Tag Archives: radio telescope

Pixel Scroll 11/15/24 If I Said You Had A Beautiful Pixel, Would You Scroll It Against Me?

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(1) KING JOINS RUSH FOR THE X-IT. “Stephen King leaves X, describing atmosphere as ‘too toxic’” reports the Guardian.

Stephen King has announced he is quitting X after describing the platform as “too toxic”.

In a post on X on Thursday, the author of The Shining and Shawshank Redemption wrote: “I’m leaving Twitter. Tried to stay, but the atmosphere has just become too toxic.” Referring to the rival platform launched by Mark Zuckerberg’s Meta, he added: “Follow me on Threads, if you like.”

This week, the Guardian said it would stop posting on X, citing concerns over toxic content on the platform. The German football club St Pauli, the actor Jamie Lee Curtis, the US TV journalist Don Lemon and Spanish newspaper La Vanguardia have also announced they will no longer post on the site.

On Wednesday, King denied he had called X’s owner, Elon Musk, “Trump’s new first lady” or that the world’s richest person, a staunch Donald Trump supporter, had kicked him off the platform – drawing a reply of “Hi Steve!” from Musk’s own account.

The Guardian left ahead of King:

…On Wednesday, the Guardian said it would no longer post from its official accounts because the benefits of being on the site were outweighed by the negatives, citing the “often disturbing content” found on it….

Since the election there’s been a mass X-odus. Bluesky has been one of the beneficiaries. File 770, which honestly has never had a big following at X.com, has lost 150 readers there — while gaining over 400 at Bluesky. We’re probably in somebody’s Starter Pack. Once people discover what they’ve signed up for I predict there will be a market correction…

(2) B&N BOOK OF THE YEAR. Barnes & Noble has announced James by Percival Everett as the 2024 Book of the Year reports Publishers Weekly. Filers soundly rejected my efforts to label James as being of genre interest. However, the bookseller has specially recognized two additional books, naming Impossible Creatures by Katherine Rundell (definitely genre) as its inaugural Children’s Book of the Year, and The Backyard Bird Chronicles by Amy Tan as its first-ever Gift Book of the Year. The entire list of “2024 Book of the Year Finalists” is here at B&N Reads.

(3) DARK HORSE FOR AWARDS CONSIDERATION? “You probably haven’t heard of Meanwhile on Earth. It’s only 2024’s best sci-fi movie” according to Digital Trends. A lot is revealed about the plot at the link, and there are more clips.

… Meanwhile on Earth ends the way it should end, which is to say not all is revealed, and it’s up to you to decide what happens. Remember, this isn’t a big-budget sci-fi movie, so there’s no need to satisfy a mass audience who desperately need all questions answered and all mysteries revealed.

This film doesn’t do that, and it’s better for it. The ending is either happy or sad depending on how you interpret it. I’m leaning more to the former, although like everything else in the film, happiness comes at a cost, and you’re still left asking the film’s central question: Was everything Elsa did worth it?…

(4) BEFORE THERE WAS AI. Paul O’Connor reminds us about “The Wisdom of Wally Wood”.

One particular saying of comics arts genius Wally Wood has always stuck with me:

“Never draw anything you can copy, never copy anything you can trace, never trace anything you can cut out and paste up.”

I worked in comics for several years, and then — as in Wally Wood’s day — creators were mostly paid by the page. There was a minimum quality bar you needed to hit, but quantity was the thing. As a writer, I could manage about eight finished script pages per day. That meant I wrote a comic in three days. To make my rent, I needed to write four or five comics a month. It’s largely because of those days that I still think of myself as a pulp writer at heart.

(I envied writers who went faster — still do).

In that kind of environment, you need outlines, structures, reliable starting places, formulas. And you need to work fast.

Wood’s quote hits to the heart of those requirements. If it worked before, it should work again. Don’t reinvent the wheel. Use your tools to tell the story, then tell the next story, and the next. Most of all, don’t worry about starting with a copy. By the time you finish the work, it will be your own.

One of the artists Wally Wood copied … was himself. His “22 Panels That Always Work” was a toolkit of poses and composition for injecting variety into boring panels from “some dumb writer (who) has a bunch of lame characters sitting around and talking for page after page!” (Ahem)….

(5) FORBIDDEN AGAIN. Deadline tells us: “’Forbidden Planet’ Remake Set; Brian K. Vaughan To Adapt Sci-Fi Classic”. Of course, Hugo voters know who Vaughan is. But are we excited?

Warner Bros has made a deal to mount a new version of the 1956 science fiction classic Forbidden Planet. The film will be written by comic book and screenwriter Brian K. Vaughan, and it will be produced by Emma Watts.

For its forward-thinking themes, the film is considered a north star for science fiction writing and cinema that came after it. It has never had a big-screen remake — though James Cameron reportedly once considered it — partly because the rights were complicated and difficult to untangle. The studio and Watts finally got that major obstacle out of the way….

… Vaughan is the Hugo- and Eisner Award-winning comic book writer and screenwriter whose comic creations include Y: The Last Man, Ex Machina, Runaways, Pride of Baghdad, Saga and Paper Girls. He also wrote on such comics as X-Men, Spider-Man and Captain America — and his TV work includes serving as writer, story editor and producer of three seasons of Lost, after being tapped by Damon Lindelof. Vaughan was then handpicked by Steven Spielberg to adapt Stephen King’s novel Under the Dome. He has the sci-fi bona fides….

(6) WIN THE STOKER AWARD IN HALF AN HOUR. The Horror Writers Association debuted its “official tabletop game” at StokerCon 2024 – Sudden Acts of Horror! Available from the Stop The Killer online store.  Takes 30 minutes to play.

In this fun party charades game, teams invent fake horror novel titles on-the-spot to score points and win their very own mini Bram Stoker Award®!

The game comes packaged in a box that looks and opens like a novel, and includes:

  • 460 words printed on 230 double-sided tiles
  • 1 velvety black drawstring bag with gold cord to hold the tiles
  • 1 mini (2.5″) Bram Stoker Award®
  • 3 Dice
  • 1 Sand timer
  • 1 Score pad with pencil
  • 1 Rule Book

(7) MEMORY LANE.

[Written by Cat Eldridge.]

Anniversary: — Star Trek’s “The Tholian Web”

Untold years ago this evening, Star Trek’s “The Tholian Web” first aired.

It was written by Judy Burns, her first professional script. She would later write scripts for myriad genre series including Mission: Impossible, The Six Million Dollar Man and Fantasy Island. Her co-writer was Chet Richards, this would be his only script. 

Primary guest cast was Sean Morgan as Lt. O’Neil, Barbara Babcock as the voice of Loskene who was the Tholian commander (she was Mea 3 in “A Taste of Armagedon” and Philana in “Plato’s Stepchildren” plus four voice roles), and Paul Baxley (uncredited in the episode) as the Captain of the Defiant. Baxley was the stunt coordinator for the series, and the stunt double for Shatner. 

RED ALERT, ERR, SPOILER ALERT. GO DRINK SOME KLINGON BLOOD WINE IF YOU CAN STOMACH IT. NOT ALL CAN. 

The Defiant has gone missing. Everyone can see the faintly green glowing ship, and the Enterprise is not picking up on any sensor readings. “Fascinating!” says Spock. (How many times did we hear those words in the final season?)  

Kirk decides Chekov, Bones, Spock and himself will beam over and check it out. They beam aboard the Defiant, each wearing a special suit. Everyone there is dead. Are you surprised? A Red Shirt murdered the Captain. Again, are we supposed to be surprised? This is a season three episode. I consider that season by far the weakest season. 

Then transporter seriously acts out. Scotty manages to get it almost behave but says he can take only three at a time. (Plot device!) Kirk says he’ll beam last. He vanishes. Errr, no surprise. And they can’t get a fix on him. No, I won’t say that again. 

As Chekov observes, the Defiant disappeared and took the captain with her. Shortly thereafter, aliens called the Tholians demand that the Enterprise go away. Spock, who is now in command, insists that they will not leave until Kirk is rescued.  

The Tholians decide to trap the crew there inside an energy web, and reveal that this is a part of space where people tend to go insane as if we need to be told that by now. The crew begins to go insane, again no surprise. 

Kirk is declared dead after attempts to save him have failed. Will it be any surprise that then Kirk is rescued? I think not. Will all be well in the end? What do you think? 

In a two-part episode of Enterprise, “In a Mirror, Darkly”, written by Michael Sussman, it is told that the Defiant has reappeared in the Mirror Universe of Archer’s time, where it is salvaged by the Tholians and later stolen from them by Jonathan Archer of the Terran Empire who tries but fails to become Emperor of that Empire when he is murdered by his lover so becomes Empress. All of this happening because the Defiant is the most technologically advanced starship in the Empire.

Yes, I very much like the latter story and think those episodes were very well told. Each of the regular cast here got to do something they didn’t usually get to do, actually really act. 

ENJOY THE WINE? OR NOT? EITHER WAY DO COME BACK BACK NOW. 

This is the first appearance of a Tholian in Star Trek — in this case, Commander Loskene. For this appearance, Loskene appeared only on the Enterprise’s viewscreen and was portrayed simply by a puppet created by Mike Minor. 

They would be a recurring presence in the Trek verse with three appearances in Star Trek Next Generation, seven in Deep Space Nine, Star Trek Nemesis and Enterprise twice. 

It is well worth noting as Memory Alpha says, “The approximately two dozen crew members who attend Kirk’s memorial service appear to constitute the largest assemblage of Enterprise personnel in the original series.” Having seen the rest of the various Trek series, I don’t think there’s another scene where there’s that many crew members assembled. Anyone remember one?

It is considered by most critics and a lot of fans alike to be one of the best Trek episodes done though it did not get a Hugo nomination unlike a lot of other Trek episodes. It appears we were more picky than they were. 

Need I say that both are on Paramount+?

(8) COMICS SECTION.

(9) VIDEO GAME CELEBRATES 20TH ANNIVERSARY. “’We don’t go to Ravenholm’: the story behind Half-Life 2’s most iconic level” as told in the Guardian.

At the start of Valve’s Half-Life 2, the seminal first-person shooter game that turns 20 this month, taciturn scientist Gordon Freeman is trapped within a dystopian cityscape. Armed soldiers patrol the streets, and innocent citizens wander around in a daze, bereft of purpose and future. Dr Wallace Breen, Freeman’s former boss at the scientific “research centre” Black Mesa, looks down from giant video screens, espousing the virtues of humankind’s benefactors, an alien race known as The Combine.

As Freeman stumbles through these first few levels of Half-Life 2, the player acclimatises to the horrible future laid out before them. It’s hardly the most cheerful setting, but there are some friendly faces (security guard Barney, Alyx and Eli Vance) and even moments of humour, as Dr Isaac Kleiner’s pet, a debeaked face-eating alien called Lamarr, runs amok in his laboratory. It feels safe. It feels fun. It feels familiar. There’s even a crowbar! And then, the foreshadowing. “That’s the old passage to Ravenholm,” mutters Alyx Vance during Freeman’s chapter five tour of the Black Mesa East facility. “We don’t go there any more.” You feel a shiver down your spine; you know you will end up going there.

“[Ravenholm] was a totally different environment from what the player had been in until that point,” says Dario Casali, level designer and member of the informal City 17 Cabal, a group within Valve that worked on Half-Life 2’s most famous level. “It was an outlier of a map set that survived from a pretty early build of the game, borne from a need to give the newly introduced Gravity Gun a place to shine.”

(10) STOCKHOLDER SUES HASBRO. “Hasbro sued in investor suit for allegedly lying about overpurchased inventory after pandemic demand” – Polygon analyzes the claims.

A self-described “investor rights law firm” filed a lawsuit Wednesday alleging that Hasbro, the tabletop gaming and toy company, misrepresented its excessive inventory to investors, something the firm says is a violation of federal securities laws. Polygon reached out to Hasbro for comment and has yet to hear back.

Bernstein Litowitz Berger & Grossmann (the law firm) filed a complaint in a New York court on behalf of the West Palm Beach Firefighters’ Pension Fund, asking the court to grant the case class action status — meaning other investors and stock purchasers can participate. Hasbro, like other gaming companies, saw a boost in interest and sales during the pandemic, when people were looking for things to do in their homes; games were an obvious choice. The lawsuit alleges Hasbro purchased inventory to meet that demand — but ended up buying too much. Hasbro allegedly told investors the high purchasing was necessary to “mitigate supply chain risk and meet consumer demand” ahead of the 2022 holiday season, according to the lawsuit. When that inventory sat, Hasbro said the stock “reflected outstanding and anticipated demand” and not a decreased demand. The lawsuit alleges Hasbro was intentionally misleading investors and knew it “overpurchased inventory to an extend that significantly outpaced customer demand.” The timeline makes sense: 2022 is when the world started opening up more broadly, and people were eager to get out of their houses….

…Because of all this — especially the October 2023 financial disclosures — stock prices declined and investors lost money, the lawsuit alleges, to the tune of a loss of $831 million in shareholder value. The stock value Hasbro previously had, according to the lawsuit’s claims, was due to inflated prices due to the lack of disclosures….

(11) LATE REPORT FROM THE EARLY NO-WARNING SYSTEM. Space.com tells readers: “An asteroid hit Earth just hours after being detected. It was the 3rd ‘imminent impactor’ of 2024”. “By the time the astrometry reached the impact monitoring systems, the impact had already happened.”

Last month, an asteroid impacted Earth’s atmosphere just hours after being detected —  somehow, it managed to circumvent impact monitoring systems during its approach to our planet. However, on the bright side, the object measured just 3 feet (1 meter) in diameter and posed very little threat to anything on Earth’s surface. 

This asteroid, designated 2024 UQ, was first discovered on Oct. 22 by the Asteroid Terrestrial-impact Last Alert System (ATLAS) survey in Hawaii, a network of four telescopes that scan the sky for moving objects that might be space rocks on a collision course with Earth. Two hours later, the asteroid burned up over the Pacific Ocean near California, making it an “imminent impactor.”The small amount of time between detection and impact means impact monitoring systems, operated by the European Space Agency’s Near-Earth Object Coordination Center, didn’t receive tracking data about the incoming asteroid until after it struck Earth, according to the center’s November 2024 newsletter….

(13) SPACEWOMAN DOCUMENTARY. “Trailblazer: astronaut Eileen Collins reflects on space, adventure, and the power of lifelong learning” at Physics World (registration required).

In this episode of Physics World Stories, astronaut Eileen Collins shares her extraordinary journey as the first woman to pilot and command a spacecraft. Collins broke barriers in space exploration, inspiring generations with her courage and commitment to discovery. Reflecting on her career, she discusses not only her time in space but also her lifelong sense of adventure and her recent passion for reading history books. Today, Collins frequently shares her experiences with audiences around the world, encouraging curiosity and inspiring others to pursue their dreams.

Joining the conversation is Hannah Berryman, director of the new documentary SPACEWOMAN, which is based on Collins’ memoir Through the Glass Ceiling to the Stars, co-written with Jonathan H Ward. The British filmmaker describes what attracted her to Collins’ story and the universal messages it reveals. Hosted by science communicator Andrew Glester, this episode offers a glimpse into the life of a true explorer – one whose spirit of adventure knows no bounds….

(14) HOW RADIO TELESCOPE BECAME PERMANENTLY UNPLUGGED. “Unprecedented failure led to the collapse of the world-renowned radio telescope in Puerto Rico, report shows” – NBC News has the story.

Four years after the radio telescope at the Arecibo Observatory in Puerto Rico collapsed, a report from the National Academies of Sciences, Engineering and Medicine is shining a light on the unprecedented failures that caused its destruction.

The steel cables holding up the telescope’s 900-ton receiver platform became loose because the zinc-filled sockets built to support them failed, according to the report published Oct. 25.

The failure was due to excessive “zinc creep,” a process in which the metal used to prevent corrosion or rusting on the sockets deforms and loses it grip over time, the report said.

The zinc gradually lost its hold on the cables suspending the telescope’s main platform over the reflector dish. This allowed several cables to pull out of the sockets, ultimately causing the platform to plummet into the reflector more than 400 feet below, according to the report…

[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Lise Andreasen, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Kip W.]

Pixel Scroll 11/9/24 Tea In Hand, I’ve Been Watching Pixels Playing In The Autumn Leaves

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(1) FRONT LINE GAMERS. The ChrisO_wiki on X.com has a long thread about the popularity of Warhammer 40,000 imagery among Russian and Ukranian fighters. One commenter calls it “a thread about the eclectic ideology of the current leadership of the Russian Orthodox Church, which could only be defined as a bizarre blend of traditional Russo-Soviet militarism and statism, wrapped around a pagan warrior cult.”

The entire thread can be accessed on the Thread Reader App. (What’s funny is that when I went there to look at it the first two ads shown in the thread were for toilet bowls. And since I haven’t been shopping for those online, the algorithim certainly didn’t get that idea from me!)

(2) DON’T PANIC…SO MUCH. McSweeney’s Internet Tendency mimics a professional pundit telling us “Here’s Why a Second Death Star Won’t Be That Bad”.

…I understand why people are worried, considering Palpatine has vowed retribution against Luke Skywalker, called the rebel alliance “the enemy within,” and vowed to banish millions of galactic migrants to the outer rim. But I believe that, deep down, below his contorted face, badly disfigured by the corrupting dark force surging through his veins, all Palpatine really wants to do is improve the economy. Heck, I wouldn’t be surprised if he pardoned Luke Skywalker and put this entire war behind him. Just because he’s never given the slightest indication that those are his true intentions doesn’t mean it can’t happen…

(3) SFWA FILLING VACANCIES. SFWA President Kate Ristau’s update to members today included news about changes to the organization’s staff.

In the past month, we hired a new controller and are settling in a new bookkeeper. These important roles will help continue to support our financial stability, with the leadership of our CFO, Jonathan Brazee. We have also reviewed procedures around financial transparency and fiscal responsibility. We are on a solid financial path, with healthy reserves.

After thirteen years as our Executive Director, Kate Baker will be stepping down at the end of November. We are grateful for Kate’s service and support. Former SFWA President Russell Davis has stepped in as Interim Executive Director, and we expect a full, open, and transparent hiring process to begin in the coming weeks. This process will take the hiring committee time as we restructure and look for an executive who can collaboratively guide SFWA into the future.

(4) HORROR REVIEWS. Lisa Tuttle’s “The best recent science fiction, fantasy and horror – reviews roundup” for the Guardian covers Blood Over Bright Haven by ML Wang; Jackal by Erin E. Adams; The Road to Roswell by Connie Willis; Curdle Creek by Yvonne Battle-Felton; and The Incubations by Ramsey Campbell.

(5) WHY DO TOOLS FALL IN LOVE? The name of the play is “Maybe Happy Ending.” “A New Broadway Musical Asks: Can Robots Fall in Love?” (Article is behind a New York Times paywall.)

…The story is about two outcast helperbots who meet at a robot retirement home and build a relationship while grappling with their own obsolescence, and Park thinks it is especially relatable after the coronavirus pandemic. “People have become so comfortable staying alone in their rooms and connecting to each other through a screen,” he said in a recent interview in Midtown Manhattan.

Shortly after previews began last month, Park, 41, a former K-pop lyricist who wrote the show’s lyrics, and Aronson, 43, who wrote the music — both collaborated on the book — talked about their inspirations and the different approaches to developing the show’s Korean and English versions. In a separate video call, Criss, 37, and Shen, 24, discussed the challenges of playing robots who look like humans.

Here are five things to know….

… The actors have a unique challenge.

The script spells it out: Oliver (Criss) and Claire (Shen) are robots who look like humans (they are dressed like hipsters, circa 2010).

Criss’s robot is an older model, so he, Shen and the production’s director, Michael Arden, decided that he would be the more robotic of the two main characters. That allowed Criss to draw on his training in physical theater at the Accademia dell’Arte, the performing arts school in Arezzo, Italy.

“The fear for an actor on a stage is to be like a cartoon character,” said Criss, who cited Kabuki theater, vaudeville and silent-film-era comedians as inspirations for his character’s movements and expressions. “However, because of the construct of our show, which is extremely theatrical and heightened, the more you lean into that, I think the more effective the piece.”

As for Shen’s character, the group decided that, because she was a newer model, her movements would be nearly indistinguishable from a human’s.

“It was interesting to get to work in that middle ground, that gray area,” she said.

(6) GOLDSMITHS PRIZE. The winner of the 2024 Goldsmiths Prize has been announced. This year, neither the winner nor the other shortlisted books were detectably of genre interest:

  • Parade (Rachel Cusk, Faber)

The prize, worth £10,000 and run in association with the New Statesman, was open to novels published between 1 November 2023 and 31 October 2024, written in English by citizens of the UK or Ireland, or authors who have been resident in either country for three years and have their book published there.

(7) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

Born November 9, 1934 — Carl Sagan. (Died 1996.)

By Paul Weimer: Billions and Billions of milliseconds of my life have been influenced by Carl Sagan.

It all started with Cosmos, the original TV series. I heard about it (in TV Guide!) and wanted desperately to watch it in the hallowed year of 1980. I was entranced from the first episode, which had such diverse ideas as the cosmic calendar, the Library of Alexandria and much more.  Cosmos became important must see viewing for me, and in an age before I had a VCR, I tried to use a tape recorder to capture an episode (“Heaven and Hell”, on Venus and global warming).  I was entranced and Carl Sagan is directly responsible for me being fascinated with science in general and biology and astronomy in particular. He kindled the love of science in me. While I did not ultimately end up as a scientist, my love of science grew hand in hand with my love of science fiction, and Sagan is the person to thank and point to for that. 

Besides Cosmos, his last major work, Pale Blue Dot, stands as a book that very darkly and presciently has foreseen our current political environment, where ignorance and misinformation, particularly around science, has become public policy for the Republicans. Sagan’s warnings, as well as his love of science and his defense of science as an idea, a process, that is ultimately not just worthwhile…but vital to our future. 

Sagan has written other books as well, and has been an influential figure, good and bad for a long time (I remember an Omni magazine comic that posted and posited him as a villain covering up evidence of aliens having visited Mars. That…was a bit of a shock). 

In order to celebrate Carl Sagan’s birthday, you must first invent the universe.

(8) BRADBURY, SAGAN, AND CLARKE AT CALTECH. And we’re only a couple days away from the anniversary of the panel that gave rise to Mars and the Mind of Man, a non-fiction book chronicling a public symposium at Caltech on November 12, 1971 featuring Ray Bradbury; Arthur C. Clarke; Bruce C. Murray; Carl Sagan and Walter Sullivan. The symposium occurred shortly before the Mariner 9 space probe entered orbit around Mars.

In this excerpt from the panel, Bradbury reads his poem “If Only We Had Taller Been”.

(9) COMICS SECTION.

(10) SO IT GOES. Steven Heller interviews artist Igor Karash about his illustrations for Easton Press’ forthcoming limited edition of Slaughterhouse-Five. “Kurt Vonnegut’s Time Traveler Reimagined” at PRINT Magazine.

You mentioned that you started working on it at the outset of the Ukraine-Russia war. How did it impact your work?
Not in the greatest way. When I started developing the visuals, I was predominantly moved by the idea of examining the “horrors of war,” bouncing on the borderline between the darkest side of human nature and the paradoxical presence of good (this is the main message of the book for me). And then, the first war on the European continent since WWII turned everything upside down. Ukraine for me isn’t just another country—this is where I went to art school, where I met my wife, and where both of my children were born. From day one of the Russian invasion I was closely watching and following all news from Ukraine, contacting my friends there, etc., and almost immediately my drawings of the “horrors of war” on the surface of my drawing tablet started to feel bleak, unimportant and fake compared to the tragic reality unfolding before me, and I more deeply sunk into the hole of “PEOPLE DO NOT LEARN FROM THEIR PAST. SO IT GOES.” It took me a while to find enough inner peace to continue the project.

(11) WARNING AGAINST CHATBOTS. [Item by Steven French.] The UK’s communications regulator has warned digital platform companies that ‘chatbots’ which imitate either real or fictional people, alive or dead, could fall afoul of new online safety laws: “Ofcom warns tech firms after chatbots imitate Brianna Ghey and Molly Russell”.

Ofcom said it had issued the guidance after “distressing incidents”. It highlighted a case first reported by the Daily Telegraph where Character.AI users created bots to act as virtual clones of Brianna, 16, a transgender girl who was murdered by two teenagers last year, and Molly, who took her own life in 2017 after viewing harmful online content.

It also pointed to a case in the US where a teenager died after developing a relationship with a Character.AI avatar based on a Game of Thrones character.

(12) NEUROMANCER MUSICAL ACCOMPANIMENT. [Item by Steven French.] If you’ve ever listened to Gibson’s Neuromancer in audiobook format, the soundtrack is now available separately: “Neuromancer | Black Rain | Room40” at Bandcamp.

From Lawrence English
It’s hard to imagine that this year William Gibson’s Neuromancer celebrates its 40th anniversary. Having recently re-read the book for the first time in a great many years, the world building Gibson undertook in that text and the lingering cultural spectres he conjured, feel ever so evocative of moments of our contemporary lived experience. The books continued cultural resonance has resolved in a way that captured a future reading of an, at that time of its release, unknown internet era. It was an era of promise, and imagination, of speculative hope and down right uneasiness in equal parts.

In 1994, as the books 10th anniversary was on hand, New York duo Black Rain were commissioned to make a soundtrack to the audio book version of Neuromancer. Read by the author himself, this document, originally publish on a series of cassettes, would go on to be recognised as a unique glimpse into Gibson’s sensing of the characters and places that make up the Neuromancer zone.

Following a period of work as an expanded collective, Stuart Argabright and Shinichi Shimokawa, the two core members of Black Rain, decided to strip back their unit largely to a duet format. Their focus became more engaged around studio practice, and it was this refocusing that was ultimately serendipitous. As they started work on Neuromancer a number of new approaches and techniques emerged and with them came a new sonic language the pair had only imagined previously.

The audio book was a huge success and the soundtrack too was recognised for its brooding and post-industrial electronic grind. Since that time however, the recordings have largely remained in obscurity. While a couple of the pieces have surfaced in various editions including an excellent compilation by Blackest Ever Black, the entire suite of pieces has remained unpublished until this moment.

Working off the original master tapes, this edition (like the book), folds and morphs over itself in an episodic stratification. Pieces emerge, like strange architecture, from one another forming a sonic environment that feels almost tangible. I spent many weeks working on these tapes and also on the connections between the pieces. In collaboration with Stuart, our joint aim was to create a version of the soundtrack that speaks to the very atmosphere of the text itself. It’s a delight to share this collection of work for the first time. 

(13) TUNING INTO THE MILKY WAY. [Item by Steven French.] How to build your very own handy-dandy radio telescope using only “a 1-meter satellite dish, a Raspberry Pi, and some other basic electronics such as analog-to-digital converters” (and an empty washing up liquid bottle – sorry, channelling old memories of kids tv programmes!): How to build a home radio telescope to detect clouds of hydrogen in the Milky Way (phys.org) at Phys.org.

…If I ask you to picture a radio telescope, you probably imagine a large dish pointing to the sky, or even an array of dish antennas such as the Very Large Array. What you likely don’t imagine is something that resembles a TV dish in your neighbor’s backyard. With modern electronics, it is relatively easy to build your own radio telescope. To understand how it can be done, check out a recent paper by Jack Phelps posted to the arXiv preprint server….

(14) THE QUIET FAN. The example of 2001 to the contrary, “Blue Danube” is not what a space traveler hears as he arrives at an orbital facility. “Space stations are loud — that’s why NASA is making a quiet fan” at Space.com.

Despite the International Space Station being comparable in size to a five-bedroom house, the prospect of spending months confined to a building that floats 250 miles (402 kilometers) above the Earth would be daunting for many.

You’d have to deal with limited space, a lack of privacy, the knowledge that you’re being watched, and the difficulty of performing everyday tasks in a zero-gravity environment. One thing we don’t often consider, though, when it comes to living on the International Space Station (ISS), is the sound. The constant hum of fans keeping crucial life support systems and instruments cool could get to anyone after a while, and there is nowhere to escape it.Thankfully, NASA researchers have developed a new “Quiet Space Fan” to reduce noise on crewed spacecraft, a design they plan on sharing with the industry for future use on commercial space stations.

By reducing noise at the source, NASA hopes people will be able to hear each other more clearly, become aware of alarms faster, and reduce risk of hearing loss, along with mitigating the irritation that loud, unwanted sounds can incur….

[Thanks to Steven French, Kathy Sullivan, Teddy Harvia, Mlex, Jo Fletcher, Paul Weimer, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 9/8/24 I’ve Grown Accustomed To The Doors of Your Face, the Lamps of Your Mouth

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(1) OFF THE CLOCK. “Critical Choices: Time Travel and Identity” by Rjurik Davidson at Speculative Insight.

…Psychologists suggest that your sense of self is constructed interpersonally, in relationship with others, and hence also in relationship to the social world. Individualism is nothing but a liberal myth. For example, people who venture into nature to “find themselves” typically discover the opposite: they lose any sense of their self. Isolated from society, they dissolve into their surroundings, become one with daily tasks: “catch fish,” “start fire,” “sleep.” They no longer exist. “All You Zombies” brilliantly illuminates this dissolution, counterintuitive to those schooled in Thoreau’s Walden or other such romantic myths. In the story, the main character (Jane) takes painkillers for her perpetual headache but discovers that without the pain everyone else disappears. It is as if the veil is torn from a false reality, revealing the true world beneath, seen before as through a glass darkly but now face to face – a premonition of one of Philip K. Dick’s enduring fascinations. Without mother, father, a social world, Jane’s existence manifests as a headache of existential dread. Either way, with headache or not, she experiences her plight as a pain of isolation. She is “alone in the dark.” Her declaration, “I know where I came from,” is replete with irony. Her somewhat desperate affirmation is made precisely because there is nothing but doubt. Neither she, nor the reader, actually knows where she came from – methinks that Jane dost protest too much….

(2) REWARDING TRANSLATION. Anton Hur analyzes “Literature that expands the borders of what ‘international’ can mean” in the Washington Post. (Usually there’s a paywall, but I was able to read this article. Hopefully, so will you.)

…But why have a translated literature category [for the National Book Awards] at all? Neil Clarke, the editor of the science fiction magazine Clarkesworld, had the same thought; he has argued against creating a translation category at the Hugo Awards, claiming that it would serve to further marginalize translated literature. A quick glance at the history of nominees for best novel at the Hugos reveals that a translation has been a finalist only twice, and for the same team: the redoubtable Cixin Liu, author of “The Three-Body Problem,” and his translator Ken Liu. As someone who reads translations primarily and prodigiously, you can’t make me take Clarke’s fears of “further” marginalization seriously. And it has to be said that this also applies to the National Book Awards, which simply stopped taking translated literature into consideration for more than three decades. (In writing this article, I was asked to consider what works may have been overlooked by the awards during the 2010s and, well, imagine me madly gesticulating at all the works in translation published in the eligibility periods between 2009 and 2017.)…

(3) THE DOCTOR IS IN. Jon Del Arroz proclaimed yesterday over a photo of Kirk and Spock that “Star Trek is an inherently right-wing concept. It upholds man’s greatness as being designed in the image of God and promotes manifest destiny and dominion of God’s creation.” Robert Picardo (who memorably played Voyager’s Emergency Medical Hologram) took him to task. Admittedly, the kind of attention Jon always hopes somebody will give him.

(4) FULL MOON VOTERS. “In Michigan, an ‘Unhinged Werewolf’ Will Make It Clear Who Voted” says the New York Times. (Behind a paywall.)

Plenty of the submissions in a statewide contest to design Michigan’s next “I Voted” sticker featured cherry blossoms or American flags fluttering in the wind.

Only one entry, however, depicted a werewolf clawing its shirt to tatters and howling at an unseen moon. A smattering of stars and stripes poke out from behind its brawny torso.

“I Voted,” reads a string of red, white and blue block letters floating above the creature’s open maw.

The illustration, which was created by Jane Hynous, a 12-year-old from Grosse Pointe Farms, Mich., was revealed on Wednesday as one of nine winning designs that the Michigan Department of State will offer local clerks to distribute to voters in the November election.

The werewolf sticker received more than 20,000 votes in the public contest, beating every other entry by a margin of nearly 2,000 votes, said Cheri Hardmon, a spokeswoman for the Michigan Department of State. The design gained traction on social media among those who found it fitting for an intense, and at times bewildering, moment in national politics….

(5)  FANAC FAN HISTORY ZOOM: PLOKTA. [Item by Joe Siclari.] It’s a fannish mystery how this jumped from nothing to an everyday phrase all over fandom.

The FANAC Fan History Zoom Series starts off its new season with what promises to be a fun, interesting, historical and important session as it brings back together the Plokta Cabal. The group was known for its weird news, quirky humour and radical graphics. 

September 22, 2024 – The Secret Origins of Plokta, with Steve Davies, Sue Mason, Alison Scott, and Mike Scott

Time: 2PM EDT, 1PM CDT, 11AM PDT, 7PM London (BST) & too early in Melbourne

This fannish group burst on the scene in May 1996 with the fanzine Plokta, which went on to receive two Best Fanzine Hugos, 2 Nova Awards for Best Fanzine, and Hugo nominations each year from 1999 to 2008. They are energetic, quirky and very, very funny. They are writers, artists, con runners, Worldcon bidders and fan fund winners. Join us and learn more about their secret origins, fannish impact and what they are doing now.

To attend, send an email to fanac@fanac.org

Two other Fanac Zoom session already on the calendar are:

  • October 26, 2024, Time 7PM EDT, 4PM PDT, Midnight London (sorry), and 10AM AEDT Sunday, Oct 27 Melbourne, Senior Australian fan Robin Johnson interview, with Robin Johnson, Perry Middlemiss and Leigh Edmonds
  • January 11, 2025, Time 2PM EST, 11AM PST, 7PM GMT London, and 6AM AEDT (sorry) Sunday, Jan 12 Melbourne, Out of the Ghetto and into the University: Science Fiction Fandom University Collections, with Phoenix Alexander (University of California, Riverside), Peter Balestrieri (University of Iowa), Susan Graham (University of Maryland, Baltimore County), and Richard Lynch (moderator)

(6) MEMORY LANE.

[Written by Cat Eldridge.]

Anniversary – Star Trek, The Original Series (1966).

On September 8 fifty-eight years ago the first episode of Star Trek aired. I want to talk about my favorite episode in the series, which is “Trouble with Tribbles”. Now there are other episodes that I will go to Paramount+ to watch such as “Shore Leave”, “Mirror, Mirrior” or “Balance of Terror” but is the one that I have watched by far the most and which I enjoy as just the funnest one they ever did.

It was first broadcast in the show’s second season, just after Christmas on December 29, 1967. The previous episode had been another one I also like a lot, “Wolf in the Fold”, written by Robert Bloch. 

This script, which was Gerrold’s first professional sale, bore the working title for the episode of “A Fuzzy Thing Happened to Me…” Writer and producer for the series Gene did heavy rewrites on the final version of the script.  The final draft script can be read in Gerrold’s The Trouble with Tribbles: The Story Behind Star Trek’s Most Popular Episode with much, much more on this episode. 

Memory Alpha notes that “While the episode was in production, Gene Roddenberry noticed that the story was similar to Robert Heinlein’s novel, The Rolling Stones, which featured the ‘Martian Flat Cats’. Too late, he called Heinlein to apologize and avoid a possible lawsuit. Heinlein was very understanding, and was satisfied with a simple ‘mea culpa’ by Roddenberry.”  

It of course is centered on tribbles. Wah Chang designed the original tribbles. Five hundred were sewn together during production, using pieces of extra-long rolls of carpet. Some of them had mechanical toys placed in them so they could move. 

According to Gerrold, the tribble-maker Jacqueline Cumere was paid $350. Want a tribble now? Gerrold has them for you in various sizes and colors. So if you’re in seeing these, go here. tribbletoys.com

Let’s talk about why it’s about my favorite episode. I’m watching it now on Paramount+. I’ve to come to the bar scene where Cyrano Jones is trying to sell the Bar Manager a tribble when Chekov and Uhura come in. When Uhura asks if it’s alive, it starts adorably purring (who created that purr?), and the story goes from there.

The next morning Kirk walks. Uhura and a group are admiring that her tribble has reproduced. Where there was one, there are now, I stopped the video to count fourteen in various hues. (Not sure what all of them are as I’ve got color blindness.) Really cute but remarkably not one seems concerned.

Right there it exhibits that It has some of the best script writing in the series including this choice line as Spock holds and strokes a tribble: “Its trilling seems to have a tranquilizing effect on the human nervous system. Fortunately, of course … I am immune … to its effect.” There is an amused look from Uhura and the others. 

Oh, and it has Klingons. Not the Worf-style ones. The ones that look like someone cos-played an Asian military character of a thousand years ago. So naturally that hard to lead to a bar fight, doesn’t it? It does when a Klingon calls Scotty’s Enterprise, his beloved ship, a garbage scow. Well, he actually calls it a lot of things before ending with that. Perfect, just perfect. 

Now let’s segue from that bar brawl to reworking of this episode to the Deep Space Nine episode which I need not talk about as I know you know about it: “Trials and Tribble-ations”. It would be nominated for Hugo at a LoneStarCon 2. It would digitally insert the performers from the original series into that episode. 

I’m assuming y’all know this delightful episode which I think can best have its attitude summed up in this conversation…

Sisko to Bashir: “Don’t you know anything about this period in time?” 

Bashir: I’m a doctor, not an historian.”

Dax in her red short skirt: “In the old days, operations officers wore red, command officers wore gold… (Looks at her outfit.) “And women wore less. I think I’m going to like history.” 

I’ve watched both shows back-to-back several times, which is well worth doing as they did an stellar job of making the DS9 characters work seamlessly in the old episode. (I know they weren’t actually there but still.) No wonder it got nominated for a Hugo. 

I could single out even more scenes like Kirk buried in tribbles, for how he reacts or the very subtle line about Spock’s ears, but I’ll stop here. I just adore it and “Trials and Tribble-ations” as both are entertaining, feel-good episodes. 

(7) COMICS SECTION.

(8) MAR$. The Week contrasts The Martian Chronicles with billionaires’ plans for Mars in its editorial letter, “Martian dreams”.

…Along with other sci-fi staples such as living forever and computerizing consciousness, colonizing Mars is now an obsession of our tech elite. Rocket tycoon Elon Musk has said he wants to establish a “self-sustaining civilization” of 1 million people on our neighboring planet as an insurance policy against humanity’s extinction. Yet I can’t help but think that, like Bradbury and Lowell before them, Musk and his fellow billionaires are really projecting their own beliefs onto Mars’ red vistas….

(9) HIDDEN PROPERTY INSPIRED LOVECRAFT. Charming old NYC architectural history, with a genre link! “Inside a West Village passageway leading to a hidden courtyard and 1820s backhouse” at Ephemeral New York.

…One person who made note of this Evening Post writeup when it appeared was author H.P. Lovecraft. A resident of New York City in the 1920s, this horror and science fiction writer published a short story titled “He,” which involved a narrator taking a late-night, time-traveling sojourn through Greenwich Village.

“At the conclusion of ‘He,’ a passerby finds the narrator—bloodied and broken—lying at the entrance to a Perry Street courtyard,” wrote David J. Goodwin, author of the 2023 book Midnight Rambles: H.P. Lovecraft in Gotham.

In “He,” from 1925, the narrator calls it “a grotesque hidden courtyard of the Greenwich section,” as well as “a little black court off Perry Street.”…

(10) TARA CAMPBELL READING.  Space Cowboys Books of Joshua Tree, CA will host an “Online Reading & Interview with Tara Campbell” on Tuesday September 17 at 6:00 p.m. Pacific. Register to attend for free at Eventbrite.

In the parched, post-apocalyptic Western U.S. of the 22nd Century, wolves float, bonfires sing, and devils gather to pray. Water and safety are elusive in this chaotic world of alchemical transformations, where history books bleed, dragons kiss, and gun-toting trees keep their own kind of peace. Among this menagerie of strange beasts, two sentient stone gargoyles, known only as “E” and “M,” flee the rubble of their Southwestern church in search of water. Along the way, they meet climate refugees Dolores Baker and her mother Rose, who’ve escaped the ravaged West Coast in search of a safer home. This quartet forms an uneasy alliance when they hear of a new hope: a mysterious city of dancing gargoyles. Or is it something more sinister? In this strange, terrible new world, their arrival at this elusive city could spark the destruction of everything they know. Tara Campbell summons fantastical magic in this kaleidoscopic new speculative climate fiction.

Get your copy of the book here.

(11) RADIO ASTRONOMY. [Item by Steven French.] This is pretty much standard stuff but the radio telescope itself is amazing: “Inside the ‘golden age’ of alien hunting at the Green Bank Telescope” at Physics.org.

Nestled between mountains in a secluded corner of West Virginia, a giant awakens: the Green Bank Telescope begins its nightly vigil, scanning the cosmos for secrets.

If intelligent life exists beyond Earth, there’s a good chance the teams analyzing the data from the world’s largest, fully steerable radio astronomy facility will be the first to know.

“People have been asking themselves the question, ‘Are we alone in the universe?’ ever since they first gazed up at the night sky and wondered if there were other worlds out there,” says Steve Croft, project scientist for the Breakthrough Listen initiative.

For the past decade, this groundbreaking scientific endeavor has partnered with a pioneering, US government-funded site built in the 1950s to search for “technosignatures”—traces of technology that originate far beyond our own solar system.

The search for extraterrestrial intelligence, or “SETI,” was long dismissed as the realm of eccentrics and was even cut off from federal funding by Congress thirty years ago.

But today, the field is experiencing a renaissance and seeing an influx of graduates, bolstered by advances in artificial intelligence and machine learning, as well as recent discoveries showing that nearly every star in the night sky hosts planets, many of which are Earth-like.

“It feels to me like this is something of a golden age,” says Croft, an Oxford-trained radio astronomer who began his career studying astrophysical phenomena, from supermassive black holes to the emissions of exploding stars…

(12) MERCHANT OF MENACE. Actor Vincent Price gave an entertaining interview on Aspel & Co in 1984.

(13) VIDEO OF THE DAY. Ryan George invites us step inside the Pitch Meeting that led to The Crow (2024).

[Thanks to Teddy Harvia, Mike Kennedy, Andrew Porter, Joe Siclari, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, and Kathy Sullivan for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]