Pixel Scroll 3/10/25 (SF/F Reference) + (Cultural Reference|770 Jargon) / Pun ~= (Scroll Title)

(1) BULWER-LYTTON RIDES OFF INTO THE SUNSET. Last week Scott Rice told fans of The Bulwer-Lytton Fiction Contest, “Au Revoir, Noble Bulweriers!”

It is with deep regrets that I announce the conclusion of the Bulwer-Lytton Fiction Contest.  Being a year and a half older than Joseph Biden, I find the BLFC becoming increasingly burdensome and would like to put myself out to pasture while I still have some vim and vigor!

When I initiated the competition in 1983, inviting entrants to submit bad opening sentences to imaginary novels, I never dreamed that we would receive thousands of entrants from all over the U.S. and the globe, or that the contest would survive for over four decades. 

​I am especially grateful to our entrants for keeping the contest alive and to our Panel of Undistinguished Judges who dutifully selected each year’s “winners.”  And, of course, I would like to thank my daughter, EJ, who has been indispensable the last several years of the contest.  It’s been 42 good years but, alas, all good things must come to an end. Rest assured we’re keeping the BLFC spirit alive by maintaining our archive for posterity so that generations and generations hence may witness your greatness!

(2) ERRATA REDUX. The UK’s SF Gateway bookselling site is having a little trouble identifying author “William Rotsler”, co-author with Gregory Benford of Shiva Descending. As Andrew Porter pointed out to them, this is a photo of Robert Silverberg.

It isn’t the first time something like this has happened to Rotsler. When he was the 1973 Worldcon Fan Guest of Honour, the designer of TorCon 2’s program book erroneously ran a photo of John Schoenherr instead of Rotsler. (Coincidentally, Robert Silverberg was the author of that 1973 bio!)

(3) DROPPING FAST. The Guardian reports “US added to international watchlist for rapid decline in civic freedoms”.

The United States has been added to the Civicus Monitor Watchlist, which identifies countries that the global civil rights watchdog believes are currently experiencing a rapid decline in civic freedoms.

Civicus, an international non-profit organization dedicated to “strengthening citizen action and civil society around the world”, announced the inclusion of the US on the non-profit’s first watchlist of 2025 on Monday, alongside the Democratic Republic of the Congo, Italy, Pakistan and Serbia….

(4) NEW DAVE HOOK POSTS. A Deep Look by Dave Hook praises “’Deep Dream: Science Fiction Exploring the Future of Art’, Indrapramit Das editor, 2024 The MIT Press”.

The Short: I recently read Deep Dream: Science Fiction Exploring the Future of Art, Indrapramit Das editor, 2024 The MIT Press. My favorites of the ten short stories were “Encore“, by Wole Talabi, “The Quietude” by Lavie Tidhar, and “Autumn’s Red Bird“, by Aliette de Bodard. The essays and art were great also. My overall rating was 3.88/5, or “Great”. Strongly recommended.

And for an encore, Dave Hook shares “My 2025 Hugo Nominations”. His list includes —

Best Related Work nomination:

I nominated “The 2023 Hugo Awards: A Report on Censorship and Exclusion“, Chris Barkley & Jason Sanford Author/Editors, File770/Genre Grapevine, February 14, 2024.

(5) FUTURE TENSE. February’s Future Tense Fiction story is “Mothering the Bay,” by Deji Bryce Olukotun—a story about AI, misinformation, and parenting, set on the BART public transit system in California’s Bay Area.

The response essay, “The Awareness Imperative”, is by educational technologist Babe Liberman.

 (6) PAGING CAPTAIN PIKE’S BARBER. “Star Trek: Strange New Worlds Season 3 Character Posters” – there are 13 images in the gallery. The Captain looks like he stuck his head out a porthole while the ship was at Warp 3. I rather like the photo of Scotty, though.

Paramount+ reveals new character art for Season 3 of Star Trek: Strange New Worlds!

The new character art features Anson Mount as Captain Christopher Pike, Rebecca Romijn as First Officer Una Chin-Riley, Ethan Peck as Spock, Jess Bush as Nurse Christine Chapel, Christina Chong as La’An Noonien-Singh, Celia Rose Gooding as Nyota Uhura, Melissa Navia as Erica Ortegas and Babs Olusanmokun as Dr. M’Benga.

In addition to the main cast, we have recurring guests Paul Wesley as James T. Kirk, Melanie Scrofano as Marie Batel, Martin Quinn as Montgomery ‘Scotty’ Scott, and Carol Kane as Pelia.

Star Trek: Strange New Worlds is based on the years Captain Christopher Pike manned the helm of the U.S.S. Enterprise.

(7) KAZUO ISHIGURO Q&A. [Item by Steven French.] With a 20th Anniversary special edition of his science fiction novel Never Let Me Go about to be published, Nobel prize winner Kazuo Ishiguro is interviewed by the Guardian and discussed his openness to speculative fiction, his own opinion of his prose style and the dangers posed by the increasing use of AI: “’AI will become very good at manipulating emotions’: Kazuo Ishiguro on the future of fiction and truth”.

Never Let Me Go had a long gestation period, as Ishiguro explains in his introduction to a new edition; for many years, it existed merely as thoughts and notes about a group of students whose lifespan – perhaps as the result of a nuclear accident – was markedly different from their peers. The breakthrough came via a combination of external factors and timing: societal interest in the potential benefits and dangers of cloning, at its most headline-grabbing in the shape of Dolly the sheep; and a shift in writing and publishing that made a place in so-called literary novels for the techniques and practices of speculative fiction.

“I gave myself permission to use what traditionally might have been called genre tropes,” Ishiguro explains. “And that wasn’t because I was being terribly brave or anything. I think the climate around me changed; the next generation of writers, people about 15 years younger than me, didn’t see anything weird about it, at least the people I happened to become friends with, David Mitchell or Alex Garland. They were taking their cues from all kinds of places and I really liked their work.”

(8) SIMON FISHER-BECKER (1961-2025). “Simon Fisher-Becker dead: ‘Harry Potter,’ ‘Doctor Who’ actor was 63” reports USA Today.

Simon Fisher-Becker, a British actor known for his roles on “Doctor Who” and in the first “Harry Potter” film, has died. He was 63.

Fisher-Becker’s death was confirmed by his agency in a statement issued to USA TODAY on Monday.

“Today, I lost not only a client Simon Fisher-Becker, but a close personal friend of 15 years standing,” the statement said. “I shall never forget the phone call I made to him when he was offered the part of ‘Dorium’ in Dr Who. He had been a fan of the show since he was a child.

“Simon was also a writer, a raconteur and a great public speaker. He helped me out enormously and was always kind, gracious and interested in everyone. My condolences go to his husband Tony, his brother, nieces and nephews and his legion of fans.”

Fisher-Becker portrayed the Fat Friar, a ghost from Hufflepuff, who appeared in 2001’s “Harry Potter and the Sorcerer’s Stone.” In the film, he comes through the floor of the Hogwarts dining hall as several ghosts arrive, including Nearly Headless Nick.

The actor also starred as Dorium Maldovar on the British sci-fi series “Doctor Who.” He played the role in the fifth and sixth seasons of the modern reboot opposite Matt Smith’s Doctor….

(9) MEMORY LANE.

[Written by Cat Eldridge.]

Frederik Pohl’s Gateway wins the Hugo for Best Novel (1978)

Forty-six years ago at IguanaCon II, where Tim Kyger was the Chair, Harlan Ellison was the pro guest, and Bill Bowers was the fan guest, Frederik Pohl’s Gateway wins the Hugo for Best Novel. 

The other nominated works for that year were The Forbidden Tower by Marion Zimmer Bradley, Lucifer’s Hammer by Larry Niven and Jerry Pournelle, Time Storm by Gordon R. Dickson and Dying of the Light by George R. R. Martin. 

It was serialized in the November and December 1976 issues of Galaxy prior to its hardcover publication by St. Martin’s Press. A short concluding chapter, cut before publication, was later published in the August 1977 issue of Galaxy.

It would win damn near every other major Award there was as it garnered the John Campbell Memorial for Best Science Fiction Novel, the Locus Award for Best First Novel, the Nebula Award for Novel and even the Prix Pollo Award for Best Science Fiction Novel published in France. It was nominated for but did not win the Australian Ditmar Award. 

It’s the opening novel in the Heechee saga, with four sequels that followed. It is a most exceptional series. I’ve read I think all of them. 

I’m chuffed that Pohl was voted a Hugo for Best Fan Writer at Aussiecon 4. Who can tell what works got him this honor? 

Gateway of course is available at the usual suspects. 

If I’m remembering right, there was talk of a film for awhile.

(10) COMICS SECTION.

(11) THE NEXT DISRUPTION. The Guardian asks, “Are AI-generated video games really on the horizon?”

Another month, another revolutionary generative AI development that will apparently fundamentally alter how an entire industry operates. This time tech giant Microsoft has created a “gameplay ideation” tool, Muse, which it calls the world’s first Wham, or World and Human Action Model. Microsoft claims that Muse will speed up the lengthy and expensive process of game development by allowing designers to play around with AI-generated gameplay videos to see what works.

Muse is trained on gameplay data from UK studio Ninja Theory’s game Bleeding Edge. It has absorbed tens of thousands of hours of people’s real gameplay, both footage and controller inputs. It can now generate accurate-looking mock gameplay clips for that game, which can be edited and adapted with prompts.

All well and good, but in an announcement video for Muse, Microsoft Gaming CEO Phil Spencer caused confusion when he said that it could be invaluable for the preservation of classic games: AI models, he implied, could “learn” those games and emulate them on modern hardware. It’s not clear how this would be possible. Further muddying the waters, Microsoft’s overall CEO Satya Nadella then implied in a podcast interview that Muse was the first step in creating a “catalogue” of AI-generated games.

But Muse, as it stands, can’t create a game – it can only create made-up footage of a game. So just what is this new gaming AI tool? A swish addition to game developers’ tool belts? Or the first step towards an era of AI-generated gaming detritus?…

(12) CLIPPING SERVICE. Filer Lise Andreasen says, “I made a joke!”

(13) MIND INTO MATTER. “Vesuvius Turned a Roman Man’s Brain Into Glass. Now, Scientists Reveal How the Extremely Rare Preservation Happened” in Smithsonian Magazine.

In 79 C.E., Mount Vesuvius erupted, burying the nearby ancient Roman city of Pompeii and the smaller town of Herculaneum under deadly layers of volcanic ash, pumice and pyroclastic flows. But the disaster that demolished the two settlements also immortalized them, preserving everything from the shape of victims’ bodies to frescoes in private villas and library scrolls.

Archaeologists even discovered the remains of a young man whose brain and parts of his spinal cord had turned into glass. Scientists had never seen a glassy soft tissue in nature before—and no one has found anything like it since….

…The recent study, however, supports the 2020 research claiming that the remains are indeed a brain—they found preserved neurons and axons, as well as proteins known to be common in brain tissue. They conclude the vitrification was caused by an ash cloud that arrived in Herculaneum before the pyroclastic flows from the volcano….

…But there’s a catch: “Conditions must have been very, very specific, because the organic tissue must have experienced a heating fast enough not to entirely destroy it (which is instead the most common occurrence) and then fast-cool to turn into glass,” Giordano says to Popular Science’s Andrew Paul.

To achieve those specific circumstances, the skull and spine acted as protective layers, shielding the soft tissue within from a bit of the heat. “The glass that formed as a result of such a unique process attained a perfect state of preservation of the brain and its microstructures,” the team writes in the paper.

Giordano tells Live Science’s Tom Metcalfe that they found charcoal fragments in Herculaneum that supported their idea. These fragments “experienced multiple [heating] events, and the highest temperatures were associated with the early, super-hot ash cloud.”

Benjamin Andrews, a volcanologist at the Smithsonian’s National Museum of Natural History who was not involved in the study, tells Science’s Collin Blinder that the team’s findings are “remarkable.”

“There’s a huge story, a huge wealth of information, contained in these little particles,” he adds.

Not everyone agrees with the new conclusions, however. For example, Alexandra Morton-Hayward, a forensic anthropologist at the University of Oxford in England who was also not involved in the research, is not convinced that the glassy material is indeed parts of the man’s brain. She maintains that soft tissue vitrification is “incredibly unlikely,” per CNN….

(14) LUNAR ECLIPSE VISIBLE FROM THE AMERICAS. Coming March 14: “Total lunar eclipse to mesmerise skywatchers in March” reports the Guardian.

This week, the moon experiences a total lunar eclipse, which although not as spectacular as a total solar eclipse is still a beautiful celestial sight to behold.

A total lunar eclipse occurs when the full moon passes directly behind Earth, through our planet’s shadow. Skywatchers first see the shadow of Earth creeping across the face of the moon. This is known as the partial phase.

Then, during the total phase, when the moon is engulfed by Earth’s shadow, the lunar surface turns a deep red colour. In the last phase, also known as a partial phase, Earth’s shadow slips off the lunar surface and all returns to normal.

It is a leisurely process, taking more than three hours to complete. On 14 March, the partial eclipse begins at 0509 GMT. The total phase begins at 0658 GMT before returning to a partial phase at 0731 GMT. This final partial phase then ends at 0847 GMT.

Unfortunately for European and African viewers, only the initial partial phase will be visible. Observers in North and South America, however, will be treated to the whole thing. Parts of Asia and Australia will then catch the final partial phase.

(15) FILK HISTORY. “Margaret Middleton – A Shaper of Modern Filk (Part 2 of 2), interviewed by Edie Stern” has been posted by FANAC.org on YouTube.

Title: Margaret Middleton – A Shaper of Modern Filk  (Part 2 of 2), interviewed by Edie Stern

Description: FANAC History Zoom: February 2025:  Named to the Filk Hall of Fame in 1996, and a long time officer of the Filk Foundation, Margaret Middleton has been instrumental in the shaping of modern filk, as well as a mainstay of Arkansas fandom. She’s published multiple fanzines, including Kantele, and was a founder of the first specialized filk convention, Filkcon 1.

In Part 2 of this 2 part recording, the conversation ranges from Margaret’s taxonomy of filk, to tips for busking at the Farmer’s Market, and to the effect of the internet on filking and the filk community.  We also learn about Margaret-when-she’s not filking, including her involvement in  the Civil Air Patrol, quilting and her professional responsibilities for “measuring piles of dirt and holes in the ground.” … It’s a wide-ranging conversation, and ends with barbershop quartets, the Ballad of Eskimo Nell (discussed – not sung),  the relationship of quilts to filk conventions and audience Q&A…For those interested in the history of filk, this 2 part interview is highly recommended.

[Thanks to Teddy Harvia, Mike Kennedy, Andrew Porter, Joey Eschrich, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, Steven French, and Kathy Sullivan for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 2/27/25 All These Pixels Are Yours, Except Scrollropa. Attempt No Filing There

(1) NO MORE US WORLDCONS DECLARES JO WALTON. Welsh-Canadian author Jo Walton, past winner of the Hugo, Nebula, World Fantasy, and Otherwise Awards, called on Bluesky yesterday for an end to US Worldcons. She did so in response to a leaked State Department policy designed to implement Trump’s executive order “Defending Women From Gender Ideology Extremism And Restoring Biological Truth To The Federal Government”.

Walton says she would prefer for the LAcon V committee to abandon its Anaheim, CA location and move outside the country. Setting aside that the bid was seated by a democratic site selection process, they’ve also made legal and financial commitments to secure their 2026 facilities. Breaking those contracts would involve paying large penalties. How much? Remember that when Arisia 2019 decided the principled stance was to move the con away from two strike-affected hotels they were planning to use that triggered approximately $150,000 in cancellation fees and anticipated attrition charges. Even under the settlement negotiated by Arisia’s lawyers they still had to pay over $40K, much of the money donated by fans to Arisia’s fundraising campaign.

(2) MAY THE BEST APE WIN. [Item by Olav Rokne.] The Unofficial Hugo Book Club Blog is advancing a bit of an off-board pick for the Best Dramatic Hugo, but it’s a beguilingly bonkers and beautiful little movie. And I will maintain to my last breath that any movie in which there are 100,000 chimpanzees fighting with swords is at the very least magical realism, and consequently a genre work: “The Ape Star”.

In the climactic moment of Better Man, an anthropomorphic chimpanzee named Robbie Williams takes the stage at the Knebworth Festival in front of 125,000 fans to sing his pop anthem, “Let Me Entertain You.” Nearing the end of the song, he spots in the audience dozens — then hundreds — of younger and angrier chimpanzee versions of himself. Leaping into the crowd, he begins fighting them one-by-one, with each showdown getting bloodier and more outlandish.

With the leaping chimpanzees, the soaring camera work, and the colourful cinematography, it is as if the Battle of Isengard had been set on the Planet of the Apes and directed by Speed-Racer-era Wachowskis….

(3) PEN AMERICA REPORT ON BOOK BANS. “PEN America Report Zooms In on School Year 2023–2024 Book Bans”Publishers Weekly has a synopsis.

In a new report out today called “Cover to Cover,” PEN America provides a comprehensive analysis of the 4,128 unique titles that it determined were removed from public schools nationwide during the 2023–2024 academic year—the result of more than 10,000 instances of school book bans over that time period. With this latest look at its data from 2023–2024, PEN America builds on the findings it released last fall with a goal of better understanding the wide-reaching impacts of this educational censorship being driven by politics and coordinated, well-funded groups.

For the “Cover to Cover” report, PEN’s team of staff researchers, expert consultants, and author volunteers reviewed each banned title across 37 variables. What they learned was that certain marginalized identities are “being removed from library shelves en masse.” The reviewers found that 36% of the books banned during the 2023–2024 school year feature characters or people of color and 25% include LGBTQ+ people or characters. Of those banned titles with LGBTQ+ representation, 28% feature trans and/or genderqueer characters.

PEN’s researchers noted that in terms of identity erasure, the numbers are even more stark within the different genres and formats of the banned books. For example, they found that 73% of banned titles that fall into the graphic and illustrated titles category feature LGBTQ+ representation, people or characters of color, or discussions of race/racism. Sixty-four percent of banned picture books depict LGBTQ+ characters or stories; and 44% of banned history and biography titles feature people of color.

“When we strip library shelves of books about particular groups, we defeat the purpose of a library collection that is supposed to reflect the lives of all people,” Sabrina Baêta, senior manager for PEN America’s Freedom to Read program, said in a statement. “The damaging consequences to young people are real.”…

(4) KATHLEEN KENNEDY REPLIES. She’s not retiring. In Deadline, “Kathleen Kennedy clarifies Lucasfilm future, Star Wars plans”. After Mike Fleming, Jr. takes the media to task for what was reported, he walks Kennedy through a Q&A session which begins:

DEADLINE: We’ve read all these speculative reports that you are out, that there’s a frenzy for the next person who’s going to take over Lucasfilm. What is the truth?

KATHLEEN KENNEDY: The truth is, and I want to just say loud and clear, I am not retiring. I will never retire from movies. I will die making movies. That is the first thing that’s important to say. I am not retiring. What’s happening at Lucasfilm is I have been talking for quite some time with both Bob and Alan about what eventual succession might look like. We have an amazing bench of people here, and we have every intention of making an announcement months or a year down the road. We are in lockstep as to what that’s going to be, and I am continuing. I’m producing Mandalorian the movie right now, and I’m also producing Sean Levy’s movie, which is after that. So I’m continuing to stay at Lucasfilm and looking very thoughtfully with Bob and Alan as to who’s stepping in. So that is all underway, and we have every right to make that announcement when we want to make it….

(5) OCTOTHORPE. John Coxon thought of something, Alison Scott is educational, and Liz Batty reads contracts in Episode 129 of the Octothorpe podcast. They discuss the Belfast Eastercon, Alison shakes her cane at John and Liz, and they talk a little about WSFS things before getting into picks. Listen here: “Deep in Annex A”. An uncorrected transcript is available here.

Words read “Octothorpe 129: Can you pin Thailand on the map?” above a black-and-white world map. The backs of John, Alison and Liz’s heads are shown. John is thinking “Yup!”, Liz is thinking “100%”, and Alison is holding Thailand and thinking “???”.

(6) FILK HISTORY ZOOM. Fanac.org has posted video of the Zoom session “Margaret Middleton – A Shaper of Modern Filk (Part 1 of 2), interviewed by Edie Stern”.

Description: FANAC History Zoom: February 2025: Named to the Filk Hall of Fame in 1996, and a long time officer of the Filk Foundation, Margaret Middleton has been instrumental in the shaping of modern filk, as well as a mainstay of Arkansas fandom. She’s published multiple fanzines, including Kantele, and was a founder of the first specialized filk convention, Filkcon 1. In Part 1 of this 2 part recording, we learn about her introduction to conventions and fandom, including a delightful story of the Icon elevator that may have changed her life. 

Margaret starts at the beginning, with her entry to fandom and how she started writing filk, and continues to the four bearded guys and how she came to pub her ish. A traveling fan with many convention stories, this Part 1 includes the origin story of Roc*Con in the grand fannish tradition, as well as tales of Big Mac (MidAmericon, 1976 Worldcon), and reminiscences of some of the filkers of the time (incuding the “Great Broads of the Galaxy”). The talk moves on to filkzines, specialized filk conventions, and filksing styles. It’s great fun, especially for those of us that remember filking in those days. Full Disclosure: the interviewer (me) is one of those people.

(7) HUNGER GAMES TRIBUTES WILL TREAD THE BOARDS. “’Electrifying experience’: stage version of The Hunger Games to open in new London theatre” reports the Guardian.

A new theatre in London’s Canary Wharf will open with the delayed world premiere of The Hunger Games, based on Suzanne Collins’ bestselling 2008 novel and the hit 2012 film version.

Irish playwright Conor McPherson’s adaptation of the dystopian adventure, which follows teenagers fighting to the death in a televised spectacle, will begin previews on 20 October. The purpose-built, 1,200-seat Troubadour Canary Wharf theatre is operated by the company behind the venue for the successful Starlight Express reboot in Wembley Park, where singing roller-skaters whiz among the audience. The Hunger Games has been similarly designed to place theatregoers amid the action.

Tristan Baker and Oliver Royds, joint CEOs and founders of Troubadour Theatres, said the show would offer “a transportive, electrifying experience that fully captures the scale, intensity and spectacle of Suzanne Collins’ world. Every element – from the staging to the technology – has been tailored to transport audiences right into the heart of the Games like never before.”…

(8) GENE HACKMAN (1930-2025). Actor Gene Hackman and his wife, pianist Betsy Arakawa, were discovered dead in their Santa Fe, NM home yesterday. Authorities are investigating their deaths, with Deadline’s most current information summarized here: “Gene Hackman & Wife Suffered ‘No External Trauma’, Police Say”.

…No cause of death has been determined so far for Gene Hackman and Betsy Arakawa, but New Mexico police say the situation “remains an open investigation.”

With affidavits, search warrants and statements calling the death of the two-time Oscar winner, his wife and their dog late Wednesday “suspicious enough in nature,” the Santa Fe Sheriff’s office is reiterating Thursday that “there were no apparent signs of foul play.”…

…“An autopsy was performed. Initial findings noted no external trauma to either individual,” they added. “Carbon monoxide and toxicology tests were requested for both individuals. The manner and cause of death has not been determined. The official results of the autopsy and toxicology reports are pending. This remains an open investigation.” 

Earlier today, the local coroner’s office said it could be 4-6 weeks before a full report on the 95-year-old Hackman and the 63-year-old Arakawa is complete….

…With that, the deaths of Hackman and Arakawa become all the more complicated by what wasn’t addressed in the latest statement by the Santa Fe police. While the late Wednesday night affidavit for a search warrant on the couple’s property mentioned both bodies being on the floor of the house in different rooms and a “pill bottle being opened and pills scattered next to the female,” there was zero mention of that in this afternoon’s release…

The actor won Oscars winner for his work on 1971’s The French Connection and 1992’s Unforgiven. Hackman and classical pianist Arakawa married in 1991. 

His work of genre interest included playing Lex Luthor in multiple Superman films, appearing in Young Frankenstein, Marooned, and in one episode of The Invaders TV series. He also voiced a character in the animated movie Antz.

(9) A TOAST. This is a good day for “Remembering GENE HACKMAN in YOUNG FRANKENSTEIN (1974)”.

(10) MEMORY LANE.

[Item by Cat Eldridge.]

Anniversary, TekWar: TekLab (1994)

Thirty-one years ago this evening TekWar: TekLab, the third of the TekWar episodes, aired. Created by William Shatner, the novels credited initially to him were actually ghost-written by Ron Goulart. I don’t know how much input Goulart had into the TV series. TekWar would be developed for television by Stephen Roloff who earlier had done the same for Friday the 13th: The Series and Beyond Reality which I liked, also filmed in Toronto, the site of other series such as Forever Knight

TekLab would take our detectives to London attend a ceremony at the Tower of London which marks the start of a campaign to restore the British monarchy. Before the film ends, much will happen including the appearance of Excalibur. 

The primary cast was Greg Evigan as Jake Cardigan, Eugene Clark as Sid Gomez, William Shatner as Walter Bascom, Michael York as Richard Stewart, Laurie Winger as Rachael Tudor and Maurice Dean Winter as Lt. Winger. 

I can’t say most critics loved this William-Shatner-created affair as they mostly did not, with who I’ll not quote by name to protect the guilty saying of the series that it was “bargain basement science fiction with a stale protagonist, a convoluted murder mystery, and a narrative that feels incomplete.” Audience reviewers at Rotten Tomatoes currently give this film specifically a thirty-six percent rating. 

It ran two seasons for a total of 22 episodes, films as well. Supposedly in production, there was an adult animated TekWar film (whatever the hell they meant by that and I’m definitely not speculating) which was announced five years ago but I can’t find any proof of it existing.

Unlike most of the critics, I liked this series as the lead protagonist, Jake, was developed enough to be a good character in that crucial story role and even Shatner in the role he was in was likable enough to be generally not annoying, the supporting characters made sense, the stories weren’t exactly the best science-fiction ever done, but they weren’t bad either and the setting made sense for what it was.

It is streaming, well, nowhere. It aired originally on the USA network before repeating on the Sci Fi network. The USA network is owned by NBC Universal, parent company of Peacock as well, so I’m surprised it is not there at least. 

(11) COMICS SECTION.

(12) BERLITZKRIEG. This bilingual joke has to have been around for a long time but today is the first time I’ve seen it. “Yo” is the Spanish counterpart to the English pronoun “I”.

The Spanish-language version of Asimov's sci-fi classic I, Robot sounds a lot more street.

Rob McD (@yourfunnyuncle.bsky.social) 2025-02-27T22:20:11.197Z

(13) OUR MEGAFAUNA NEIGHBORS. TL;DR version: It took longer for humans to eat the last of them than previously thought. P.S. The article says that idea is actually wrong, no matter how much I like it. “Giant Megafauna Lived Alongside Humans As Recently As 3,500 Years Ago” says IFLScience.

….For a long time, the overall consensus has been that mammalian megafauna – giant mammals that roamed the Earth in the past, including species like mammoths, giant sloths and sabertoothed tigers – went extinct at the start of the Holocene. This is our current geological epoch, which started around 11,700 years ago, at the end of the last major glacial age.

However, some recent studies have obtained fossil evidence that challenges this consensus. In particular, the discovery that woolly mammoths were still alive 4,000 years ago helped undermine this idea. Now researchers have found other megafauna specimens, including giant sloths and camel-like animals, that survived in South America up to around 3,500 years ago.

This evidence raises questions about what really led to the planet’s most recent large animal extinction while also showing that it was not a homogenous event….

(14) NEWLYWED WALT. Animation Magazine alerts us that “Rare Early Disney Photos Go to Auction at Van Eaton Galleries”. And some of the photos can be viewed at the link.

(15) THE TECHNICAL TERM IS…. [Item by Mark Roth-Whitworth.] And you want to know why AI shouldn’t replace people? “’Emergent Misalignment’ in LLMs” at Schneier on Security.

Interesting research: “Emergent Misalignment: Narrow finetuning can produce broadly misaligned LLMs“:

“Abstract: We present a surprising result regarding LLMs and alignment. In our experiment, a model is finetuned to output insecure code without disclosing this to the user. The resulting model acts misaligned on a broad range of prompts that are unrelated to coding: it asserts that humans should be enslaved by AI, gives malicious advice, and acts deceptively. Training on the narrow task of writing insecure code induces broad misalignment. We call this emergent misalignment. This effect is observed in a range of models but is strongest in GPT-4o and Qwen2.5-Coder-32B-Instruct. Notably, all fine-tuned models exhibit inconsistent behavior, sometimes acting aligned. Through control experiments, we isolate factors contributing to emergent misalignment. Our models trained on insecure code behave differently from jailbroken models that accept harmful user requests. Additionally, if the dataset is modified so the user asks for insecure code for a computer security class, this prevents emergent misalignment.

“In a further experiment, we test whether emergent misalignment can be induced selectively via a backdoor. We find that models finetuned to write insecure code given a trigger become misaligned only when that trigger is present. So the misalignment is hidden without knowledge of the trigger.

“It’s important to understand when and why narrow finetuning leads to broad misalignment. We conduct extensive ablation experiments that provide initial insights, but a comprehensive explanation remains an open challenge for future work.”

The emergent properties of LLMs are so, so weird.

[Thanks to Kathy Sullivan, Teddy Harvia, Mike Kennedy, Olav Rokne, John Coxon, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day Olav Rokne.]

Pixel Scroll 1/30/25 Scrolling Considered As A Helix Of Semi-Precious Pixels

(1) GAIMAN WILL RECEIVE NO PROCEEDS FROM GOOD OMEN GRAPHIC NOVEL KICKSTARTER. Rhianna Pratchett today pointed to a Kickstarter update from the Pratchett estate about the Good Omens graphic novel.

[We] had locked refunds of the Good Omens graphic novel in mid-November due to where we were in the production process, however will no longer maintain this freeze in light of new articles and allegations. While we cannot speak further on the subject at present, we have chosen to reopen a short refund window for those who would no longer like to support the graphic novel, until Friday 7th February 2025. Please contact us via email or Kickstarter message.

It has also been agreed that Neil Gaiman will not receive any proceeds from the graphic novel Kickstarter. Given the project management, production and all communication has always been under the jurisdiction of the Estate on behalf of Good Omens at large, this will not fundamentally change the project itself, however we can confirm the Kickstarter and PledgeManager will now fully be an entity run by, and financially connected to, the Terry Pratchett Estate only.

A number of tiers also come with author merchandise and books; we have been working on a system in the back end to remove or swap out particular rewards from tiers, should you wish to continue with the project, but not receive these specific items. In this instance, please contact us via Kickstarter or the email listed on the project FAQ and we will endeavour to alter your orders, to swap items in of an equivalent value, where we are able.

Given the point in the production process, we cannot extend refunds beyond this new deadline, but will honour requests in this window – the only exceptions will be tiers where rewards have already been actioned, such as cameos, and custom or rare items on higher level tiers. In the instance of cameos, should backers wish to have their name removed from the postcard (Archangel) or not receive their cameo print (God), we are able to alter this, but not the cameo itself.

If you do get in touch, we aim to get back within a few days; if you have not heard back within a week, please chase up your query.

Good Omens in all its forms is very special to us, and we know that for many fans the landscape has shifted. We appreciate the sensitivity of this issue, and will be working through all queries in the coming weeks.

We will continue on our journey with Crowley and Aziraphale, and all of our surrounding plans, in some form. Thank you for being part of the journey with us.

The Terry Pratchett Estate (Good Omens HQ)

David Tennant’s Facebook page also posted a truncated version of the statement, and notes that the Kickstarter has raised £2,419,973 to date. Colleen Doran is doing the artwork for this book, as File 770 has reported from time to time.

(2) DOES GAIMAN STILL HAVE REPS? Deadline has been trying to get statements from Neil Gaiman’s various agents about whether they still represent him. No statements have been provided. However, Deadline reported today his name has disappeared from the public client list of one of them: “Neil Gaiman Dropped By Agent Casarotto Ramsay After Misconduct Claims”.

Neil Gaiman has been removed from UK agent Casarotto Ramsay & Associates’ client list after the Good Omens writer has faced a string of sexual misconduct allegations over the past six months.

Gaiman’s profile was quietly scrubbed from Casarotto Ramsay & Associates’ website, meaning he no longer appears on pages listing its film, TV, and theatre clients.

Internet archives show Gaiman’s profile, which included trailers for his screen work, was live on the agency’s website as recently as last October, months after the initial allegations were published. The author denies wrongdoing.

Casarotto Ramsay & Associates failed to respond to repeated requests for comment about whether it continues to rep Gaiman. Gaiman has been contacted for comment. His long-time literary agent is Writers House’s Merrilee Heifetz, who has been approached for comment. Gaiman has also been repped by CAA, who have been contacted….

(3) FILK HISTORY ZOOM. The next FANAC Fan History Zoom on February 22 will be about filk fandom. Edie Stern will interview Margaret Middleton. To attend, contact fanac@fanac.org.

(4) DOES YOUR BOOK HAVE A BELLY BUTTON? “Books written by humans are getting their own certification” says The Verge. Self-certification. Because no one would ever lie about this, right?

The Authors Guild — one of the largest associations of writers in the US — has launched a new project that allows authors to certify that their book was written by a human, and not generated by artificial intelligence.

The Guild says its “Human Authored” certification aims to make it easier for writers to “distinguish their work in increasingly AI-saturated markets,” and that readers have a right to know who (or what) created the books they read. Human Authored certifications will be listed in a public database that anyone can access. The project was first announced back in October in response to a deluge of AI-generated books flooding online marketplaces like Amazon and its Kindle ebook platform.

Certification is currently restricted to Authors Guild members and books penned by a single writer, but will expand “in the future” to include books by non-Guild members and multiple authors. Books and other works must be almost entirely written by humans to qualify for a Human Authored mark, with minor exceptions to accommodate things like AI-powered grammar and spell-check applications….

(5) AI NAY NAY? Steve J. Wright discusses in fascinating detail the brain, intelligence, why the very different operations of a computer do not resemble either of the former, and his skepticism about artificial intelligence in “The Little Man Who Isn’t There”.

…So, Artificial Intelligence, if it is achievable at all with current technology (and I suspect the technology which might make it achievable is some way in the future) will necessarily operate in a way which is radically, fundamentally different from human intelligence. So different that communicating with it, or even recognizing that it’s there, will present significant technological challenges. So why are we so happy – well, why are some of us so happy – to believe that Artificial Intelligence is with us here and now, ready to correct our grammar and do our homework for us?

Wright’s article includes a rather amusing callback to Sixties chatbot ELIZA.

“Ah,” says the knowledgeable reader, “he’s going to talk about ELIZA.” Yes, I am absolutely going to talk about ELIZA, because it is such a very good example. Created by Joseph Weizenbaum between 1964 and 1967, ELIZA is credited as the first chatbot; it was designed to emulate a psychotherapist, using a fairly limited set of stock responses which identified key words in its interlocutor’s messages and fitted them into templates for replies. And it had people convinced that it was a real person, that no mere machine could possibly understand them as well as ELIZA did. Now look at those dates again, and consider just how much technical progress there has been on the hardware end of things since then. ELIZA is not a sophisticated program. If you are the sort of weirdo who has a “smart” home, you probably have light bulbs with enough capacity to run ELIZA. Your fridge probably has enough computing power to run ELIZA and perform its normal fridgely duties (maintaining optimum temperatures and levels of energy usage, keeping an inventory of its contents and their expiry dates, and snitching on you to Amazon about your chocolate ice cream habit.)

So, since a rinky-dink little gizmo like ELIZA can successfully con people into believing it’s human, what chance do our poor gullible brains stand against modern technology? 

(6) THESE THINGS MUST BE HANDLED DELICATELY. “Sale of Wicked Witch’s hat from the ‘The Wizard of Oz’ sparks fraud lawsuit” reports the LA Times. (Article republished on MSN, so not behind a paywall). There are three known existing Wicked Witch hats used in filming of The Wizard of Oz. Schneider acquired one in 2019 for $100,000, from Profiles in History, a movie memorabilia house that Heritage acquired two years later. He later consigned it to Heritage for a big Hollywood memorabilia auction. The owner of another Witch’s hat, Michael Shaw, also decided to sell his. And in addition, Shaw was consigning an authentic pair of the ruby slippers. Here’s the rest of the story….

…In July 2023, Schneider agreed to consign his hat to Heritage and the item was given a value of $200,000 for insurance purposes, according to his lawsuit.

However, Heritage pulled Schneider’s hat from an auction in which another Wicked Witch’s hat owned by Michael Shaw…

In August, [Heritage Auctions senior director Brian] Chanes called Schneider and offered him a quick private sale of the hat for $250,000. Instead of taking it to auction, the hat worn by actor Margaret Hamilton would be sold directly to Shaw, who had expressed interest. The price was “more than any Hat had previously sold for,” Chanes told him, according to the complaint.

A few months later, Heritage began promoting a December auction of movie memorabilia that included Shaw’s three Oz pieces….

…According to the suit, Heritage launched a promotional tour of Shaw’s items, holding events in New York, London and Tokyo.

Shaw is not a defendant in the lawsuit against Heritage.

During the auction held on Dec. 7, the ruby slippers sold for a record $32.5 million and the hat hammered down for $2.93 million, which was nearly 12 times the amount Schneider received for his hat. Like other houses, Heritage receives a commission on the items sold at auction.

“It’s very unusual to have an item plucked out of an auction and get an offer like that from the auctioneer,” Schneider said. He says the house violated its fiduciary obligations to him, having failed to disclose the level of market interest in the hat or its planned roadshow for the auction.

Schneider alleges that Heritage struck the deal with him as a “device for HERITAGE or its executives to get ownership at a deep discount while also favoring Mr. S by making his Hat the only one in the auction,” states the suit….

(7) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

January 30, 1924Lloyd Alexander. (Died 2007.)

By Paul Weimer: In the mid 1980’s, Disney came out with The Black Cauldron, an animated fantasy movie. This was the “wilderness years” of Disney before the boom that started with The Little Mermaid.  (The Black Cauldron came out the same year as Return to Oz) It looked interesting, and I was now at a point where I could go and see such movies on my own. Sure, it was an animated movie probably aimed at a younger audience than who I probably was, but I was game. (The fact that it was rated PG drew my attention and convinced me to see it).  I enjoyed it deeply even if apparently few others did at the time. (Again, see above, Wilderness Years)

So it goes.

Naturally, the movie led me to the Lloyd Alexander book. I didn’t realize at the time that The Black Cauldron is actually the second in the Prydain series, but having seen the movie loosely based on it, I wasn’t lost at the time and when I finally did read The Book of Three (the first in the series) sometime thereafter, I saw how sneakily the filmmakers had been inspired by that book for helping to establish Taran, as well as The Black Cauldron itself.  So I could and did happily read the book and the sequels, and so being hooked on Alexander’s work thereby.

I had only the smallest amount of knowledge of Welsh mythology at the time I read the Pyrdain series, the mythology books I had read to that point were focused on the Greco-roman and the Norse. The tales of the Mabinogion that Alexander’s series was based on did later, some years on, inspire me to investigate and learn about Welsh mythology in much more detail.  So I have Alexander to thank for that. 

And in general, Alexander is a novelist who I am glad I did not “miss”. There is a swath of authors I managed to miss because I felt myself too old by the time I found them (Susan Cooper comes to mind, although I did read her a few years ago). Alexander is in that class, while writing for a younger audience, his strong use of theme, decently three-dimensional female characters (although still cross about Eilonwy’s losing her magical powers) and the sheer verve and quality of the writing and the language. 

That quality of writing extended to all of the other work I’ve read of him, from the meditation on war that is The Kestrel, to the Vesper Holly adventure archaeology series. He’s definitely an excellent gateway to much further reading and I think that he still stands up as someone to introduce a young reader to fantasy.

My only regret is that I didn’t discover his work sooner.

Lloyd Alexander

(8) COMICS SECTION.

(9) OCTOTHORPE. In episode 127 of the Octothorpe podcast, “Hello Buoys”, John Coxon is incoherent, Alison Scott is excited, and Liz Batty is romantic. An uncorrected transcript of this episode is available here. 

Episode 127 is here. We discuss the latest juicy gossip from the Belfast Eastercon, we hear from Claire Brialey of Croydon, and we pick things that aren’t games! 

Alt text: A flowchart entitled “How to meet John, Alison and/or Liz at Eastercon”. The boxes culminate in “console yourself with Octothorpe 127”, and the various options are listed below, but the original file is linked in the show notes in case that’s more helpful to the partially sighted. How to meet John, Alison and/or Liz at Eastercon Are you going to Reconnect? Of course!/Not sure Oh go on it will be a laugh Oh all right then/No... Are they in the bar? Yes! I can't see them Are you quite sure? Check again Oh wait... there they are No sign Is there another bar? Yes! Nope Are they on programme? Yes! No Wait till the moderator asks for questions But it's Octothorpe Live! Is your joke very funny? Obviously! Excellent! Good to know. COME AND SAY HELLO until then... Are they asleep or on the loo? No, they look chill Er, yes? Oh, that's a shame Console yourself with Octothorpe 127

(10) THE NEXT TENTACLE. “’Squid Game’ Season 3 Release Date Set at Netflix”. Variety tells what it is.

“Squid Game” Season 3 will premiere June 27, following the major cliffhanger finale that Season 2 ended on.

“Squid Game” Season 2, which consisted of seven episodes, debuted Dec. 26. The installment was filmed back-to-back with Season 3, assuring there would be a much shorter wait between seasons than there was for Season 2 and Season 1 (which debuted in 2021, and was not originally written as an ongoing series).

In Season 2, Gi-hun, aka Player 456 (played by Lee Jung-jae), returns to the sadistic competition three years after winning 45.6 billion in South Korean won as the sole survivor of the event, in order to now put an end to Squid Game and save the lives of the players around him….

(11) SUPER ADVERTISING. The commercials aired during the Super Bowl have a reputation for creativity and entertainment. If you’re likely to watch them, whether during the broadcast or later on YouTube, here’s Deadline’s scouting report of the movie promos that will be part of the lineup, most of them of genre interest: “Super Bowl Movie Trailers 2025: What to Expect”.

…This year, count on the following to air either pre, during or post-game:

Disney, the No. 1 studio of last year with more than $2.2 billion in domestic box office, has always had a presence at the Super Bowl. It won’t be a surprise if it shows off wares for upcoming pics Snow White (March 21), Lilo & Stich (May 23) and Pixar’s Elio (June 13). We understand they’ll only be showing off two out of three of their upcoming Marvel Studios movies, a batch that includes the upcoming Captain America: Brave New World (February 14), summer kickoff Thunderbolts* (May 2) and Fantastic FourThe First Steps (July 25)….

Universal, the No. 2 studio with $1.88B domestic in 2024, will be wowing with trailers for Dean DeBlois’ live-action take of his How to Train Your Dragon (June 13) and the Scarlett Johansson-Mahershala Ali-Jonathan Bailey starring Jurassic World Rebirth (July 2) from Gareth Edwards. Don’t be surprised if you catch a Blumhouse title, like a M3GAN 2.0 (June 27). You’ll remember how Uni previously stunted the first installment with dancing M3GAN dolls on talks shows and popular landmarks like the Empire State Building.

Paramount is no stranger to the Super Bowl, even when its sister CBS network and Paramount+ isn’t broadcasting it (Fox has the game this year). This year, the buzz is that Par will air spots for the Jack Quaid comedy thriller Novocaine (March 14), the Smurfs animated musical movie starring Rihanna (July 18) and Mission: Impossible – Final Reckoning. …

Nothing to do with genre, however, you can already watch the “Hellmanns Super Bowl Commercial 2025” which reunites the When Harry Met Sally stars Meg Ryan and Billy Crystal in an update of their deli scene.

(12) ALL’S FAIR. The answer to the Guardian’s question is microcollectibles, apparently: “Evil toilets, terror food and billionaire Squishmallows: my eye-popping day at the UK’s giant toy fair”.

A chubby baby dinosaur waddles down a pink carpeted aisle, narrowly avoiding an army of Care Bears tramping in the other direction. Nearby, a sales rep shows off a collection of insect-breeding habitats, just as Pikachu scampers around the corner, bumping into her neat display. Across the hall, inventors show off their fiendish new board games, magicians demonstrate glowing plastic thumbs, while others grapple with instructions by a table covered with thousands of tiny plastic bricks.

Welcome to the Toy Fair, in London’s Kensington Olympia, the UK’s biggest bonanza of toys, games and hobbies, where the world’s manufacturers converge to peddle their latest wares, as retailers scour the endless stands for the hottest new trends. It’s a mind-boggling place of plushies and puzzles, remote-control cars and mud kitchens, and more plastic than you would find at a petrochemical convention. Here, the £3.4bn business of fun is taken very seriously indeed, with NDAs galore and not a child in sight. So where is the toy world heading in 2025?…

Fans of the YouTube phenomenon, Skibidi Toilet, can now buy the official toy line at Walmart, Target and Amazon. The line includes the Mystery Surprise Toilet, Collector Figures, Mystery Plush and more.

[Thanks to Kathy Sullivan, Teddy Harvia, Mike Kennedy, Lise Andreasen, Joe Siclari, Mark Roth-Whitworth, Juli Marr, Meredith, JJ, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day Brian Jones.]