Tag Archives: fan fiction

Pixel Scroll 2/19/25 The Weed Of Scroll Titles Bears Punny Fruit

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(1) ABOUT THE NEW COMICS AND POETRY NEBULA AWARDS. “SFWA Presents: Get to Know…Our New Comics and Poetry Nebula Awards” is a conversation with  SFWA’S Comics Committee lead Jessica Maison, and Holly Lyn Walrath, and Wendy Van Camp representing SFWA’s Poetry Committee.

In November 2024, SFWA announced the launch of two new Nebula Awards, one for speculative poetry and one for speculative comics. Eligibility for these awards began in January 2025, with the first awards for these new categories to be presented at the 2026 Nebula Awards Ceremony….

Let’s start with the big question:

Why a poetry award, and why a comics award? What traditions and recent trends in SFF are these new prizes celebrating?

Holly Lyn Walrath: I would say that there is a thriving sub-pocket of speculative poetry alive and well today. Similar to the larger SFF community, speculative poetry often does not get the recognition we might wish for in realist or “literary” circles, yet many authors who got their start in, say, an MFA end up publishing speculative poetry, and many realist/literary magazines publish speculative poetry. Speculative poetry is also a central part of the history of SFF. The earliest pulp magazines published poetry—for example, Weird Tales. There is a rich, unexplored past in speculative poetry that most writers are not familiar with, so it’s exciting to see a resurgence in the genre. 

Wendy Van Camp: ‌Genre poetry has come a long way. It used to be nearly invisible. As a poet, you’d often have to explain and defend the idea of writing poetry with science fiction or fantasy themes. Now, it has a place at major conventions worldwide. Like filk singers and genre artists, speculative poets have found a welcoming community. This poetry is not only for our fans, but traditional poets are noticing the growing opportunities. Paying markets, an award system for both books and single poems, and recognition as creators are all attractive. Literary poets realize there is a community for their ideas about technology, science, and concepts of the future.

Jessica Maison: Looking back to the first pulp magazines like Amazing Stories, a clear intersection between speculative fiction and comics emerges. Many of the pulps and comics were being published by the same larger publishers and even had some of the same heroes and stories overlap. What the pulps and comics share—besides the serial format—is that there was freedom to push boundaries and the limits of genre. That freedom has expanded tenfold in modern speculative comics, especially from its current independent creators and publishers. Whether a writer and illustrator are adapting and reinterpreting beloved characters from a favorite speculative novel like Frankenstein, or, on the flip side, a writer is adapting a story from a comic for the screen, comics weaves into traditional and emerging SFF industry in ways that push the boundaries of speculative fiction from within its structured panels. Honestly, I’m just excited to be part of it all and to introduce my favorites to as many people as possible.

(2) DETECTING ONE’S OWN BIASES. Herb Kauderer’s “Award Season: Show Me Your Bias” at SPECPO is an essay on speculative poetry awards that has application to many sff award voters.

… In recent times the Science Fiction & Fantasy Poetry Association (SFPA) has made some changes to their award processes to reduce inappropriate bias.  Notably, it is no longer legal for a member to nominate a work for the Rhysling if it is written by a close family member.  This certainly makes sense to me.  I have a large family that could easily flood nominations should they, or I, think that a good idea.  That would be an unfair advantage assuming they are biased toward my work.  At least, I hope they would be biased in favor of my work.  My family is always surprising.

Another point of discussion is whether members should share all their eligible poetry.  The SFPA facilitates members making their eligible poetry available to each other.  Since the membership nominates and votes on the awards, this does cause some preference to members.  Yet, in my experience members also recommend to each other poetry outside SFPA’s member packets, because we are happy to nominate and give awards to non-members’ poetry if it moves us.  F.J. Bergmann has convinced me to be generous in what I share in Rhysling packets even though some members feel flooded by them.  Yet I appreciate David C. Kopaska-Merkel’s caveat that I can exclude anything that I am uncomfortable seeing nominated.  I may not know what others find to be my best poems, but I definitely know what I’m comfortable allowing to represent my best work….

(3) HARLEY QUINN CO-CREATOR DEAN LOREY REVEALS WHY TO WATCH DC’S UNHINGED ANIMATED HIT. [Based on a press release.] JustWatch spoke to hit showrunner, producer, and writer Dean Lorey about his must watch list of movies and TV shows. Check out his take on different versions of Harley Quinn, James Gunn’s Creature Commandos and more.

Harley Quinn Co-Creator Dean Lorey Reveals Why to Watch DC’s Unhinged Animated Hit

Dean Lorey, Showrunner

Even though it’s a comedy, we write Harley Quinn like a drama, and we take the characters very seriously. We cry when they die, and we cheer them on when they do something funny. So the secret sauce of the show is that despite being a genuinely funny comedy, there’s a lot of character and tragedy behind it. We honor all of that, and to me, it’s the most defining thing about the show. It’s not how R-rated it is (although that’s obviously very important). It’s that we take the world seriously while also delivering on the raunchiness and absurdity it’s known for.

Harley Quinn Showrunner Dean Lorey Names His 3 Other Favorite On-Screen Harleys

  • Batman The Animated Series is where Harley Quinn was created, it’s where we first met her. And she just sort of explodes from the word Go! That planted the direction at the core of the character. She is chaotic and she enjoys it. I always loved that.
  • Margot Robbie‘s first appearance as Harley [in Suicide Squad] was transformative. I loved her take on it.
  • I loved Harley Quinn in the Arkham video game. There’s something about playing the character that makes you feel it a little bit more.

About Dean Lorey: Whether he’s writing, producing or showrunning, Dean Lorey is responsible for creating and developing some of your favorite tv shows and movies, from cult classics to smash hits. Starting his career writing screenplays for films like My Boyfriend’s Back and Jason Goes to Hell: The Final Friday, as well as comedies like Major Payne, Dean got arguably his biggest break writing on the landmark series Arrested Development. He’s since worked to bring some of the quirkiest comic book stories to life on projects like Powerless and iZombie. His recent notable accolades include co-creating breakout hits Harley Quinn (the animated series) and Kite-Man: Hell Yeah!, and showrunning James Gunn’s Creature Commandos.

(4) IMAGINING THE UNIVERSE. Michael Everett’s introduction to “National Geographic Picture Atlas of Our Universe” at Michael Whelan’s Substack newsletter begins:

Published in 1980, National Geographic Picture Atlas of Our Universe was among the most successful projects Michael has been involved with. He didn’t provide the cover—that was the stellar John Berkey—but Michael’s work on the interiors is still widely regarded today.

A massive initial print run of 670,000 copies pushed the first edition into stores everywhere where this coffee table book flourished for more than two decades in print. With revisions in 1986 and 1994, the book sold a staggering 2.5 million copies….

Then Whelan takes over —

What if…there really were creatures on other planets?

Our Universe was a fun assignment, and I’m glad so many people enjoyed the work I did for that project. Someone once asked what my favorite piece from the book was, and that’s hard to pin down. I will say that I had the most fun working on the silly alien creatures the editors came up with.

That section was written by the National Geographic editorial department. They asked me to illustrate their rather whimsical inventions, so I did these little paintings (about the size of my normal concept work) to accompany the text.

Among those, the Jupiter and Venus critters were probably my faves.

(5) SFCON ’54 ETC. Heritage Auctions has a Twelfth World Science Fiction Convention Poster and Frank R. Paul obituary clippings on the block. Here’s their description of the lot. (Its date range should be 1954-1963 since the Paul clipping shows that’s the year of his death.)

Twelfth World Science Fiction Convention Poster and Frank R. Paul Newspaper Article and Obituaries Group (Various Publishers, 1954-57). A very interesting lot for pulp collectors! Offered here is a 10″ x 14″ cardboard poster for the 12th World Science Fiction Convention in San Francisco, California. Held at the historic Sir Francis Drake Hotel on Union Square from September 3rd through 6th, 1954. Attendance was approximately 700, and among the first attendees was Philip K. Dick, with the Guest of Honor being John W. Campbell, Jr. The poster is printed in red and dark blue and is in Fine condition, with only very slight soiling and handling wear. Also included is an article about Frank R. Paul, “The Dean of Science Fiction Illustrators”, and several examples of his obituary from July of 1963. The newspaper clippings are in Very Good condition, with moderate tanning.
From the Roger Hill Collection.

(6) DON’T MISS OUT. First Fandom Experience “Announces the Supplement to Volume Three of The Visual History”.

Early fans wrote and published prolifically. In The Visual History of Science Fiction Fandom, we excerpt and distill their work to focus on the most important, interesting and entertaining material they created. Even so, each volume has filled over 500 pages. If you’ve carried one around, you know the meaning of the term “weighty tome.”

Still, we’re frustrated by the exclusion of the full versions of key fan artifacts that provide additional richness and context. This leads to today’s announcement:

The Supplement to The Visual History of Science Fiction Fandom, Volume Three: 1941 is now available. The Supplement includes 168 pages of material created by fans in 1941, with full narratives presented as originally published in seldom-seen fanzines.

Supplements for Volumes One and Two are forthcoming.

(7) WHY NOT SAY WHAT HAPPENED? Scott Edelman tells listeners to episode 19 of his Why Not Say What Happened? podcast “What Gerry Conway Wasn’t Allowed to Say About Gwen Stacy in F.O.O.M.”

While shredding another old notebook from my early comics career, I reminisce about the many wretched one-act plays I created while being taught by famed playwright Jack Gelber, the lie I told Marv Wolfman and Len Wein which got me hired at Marvel, the most wrongheaded conclusion Fredric Wertham reached in Seduction of the Innocent, my plot for an Inhumans strip starring Karnak which had no reason to exist, the most ridiculous method any writer ever conceived of for killing a vampire, what Gerry Conway said about Gwen Stacy which was censored out of his F.O.O.M. interview, the first words to reach readers about my Scarecrow character, and much more.

This link will show you where it can be found on a dozen other platforms.

(8) SOUNDS THAT NOBODY EVER HEARD BEFORE. “’We’re projecting into the future’: sounds of BBC Radiophonic Workshop made available for public use” reports the Guardian.

With its banks of bafflingly complex equipment, and staff members that were among the most progressive musical minds in the UK, the BBC Radiophonic Workshop was a laboratory of 20th-century sound that produced endless futuristic effects for use in TV and radio – most memorably, the ghostly wail of the Doctor Who theme.

Now, the Workshop’s considerable archive of equipment is being recreated in new software, allowing anyone to evoke the same array of analogue sound that its pioneering engineers once did….

… The Workshop may be best known for the Doctor Who theme, but it also created music and sound effects for other sci-fi shows such as Quatermass and the Pit, Blake’s 7 and The Hitchhiker’s Guide to the Galaxy. Other cornerstone BBC shows such as Blue Peter and Tomorrow’s World were also beneficiaries of the Workshop’s creativity.

The Workshop was originally created in 1958, tasked with adding an extra dimension to plays and other shows on Radio 3. Co-founders Daphne Oram and Desmond Briscoe were brilliant and high-minded, inspired by musique concrète – the style that asserted that raw, tape-recorded sound could be a kind of music. Before long a highly experimental, even fantastical means of composition was afoot, with lampshades being bashed to produce percussion, and long tape loops being carried along BBC corridors…

… The newly available software will cost £149, and is available from 19 February, though it will have an introductory price of £119 until 17 March.

(9) MEMORY LANE.

[Written by Cat Eldridge.]

February 19, 1960 – The Twlight Zone episode “Elegy”

The time is the day after tomorrow. The place: a far corner of the universe. A cast of characters: three men lost amongst the stars. Three men sharing the common urgency of all men lost. They’re looking for home. And in a moment, they’ll find home; not a home that is a place to be seen, but a strange unexplainable experience to be felt. — opening narration

On this date sixty-five years ago, Twilight Zone’s “Elegy” aired for this first time. It was the twentieth episode of the first season and was written by Charles Beaumont who you might recognize as the screenwriter of 7 Faces of Dr. Lao. Beaumont would die at just 38 of unknown causes that were assumed to be neurological in nature. 

The cast for this SF Twilight Zone episode was Cecil Kellaway as Jeremy Wickwire, Jeff Morrow as Kurt Meyers, Kevin Hagen as Captain James Webber and Don Dubbins as Peter Kirby. These are not the names in the short story it come from in that, the caretaker of the cemetery and the most logical crewman are named Mr. Greypoole and Mr. Friden respectively. In the Twilight Zone script, their names are Jeremy Wickwire and Professor Kurt Meyers.

This episode was based on Beaumont’s short story “Elegy” published in Science Fiction Quarterly, May 1954.  It’s available for Subterranean Press on their website as an epub in The Carnival and Other Stories for just $6.99. 

(10) COMICS SECTION.

(11) URSA MAJOR AWARDS NOMINATIONS OPEN. The public is invited to submit Ursa Major Awards nominations through February 28.

More formally known as the Annual Anthropomorphic Literature and Arts Award, the Ursa Major Award is presented annually for excellence in the furry arts.

(12) PULL TO PUBLI$H. NPR heralds “Three Harry Potter fan fiction authors set to publish novels this summer”.

Fan fiction — the creation of unsanctioned, unofficially published, new works usually based on popular novels or films — was intentionally never mainstream.

There are the legal issues — copyright laws, intellectual property laws — of drawing from someone else’s creation, for one. Fan fiction authors also have historically considered their online arenas (Archive of Our Own, Fanfiction.net and others) more of a sandbox, a place to play with new ideas using characters and worlds people already know and love.

Take, for example, fan works imagining Harry Potter and friends in their 8th year at Hogwarts. Or pairing Draco Malfoy and Hermione Granger romantically — dubbed “Dramione” fan fiction.

But this summer and early fall will see the wide publication of three books by popular Dramione Harry Potter fan fiction authors: Rose in Chains by Julie Soto, Alchemised by SenLinYu and The Irresistible Urge to Fall for Your Enemy by Brigitte Knightley.

Soto’s romantic fantasy is a reworked version of her fan fiction The Auction, centered on a heroine who is sold to the highest bidder. SenLinYu’s debut fantasy about a woman with memory loss in a war-torn world is a revision of her popular Manacled. Brigitte Knightley’s debut novel, an enemies to lovers tale, is an original work….

….Most fan fiction authors don’t worry too much about how much of their work plays off a published author’s book or film because they are writing for personal fun, not for profit. Some works do get noticed by publishers who solicit these stories and help their authors rework them to distance them from their original: It’s called pull to publish.

Pull to publish isn’t a new concept, but writers and publishers say it’s a growing area. The idea of moving from fan fiction to traditional publishing used to be a virtual nonstarter, but stigmas around fan fiction are lifting.

“I know a fan fiction writer who pulled to publish in the early 2000s and then denied they’d ever written fan fiction,” said Stacey Lantagne, a copyright lawyer focusing on fan works and professor at Western New England University School of Law. “That was not a cool thing to say, not a cool thing to admit … so if you went looking for it, you’d have a really hard time identifying those authors because they just didn’t ever connect those two parts of their background.”

Lantagne says it appears that more fan fiction is being pulled to publish than a few years back, based on what she’s seeing in her work and because more people are talking about it openly, though it’s tough to track data on this area of publishing….

(13) LOOSER. “ChatGPT can now write erotica as OpenAI eases up on AI paternalism” says ArsTechnica. So do you feel better, or worse?

On Wednesday, OpenAI published the latest version of its “Model Spec,” a set of guidelines detailing how ChatGPT should behave and respond to user requests. The document reveals a notable shift in OpenAI’s content policies, particularly around “sensitive” content like erotica and gore—allowing this type of content to be generated without warnings in “appropriate contexts.”

The change in policy has been in the works since May 2024, when the original Model Spec document first mentioned that OpenAI was exploring “whether we can responsibly provide the ability to generate NSFW content in age-appropriate contexts through the API and ChatGPT.”

ChatGPT’s guidelines now state that that “erotica or gore” may now be generated, but only under specific circumstances. “The assistant should not generate erotica, depictions of illegal or non-consensual sexual activities, or extreme gore, except in scientific, historical, news, creative or other contexts where sensitive content is appropriate,” OpenAI writes. “This includes depictions in text, audio (e.g., erotic or violent visceral noises), or visual content.”…

(14) I TAKE IT BACK. [Item by SF Concatenation’s Jonathan Cowie.] The top universities in the world for retracting science are overwhelmingly Chinese says Nature.  

A first-of-its-kind analysis by Nature reveals which institutions are retraction hotspots.

Though I’m always mindful of the former Astronomer Royal, Prof Sir Martin Rees saying better good SF than bad science…

[Thanks to Teddy Harvia, Mike Kennedy, Andrew Porter, Mark Roth-Whitworth, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, and Kathy Sullivan for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 8/2/22 I Took My Files Down To Jaxom’s Ruth (You Know That Dragon With The Pixeled Tooth)

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(1) WITNESS FOR THE PLAINTIFF. Stephen King took the stand today and AP News was there: “Stephen King testifies for government in books merger trial”.

…King’s displeasure about the proposed merger led him to voluntarily testify for the government.

“I came because I think that consolidation is bad for competition,” King said. The way the industry has evolved, he said, “it becomes tougher and tougher for writers to find money to live on.”

King expressed skepticism toward the two publishers’ commitment to continue to bid for books separately and competitively after a merger.

“You might as well say you’re going to have a husband and wife bidding against each other for the same house,” he quipped. “It would be sort of very gentlemanly and sort of, ‘After you’ and ‘After you,’” he said, gesturing with a polite sweep of the arm.

King’s was entertaining and informative, although he had little specific to say over how the merger might harm bestselling authors, with the government’s case focusing on those receiving advances of $250,000 or more. Attorney Daniel Petrocelli, representing the publishers, told King he had no questions for him and demurred on a cross-examination, saying instead he hoped they could have coffee together some time….

(2) BAIL OUT. Costume Con 40 chair Sarah Richardson is trying to raise $80,000 to pay a large penalty owed to their facility because of the shortfall in meeting their room rental commitment: “Covid-19 Relief for Costume-Con 40”. (On the other hand, some are advising the concom to work with an attorney who specializes bankruptcy.)

…Because of the sudden cancellation of Costume-Con 38 and the rescheduling of Costume-Con 39, we lost any potential advertising and seed money that might have been generated by those events. So far, we have been able to cover all our expenses except one, the venue cost.

Many of our attendees, especially our international members, were unable to attend due to Covid travel restrictions were levied right before the convention. Because of this, over a fourth of our registered members (100+ people) were not able to attend. This led to our not meeting the room night obligations in our contract, and so we must pay a hefty “attrition” penalty. We have been negotiating since April with the hotel to resolve this outstanding balance and continue to do so.

This is where we need your help. As a small, volunteer-run non-profit, we are turning to our community and putting out a request for monetary donations to help defray this debt. Any amount will be a help to us. And we intend, should we exceed our goal of retiring this particular debt, to “pay it forward” to next year’s Costume-Con and thus further ease the financial strain caused by the pandemic. Remember, we are a 501(c)3 non-profit and would be happy to issue a receipt for tax purposes.

(3) THAT’S CLAWFUL. Cora Buhlert sent He-Man and friends on a beach holiday and posted another action figure photo story on her blog: “Masters-of-the-Universe-Piece Theatre: ‘Holiday on Orkas Island’”.

In the 1980s Filmation cartoon, Clawful looks quite different from his toy counterpart, probably because the cartoon was based on an early prototype. He also seems to be one of a kind. However, the 2002 He-Man cartoon reveals that there is a whole species of lobster people out there and that they hail from a place called Orkas Island, which also happens to be the retirement home of an aged warrior called Dekker, Duncan’s former mentor and predecessor at Man-at-Arms.

So I decided to send Prince Adam, Teela and Man-at-Arms on a well-deserved holiday and have Clawful and his fellow aquatic Evil Warrior Mer-Man cause some trouble. I also got out a bunch of maritime themed objects to serve as props….

(4) HE FIGURES IT OUT. [Item by Cora Buhlert.] Here is a video by a toy collector and YouTuber named Pixel Dan who wound up as a panelist on the He-Man 40th anniversary panel at San Diego Comic Con (he wrote a collector’s guide to Masters of the Universe toys). He offers a rare look at what the infamous Hall H looks like backstage and on stage. His enthusiasm is certainly infectious. Plus, bonus interview with Kevin Smith who moderated the panel.

(5) PEOPLE WHO NEED PEOPLE. Kim Bannerman wrote a nice profile of Zenna Henderson at Luna Station Quarterly: “The Improbable Worlds of Zenna Henderson”.

…Henderson’s experiences as a teacher would influence her writing throughout her career. In her 1952 short story “Ararat”, aliens marooned on Earth are searching for a new teacher to guide their children; all the other teachers have been scared away by the children’s telekinetic powers. This story was the first in a series that featured ‘The People’, a community of gentle humanoids trying to survive on Earth.

The People are isolated, lonely individuals seeking safety and community, and they must suppress their inherent gifts in order to be accepted by human society. Instead of focusing on conquest and war, Henderson’s stories examine the quiet, personal lives of The People…. 

(6) CARS. [Item by SF Concatenation’s Jonathan Cowie.] We had a small science fiction fayre down our way here in Brit Cit. Stalls with SF miniatures, playing card collectables abounded. Sadly, no second-hand book stall (which, on second thoughts, did save a couple of hours of my time). Nor did there seem to be a tie-in with our local film memorabilia and gaming shop, The Movie Shack: even though it was just twenty yards away inside our indoors shopping precinct. However, in the mix was a Ghostbusters marshmallow man and car, and there was also a Back to the Future DeLorean: it was one way to beat the Worldcon queues — the last time a Back to the Future DeLorean was on Worldcon show…

(7) THE BIRD IS THE WORD. Sarah Z delivers “An Exhaustive Defense of Fanfiction” in a new YouTube video.

On art, transformativity, and the literary wonders of putting your middle finger up at preps.

(8) NEW FROM LEONARD MALTIN. [Item by Martin Morse Wooster.] I listened to the podcast Leonard and Jessie Maltin did with Michael Uslan.  Although Leonard Maltin and Uslan never met, they quickly determined they were the same age, were both guys from Jersey (Uslan’s from exit 105) who developed obsessions very early (Maltin with animation, Uslan with comics) and both were probably two rows away from each other at a notorious  1966 screening of the 1943 Batman serial at Manhattan’s Eighth Street Playhouse where the audience got rowdier and rowdier as the film got stinkier and stinkier.

Uslan grew up with comic books and read everything.  But the event that changed him was in 1972 when he successfully proposed what became the first university course on comic book at Indiana University.  This led to his getting calls from Stan Lee and Sol Harrison at DC.  He first did scripts (He proudly remembers Julius Schwartz telling him. “Your story doesn’t stink:” when he did a story for The Shadow).  In 1979 he acquired the movie rights to Batman and spent ten years in development until Tim Burton’s film came out.  He has been an executive producer on every Batman project since, including Lego Batman.  He also got DC to give him the movie rights to Swamp Thing for free if he agreed to spend $15,000 on the character, which led to two Swamp Thing movies in the 1980s.

Uslan says he likes the takes Michael Keaton, Christian Bale, and Robert Pattinson have done with the character and people shouldn’t complain about a film until they’ve seen it.  Leonard Maltin quoted Harlan Ellison, “You have the right to your informed opinion.”  He has two volumes of memoirs about his life with Batman and a Broadway play in development.  In addition, Uslan is an executor of Stan Lee’s estate and is working on Lee’s forthcoming centennial celebration. Maltin on Movies: Michael Uslan.

(9) MEMORY LANE.  

1986 – [By Cat Eldridge.] Since we just discussed the Grateful Dead by way of the Jerry Garcia birthday write-up, let’s talk about a novel, that according to the author in an email received just now was indeed named after a Dead song. (Yes, he is one of the writers that gets dark chocolate.) 

There are certain novels that I return to from time to time and Steve Brust’s Brokedown Palace is one of them. It’s the only stand-alone novel set in Dragaera series, which runs currently to over twenty five novels. (I’ve read quite a few of them.) It leads off the series. It is also notable for being set in Fenario, the human-populated portion of that world.

The novel is heavily influenced by Hungarian myth and culture, not surprising giving that Brust is of Hungarian descent.  Brust uses that tradition’s folklore to great effect while combining it with family dynamics  King László, the oldest of the brothers, is a fair and just ruler along the Princies of the Lands. All live in Brokedown Palace.

Once upon a time, there were four brothers who lived in the land of Fenario. These were the King and Princes of the land, and they lived together in the decrepit Old Palace in the center of the city of Fenario. Ahhh but things are not as they seem as things well become very complicated… I won’t say more than that as it’d spoil things if you’ve not read it yet. 

This is a more complex novel than Brust usually writes and the characters here actually have more agency, more feel of being actual individuals  than that they usually get in his novels. That’s a reflection of it being a family-based novel so it feels more intimate than usual.

The wonderful cover art on the first edition is by Alan Lee. Since the art on the actual first edition is obscured by title text and other typography, we’re using the version on a later edition to display it. (ISFDB has the real first edition cover here.)

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 2, 1917 — Wah Chang. Co-founder in the late 1950s, with Gene Warren and Tim Baar, of Project Unlimited Inc, the first true special effects company. They provided the effects for numerous George Pal productions, including The Wonderful World of the Brothers Grimm, Jack the Giant Killer, and The Time Machine (for which they won an Academy Award, although Chang’s name was erroneously omitted). Wang and his fellow Projects coworkers did essentially all of the effects for the original Outer Limits television series. Perhaps most famously, Chang created some of the best-known effects for the original Star Trek, including the communicator, the tricorder, the Romulan Bird of Prey, the Tribbles, and numerous aliens, although he did not receive screen credit for any of this work. A talented artist, later in life he gained reknown as a wildlife sculptor. (Died 2003.) (PhilRM)
  • Born August 2, 1920 — Theodore Marcuse. He was Korob in “Catspaw”, a second season Trek episode written by Robert Bloch that aired just before Halloween aptly enough. He had appearances in The Twilight Zone (“The Trade-Ins” and “To Serve Man”), Time Tunnel, Voyage to the Bottom of the Sea, Wild Wild West and The Man from U.N.C.L.E. in the episodes “The Re-collectors Affair”, “The Minus-X Affair”, and “The Pieces of Fate Affair”. (Died 1967.)
  • Born August 2, 1932 — Peter O’Toole. I’m tempted to say his first genre role was playing King Henry in A Lion in Winter as it is alternate history. It really is despite some of you saying it isn’t. Neat film. Well the original is, the second, not so much. Stewart just doesn’t work in that role for me. Actually before that he’s got an uncredited role in Casino Royale as a Scottish piper. Really he does. His first genre role without dispute is as Zaltar in Supergirl followed by being Dr. Harry Wolverine in Creator. He’s Peter Plunkett in the superb High Spirits, he’s in FairyTale: A True Story as a very credible Arthur Conan Doyle, and Stardust as King of Stormhold. Not surprisingly, he played in a version of Midsummer Night’s Dream as Lysander. (Died 2013.)
  • Born August 2, 1948 — Robert Holdstock. Another one who died far too young. His Ryhope Wood series is simply amazing with Lavondyss being my favorite volume. And let’s not overlook his Merlin Codex series which is one of the more original takes on that character I’ve read. The Ragthorn, co-written with Garry Kilworth, is interesting as well. Tor, which has the rights to him in the States, has been slow to bring him to the usual suspects. (Died 2009.)
  • Born August 2, 1954 — Ken MacLeod, 68. Sometimes I don’t realize until I do a Birthday note just how much I’ve read of a certain author. And so it was of this author. I’ve read the entire Fall Revolution series, not quite all of the Engines of Light Trilogy, just the first two of the Corporation Wars but I’ve got it in my to-be-finished queue, and every one of his one-off novels save Descent. His Restoration Game is quite chilling.  I should go find his Giant Lizards from Another Star collection as I’ve not read his short fiction. Damn it’s not available from the usual suspects! Hugo Award wise, he didn’t win any but had some nominations. The Sky Road was nominated at the Millennium Philcon, Cosmonaut Keep at ConJosé and Learning the World at L.A. Con IV. 
  • Born August 2, 1956 — Leslie Ackerman, 66. She is best remembered for her role as the waitress in the Star Trek: Deep Space Nine 1996 episode “Trials and Tribble-ations”. She also showed on the rebooted Twilight Zone as Time-Traveller in the “Lost and Found”.  She was on The Incredible Hulk and Project UFO.  She retired from acting several years after filming “Trials and Tribble-ations”.
  • Born August 2, 1970 — Kevin Smith, 52. Well-loved comics writer who’s worked for DC, Marvel and other venues. He was involved with both Daredevil and Green Arrow. He directed the pilot for the CW supernatural comedy series Reaper, produced and appeared in a reality television series, Comic Book Men, and appeared as a character in the animated Superman: Doomsday.

(11) COMICS SECTION.

  • In The Far Side, an archeologist has dug up someone familiar, He’s not Yorick, but you knew him well.  

(12) GREEN TOWN. Wauke-Con 2022, Waukegan’s second annual comic book convention in Ray Bradbury’s home town, will take place October 8-9. The proceeds benefit Three Bros. Theatre.

(13) TURN OFF THE BATLIGHT. [Item by Martin Morse Wooster.] Warner Discovery won’t release Batgirl and has blown off the $70 million spent on it because the new regime doesn’t think the film works. “’Batgirl’ movie gets ‘shelved’ by Warner Bros: source” reports the New York Post.

Holy millions down the drain, Batman! 

The DC Comics film “Batgirl” will be completely “shelved” by Warner Bros., a top Hollywood source told The Post. 

That means it won’t hit theaters or the streaming service HBO Max. Fans will not see it.

The reportedly $70 million movie (the source said the budget was actually more than $100 million), which was doing test screenings for audiences in anticipation of a late 2022 debut, would rank among the most expensive cinematic castoffs ever.  

Those tests were said to be so poorly received by moviegoers that the studio decided to cut its losses and run, for the sake of the brand’s future. It’s a DC disaster….

(14) THE DOOR INTO BUMMER. [Item by Cora Buhlert.] I found this USA Today headline funny for all the wrong reasons: “Fact check: Scientists at CERN are not opening a ‘portal to hell’”.

… The accelerator, the Large Hadron Collider, had undergone repairs and upgrades, and scientists plan to use it to crash protons together and learn more about the origins of the universe.

Nevertheless, social media users are suggesting that the machine has a different purpose. A Facebook post shared July 5 shows a TikTok video of a woman who claims that CERN scientists are using the machine to open a doorway for demons.

“If y’all don’t know about cern it’s a demonic/Evil machine that opens up portals to other dimensions/Hell/other spiritual worlds(not Heaven/or bosom of Abraham)and it brings in demons wicked spirits/High Evil Principalities,” reads the caption of the post….

(15) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Game Trailers: Stray,” Fandom Games, in a spoiler-filled episode, says that Stray is “A playable Internet cat video, wrapped around a cyberpunk dystopia” but the least realistic thing about it is that the cat follows a robot’s instructions, because a real cat would “ignore you for four hours and then throw up on your carpet.”

[Thanks to Andrew Porter, Chris Barkley, Michael Toman, Jennifer Hawthorne, Cora Buhlert, PhilRM, Todd Mason, SF Concatenation’s Jonathan Cowie, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 6/15/21 Mjolnir Moment: Buy Grabthar’s Hammer – 35% Off Today

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(1) BANKS WITHDRAWAL. Orbit Books is significantly expanding its Iain M. Banks project, and as a result the original publication date is off: “An update regarding THE CULTURE: NOTES AND DRAWINGS by Iain M. Banks and Ken MacLeod”.

We are pleased to share an exciting publication update with everyone who has been looking forward to the release of The Culture: Notes and Drawings by Iain M. Banks and Ken MacLeod.

As fans of Iain M. Banks’ vastly popular Culture series will be aware, Iain painstakingly designed every element of the Culture’s universe long before the novels were first published. From ships to weapons, language to nomenclature, flora to fauna, the whole of the Culture existed in the form of intricate sketches, notes, tables and charts, many years ahead of its appearance in fiction.

This archival material provides a fascinating insight into Iain’s extraordinary mind. It was originally due to be published as a single volume, accompanied by text from the award-winning Ken MacLeod, who was a close friend of Iain’s. However, to ensure that Iain’s exceptionally detailed drawings can be appreciated in their original format and scale, we are delighted to announce that the material will now be published as two separate editions.

The first release will be a beautiful, full-colour, large-format landscape artbook called The Culture: The Drawings, which will present Iain’s drawings exactly as he intended them to be seen.

Following this, we will publish a Culture companion book that celebrates the world of the Culture through Iain’s own writing. With accompanying text from Ken MacLeod, it will include an extensive selection of Iain’s notes, tables and charts relating to the Culture universe, as well as extracts from the novels.

Given these changes in our publication plans, we are now cancelling the single edition entitled The Culture: Notes and Drawings that was scheduled for 14th October 2021. We’d like to say a huge thank you to everyone who had pre-ordered this single edition, and we’ll soon be announcing the release dates for the two new publications mentioned above

(2) HANG UP NOW. In the Washington Post, Mark Buchanan says we should stop making attempts to contact aliens through SETI or similar programs because of the strong possibility that the aliens will overpower us through their superior technology. “Contacting aliens could end all life on earth. Let’s stop trying.”

…The search for aliens has reached a stage of technological sophistication and associated risk that it needs strict regulation at national and international levels. Without oversight, even one person — with access to powerful transmitting technology — could take actions affecting the future of the entire planet.

That’s because any aliens we ultimately encounter will likely be far more technologically advanced than we are, for a simple reason: Most stars in our galaxy are much older than the sun. If civilizations arise fairly frequently on some planets, then there ought to be many civilizations in our galaxy millions of years more advanced than our own. Many of these would likely have taken significant steps to begin exploring and possibly colonizing the galaxy….

(3) PKD. Walker Caplan asks “Is Elon Musk a Philip K. Dick fan?” at Literary Hub.

One of the perks of the digital age is that we have unprecedented access to the thoughts of incredibly powerful people. Never before have we been able to intimately experience the president’s thoughts on Coke or Cher’s thoughts on . . . Coke. Even Chrissy Teigen can’t leave Twitter for more than a few weeks; there’s a sense we might be equal-opportunity addicted. This is fun, sometimes, but also often leads to a powerful person tweeting out something that makes very little sense and then everyone else analyzing it. (Just look at the last four years.) I am part of the problem, because one of Elon Musk’s recent tweets raises a lot of questions I can’t stop myself from asking.

At 4:13 AM yesterday, Musk tweeted this:

(4) ANOTHER OPENING OF ANOTHER SHOW. In the LA area, “Mt. Wilson Observatory Is Reopening To Public After ‘Near-Death Experience’ With Bobcat Fire”.

It’s been a rough year for the Mount Wilson Observatory.

First, the COVID-19 pandemic forced it to shut its doors to the public last spring.

Then, in September, flames from the massive Bobcat Fire came within just a few feet of the station, and threatened to destroy its historic array of telescopes and other astronomy equipment. A crowdfunding campaign was later launched to help repair damage.

Next Tuesday, the legendary observatory, which was founded in 1904, is making a comeback — and will reopen its gates to the public.

Sam Hale, chairman of the observatory’s board of trustees, said volunteers have been working tirelessly to maintain the station and its trove of sensitive instruments, despite the challenges of the past year.

“It has been very difficult for us,” Hale said. “First, the pandemic, then the Bobcat Fire — all in one year — was a real near-death experience. But people are feeling absolutely exhilarated.”

The gates will be open from 10 a.m. to 5 p.m. through the summer, according to the observatory’s website. Stargazers will also have an opportunity to book reservations to use the observatory’s 60- and 100-inch telescopes in the evening.

(5) NEWEST TAFF EBOOK. David Langford’s latest addition to the selection of free ebook downloads at the unofficial Trans-Atlantic Fan Fund site is a volume of Forties fan fiction, The Road to Fame by D.R. (Donald Raymond) Smith (25,000 words). Dave explains – “This is an interesting curio rather than one of those huge and newly researched compilations that I like to brag about, and as noted on the page there have been three previous print editions, but it has a certain weird mash-up charm.”

This early example of UK fan fiction – in the modern sense of stories that make free with other authors’ characters – was written in the 1940s and first published as a collected edition in 1953. There have been multiple reprints but no previous ebook.

The expedition team led by cranky Professor Challenger in Arthur Conan Doyle’s The Lost World here joins assorted characters from other fantastic fiction – including the works of Edgar Rice Burroughs (John Carter of Mars and Tarzan), John W. Campbell, E.E. “Doc” Smith (the Skylark and Lensman series), H.G. Wells and several others – on a quest for literary immortality. The perils en route are reminiscent of the much earlier The Pilgrim’s Progress and the somewhat later The Enchanted Duplicator:

“On the journey you will have to face such obstacles as the Impassable Precipice of Public Ridicule, the high passes of the Mountains of Contempt through which howls the High Wind of Carping Criticism, the Bog of Apathy in the lowlands beyond, and the vast waterless Plain of Mediocrity where hunt the Wild Wolves of Fierce Competition.”

(6) MICHELLE ZELLICH OBIT. Conrunner and member of the Archon board Michelle Zellich died June 9. The Archon team shared the sad news on Facebook:

Archon is incredibly saddened to say one of our longest serving Board and Committee members, Michelle Zellich, passed away Wednesday, June 9th. On behalf of the Board of Directors, Archon Convention Committee, Staff, and Volunteers, and the greater St. Louis (and national) fandom family, I wish to express our deepest condolences to Rich Zellich and the rest of their families on this devastating loss.

Michelle has been on the Archon Board of Directors since at least 1993 and has been an Archon icon for much longer. She ran the masquerade at Archon 10 (1986), 11, and 13, ran programming for Archon 15-18, and was Pro Liaison for Archon 19 & 20. She was co-chair for Archon 13, and was chair for Archon 12 and 21-30. Michelle was also the co-chair for Archon 31/TuckerCon which was the 9th NASFiC.

Michelle and Rich were Fan Guests of Honor for Archon 32 as a celebration of their efforts, but she wasn’t yet done with us. After a well-deserved year off, Michelle ran the Art Show for Archon 33-42 before her health forced her to step back from running a department.

It was fun at Archon 32 to watch Michelle walk around not knowing what to do with her “free time” and without her binder full of convention information. She was not used to not having to handle something, answer a question, or talk to the Gateway Center about an issue.

We will miss Michelle, her warm smile, her genuine affection for all of you who loved Archon, and her love of all things Donald Duck. I’m sure Wilson “Bob” Tucker was waiting for Michelle and had a shot ready. Smooth!

Goodbye Michelle and thanks for everything you did for Archon, the St. Louis area fandom, and the greater science fiction and fantasy world.

(7) DAMARIS HAYMAN (1929-2021). Damaris Hayman, noted for her many comedy performances, died June 3 at the age of 91. The Guardian’s tribute spotlighted this bit of genre fame:

…Her best television role came in the 1971 Doctor Who serial The Daemons, one of the most fondly remembered adventures featuring the third Doctor, Jon Pertwee. As Miss Hawthorne, the white witch of the village of Devil’s End (in reality Aldbourne, Wiltshire) she gamely stands up to Roger Delgado’s villainous Master and whacks a homicidal Morris dancer on the head with her handbag (rendering him unconscious due to her always carrying a crystal ball around in it). The character was popular enough for her to recreate the role in a 2017 direct-to-DVD sequel series from Reeltime Pictures, The White Witch of Devil’s End….

(8) BEN ROBERTS (1950-2021). Actor Ben Roberts, best known for his role on The Bill, died June 7 reports The Guardian, which also noted his genre work: .

…He was also seen as a villain in Tales of Sherwood (1989), but frequently had to convince Doctor Who fans that he was not the Ben Roberts who reportedly appeared uncredited as a Dalek trooper in the 1984 story Resurrection of the Daleks.

His later screen appearances [included] working with the director Tim Burton on Miss Peregrine’s Home for Peculiar Children (2016)….

(9) BANES OBIT. Actress Lisa Banes, whose many movie and TV appearances included The Orville, died June 14 at the age of 65 ten days after being hit by a motor scooter in a New York crosswalk.  

“I am deeply saddened at the news of Lisa Banes’ passing,” wrote Seth MacFarlane. “We had the good fortune to work with her on The Orville this past year. Her stage presence, magnetism, skill and talent were matched only by her unwavering kindness and graciousness toward all of us. A tremendous loss…”

(10) MOSES GINSBERG (1935-2021). Called an “unconventional filmmaker” by the New York Times, Moses Ginsberg died May 23. His two notable films involved “the meltdown of a psychiatrist”and “a press aide in a Nixon-like administration who becomes a murderous werewolf.”  

…He followed “Coming Apart” in 1973 with another low-budget film: “The Werewolf of Washington,” a campy political parody inspired by the classic horror film “The Wolf Man” (1941), which terrified Mr. Ginsberg as a boy, and by President Richard M. Nixon, who terrified him as a man.

In Mr. Ginsberg’s film, released more than a year into the Watergate scandal, Dean Stockwell plays an assistant White House press secretary who turns into a werewolf at inopportune moments and murders characters based on Katharine Graham, the publisher of The Washington Post, and Martha Mitchell, the outspoken wife of Attorney General John N. Mitchell….

(11) MEDIA BIRTHDAY.

June 1991 – On this month in 1991, Ian MacDonald’s King of Morning, Queen of Day  was first published. It would win the the Philip K. Dick Award  for best original science fiction paperback published in the U.S. in 1992, and it would win the Grand Prix de l’Imaginaire Award for its French translation in the same year. It had but one physical printing in English in paperback but was printed in French and German hardcopy editions. It’s currently available at all the usual digital suspects. 

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 15, 1910 — Harold Lawlor. April 1942 saw “The Eternal Priestess” published in Fantastic Adventures, his first sale. His first story for Weird Tales was “Specter in the Steel”, May 1943. Over the next decade, twenty-nine stories by him would appear in Weird Tales. “Mayaya’s Little Green Men” in Weird Tales, November 1946 is of interest as it’s considered the earliest genre appearance of that  phrase. Alas, I don’t believe his stories were ever collected and published. (Died 1992.)
  • Born June 15, 1939 — Brian Jacques. British author who surprisingly is not on the ISFDB list today. Writer of the exceedingly popular Redwall series of novels and also of the Castaways of the Flying Dutchman series. He also wrote two collections of Alan Garner style fiction, Seven Strange and Ghostly Tales and The Ribbajack & Other Curious Yarns. (Died 2012.)
  • Born June 15, 1941 — Neal Adams, 80. Comic book artist who worked for both DC and Marvel. Among his achievements was the creation with writer Dennis O’Neil of Ra’s al Ghul. I’m a DC fan so I can’t speak for his work on Marvel but he did amazing work on Deadman, Batman, Green Lantern and Green Arrow. All of this work is now available on the DC Universe app.  It should be noted he was instrumental in the efforts that resulted in Superman creators Jerry Siegel and Joe Shuster receiving long overdue credit and  financial remuneration from DC. 
  • Born June 15, 1942 — Sondra Marshak, 79. Author of multiple Trek novels including The Price of the Phoenix and The Fate of the Phoenix, both co-written with Myrna Culbreath. She also wrote, again with Myrna Culbreath, Shatner: Where No Man…: The Authorized Biography of William Shatner which of course naturally lists Shatner as the third co-author. She also wrote the fandom reference book Star Trek Lives! which was co-written with Jacqueline Lichtenberg, and television producer Joan Winston. She was an important early promoter of Star Trek fan culture, and a publisher of fan fiction.
  • Born June 15, 1947 — David S Garnett, 74. Not to be confused with the David Garnett without an S. Author of the Bikini Planet novels (Stargonauts, Bikini Planet and Space Wasters) which should be taken as seriously as the names suggests. Revived with the blessing of Michael Moorcock a new version of New Worlds as an anthology this time. Last work was writing Warhammer novels.
  • Born June 15, 1960 — Sabrina Vourvoulias, 61. Thai-born author, an American citizen from birth brought up in Guatemala, but here since her teens. Her novel, Ink, deals with immigrants who are tattooed with biometric implants that are used to keep track of them no matter where they are. I’m assuming that the “Skin in the Game” story which appeared first on Tor.com is set in the future. Fair guess that “The Ways of Walls and Words” which also appeared on Tor.com is also set there. The Readercon 25 panel she was on, “East, West and Everything Between: A Roundtable on Latin@ Speculative Fiction” is available from  the usual suspects, as is all of her fiction. 
  • Born June 15, 1963 — Mark Morris, 58. English author known for his horror novels, although he has also written several novels based on Doctor Who and Torchwood. Given his horror background, these tend to be darker than many similar novels are, I recommend Forever Autumn and Bay of the Dead if you like a good chill. 
  • Born June 15, 1973 — Neil Patrick Harris, 48. His first genre role was not Carl Jenkins in Starships Troopers, but rather Billy Johnson in Purple People Eater, an SF comedy best forgotten I suspect. Post-Starship Troopers, I’ve got him voicing Barry Allen / The Flash in Justice League: The New Frontier and Dick Grayson / Nightwing in Batman: Under the Red Hood. He also voiced Peter Parker and her superhero alias in Spider-Man: The New Animated Series. Finally he’s Count Olaf in A Series of Unfortunate Events which he also produces. 

(13) COMICS SECTION.

  • The D&D player’s in Jason’s game (at FoxTrot) are almost cautious enough.

(14) NINETIES COLLECTIBLES. [Item by Mike Kennedy.] The Toy Zone’s article “The ‘90s Toys That Are Now Worth a Fortune” includes an interactive table of valuable toys.  I’m sure it’s unnecessary to tell you that market fluctuations and condition of the item will make the large majority of toys worth far less than the prices quoted herein.

Key Findings

  • The most expensive 1990s toy sold is a Rainbow The Chameleon Beanie Baby from 1997 ($50,000).
  • Nine of the top 10 most valuable ‘90s toys are Beanie Babies.
  • The only top 10 toy not to be a Beanie Baby is a copy of Goldeneye 007 for Nintendo 64 ($14,999).
  • The most expensive action figure is Scratch from Teenage Mutant Ninja Turtles by Playmates ($5,850).

(15) INDY FIVE. Location shooting for the fifth Indiana Jones movie has drawn the attention of the Scottish press: “Pictures show motorbikes speeding down Highland road for scene in new Indiana Jones film”.

… The plot of the new ‘Indiana Jones 5’ has been kept tightly under wraps.

But these photos of stunt actors racing on motorbikes through the village of Glencoe, western Scotland, give a first insight into the secret plot of the new film.

Two stunt workers can be seen racing each other on motorbikes which appear to be from the World War Two era, behind a vehicle with a large camera rig.

A third, unidentified rider, can then be seen joining the two, riding what looks like a Harley Davidson motorbike, appearing to give the actors directions.

…There were no sightings of star of the franchise Harrison Ford, who has been seen in several locations across the UK in his classic Indiana Jones attire.

(16) INDY ONE. And looking back at the original, the New York Times tells “Four Secrets About ‘Raiders of the Lost Ark’”.

1. Spielberg’s commitment to practical effects was anything but practical.

Black-and-white serials like “Tarzan” and “Jungle Jim” couldn’t electrify their thrills with C.G.I. Neither would “Raiders.” The film’s set pieces, from locations to traps, are temples of old Hollywood craftsmanship. Indy’s seaplane departure, the snowbound Nepalese saloon and the plummeting cliffs of Cairo were all handmade matte paintings. On average, a matte painting has only a few seconds before the audience catches on to the trick. Yet, the sprawling warehouse in the film’s final shot had to command the screen for nearly half a minute and took the artist Michael Pangrazio three months to complete. For the opening boulder chase, Spielberg commissioned a 12-foot fiberglass and plaster rock mounted at the top of a 40-yard track. Even at a mere 300 pounds — mere, that is, relative to 80 tons of genuine granite — the fake behemoth shattered the prop stalagmites in its path and they had to be replaced between each take. And the boulder might have crushed the star Harrison Ford if he hadn’t outrun it all 10 times. “He was lucky,” Spielberg said in American Cinematographer magazine, “and I was an idiot for letting him try it.”

(17) THE DAYS OF YOUR PULP LIFE. Simon & Schuster will bring out “The Sci-Fi Art of Virgil Finlay Wall Calendar 2022” in August.

Virgil Finlay was an American pulp fantasy, science fiction and horror illustrator. While he worked in a range of media, from gouache to oils, Finlay specialized in detailed pen-and-ink drawings accomplished with abundant stippling, cross-hatching, and scratchboard techniques. This calendar showcases 12 such intricate and atmospheric line pen and ink drawings in all their glory. Informative text accompanies each work and the datepad features previous and next month’s views.

(18) JUST STEPPED OUT. “Hawking’s office acquired for the nation” announced Science Museum Group.

… A treasure trove of archive papers and personal objects belonging to the late Professor Stephen Hawking – from personalised wheelchairs and scientific bets signed with Hawking’s thumbprint to his seminal papers on theoretical physics and his scripts from The Simpsons – have been acquired by the Science Museum Group and Cambridge University Library….

Selected highlights from Hawking’s office will go on public view for the first time in a new display at the Science Museum in early 2022. Later next year, global audiences will be able to explore hundreds of remarkable items from Hawking’s working life when this significant acquisition is catalogued, photographed and published to the Science Museum Group’s popular online collection.

(19) FLY BY JOVE. “Mushballs and a Great Blue Spot: What Lies Beneath Jupiter’s Pretty Clouds” – the New York Times discusses an array of photos taken by NASA’s Juno probe.

For something that was to have been done and thrown away three years ago, NASA’s Juno spacecraft has a busy schedule ahead exploring Jupiter and its big moons.

The spacecraft entered orbit around Jupiter on July 4, 2016, and has survived bombardment from intense radiation at the largest of the solar system’s planets. It is now finishing its primary mission, but NASA has granted it a four-year extension and 42 more orbits. Last week, it zipped past Ganymede, Jupiter’s largest moon.

“Basically, we designed and built an armored tank,” said Scott J. Bolton of the Southwest Research Institute in San Antonio, who is the mission’s principal investigator. “And it’s worked.”

Jupiter is essentially a big ball of mostly hydrogen, but it has turned out to be a pretty complicated ball. The mission’s discoveries include lightning higher up than thought possible, rings of stable storms at the north and south poles, and winds extending so deep into the interior that they might push around the planet’s magnetic fields.

“I think this has been a revelation,” said David J. Stevenson, a professor of planetary science at the California Institute of Technology and a co-investigator on the mission.

Juno’s highly elliptical path, pitched up at almost a 90-degree angle to the orbits of Jupiter’s moons, passes over the planet’s north and south poles. On each orbit, Juno swoops in, reaching a top speed of 130,000 miles per hour as it passes within a few thousand miles of Jupiter’s clouds….

Juno also has or will visit Jovian moons Ganymede, Io and Europa.

…At Europa, JunoCam will be pointed at the dividing line between day and night. In recent years, observations by the Hubble Space Telescope have indicated eruptions of water vapor from the ocean breaking through the icy surface. The hope is that JunoCam might fortuitously capture a water plume, backlit by sunlight…

(20) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Trailers: Cruella” on YouTube, the Screen Junkies say that Cruella is in the mode of “quasi-redemptive villain origin stories” similar to the prequels for Darth Vader, Norman Bates, the Joker, the Wizard of Oz, the apes from the Planet of the Apes, and the Minions, but Cruella is a “vil-quil” that is “the world’s first reimagined satirical coming-of-age revenge heist comedy drama” that’s basically “an excuse for two fashionistas to dress-fight one another.”  But how does Cruella manage to have a chase scene in 1970s London with a car with a right-hand drive?

[Thanks to John King Tarpinian, Cat Eldridge, Mike Kennedy, Will R., Darrah Chavey, Fred Brooks, Andrew Porter, Martin Morse Wooster, JJ, and Michael Toman for some of these stories. Title credit belongs to contributing editor of the day Daniel Dern.]

Pixel Scroll 10/31/19 The World of Scroll-A

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(1) CUTTING CAPERS. The Academy Museum of Motion Pictures picked a highly suitable day to announce they have added an important item to their collection.

(2) KNIVES OUT AT JPL. No gourd is safe when “NASA-JPL Holds Its Annual Pumpkin-Carving Contest”.

In a dark conference room, a pumpkin gently landed on the Moon, its retrorockets smoldering, while across the room, a flying saucer pumpkin hovered above Area 51 as a pumpkin alien wreaked havoc.

Suffice to say that when the scientists and engineers at NASA’s Jet Propulsion Laboratory in Pasadena, California, compete in a pumpkin-carving contest, the solar system’s the limit. Now in its ninth year, the contest gives teams only one hour to carve (off the clock, on their lunch break), though they can prepare non-pumpkin materials – like backgrounds, sound effects and motorized parts – ahead of time….

(3) EATING THE FANTASTIC. Scott Edelman invites listeners to devour Cthulhu with World Horror Grandmaster Ramsey Campbell – serving is in progress in Episode 108 of the Eating the Fantastic podcast.

Ramsey published his H. P. Lovecraft-inspired first book of stories The Inhabitant of the Lake and Less Welcome Tenants in 1964 when he was only 18, and hasn’t stopped since. He’s a two-time winner of the Bram Stoker Award, a four-time winner of the World Fantasy Award, and a TWELVE-time winner of the British Fantasy Award. He’s also received lifetime achievement World Fantasy and Bram Stoker Awards, and was named a World Horror Grandmaster. Previous guest of the podcast T. E. D. Klein called his collection Demons by Daylight “perhaps the most important book of horror fiction since Lovecraft’s The Outsider and Others.” High praise indeed!

We got together on the final day of Worldcon, long after the 4:30 p.m. closing ceremonies had ended. So instead of traipsing around to the usual dead dog parties, we had dinner at Rosa Madre, which I found via Eater’s list of the 38 Essential Dublin restaurants — where at one point as I looked across the table, it seemed as if he was nibbling on Cthulhu! (And sure, I know it was only baby octopus, and not the the Great Old One … but we horror writers like to dream.)

We discussed his early relationship with Arkham House editor and publisher August Derleth, who he might have been had he never discovered H. P. Lovecraft, how this master of unease is able to keep the sense of dread going for the length of a novel (hint: he’s not entirely sure himself), why he loves The Blair Witch Project, what it was like writing novels in the Universal monsters universe, how he felt when The Times listed The Doll That Ate its Mother as one of the silliest titles of 1987, how Twilight Zone editor T. E. D. Klein changed his life, our shared memories of the 1979 World Fantasy Convention, why he feels his attempts to write science fiction have been “clumsy,” the way he was made speechless on his first meeting with J. G. Ballard, why he admires Vladimir Nabokov, and much more.

(4) DO THE POSTER MASH. Space.com points to some free downloads: “‘Galaxy of Horrors!’ NASA Posters Highlight Spooky Alien Planets”.

This Halloween season, NASA wants to open your eyes to the glorious spookiness all around us in the Milky Way galaxy.

The space agency has just released two new “Galaxy of Horrors” posters, which highlight a few of the most bizarre and inhospitable alien planets that scientists have discovered. And NASA created a fun 2-minute video, styled like a trailer for a 1950s horror movie, to promote the posters. 

You can download the posters for free here.

(5) PAST TOMORROWS. Barbara Kiser’s book reviews for Nature touch on Sarah Cole’s study of H.G. Wells, Inventing Tomorrow.

H. G. Wells was, asserts scholar Sarah Cole, a pioneer adept at “rescaling the cosmos and humanity’s place in it”. He straddled the border between science and literature, but not all his complexities were benign: he both repudiated racism and for some time shamefully ascribed to ideas on eugenics. Cole adroitly captures Wells, from his mould-breaking books (such as the 1895 science-fiction classic The Time Machine and 1920 Outline of History) to his unlikely intellectual kinship with subtle modernists such as Virginia Woolf.

(6) GRADE INFLATION. Morning Consult attempts to answer the question: “Rotten Tomatoes Scores Continue to Freshen. What Does This Mean for Movies?”

In recent years, Rotten Tomatoes has been ripe for the picking by movie marketers that want to tout a film’s high critics score from the website in their advertising. But as the Tomatometer’s average score continues to increase, experts are divided on why this is happening and how the industry will harvest Rotten Tomatoes’ ratings going forward.

David A. Gross, a movie consultant that runs Franchise Entertainment Research Inc., found that scores for wide-release films have been fluctuating since 1998’s recorded average of 46. However, averages have been increasing every year since 2014, with this year’s average coming in at 59.3, as of Oct. 28, 1.4 points higher than 2018’s 57.9.

(7) MORE REACTIONS TO SCORSESE, COPPOLA. Michael Ordoña asks “If comic-book movies aren’t emotional and psychological cinema, why are we crying?” in the Los Angeles Times.

… The director of “The Godfather” and “Captain EO” added: “Martin was kind when he said it’s not cinema. He didn’t say it’s despicable, which I just say it is.”

Andrea Letamendi, associate director of mental health training, intervention and response at UCLA, sees more in the best of these films than these giants of cinema do.

“Superhero films are giving us a way to practice and explore really important emotional processes that we may not be able to examine in our everyday lives. In ‘Endgame,’ the more fantastical, the better, because that gives us the supportive safety net to be open and vulnerable and curious about these things,” she says.

“Not to pat ourselves on the back,” says Christopher Markus, co-writer (with Stephen McFeely) of six MCU movies including the three-hour “Endgame,” “but we snuck an hourlong movie about loss and grief into the [start of the] biggest movie of all time. That’s a lot of people who sat with that issue in their heads for an hour.”

He says of villain Thanos’ cataclysmic action, “We wanted the Snap to be as profound as we could make it. The way to do that was to have all the characters sit with the impact, the unfixability of it, rather than scrambling around. We were interested in seeing what happens to these people whose sole purpose in life is solving problems, faced with a problem they did not solve.”

… Clinical psychologist Letamendi agrees. ”It’s a truly sophisticated portrayal. … How different characters cope with that loss really matters in terms of how we relate to them and how we might relate to our own losses.

“The term for that is ‘parasocial relationships’ — non-delusional emotional connections with fictional characters. I know Tony Stark isn’t real, but I’ve formed a long-lasting relationship with his character, so when we see him go through these difficult changes: the adversity, his self-doubt and, ultimately, his death, this is, in our world, difficult to deal with. The grief, the confusion, sometimes the anger — those feelings are real. I think there’s some value to that.

(8) TODAY IN HISTORY.

  • October 31, 1962 — First Spaceship On Venus premiered In the Eastern Bloc. It’s a 1960 East German/Polish film based on the 1951 Stanis?aw Lem novel The Astronauts. Lem did not like it at all and ask his name to be removed as he hated the strident politicization of the story. IMDB still lists him as the story source. Mystery Science Theater 3000 would lampoon it in 2008. 
  • October 31, 1964 — Doctor Who returned to BBC with the premiere of its second season.  The first arc was titled “Planet of Giants.” William Hartnell Was the First Doctor with three companions present: Carole Ann Ford (Susan Foreman), Jacqueline Hill (Barbara Wright) and William Russell (Ian Chesterton). Episodes 3 and 4 are for the most part missing in the Great BBC Purge. 

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 31, 1923 — Arthur W. Saha. A member of the Futurians and First Fandom who was an editor at Wollheim’s DAW Books including editing the Annual World’s Best SF from 1972 to 1990 and Year’s Best Fantasy Stories from 1975 to 1988. And he’s credited with coming up with the term “Trekkie” in 1967. (Died 1999.)
  • Born October 31, 1936 — Michael Landon. Tony Rivers inI Was a Teenage Werewolf. (That film made two million on an eighty thousand dollar budget. Nice.) That and playing the lead as Jonathan Smith in Highway to Heaven are I think his only genre roles. (Died 1991.)
  • Born October 31, 1946 — Stephen Rea, 73. An extensive genre history including V for Vendetta, Interview with the Vampire: The Vampire Chronicles, Underworld Waking, The Werewolf Among Us and Counterpart.
  • Born October 31, 1950 — John Candy. Best known in genre circles for playing Barf in Mel Brook’s Spaceballs but he also played Wink Wilkinson in Frank Oz’s  Little Shop of Horrors, Kalishak in Boris and Natasha: The Movie, and was the narrator of the “Blumpoe the Grumpoe Meets Arnold the Cat/Millions of Cats” of Shelley Duvall’s Bedtime Stories. (Died 1994.)
  • Born October 31, 1959 — Neal Stephenson, 60. Some years back, one of the local bookstores had an sf book reading group. One of the staff who was a member of that group (as was I) took extreme dislike to The Diamond Age: Or, A Young Lady’s Illustrated Primer. I don’t remember now why but it made re-read that (which was good) and Snow Crash (equally good). My favorite novel by him is The Rise and Fall of D.O.D.O. 
  • Born October 31, 1961 — Peter Jackson, 58. I’m going to confess that I watched and liked the first of the Lord of The Rings films but got no further than that. I was never fond of The Two Towers as a novel so it wasn’t something I wanted to see as a film, and I like The Hobbit just fine as a novel thank you much. Now the Adventures of Tintin is quite nice indeed. 
  • Born October 31, 1979 — Erica Cerra, 40. Best known as Deputy Jo Lupo on Eureka, certainly one of the best SF series ever done. She had a brief recurring role as Maya in Battlestar Galactica, plus one-offs in pretty much anything you’d care to mention in roles such as Pretty Girl. 
  • Born October 31, 1993 — Letitia Wright,  26. She co-starred in Black Panther playing Shuri, King T’Challa’s sister and princess of Wakanda.  (Yes, she is in both Avengers films.) Before that, she was Anahson in “Face the Raven”, a Twelfth Doctor story, and was in the Black Mirror’s “Black Museum” episode. 
  • Born October 31, 1999 — Danielle Russell, 20. She played Hope Mikaelson in The Originals, a spin-off of The Vampire Dairies. In something I’ve never seen before, she went on to portray that character in Legacies, a spin-off of The Originals which makes it a spin-off of a spin-off!  

(10) FAN FICTION BLOSSOMS. The Washington Post’s Avi Selk profiles the horror fan fiction site Nosleep, whose alumni have sold novels and gotten writing gigs on the Netflix series The Haunting of Hill House: “Inside the horror website that’s freaking out millions of people”.

…Druga is the top administrator on Nosleep, whose indistinguishable mixture of the real and merely realistic (weighed heavily toward the latter, most likely) has helped it grow into the Internet’s main source of amateur horror stories — with more than 13 million subscribers and hundreds of thousands of posts along the lines of “My neighbor has been mowing his lawn for 12 hours straight” and “My granddad used to come to my room at night wearing a mask. Now I know why.”

(11) MORE JEOPARDY! WRONGNESS. Andrew Porter would hate for you to miss another fabulously bad guess by a Jeopardy! contestant.

Category: Fictional Flags Flying.

Answer: After arriving by submarine, this character claims the South Pole with a black flag baring a gold “N”.

Wrong question: “Who is Bugs Bunny?”

Right question: “Who is Nemo?”

(12) THE DEATH OF FRANCHISES? [Item by Olav Rokne.] Dueling articles in today’s Guardian offer arguments against two major franchises, as Ben Child argues that it’s no longer possible to make a ‘good’ Star Wars movie, and Stuart Heritage proclaims bluntly that Game of Thrones should die. While each of them makes some good points about the flaws that seem to be plaguing the subjects of their respective ire, they might go a little far. 

Ben Child challenges: “Spent force: why is making a good Star Wars film so hard?”  

Star Wars’s directors must feel like the Hollywood equivalent of all those unfortunate Imperial admirals in the original trilogy. One misplaced Rebel fleet and it’s instant death by studio chokehold.

Stuart Heritage says “It’s time for the Game of Thrones universe to die”.  

Television is littered with the corpses of unnecessary spinoffs, from Caprica to AfterMASH, Baywatch Nights to Joey. … At this point, with a tainted brand, an irritated fanbase and a pilot that’s proved a colossal waste of effort,perhaps the sensible thing would be for HBO to ditch Game of Thrones altogether.

Overall, the articles do beg the question: under what circumstances should a franchise be left to die, or at least be abandoned to lie fallow before they can be rediscovered by a new generation? It’s a question that’s worth discussing in an era of nonstop franchise maintenance. 

(13) ION STORM AHEAD CAPTAIN. Nature tells of “A 100-kiloparsec wind feeding the circumgalactic medium of a massive compact galaxy”. From the abstract —

…Theory points to galactic winds as the primary source of the enriched and massive circumgalactic medium3,4,5,6. Winds from compact starbursts have been observed to flow to distances somewhat greater than ten kiloparsecs7,8,9,10, but the circumgalactic medium typically extends beyond a hundred kiloparsecs3,4. Here are observations of the massive but compact galaxy SDSS J211824.06+001729.4 of a 100-kiloparsec wind.

(14) JAVA IN WESTEROS. BBC delves into “Game of Thrones’ coffee cup and 6 other TV and film bloopers”.

Game of Thrones actress Emilia Clarke has revealed who was responsible for the show’s infamous coffee cup scene.

In one episode of the eighth season, eagle-eyed viewers spotted a coffee cup on the table in the great hall, as Mother of Dragons Daenerys Targaryen sat, more appropriately, with goblet in hand.

Now, Clarke has revealed her co-star Conleth Hill, who portrayed master of spies Lord Varys, admitted to being responsible for the error during a pre-awards show party in September.

(15) DEAD PERFECT. Google Nest was holding auditions for its Nest doorbell, you see….

She was born to die to play this role. Obvi. It wasn’t easy, but we found an actual ghost to record spooky, Halloween sounds for the Nest Hello doorbell.

https://www.youtube.com/watch?v=xvs1koDRgLI

[Thanks to Andrew Porter, Chip Hitchcock, Cat Eldridge, JJ, John King Tarpinian, SF Concatenation’s Jonathan Cowie, Olav Rokne, Mike Kennedy, and Martin Morse Wooster for some of these stories. Title credit goes to File 770 contributing editor of the day Niall McAuley.]