Tag Archives: Discon II

Pixel Scroll 10/29/24 The Pixels Have A Gene That Gives Them All Short Hair, So They Don’t Like Cold Weather

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(1) PICKETT LINE. I love this one by Adam Roberts. (Inspired by the Bobby “Boris” Pickett song.)

(2) WHY NOT SAY WHAT HAPPENED? In Episode 5 of Scott Edelman’s podcast Why Not Say What Happened? we get the story of “My Rooftop Dance with Larry Lieber” at the 1974 Worldcon.

Join me as I demonstrate the limits of my memory by telling tales of why my first Worldcon was supposed to have been my second Worldcon, the question I never got around to asking my cousin, the actor Herb Edelman, which song I sang while dancing across a Manhattan rooftop with Larry Lieber, what Fantastic Four moment motivated the first letter I ever wrote to a comic book company, the string of serendipities which led to one of my DC horror stories being adapted as an episode of Tales from the Darkside, how the Washington Post got me a job editing Science Fiction Age magazine, and more.

(3) MEMORIES FINALLY RETURNING. [Item by Michael Dobkins.] This is a follow up to a news item by Bruce D. Arthurs in the October 19 Pixel Scroll ((8) SECOND, JUST SAY, ‘I FORGOT’.) A new video on the Beinecke Library at Yale’s YouTube just dropped that gives more details on the exhibit and even quotes briefly letters between Disch and David Gerrold about the project at the end.

Remembering “Amnesia” with Claire Fox- MAB 10/14/24

A talk in conjunction with the exhibition “Remembering ‘Amnesia’: Rebooting the First Computerized Novel” on view now in the Hanke Gallery at Sterling Memorial Library. “Amnesia”—a work of interactive science fiction by Thomas M. Disch, published in 1986—was an early attempt to bring video games into the realm of literary art by translating a novelist’s script into a medium that readers could only experience by interacting with a computer. This exhibition traces how “Amnesia” moved from story idea to digital manifestation. Visitors can also play the game on workstations in the Hanke Gallery in Sterling Memorial Library and in Bass Library, using Emulation-as-a-Service Infrastructure (EaaSI) software. Included is the story of the library’s Digital Preservation unit’s work to bring the interactive, computerized novel to life. Claire Fox, curator of the exhibition, is Software Preservation and Emulation Librarian in Yale Library. Mondays at Beinecke online talks focus on materials from the collections and include an opening presentation at 4pm followed by conversation and Q & A beginning about 4:30pm until 5pm.

There is also an Amnesia: Restored website devoted to the interactive novel that offers “a new version of the cult classic published by Electronic Arts 1986, now available on the web for contemporary computers.”

(4) UNREAL ESTATE DEVELOPMENTS. Arturo Serrano gives Poltergeist an almost theological analysis at Nerds of a Feather: “First Scare: Poltergeist”.

…Poltergeist feels like a condensation of mystical currents of thought that had gained strength during the hippie era but really date back to the spiritualist fad of the 19th century. Advances in the understanding of electromagnetism coincided with a growing interest in the inner workings of the mind, and it was only natural that a theory eventually formed linking electromagnetism with the paranormal. If you didn’t know any better, it made some sort of sense: if you consider radio waves, they’re an invisible force that exists all around us and can even pass through us, and have very tangible effects if you have a properly sensitive machine at hand. So it wasn’t too much of a stretch to suppose that ghosts worked the same way. Poltergeist is an heir to over a century of superstition that viewed in electrical devices a viable tool for contacting the spiritual realm.

But Poltergeist does more than that. It also takes advantage of the moral panic that was forming around mass media and the way the TV set ended up altering not only the inner dynamics of the American family, but also the rhythm of daily life. People in Poltergeist time their activities by the programming schedule of TV; their day ends when the last broadcast ends. Even before malevolent spirits jump out of the screen, they’re already under the spell of TV….

(5) SURPRISE PACKAGE. A winner of the Nobel Prize for Literature wants a publisher to look at his trunk stories. Forward follows the trail: “Bob Dylan wants a horror publisher to look at his stories”.

In breaks on his Never Ending Tour, Bob Dylan has returned to social media to send his regrets to the Buffalo Sabres hockey team for missing a game, recommend an incredibly famous restaurant in New Orleans and, in a new twist for the Nobel laureate, hint at his spooky literary aspirations.

“At the hotel in Frankfurt there was a publishing convention and every room was taken, parties all night,” Dylan posted on the social platform X  (formerly Twitter) Oct. 23.

“I was trying to find Crystal Lake Publishing so I could congratulate them on publishing The Great God Pan, one of my favorite books,” Dylan continued. “I thought they might be interested in some of my stories. Unfortunately it was too crowded and I never did find them.”

As always, Dylan speaks, the world listens. It came as quite the October surprise for Crystal Lake, a Bloemfontein, South Africa-based press specializing in dark fiction and horror whose current titles include an anthology called Dastardly Damsels and Blood and Bullets: A Trio of Western Horror Novellas. (Yes, they also published a “revamped” edition of Machen’s 1894 Great God Pan, about a sinister woman who seems to be driving powerful men to suicide.)

“We had literary agents in Frankfurt representing our books, so we weren’t there in person,” Crystal Lake’s founder and CEO Joe Mynhardt said in an email.

Mynhardt said that, since the Dylan post, they’d spent a few days tracking down the songwriter and his team.

“It’s my understanding that they now have our contact info, so fingers crossed,” Mynhardt wrote in his email Saturday.

While Dylan has previously published poetry, the first part of his memoirs and most recently his 2022 book The Philosophy of Modern Song, it remains to be seen what scary stories he may have in his drawer. Less of a mystery is what he may have admired in Machen’s novella — a tale of sex, pagan gods and death. Somehow this all seems very on brand, even if it’s lacking in the Americana department (Machen was Welsh, like another great poet named Dylan)…

(6) TODAY’S 270. Chris M. Barkley’s essay for 270 Reasons (“Why Kamala Harris?”) has gone live: “Because the lawlessness, the fascism, the fearmongering must come to an end” (which he also shared with File 770 a few days ago).

… The election of Kamala Harris will not end the partisan and political divisiveness that ails America. But it, along with a majority in the House and Senate, will be an important and vital first step toward restoring a sense that democracy, and the underlying systems that support and nourish it, can prevail and grow.

Fear sells—until we, collectively, stop buying it.

We have no excuse. We know better, and now we must do better….

(7) AFI LIFE ACHIEVEMENT 2025 ANNOUNCED. “AFI Life Achievement Award to go to Francis Ford Coppola in 2025” says The Hollywood Reporter. Yes, in spite of Megalopolis.

The filmmaker has been selected to receive the 50th installment of the organization’s highest honor, the AFI Life Achievement Award, at a ceremony scheduled to take place at Hollywood’s Dolby Theatre on April 26, 2025. He will be 86 at the time. The tribute will air on TNT with encore presentations on Turner Classic Movies. All proceeds from the gala will support AFI’s education and arts initiatives.

The AFI Life Achievement Award is presented to an honoree “whose talent has in a fundamental way advanced the film art, whose accomplishment has been acknowledged by scholars, critics, professional peers and the general public, and whose work has stood the test of time.”…

(8) (BOW) WOW! “Kathryn Hahn Reacts to Agatha-Themed Dog Halloween Costume: ‘Wagatha Barkness?!’” at Entertainment Tonight. Watch the video at the link.

Kathryn Hahn on the success of ‘Agatha All Along’

Kathryn: “Jac Schaeffer who wrote it is a genius because she wrote Wandavision too and so I just hurled myself with faith into whatever she would do, she knows this character really well.”

Kathryn Hahn on a viral Halloween dog costume inspired by the Disney+ series

Kathryn: “Apparently there is a dog costume called Wagitha Barkness… which I’m like, that seems amazing!”

(9) ALTERNATIVES TO OUR DIGITAL FUTURE. Joshua Rothman asks “Could Steampunk Save Us?” – behind a paywall in The New Yorker.

In 1990, Gibson and Bruce Sterling wrote “The Difference Engine,” an alternative-history novel, set in the nineteenth century, in which computers are built about a hundred years earlier than in reality, using quirky systems including gears, wheels, and levers. The novel helped popularize the genre of steampunk, in which nineteenth- and twentieth-century technologies are merged. Arguably, Jules Verne and H. G. Wells wrote steampunk avant la lettre, simply by crafting science fiction in the late nineteenth century; the genre’s aesthetic markers-valves, pipes, airships, monocles-have since informed the imaginative worlds of films and television shows like “Snowpiercer,” “Silo,” and much else. Steampunk mounts an imaginative protest against the apparent seamlessness of the high-tech world; it’s an antidote to the ethos of Jony Ive. It’s also fun because it’s counterfactual. It’s fascinating to imagine, implausibly, how ravishing technology could be constructed out of yesterday’s parts.

But what if the world really is constructed that way? In that case, it could be a mistake to put too much faith in digital perfection. We might need to fiddle with our technology more than we think.

(10) STOP BEING MIDDLE-CLASS IMMEDIATELY.  “This is a Thomas Ha Fanzine Now” at Seize the Press, edited by Jonny Pickering and Karlo Yeager Rodríguez.

The other week someone asked me why I thought there was such discomfort with unresolved narratives and non-cathartic endings in some corners of the contemporary short story world. I thought about it a bit and figured my answer would be worth sharing.

The conversation came about after I read a Thomas Ha story called “The Brotherhood of Montague St. Video”, which features a story within the story — an old pulp western the narrator discovers has been altered so that the original ending (where the protagonist is defeated by the evil sheriff and limps off into the desert) is rewritten into a glorious, audience-pleasing victory. As with any Thomas Ha story, there are layers stacked on layers to the narrative, but one thing it got me thinking about is why so much contemporary media (and short fiction in particular) is so ill at ease with leaving the audience ill at ease.

I can’t say for sure why this is, but I can speculate. I think one reason is there’s an influential school of (largely American) middle class liberal writers who dominate a lot of the bigger magazines and who come at fiction from the viewpoint that writing and reading stories constitutes some form of activism. You see it a lot in the ‘power of stories’ assertions that go round from time to time and is also partly why we see so much didactic fiction out there, because it’s a view that thinks the purpose of art is to ‘instruct’ and to portray the ‘correct opinions’, whereas for me good art raises more questions than it answers….

… At the risk of sounding like a vulgar Marxist I think western society in general (and, from what I can gather as a Brit, particularly American society, which has such a big effect on western culture as a whole) has reached a stage where, for lots of people, collectively trying to change the world can seem pretty hopeless, and so there’s a tendency to retreat into a very individualistic notion of activism, where if you’re working on yourself and thinking the right things and reading the right things, even when that thing is fiction, it feels like praxis. It’s incredibly reactionary and has a stultifying effect on art in my opinion, because it results in these calcifying stories that do nothing to challenge, and whose purpose and effect is simply to reassure….

(11) TERI GARR (1944-2024). Teri Garr, who received an Oscar nomination for her role in Tootsie, died October 29 reports the AP. She died of multiple sclerosis “surrounded by family and friends,” said publicist Heidi Schaeffer. Garr battled other health problems in recent years and underwent an operation in January 2007 to repair an aneurysm.

Garr is best remembered by fans playing the helpmate in four genre classics:

  • Wife, Ronnie Neary, to Richard Dreyfus in Close Encounters of the Third Kind
  • Wife, Bobby Landers, to John Denver in Oh, God
  • Lab Assistant, Inge, to Gene Wilder in Young Frankenstein
  • Office Assistant, Roberta Lincoln to Robert Lansing in Star Trek’s  “Assignment Earth” episode

She also appeared on the Sixties Batman series. And forty years later she voiced the character of Mary McGinnis in the animated “Batman Beyond” TV series, and Sandy Gordon in 2003’s What’s New, Scooby Doo? animated series.

(12) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

Born October 29, 1906 — Fredric Brown. (Died 1972.)

By Paul Weimer: I first encountered Fredric Brown’s work with a pastoral work known as “The Waverlies”. Sometime in the near future, a peculiar sort of alien arrives on earth that is invisible, and eats all forms of radio, and electromagnetic signals and power fail.  The United States and the rest of the world is thus plunged into a late Victorian era of technology. It was and is a pastoral, gentle story of the hands of time being stopped and put backward to a slower pace, permanently. The story nagged at me, though, even as I liked it. Such a technological change would be wrenching and millions…if not more, would die in the result (c.f. S M Stirling’s The Change series).  I don’t think Brown considered that. But this is notably one of Philip K Dick’s favorite short stories. It has a power…even if it doesn’t realize its full implications and problematic nature

But he considered and thought about a lot of other SF ideas in other fantastic stories. His story “Answer” has the classic line you know even if you haven’t read it “NOW there is a God”.  “Arena” is the basis of the Star Trek episode where Kirk fights a Gorn. And there are plenty more where those come from. I haven’t delved into his extensive work with mystery novels and stories, but if that is your jam, Brown has a plethora of work for you once you finish his science fiction stories and short novels.

But as much as I like “The Waverlies” (even as I recognize the problematic aspects of the story), my favorite Brown story is probably his most definitive one, and that is “What Mad Universe”. You probably know this story if you read it. A SF book editor finds himself in a world whose ideas run on SF magazine story conventions. With a breakneck pace and change of action and twists at a pace that Van Vogt might envy, the story is a rollercoaster and deconstruction of what was soon to become a dying breed — pulp SF stories. It thus stands as the Pulp Science Fiction story for as unwitting capstone of the era, and it’s a lot of fun.  I’m not the only one who thinks this, as witness Lawrence Block’s The Man Who Met Frederic Brown, which takes up on this trope and references that story directly. 

Fredric Brown

(13) COMICS SECTION.

Bliss has a big problem.

Crankshaft tries a crossover.

(14) CHARLES BURNS RETURNS. [Item by Steven French.] Charles Burns, creator of Black Hole is back with a new graphic novel, Final Cut: “’I was high, drawing my self-portrait in a toaster’: the thrilling return of graphic novelist Charles Burns” in the Guardian.

…Burns became obsessed with monsters at a young age. His father had “every kind of hobby”, which meant the house was always full of art tools and Indian ink. Burns would try to recreate comics he found around the house but his awakening came in early 1969 when a kid at school introduced him to Zap Comix, helmed by the godfather of underground comix Robert Crumb. “Suddenly, here’s this thing with intense drawings! I wasn’t interested in Captain America and Iron Man – but I would imitate these psychedelic comics.”

Burns disappears again and comes back with some of his early examples. They have a beautiful, frantic quality – a kind of professionalised bedlam – with all the hallmarks of his current work, from weird monsters to attractive adolescents. The cartoonist Lynda Barry once wrote of his style and the standard he reaches: “You can’t believe a person could do it with regular human hands. It’s the kind of drawing that would have scared the pants off you in grade school, not only because the images are so eerie but because they are too perfectly done, and not good or evil enough for you to tell what you are supposed to think about them.”

That eerie perfectionism is right there in his earliest work. It’s this style that excited Spiegelman, who agreed to publish Burns in Raw in the 1980s. It’s why the cult literary magazine The Believer, founded by Dave Eggers in 1998, used Burns for every cover until 2014…

(15) HOW WOULD YOU TRANSLATE IT? From Viktoria on Threads:

(16) TV VIEWING RECOMMENDATIONS FOR LAST-MINUTE JACK O’LANTERN CARVERS. In anticipation of Halloween, JustWatch has put together a list of the Top 10 spooky movies and TV shows available to stream in the United States based off their 13 million users in the United States. 

(17) EARTH ABIDES SERIES. “’Earth Abides’ Trailer: Alexander Ludwig Stars In Series Adaptation” – Deadline tells what to expect.

MGM+ has dropped the first trailer and unveiled the premiere date for Earth Abides, its upcoming post-apocalyptic limited series adaptation of George R. Stewart’s sci-fi novel of the same name. It’s slated to launch December 1 on the streamer.

Written and executive produced by Todd Komarnicki (Sully), who also serves as showrunner, in Earth Abides, when a plague of unprecedented virulence sweeps the globe, the human race is all but wiped out. In the aftermath, as the great machine of civilization slowly and inexorably breaks down, only a few shattered survivors remain to struggle against the slide into extinction….

(18) A VISIT TO SHENZHOU-18. Futurism invites us to “Watch Astronauts Give a Rare Tour of China’s Luxurious Space Station”.

…As seen in an almost seven-minute-long video shared by Chinese state-owned news agency CCTV, members of the current Shenzhou-18 crew gave an extensive tour of their temporary abode.

Crew members show off the station’s kitchen, from a small heater that dispenses water into small pouches to a modified microwave. Astronauts also showed off the surprisingly roomy beds that each feature a sizable porthole, with unparalleled views of the Earth below.

We even got a glimpse of the two orbital lab segments, including several cherry tomato and lettuce plants growing in the station’s greenhouse….

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Jo Fletcher, Lew Wolkoff, Andrew (not Werdna), Michael Dobkins, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 8/3/24 Krypton Through The Tulips

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(1) GLASGOW POSTS WORLDCON CONVENTION GUIDE. Glasgow 2024’s Convention Guide is available for the public to download from this link. The guide is also available through the members portal. portal.glasgow2024.org

(2) TL;DR WORLDCON PROGRAM. For comparison, Scott Edelman has scanned the Discon II (1974) program – all four pages of it. See it on Facebook.

(3) SARAH J. MAAS BANNED IN UTAH SCHOOLS. “It’s official: These 13 books are now banned from all public schools in Utah” at the Salt Lake City Tribune. Six of the 13 titles were written by the same fantasy romance author, Sarah J. Maas. Another, Oryx & Crake, is by Margaret Atwood.

…The law, which went into effect July 1, requires that a book be removed from all public schools in the state if at least three school districts (or at least two school districts and five charter schools) determine it amounts to “objective sensitive material” — pornographic or otherwise indecent content, as defined by Utah code….

(4) HOMETOWN HERO. Texas Highways devotes a short sidebar to Austin-based horror novelist: “Author Gabino Iglesias Tackles Monsters and Myths”.

Following the devastation of Hurricane Maria in 2017, Puerto Rico was in ruins: 95% of the island was without power, half the population didn’t have tap water, and there was at least $90 billion in damage.

That catastrophic moment of grief and wreckage is the setting of Gabino Iglesias’ latest, House of Bone and Rain, the follow-up to 2022’s The Devil Takes You Home. The latter earned the Austin-based author a Bram Stoker Award for Superior Achievement in a Novel—the only Latino writer to achieve the horror genre’s highest honor—as well as a movie deal with Sony.

For House of Bone’s protagonist, Gabe, and his childhood friends, death is omnipresent in the wake of the storm. But after one of their mothers is gunned down at a club, they begin to look for answers in an even more dangerous world of drug kingpins, gang brutality, ghosts, and Lovecraftian monsters. Inspired by a tragedy that happened in the author’s own life prior to his move to Texas in 2008, the gothic coming-of-age tale induces emotional gravity as the characters navigate the loss of home and youth.

“The inciting incident with the mother getting shot, that actually happened to me and my friends,” Iglesias says. “I think I started formulating that story in my head in the summer of 1999—because when I actually sat down to write it, it was all there 20 years later.”…

(5) BBC SCRUBS ANOTHER WHO ITEM. “UK Stabbings Suspect Previously Appeared In Doctor Who Charity Advert” – Deadline has the story.

The BBC has removed a six-year-old Doctor Who charity advert from all its platforms, following the discovery that it starred the teenager who has been named as the suspect in this week’s Southport stabbings.

Axel Rudakubana, now aged 17, has been charged with three counts of murder and ten counts of attempted murder following the attack in northern England on Monday July 29, in which three young girls died, and several were left critically injured in a multiple stabbing that occurred in a Taylor Swift-themed dance class.

The Times newspaper reports that the 2018 video sees Rudakubana, then aged 11, emerge from the famous Tardis in a brown trench coat and tie, similar to clothes worn by the show’s former star David Tennant.

(6) HORROR WRITERS ASSOCIATION ELECTIONS. Members will vote in the 2024 Horror Writers Association Elections for Officers and Trustees between August 19 and August 25. There is only one announced candidate for the offices of President and Secretary. Five candidates will vie for three Trustee positions.

The elected officers shall hold their respective offices for terms of two years, beginning on November 1 and ending on October 31.

FOR PRESIDENT

  • Angela Yuriko Smith 

 FOR SECRETARY

  • Becky Spratford 

FOR BOARD OF TRUSTEES

  • Linda Addison 
  • Patrick Barb 
  • James Chambers 
  • Ellen Datlow   
  • Cynthia Pelayo 

(7) INCREASE YOUR WORD POWER. In “The Word-Hoard: Clark Ashton Smith” at Muse from the Orb, Maya St. Clair shares a list of exotic words she learned by reading Smith’s fiction.

Clark Ashton Smith was a weird fiction writer and poet of the 30s, a multitalented storyteller-artist-sculptor-craftsman from northern California. Initially acclaimed as a local poet and wunderkind, his fantastic poetry and stories eventually found success in Weird Tales and other pulp magazines. Mostly an autodidact, Smith lived with his family in an out-of-the-way cabin and did not pursue more than a middle school education. Instead, he drew from inspirations — Baudelaire, Poe — and resources at hand — the Oxford Dictionary, the Encyclopedia Britannica — to create his trademark maximalist style. His work attracted the attention of a fellow “obscure companion in the realms of the macabre,” H.P. Lovecraft, and the two maintained a spirited correspondence until Lovecraft’s death. (Smith sent Lovecraft a carved dinosaur bone.)1 Robert E. Howard likewise thought that Smith was excellent, and wrote Smith that he would sacrifice a finger “for the ability to make words flame and burn as you do.”

(8) CHEATERS EVER PROSPER. Literary Hub asks, “Did You Know That Poetry Used to Be an Actual Olympic Sport?”. Truth! And did you know there was something shady about the first winners? Also truth!

At the 1912 Olympic Games in Stockholm, Sweden, Jim Thorpe easily won the decathlon in the first modern version of the event. The grueling, ten-part feat was not the only addition to the burgeoning modern games. Other events that debuted at the 1912 Olympics included architecture, sculpture, painting, music… and literature.

… The artistic jury would “only consider subjects not previously published, exhibited or performed, and having some direct connection with sport.” The [1912] Stockholm literature competition had fewer than ten entrants, but included Marcel Boulenger, a French novelist who won a bronze medal in fencing (foil) at the 1900 Olympics, French Symbolist Paul Adam, and Swiss playwright René Morax. The gold was awarded to two Germans, Georges Hohrod and Martin Eschbach, for their work “Ode to Sport.” The jury was effusive in their commendations, calling the piece “far and away the winner,” because it “praises athletics in a form that is both literate and athletic.” The narrative ideas “are arranged, classified, and expressed in a series that is flawless in logic and harmony.”

Yet Hohrod and Eschbach never existed. They were pseudonyms for Baron Pierre de Coubertin, who had just won the very competition he organized….

(9) SOMETIMES THEY DO GET FURRY. The Guardian echoes the question “’Why are people always pointing the finger at furries?’: inside the wild world of the furry fandom”.

The first thing that hits you when you press through the revolving doors of the Hyatt Regency hotel and convention centre in Rosemont, Illinois, on the outskirts of Chicago, is the wall of sound. A cacophony of laughter and karaoke, pumping bass and gleeful, shouting voices. The second is the odour. The air is thick with the smell of sweat, coffee, alcohol, baby powder and deodorant. But the other senses fade out when your eyes start to process what they’re seeing. Because the thing that makes entering this lobby so sensationally surreal – the kind of experience you usually have to lick rare Amazonian frogs to achieve – is what people are wearing. In December 2023, I attended the Hyatt Regency for a convention called Midwest FurFest. It’s a gathering, one of the biggest in the world, for an often-misunderstood community known as “furries”, which is why about half the crowd – and there are nearly 15,000 people here this weekend – are dressed head to toe in massive, flamboyantly colourful, furry animal costumes….

(10) MAVERICK KONG. Maverick Theater, a small 75-seat venue in Fullerton, CA will present King Kong as a stage play through August 25.

Back for its 5th year! An original Maverick Theater stage adaptation of the 1933 film by Merian C. Cooper. The play is based on the Delos W. Lovelace novel, which is the same storyline and dialogue from the original film with only minor changes and additions.  The overall show will have a lighthearted tongue-in-cheek feel but all the characters will be played honest and as true to the original; even the man in the monkey suit.

The Maverick Theater’s special effects team known as “Maverick Light & Magic” will take on the beauty and the beast adventure using a live compositing* process of multiple video sources. Similar to the process Willis O’Brien used to create the original King Kong. Actors will be interacting with live rear screen projections to create the illusion of Kong.

(11) MISSION: OLYMPOSSIBLE. “Tom Cruise to rappel off Stade de France in Olympics closing ceremony” reports the Guardian.

He’s scaled the world’s tallest building, dangled mid-air from a plane, set records for holding his breath underwater and, when he broke his foot shooting a rooftop parkour scene, just kept on running.

Now Tom Cruise, the 62-year-old movie star committed to a relentless dice with death, will take on his most high-profile hair-raiser to date: rappelling 42 metres (137ft) from the roof of the Stade de France as part of the Olympic Games closing ceremony this month.

The live broadcast will then reportedly cut to prerecorded footage of Cruise zipping through the streets of Paris on a motorbike, then on to a plane bound for California, clutching the Olympic flag all the while.

When he arrives stateside, he disembarks the plane by chucking himself out of the window, before skydiving down to the Hollywood sign. He then passes the flag to assorted athletes, including a cyclist, skateboarder and volleyball player, as they relay it round Los Angeles – the host city for the next games in 2028.

Cruise has been shooting the new Mission: Impossible movie in London and Paris since the new year, and sightings of him speeding around the French capital earlier this summer had been credited to that production.

Likewise, residents of Los Angeles are now so accustomed to his fondness for near-lethal stunts that the sight of Cruise falling from a huge height on to on the Hollywood sign in March raised few eyebrows.

It is believed the actor himself approached the International Olympic Committee and suggested the show-stopping sequence himself, having previously helped carry the torch through LA as part of its relay en route to Athens in 2004….

(12) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

August 3, 1904 – Clifford D. Simak. (Died 1988.)

By Paul Weimer: The rural science fiction writer. 

A lot of the science fiction writers of his time and age were big city enthusiasts and wrote their science fiction presents and futures extolling the city and its virtues, be it on Earth or another planet, or even planetwide cities. 

Clifford Simak

Clifford Simak was different, very different. Much of his science fiction and fantasy could be considered rural, or pastoral, and my reading of him always seemed to come back to those liminal spaces between the civilized world and the wilderness. Themes of self-reliance, and yet community with others living in that same sort of space. An essential paradox that describes rural life…and Simak’s fiction. 

And of course, always, Dogs. Aside from the rural life and setting of many of his stories, dogs, sometimes normal, often superintelligent or sentient, pop up everywhere.  The themes of what dogs mean to humans: intelligence, companionship, loyalty and fidelity, are themes that one can find in Simak’s work whether or not there is an actual dog in it. 

There are many fine Simak stories and novels I’ve read and enjoyed, from the “Big Front Yard”, one of the best first contact alien stories out there, to the strange and surreal “Shakespeare’s Planet”, “The Goblin Reservation”, and many more. Way Station, with its immortal caretaker of a rest stop for interstellar tourists, is particularly fun. 

The one Simak story that stands above the novels, novellas and others for me is “Desertion”, part of the City cycle of future history stories that he wrote. “Desertion” is the one set on Jupiter, as the commander of a base around Jupiter is confronted with the fact that everyone he has sent out onto Jupiter, transformed for the purpose into Jovians…has disappeared and never come back. Our protagonist, X, and his dog, eventually come face to face with the stunning truth of what happened to their comrades. It is powerfully moving, as is much of Simak’s work.

(13) COMICS SECTION.

  • Brewster Rockit is unsafe in space.
  • Pardon my Planet surprises with what was in second place.
  • Rubes prefers the stoned version.
  • Tom Gauld might be saying the opposite of “Death will not release you”.

(14) SHELL GAME. “Un oeuf is enough: have we had our fill of movie Easter eggs?” asks the Guardian. No, of course not, they were just kidding.

…Easter eggs, that is, those fan-centric surprises with which the modern blockbuster is sprinkled, or in this case cluttered.

They take many forms: unpublicised cameos, in-jokes that only franchise devotees would clock, surprise scenes stowed away in the end credits, abundant references to other movies, even allusions to controversies on the sets of other movies. The Easter eggs in Deadpool & Wolverine belong to all these categories and more. There are so many, in fact, that it’s tempting to ask: which came first, the movie or the eggs?

Whatever the style of Easter egg, the point is the same: to encourage, flatter and reward the deepest possible level of fan engagement and to keep completists coming back for more….

…Given the success of Deadpool & Wolverine, Easter eggs are likely to remain a staple item on the menu. “I grew up watching Wayne’s World, which operated on much the same lines,” says [film critic] McCahill. “But I fear, after Deadpool & Wolverine, every big Hollywood movie is now just going to be a series of meme-able moments. Directors should be storytellers, not winkers. And as with their chocolate equivalents, Easter eggs should be consumed in moderation.”

(15) SOUNDS LIKE THE BOSS. “Hank Azaria, voice from the Simpsons, fronts a Bruce Springsteen cover band” is interviewed by NPR’s Weekend Edition.

SCOTT SIMON: But that’s really Hank Azaria, the voice behind many characters from the long-running “Simpsons” – also the pharaoh in “Night At The Museum” and Jim Brockmire, the plaid-clad sports announcer. And he’s now the presence behind Hank Azaria & The EZ Street Band, a Bruce Springsteen cover band that debuted this past week at Le Poisson Rouge in New York City. The six-time Emmy award-winning actor joins us now from New York. Thanks so much for being with us….

(16) WITH FRICKIN’ LASERS. [Item by Mike Kennedy.] “A $500 Open Source Tool Lets Anyone Hack Computer Chips With Lasers” according to WIRED.

IN MODERN MICROCHIPS, where some transistors have been shrunk to less than a 10th of the size of a Covid-19 virus, it doesn’t take much to mess with the minuscule electrical charges that serve as the 0s and 1s underpinning all computing. A few photons from a stray beam of light can be enough to knock those electrons out of place and glitch a computer’s programming. Or that same optical glitching can be achieved more purposefully—say, with a very precisely targeted and well timed blast from a laser. Now that physics-bending feat of computer exploitation is about to become available to far more hardware hackers than ever before.

At the Black Hat cybersecurity conference in Las Vegas next week, Sam Beaumont and Larry “Patch” Trowell, both hackers at the security firm NetSPI, plan to present a new laser hacking device they’re calling the RayV Lite. Their tool, whose design and component list they plan to release open source, aims to let anyone achieve arcane laser-based tricks to reverse engineer chips, trigger their vulnerabilities, and expose their secrets—methods that have historically only been available to researchers inside of well-funded companies, academic labs, and government agencies….

…Their goal in creating and releasing the designs for that ultra-cheap chip-hacking gadget, they say, is to make clear that laser-based exploitation techniques (known as laser fault injection or laser logic state imaging) are far more possible than many hardware designers—including clients for whom Beaumont and Trowell sometimes perform security testing at NetSPI—believe them to be. By demonstrating how inexpensively those methods can now be pulled off, they hope to both put a new tool in the hands of DIY hackers and researchers worldwide, and to push hardware manufacturers to secure their products against an obscure but surprisingly practical form of hacking….

(17) WILL SPACEX BAIL OUT BOEING? Futurism voices strong opinions about this: “It’s Sounding Like Boeing’s Starliner May Have Completely Failed”.

It looks like NASA officials might be seeing the writing on the wall for the very troubled Boeing Starliner, which has marooned two astronauts up in space for almost two months due to technical issues.

An unnamed “informed” source told Ars Technica that there’s a greater than 50 percent probability that the stranded astronauts will end up leaving the International Space Station on a SpaceX Dragon capsule, with another unnamed person telling the news outlet that the scenario is highly likely.

NASA officials are more cagey about what’s happening on the record, a marked contrast from previous weeks when they expressed confidence in the Starliner’s ability to safely bring back the astronauts.

“NASA is evaluating all options for the return of agency astronauts Butch Wilmore and Suni Williams from the International Space Station as safely as possible,” NASA spokesperson Josh Finch told Ars. “No decisions have been made and the agency will continue to provide updates on its planning.”…

… Many signs are now pointing towards SpaceX rescuing the stranded astronauts, according to Ars. These signs include the space agency giving more than a quarter million dollars to SpaceX for a “SPECIAL STUDY FOR EMERGENCY RESPONSE,” and SpaceX actively training for the likely situation of the company sending a Dragon capsule to the space station to bring the astronauts home.

If SpaceX does get the green light, expect the Starliner project to be shoved into the proverbial dumpster, according to Ars‘ analysis.

It would be a bad look all around, because it would mean the American government had funneled a total of $5.8 billion into malfunctioning junk.

If this scenario happens, with Starliner not deemed safe enough for human travel, we hope politicians and others investigate what went wrong, given that SpaceX has managed to build the immensely more reliable Dragon capsule at 50 percent less cost than Boeing’s spacecraft….

(18) PITCH MEETING. Ryan George has to deal with a lot of questions in “Superman II Pitch Meeting”.

Released in 1980, “Superman II” is a sequel to the super popular Superman I, and it was also followed by Superman III. They really nailed the numbers on these. Superman 2 continues the Man of Steel’s adventures as he battles Kryptonian villains including General Zod amidst the growing popularity of superhero films during the late 70s and early 80s. Superman II definitely raises some questions though. Like where did Marlon Brando go? Why didn’t Lex Luthor just shut his lights? Why are snake bites so painful? Why did Superman have to give up his powers and then get them back so easily? What was with that cellophane S? To answer all these questions, check out the pitch meeting that led to Superman II.

(19) VIDEO OF THE DAY. The Tonight Show Starring Jimmy Fallon played “Password with Elmo and Cookie Monster”. Bird is the word…

[Thanks to Teddy Harvia, Mike Kennedy, Andrew Porter, Paul Weimer, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 12/20/20 May The Luck Of The Seven Pixels Of Gulu Be With You At All Times

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(1) COVID-19 VACCINATION. First responder and noted fanzine fan Curt Phillips posted a photo on Facebook of him receiving the injection —

First Covid 19 vaccination accomplished this morning. Fast, simple, easy. No adverse reactions at all. *Everybody* should get one!

Soon as we can, Curt! He’s followed up in the intervening hours with a couple of posts to say there were no complications and there was no more arm soreness than there is with his annual flu shot.

(2) IN OVERTIME. “An earlier universe existed before the Big Bang, and can still be observed today, says Nobel winner”, quoted in Yahoo! News.

…The timescale for the complete evaporation of a black hole is huge, possibly longer than the age of our current universe, making them impossible to detect.

However, Sir Roger believes that ‘dead’ black holes from earlier universes or ‘aeons’ are observable now. If true, it would prove Hawking’s theories were correct.

Sir Roger shared the World Prize in physics with Prof Hawking in 1988 for their work on black holes.

Speaking from his home in Oxford, Sir Roger said: “I claim that there is observation of Hawking radiation.

“The Big Bang was not the beginning. There was something before the Big Bang and that something is what we will have in our future.

“We have a universe that expands and expands, and all mass decays away, and in this crazy theory of mine, that remote future becomes the Big Bang of another aeon. 

“So our Big Bang began with something which was the remote future of a previous aeon and there would have been similar black holes evaporating away, via Hawking evaporation, and they would produce these points in the sky, that I call Hawking Points.

“We are seeing them. These points are about eight times the diameter of the Moon and are slightly warmed up regions. There is pretty good evidence for at least six of these points.”

(3) MULTIPLE CHOICES. The Guardian’s “Can you crack it? The bumper books quiz of 2020” includes a question about Iain Banks which I missed, so to heck with it anyway. (It’s a wide-ranging quiz. There are several more sff-themed entries. I missed almost every one of them, too, so double to heck with it.)

What day job did the Booker winner have while writing his novel? Who was rejected by Mills & Boon before becoming a bestselling author? Test your wits with questions from Bernardine Evaristo, Jonathan Coe, David Nicholls and more

(4) FAN SERVICE. [Item by Martin Morse Wooster.] This is from Isaac Asimov’s In Memory Yet Green.

In The Early Asimov, I included “Big Game” among the list of those stories of mine that disappeared.  Not so.  I had it all these years and, without knowing it, had included the manuscript with papers of mine that I had donated to the Boston University library.  A young science-fiction enthusiast, Matthew Bruce Tepper, who had prepared an accurate and exhaustive bibliography of my science fiction, went through my papers at BU, uncovered the manuscript, and sent me a Xerox copy.  I had the story published in Before The Golden Age (Doubleday, 1974).

(5) IN MEMORY YET BROWN. Scott Edelman asks for help in tracing the history of this DC in 1974 Worldcon bid promotional shopping bag.

I found this among my late sister-in-law Ellen Vartanoff’s collection of science fictional memorabilia — an item I’d never seen before, promoting both Disclave and the 1974 D.C. Worldcon. You, who know all and see all, surely know when and where this might have been handed out — right?

And if not you, perhaps one of your readers.

(6) SOUNDS HAPPY. In “Christopher Eccleston opens up on returning to Doctor Who”, Radio Times interviews the actor about his audio roles for Big Finish.

…Eccleston went on to praise the scripts, which he described as “beautiful” – adding that the care and knowledge that had gone into them had played a huge part in easing him back into the role after such a long time away.

“That’s what made it feel seamless,” he said. “I felt that you [Briggs] understood what he was all those years ago – and so it was like putting on a pair of old shoes. Running shoes!

“Doing the scripts, you do get the sense of somebody who’s completely immersed in the lore of the show. I think what I realised, with all my writers, when I did the 13 episodes – and with this – is basically you’re playing the writer.

“You’re playing Steven Moffat, you’re playing Russell T Davies, you’re playing you [or] Rob Shearman… you’re playing them, their projected self, as the Doctor – and that’s what’s nice, because he has a slightly different voice from episode-to-episode while having continuity, of course. You all wanna be the Doctor!”

(7) GEISER OBIT. Artist David Geiser died in October.  The East Hampton Star  traced his career.

David Geiser, an artist whose career ranged from the underground comics he created in San Francisco in the late 1960s and 1970s to heavily textured mixed-media works he focused on after moving to New York in 1979, died unexpectedly of heart disease in his sleep at home in Springs on Oct. 14. He was 73.

A prolific artist, his work from the underground comics early in his career to recent drawings such as “Snail Ridin’ the Mouse” and “Dog Boy (a Young Cynic)” reflect his not only his wit and the eccentricity of his vision but also his remarkable draftsmanship….

“David left behind scores of underground comics from his early years in San Francisco, and hundreds of drawings and paintings,” as well as sculptures ranging in size from five inches square to 10 feet by 10 feet, according to Mercedes Ruehl, his partner since 1999. “In his spare time he was an avid reader of contemporary fiction from a wide array of cultures and nationalities,” she added….

(8) MEDIA ANNIVERSARY.

  • 1995 – Twenty five years ago, Elizabeth Hand won the Otherwise Award for Waking the Moon. It would go on to win the Mythopoeic Award for Adult Literature the next year. And Terri Windling would in her fantasy summation in The Year’s Best Fantasy and Horror: Eighth Annual Collection select it as of her best books of the year. The American first edition cuts one hundred pages out of the British first edition. 

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born December 20, 1897 – Susanne Langer, Ph.D.  First woman popularly and professionally recognized as an American philosopher.  Fellow of the Amer. Acad. Arts & Sciences.  Cellist.  Five short stories for us, in The Cruise of “The Little Dipper”.  (Died 1985) [JH]
  • Born December 20, 1930 – Tom Boardman, Jr.  Son of the founder of UK’s Boardman Books, managing director after it left the family, SF advisor to Gollancz, Four Square, Macdonald, New English Lib’y.  Edited five reprint anthologies 1964-1979.  An ABC of SF got Aldiss to Zelazny if we allow its pseudonymous B.T.H. Xerxes.  (Died 2017) [JH]
  • Born December 20, 1943 — Jacqueline Pearce. She’s best remembered as the villain Servalan on Blake’s 7. She appeared in “The Two Doctors”, a Second and Sixth Doctor story  as Chessene, and she’d voice Admiral Mettna in “Death Comes to Time”, a Seventh Doctor story. I’d be remiss not to note her one-offs in Danger Man, The Avengers, The Chronicles of Young Indiana Jones and The Rivals of Sherlock Holmes. (Died 2018.) (CE)
  • Born December 20, 1952 — Kate Atkinson, 68. A strong case can be made that her Jackson Brodie detective novels are at least genre adjacent with their level of Universe assisting metanarrative. (The Jason Isaacs fronted series is superb.) The Life After Life duology is definitely SF and pretty good reading. She’s well stocked on all of the digital book vendors. (CE) 
  • Born December 20, 1952 — Jenny Agutter, 66. Her first SF role was Jessica 6, the female lead in Logan’s Run. Later genre roles include Nurse Alex Price in An American Werewolf in London (fantastic film), Carolyn Page in Dark Tower which is not a Stephen King based film, an uncredited cameo as a burn doctor in one of my all-time fav films which is Darkman, and finally she was Councilwoman Hawley in The Avengers and The Winter Soldier.  (CE)
  • Born December 20, 1957 – Angela Hunt, Ph.D., age 63.  Two novels, five shorter stories for us; a hundred fifty books, children’s, middle-graders’, adults’; some nonfiction; five million copies sold.  Romantic Times Book Club Lifetime Achievement Award.  A Publisher’s Weekly Best Book of the Year.  Also Angela Hunt Photography.  One of her dogs was on Live With Regis and Kelly as second largest in America.  [JH]
  • Born December 20, 1960 — Nalo Hopkinson, 60. Named a SFWA Grand Master this year. First novel I ever read by her was Brown Girl in The Ring, a truly amazing novel. Like most of her work, it draws on Afro-Caribbean history and language, and its intertwined traditions of oral and written storytelling. I’d also single out Mojo: Conjure Stories and Falling in Love With Hominids collections as they are both wonderful and challenging reading. Worth seeking out is her edited Whispers from the Cotton Tree Root: Caribbean Fabulist Fiction.  She was a Guest of Honor at Wiscon thrice. Is that unusual? (CE) 
  • Born December 20, 1967 – Jukka Halme, age 53.  Chaired three Finncons.  Guest of Honor at Eurocon 33 (Stockholm) and 37 (St. Petersburg).  GUFF (Going Under Fan Fund when southbound, Get Up-and-over Fan Fund northbound) delegate, attended the 55th Australian national convention (“natcon”) in Brisbane.  Chaired the 75th Worldcon (called simply “Worldcon 75”; opinions expectably differ on naming these things).  Seen in fanzines e.g. Chunga, Twink, The White Notebooks.  Served on the 2020 Tähtifantasia (“star fantasy”) Award jury.  [JH]
  • Born December 20, 1970 — Nicole de Boer, 50. Best remembered for playing the trill Ezri Dax on the final season of Deep Space Nine (1998–1999), and as Sarah Bannerman on The Dead Zone. She’s done a number of genre films including Deepwater Black, Cube, Iron Invader, and Metal Tornado, and has one-offs in Beyond Reality, Forever Knight, TekWar, Outer Limits, Poltergeist: The Legacy, Psi Factor and Stargate Atlantis. Did I mention she’s Canadian? (CE)
  • Born December 20, 1981 – Nick Deligaris, age 39.  Digital artist.  Two dozen covers, and much else.  Here is Bypass Gemini.  Here is Skykeep.  Here is Nova Igniter.  He did the cover and is interviewed in this issue of Deep Magic.  He has an interior on p. 5 of this issue of Tightbeam (PDF).  [JH]
  • Born December 20, 1990 – Ashley Dioses, age 30.  Five short stories; a hundred forty poems in The Audient Void, The Literary Hatchet, Ravenwood Quarterly, Spectral Realms, Weirdbook; collection Diary of a Sorceress.  Inspired by Poe.  [JH]

(10) COMICS SECTION.

(11) SEASON’S READINGS. Silvia Moreno-Garcia and Lavie Tidhar suggest “The perfect science fiction, fantasy and genre-bending tales for the chilly days ahead” in their column for the Washington Post.

.. Lavie: Let me throw the first snowball here: I’m going with Tove Jannson’s “Moominland Midwinter” (translated from the Swedish by Thomas Warburton), one of the true greats and my favorite moomin book. Moomintroll wakes up alone from hibernation to find the world transformed, and everyone he knows is gone or sleeping (apart from Little My, who’ll never miss the fun). If you don’t cry over “The Squirrel With the Marvelous Tail,” you’re a monster. I reread it a few weeks ago and it’s just as wonderful as ever.

(12) NIVEN’S GENESIS. Fanac.org adds constantly to its online fannish collection. Among the latest gems are the programs from the series of LASFS Fanquets the club used to hold to honor members’ first pro sales. Larry Niven is now a Grand Master, but once upon his time he made his first sale to If. Read about his early career and what Fred Pohl liked about his work in Fanquet 13 edited by Bruce Pelz.

(13) ANOTHER ONE OF THE GREATS. Also deserving of praise is Fanac.org’s success in filling out its online collection of John Bangsund’s zines Australian Science Fiction Review and Scythrop.

Australian Science Fiction Review was nominated for Best Fanzine in 1967 and 1968. In 1968 (in the first year the Ditmars were presented), it won the award for best Australian fanzine. We now have a complete run under that name. The zine changed its name to Scythrop in 1969, and we added 5 issues of Scythrop: #21-24 and #28. We just lost John Bangsund to Covid-19 this year.

(14) PARIS, BUT NOT IN THE SPRINGTIME. Could be news to you, too – J. G. Ballard’s interview in The Paris Review, Winter 1984: “The Art of Fiction No. 85”

BALLARD

I take for granted that for the imaginative writer, the exercise of the imagination is part of the basic process of coping with reality, just as actors need to act all the time to make up for some deficiency in their sense of themselves. Years ago, sitting at the café outside the American Express building in Athens, I watched the British actor Michael Redgrave (father of Vanessa) cross the street in the lunchtime crowd, buy Time at a magazine kiosk, indulge in brief banter with the owner, sit down, order a drink, then get up and walk away—every moment of which, every gesture, was clearly acted, that is, stressed and exaggerated in a self-conscious way, although he obviously thought that no one was aware who he was, and he didn’t think that anyone was watching him. I take it that the same process works for the writer, except that the writer is assigning himself his own roles. I have a sense of certain gathering obsessions and roles, certain corners of the field where the next stage of the hunt will be carried on. I know that if I don’t write, say on holiday, I begin to feel unsettled and uneasy, as I gather people do who are not allowed to dream.

(15) GAMING CASUALTY. The curse of 2020 continues.Mashable reports “’Cyberpunk 2077′ has been removed from the PlayStation Store, and Sony is offering refunds”.

Cyberpunk 2077‘s launch has been the kind of disaster we now expect from 2020. Released on Dec. 10, the ridiculously hyped roleplaying game was swiftly and widely derided for having more bugs than the Montreal Insectarium, with flying cars and glitchy penises dominating the discourse. Now, Sony Interactive Entertainment has announced that not only will it offer refunds to anyone who bought the game from its PlayStation Store, it will also stop selling Cyberpunk 2077 altogether….

(16) YOUR COMEDY MILEAGE MAY VARY. From last night’s Saturday Night Live.

[Thanks to Martin Morse Wooster, John Hertz, John King Tarpinian, JJ, Andrew Porter, Michael Toman, Mike Kennedy, Dann, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Jayn.]

Jay Kay Klein (1931-2012)

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Jay Kay Klein at Bucconeer (1998).

Jay Kay Klein, who spent his final days in hospice care with terminal oesophegeal cancer, died May 13 reports John Hertz. Jay Kay was 80 years old.

Jay Kay and his camera documented decades of fanhistory. His four photo-filled Worldcon Memory Books (1960, 1962, 1963, 1966), are nostalgic monuments to an era most of us missed.

He was Fan Guest of Honor at Discon II, the 1974 Worldcon. He received the Big Heart Award in 1990, and just last year he was enshrined in the First Fandom Hall of Fame. Pros appreciated his work, too – he was awarded a SFWA Presidential Plaque for Extraordinary Photographs.

Jay Kay entered fandom in 1945, at a Philadelphia SF Society meeting. Within two years he also joined the Queens Science Fiction League Chapter in Astoria, Long Island, and the Eastern Science Fiction Assn. (ESFA) in Newark. Much later he was part of two failed Syracuse Worldcon bids in the 1960s.

From 1977 to 2005 he wrote and supplied photos for the “Biolog” feature in Analog.

As time went by Jay Kay showed considerable sensitivity to ways in which he felt overlooked. Sometimes he passed it off with humor. When MagiCon (1992) insisted fans show photo ID’s to register, Jay Kay claimed to have satisfied the requirement with an old photo from his portfolio showing himself on a con panel beside Robert Heinlein and Isaac Asimov. But another time I found it easy to agree that it seemed unappreciative when staffers at a Worldcon tried to discourage him from roaming in front of the stage to take photos during major events. After all, he had made himself legendary taking photos in situations like that.

P. S. Trivia question: A photo of Jay Kay Klein is included in the “Fan Gallery,” a traveling exhibit displayed at Worldcons. Guess what former Worldcon chair was the photographer? (Not me.) The answer is at the bottom of this webpage.

Jay Kay Klein taking a photo of Discon II’s other GoH, Roger Zelazny. Photo by David Dyer-Bennett.

Jay Kay roaming in front of the audience at Discon II. Photo by David Dyer-Bennett.

A Boy And His Dog Screening

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Harlan Ellison will take questions about A Boy And His Dog after the screening at the Egyptian Theatre on April 19. Josh Olson will serve as moderator. The event begins at 7:30 p.m. Tickets are $11.

The first time I saw A Boy And His Dog was when Ellison and director L.Q. Jones showed a rough cut at Discon II, the 1974 Worldcon. Next year the finished movie was played for members of the 1975 NASFiC in Los Angeles (where Ellison was GoH.) Both conventions rented two 35 mm projectors so the film could be shown without interruption — but both times one of the projectors crapped out and the audience was forced to wait for reel changes anyway. How do I know? Lucky me — I sat through both showings!

Presumably that won’t happen at the Egyptian on April 19 — if only because I won’t be there to jinx things. (I have to speak somewhere that night.)