Tag Archives: Christopher Lockett

Pixel Scroll 5/21/25 “I Don’t Want To Teach This Particular World To Sing,” Said Tom Dyspeptically

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(1) STURGEON AWARD NEWS. The 2025 finalists for the Theodore Sturgeon Memorial Award for the best short science fiction story have been selected. File 770 has the list here: “Theodore A. Sturgeon Memorial Award 2025 Finalists”.

(2) LUCAS MUSEUM, DUE TO OPEN IN 2026, CUTS STAFF. “Lucas Museum lays off staff in Los Angeles one year before opening” reports the San Francisco Chronicle.

The Lucas Museum of Narrative Art in Los Angeles — the $1 billion institution founded by “Star Wars” filmmaker George Lucas and his wife, Mellody Hobson — has laid off 14% of its full-time staff, a year ahead of its scheduled opening in 2026. 

Fifteen full-time employees — many from the education and public programming departments — were let go last week, along with seven part-time, on-call workers. 

The museum said the cuts were part of a “necessary shift of the institution’s focus” to ensure its timely debut in Exposition Park.

“It is a tremendously difficult decision to reorganize roles and to eliminate staff, but the restructure will allow the museum’s teams to work more efficiently to bring the museum to life for the public,” the institution confirmed in a statement to the Chronicle. “ The museum will also continue hiring new roles in strategic operational areas in anticipation of the 2026 opening.”

Among those laid off was Bernardo Rondeau, curator of film programs, who was notified while attending the Cannes Film Festival. 

The move follows the February departure of director and CEO Sandra Jackson-Dumont, whose role was divided between Lucas, now overseeing content, and Jim Gianopulos, the former chairman of 20th Century Fox and Paramount Pictures, serving as interim CEO….

Artist’s rendering of Lucas Museum of Narrative Art

(3) GRRM WILL PRODUCE NEW WALDROP ADAPTATION. George R. R. Martin has signed on with Lion Forge Entertainment to adapt Howard Waldrop’s A Dozen Tough Jobs into an adult animated feature film, The Hollywood Reporter can exclusively reveal.

The renowned author will produce the project, a reimagining of the Greek classic story of the 12 labors of Hercules. A Dozen Tough Jobs transports the mythic tale to 1920s Mississippi, where Hercules is re-envisioned as a former sharecropper fighting to regain his freedom…

… Joe R. Lansdale (Bubba Ho-Tep, Hap & Leonard) is writing the screenplay. French animation studio Blue Spirit, the Emmy-winning studio behind Netflix’s Blue Eye Samurai, will provide animation services for the film under Lion Forge Animation….

(4) JIM BUTCHER Q&A. “14 Million Books Later, Jim Butcher Thinks His Wizard Detective Needs a Hug” says the New York Times. (Interview is behind a paywall.)

… Depression, which he had struggled with for much of his life, was deadening his days. His marriage was fraying. The charming raconteur, telling jokes to hundreds of fans on the science fiction and fantasy convention circuit, belied a man in crisis. So, he made a decision to end things.

As the deadline for his next book loomed, Butcher took two bottles of pills that he’d been using to treat chronic migraines and braced for the worst. He recalled feeling terribly sick for 36 hours. But he survived.

“I am really lucky to be here,” Butcher said quietly, as his 7-year-old pit bull, Brutus — named for an earth spirit in one of his books — dozed next to him on the couch.

Afterward, he thought about what his death might have done to his two sons, James (a novelist himself) and Dylan. He felt he needed to “own up to the consequences of my choice, and what could have happened if I hadn’t just been very fortunate.”

The result was the next installment in the series, “Ghost Story.” The book followed Harry Dresden’s ghost as he tried to solve his own murder, observing the ripple effects of his death “It’s a Wonderful Life”-style. It was the first in the series that Butcher didn’t plan out chapter by chapter ahead of time.

Butcher hasn’t opened up publicly about his mental health difficulties until recently, and he’s still reluctant to discuss them. He has been divorced twice, separations that have taken a toll (though he is newly engaged). Sowards said that there was a period where she wasn’t sure when she was going to get another book from him.

“We were able to be patient, and we supported him,” she said.

For lunch, Butcher sears me a steak on the stovetop, not unlike the typical meal that McAnally, the taciturn bartender from his books, would serve up. As Butcher carefully glazes the meat with a heart-healthy balsamic, I suggest that talking to a reporter is probably not great for his blood pressure.

“I mean, I debated whether or not to do this interview,” Butcher said, after adding garlic powder.

Stepping outside into the brisk, pine-scented air, he tells me that talking about his mental health was motivated, in part, by an interaction he had with a fan. At a book signing, he met a young man carrying a printout of writing advice Butcher had published on his LiveJournal. He autographed it and offered the fan encouragement about his own writing.

Butcher thought little of it at the time. But afterward, he said, the fan got in touch to tell Butcher that he had been prepared to kill himself, and that the writer’s words of support helped him decide to keep going. Since then, the two have struck up a friendship.

“I’ve talked to other young men who’ve had the same issues,” Butcher said. “I say, ‘You’re feeling overwhelmed. You need to make your world a bit smaller for a while. Set out some reasonable goals for yourself, get up in the morning, get the bed made, get the kitchen cleaned up, make sure your house looks nice.’”…

(5) IMAGINARY PAPERS. Arizona State University’s Center for Science and the Imagination has published the latest issue of Imaginary Papers, their quarterly newsletter on science fiction worldbuilding, futures thinking, and imagination.

 In this issue, Anna Maria Grzybowska writes about Endling: Extinction is Forever, a 2022 video game exploring environmental crisis and nonhuman agency; Fitz Madrid explores psychedelic tendencies in speculative fiction, with particular attention to Philip K. Dick’s 1969 novel Ubik; and Ari Brin reports on an anthology of rediscovered stories by nineteenth-century science fiction pioneer Robert Duncan Milne.

 (6) TODAY’S DAY.

(7) DISCWORLD REREAD. Christopher Lockett continues his series with “Discworld Reread #2: Equal Rites”.

…In Equal Rites (1987), we meet the character who is, to my mind, Sir Terry’s greatest achievement. I suppose everybody has their favourites, and there are definitely a good number of characters crowding the top tier. But for me, Esmerelda “Granny” Weatherwax is the apex.

Much like The Colour of Magic and The Light Fantastic, Equal Rites is set in a Discworld that is still under construction—the shape of it identifiable in the unformed clay, which will eventually take more precise form with each sculpting session. One such refinement we already see at work is the way in which this novel’s satire is more substantive: not just taking the piss of fantasy’s tired and formulaic conventions, but pointing to the ways in which some of those conventions are reflective of broader social considerations.

Not to put too fine a point on it, but Equal Rites is very much a feminist novel. As the title’s pun might suggest … and as the opening paragraphs make clear, in case you weren’t paying attention:

“This is a story about magic and where it goes and perhaps more importantly where it comes from and why, although it doesn’t pretend to answer all or any of these questions.

“It may, however, help to explain why Gandalf never got married and why Merlin was a man. Because this is also a story about sex, although probably not in the athletic, tumbling, count-the-legs-and-divide-by-two sense unless the characters get totally beyond the author’s control. They might.

“However, it is primarily a story about a world. Here it comes now. Watch closely, the special effects are quite expensive.” (11)

A novel about magic. And sex, though probably not in the rumpy-bumpy sense of the term—which means sex in the sense of gender, which further means that, should it come under the scrutiny of the current U.S. regime, it might find itself disappeared, because D.E.I….

(8) MAKING A COUNT. “WHAT THE HELL ARE PEOPLE DOING?” asks Max Comperatore, a software developer/prompt engineer based in Argentina. His site delivers “live-ish” estimates of what the human race is doing right now, from sleeping to warfare, restroom use, and intimacy. (It doesn’t deal with really small numbers, like how many are reading File 770…)

The Changelog includes – “Fixed ‘Intimacy’ count to always be an even number.”

(9) LIPSYNCH BY AI. “What if Making Cartoons Becomes 90% Cheaper?” asks the New York Times (behind a paywall).

“Fear not! For I shall lead ye to riches beyond your wildest dreams!”

Inside a tiny recording booth in downtown Los Angeles, John Peck waited for a verdict from the voice-over engineer: Did the line sound pirate-y enough?

Try again, the engineer suggested, perhaps with more throaty emphasis on “wildest.” It might make the animated character Mr. Peck was voicing — a buccaneer with a peg leg — a tiny bit funnier.

Mr. Peck, 33, cleared his throat and gave it a whirl, prompting chuckles from the production team. A couple of clicks on a laptop later, and an artificial intelligence tool synced Mr. Peck’s voice with a cartoon pirate’s mouth movements. The character was destined for an episode of “StEvEn & Parker,” a YouTube series about rapscallion brothers that attracts 30 million unique viewers weekly.

Just a few years ago, lip-syncing a minute of animation could take up to four hours. An animator would listen to an audio track and laboriously adjust character mouths frame by frame. But Mr. Peck’s one-minute scene took 15 minutes for the A.I. tool to sync, including time spent by an artist to refine a few spots by hand.

Toonstar, the start-up behind “StEvEn & Parker,” uses A.I. throughout the production process — from honing story lines to generating imagery to dubbing dialogue for overseas audiences. “By leaning into the technology, we can make full episodes 80 percent faster and 90 percent cheaper than industry norms,” said John Attanasio, a Toonstar founder.

“This is how you build the next generation of hot intellectual property,” Mr. Attanasio added excitedly…

(10) COMICS SECTION.

(11) TURING PAPERS TO AUCTION. [Item by Steven French.] The Guardian reports“Alan Turing papers saved from shredder could fetch £150,000”. However, although the thesis is signed, the other papers are just off prints and if Filers would rather not pay £40-60,000, Turing’s foundational paper “On Computable Numbers” can be downloaded here (for free).

Widely considered the father of theoretical computer science, Alan Turing’s influence on modern life continues to be felt in the age of artificial intelligence. But despite this legacy, a cache of his most important papers was nearly shredded – only to be saved at the last minute when their significance was recognised at a family event.

At auction next month, the papers are expected to sell for as much as £150,000 in 13 separate lots.

Among the collection is the wartime codebreaker’s personal signed copy of his 1938 PhD dissertation, Systems of Logic Based on Ordinals, valued at between £40,000 to £60,000.

Also featured is his paper On Computable Numbers, also known as Turing’s proof, which introduced the world to the idea of a universal computing machine in 1936. It has been described as the first programming manual of the computer age and also has a guide price of £40,000 to £60,000….

(12) DONE WITH NO PUBLIC ANNOUNCEMENT. “Google Decided Against Offering Publishers Options in AI Search” reports Livemint.

While using web site data to build a Google Search topped with artificial intelligence-generated answers, an Alphabet Inc. executive acknowledged in an internal document that there was an alternative way to do things: They could ask web publishers for permission, or let them directly opt out of being included.

But giving publishers a choice would make training AI models in search too complicated, the company concludes in the document, which was unearthed in the company’s search antitrust trial. It said Google had a “hard red line” and would require all publishers who wanted their content to show up in the search page to also be used to feed AI features. Instead of giving options, Google decided to “silently update,” with “no public announcement” about how they were using publishers’ data, according to the document, written by Chetna Bindra, a product management executive at Google Search. “Do what we say, say what we do, but carefully.”

Site owners that rely on traffic can’t afford to skip listing on Google, which still holds more than 90% of the search market, making it a gateway to the modern web. Many have reluctantly let Google use their content to power search AI features, like AI Overviews, which provides AI-generated responses for some queries — despite the fact that the feature often eats into their traffic. By answering questions directly, AI Overviews obviates the need for users to click on links, depriving sites of opportunities to make money by showing ads and selling products….

(13) CRITIQUE OF THE AI INDUSTRY. [Item by Steven French.] Karen Hao, author of a new book in the development of AI is sceptical about a possible AI apocalypse but nevertheless argues that it could undermine democracy and has already distorted the research landscape: “’Every person that clashed with him has left’: the rise, fall and spectacular comeback of Sam Altman” in the Guardian.

The apocalyptic visions of a superintelligent AI turning against humanity have been a distraction, she thinks. “Ultimately, what’s going to cause catastrophe is people, not rogue AI, and we need to watch what the people are doing.” However, she has met people who genuinely believe AI will destroy humanity. “I spoke to people whose voices were literally quivering in fear, that is the degree to which they believe, and if you truly believe that, that’s terrifying.” Then there are those who use the idea of how AI could become so powerful as “a rhetorical tool to continue saying: ‘That’s why we good people need to continue controlling the technology and not have it be in the hands of bad people.’” But as far as Hao can see, “we’ve not gotten more democratic technologies, but more authoritarian ones.”

Neither does Hao have much sympathy for the argument that the development of AI requires huge investment. “I don’t think it needs the level of investment these companies say it needs,” she says. “They have already spent hundreds of billions of dollars on developing a technology that has yet to achieve what they said it’s going to achieve,” says Hao. “And now you expect us to spend trillions? At what point do we decide that actually they’ve just failed?

“When I was covering AI pre-ChatGPT and the wide range of research that was happening, there were such exciting ideas … ChatGPT erased people’s imaginations for what else could be possible.” Generative AI has taken over – not just OpenAI, but at other tech companies including Google’s DeepMind – and this, says Hao, “has distorted the landscape of research, because talent goes where the money goes.”

(14) SUPERMAN II AND SUPERMAN TOO. Youtuber Russkafin analyzes two directors’ input to the Superman sequel. Watch it at the link: “CUT CUT: Superman II – Lester vs Donner”.

Did you know there are two very different versions of Superman II? You’ve probably heard of “The Donner Cut” and “The Lester Cut,” but maybe you didn’t know what that meant or what the difference was. In this video we go into great detail about how and why there are two different cuts, what the differences are, and weigh in on which version ultimately holds up better.

(15) TRAILER PARK. “Disney’s ‘Zootopia 2’ Lets the Fur Fly in New Teaser” – Animation Magazine sets the frame:

…Judy and Nick find themselves on the twisting trail of a great mystery when Gary De’Snake arrives in Zootopia and turns the animal metropolis upside down. To crack the case, they must go undercover to unexpected new parts of town, where their growing partnership is tested like never before….

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Galen Charlton, Joey Eschrich, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, Steven French, Kathy Sullivan, Teddy Harvia, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 5/11/25 Scrollers Of The Purple Pixel

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(1) PARDON MY FRENCH. Mental Floss remembers “When Isaac Asimov Decided to Secretly Write Under the Name Paul French”.

If there was one author Henry Bott disliked more than any other, it was Isaac Asimov.

Bott, a book reviewer for the science fiction publication Imagination, had spent years lobbing insults at the respected writer and his work. Of Asimov’s Second Foundation, published in 1953, Bott wrote that Asimov was “neither a writer nor a storyteller” and could churn out only “elephantine prose.” Second Foundation was, Bott observed, “not a good book.”

After another seemingly personal review followed, this one for The Caves of Steel, an irritated Asimov penned a fiery retort in which he referred to Bott as “The Nameless One” in the fan publication Peon [PDF]. More volleys followed, and Asimov continued to take a shelling.

But when Asimov picked up the February 1955 issue of Imagination, he was amused to read Bott’s enthusiastic review of Lucky Starr and the Oceans of Venus, a spirited sci-fi adventure yarn that was part of an ongoing series by writer Paul French. The story, Bott effused, was gripping and worthy of a reader’s attention, though he felt it fell short of the young adult works by Robert Heinlein.

Asimov put the magazine down and began typing a letter to Imagination. This time, he would not attempt to argue with Bott. “I am sure that Mr. French, on reading this review, would feel quite good about the kind words and would feel no rancor at all about the eminently fair criticism,” Asimov wrote. “In fact, I am sure he would say he does his best to make his juveniles as good as Mr. Heinlein’s, and that perhaps he will improve as he continues to try.

“I am positive that Mr. French would say all this. The reason I am positive is that Paul French and Isaac Asimov are the same person.”…

It reminds me of the time Jerry Pournelle told us about a fan letter John W. Campbell received on the issue of Analog that contained one story by Pournelle and another under his pseudonym Wade Curtis. The fan’s verdict was: “Keep Wade Curtis but get rid of that Jerry Pournelle!”

(2) A POEM FOR BĴO.

By John Hertz: (reprinted from Vanamonde 1643) Learning that Bĵo Trimble was in the West Los Angeles Veterans Home, registered as Betty Trimble (Bĵo is short for Betty JoAnne), I sent her this.

Before others knew,
Enterprise was in your mind;
Talking, drawing, you
Took what could be to what was;
Yet humility, yet strength.

The ĵ in Bĵo is an Esperanto device indicating pronunciation bee•joe; her name has sometimes alas been written Bjo {i.e. without the circumflex over the j) – which, when I first saw it, I thought must be some Nordic name pronounced b’yo; she served in the United States Navy; the poem is an acrostic (read down the first letters of each line) in unrhymed 5-7-5-7-7-syllable lines like Japanese tanka.

(3) BAFTA TV AWARDS. Genre got totally shut out of the 2025 BAFTA awards (complete list of winners at the link).

One show of genre adjacent interest won the Specialist Factual category – Atomic People (BBC), which gathers the testimony of some of the last ‘Hibakusha’, survivors of the two atomic bombs the U.S. dropped on Japan in 1945.

(4) PARTS NOT UNKNOWN. In “A Tolkienian miscellany at Kalimac’s corner, David Bratman says another posthumous Tolkien publication is coming out this year.

If you’ve heard a rumor that yet another new book by JRRT is coming out, it’s true. The Bovadium Fragments will be appearing in the UK in October and in the US in November. “First-ever publication” as it says in the blurb is true, but “previously unknown”? Not a chance. As with some other posthumous Tolkien publication touted as “previously unknown,” its existence was first revealed in Humphrey Carpenter’s biography nearly 50 years ago. The Bovadium Fragments is mentioned there in a footnote as “a parable of the destruction of Oxford (Bovadium) by the motores manufactured by the Daemon of Vaccipratum (a reference to Lord Nuffield and his motor-works at Cowley) which block the streets, asphyxiate the inhabitants, and finally explode.” Which makes it something of a pair to an almost incoherently angry alliterative poem about motorcycles, written probably over 40 years earlier, which is no. 63 in the Collected Poems published last year, and which I think was previously unknown.

(5) CHRISTIE REANIMATED. “Agatha Christie, Who Died in 1976, Will See You in Class” reports the New York Times (behind a paywall).  

Amelia Nierenberg, who reported from London, considers “The Murder of Roger Ackroyd” to be one of the greatest books ever written.

Agatha Christie is dead. But Agatha Christie also just started teaching a writing class.

“I must confess,” she says, in a cut-glass English accent, “that this is all rather new to me.”

The literary legend, who died in 1976, has been tapped to teach a course with BBC Maestro, an online lecture series similar to MasterClass. Christie, alongside dozens of other experts, is there for any aspiring writer with 79 pounds (about $105) to spare.

She has been reanimated with the help of a team of academic researchers — who wrote a script using her writings and archival interviews — and a “digital prosthetic” made with artificial intelligence and then fitted over a real actor’s performance.

“We are not trying to pretend, in any way, that this is Agatha somehow brought to life,” Michael Levine, the chief executive of BBC Maestro, said in a phone interview. “This is just a representation of Agatha to teach her own craft.”

The course’s release coincides with a heated debate about the ethics of artificial intelligence. In Britain, a potential change to copyright law has frightened artists who fear it will allow their work to be used to train A.I. models without their consent. In this case, however, there is no copyright issue: Christie’s family, who manage her estate, are fully on board.

(6) FOR CERTAIN VALUES OF INFLUENCE. The Notion Club Papers – an Inklings Blog argues “Charles Williams Did influence JRR Tolkien’s writing – The Place of the Lion and The Notion Club Papers”.

For the past fifty years it has been normal to assume that JRR Tolkien disliked (probably because he was jealous of) Charles Williams; and that Williams did not influence Tolkien’s writing.

Despite that Tolkien personally claimed such things in writing; none of these are strictly correct. 

Tolkien was good friends with Williams, during Williams’s life – it was only some years after Williams died, when Tolkien became aware of some aspects of CW’s biography, that Tolkien turned against Williams and began to make misleading statements to play-down their friendship. 

The denial of Williams’s influence on Tolkien is more complex. As a generalization, it is true to say that the two men had different minds, aims, and literary styles – and there is no striking influence of Williams noticeable in the works Tolkien published during his lifetime – especially not The Lord of the Rings. 

But more can be said….

… It seems to me very likely that Tolkien’s writing of The Notion Club Papers was a direct consequence of the death of Charles Williams. 

The Williams derivation is seen firstly in the origins of the NCPs as a playful “alter-ego” discussion group, explicitly referencing The Inklings, read to The Inklings as work-in-progress in instalments, and with characters loosely-based on the post-Williams membership. 

In this respect I regard it as significant that there is no Notion Club member who is described as based-on the just-deceased Charles. It is as if the NCPs was a tribute to Charles’s memory, and as such to include CW among the somewhat facetious caricatures the NCP membership would have been disrespectful and altogether inappropriate. …

(7) WHERE TO START WITH PRATCHETT? Christopher Lockett begins a “Discworld Reread #1: The Colour of Magic and The Light Fantastic” at The Magical Humanist.

…Before I get into the novels proper, I feel it behoves me to address the perennial Discworld question: where to begin? I am starting at the beginning here and going in sequence for two reasons: (1) I want to be systematic and not haphazard about this, and (2) I want to watch Discworld develop and grow as I go.

But then, this is not the ideal way to approach Discworld if you’re just starting.

There are forty-one novels in total, but even though we refer to the Discworld series, it’s really not. Not a series, I mean … not in the sense of being serial, at any rate, wherein each instalment picks up where the last left off, and to have a grasp on the overarching story you must begin at the beginning and read in sequence.

That is not how Discworld works. As I’ve noted in this space previously, when asked by newbies what Discworld novel to start with, the lion’s share of Sir Terry devotees emphatically recommend against starting at the beginning…

Lockett follows with a chart of all the books that looks just one step away from being a Tom Gauld cartoon.

(8) MEMORY LANE.

[Written by Cat Eldridge.]

So Weird series (1999)

The considerable joy of doing these anniversaries is finding these series that I’ve never heard of. So it is with a Disney series called So Weird which ran for sixty-five episodes. So Weird could best be described as a younger version of the X-Files and it far darker than anything which was on Disney when it debuted in 1999. It lasted for just three seasons. 

It was centered around teen Fiona “Fi” Phillips (played by Cara DeLizia) who toured with her rocker mom Molly Phillips (played by Mackenzie Phillips). They kept running into strange and very unworldly things. For the third and final season, she was replaced by Alexz Johnson playing Annie Thelen after the other actress gets the jones to see if she could make in Hollywood. (Well she didn’t.)

The story is that one of the characters, Annie, while visiting an Egyptian museum encounters a cat who once belonged to Egyptian queen that now wants her very much missed companion back. Yes, both the cat and the princess are either immortal or of the undead. 

The writer of this episode, Eleah Horwitz, had little genre background having written just three Slider episodes and a previous one in this series. He’d later be a production assistant on ALF. 

Now if you went looking to watch So Weird’s “Meow” on the Disney service after it debuted, that service which is not Disney+ originally pulled the second season within days of adding the series but returned it a month later within any reason for having pulled it. The show has never been released on DVD. 

However the first five episodes in the first season of the series were novelized and published by Disney Press as mass-market paperbacks, beginning with Family Reunion by Cathy East Dubowski. (I know the Wiki page says Parke Godwin wrote it but the Amazon illustration of the novel cover shows her name. So unless this is one of his pen names, it is not by him.) You can find the other four that were novelized in the Amazon app by simply doing So Weird + the episode name. No they are not available at the usual suspects.

I didn’t find hardly any critics who reviewed it, hardly surprising given it was on the Disney channel but those that did really liked it including John Dougherty at America: The Jesuit Review: “As a kid, my favorite show was about death. Well, not just death: it was also about faith, sacrifice and trying to make sense of life’s ineffable mysteries. Strangest of all, I watched it on the Disney Channel. ‘So Weird’ ran for three seasons from 1999 to 2001. It was Disney’s attempt to create a kid-friendly version of ‘The X-Files,’ tapping into an in-vogue fascination with ghosts, alien encounters and other paranormal phenomena. In practice, it became something more: a meditation on mystery and mortality.” 

I think I’ll leave it there. 

For those of you with Disney+, it’s streaming there.

(9) COMICS SECTION.

(10) ALAN MOORE Q&A. At Alan Moore World: “Long London, Magic & the future of Humanity”.

…In many of your works, Imagination or the Elsewhere often invades Reality. We see this, obviously, in Long London, Providence, Promethea, the League, the story about Thunderman in Illuminations, and so on. Often the world of Imagination influences or interferes, when it does not directly override, the Real one. Could you elaborate on the interconnected relationship between Reality and Imagination, and how your concept of Idea-Space and Magic is linked to it?

Alan Moore: I have to start by carefully defining what is meant by the term ‘reality’. It seems to me that what you most probably mean is material reality. My own position is that while we are indeed apparently part of and surrounded by a material reality (I say apparently because we all compose material reality moment by moment on the loom of our perceptions and are unable to prove that it is actually there, this being the hard problem of consciousness), we are just as evidently part of and immersed in the immaterial reality of our own thought processes. Since material science, which rightly requires empirical testing and repeatable experiments, cannot measure or meaningfully investigate human consciousness, it has tended to argue away consciousness as a ‘ghost in the machine’, and to insist that the only true reality is the material reality for which it has metrics and theories. This has percolated down into the ordinary person on the street’s default worldview, where to say that something is only happening in someone’s mind is to say that it isn’t happening, and by extension that our thoughts and inner workings are not real. Now, thanks to the hard problem of consciousness referred to earlier, while I cannot conclusively state that everybody else’s thoughts and inner workings are real, I can assure you that mine definitely are. In fact, again thanks to the hard problem of consciousness, my thoughts and inner workings are the only things in all existence that I know to be real. The imagination is the sole phenomenon that we know not to be imaginary….

(11) YESTERDAY’S SCALZI BIRTHDAY CELEBRATION. That was clever.

Horatio and his paid intern Jojo wish author @scalzi.com a happy birthday!#Caturday #StarterVillain #HoratioTheCat #JojoThePirateCat

— Centre County Library & Historical Museum (@centrecolibrary.bsky.social) 2025-05-10T15:10:08.924Z

(12) CONAN OUTSIDE THE BOX. “Frazetta Icon Collectibles Conan 1:12 Action Figure Demo”.

As FrazettaGirls designer and project manager I am proud to invite you to join me at the Coffee table for an exciting unboxing and demonstration of the upcoming Frazetta Icon Collectibles Action Figure, Conan The Barbarian!

(13) WHAT IS THE WEIRDEST FILM EVER MADE? [Item by SF Concatenation’s Jonathan Cowie.] Moid Moidelhoff over at Media Death Cult asks this question over three days of weed-enhanced film watching.  He comes up with a few recommendations and also asks cult members to provide their suggestions in the ‘comments’ (worth having a skim). In the process, he scares himself sh*tless and has a nervous breakdown…  But he comes up with some interesting choices including a previous film by the folk behind the Hugo-winning Everything, Everywhere, All at Once and also the best killer tyre film of all time.  You can see the 21-minute video here:

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, Steven French, Kathy Sullivan, and Teddy Harvia  for some of these stories. Title credit belongs to File 770 contributing editor of the day Paul Weimer.]

Pixel Scroll 4/9/25 Do Not Scroll Gentle In That Good File, Pixels Should Burn And Rave At End Of Thread

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(1) MURDERBOT TRAILER. Murderbot premieres May 16 on Apple TV+.

It’s rogue. It’s powerful. It would rather be watching TV. Based on the award-winning, best-selling series by Martha Wells, Murderbot follows a rogue security unit as it searches for the meaning of life.

(2) BABELING ABOUT BOOKS. Starship Alexandria is a new podcast by Emma Newman and Adrian Tchaikovsky.

The Sci-fi and Fantasy podcast from the best of futures!

In this future, humanity has solved its problems and is now sending spaceships from Earth, not in a desperate attempt to escape the apocalypse but because we can do so in a spirit of hope and exploration. 

As a part of the Starship Alexandria Project, the far-future analogues of 21st century authors Emma Newman and Adrian Tchaikovsky have been tasked to make recommendations from the ship’s vast library of creative works based on the preferences of our 21st century counterparts.

Each of us will take it in turns to nominate a book, film or similar work, and the other will play judge and give the thumbs up or thumbs down to be recommended across the fleet.

Because despite the great technological advances that have made this grand journey possible, space travel can still take a while and everyone can benefit from a good recommendation. 

Starship Alexandria episode 1 is “The Kraken Wakes”.

For this very first episode of Starship Alexandria, Emma puts forward John Wyndham’s classic SF novel The Kraken Wakes (1953) for Adrian to read and consider (published in the US as Out of the Deeps.) 

Bonus episodes and other material are available for those who subscribe to the Starship Alexandria Patreon.

(3) MAKING A STATEMENT. Jeremy Szal forwarded the post he’s written making clear his stance on AI/LLM. Szal is also included in the Kadrey v. Meta class action lawsuit. “Statements on AI”.

Without in any way limiting the author’s and his publisher’s exclusive rights under copyright, it is expressly prohibited to use any of the author’s works to “train” generative artificial intelligence (AI) technologies to generate text. The author reserves all rights to license uses of his works across any platforms.

In addition, it is expressly prohibited to upload any part of any of this author’s work to any generative AI programs (including but not limited to Meta, ChatGPT, etc).

Any violation of these rights are infringing on copyright law (Copyright Act 1968, to name but a few examples) and may be subjected to prosecution, not including the ongoing class action lawsuit in Kadrey v. Meta – of which the author is already included.

The author also asks that no one “create” AI-generated fan-art, fanfiction, or any kind of material, based on or inspired by his works. Any emails containing such “art” will be deleted unread.

******

I will also decline to wittingly blurb or support any books that were written, in part or as a whole, with generative AI. The waters here can be murky, but if any text in the book was not written by a human, and instead was written by a machine/LLM, then I have no interest in reading it, or anything that the author ever writes.

 Art is human expression created by human hands. That matters to me, and that will always matter to me, so I will give no quarter to machine-generated slop. That is my ongoing stance.

(4) A WRITER OVERCOMES. “Butt in the Chair: How Disability Changed My Writing Habits” by Catherine Tavares at the SFWA Blog.

It’s spring 2023. My desk is clean, my laptop on and humming along like a charm. It’s open to a brand new Scrivener file, and I have three hours free to work on my stories.

Only, I’m not in the chair writing. I’m on the floor in agonizing pain.

In the years since that day, there have been many doctors, tests, and treatments that have all led to the same disappointing diagnosis: unexplained, chronic nerve pain. On a good day, that means a hot, tingling buzz radiating from my hips on down. On a bad day, it’s like the entire lower half of my body is being scraped raw by fiery sandpaper.

That day, I could not sit, and just like that, I could not write.

A common bit of writing advice given to authors is to just “get your butt in the chair” and write. For a long time, that advice worked for me, and I built my habits around spending hours at my desk, not getting up until I met my goal. My desk was my writing haven; the mere act of sitting down triggered creativity, productivity, and joy.

But as the days of unending pain dragged into weeks and months, my haven became a horror….

… If I could hack my own brain, I figured, then I could most certainly hack my own writing process.

I did so, inspired by a mental health exercise called Internal Family Systems Therapy. I enjoyed IFST because it let me do what I do best: create characters, assign them roles, and take them on a journey together. IFST helped me through a lot of the trauma of disability, and it also made me realize just how much work I can do inside my own head—no desk or chair required.

In the wake of that breakthrough, I abandoned Team Pantser for a term I am making up just now: Team Daydreamer. When I’m in the shower, lying in bed, eating a meal, exercising, I meditate on my stories. I plan out the plots, worlds, characters, compose entire scenes word-for-word—all before I ever actually get my butt in the chair to write. And when I do finally get to my desk, with half the story work already done, I can spare the attention my body needs and have a productive session well within my pain limits.

I can finally physically and mentally write again….

(5) LAGNIAPPE. Dina shares “My Thoughts on The Hugo Award Finalists 2025” at SFF Book Reviews.

Isn’t it lovely when there’s a Hugo finalists announcement without too much fuss? I said this last year already, but after living through the Puppy Years and then witnessing the shit show that was the Chengdu Worldcon Hugo Awards, I always release a breath of relief when the finalists are… just normal….

Dina punctuates the ending of several categories with a recommendation about something she wishes had been a finalist, like this novella —

Books I wish were here:

Once again, let me tell you about the amazingly talented Moses Ose Utomi, who blew me away with The Lies of the Ajungo and then followed that novella up with one that’s just as great, The Truth of the Aleke. I nominated it, of course, and I will probably love and nominate the third in the trilogy next year. Man, do I wish this book was on the ballot, as it would be an easy number one spot. Since it isn’t, let me urge you to pick up the first book. It’s suuuuper short.

(6) WEIRDLY SUSPICIOUS. Christopher Lockett looks at his course outline with a Trumpian eye: “Curriculars: The Relative Weird, Part One—Horror as Privilege” at The Magical Humanist.

…Growing up, we were often taught that Canada and the U.S. share “the longest undefended border in the world.” That was always spoken with pride and approbation. Lately, I’m finding those words resonating in my mind with something less than the spirit of national confraternity, and something more like the spirit of paranoia.

This sense is exacerbated by the spectacle of the anti-“D.E.I.” jihad currently scouring government databases and websites, the first salvoes against universities, and most recently against museums and parks (and, bizarrely, zoos). The March 27 executive order about this last category employs language—such as that about removing “improper ideology” from the Smithsonian and elsewhere—reads like the Project 2025 crowd considered Orwell’s 1984 as a useful guide rather than a cautionary tale…

… In my fourth-year course “The American Weird,” I must imagine that my first three weeks would have passed muster, as we did a selection of stories by H.P. Lovecraft. As I talk about at length in my earlier post “The Trumpian Weird,” Lovecraft’s particular brand of racist ideation, in which threats to White subjectivity are allegorized by the monstrous and eldritch, is perfectly consonant with MAGA’s White nationalism. But after that? Well, I can’t imagine any of it would remain un-purged.

Last time I talked about my American Weird class in this space, I outlined a very rough breakdown of contemporary weird fiction: the banal weird, the relative weird, and the utopian weird. As I noted in that earlier post, the banal weird doesn’t tend to make for great storytelling (unless you’re China Miéville), but it is something we constantly encounter in reality, as at the root it’s about our apparently bottomless capacity to normalize the unthinkable. We don’t get Trump 2.0 without the banality of Weird. And, ironically, it is the forces that animate and facilitate Trumpism that make what I’m terming the Relative Weird a particularly significant iteration of Lovecraftian fiction…

(7) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born April 9, 1937 — Marty Krofft. (Died 2023.)

H.R.Pufnstuf.
Who’s your friend when things get rough?
H.R. Pufnstuf.
Can’t do a little, ‘cause he can’t do enough

Who here didn’t grow up watching some of the shows created by the Krofft brothers? Well, this is the day that Marty Krofft was born, so I get to talk about their work. Let’s get started.

Their very first work was designing the puppets and sets for Banana Splits, a rock band composed of four animal characters for Hanna-Barbera.  To get a look at them, here’s the open and closing theme from the show.

After working for Hanna-Barbera, they went independent with the beloved H. R. Pufnstuf, their first live-action, life-sized puppet series. It ran a lot shorter than I thought lasting only from September to December of ‘69. Like everything of theirs, it ended up in heavy, endless syndication.

Next was The Bugaloos. This was a musical group, very much in keeping with the tone with Banana Splits. It was four British teenagers wearing insect outfits, constantly beset by the evil machinations of the Benita Bizarre. Here’s the opening song, “Gna Gna Gna Gna Gna” courtesy of Krofft Pictures.

Sigmund and the Sea Monsters lasted two seasons though it was aired over three years, the second delayed because a fire at the beginning of season two which destroyed everything. It’s about two brothers who discover a friendly young sea monster named Sigmund who refuses to frighten people. Poor Sigmund. This time you get a full episode as that is all Krofft Pictures had up, “Frankenstein Drops In”

There’s two more series I want to note. 

The first is Land of the Lost which was created though uncredited in the series by David Gerrold. So anyone know why that was? It was produced by Sid and Marty Krofft who co-developed the series with Allan Foshko. Lots of genre tropes here. A family lost in a land with dinosaurs and reptile men? It was popular enough that it lasted three seasons. And here’s the opening and closing credits for season three.

The very last pick by me is Electra Woman and Dyna Girlwhich lasted but sixteen episodes of twelve minutes. Despite the ElectraEnemies, their foes here being way over the top, this is SF though admittedly on the pulp end of things. 

(8) COMICS SECTION.

(9) SPACE COWBOY BOOKS ONLINE READING. On Tuesday April 22 at 6:00 p.m. Pacific, Space Cowboy Books will host an online reading and interview with Ai Jiang. Register for free HERE. Get your copy of A Place Near the Wind HERE.

From a rising-star author, winner of the both the Bram Stoker® and Nebula Awards, a richly inventive, brutal and beautiful science-fantasy novella. A story of family, loss, oppression and rebellion that will stay with you long after the final page. For readers of Nghi Vo’s The Empress of Salt and Fortune, Neon Yang’s The Black Tides of Heaven and Kritika H. Rao’s The Surviving Sky.

Liu Lufeng is the eldest princess of the Feng royalty and, bound by duty and tradition, the next bride to the human king. With their bark faces, arms of braided branches and hair of needle threads, the Feng people live within nature, nurtured by the land. But they exist under the constant threat of human expansion, and the negotiation of bridewealth is the only way to stop— or at least delay—the destruction of their home. Come her wedding day, Lufeng plans to kill the king and finally put an end to the marriages.

Trapped in the great human palace in the run-up to the union, Lufeng begins to uncover the truth about her people’s origins and realizes they will never be safe from the humans. So she must learn to let go of duty and tradition, choose her allies carefully, and risk the unknown in order to free her family and shape her own fate.

(10) LET ROVER COME OVER. “Lunar Outpost unveils sleek new ‘Eagle’ moon rover” at Space.com.

Colorado-based Lunar Outpost just unveiled its new “Eagle” moon rover at the Space Foundation’s 40th annual Space Symposium here, and it looks straight out of science fiction. Sporting a sleek metallic finish and ice-blue LED lighting, the Eagle rover turned quite a few heads on the expo floor this year. But Eagle boasts more than just futuristic looks.

The rover is packed with features designed with the next generation of Artemis program moon explorers in mind and is based on feedback from current NASA astronauts at NASA’s Johnson Space Center, according to Lunar Outpost’s A.J Gerner….

… In the configuration shown here at the symposium, the Eagle vehicle features two seats for crew, each with its own redundant and mirrored controls, meaning either astronaut can control the rover. The steering controls on each side consist of a single handle that controls four individual motors that drive each wheel. Each wheel can turn independently of the other three, allowing the Eagle rover to turn on its center axis or “crab walk” sideways, Gerner said…. 

(11) TARDIGRADE MOTION. [Item by Steven French.] If we really do want to go to Mars, perhaps we need to pay less attention to a certain billionaire and look more closely at the ‘water bear’ (recently voted Invertebrate of the Year by Guardian readers): Want to know how to survive in space? Ask a tardigrade (phys.org) at Phys.org.

The 2025 Lunar and Planetary Science Conference, which took place from March 10–14 in The Woodlands, Texas, witnessed some very interesting proposals for space exploration and science. In addition to bold mission concepts, scientists presented exciting opportunities for potential research that addresses major questions. Not the least of which was “How can humans survive in space and extraterrestrial environments”? One study in particular presented how the study of tardigrades could help address the challenges involved….

[Thanks to Kathy Sullivan, Lis Carey, Teddy Harvia, N., Jeffrey Smith, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, and Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day johnstick.]

Pixel Scroll 2/2/25 Don Simpson And The Escaped Typos

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(1) FANTASY TAKES CENTER STAGE. The Guardian’s “Bookmarks” newsletter says, “Fantasy appears to be having a ‘moment’ (quite a long one as it happens)”

“Increasingly fantasy has moved more from the fringes towards the centre”, with a rise in writers operating in the genre, says Irenosen Okojie, who founded the afrofuturist festival Black to the Future and whose books include Curandera.

Why is the genre thriving? Readers “need escapism right now in ways that truly speak to our imagination”, says Okojie, and they “like these richly imaginative worlds that explore our lived experiences in dynamic, transformative ways”. Fantasy is also “invested in projecting how worlds different from our own might flourish”, says Matthew Sangster, a professor of romantic studies, fantasy and cultural history at the University of Glasgow.

However, even though the “success of the likes of George RR Martin and Nnedi Okorafor” show fantasy is a “thriving space”, says Okojie, it “always has been”: look at the likes of Ursula K Le Guin and Samuel R Delany.

George Sandison, managing editor at Titan Books – which publishes VE Schwab and Veronica Roth – agrees. Though he often hears that a particular genre is “having a moment”, when it comes to fantasy, he feels as though “that moment has lasted my entire career in fiction, my entire life before that, and for the countless generations required to produce all the work that lit up my brain as a child!”

Fantasy “is arguably at the root of all literature”, he says – even Virginia Woolf. Every work of fiction “imagines a whole new reality”, fantasy “just has a lot more fun with those mental images, turning them into dragons and talking cats, giving them magic powers, and breaking them free of our planet’s geography”. He sees the publishing industry’s categorisations of fantasy as simply telling readers what metaphors and tropes to expect, “to try to sell more books”….

(2) CTHULHU IS ON THE LINE. Christopher Lockett, in “China Miéville and the Banality of Weird”, has a Lovecraft quote from almost a century ago that is still capable of launching discussions:

…Once again, the best articulation of this premise is the opening paragraph of “The Call of Cthulhu,” which functions as about as perfect a Lovecraftian mission statement as you’ll find:

“The most merciful thing in the world, I think, is the inability of the human mind to correlate all its contents. We live on a placid island of ignorance in the midst of black seas of infinity, and it was not meant that we should voyage far. The sciences, each straining in its own direction, have hitherto harmed us little; but some day the piecing together of dissociated knowledge will open up such terrifying vistas of reality, and of our frightful position therein, that we shall either go mad from the revelation or flee from the deadly light into the peace and safety of a new dark age. (139)”

To be fair to Lovecraft, he was writing in the 1920s and 30s, and he died before the outbreak of WWII. He wrote during the post-WWI crisis of spirit and the more general collapse of faith in such prewar verities as the invariably positive nature of scientific and technological progress. His work shares the alienation and disillusion present in the critical mass of modernism, alongside its often desperate pursuit of meaning in arcana.³ His fascination with and nominal devotion to science, along with his militant atheism, coexisted with his figurations of occultism in a manner entirely consonant with the historical moment: science and technology shorn of utopianism by the horrors of the Western Front, seeming to hint at vaster horrors beyond human ken.

In that respect he was not wrong: the war he didn’t live to see ended in the unthinkable. The Holocaust and Hiroshima would seem to represent the “terrifying vistas of reality” warned of in the passage above and allegorized by such Old Gods as Cthulhu and his monstrous kin. But if those unthinkable events have shown us anything, it’s the basic flaw of Lovecraft’s premise: far from going “mad from the revelation” or fleeing “from the deadly light into the peace and safety of a new dark age,” humanity has demonstrated instead an apparently bottomless capacity to make the unthinkable thinkable. Indeed—with the benefit of time, self-rationalization, mythologization, and a massive dose of delusional euphemism—to render the unthinkable banal….

(3) OLD SCAM, NEWLY HATCHED. Victoria Strauss warns about “USA Pen Press: The Ghostwriting Scam of a Thousand Websites” at Writer Beware.

… Ghostwriting scams pose as publishing service providers. Like the similar similar-seeming publishing/marketing scams from the Philippines, they are based overseas, primarily in Pakistan and India, and offer menus of publishing and marketing services designed to attract writers looking to self-publish or to market their books.

Also like the Philippine scams, they frequently take writers’ money and run, or deliver substandard quality, or treat whatever package or service the writer initially buys as a gateway to the writer’s bank account, relentlessly pressuring them to hand over more cash….

… It didn’t take long on USA Pen Press’s website for me to identify it as a ghostwriting scam. Many of the typical markers are there: the prominent advertising of ghostwriting services, of course, but also an array of trad-pubbed book covers to falsely imply USA Pen Press had something to do with them, a header image (see above) with even more false references to famous writers, “testimonials” that all sound alike and in one case reference a different company, awkward English (“How Do the USA Pen Press Work on the Book Covers?” “What the process of Ghostwriting includes?”), and false claims (they say 10+ years in business but as of this writing, their web domain is just 119 days old)….

(4) IT WAS THE WORST OF TIMES. [Item by Steven French.] Another day, another piece on Dick and dystopias: “The PKD Dystopia” by Henry Farrell at Programmable Mutter.

This is not the dystopia we were promised. We are not learning to love Big Brother, who lives, if he lives at all, on a cluster of server farms, cooled by environmentally friendly technologies. Nor have we been lulled by Soma and subliminal brain programming into a hazy acquiescence to pervasive social hierarchies.

Dystopias tend toward fantasies of absolute control, in which the system sees all, knows all, and controls all. And our world is indeed one of ubiquitous surveillance. Phones and household devices produce trails of data, like particles in a cloud chamber, indicating our wants and behaviors to companies such as Facebook, Amazon, and Google. Yet the information thus produced is imperfect and classified by machine-learning algorithms that themselves make mistakes. The efforts of these businesses to manipulate our wants leads to further complexity. It is becoming ever harder for companies to distinguish the behavior which they want to analyze from their own and others’ manipulations.

This does not look like totalitarianism unless you squint very hard indeed. As the sociologist Kieran Healy has suggested, sweeping political critiques of new technology often bear a strong family resemblance to the arguments of Silicon Valley boosters. Both assume that the technology works as advertised, which is not necessarily true at all.

Standard utopias and standard dystopias are each perfect after their own particular fashion. We live somewhere queasier—a world in which technology is developing in ways that make it increasingly hard to distinguish human beings from artificial things. The world that the Internet and social media have created is less a system than an ecology, a proliferation of unexpected niches, and entities created and adapted to exploit them in deceptive ways. Vast commercial architectures are being colonized by quasi-autonomous parasites. Scammers have built algorithms to write fake books from scratch to sell on Amazon, compiling and modifying text from other books and online sources such as Wikipedia, to fool buyers or to take advantage of loopholes in Amazon’s compensation structure. Much of the world’s financial system is made out of bots—automated systems designed to continually probe markets for fleeting arbitrage opportunities. Less sophisticated programs plague online commerce systems such as eBay and Amazon, occasionally with extraordinary consequences, as when two warring bots bid the price of a biology book up to $23,698,655.93 (plus $3.99 shipping)….

(5) READING BINGO. If Reddit’s “OFFICIAL r/Fantasy 2024 Book Bingo Challenge!” ends up on the Hugo ballot, that will be because its creators are drumming up support in posts like this: “For Your Consideration: r/Fantasy’s 2024 Bingo Challenge is Eligible for a Hugo Nomination for Best Related Work”. Apparently, they’ve been doing these challenges for ten years. Everybody does eligibility posts now – and you might find the challenge an item of interest in its own right.

(6) ROBERT BLOCH RARITIES. Here’s “What’s New at the Robert Bloch Official Website.

  • Read the first two pages of an operatic Libretto Bloch wrote for Gaston Leroux’s novel, The Phantom of the Opera.
  • IN 1980, Bloch penned a script for the pilot of a proposed weekly TV spinoff series of the (Stephen King) Salem’s Lot TV movie that recounted the further adventures of Ben Mears and Mark Petrie. Sadly, what we have is not the complete script (of 54 pages), rather a random sampling, the only pages available, captured during an auction of the script. Still, an interesting find!

(7) TODAY’S DAY. [Item by Daniel Dern.] Today in the UK is National Yorkshire Pudding Day. Learn more from the Yorkshire Post’s 2020 article “When is it, origins of the side dish, and the best Yorkshire Pudding recipe”. Note, the article includes a recipe.

Depending on who you ask, where you search, or how you feel about it, Yorkshire Pudding and popovers either are or aren’t the same thing, although they’re clearly related. Here’s some of those opinions (and more recipes):

(8) JAY SMITH OBITUARY. Costuming fan Jay Smith died January 27, 2025. The International Costumers Galley announced on Facebook:

Jay Smith was a costumer, attending conventions primarily in California, going back to Equicon. He was an actor and worked Renaissance Fairs and The Great Dickens Christmas Fair, where he was known for his portrayal of Father Christmas. He was beloved for his portrayal of the character for decades at many events.

At the link is a photo of Smith wearing a “Redesign of Superman” from Equicon 1985 by Civi Poth.

(9) MEMORY LANE.

[Written by Cat Eldridge.]

Buck Rogers serial (1939)

Eighty-six years ago, the Buck Rogers serial, produced by Universal Pictures, first was in the theaters. It starred Buster Crabbe (who had previously played the title character in two Flash Gordon serials and would return for a third.) Buster was sometimes billed as Larry Crabbe as well as you will note in the poster below. 

I don’t think I need to say that it’s based on the Buck Rogers character as y’all know that as created by Philip Francis Nowlan but for the sake of the few Filers who will nitpick if I don’t I will. 

It was directed by Ford Beebe was Saul A. Goodkind as written by Norman S. Hall, Ray Trampe and Dick Calkins. It would run for twelve chapters of roughly twenty minutes each. 

As I said Buck Roger was Larry “Buster” Crabbe with Constance Moore as Wilma Deering, and Jackie Moran as “Buddy” Wade, an original character who was based on the Sunday strip character Buddy Deering.

It had a really small budget and re-used film footage from the futuristic Thirties musical Just Imagine. 

In 1953, it was edited into the film Planet Outlaws and twelve years later it was edited again into Destination Saturn, and not to stop there, the late Seventies saw the latter release of the latter as Buck Rogers. All three were feature films. 

Not surprisingly, you can watch it online as it’s public domain — here is the first chapter

(10) COMICS SECTION.

(11) HOLD YOUR BREATH FOR A COUPLE OF MONTHS, PLEASE. Popular Science learns that in Poland a “Fire-breathing dragon sculpture not allowed to breathe fire”.

A famous dragon sculpture that spits out real fire is going to be a little less dramatic this month. The Wawel Dragon–or Smok Wawelski–in Krakow, Poland will have to hold its fiery breath so that authorities can see why it has been guzzling too much fuel lately.

Krzysztof Wojdowski, spokesman for Krakow’s road infrastructure office, told the Associated Press that officials will inspect the gas lines and pipes that feed the 19-feet metal dragon to look for ways to reduce energy bills. The sculpture is expected to begin to breathe fire again by March, pending the investigation….

(12) PWNING THE LIBS? The New York Times reports “E.V. Owners Don’t Pay Gas Taxes. So, Many States Are Charging Them Fees.” (Behind a paywall.)

Owners of electric cars in Vermont recently got a letter from the Department of Motor Vehicles with some bad news. Starting Jan. 1 they would have to pay $178 a year to register their cars, twice as much as owners of vehicles with internal combustion engines.

In imposing the higher fee, Vermont became the latest state to make people pay a premium for driving electric. At least 39 states charge such annual fees, including $50 in Hawaii and $200 in Texas, according to the National Conference of State Legislatures. That’s up from no states a few years ago.

Now, as President Trump rolls back Biden administration measures to promote electric vehicles, Republicans in Congress are considering imposing a national fee to bolster the fund used to finance roads and bridges, a fund that is in dire shape.

The fees are an attempt to make up for declining revenue from gasoline taxes that electric cars, for obvious reasons, don’t pay. They’re an example of how governments are struggling to adjust to technological upheaval in the auto industry.

Environmentalists and consumer groups agree that electric vehicle owners should help pay for road maintenance and construction. But they worry that Republicans, who control Congress, would set the fee at extremely high levels to punish electric vehicle owners, who tend to be liberals…

And yet somehow not all owners of companies that make electric cars are liberals….

(13) THIS IS THE DROID YOU’RE LOOKING FOR. Cool. And really expensive. “RoboCop – ED-209 1/3 Scale Statue”. Price tag: $3,100.

Wikipedia explains:

The Enforcement Droid Series 209, or ED-209, is a fictional heavily armed robot that appears in the RoboCop franchise. It serves as a foil for RoboCop, as well as a source of comic relief due to its lack of intelligence and tendency towards clumsy malfunctions.

The sales pitch says:

Premium Collectibles Studio presents their ED-209 1/3 Scale Statue. Hailing from the sci-fi classic RoboCop, this piece stands nearly 35 inches tall. Featuring every rivet, plate, and movie-accurate feature of the iconic Enforcement Droid, the finish is in a slate gray and matte black. Included is a pedestal base with the OCP logo, making it a striking addition for any RoboCop fan.

(14) I NOW PRONOUNCE YOU. Ryan George does a hilarious Tolkien-themed “When Your Friend Won’t Admit He’s Wrong” bit which some might say is NSFW, though really just for the last couple seconds, and not even then if you work for Frederick’s of Hollywood….

(15) FANGS FOR THE MEMORIES. Once upon a time actor Jonathan Frid, Dark Shadows’ Barnabas Collins, appeared as a celebrity guest on What’s My Line – vampire dentures and all.

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Rich Lynch, John Hertz, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, Teddy Harvia, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day John Hertz.]