Lockerbie, 1988 by Mary Thorson; (Cotton Xenomorph, October 13, 2024)
SHORT STORY
“Skeeter’s Bar and Grill” by Julie Hastrup; (Larceny & Last Chances: 22 Stories of Mystery & Suspense, Superior Shores Press)
“The Wind Phone” by Josh Pachter; (Ellery Queen’s Mystery Magazine, September/October 2024)
“The Heist” by Bill Pronzini; (Shamus and Anthony Commit Capers: Ten Tales of Criminals, Crooks, and Culprits, Level Best Books)
“The Last Chance Coalition” by Judy Penz Sheluk; (Larceny & Last Chances: 22 Stories of Mystery & Suspense, Superior Shores Press)
“The Kratz Gambit” by Mark Thielman; (Private Dicks and Disco Balls: Private Eyes in the Dyn-O-Mite Seventies, Down & Out Books)
LONG STORY
“How Mary’s Garden Grew” by Elizabeth Elwood; (Ellery Queen’s Mystery Magazine, January/February 2024)
“Heart of Darkness” by Tammy Euliano; (Scattered, Smothered, Covered & Chunked: Crime Fiction Inspired by Waffle House, Down & Out Books)
“Putting Things Right” by Peter W. J. Hayes; (Thrill Ride – The Magazine, December 21, 2024)
“Motive Factor X” by Joseph Andre Thomas; (Howls from the Scene of the Crime: A Crime Horror Anthology, Howl Society Press)
“Cold Comfort” by Andrew Welsh-Huggins; (Private Dicks and Disco Balls: Private Eyes in the Dyn-O-Mite Seventies, Down & Out Books)
NOVELETTE
“A Band of Scheming Women” by Joslyn Chase; (Thrill Ride – The Magazine, March 21, 2024)
“Christmas Dinner” by Robert Lopresti; (Alfred Hitchcock’s Mystery Magazine, November/December 2024)
“Barracuda Backfire” by Tom Milani; (Chop Shop Episode 4, Down & Out Books, April 1, 2024)
“Her Dangerously Clever Hands” by Karen Odden; (Crimeucopia – Through the Past Darkly, Murderous Ink Press)
“The Cadillac Job” by Stacy Woodson (Chop Shop Episode 1, Down & Out Books, January 1, 2024)
ANTHOLOGY
Devil’s Snare: Best New England Crime Stories 2024, Edited by Susan Oleksiw, Ang Pompano, Leslie Wheeler, Crime Spell Books
Friend of the Devil: Crime Fiction Inspired by the Songs of the Grateful Dead, Edited by Josh Pachter, Down & Out Books
Larceny & Last Chances: 22 Stories of Mystery & Suspense, Edited by Judy Penz Sheluk, Superior Shores Press
Murder, Neat: A SleuthSayers Anthology; Edited by Michael Bracken and Barb Goffman, Level Best Books
New York State of Crime: Murder New York Style 6, Edited by D.M. Barr and Joseph R.G. De Marco, Down & Out Books
The 13th Letter, Edited by Donna Carrick, Carrick Publishing
DOVE AWARD
The Detective/Mystery Caucus of the Popular Culture Assocation has named the 2025 Dove Award recipient. The Dove Award is named for mystery-fiction scholar George N. Dove and given to “individuals who have contributed to the serious study of mystery, detective, and crime fiction.”
Dove Awardee: David Geherin, professor emeritus of English at Eastern Michigan University, who is an Edgar nominee in the Best Critical/Biographical category this year for Organized Crime on Page and Screen: Portrayals in Hit Novels, Films, and Television Shows. He received earlier Edgar nominations for The Crime World of Michael Connelly: A Study of His Works and Their Adaptations (2022), Scene of the Crime: The Importance of Place in Crime and Mystery Fiction (2008; also nominated for a Macavity Award), and The American Private Eye: The Image in Fiction (1985). His other books include Carl Hiaasen: Sunshine State Satirist (2019), Funny Thing About Murder: Modes of Humor in Crime Fiction and Films (2017), Small Towns in Recent American Crime Fiction (2015), and Elmore Leonard (1989).
Nero Award for the best American Mystery written in the tradition of Rex Stout’s Nero Wolfe stories:
Ariel Lawhon — The Frozen River
The Black Orchid Novella Award, presented jointly by The Wolfe Pack andAlfred Hitchcock Mystery Magazine,celebrates the novella format popularized by Stout
T. M. Bradshaw: “Double Take.” It will be published in the July 2025 issue of AHMM.
Honorable mentions for the Black Orchid Novella Award include Peter Hoppock’s “Precipice”; Andrew Kass’s “Deadline”; Jenny Ramaley’s “Workplace Rules for a Fire-Breathing Dragon”; and Ella Rutledge’s “Murder at the Y.T.D.”
Walking into the almost fully restored, more than century-old, one-time Waukegan Public Library — that is now the Waukegan History Museum at the Carnegie — visitors can take a step back in time….
…Lori Nerheim, the historical society’s president, said part of the intent of the $15 million restoration was to give visitors a feel for the experience a young Ray Bradbury had when he spent hours there as a boy reading and nurturing the imagination which led the famed author to the writing of his books.
“We wanted to bring it back to its original look and feel,” she said of the museum operated jointly by the historical society and the Waukegan Park District. “I feel tremendous pride. I am excited to see people’s reaction.”
… To enter the building, visitors ascend a few steps before entering the door where they see a staircase on either side leading to two floors of permanent exhibits, and before them some steps going to the top, main floor containing a permanent exhibit honoring Bradbury as well as a room for research.
Before the building closed as the library in 1965, the room containing the Bradbury exhibit was the children’s reading room. He spent hours there in the 1920s and 1930s reading and developing his thirst for books. Nerheim said she hopes the environment will inspire future authors.
“I can see children today sitting in that room where Ray Bradbury sat as a child and reading books he read,” she said. “Perhaps they will be inspired to write or tell their own stories.”
Filling the bookcases in the Bradbury room are the author’s private collection of thousands of volumes he willed to the Waukegan Public Library when he died in 2012…..
(2) FAMOUS BOOKSTORE MAY REOPEN ‘NEXT WEEK’. Mysterious Galaxy bookstore in San Diego is in the process of repairing flood damage sustained in late February. On Monday their latest newsletter gave a progress report: “Flooded! Curbside Pickup Is Available!”
First, thank you to all of the customers, authors, publishers, and other community members that have reached out to offer their support in the last week. The outpouring of support has been incredibly heartwarming and has helped us get through the uncertainty of the last week. We also want to extend a special thank you to our fellow independent bookstores who have offered support including opening their spaces for last minute event venues. This is truly a special book community and one we are so happy to be a part of.
We wanted to reach out with an update on the store and forecast of what’s to come. As this situation is continually evolving, there may be additional changes, but we promise to communicate as much as possible.
The good news: No inventory was damaged in the flooding. THE BOOKS ARE OK! The vinyl flooring is also intact and does not need to be removed.
The bad news: The carpet in the children’s section was flooded and is being replaced. Additionally, they found some significant water damage in the walls on the west side of the unit as well as in the wall behind the YA section separating the front area of the store from the back room. The drywall needs to be replaced. There was also damage to the fixtures.
What does this mean?: Mysterious Galaxy is currently closed to in-store shopping and events. If you purchased a ticket to an upcoming event, please keep a lookout for an email with more information. However, the demo has already begun and we are hoping to reopen to browsing by early next week! (*knocks on wood*) The construction is such that it is not safe to have customers browsing at this time. However, fortunately (or unfortunately) for us, we are not strangers to running a closed bookstore, and we are ready to work through the challenges that are sure to arise in the coming weeks.
Several arts organizations sued the National Endowment for the Arts on Thursday, challenging its new requirement that grant applicants agree to comply with President Trump’s executive orders by promising not to promote “gender ideology.”
The groups that filed the suit have made or supported art about transgender and nonbinary people, and have received N.E.A. funding in the past. They say the new requirement unconstitutionally threatens their eligibility for future grants.
“Because they seek to affirm transgender and nonbinary identities and experiences in the projects for which they seek funding, plaintiffs are effectively barred by the ‘gender ideology’ certification and prohibition from receiving N.E.A. grants on artistic merit and excellence grounds,” the lawsuit says.
The groups are being represented in the litigation by the American Civil Liberties Union, which said in the lawsuit that the N.E.A. rule “has sowed chaos in the funding of arts projects across the United States.” After Mr. Trump began his second term, the N.E.A. said it would require grant applicants to agree “that federal funds shall not be used to promote gender ideology,” which Mr. Trump said in an executive order includes “the false claim that males can identify as and thus become women and vice versa.”
The N.E.A. did not immediately respond to a request for comment.
The suit was filed in a federal court in Rhode Island on behalf of Rhode Island Latino Arts, which promotes art made by Latinos; the Theater Offensive, an organization in Boston that presents work “by, for and about queer and trans people of color”; and National Queer Theater, a New York company best known for its Criminal Queerness Festival, which presents the work of international artists with roots in countries where their sexuality is criminalized or censored.
JRR Tolkien was so irritated by a careless typist’s slapdash work on one of his manuscripts that he vented his frustration in a letter that has come to light.
The Lord of the Rings author said in despair: “She reduced [my manuscript] to nonsense. I have some sympathy with the typist faced with such unfamiliar matter; though evidently she wasn’t paying much attention.”
He mocked her confusion of “poche for poetic, highballs(!) for high halls, and arias for cries”.
The letter is within a collection of largely unpublished correspondence that reflects Tolkien’s loathing of sloppiness and love of language.
It is part of an archive that includes the last major Tolkien manuscript in private hands, The Road Goes Ever On, his collaboration with the composer Donald Swann of the musical comedy duo Flanders and Swann….
…What’s about to happen is the debut of Alien: Earth, FX’s upcoming show set years before any of the Alien films. It follows a team of soldiers who investigate a ship that has crashed on Earth and are forced to deal with what it contains. We assume, of course, that it contains something that will eventually create an alien, but what exactly? …
…So here you get to see the cat get the camera put on him and walk around a bit. The key takeaway is the end where we see a computer—much like Mother in the first Alien—with a very similar “Priority One” message: “Acquisition and safe return of all organisms for analysis. All other considerations secondary.” So, this ship was sent out to find something. And find something, it did….
…We see one of the crew members in hypersleep when something goes wrong. A fire. Is this the incident that started the crash back to Earth? What caused the fire? We don’t know.
All of this is a very cool way to tease the show and it’s culminating later this week in Austin, Texas. That’s where FX has recreated the crash site of the Maginot for fans to check out at SXSW. Learn more about that here.…
…We’re talking about the possibility of Star Trek: Janeway, a series focused on the return of Kate Mulgrew as Admiral Kathryn Janeway, set sometime after the events of Prodigy and perhaps, after the events of Picard Season 3. Speaking to a crowd of fans during the official Star Trek Cruise, Mulgrew answered a question about the possibility of a Janeway-focused spinoff TV series, or, failing that, her returning to the franchise in any capacity.
Mulgrew has long been vocal about galvanizing fans, which partially resulted in Star Trek: Prodigy Season 2 ending up on Netflix. But in terms of any new Star Trek series focusing on the post-Voyager era, nothing on the current Paramount+ slate fits that description. Strange New Worlds will run for at least two more seasons, and Starfleet Academy is expected to debut either later this year or sometime in 2026. At the same event on the Star Trek: The Cruise,Mulgrew expressed concerns that a Janeway live-action series might not live up to what fans wanted. And she also didn’t want to do a show as a “vanity project.”
…Frank Herbert’s masterpiece Dune emerged from various fascinating influences, beginning with an unlikely source: the Oregon coast. In 1957, after publishing his novel The Dragon in the Sea, Herbert traveled to Florence, Oregon, where he observed the U.S. Department of Agriculture’s efforts to stabilize massive dunes using poverty grasses. The sight of these imposing dunes, which Herbert believed could “swallow whole cities, lakes, rivers, highways,” sparked a deep interest in ecology and desert environments that would become central to his epic novel. The ecological themes in Dune were further shaped by Herbert’s interactions with Native American mentors, particularly Howard Hansen and “Indian Henry” Martin from the Quileute reservation. Hansen’s warning that white men were “eating the earth” and could turn the planet into a wasteland “just like North Africa” resonated deeply with Herbert, who incorporated these environmental concerns into his story….
Many science fiction novels include predictions regarding technology, but Frank Herbert deliberately stayed away from that. Instead, Herbert’s novels focus on the power of the human mind and its ability to focus on discipline to overcome fears and regain control over thoughts, feelings, and even bodily functions. Herbert summed this up in one of his most iconic quoted Dune lines:
“Fear is the mind-killer.”…
(9) TODAY’S BIRTHDAY.
[Written by Paul Weimer.]
March 6, 1928 — William F. Nolan. (Died 2021.)
By Paul Weimer: Is the crystal in your palm blinking?
While he did write two sequels to it, plenty of short stories, a number of screenplays and a fair number of critical works, the name William F. Nolan means one and one thing only for me: Logan’s Run.
Well, two, if you count the movie.
The book, co-authored with George Clayton Johnson, came first. Ironically, while I read the book first, and only saw the movie some years later, the edition I read of the book first and had for years until it fell apart was one of those “movie/tv tie in” editions, that even had some stills/photos from the movie in it. So I “saw” a couple of scenes from the movie thanks to reading and re-reading this edition long before actually watching the movie.
Such a strange, wild book. 21 is the age of mandatory death., the triumph of youth. Feels very weird, today, in our sometimes gerontocratic governments. You’ll never get away from a homer, homer, homer. Casual use of drugs. Casual sex. It’s a good thing that my parents never knew what was in the book, they’d have been shocked. A breakneck plot and scenes all across the country, from domed cities to the frozen prison of hell to Crazy Horse and the Thinker, to a Civil War re-enactment with robots!
I did visit Crazy Horse in 2008, inspired by the novel, and was disappointed in how slow the construction has gone (far different than in the Logan’s Run timeline). It’s…worse than a tourist trap, somehow. Alas.
But the movie is something else. The future as a giant enclosed shopping mall. Lots of things missing from the books and a very different set of confrontations–the original book has a fight with a tiger, but the movie has…house cats? And the utter disappointment that while in the book some people are escaping and becoming free, in the movie, apparently, they all were frozen into frozen food by Box, who was turned from a chilling sadist into a figure of comedy in the movie. And yet like the book, the movie subtly is suggesting that the current world order cannot stand, and in fact must change, or else.
Yes, this birthday turned into a Logan’s Run’s remembrance rather than a Nolan remembrance. Nolan died in 2021. Requiescat in pace.
The SimpsonsTreehouse of Horror VIII “The HΩmega Man” Original Kang and Kudos Production Cel (Fox, 1997). This original production cel from The Simpsons episode “Treehouse of Horror VIII” (Season 9, Episode 4) features the iconic alien duo Kang and Kodos Johnson from Rigel 7. Taken from the first segment, “The HΩmega Man,” this rare cel captures their brief yet hilarious appearance as they witness Springfield’s demise from space. In the segment, France launches a neutron bomb at Springfield after Mayor Quimby insults the French with a “frog legs” joke. As the bomb travels through space, it flies past Kang and Kodos’ flying saucer, prompting Kang to exclaim, “What the hell was that?” This humorous moment occurs near the 2:58 timestamp, adding to the duo’s memorable cameos.
(12) AHH, ROMANCE. Booklegger tells Facebook readers how a bookstore figured into a couple’s anniversary celebration.
A few days ago I noticed a customer browsing the shelves in the science fiction/fantasy section. I asked him if there was anything I could help him find. “No, I’m doing fine, thanks,” he responded,” “but actually I do have a question I wanted to ask you.” His expression was animated and I wondered where this was heading.
He went on to tell me that he and his girlfriend were approaching their first anniversary, and that they had come to Booklegger on their first date. They were planning on re-creating that first date by visiting Dick Taylor for chocolates, and then coming to our store. He had created a little 42 page book for her as an anniversary gift, and he wondered if he could come in on the morning of their anniversary and plant the book on our shelves for her to find when they came to our shop later in the day.
I was 100% on board with this idea! What a compliment that they had their first date at our place, and what a sweet, creative surprise to mark the occasion. So this morning just as we opened Kiloe came in and showed me the book that he had created. 42 pages of things that he adores about Sarah, inside jokes between them, remembrance of fun things they’ve done together etc. And yes, it’s 42 things because they are both fans of Douglas Adams. He planted the book between Jim Butcher titles, knowing that she would browse that area….
Annualized revenue for public companies exposed to the build-out of AI infrastructure increased by over $340 billion from 2022 through 2024Q4 (and is projected to increase by almost $580 billion by end-2025). In contrast, annualized real investment in AI-related categories in the US GDP accounts has only risen by $42 billion over the same period. This sharp divergence has prompted questions from investors about why US GDP is not receiving a larger boost from AI….
Or, as I think it was Cory Doctorow posted months ago, they haven’t come up with a real, usefull killer usage for the thing. I am reminded of a news story on the radio in the early oughts, after the tech bubble collapsed, som3eone saying “they were spending money like mad, making fancy websites… and hoping that they’d eventually find a way to monetize it (they didn’t).
(14) WATER IN THE EARLY UNIVERSE. [Item by SF Concatenation’s Jonathan Cowie.] One of the determinants many think is the need for water for life.
Of course, if you are not a primacy of water person then this news will be of lesser import…
Scientists from the University of Portsmouth have discovered that water was already present in the Universe 100-200 million years after the Big Bang.
The discovery means habitable planets could have started forming much earlier – before the first galaxies formed and billions of years earlier than was previously thought.
It is the first time water has been modelled in the primordial universe.
According to the researchers’ simulations, water molecules began forming shortly after the first supernova explosions, known as Population III (Pop III) supernovae. These cosmic events, which occurred in the first generation of stars, were essential for creating the heavy elements – such as oxygen – required for water to exist.
The key finding is that primordial supernovae formed water in the Universe that predated the first galaxies.
Dr Daniel Whalen, from the University of Portsmouth’s Institute of Cosmology and Gravitation
Dr Whalen said: “Before the first stars exploded, there was no water in the Universe because there was no oxygen. Only very simple nuclei survived the Big Bang – hydrogen, helium, lithium and trace amounts of barium and boron.
“Oxygen, forged in the hearts of these supernovae, combined with hydrogen to form water, paving the way for the creation of the essential elements needed for life.”…
A privately owned lunar lander touched down on the moon with a drill, drone and rovers for NASA and other customers Thursday, but quickly ran into trouble and may have fallen over.
Intuitive Machines said it was uncertain whether its Athena lander was upright near the moon’s south pole — standing 15 feet (4.7 meters) tall — or lying sideways like its first spacecraft from a year ago. Controllers rushed to turn off some of the lander’s equipment to conserve power while trying to determine what went wrong.
[Thanks to SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, Steven French, Mark Barsotti, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Jayn.]
The Nero Award is presented each year to an author for the best American Mystery written in the tradition of Rex Stout’s Nero Wolfe stories.
Stephen Spotswood for Fortune Favors the Dead (Doubleday).
2021 BLACK ORCHID NOVELLA AWARD
The Black Orchid Novella Award is presented jointly by The Wolfe Pack and Alfred Hitchcock Mystery Magazine to celebrate the novella format popularized by Rex Stout.
Alexis Stefanovich-Thomson for “The Man Who Went Down Under.” The novella will be published in the July 2022 issue of Alfred Hitchcock Mystery Magazine.
Honorable mentions for the Black Orchid Novella Award went to:
“Bad Apples” by Kathleen Marple Kalb (writing as Nikki Knight)
“The Inside Shake” by Jason Koontz
“House of Tigers” by William Burton McCormick
“The Mystery of the Missing Woman” by Regina M. Sestak
Sansom is the creator of the bestselling Shardlake series, set in the reign of Henry VIII and following the sixteenth-century lawyer-detective Matthew Shardlake and his assistant Jack Barak.
[Thanks to Cora Buhlert and Todd Mason for these stories.]
The Nero Award is presented each year to an author for the best American Mystery written in the tradition of Rex Stout’s Nero Wolfe stories.
David Baldacci for One Good Deed (Hatchette Book Group, an imprint of Grand Central Publishing).
2020 BLACK ORCHID NOVELLA AWARD
The Black Orchid Novella Award is presented jointly by The Wolfe Pack and Alfred Hitchcock Mystery Magazine to celebrate the novella format popularized by Rex Stout.
Tom Larsen for El Cuerpo en el Barril (The Body in the Barrel) to be published in the July 2021 issue of Alfred Hitchcock Mystery Magazine.
Last week File770 covered my reporting on Amazing Stories and their submission system. Steve Davidson commented on that Pixel Scroll article and it lead to some discussions between he and I. I published an update this morning and figured I’d pass it along in case you were interested in it…
Sanford recounts an unnamed author’s description of problems they had getting the status of a submission to Amazing Stories, and how he put it to the test.
…After talking with authors like the person above and seeing comments from many other writers who said they didn’t receive rejections, I decided to do more digging into the Amazing Stories submission system. I set up two test accounts of my own in their system, one using a Yahoo account and the other a Gmail account. I didn’t receive either of the initial email verifications for these accounts or the multiple password resets I requested. These emails didn’t even arrive in my spam folders.
I also examined the email header and code from one of the Amazing Stories rejections which an author did receive and forwarded to me. This rejection email was sent through the Amazing Stories submission system using a Gmail account as the send-from address with a separate reply-to address using the amazingstories.com domain. (Note: I won’t publish these email addresses to respect the privacy of the people working on Amazing Stories.)
The author quoted above used Gmail, as did some of other authors who said they didn’t receive their rejection emails. One of the test accounts I set up was also a Gmail account. Google should not block emails sent between valid Gmail accounts, so the failure of these emails to arrive into other Gmail accounts strongly suggests something was wrong with how the Amazing Stories system was set up or sending out emails.
After doing these tests I spoke with Steve Davidson about all this. His complete response is quoted below. Steve said he’d pass along the information about the email verification and password resets to his webmaster to be investigated and, if needed, fixed.
A few hours after Steve said his webmaster would look into the issue, I again tested the password resets. They now worked and I received the emails in my Yahoo and Gmail test accounts. Another author also confirmed they now worked where they hadn’t before.
In short, shortly before I raised this issue with Steve the emails wouldn’t arrive from their system. After Steve said he’d let his webmaster know about the issue, the emailed worked. This alone strongly suggests there was an issue with Amazing Stories’ system.
I hope this means the issue the Amazing Stories submission system is fixed. I personally want to see Amazing Stories succeed with their relaunch and believe most people in the genre feel the same. And there’s no shame with admitting a new submission system had some issues. Galaxy’s Edge recently had a major submission glitch with a number of subs being lost. They posted a message explaining the issue and even authors whose submissions were lost appeared to be cool with everything….
…While we investigated and then explained that the issue(s) were on the recipient’s end of the email chain (spam folder, settings that were overly sensitive to automated messages originating with our server’s email program) we nevertheless have changed the system to originate from a Gmail sending account, which ought to make it past nearly everyone’s electronic censors.
We are also adding an FAQ and a direct contact button on our submissions page; we’ve re-written the rejection notice and have re-examined our internal policy for when more personalized rejection emails will be sent.
One “issue” that apparently exacerbated this situation for some was the fact that we were not made aware of the problem(s) for some authors directly, which we believe ought to have been the first step on the part of people having issues. We received over 200 submissions the first day we opened and have processed several hundred more since; the number of direct queries we received regarding failed communications can be counted on one hand.
Each of those was handled on an individual case bases and, from our end, did not appear to rise to the level of a “systemic” problem that needed to be looked into more deeply.
In point of fact, our native email server was sending out the appropriate status update messages (it was checked numerous times), but some recipient email servers were rejecting the messages, most likely because they originated from an unfamiliar source (our email server) AND were automated status updates.
From our end, everything appeared to be working as it should and, lacking feedback to the contrary, we were in no position to do anything about it.
Once we were made aware of the problem, we thought that an explanation would prompt users to look into their email servers and address the issue with their providers. Since this largely seems to not have been done and we continued to receive complaints, we have taken the steps outlined above.
If you continue to have an issue with email communications from our website, we STRONGLY request that you contact us directly.
(2) BEYOND COCKYGATE. Elsewhere, Jason Sanford has surfaced another interesting trademark claim. The thread starts here.
(3) BUSTED. Is it true that JDA has a lot more followers in Twitter than he did a few days ago?
@NMamatas yeah, but Jon, did you just buy 5000 Twitter followers some time this week? Did you think nobody would notice a sudden jump from under 4K to 9K? are you THAT desperate? your follower feed just filled up with this junk pic.twitter.com/JhhVGSzJJf
— Funning-Kruger Effect (@1stjohn1six) June 26, 2018
(4) NERO AWARD. The “Nero” is presented annually by The Wolfe Pack for the best American Mystery. The award criteria include:
written in the tradition of Rex Stout’s Nero Wolfe stories
first published in the year preceding the award year
“The Campbell Machine” plumbs the obsessions behind several of his ideas about the human mind.
…In “Design Flaw,” Campbell had argued that the solution to highway hypnosis lay in “a solid engineering job,” and psionics was his attempt to frame the project in terms that he thought would appeal to his readers, prompting them to collect data that would illuminate the unexplored aspects of consciousness that had resulted in Joe’s accident. The editor had once held out similar hopes for dianetics, but now his motives were far more personal. He had been unable to avenge his stepson directly, so he would overthrow all of physics and psychology instead.
If he proved unable to stick with it for long, this only reflected a pattern that had been evident throughout his life. In his article on Joe’s death, Campbell had claimed that some people had “an acquired immunity” to highway hypnosis, but he didn’t mention that he included himself in that category, or that he attributed it to the hell of his youth. On the day after the crash, he had written a long letter to his father, explaining why he was impervious to hypnotic trances. The drivers who were the most at risk, he wrote, were the ones who were good at concentrating, and Campbell was “not just intellectually afraid of it—deeply and effectively afraid.”
He placed the responsibility for this squarely on his parents: “You and Mother so disagreed that I had a hell of a time trying to satisfy the requirements which both of you placed on me; doing so was inherently impossible, and it was damned uncomfortable. But you did give me a life-long immunity to highway hypnosis!” His childhood had taught him to survive, but at a devastating cost: “You and Mother between you gave me immunity to many things that neither one of you could have; either of you could have crippled me. . . . At the time, of course, I felt a vast injustice; I do not forgive you, because that’s a useless and arrogant thing.”…
(6) LUND OBIT. Land of the Giants actress Deanna Lund, 81, died June 22. The Hollywood Reporter obituary begins —
Deanna Lund, who played one of the seven castaways trying to survive in a world of large, unfriendly people on the 1960s ABC series Land of the Giants, has died. She was 81.
Lund died Friday at her home in Century City of pancreatic cancer, her daughter, actress and novelist Michele Matheson, told The Hollywood Reporter. She was diagnosed in September.
Lund starred as Valerie Scott, a selfish party girl, on the Irwin Allen-created series, which aired for two seasons, from September 1968 until March 1970.
Set in the year 1983, 20th Century Fox’s Land of the Giants revolved around the crew and passengers of the spaceship Spindrift, which on the way to London crashed on a planet whose humanoid inhabitants were hostile and unbelievably huge. The show was extremely expensive to make, costing a reported $250,000 an episode.
The sexy Lund had appeared as a redheaded lesbian stripper opposite Frank Sinatra in Tony Rome (1967) and as Anna Gram, a moll working for The Riddler (John Astin), on ABC’s Batman, leading to her being cast on the show….
Mike Kennedy sent the link with an observation: “So, a Russian oligarch is heading up a ‘space-based democracy’ which is to be ‘a united supra-national space state open to all people on Earth.’ What could possibly go wrong?”
The space nation held an incredible ceremony on Monday inaugurating its self-declared leader Igor Ashurbeyli as its head of state. Ashurbeyli is a Russian billionaire whose money comes from weapons systems. His backing has allowed Asgardia to thrive and he wants the country to join the UN, but to do so it must have a functioning government. It elected a parliament in April (a motley collection of international characters between the ages of 40 and 80, as specified by the Asgardian constitution) followed by Ashurbeyli declaring himself head of state.
To celebrate the momentous occasion, the Asgardians held a fantastical celebration at the 13th century Hofburg palace, the former principal imperial palace in the center of Vienna, Austria. It was creepy. It was beautiful. It was elegant and magical in a way that Terra-based ceremonies no longer are and it began with children introducing cosmonaut Oleg Artemiev who shared a very special message from the International Space Station.
Astronaut Edwin “Buzz” Aldrin has sued two of his children and former business manager for trying to take control of his finances and accused them of “slander” for saying he suffers from dementia.
The 88-year-old said in a lawsuit that Janice Aldrin, Andrew Aldrin, and former manager Christina Korp are included in the lawsuit which claimed they took control of millions of dollars of “space memorabilia” and his company finances “for their own self-dealing and enrichment”. Mr Aldrin owns BuzzAldrin Enterprises and a charity group called the ShareSpace Foundation.
He has also accused the three of elder exploitation for “knowingly and through deception or intimidation” keeping him from his property as well as stifling his “personal romantic relationships”.
(9) SYNDROME ROUNDUP. Carl Slaughter picked these out —
It’s the moment that had Stranger Things fans screaming: adorkable Radio Shack manager Bob Newby (played by geek icon Sean Astin) uses his technical savvy to save the day, only to become chow for the monstrous Demodogs. Bob’s shocking death scene is arguably the biggest highlight of the show’s second season, replacing #JusticeForBarb with #JusticeForBob as a trending Twitter topic. It also provides some of the best evidence of the show’s Emmyworthy special effects, overseen up by husband-and-wife F/X team of Paul and Christina Graff.
A story can be good but be neither superversive nor pulp. A story can be pulp but be neither superversive nor good. A story can be superversive and good but not pulp. A story can be all three (easier said than done). A story can be none of the three (easy enough—the real trick is figuring out how to win awards for it). And so on. Think of it as a Venn diagram.
However, the Filer who sent it to me says what the diagram shows is that most superversive and pulp fiction isn’t good.
Who’s right?
Regardless, what H.P.’s trying to do is define the characteristics of “superversive.”
People associated with Superversive Press have written several posts that I will be drawing from that attempt to pin down just what the term means. The best are by Tom Simon, Corey McCleery, and L. Jagi Lamplighter. Each identifies particular traits of a superversive story. Simon points to moral high ground and courage. McCleery insists that superversive stories should be aspiring/inspiring, virtuous, heroic, decisive, and non-subversive. Lamplighter argues that, for a story to be superversive, it must have good storytelling, the characters must be heroic, and the story must have an element of wonder.
These are good starting points. You can probably guess which trait I like least. “Good storytelling” isn’t useful as a trait because it conflates superversive with good. The only other term I really don’t like is “non-subversive.” If you are defining superversive in contrast with subversive, as Simon does, then it is no more than a truism. And a superversive work may subvert, indeed, it probably should.
Throughout history, those with social clout have set the standards for what’s the more acceptable pronunciation….
Like Dr. Seuss’ Star-Belly Sneetches and Plain-Belly Sneetches, there are two types of creatures — haitchers with H on their 8th letter name and aitchers with “none upon thars”.
That H isn’t so big. It’s really so small. You might think such a thing wouldn’t matter at all.
But it does — the tiny H on “(h)aitch” divides the nation. The pronunciation has become something of a social password, a spoken shibboleth distinguishing in-groupers from out-groupers. Those with social clout set the standards for what’s “in” and what’s “out” — no H has the stamp of approval.
The best kind of people are people without!
Shibboleths die hard — the opprobrium attached to haitch probably derives from its long association with Irish Catholic education. There’s no real evidence for this, mind, as Sue Butler points out, but never let facts get in the way of a good shibboleth.
It is enough to wake the tired eyes of the groggiest commuter. A striking white and pink bullet train themed around the Japanese cartoon character and marketing phenomenon Hello Kitty.
The bespoke train will begin a three month run between the western cities of Osaka and Fukuoka on Saturday.
It was unveiled by the West Japan Railway firm which hopes the use of a famous local export will boost tourism.
Hello Kitty branding features on the windows, seat covers, and flooring.
Two “devil coins” that were hidden in Scandinavian churches as part of an elaborate hoax in the 1970s have been discovered in the unlikely setting of Bath Abbey.
The most intriguing discovery, however, was two coins bearing a picture of Satan and the legend Civitas Diaboli on one side and 13 Maj Anholt 1973 on the other.
Experts figured out the coins were linked to the story of a Danish eccentric who perpetrated an elaborate 40-year hoax that was only discovered almost a decade after his death.
(15) YOUR OWN MARTIAN ODYSSEY. Red Rover, Red Rover send HiRISE right over… SYFY Wire reports “A Mars video game developed from NASA data now exists, and it’s pretty far out”. Developer Alan Chan has a new Mars rover driving game available for the Steam gaming platform. It features terrain developed from NASA data gathered by the HiRISE camera on the Mars Reconnaissance Orbiter. It also features a “ridiculously overpowered Mars rover” which is even equipped with jump jets. You can careen across (or even a bit above) Mars’ Victoria Crater, Western Cerberus, South Olympus, Jezero Crater, Bequerel Crater, Hibes Montes, Candor Chasma, Aeolis Streams, and Noctis Labyrinthus at speeds far beyond any yet achieved on Mars.
Quoting the article:
“The HiRISE camera onboard the Mars Reconnaissance Orbiter is the most powerful one of its kind ever sent to another planet,” states HiRISE Principal Investigator Alfred McEwen of the Lunar and Planetary Laboratory at the University of Arizona. “Its high resolution allows us to see Mars like never before, and helps other missions choose a safe spot to land for future exploration.”
…Red Rover is now available on Steam for $4.99, and it even supports Oculus Rift for the ultimate immersive VR experience.
[Thanks to Cat Eldridge, JJ, John King Tarpinian, Martin Morse Wooster, Mike Kennedy, Andrew Porter, Chip Hitchcock, Hampus Eckerman, and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor of the day Brian Z.]