Tag Archives: Christopher Stasheff

Pixel Scroll 1/15/25 Merry Pippins, Halfling Nanny For Hire

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(1) COSTS OF BOOK/JOURNAL PIRACY. “New Government Report Cites Ongoing Concern Over Pirate Sites” — Publishers Weekly counts the losses.

Several international websites that publishers argue continue to actively pirate copyrighted material were included on the U.S. Trade Representative’s frighteningly named Notorious Markets List (NML). NML is the centerpiece of the USTR’s annual Review of Notorious Markets for Counterfeiting and Piracy, the goal of which is to “motivate appropriate action by the private sector and governments to reduce piracy and counterfeiting.”

The 2024 report features a list of sites that are violating the copyrights of companies across a wide range of industries. Rather than try to document that monetary loss to American companies caused by these websites (though the report does cite a study which found that digital piracy cost the U.S. economy $29.2 billion in 2019), NLM reviews what actions, if any, companies have taken to stop their sites from engaging in piracy.

The two companies that drew the most attention from the Association of American Publishers are Library Genesis, commonly known as Libgen, and Sci-Hub. As part of a series of actions against Libgen, in 2023, textbook publishers filed a copyright infringement lawsuit against the company. Libgen, which is believed to operate from Russia and has been used by Meta to train its AI efforts, hosts 80 million science magazine articles, 2.4 million nonfiction books, 2.2 million fiction books, and 2 million comic strips. According to the report, Libgen sites are “subject to court orders in Belgium, Denmark, France, Germany, Italy, Portugal, Russia, Spain, Sweden, the United Kingdom, and the United States.”…

(2) FANTASTIC NEWS. Fantasy Magazine has officially returned, with a new publisher.

Co-Editors-in-Chief Arley Sorg and Shingai Njeri Kagunda will curate a wonderful selection of short fiction, flash fiction, poetry, and more in quarterly issues for publisher Psychopomp (known for Psychopomp.com, Psychopomp novellas, and of course, The Deadlands magazine, edited by E. Catherine Tobler)!

Kagunda and Sorg both bring engaging visions and eclectic, sharp sensibilities to the field, as well as a history of positive involvement in the genre community. Kagunda’s writing has earned her Ignyte and British Fantasy Award nominations, and her work as co-editor at PodCastle made her a two-time Hugo Award finalist. Sorg has received two community service awards, and his work as co-editor at Fantasy made him a three-time Locus Award finalist and a two-time World Fantasy Award finalist.

The first issue of Fantasy with Psychopomp is scheduled for June 2025 publication. Fantasy plans to open to submissions February 1 – 7. See submission guidelines at the link.

Subscribe to Fantasy Magazine via email for $5 per quarter. Use this link to subscribe. Psychopomp will publish Fantasy content on the Fantasy Magazine website after an exclusive to-subscribers period. Digital issues will also be available at their Grave Goods store and on WeightlessBooks.com.

For more information, see publisher Sean Markey’s blog post.

(3) THANKS FOR THE STAR WARS MEMORIES. Craig Miller will do a Q&A and signing in conjunction with a showing of Star Wars Episode IV: A New Hope at The Frida Cinema in Santa Ana on January 19 at 4:00 p.m. Address: 305 E. 4th St, STE 100, Santa Ana, CA 92701. Craig hears that a small number of droids will be present…

You’re invited to a special screening of the 1997 Special Edition of Star Wars Episode IV: A New Hope with special guest Craig Miller! Craig was director of Fan Relations for Lucasfilm from 1977-1980. He created and oversaw the official Star Wars Fan Club as well as having edited and written virtually all of the first two years of Bantha Tracks as well as being a producer for Lucasfilm Ltd. 

Craig will be appearing for an on-stage discussion about his experiences at Lucasfilm and his time during Star Wars! The discussion will be moderated by Scott Zilner. Craig will also be available to meet fans, and also be signing his book Star Wars Memories.

(4) SFWA ADDITIONS. The Science Fiction and Fantasy Association (SFWA) has announced a new office assistant, and that two past presidents of the organization are taking on new volunteer service roles.

Office Team: Misha Grifka Wander (he/they) joined operations this week.

You might recognize Misha as our Nebula Awards Commissioner. He is stepping down from that position after participating in a competitive round of hiring. Thank you to all the candidates who applied. Misha is a game designer, writer, artist, and academic from the American Midwest. He obtained his PhD in English from Ohio State University and has worked in nonprofits and office management. Misha will be joining our Interim Executive Director Russell Davis in the virtual office from 10:00 AM to 6:30 PM EST. Welcome, Misha!

Historian: Michael Capobianco will be stepping into the volunteer role of Historian. As Historian, Capobianco will be supporting the board and organization, providing historical perspective and guidance when needed.

Past President Advisor: Mary Robinette Kowal has been appointed Past President Advisor. 

(5) STOP THAT TRAIN(ING)! [Item by Steven French.] “British novelists criticise government over AI ‘theft’” reports the Guardian.

Kate Mosse and Richard Osman have hit back at Labour’s plan to give artificial intelligence companies broad freedoms to mine artistic works for data, saying it could destroy growth in creative fields and amount to theft.

The best-selling novellists spoke out after Keir Starmer a national drive to make the UK “one of the great AI superpowers” and endorsed a 50-point action planthat included changes to how technology firms can use copyrighted text and data to train their models….

(6) PERSONAL DEFINITIONS OF SPECPO. Seattle Worldcon 2025 poet laureate Brandon O’Brien has launched a department on the Worldcon’s website called “Con-Verse”. He picked a logical topic for his first post.

…What better place to start this blog, then, by trying to ask and answer the one question that comes up often from people outside the space: what is a “speculative” poem? But like most things in art, and poetry in particular, there are as many answers as there are poets and readers themselves. Hopefully, with enough of them we may notice some patterns of understanding, so I figured it was only right for you to hear from a multitude of expert voices on the matter. Here’s what some members of the Science Fiction and Fantasy Poetry Association (SFPA) had to say…

Read the quotes he compiled from 16 poets at the link.

(7) NYT NOTES DISNEY SUPPORT FOR FIRE-AFFECTED EMPLOYEES. The New York Times explains how “Hollywood’s Filmmaking Continues Despite L.A. Wildfires”.

…With thousands of homes destroyed, many of them in neighborhoods favored by producers, executives, agents and stars, and roughly 300,000 people under evacuation orders or warnings, little work got done at studio headquarters. Some studios closed entirely, and others encouraged employees to work remotely.

Consider the impact of the fires on Disney alone. As of Monday, 64 Disney employees had lost their homes and hundreds more had been evacuated, including Robert A. Iger, the chief executive, and three members of his senior leadership team.

Mr. Iger has been overseeing Disney’s relief effort from a hotel, approving $15 million for community services and rebuilding efforts, arranging for Disney employees who have lost their homes to receive two months of free furnished housing and opening Disney’s studio wardrobe warehouses to employees who need clothes and shoes. He has also been calling Disney employees who lost their homes.

“I want them to know that people at the top of the company are looking after them, that we care,” Mr. Iger said by phone on Monday. “We’re going to go through some really tough times here, but we’ll get through it together.”

Meanwhile, Disney’s movie assembly lines — like the rest of Hollywood’s — have been almost completely unaffected.

Disney has seen some flurries of ash on its Burbank lot, but no flames. Pixar and Lucasfilm, both owned by Disney, are based in Northern California.

Sony Pictures is in Culver City, far from any of the fires. Paramount Pictures and Netflix are in Hollywood, the neighborhood, which is 40 minutes by car from the two biggest fires. The sprawling Warner Bros. and Universal Pictures lots in the San Fernando Valley have been untouched.

For the most part, live-action movies are no longer shot in the Los Angeles region. It’s too expensive. Instead, movie production has moved to states like Georgia, New York, New Jersey and New Mexico and countries like Britain and Australia — all of which offer generous tax incentives.

Only two movies from major studios were affected by the fires. Filming was halted on “The Hand That Rocks the Cradle,” a 20th Century Studios remake of the 1992 thriller. The third “Avatar” movie, also from 20th Century, which Disney owns, briefly paused production, too….

(8) TODAY’S DAY. [Item by Daniel Dern.] According to The Kitchn’s article “National Bagel Day Deals 2025: What You Need to Know”:

The holiday was originally celebrated on February 9, which coincided with National Pizza Day…

Some bagelries and we-also-sell-bagellers have bagel freebies/deals, lists online or ask wherever you get your bagels.

(9) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

Born January 15, 1935 — Robert Silverberg, 90.  

Editor’s note: Robert Silverberg is ninety years old today!  

By Paul Weimer: A legend of science fiction whose work I came to in an oblique way. 

In a short story, “Half-Baked Publisher’s Delight”, in a collection of “great short short stories”, I first came across the name Robert Silverberg. It was a weird little story where Isaac Asimov (a name I knew well at that point) and someone named Robert Silverberg, competed to be the most prolific SF author.  I had no idea who Silverberg was, but I was intrigued that the story had put him up against Asimov. Clearly, I needed to read his work.

Robert Silverberg. Photo by Allen Batson.

My first Silverberg was, as it so happens, the science fantasy Lord Valentine’s Castle. I thought it was a simple fantasy novel, but imagine my delight as, we follow the story of the titular Valentine and the troupe of entertainers he has joined with, that the narrative mixed science fiction elements, particularly the psionics, and the old Earth technology still on the planet. The novel is long and sprawling and concentrates heavily on the worldbuilding and the wandering across the landscape. Aside from the deceptively young Valentine, the other characters recede into the background somewhat to focus on the world presented. In other words, it was perfect for me as a teenaged reader. 

I would only later find out that it was slightly atypical, and that the interior life of Silverberg’s characters, his concentration on their inner lives and problems, and depth of their plights, is really the more typical Silverberg.  I admire and enjoy both sides of Silverberg’s writing. (Kingdoms of the Wall is much more like Majipoor in this regard, for instance, too, than his character-oriented novels and stories.)

I’ve read a lot of Silverberg, as you might tell, including novels, now and again, since. I enjoyed his work in the Heroes in Hell series. I enthused to his historical fiction turn in Gilgamesh. His variety of time travel stories, from Up the Line to the heartbreaking Sailing to Byzantium, have always enthralled me. Nightwings, taking place on a far future Earth, I first encountered in an incomplete graphic novel edition that inspired me to go and find the original and complete story. I meant to, but never found the Mouth of Truth in Rome, which features in the story.

I have a lot of favorite Silverberg stories.  If I had to go with one story, it is going to be a story I’ve mentioned before. “Enter a Soldier, Later, Enter Another”. It’s the story that starts his Timegate sequence of historical personages brought back as artificial intelligences, and it has the programmers have Francisco Pizarro encounter Socrates, to memorable and sometimes very funny results. The story shows Silverberg’s skill at dialogue, at character, and using history. 

If I had to go with one longer work, I am going to cheat again and not name one of his novels, and instead go with his Roma Eterna sequence. A series of short stories set in a world where the Roman Empire wound up in a dynastic cycle of rises and falls but never complete collapses, the stories in the collection explore a variety of themes of empire, of renewal and destruction, and lenses of looking at our own history by showing a funhouse version of it in his alternate historical path.

I’ve seen Mr. Silverberg at a couple of Worldcons…but have not actually exchanged any words with him.

(10) TODAY’S BIRTHDAY, TOO.

[Written by Paul Weimer.]

Born January 15, 1944 — Christopher Stasheff. (Died 2018.)

By Paul Weimer: Back in the 1990’s, Christopher Stasheff seemed to be everywhere in my fantasy and my science fantasy reading. I kept encountering his work again and again, and in a variety of contexts.  Trying to remember what was actually first is a murk of memory, because I seem to recall being bombarded with several different early Stasheff’s that I read.  

Her Majesty’s Wizard starts off as a portal fantasy. Matthew Mantrell, graduate student, finds a strange piece of paper in a copy of the sagas. He translates it, and it translates him to an alternative magical medieval Europe. He falls in love with the Princess he rescues, teams up with an unlikely set of companions, and has to face the dark lord Malingo.  Matt might know Shakespeare for his poetry based magic, but it might not be enough.   

Christopher Stasheff

The Enchanter Reborn and The Exotic Enchanter were compilations edited by Stasheff of additional stories of L Sprague De Camp’s Harold Shea, aka The Incompleat Enchanter. Stasheff not only was the co editor of the two volumes, but he also contributed stories to each volume. The quality of the stories vary according to the author but Stasheff’s entries “Sir Harold and the Hindu King” and “Sir Harold and the Monkey King” help expend Harold’s adventures beyond the usual Western Canon. 

Stasheff contributed to one of my favorite shared world verses, the Time Gate stories created by Robert Silverberg. In an age here and now where LLMs are being labeled as AI, talking about true AI is a bit tricky. But in this verse of the shared world, in the 22nd century, real sentient AI recreations of historical personages are created (Silverberg’s “Enter a Soldier, Later, Enter another” with Pizarro and Socrates, kicks that all off).  So, Stasheff writes a story where a couple of the AIs decide to create one of their very own. 

Stasheff also did a shared world of his own, called “The Gods of War”. The Gods of War supposes that Gods of conflict and battle fight throughout history, and sometimes they are created from the minds of men, tulpa style. Tek, the God of technological battle, is the newest God of War.  Needless to say, this young and energetic God gets the ire and the attention of much older Gods of War and strife.

What I remember was definitely not first, but I read a little later, was Stasheff’s turn into science fantasy, The Warlock in Spite of Himself. Rod Gallowglass works for an interstellar agency in a polity looking for lost and forgotten colony planets. He might be a cynic and a grump, but even Rod is a bit stumped when he finds the planet of Gramarye. Rod doesn’t believe in magic, magic can’t possibly exist, his mindset is completely and utterly scientific and rational. And yet he is confronted with witches, warlocks, elves and monsters. There has to be a rational explanation for all of it…doesn’t there?  I read a few of these, but there are well over a dozen of novels in this setting.

A very fun writer. 

(11) COMICS SECTION.

  • Bizarro continues variations on vampire names.
  • Bliss introduces a strange new breed.
  • Dinosaur Comics is skeptical about the Vader reaction.
  • Eek! is about a different Vader reaction.
  • Rubes knows there no place like this home.
  • Strange Brew is the problem.

(12) TODAY’S THING TO WORRY ABOUT. “World Monuments Fund Puts Moon on List of At-Risk Sites” reports the New York Times. (Story behind a paywall.)

…With a growing number of wealthy people going to space and more governments pursuing human spaceflight, the group warns that more than 90 important sites on the moon could be harmed. In particular, some researchers are worried about Tranquillity Base, the Apollo 11 landing site where the astronaut Neil Armstrong first stepped onto the moon’s surface.

Protections for cultural heritage are typically decided by individual countries, which makes the task of taking care of important international sites like the moon more difficult.

Since 2020, the United States and 51 other countries have signed the Artemis Accords, a nonbinding agreement that outlined the norms expected in outer space. The rules included a call to preserve space heritage including “robotic landing sites, artifacts, spacecraft and other evidence of activity on celestial bodies.” A separate binding United Nations agreement provided for the protection of lunar sites, but there has been little progress in getting key countries to sign it.

“The moon doesn’t belong to anybody,” de Montlaur said. “It is a symbol of hope and the future.”

For almost 30 years, the World Monuments Fund has received nominations for its watch list of endangered sites from heritage experts around the world. The list is an educational and promotional tool serving the nonprofit’s other efforts to preserve cultural heritage.

A division of the International Council on Monuments and Sites devoted to aerospace heritage nominated the moon for the nonprofit watch list. Gai Jorayev, president of that division, said that members wanted to see sustainable management because of the “sheer number of human artifacts on its surface.”

Beyond the lunar orbiters and rangers scattered across the moon’s surface that express scientific achievements, there are also artifacts of human culture. Apollo 11 astronauts left a golden olive branch to symbolize peace, while a SpaceX rocket lifted a lander that carried 125 miniature sculptures by the artist Jeff Koons to the moon’s surface last year….

(13) THAT NUMBER SOUNDS FAMILIAR. Indianapolis station WTHR reports “FEMA isn’t giving California wildfire victims just $770”.

… Multiple viral posts imply that the Federal Emergency Management Agency (FEMA) is giving the victims just $770 in federal assistance. Some of the posts also compare the disaster relief spending to the government’s spending on foreign aid….

…Fact checking dispels the rumor that FEMA is giving Los Angeles wildfire victims just $770. Where did that number come from? President Joe Biden announced that people will receive a “one-time payment of $770 so they can quickly purchase things like water, baby formula and prescriptions” under the Serious Needs Assistance program. But that is not the only disaster relief available. People can apply for additional assistance.

If you are affected by the Los Angeles wildfires and in need of assistance, please contact FEMA at https://www.disasterassistance.gov.

(14) MUPPET APPEARANCE. “Kermit the Frog Sings for Hoda Kotb on Her Final ‘Today’ Show” on January 10 reports ToughPigs.

As journalist and television personality Hoda Kotb said goodbye to Today, the show she’s been part of since 2007, she got a visit from a very special guest: Kermit the Frog.

Kermit’s appearance had a special significance, as Hoda brought on her daughters, Hope and Haley. During the broadcast, it was revealed that Hoda sings one of Kermit’s signature songs to her children [Hope and Haley] every night… “Rainbow Connection.” And if you thought that was a perfect excuse for Kermit to sing “Rainbow Connection,” you must be psychic, because that’s exactly what he did! 

View Kermit’s performance at the Today website: “See Kermit the Frog sing ‘Rainbow Connection’ for Hoda Kotb”.

(15) SF2 CONCATENATION SPRING EDITION. [Item by SF Concatenation’s Jonathan Cowie.] SF² Concatenation now has its spring (northern hemisphere academic year spring) up. It has the usual large, seasonal news page together with articles and convention reports, plus some 40 standalone book reviews. Table of contents…

v35(1) 2025.1.15 — New Columns & Articles for the Spring 2025

v35(1) 2025.1.15 — Science Fiction & Fantasy Book Reviews

v35(1) 2025.9.15 — Non-Fiction SF & Science Fact Book Reviews

(16) GRRM FILM ADAPTATION ARRIVING IN MARCH. A trailer has been released for In the Lost Lands, based on the George R.R. Martin short story. Entertainment Weekly reported that the project, starring Milla Jovovich and Dave Bautista, is directed by Paul W.S. Anderson and will premiere March 7. 

A queen, desperate to find happiness in love, takes a daring step: she sends the powerful and feared witch Gray Alys to the “Lost Lands” to give her the magical gift of turning into a werewolf. With the mysterious hunter Boyce, who supports her in the fight against dark creatures and merciless enemies, Gray Alys roams an eerie and dangerous world. And only she knows that every wish she grants has unimaginable consequences.

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Daniel Dern, Tom Becker, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 6/27/18 What Has It Got In Its Retro Packet?

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(1) ANAHEIM EVENT GOES DOWN THE TUBER. With dreams of rivaling VidCon, YouTuber Tana Mongeau tried to stage her own event in Anaheim. How did that go? New York Magazine titled its coverage “A Mouth to Hell Opened This Weekend at Tanacon, a Fyre Festival for the YouTube Set”.

Tana Mongeau wanted to throw an alt-VidCon. Instead, she threw a Fyre Festival redux.

Mongeau is a YouTuber. She has 3.5 million followers and her name might sound vaguely familiar if you’re at all versed in the surprisingly engaging world of vegan YouTube drama. VidCon is an annual YouTube-centric convention organized by brothers and YouTube royals Hank and John Green. Tanacon is the event that Mongeau organized — and named after herself — last week in California.

Tanacon was inspired by Mongeau’s self-professed dislike of VidCon. In a video you can watch if you have an hour and eighteen minutes to kill, Mongeau explained she would not be attending VidCon this year, citing drama over not being designated a featured creator at the event. And so, Tanacon was born. And, in a way, so Tanacon died. The event was barely six hours into its first day when it was shut down by officials for overcrowding, sending thousand of teens — many who had been waiting hours outside in the sun — into a tizzy. A dehydrated tizzy we can now recount for you to gleefully relive from the relative comfort of wherever you’re presently posted up. (We can only assume it’s not still the parking lot of the Anaheim Marriott Suites.)…

…The fan horde did not take well to the event cancellation. “After the lady said it was canceled, everyone started screaming, complaining, and cussing her out,” 13-year-old Alyssa, who bought a VIP ticket and waited six hours to be turned away empty-handed, said. “Everyone ran to the registration tent and threw the merch … pop sockets, Tanacon bags, stickers, Tanacon condoms, badges. This led to everyone destroying everything.”

Mongeau eventually came outside to calm the crowd. This, reader, will you believe … also did not end well, as evidenced by clips of screaming fans, phones raised above their heads with cameras at the ready, running through the parking lot to spy their queen….

 

(2) AND A BAD TRACK RECORD GETS WORSE. Louisville’s Fandomfest, which unaccountably did not go out of business last year after the loss of more than half its celebrity guests and a last-minute move to an old Macy’s store, (“Louisville’s Fandom Fest Shambles On”), has failed its attempt to relaunch in 2018. Co-promoter Myra Daniels announced on Facebook yesterday they’re “rescheduling” Fandomfest 2018 and plan to divide it into two more affordable events.

Hey Guys!!!

We are rescheduling Fandomfest 2018 this year.

A number of reasons why.

When we picked the date last year it was a different date range then we normally pick. It was the date closest to the previous few years of Fandomfest. The Omni is a great hotel and we wanted to have it there this year.

Unfortunately several things happened. The date we chose made it very difficult to get vendors and bigger named celebs for that date because there were 6 other big conventions on that date.

So many of our normal vendors had already paid and booked other shows for that date. That made it difficult to procure vendors which helps to pay for everything.

Another reason is the pre-sale tickets were at a lower rate then ever. The guests we have chosen to bring in to the event weren’t a big enough pre-ticket purchase draw for the fans.

Putting these shows on costs money. A lot of money. The idea is to have an idea of the excitement for your guest list and the pre-sales are a huge way for us to gauge that in our plan.

We worked with the great people at The Omni to try and find another date there at their beautiful facility but they are completely booked all the way into 2019.

So we are excited to announce that we are working to reschedule and instead of bringing one show in the summer we are going to bring 2 events to better serve you guys. We know we hear all the time how expensive the shows are getting with the autograph prices and the photo op prices as well as admission. We think the time is right to have shows that don’t cost the fans as much money.

All of us love meeting our favorites from our Superhero Movies or favorite TV Shows out there but lets face it, it can get expensive.

Daniels says they’ll “be refunding the few ticket purchases and vendor booths” starting on June 30.

(3) STILL EARTHBOUND. It was an open secret that the launch of James Webb Space Telescope would be delayed again; now it’s just plain open. The schedule now calls for a launch on March 30, 2021. Once launched, the JWST will be inserted into a solar orbit at the Earth-Sun L2 point.

NASA says —

The James Webb Space Telescope (sometimes called JWST or Webb) is an orbiting infrared observatory that will complement and extend the discoveries of the Hubble Space Telescope, with longer wavelength coverage and greatly improved sensitivity. The longer wavelengths enable Webb to look much closer to the beginning of time and to hunt for the unobserved formation of the first galaxies, as well as to look inside dust clouds where stars and planetary systems are forming today.

Quoting The Verge’s article “NASA’s next flagship space telescope is delayed again”:

NASA has again delayed the launch of its next-generation space observatory, known as the James Webb Space Telescope (JWST), the space agency announced today. The telescope now has a new launch date of March 30th, 2021. It’s the second delay to the program’s timeline this year, and the third in the last nine months.

“We’re all disappointed that the culmination of Webb and its launch is taking longer than expected, but we’re creating something new here. We’re dealing with cutting-edge technology to perform an unprecedented mission, and I know that our teams are working hard and will successfully overcome the challenges,” NASA administrator Jim Bridenstine said in a video statement. “In space we always have to look at the long term, and sometimes the complexities of our missions don’t come together as soon as we wish. But we learn, we move ahead, and ultimately we succeed.”

(4) TAKE NOTE. The Guardian answers the question:  “Who is Segun Akinola? The composer reinventing the Doctor Who theme”.

Segun Akinola has been announced as the sci-fi show’s new composer, and he’s in for a challenge almost as significant as hers: reinventing one of TV’s best-known theme tunes. The British-Nigerian musician’s unveiling continues the trend for bringing in fresh blood all around for the show’s new era. Composer Murray Gold worked on all 10 series of the revived show, winning acclaim for his blockbustery orchestral scores – despite many fans complaining they became invasive and overbearing.

Akinola, an alumnus of the Royal Birmingham Conservatoire and part of 2017’s Bafta Breakthrough Brit programme, could prove an altogether different prospect for a remodelled show. Could fans look forward to hearing something a little more pared down, modern and minimalist?

…Yet his latest challenge sets the bar high. Composing soundtracks for all 10 episodes of Whittaker’s debut series might provide the lion’s share of his workload – but he is also tasked with providing a ‘fresh take’ on the show’s theme music. That’s one of the most iconic elements of Doctor Who – just like the show itself, it’s always changing while remaining, broadly, the same.

Composed by Ron Grainer, the eerie, warping titles first emerged in 1963 in an arrangement now synonymous with Doctor Who’s renegade spirit….

(5) TRAVEL BAN CONSEQUENCES URGED. In the aftermath of the Supreme Court decision upholding Trump’s travel ban, several leading sff figures voiced a new resolve to deprive the United States of future Worldcons. Patrick Nielsen Hayden’s Twitter thread starts here. Adam Roberts carried on the theme in his Twitter thread, and Paul Cornell ratified it.

https://twitter.com/pnh/status/1011642947878772737

https://twitter.com/Paul_Cornell/status/1011877547985047552

(6) CHRISTOPHER STASHEFF REMEMBERED. The daughter of the late Christopher Stasheff gave an interview about the author to the Champaign, IL News-Gazette.

A daughter of the prolific author who brought literary depth to the science fiction and fantasy genres with books like “The Warlock in Spite of Himself” said he used the people of Champaign as his muse.

“He gained inspiration from the people around him,” said Eleanore Stasheff, whose father, Christopher Stasheff, died June 10 at age 74.

“He always believed home is where the heart is, which is Champaign,” she said. “He found beauty anywhere we were at, but to him, people were more important than nature.”

(7) HEART OBIT. Frank Heart (1929-2018), a U.S. engineer who led the team that built the Interface Message Processor, heart of internet precursor ARPAnet, died on June 24 aged 89. The New York Times recalls his achievements: “Frank Heart, Who Linked Computers Before the Internet, Dies at 89”.

Data networking was so new that Mr. Heart and his team had no choice but to invent technology as they went. For example, the Arpanet sent data over ordinary phone lines. Human ears tolerate low levels of extraneous noise on a phone line, but computers can get tripped up by the smallest hiss or pop, producing transmission errors. Mr. Heart and his team devised a way for the I.M.P.s (pronounced imps) to detect and correct errors as they occurred.

(8) TODAY’S BIRTHDAYS

  • Born June 27 – Tobey Maguire, 43. Spider-Man films of course.
  • Born June 27 — J.J. Abrams, 52. Executive Producer of Alias, Lost: Missing Pieces, Star Trek, Lost, Fringe, Star Trek Into Darkness, Almost Human… Well you get the idea.
  • Born June 27 – Samuel George Claflin, 32. Performer, the Hunger Games film series, Pirates of the Caribbean: On Stranger Tides and Snow White and the Huntsman

(9) COMICS SECTION.

  • John King Tarpinian spotted a Return of the Jedi joke in Brewster Rockit.

(10) KING KONG V GODZILLA. At Galactic Journey, The Young Traveler gives a blow-by-blow account of monstrous showdown: “[June 26, 1963] Double or Nothing (King Kong vs. Godzilla (1962))”.

Though the epic monster fight was the main spectacle of the movie, it also managed to have a plot too. Well, sort of. The movie follows a dying Pharmaceuticals company whose executive is trying to get business by gaining traction on TV. Obviously the best way to get TV viewership is to send two of your employees to a small exotic island in search of giant monsters you can exploit. So that’s just what they do, discovering King Kong in the process. An awesome fight breaks out between King Kong and a giant octopus, for some reason, and after a much too long “exotic” dance sequence from the island’s “natives” King Kong drinks some special juice and falls asleep.

(11) READY FOR ITS CLOSE-UP. BBC reports “Japan’s Hayabusa 2 spacecraft reaches cosmic ‘diamond'”.

A Japanese spacecraft has arrived at its target – an asteroid shaped like a diamond or, according to some, a spinning top.

Hayabusa 2 has been travelling toward the space rock Ryugu since launching from the Tanegashima spaceport in 2014.

It is on a quest to study the object close-up and deliver rocks and soil from Ryugu to Earth.

It will use explosives to propel a projectile into Ryugu, digging out a fresh sample from beneath the surface.

(12) HISTORY ONLINE. Did you know the BBC once sold a home computer? “BBC releases computer history archive”.

A slice of computing history has been made public, giving people the opportunity to delve into an archive that inspired a generation of coders.

The Computer Literacy Project led to the introduction of the BBC Micro alongside programmes which introduced viewers to the principles of computing.

It included interviews with innovators such as Bill Gates and Steve Wozniak.

The BBC hopes the 1980s archive will encourage today’s youngsters to become involved in computing.

With the release of the archive, viewers can now search and browse all of the programmes from the project.

They will be able to:

  • watch any of the 267 programmes
  • explore clips by topic or text search
  • run 166 BBC Micro programmes that were used on-screen
  • find out the history of the Computer Literacy Project

(13)  DRAGON CON LOSES POC PARTICIPANT. Gerald L. Coleman, who withdrew as a ConCarolinas guest, has decided Dragon Con isn’t suitable either.

Here’s a little thread I just sent. I still haven’t heard back from Cisca Small after emailing her twice this month about whether #DragonCon intends to invite John Ringo. According to Ringo he’s been invited. If that’s true I’ll be withdrawing my participation as an Attending Professional. I don’t have the luxury of pacifying, appeasing, or normalizing these decisions with my presence. I’m sure a number of authors who aren’t people of color or women will find all kinds of justifications for why it’s ok to attend but still call themselves “allies”. Just know I don’t buy it. I understand though, selling a few copies of your books is more important than letting a Con know that who they invite says everything about who they are.

Coleman also wrote a Twitter thread, which starts here.

https://twitter.com/iconiclast/status/1011741826540277760

(14) MANIFESTUNG. The Daily Dot’s Michelle Jaworski shows that “‘The Last Jedi’ backlash ‘campaign’ demands to be taken seriously “.

More than six months after the theatrical release of The Last Jedi, just about every aspect of the backlash against it has already been argued and debated to death. But that hasn’t stopped old arguments appearing in new formats.

Last week, we saw an almost certainly fake campaign “raise” millions of dollars to remake a film that earned more than $1.3 billion at the box office. This week, we’re seeing a “manifesto” written by “We the fans of Star Wars” go viral several weeks after it was originally posted. The emergence of the post, which didn’t get that much traction when it was first posted, is almost solely so people can mock it.

The creators of the manifesto believe that “those in charge of a Franchise derives its power as a creative force from the consent of the fandom of that Franchise.” The creators take umbrage with the direction that Lucasfilm has gone since being purchased by Disney and the perceived “misguided political agenda” that it’s pursuing with the new films. It includes grievances against The Last Jedi and the newer films as a whole, characterizing the films as desecrating the legacies of characters we’ve known for decades. And they certainly have an issue with people assuming that they’re racist, sexist, or part of the alt-right for disliking a movie.

“To these ends, we pledge our merchandise, our honor, and our wallets,” the manifesto stated in its final line.

These Star Wars fans, you see, demand to be taken seriously.

For the historians among us, this June 3 Twitter thread contains both the manifesto and a flag (complete with explanation of all its symbolism).

(15) A FORK IN THE ROAD. NPR’s Jason Sheehan reviews Laura Anne Gilman’s novel: “‘Red Waters Rising’ Leads Old Friends Into New Trouble”.

In the Devil’s West trilogy, Laura Anne Gilman has given us an imagined history of the United States — one that feels nearly as true as facts, both crazier and more reasoned than our Old West reality. Silver On The Road defined that world. One where the Devil — the actual Devil, smelling warmly of whiskey and tobacco, dressed in a prim cardsharp’s suit — holds dominion over everything in the United States west of the Mississippi, and defends it and its people from the predation and influence of Washington, Spain, the French and all of the East. From a town called Flood, he makes his deals and sends his chosen out into the world — one of them being Isobel, a teenaged girl, raised at the Devil’s knee and then sent forth (along with her mentor, Gabriel) into the Territory as his Left Hand. She is the Devil’s cold eye, final word and, when necessary, his justice.

(16) LUKE CAGE. The Orlando Sentinel interviews “’Luke Cage’ showrunner on its controversial killing”.

Before Cheo Hodari Coker began plotting Season 2 of Netflix‘s “Luke Cage,” he had to address the elephant in the room.

Actually, it was more like a snake in the room. A Cottonmouth to be specific.

Coker, a director, writer and producer who can frequently be found on social media answering both positive and negative questions and comments from viewers of his works, had frequently seen comments online saying that the killing of Season 1 villain Cottonmouth (Mahershala Ali) was a huge mistake.

There was a method to Coker’s perceived madness. One reason he gleefully accepted working on “Luke Cage” in the first place was his love of superhero comics. Coker still remembers vividly how he felt the moment he read the 12th issue of “Alpha Flight” (published by Marvel Comics in 1983), when legendary comics scribe and artist John Byrne killed the character Guardian.

“When (Bryne) killed Guardian I was verklempt,” Coker told The Washington Post. “I wanted to bring that kind of thing to Marvel television. I wanted to kind of do what Hitchcock did with ‘Psycho,’ because it was a big deal to kill Janet Leigh. And so, that was the thing. Cottomouth in that structure was always going to die. Even though people liked him a lot.”

(17) NIGHTFLYERS. Syfy Wire was terrified: “Nightflyers: George R.R. Martin goes ‘Psycho’ in new teaser”.

In the latest intense and unnerving teaser for George R.R. Martin’s upcoming sci-fi/horror series, Nightflyers, a young girl seems to recite some sort of incantation while we’re treated (if that’s the right word) to brief flashes of the rest of the cast in tight, dark spaces looking concerned, being set on fire, being dragged across the floor by some unseen force, and running for their lives. It’s all pretty terrifying, to tell the truth.

 

[Thanks to Jim Meadows, Chip Hitchcock, Mike Kennedy, JJ, IanP, Martin Morse Wooster, John King Tarpinian, Cat Eldridge, Andrew Porter, Rev. Bob, Nickpheas, and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 6/10/18 Ascroll Just Off The Pixels Of Langerhans

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(1) LICENSE TO THRILL. Steven H Silver spotted an unusual collectible in traffic the other day —

I was unaware that Illinois issued such event specific license plate until I saw this one today (June 6).  The text around Superman indicates it is for the 40th Annual Superman Festival in Metropolis, Illinois from June 7-10.  On the right you can see that the plate expires on June 10, 2018.

(2) SATISFYING SPACE OPERA. Abigail Nussbaum delivers insightful and fascinating sff analysis in “A Political History of the Future: Space Opera by Catherynne M. Valente”, at Lawyers, Guns & Money.

To which the answer is, because talking about Space Opera gives me an opportunity to point out a glaring lacuna in almost all the works we’ve discussed so far—the way that nearly every one of them leaves out the centrality of culture, and particularly popular culture, in shaping a society and reflecting its preoccupations.

When I say “culture”, I’m talking about several different things, each integral to the believability of any invented world. Culture can mean shared cultural touchstones, classic and modern, that give people a common frame of reference, like humming a pop song or quoting the Simpsons. It can mean characters who are artists, professional or amateur. It could refer to the way that culture can become a political battleground, as we were discussing just a few days ago in response to the news that conservatives want their own version of SNL. Or it could be a discussion of material culture—fashion, design, architecture—and how it allows people to express themselves in even the most mundane aspects of their lives.

It’s very rare, however, to see science fiction try to engage with any of these aspects of culture. Even as it strives to create fully-realized worlds, art—high and low, functional and abstract, popular and obscure, ridiculous and serious—tends to be absent from them. So are artists—try to remember the last time you encountered a character in a science fiction or fantasy story who had an artistic side, even just as a hobby. Even worse, few characters in SFF stories have any kind of cultural touchstones.

(3) KILL YOUR DARLINGS. Delilah S. Dawson tells what she thinks is the real meaning of that traditional writerly advice “kill your darlings.” The thread starts here —

https://twitter.com/DelilahSDawson/status/1005851162988482560

(4) IN THE BEGINNING. The International Costuming Guild presents its research into what fans wore to the masquerade at the Second Worldcon (1940) — “Convention Costuming History: The Pre-WWII Years – Pt. III”.

The earliest Worldcon masquerades were more like informal costume contests, with several well known authors of the time participating. The costumes worn were a mix of original designs, interpretations of literary characters and what would come to be known as media recreations. 1940 – Chicon I

Following the novelty of Ackerman’s and Douglas’ costumed appearance the previous year, a “Science Fiction Masquerade Party” was featured as part of the convention programming.(1) By Forrest Ackerman’s count, there were 25 people in costume there. The co-host masters of ceremonies were fans and writers Jack Speer and Milton Rothman. Judging from the accounts of the party, the occasion was informal – there was no stage, but there were one or two skits, including one by Ackerman and “Morojo” (Douglas) wearing their outfits from the previous year.

There were several reports of who was there for the first official costumed event. Among that first group of convention costuming contestants were…

(5) ICG IN PASSING. The International Costuming Guild’s in memoriam video, presented at Costume-Con 36 (2018) to recognize those in the community lost in the previous year, is posted on YouTube.

(6) WITH CAT IN HAND. Yoon Ha Lee will be doing an Ask Me Anything on June 12.

https://twitter.com/motomaratai/status/1004158546345447425

(7) THIEVES LIKE US. A recent movie premiere inspires B&N Sci-Fi & Fantasy Blog’s listicle “12 Fantasy Heist Novels”.

There are genre tropes, and then there are those archetypes that are mainstays of not just science fiction and fantasy, but of popular culture in general. One of the best examples is the character of the Gentleman Thief (who doesn’t always have to be a gentleman). These rogues are witty, engaging, and will rob you blind with a rakish wink and a smile. You can’t help but be charmed by them. From Robin Hood to Danny Ocean, the character is a permanent favorite in books and on film….

The Holver Alley Crew, by Marshall Ryan Maresca
Maresca’s interconnected Maradaine books (multiple series examining life in the same fantasy city) are a real treat. The latest series is about the Holver Alley crew, a ragtag group of formerly retired thieves are forced to return to a life of crime when their new, respectable shop burns down. When they learn the fire was no accident, they are forced to take desperate measures. All of the Maradaine books are a treat, but this one really stands out because of the especially strong characters. In fine Oceans tradition, Asti and Verci are both brothers and ringleaders, and must assemble a skilled crew to pull of a job to rob a gambling house that took everything from them.

(8) HAWKING OBSEQUIES. Are any of you trying to get in? “Stephen Hawking: Ballot opens for Westminster Abbey service”.

The public is being offered the chance to attend a service of thanksgiving for Professor Stephen Hawking, who died in March aged 76.

It will take place in Westminster Abbey on 15 June and up to 1,000 tickets are available in a ballot.

During the service, the scientist’s ashes will be interred between Sir Isaac Newton and Charles Darwin.

His daughter, Lucy Hawking, said she wanted to give some of her father’s admirers the chance to remember him.

(9) LAST DAYS. Christopher Stasheff’s son, Edward posted the following to his Facebook page on June 9:

My father, Christopher Stasheff, is currently in hospice and expected to die from Parkinson’s Disease within the next two weeks, quite possibly this week. If anyone would like to say goodbye to him, post it as a response here, and I’ll read it to him the next time I see him (I visit him in the nursing home daily). Thanks.

The most recent reports are suggesting that he may only have a day or so left.

Update:  His son reports Stasheff died this evening.

My father Christopher Stasheff died at 6:45 PM on June 10th, 2018, surrounded by his wife and two of his children. The other two were able to phone in and say goodbye before he passed. He is survived by hundreds of his students and uncountable fans, and his legacy will live on in all the lives he touched.

(10) TODAY’S BIRTHDAY

  • Born June 10, 1952 – Kage Baker

(11) VOLLEYED AND THUNDERED. Edmonton’s Hugo Book Club just put out a new blog post, “Is that The Canon in your pocket or are you just happy to see me?”, in which they muse about literary awards and their relation to posterity and questions of enduring value. Is science fiction the new Western Canon?

It is worth noting that Harold Bloom’s 1993 list of The Western Canon included only two works that are traditionally categorized as science fiction: Ursula Le Guin’s Hugo Award winner The Left Hand of Darkness and George Orwell’s 1984.

But of Bloom’s list, I would argue the majority of the works cited are less relevant to the broad public – and to a concept of cultural literacy – than the recent Hugo Award winners and popular works of science fiction.

For example, references and allusions to Wolfram von Eschenbach’s 13th century poem Parzival are lost on the broader public, while Ernest Cline’s Ready Player One protagonist Parzival is familiar to many.

(12) ICE NINE. Galactic Journey’s Victoria Lucas has just read the new Vonnegut release – in 1963: “[June 10, 1963] Foma: Lies, Damned Lies, and Statistics (Kurt Vonnegut, Jr.’s Cat’s Cradle)”

When a friend lent Kurt Vonnegut Jr.’s newest novel, Cat’s Cradle to me, I thought, “Oh, I know this book!” because I saw, as I flipped through it, the “ice-nine” and “Bokonon” I’d heard people buzzing so much about.  So I was glad to read it and understand the phenomenon.

But that’s where my joy ended.  Vonnegut is a fine writer.  His style is idiosyncratic, askew; this is a novel novel.  But no one would accuse him of being optimistic or hopeful about the human future.  No Pollyanna he….

(13) BBC RADIO STAR TREK DOCUMENTARY. BBC Radio 4 has just re-broadcast “Star Trek – The Undiscovered Future”, first aired December 2017. It’s available to listen to online right now.

How far have we voyaged towards Star Trek’s vision of the future and what of it is likely to be fulfilled or remain undiscovered in the next 50 years?

Kevin Fong presents archive material of the likes of Leonard Nimoy (Spock) and Nichelle Nichols (Lieutenant Uhura) talking about the inception and filming of the original Star Trek series, and their thoughts about Roddenberry’s vision of the future and its impact in the United States at the time.

For example, Nichols relates how she had a chance encounter with Martin Luther King the day after she had told Roddenberry that she intended to leave Star Trek after the first series. King told her he was her number fan and almost demanded that she didn’t give up the role of Uhura, because she was an uniquely empowering role model on American television at the time.

For a perspective from today, Kevin also talks to George Takei who played Mr Sulu. Takei laments the ethnically divisive politics of the United States in 2016.

He meets Charles Bolden – the first African American to both command a shuttle mission and lead NASA as its chief administrator. In the age of the International Space Station, he compares himself to the ‘Admiral of Star Fleet’. But the former astronaut also talks about the anger he first felt in 1994 when he was asked to fly the first Russian cosmonaut ever to board an American space shuttle.

Kevin also talk to cultural broadcaster and Star Trek fan Samira Ahmed about the sexual and racial politics of the Original series.

(14) ST:D SEASON TWO. Comedian and new Star Trek: Discovery cast member Tig Notaro opened her set on The Late Show with Stephen Colbert poking fun at her inability to understand any of the tech talk from her Trek dialog. See “‘Star Trek: Discovery’: Tig Notaro Talks Technobabble” at Comicbook.com.

Tig Notaro is one of the new additions to the cast of Star Trek: Discovery in the show’s second season and while she’s excited to be a part of the Star Trek universe she doesn’t exactly speak the language.

Notaro was a guest on The Late Show with Stephen Colbert to promote her new comedy special Happy to be Here. She greeted Colbert by saying his theater was “like a room full of pleasant subspace particles wrapped in a tachyon field of good vibes.”
The comment is obviously a reference to her role on Discovery, though she admits “I have no idea what I’m saying on that show…I can’t even picture what I’m talking about.”
She revealed that her character is human and that she plays Commander Jet Reno, a name she got to choose for herself. As for how she got the job, “They just asked if I wanted to do it” she says.

 

(15) BAD WITH NUMBERS? Deadline interviewed the president of Marvel Studios: “Kevin Feige Talks Marvel’s Success, Female Directors, ‘Infinity War II’ & How He’s ‘Bad With Numbers’”.

More female directors on Marvel pics: Captain Marvel is the first Marvel title to have a female director at the helm Anna Boden (who is co-helming with Ryan Fleck. And having more female directors behind his superhero pics is a trend he plans to maintain, “I cannot promise that (the next) 20 Marvel movies will have female directors but a heck of a lot of them will,” he said in response to an audience member’s question. The Marvel boss mentioned that agencies are sending more female directors than men for Marvel directing jobs.

On the $1.3 billion success of Black Panther, Feige said that Marvel “wanted to destroy the myth that black movies don’t work well around the world,” and being at Disney with its platinum marketing department allowed the comic book studio to swing for the fences.

“The budget for Black Panther was bigger than Doctor Strange, Ant-Man, Captain America: Civil War, and you can’t do that without the support and encouragement from the leaders of the company,” he said.

Feige also applauded Black Panther director Ryan Coogler’s championing his diverse below-the-line team in Hannah Beachler as production designer, Ruth Carter’s costumes, and DP Rachel Morrison. Their resumes, like Marvel’s directors, didn’t scream tentpole experience, but Feige is grateful he heard them pitch rather than rely on his regular team.

“We can’t imagine the movie without them, and the future movies we hope to make with them,” he said.

(16) JURASSIC LARK. In Parade, “Chris Pratt and Bryce Dallas Howard Talk Dinosaurs, Parenting and Friendship”.

After their wildly successful first dino film in 2015, the pair reunited last year to film much of Fallen Kingdom on the Kualoa Ranch in Oahu, Hawaii. But even surrounded by tropical paradise, they faced more than a few challenges on camera, from filming in a chlorinated pool that fried Pratt’s hair and skin to riding in a zero-gravity gyrosphere that made Howard nauseous. And Pratt had to do some awkward face-offs with a velociraptor that wasn’t really there—until the special-effects department created it. He acts out how he’d say to the air in front of him, “Get back, get back . . .” and then “Whoa!” as he’d throw himself on the ground. The camera crew, watching on monitors nearby, “didn’t want to say how stupid it looked!”

(17) SCARIEST MOVIE. The Washington Post’s Monica Castillo, in “The story behind ‘Hereditary,’ the Toni Collette horror movie that scared the bejesus out of Sundance”, interviews Hereditary director Ari Aster who, “in his first feature, marries the horror and melodrama genres into an unnerving movie about grief.”

Aster said he deliberately amped up the drama in the film slowly. “I’m not affected by anything in a film unless I’m invested in the people at the center of it,” he said. “I wanted to take my time and immerse people in this family’s life and their dynamic, which is quite complicated. I just wanted to make a film in the tradition of the horror films I grew up loving, like ‘Rosemary’s Baby,’ ‘Don’t Look Now’ and ‘The Innocents.’ Films that take their time are very much rooted in character.”

Setting also plays an important role in the creepiness in “Hereditary.” The family’s luxury cabin in the woods has the right dark corners and haunted attics to make it feel like a trap where its inhabitants are left to slowly die. Annie’s miniature houses become a motif. “The miniatures just struck me as a potent metaphor for the family’s situation,” Aster said. “They have no agency, and they’re revealed over the course of the movie to be like dolls in a dollhouse, being manipulated by these outside forces.”

(18) SPONGEBOB TONY. In “How ‘SpongeBob SquarePants’ invaded our brains”, Washington Post writer Sonia Rao interviews the cast and creators of SpongeBob SquarePants: The Broadway Musical, which is up for 12 Tonys as best musical tonight and is making a lot of Millennials very happy.

Tom Kenny never thought SpongeBob SquarePants, a character he originated on the children’s program almost 20 years ago, would one day end up on Broadway. Why would he have? Parents clamp their hands over their ears whenever they hear SpongeBob’s helium voice, let alone his nasal laugh. The anthropomorphized sponge is no Hugh Jackman.

And yet, “SpongeBob SquarePants: The Broadway Musical” is up for 12 Tonys on Sunday, tied with “Mean Girls” for the most nominations. Its resonance with serious theatergoers is surprising until you consider that even as adults, those of us who watched the series can’t shake its omnipresent songs, references and memes. Somehow, it became a cultural earworm.

[Thanks to Martin Morse Wooster, Mike Kennedy, JJ, Chip Hitchcock, Lexica, Olav Rokne, John King Tarpinian, Cat Eldridge, Carl Slaughter, Jonathan Cowie, Steven H Silver, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Niall McAuley.]