”

Not SF but amusing to note:

Already in the Form of a Question, $1600. A Daily Double, with $6000 on the line: In a relatively famous play, this 4-word question precedes “Deny thy father & refuse thy name”

Chris didn’t know it: he tried, “What is, ‘How now, brown cow?’”

(It was actually “Wherefore art thou Romeo?”)

(2) DANGER IN THE REAR VIEW MIRROR. At A Deep Look by Dave Hook the author is “Revisiting ‘Dangerous Visions’”. He still finds 19 of the 33 stories in the volume are “great” or “superlative”.

… With all of the circus and controversy over whether Dangerous Visions was ever as good or as important as its reputation, or whether it was overrated, or whether the Suck Fairy had visited, I approached the reread with interest, hope and no small amount of trepidation….

… I am very glad I reread Dangerous Visions, although my reactions are mixed….

Hook shares ratings and comments about the 19 stories he feels are still remarkable.

It’s worth remembering that four stories in the anthology became finalists for the Hugo and/or Nebula, and of those, three won at least one of the awards:

  • “Riders of the Purple Wage” by Philip José Farmer (tied for Hugo Award Best Novella, and a Nebula finalist)
  • “Gonna Roll the Bones” by Fritz Leiber (won the Hugo and Nebula Award for Novelette)
  • “Aye, and Gomorrah…” by Samuel R. Delany (Hugo Best Short Story finalist, and Nebula Award Short Story winner)
  • “The Jigsaw Man” by Larry Niven (Hugo Best Short Story finalist)
  • “If All Men Were Brothers, Would You Let One Marry Your Sister?” by Theodore Sturgeon (Nebula Award Novella finalist)

However, Hook points out a definite shortcoming in the anthology:

…I also observe that only three out of 33 stories (9%) were by women. I don’t know how this came to be, but it is unfortunate. It may be that Ellison heard criticism on this point for Dangerous Visions. Looking at Ellison’s 1972 anthology Again, Dangerous Visions, there is a modest improvement, with nine out of 55 stories (16%) that feature women writers….

(3) WEN-YI LEE Q&A. With “Asian Heritage in Horror Month: An Interview with Wen-yi Lee” the Horror Writers Association blog continues its thematic series.

What draws you to the horror genre?

Well, I kind of like twisted things, as a baseline. As a writer, I like that horror as a genre lets you take an abstract fear and make it tangible, and confront and take apart all its angles. I also like the big, raw feelings; I like the transportive strangeness and the sense of confrontation and catharsis. Horror and romance are Barbenheimer genre sisters, really; they’re both rooted in these big vulnerable core feelings. I love romance in my horror, or horror in my romance.

Do you include Asian and/or Pacific Islander characters and themes in your writing with purpose, and if so, what do you want to portray?

I do! The protagonist in my debut novel is Chinese American, but more often than not I write from my being Southeast Asian Chinese–specifically Singaporean–which is very different from the Asian American identity but shares enough here and there that I do resonate with Asian American work. In The Dark We Know there are elements of being unrooted compared to the white families in town that can trace their lines back generations on the land, and familial language barriers and cultural isolation are factors in the main character’s loneliness. Other times, I’m not trying to write something “cultural” and “meaningful”, but just tell a good story that happens to be rooted in a particular ethnic/cultural environment, with characters that look and sound familiar instead of the blonde/blue-eyed girls that my main characters used to be. I’m still working on putting out a true love letter to Southeast Asia’s shared iconic female ghosts…

(4) MESS CALL AT REDWALL. James Folta confesses to Literary Hub readers, “I think about the food in the Redwall books way too often.”

…Before we go any further with Redwall, an important clarification: the characters are animal-sized and their world is scaled down. Some poor, misguided folks will tell you that these books are filled with human-sized animals, but the issue has been settled by scientific polling. We’re talking about a world of whimsy here, not a freak show where some rodents fell into the Toxic Avenger ooze. And yes, I know Jacques said in a Q&A that, “the creatures in my stories are as big or small as your imagination wants them to be.” We can all agree that this is a polite smokescreen for younger readers. But we’re all adults here—the characters are small.

What seems to be most enduring about Jacques’ books for me and other readers, though, are his descriptions of food and drink. If you’ve read the books, you know what I’m talking about—no one ever just eats food in Redwall. The descriptions of food unfurl in long lists, cataloged here in impressive detail. The mice food has inspired memes, a Twitter bot, a drinking game, and a cookbook.

Jacques is sumptuous, even gratuitous in his descriptions of food and drink. In the first book, Jacques writes of “tender freshwater shrimp garnished with cream and rose leaves, devilled barley pearls in acorn puree, apple and carrot chews, marinated cabbage stalks steeped in creamed white turnip with nutmeg.” The Bellmaker has dishes of “turnovers, trifles, breads, fondants, salads, pasties, and cheeses alternated with beakers of greensap milk, mint tea, rosehip cup and elderberry wine.” Even a simple breakfast at the cave of a mouse named Bobbo in Mariel of Redwall is lavished with description: “Now, you will find a small rockpool outside to wash in, and I will prepare wild oatcakes, small fish, and gorseflower honey to break your fast.”…

(5) BEETLEJUICE BEETLEJUICE TRAILER. The official trailer for the Beetlejuice sequel dropped today.

Beetlejuice is back! After an unexpected family tragedy, three generations of the Deetz family return home to Winter River. Still haunted by Beetlejuice, Lydia’s life is turned upside down when her rebellious teenage daughter, Astrid, discovers the mysterious model of the town in the attic and the portal to the Afterlife is accidentally opened. With trouble brewing in both realms, it’s only a matter of time until someone says Beetlejuice’s name three times and the mischievous demon returns to unleash his very own brand of mayhem.

(6) CASTLE Q&A. The Chicago Tribune reports on the previously announced career honor: “Crete resident Mort Castle to get horror writers award”.

Mort Castle remembers being frightened when his third-grade teacher played Edgar Allan Poe’s short stories “The Tell-Tale Heart” and “The Pit and the Pendulum” on a phonograph.

“I was one of the weird kids who liked being scared. I dug nightmares,” said Castle of Crete.

The Horror Writers Association will present him with a Lifetime Achievement Award on June 1 during the Bram Stoker Awards ceremony at StokerCon 2024 in San Diego.

The award honors individuals whose work has influenced the horror genre substantially….

(7) FAMILY TIES. Rich Horton is working his way through the 2024 finalists: “Hugo Nominee Review: The Saint of Bright Doors, by Vajra Chandrasekera” at Strange at Ecbatan.

… The story is told primarily from the point of view of Fetter. Fetter’s mother tore his shadow from him at birth, and as a consequence, besides not casting a shadow, he is not tightly rooted to the ground: he will float into the air if he doesn’t take care. His mother also teaches him to be an assassin, from an early age, and she prepares him to commit the Five Unforgivables, as defined by his absent father’s theology — for his father is a “saint”, the Perfect and Kind. These crimes are matricide, heresy, killing of saints, patricide, and killing the Perfect and Kind. Nice family!…

(8) WHAT’S THAT RINGING? The New York Times has done an in-depth article about a controversy recently mentioned in the Scroll: “’The Hunt for Gollum’ Is Announced, Then ‘Lord of the Rings’ Fan Film Disappears”. (The link is not paywalled.)

… In 2009, Chris Bouchard, a recent film school graduate, uploaded his 39-minute “Lord of the Rings” fan film, “The Hunt for Gollum,” to YouTube. At the time, the platform was still, in his words, full of “five-minute videos of people’s cats.”

The site promoted Bouchard’s movie on its homepage, and within 24 hours, he had more than one million views. Today more than 13 million have watched the film, cementing it as a fan favorite.

So it came as a surprise recently when Bouchard received a text from an old friend saying that Warner Bros. had announced a planned addition to its growing “Lord of the Rings” franchise. The name of the movie? “The Hunt for Gollum.”…

… After getting the text, “at first I thought he was pulling my leg,” Bouchard said of his friend. Soon, online articles were embedding the fan film in their coverage of the Warner Bros. announcement, leading younger fans to it for the first time while older ones relived its lo-fi magic.

But by the next morning, Bouchard’s 15-year-old work had disappeared from YouTube. Viewers clicking on the link were shown a message stating, “This video contains content from Warner Bros. Entertainment, who has blocked it on copyright grounds.”…

… But YouTube denied the appeal. So, like eagles over Mordor, the Ringers, as the fans are known, swooped in. They wrote articles and posted heated comments on Reddit and other sites, calling the removal “deplorable” and “despicable.” Bouchard noted his disappointment on X.

Bouchard quickly received a follow-up email from YouTube: The movie had been reinstated. In an email, Warner Bros. said it had no official comment. YouTube did not reply to requests for comment….

(9) H. BRUCE FRANKLIN (1934-2024). Black Gate reports that scholar H. Bruce Franklin died May 19 at the age of 90. He was the emeritus John Cotton Dana endowed Professor of English and American Studies at Rutgers University-Newark and author of numerous books, essays, and exhibitions related to science fiction.  

During the 1960s, Dr. Franklin was fired from Stanford despite being tenured supposedly for inciting student anti-Vietnam war protests. A former Air Force navigator and intelligence office in the Strategic Air Command, he also resigned his commission in protest of that war.

He won the Science Fiction Research Association’s Pioneer Award for his article “The Vietnam War as American SF and Fantasy” (Science Fiction Studies Nov 1990).  He also received SFRA’s Pilgrim Award, an Eaton Award, and was named a Distinguished Scholar for the International Association for Fantastic in the Arts.

(10) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

May 23, 1921 — James Blish. (Died 1975.)

By Paul Weimer. For me, my reading of James Blish revolves around two axes.

The first is Star Trek. I’ve not read a ton of Star Trek novels and stories. I don’t consider myself that well read in them, even as I remember at one point it seemed the SFF section of Borders and B Dalton were half Star Trek novels and the like. But when you, reader, having watched lots of repeats of the original series are confronted with a book with the title Spock Must Die, reading it becomes a moral imperative.  It’s a clever book, even if I don’t like the (now distinctly non-canonical) fate of the Klingon Commander, Koloth.  I’ve also read a couple of his adaptations of episodes that he turned into short stories, which is a pretty unique way to go about things. Has anyone else done that, turning tv episodes of a series into short stories? 

James Blish on his Vespa in the Sixties.

But what I remember Blish for the most is Cities in Flight.  I came across this one by accident. Somewhere along the line, I had read Oswald Spengler, whose racial theories are pants, but I was fascinated for a long while (and still am) with his attempts to systemize history into cycles. One really can’t, and he does a lot of plates spinning to make his formulations work.  (and yet, seeing that he sees the West in a period headed toward “Caesarism” and the rise of fascism in Europe and America, I still wonder). But somewhere along the line, I came across a reference that Blish had used a Spenglerian type of history for his Cities in Flight in sequence. 

And so I had to go read it.  The idea is bonkers, outfitting whole cities to go out into space is an idea that simply should not work.  (And yet, it’s an idea which has come time and again ever since).  But the idea of the Okies culture rising, changing, growing as the cities of Earth explore the galaxy and try to make a living is a compelling one. Characters? Plots?  I really don’t remember either for the novel sequence. But the basic ideas (including a devastating nuclear weapon type), especially the spindizzy drive itself, stuck with me.  And of course, the fact that the head of the migrating cities is the city of New York, of course, warmed and warms my ex-pat New Yorker’s heart. And a novel sequence that concludes with the end (or is it the beginning of a new one?) universe is as big a stakes as you can possibly ever get. 

I’ve also read A Case of Conscience, which I feel is a prelude or an overture to the work of Mary Doria Russell, and maybe in another vein, Walter M Miller Jr.

(11) COMICS SECTION.

(12) EYE-OPENING GAMES. In Nature, Sam Illingworth discusses “Why role-playing games can spur climate action”.

… Imagine you are the mayor of a coastal city. How high would you build a sea wall, for example, to offer protection from future flooding? The decision involves balancing the risks of breaches against the cost of construction, without knowing how fast seas might rise or what the wider consequences of building it might be.

It is hard to anticipate the complexity of the decisions that we will all face as the world warms. But, as a game designer and education researcher, I know that games — and, in particular, role-playing games — can be an invaluable tool for helping us think through scenarios. By getting players to deal with situations in a simulated environment, games can help us to explore options in a risk-free way.

For example, I’ve used the board game Terraforming Mars to introduce young adults to the ethics of space colonization. Players control corporations competing to transform Mars into a habitable planet by extracting resources, building cities and creating green spaces. Nearly every session evolves into a heated debate about diverting resources to make a new ‘Earth’ instead of fixing the one we have….

(13) STRANGER WILL STAY ON STAGE. “‘Stranger Things: The First Shadow’ Trailer Teases Horrific Rise of Henry Creel as West End Play Extends Into 2025” – Variety tells where to find the trailer and the stage show.

“Stranger Things: The First Shadow,” the stage play based on Netflix‘s hit sci-fi drama of the same name, will extend its run on London’s West End into 2025. Previously, shows were only scheduled through Dec. 14, but tickets are now available through Feb. 16.

The news comes as Netflix debuts an official trailer for “The First Shadow,” which serves as a “Stranger Things” prequel. Set in 1959 Hawkins, Ind., “The First Shadow” tells the origin story of Henry Creel, a new kid in town who later goes on to become Vecna, the villain introduced in “Stranger Things” Season 4….

(14) KEEPING TIME. Here’s another reverential look at “John Williams and the Music of ‘Star Wars’” at Take Note.

…John Williams’s neoclassical approach combines elements of classic Hollywood composers (Max Steiner’s leitmotifs and physical action, Alfred Newman’s lush string writing, Erich Wolfgang Korngold’s heroic fanfares, and Bernard Herrmann’s suspenseful ostinati) as well as Americana concert composers (such as Aaron Copland and Howard Hanson), and even some of the jazzy piano-based scores of Henry Mancini. 

He is a product of his time, and he found the right collaborator in Steven Spielberg; the two represent one of the most productive director/composer relationships in history….

(15) ON THE LOOSE. [Item by Mark Roth-Whitworth.] Be on the watch for Mongo (or maybe, if we’re lucky, the planet Porno…) “Euclid telescope spies rogue planets floating free in Milky Way” in the Guardian.

Astronomers have spotted dozens of rogue planets floating free from their stars after turning the Euclid space telescope to look at a distant region of the Milky Way.

The wandering worlds were seen deep inside the Orion nebula, a giant cloud of dust and gas 1,500 light years away, and described in the first scientific results announced by Euclid mission researchers.

The European Space Agency (Esa) launched the €1bn (£851m) observatory last summer on a six-year mission to create a 3D map of the cosmos. Armed with its images, scientists hope to understand more about the mysterious 95% of the universe that is unexplained….

(16) MOMENT IN THE SUN. [Item by SF Concatenation’s Jonathan Cowie.] Today’s Nature cover is quite nifty. Link to cover and contents here.

The Sun undergoes an 11-year cycle that results in a variation of its magnetic field, readily seen in the creation and movement of sunspots. Conventional models assert that the origins of this solar dynamo lie deep within the star, but in this week’s issue, Geoffrey Vasil and colleagues present a model that suggests the opposite is true. The researchers identify that instabilities very close to the Sun’s surface provide a better explanation of the various features of the solar dynamo. The cover is a composite of some 150 images of the Sun taken by NASA’s Solar Dynamics Observatory between 2010 and 2020, capturing variations in the Sun’s magnetic field over nearly a full sunspot cycle.

There is an “Instability could explain the Sun’s curious cycle” short review item on this here (paywalled).

The primary research paper is at the link.

(17) URANUS PROBE. And in this edition there is a comment piece…. “Why the European Space Agency should join the US mission to Uranus”

Without international partnerships, NASA’s ground-breaking mission could fail to be ready in time for its optimal launch window.

This week, space and planetary scientists are meeting at the Goddard Space Flight Centre in Greenbelt, Maryland, to scope out a new flagship NASA mission — the Uranus Orbiter and Probe. Still on the drawing board, the project would entail sending a spacecraft to orbit Uranus and drop a probe into the planet’s atmosphere. The spacecraft, which could be built and launched within a decade, would investigate the nature of Uranus, including its unusual tilt and magnetic field. It would also search the planet’s moons for signs of hidden oceans and other potentially habitable environments.

Such a mission would be ground-breaking — the first to orbit an ‘ice giant’ planet. Thought to be made mostly of ices, or perhaps dominated by rocks, ice giants Uranus and Neptune have more exotic chemistry than do Jupiter and Saturn, which as ‘gas giants’ consist mainly of hydrogen and helium gas1,2. Ice giants are also the most common type of exoplanet in the Milky Way3. With characteristics that lie between those of gas giants and of Earth and other terrestrial planets, it’s crucial to learn how such systems formed and evolved.

That’s why the Uranus Orbiter and Probe was given priority status in the 2022 US Planetary Science and Astrobiology Decadal Survey. And NASA is set to lead it. At the Goddard workshop, scientists will scope out the mission and consider its design, technologies and costs.

The mission has been under discussion for some time, and it will be exciting to see it begin to take shape. But, to make sure it is successful and happens as quickly and cost-effectively as possible, we would like to see others involved in its design, too. As a first step, we call for the European Space Agency (ESA) to join the project by, for example, building the entry probe — a possibility that was foreseen in the decadal report and has been assessed by ESA but has not yet been agreed.

Uranus

[Thanks to Kathy Sullivan, Mike Kennedy, Steven H Silver, Mark Roth-Whitworth, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, and Teddy Harvia for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 6/8/23 What Happens When Pixels Go Walkabout?

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(1) CHENGDU WORLDCON VENUE CONSTRUCTION UPDATE. The Chengdu Worldcon committee is meeting in China and Vice Chair and Hugo co-Administrator Dave McCarty is there.

He has added a photo gallery to his Facebook page showing the progress in constructing what will be the main venue, called the Chengdu Science Fiction Museum in press reports.

McCarty says, “The current completion projection for the building, lake that surrounds it, and park that contains it is now August 30.”

(2) WISCON BOX SCORE. WisCon 46, held May 26-29 in Madison Wisconsin, was a hybrid convention, with some events being in-person and others being virtual. Attendance for the con was:

570 in-person for all or part of the weekend (the limit was 600);

154 online memberships.

(3) THE FIRST LOTR MOVIE NEVER MADE. Den of Geek mined the letters of Tolkien to rediscover “The 1950s Lord of the Rings Movie That J.R.R. Tolkien Absolutely Hated”. The proposal was agented by Forrest J Ackerman, known for many things good and bad, among them his long record of making cameo appearances in movies. It’s interesting to speculate where he might have shown up in a Fifties version of Lord of the Rings.

All of the English-language screen versions of The Hobbit and The Lord of the Rings came out after J.R.R. Tolkien passed away in 1973, so we’ll sadly never know what he might have thought of them. But things were nearly quite different. In the late 1950s, Tolkien and his publishers seriously considered a proposal for an animated film, which even got to the script stage before the project was eventually scrapped.

In 1957, Tolkien was approached by an American film agent, Forrest J. Ackerman, about a proposed animated film adaptation of The Lord of the Rings. Early on, Tolkien was really quite positive about the idea, in a pragmatic sort of way. At this stage, Tolkien was shown some drawings and color photographs to indicate the sort of look they were going for in the animation, and he read a “Story Line,” a synopsis of the film’s proposed plot….

By June 1958, however, Tolkien had finished going through [Morton Grady] Zimmerman’s treatment and was thoroughly unimpressed. He sent Ackerman a copy of the script complete with his own notes and comments. A lengthy series of extracts were published along with his letter to Ackerman in The Letters of JRR Tolkien. Here are a few highlights…

… Tolkien had historical issues with Zimmerman’s treatment of Rohan and the Rohirrim, too. He complains that “in such time” kings like Théoden did not have private bedrooms, presumably meaning in Northern Europe during the early medieval period, which is roughly the inspiration for Rohan. He also said they did not have glass windows that could be thrown open, something he felt strongly enough about to put two exclamation marks on, and added, “We might be in a hotel.”…

(4) PAUL ECKSTEIN (1963-2023). Paul Eckstein, co-creator and executive producer of the drama series Godfather of Harlem and an actor who appeared on Star Trek: Voyager and Star Trek: Deep Space Nine and many other shows, died June 6 at the age of 59 reports Deadline.

…Before co-creating Godfather of Harlem, along with his writing partner Brancato, Eckstein led the writers room on the first year of the hit Netflix drama Narcos. Eckstein also wrote and produced the Disney/ABC biblical series Of Kings and Prophets on location in South Africa. His other writing credits include Street Time, Law & Order: Criminal Intent and The Dead Zone….

(5) JOSHUA QUAGMIRE (1952-2023). Cutey Bunny creator Joshua Quagmire (Richard Lester) died in a Santa Monica, CA hospital around May 28 reports Taral Wayne. His sister posted this notice in social media:

(6) MEMORY LANE.

1991 – [Written by Cat Eldridge from a choice by Mike Glyer.]

I’m a big fan of Michael Swanwick having first encountered him when I read his Jack Faust novel and then the Iron Dragon’s Daughter trilogy. What I’ve read of The Periodic Table of Science Fiction flash fiction was quite enjoyable. 

Our Beginning is that of Stations of the Tide which I really like. It was first published by William Morrow and Company thirty-two years ago in hardcover and paperback editions. The cover art is by Daniel Horne. 

It would win a Nebula as well an SF Chronicle Award while being nominated for a Hugo at MagiCon. It was nominated for a John W. Campbell Memorial Award as well. 

Here is this really great Beginning….

The Leviathan Said

The bureaucrat fell from the sky. 

For an instant Miranda lay blue and white beneath him, the icecaps fat and ready to melt, and then he was down. He took a highspeed across the stony plains of the Piedmont to the heliostat terminus at Port Richmond, and caught the first flight out. The airship Leviathan lofted him across the fall line and over the forests and coral hills of the Tidewater. Specialized ecologies were astir there, preparing for the transforming magic of the jubilee tides. In ramshackle villages and hidden plantations people made their varied provisions for the evacuation. 

The Leviathan’s lounge was deserted. Hands clasped behind him, the bureaucrat stared moodily out the stern windows. The Piedmont was dim and blue, a storm front on the horizon. He imagined the falls, where fish-hawks hovered on rising thermals and the river Noon cascaded down and lost its name. Below, the Tidewater swarmed with life, like blue-green mold growing magnified in a petri dish. The thought of all the mud and poverty down there depressed him. He yearned for the cool, sterile environments of deep space. 

Bright specks of color floated on the brown water, coffles of houseboats being towed upriver as the haut-bourgeois prudently made for the Port Richmond incline while the rates were still low. He touched a window control and the jungle leaped up at him, misty trees resolving into individual leaves. The heliostat’s shadow rippled along the north bank of the river, skimming lightly over mud flats, swaying phragmites, and gnarled water oaks. Startled, a clutch of acorn-mimetic octopi dropped from a low branch, brown circles of water fleeing as they jetted into the silt.

 “Smell that air,” Korda’s surrogate said. 

The bureaucrat sniffed. He smelled the faint odor of soil from the baskets of hanging vines, and a sweet whiff of droppings from the wicker birdcages. “Could use a cleansing, I suppose.”

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 8, 1910 — John W. Campbell Jr., 1910 – 1971.  As you well know, he was editor of Astounding Science Fiction (later to be called Analog Science Fiction and Fact) from late 1937 until his death and was part of the Golden Age of Science Fiction. His novella Who Goes There? was adapted as The Thing from Another World, The Thing and yes once again as The Thing. (Died 1971.)
  • Born June 8, 1915 — Frank Riley. He’s best known for They’d Rather Be Right (co-written with Mark Clifton) which won a Hugo Award for Best Novel at Clevention. Originally published in serialized form in Astounding unlike his eight short SF stories that were all published in If. His “The Executioner” was the cover story for the April 1956 issue of If. (Died 1996.)
  • Born June 8, 1917 — George D. Wallace. He’s here for playing Commando Cody in the early Fifties Radar Men from the Moon movie serial. He would later show up as the Bosun on Forbidden Planet, and had minor roles late in his career in Multiplicity, Bicentennial Man and Minority Report. He also played a Star Fleet Admiral in “The Man of the People” episode of The Next Generation. (Died 2005.)
  • Born June 8, 1928 — Kate Wilhelm. Author of the Hugo Award–winning Where Late the Sweet Birds Sang. She also won a Hugo Award for Best Related Book and a Locus Award for Best Nonfiction for Storyteller: Writing Lessons and More from 27 Years of the Clarion Writers’ Workshop. SFWA renamed their Solstice Award the Kate Wilhelm Solstice Award. She established the Clarion Workshop with her husband Damon Knight and writer Robin Scott Wilson. (Died 2018.)
  • Born June 8, 1946 — Elizabeth A. Lynn, 77. She is well known for being one of the first sff writers to introduce gay and lesbian characters as part of her stories. So in honor of her, the widely known A Different Light chain of LGBT bookstores took its name from her novel of that name. Her best known work is The Chronicles of Tornor series. 
  • Born June 8, 1947 — Sara Paretsky, 76. Best best known for her private detective novels focused on V.I. Warshawski, she has one genre novel in Ghost Country. It, too, involves V.I. Warshawski and may or may not involve things of supernatural nature.

(8) COMICS SECTION.

  • Bliss has a special on kaiju cuisine.
  • Loose Parts supplies a scene that was left out of the Book of Jonah.
  • The Far Side  shows the moment before a time travel mistake becomes a tragedy.
  • xkcd takes up the skepticism about UFO evidence. (There may also be SJW credentials involved….)
  • Thatababy stages a peculiar race between two comparable DC and Marvel characters.

(9) MASTER PIECE. “Doctor Who stars delight fans as Master and Missy unite in new video” – RadioTimes made sure we didn’t miss it.

Doctor Who fans have had their imaginations set alight by a shared Instagram post from Sacha Dhawan and Michelle Gomez, where the Master actors can be seen strutting down a flight of stairs together.

The reason for their meeting was not given, but fans were thrilled to see them together, with each known for their popular incarnations of the Doctor’s classic arch-nemesis….

(10) ANAKIN SKYWALKER AND CASSIAN ANDOR. Variety eavesdrops on a conversation between “Diego Luna and Hayden Christiansen On How ‘Star Wars’ Has Changed Their Lives”.

Hayden Christensen and Diego Luna have never met, but as Christensen puts it, they’ve occupied the “same galaxy” for years. Christensen rocketed from teenage obscurity in Canada when George Lucas cast him as Anakin Skywalker for 2002’s “Star Wars: Episode II — Attack of the Clones” and 2005’s “Revenge of the Sith,” which chronicled the young Jedi’s transformation into the iconic villain Darth Vader. The Mexican-born Luna — who rose to prominence in Alfonso Cuarón’s 2001 coming-of-age masterpiece “Y tu mamá también” — joined “Star Wars” for 2016’s “Rogue One,” a prequel about the band of rebel spies, led by Luna’s Cassian Andor, that steal the plans for the Death Star….

CHRISTENSEN: I’d really love to hear about how you got into “Rogue One.” You were already a very established actor.

LUNA: It was the first time such secrecy happened around anything I was going to be part of. I was asked by my agent to meet someone for something that couldn’t be said on the phone. I went into a meeting in a restaurant that was completely empty. There was a guy sitting in the corner with a computer open, and this was Gareth [Edwards], the director. I sat down with him, and it was just us for four hours.

CHRISTENSEN: So you had no concept that it was “Star Wars” at all at this point?

LUNA: My agent said, “This might be ‘Star Wars.’” I guess she didn’t want me to get excited about anything. Gareth explained to me the whole film, and he said at the end, “I would really like you to play this role.” I said to him, “But I don’t see myself here. I love these films, but how do I fit here? No one has my accent. I’ve never thought this could be possible.” He basically said, “Since I saw ‘Y tu mamá también,’ I thought you could be great for a role like this. I want that kind of tone in the film. I want that realism, that feeling that it’s everyday life.” I never thought that a film like “Y tu mamá también” would get me the chance to be in the world of “Star Wars.”

CHRISTENSEN: That’s what I love about it. It’s a much darker and more grounded sort of take. I think it was very important for “Star Wars.” I love your performance. There’s so much subtlety to it and nuance to it, which you can’t always get in stories like these.

(11) OCTOTHORPE. The summer of fun continues! Episode 85 is “Super Smart or Completely the Opposite”.

John Coxon is at a convention, Alison Scott is in a cottage, and Liz Batty is not at a festival. This time we have a bevy of letters of comment, discussions about Satellite 8 and the Hugo Awards, and also picks. One pick is for some obscure book you won’t have heard of.

(12) NATURE BARS THE DOOR TO AI. [Item by SF Concatenation’s Jonathan Cowie.] Nature, the world’s leading multidisciplinary science journal (well perhaps rivaling Science but that’s the other side of the Pond and we all know what goes on there (in part thanks to File770)), is the latest to ban AI use in its content. “Why Nature will not allow the use of generative AI in images and video”.

Saying ‘no’ to this kind of visual content is a question of research integrity, consent, privacy and intellectual-property protection….

 Apart from in articles that are specifically about AI, Nature will not be publishing any content in which photography, videos or illustrations have been created wholly or partly using generative AI, at least for the foreseeable future.

Artists, filmmakers, illustrators and photographers whom we commission and work with will be asked to confirm that none of the work they submit has been generated or augmented using generative AI

Why are we disallowing the use of generative AI in visual content? Ultimately, it is a question of integrity. The process of publishing — as far as both science and art are concerned — is underpinned by a shared commitment to integrity. That includes transparency. As researchers, editors and publishers, we all need to know the sources of data and images, so that these can be verified as accurate and true. Existing generative AI tools do not provide access to their sources so that such verification can happen.

Then there’s attribution: when existing work is used or cited, it must be attributed. This is a core principle of science and art, and generative AI tools do not conform to this expectation.

Consent and permission are also factors. These must be obtained if, for example, people are being identified or the intellectual property of artists and illustrators is involved. Again, common applications of generative AI fail these tests.

Generative AI systems are being trained on images for which no efforts have been made to identify the source. Copyright-protected works are routinely being used to train generative AI without appropriate permissions. In some cases, privacy is also being violated — for example, when generative AI systems create what look like photographs or videos of people without their consent. In addition to privacy concerns, the ease with which these ‘deepfakes’ can be created is accelerating the spread of false information

Appropriate caveats

For now, Nature is allowing the inclusion of text that has been produced with the assistance of generative AI, providing this is done with appropriate caveats (see go.nature.com/3cbrjbb). The use of such large language model (LLM) tools needs to be documented in a paper’s methods or acknowledgements section, and we expect authors to provide sources for all data, including those generated with the assistance of AI. Furthermore, no LLM tool will be accepted as an author on a research paper.

(13) DUELING PLATFORMS. With the upcoming Apple TV+ release of The Crowded Room, JustWatch has compiled its quality content ranking of the most popular streaming platforms.

The top position belongs to Apple TV+, with a 0.66 point lead over the global giant: Netflix, which is struggling in fifth place despite such hits as “Squid Game” and “Stranger Things”. 

Apple TV+ attributes this advantage to a number of highly rated TV Shows such as Ted Lasso, which won 11 Primetime Emmys, and Severance with 2 Primetime Emmys under its belt. The film Coda won 3 Oscars, making Apple TV+ the first-ever streamer to win Best Picture, Best Supporting Actor and Best Adapted Screenplay.

[Thanks to John King Tarpinian, Chris Barkley, Michael Toman, Darrah Chavey, Lise Andreasen, Taral Wayne, Kathy Sullivan, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]