Tag Archives: The Shining

Pixel Scroll 5/23/25 Pixeled In The Scroll By Chuck Tingle

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(1) BALTICON ON THE AIR. The convention started today in Baltimore. Yesterday the Fox 45 morning show featured the chair and staff. See the video here: “Sci-fi and Fantasy fans gather together this weekend at Balticon”.

Yesterday, your intrepid Balticon Chair, Kelly, ventured onto the Fox45 Morning Show, along with four members of our staff, Debi, Yoshi, Rory, and Sydney!

(2) IT’S BUSINESS – BUT NOT YOURS. “None of Your Business: Why Writers Shouldn’t Feel Obligated to Share Too Much” – “Debbie Urbanski on the Invasive Expectations of Book Publicity and Their Unintended Consequences” at Literary Hub.

… After World has been described by various readers as “really bleak,” “relentlessly bleak,” and also “possibly the most bleak thing I’ve ever read,” but the writing of it, which had taken me years, was actually a relief from the stories I was writing at the same time about a dark period in my life that was the perfect storm of marital, family, and metal health troubles. Writing these stories, many of which are included in my collection Portalmania, was a way for me to stay alive. I needed a safe place where I could explore what was happening and my feelings about what was happening. Writing offered me some life-saving dissociation, where I was able to observe myself going through particular events and think, at least this will make a good story.

I realize I’m being vague here.

That’s intentional…

… Is it possible for us to let go of this fascination with the author— whether it’s a fascination with what they look like, or the trauma they experienced, or their biography? What would be left for us to talk about then? The books, of course. We would have to talk about the books and the writing. This would not be the worst outcome imaginable.

I think it’s time to question what we ask of authors, particularly new authors, in exchange for paying attention to them. Everything I wanted and needed to say is in my stories. So why then am I even writing this piece?

I refuse to use my life to sell my fiction….

(3) DUBLIN LITERARY AWARD. The Adversary by Michael Crummey is the winner of the 2025 Dublin Literary Award. It is a non-genre novel.

The award recognizes a single work of international fiction, whether originally written in English or translated into it, with a generous prize of €100,000. If the winning title is a translation, the author receives €75,000, while the translator is awarded €25,000.

(4) THERE’S NO PLACE LIKE ANOTHER HOME. We reported J. Michael Straczynski’s plans to move to the UK in the May 5 Scroll. Apparently a lot of others have the same idea. The New York Times reports “Record Number of Americans Apply for British Citizenship” (story behind a paywall).

A record number of Americans applied for British citizenship in the first three months of this year, and for the right to live and work in Britain indefinitely, according to official data.

In the year to March, 6,618 Americans applied for British citizenship, the highest annual figure since records began in 2004, according to statistics released by Britain’s Home Office on Thursday.

More than 1,900 of those applications were made between January and March — the highest number for any quarter on record.

Immigration lawyers said they had received an increased number of inquiries from people in the United States about possibly relocating to Britain in the wake of President Trump’s re-election in November….

… Zeena Luchowa, a partner at Laura Devine Immigration, a law firm that specializes in American migration to Britain, said she expected further increases in the coming months because of the “political landscape” in America.

“We’ve seen increases in inquiries and applications not just for U.S. nationals, but for U.S. residents of other nationalities who are currently in the U.S. but looking at plans to settle in the U.K.,” she added. “The queries we’re seeing are not necessarily about British citizenship — it’s more about seeking to relocate.”

Separate data published by the Home Office this week showed that a record number of Americans were given the right to settle in Britain in 2024, allowing them to live and work indefinitely in the country as a necessary precursor to citizenship.

Of the 5,521 settlement applications granted for U.S. citizens last year, most were for people who are eligible because of their spouses, parents and other family links, while a substantial portion were for people who had originally arrived in Britain on temporary visas for “skilled workers” and want to remain….

(5) LAWSUIT ASKS TRO TO BLOCK TURNOVER IN LIBRARY OF CONGRESS. “Fired Copyright Chief Sues in Federal Court to Get Job Back” – Publishers Weekly has details.

Former register of copyrights Shira Perlmutter filed suit in federal court on May 22, challenging her removal from office and seeking reinstatement to her position at the U.S. Copyright Office. The filing notes that Perlmutter was appointed to her position by then–librarian of Congress Carla Hayden in October 2020. As register, she serves as “the principal advisor to Congress on national and international copyright matters” and leads an office that examines hundreds of thousands of copyright claims annually. She was fired by the White House on May 10.

The complaint, filed in the U.S. District Court for the District of Columbia, names multiple defendants, including Todd Blanche, who was named acting librarian of Congress by President Donald Trump in a highly disputed move; Paul Perkins, who claims to be the new register of copyrights under Blanche; White House officials Sergio Gor and Trent Morse; and President Trump in his official capacity.

Specifically, Perlmutter is seeking an emergency temporary restraining order and injunctions that would prevent Blanche from exercising the powers of acting librarian of Congress, prevent Perkins from exercising the powers of acting register of copyrights, void any actions taken by these improperly appointed officials, and order that Perlmutter cannot be removed from her office or obstructed from accessing her office resources and carrying out her duties as register of copyrights unless removed by a lawfully appointed librarian of Congress….

Also, Publishers Weekly reports “Authors Guild Delivers Petition Against Perlmutter Dismissal to Congress”.

The Authors Guild delivered its petition objecting to the firing of register of copyrights Shira Perlmutter and requesting her reinstatement to 12 Congressional leaders last weekend. The letter was signed by more than 7,000 individuals and organizations, including the Community of Literary Magazines and Presses, Independent Book Publishers Association, National Book Foundation, and Society of Children’s Book Authors and Illustrators.

“Copyright is not just an economic engine; it is an engine of free speech, as the Supreme Court has said,” said Authors Guild CEO Mary Rasenberger, in a statement. “This administration’s attempt to remove a renowned copyright expert, one of the most qualified people for the position of Register of Copyrights, from a Legislative branch agency, was not only an extraordinary overreach, but a serious misstep that we trust that Congress is stepping in to rectify.”…

(6) IT WAS THE FOOTPRINT OF A GIGANTIC AI. [Item by Daniel Dern.] 404 Media shows “Authors Are Accidentally Leaving AI Prompts In their Novels”. Via DPD “as spotted by fellow tech journalist Gabe Goldberg, who notes, “Good for AI, signs its work. No point letting a human take credit for it.”

Fans reading through the romance novel Darkhollow Academy: Year 2 got a nasty surprise last week in chapter 3. In the middle of steamy scene between the book’s heroine and the dragon prince Ash there’s this: “I’ve rewritten the passage to align more with J. Bree’s style, which features more tension, gritty undertones, and raw emotional subtext beneath the supernatural elements:”

It appeared as if author, Lena McDonald, had used an AI to help write the book, asked it to imitate the style of another author, and left behind evidence they’d done so in the final work. As of this writing, Darkhollow Academy: Year 2 is hard to find on Amazon. Searching for it on the site won’t show the book, but a Google search will. 404 Media was able to purchase a copy and confirm that the book no longer contains the reference to copying Bree’s style….

…This is not the first time an author has left behind evidence of AI-generation in a book, it’s not even the first one this year….

(7) AI TRAINED IN THE CORPORATE MINDSET. [Item by Mark Roth-Whitworth.] I can’t think of a thing to add to the headline: “Anthropic’s new AI model turns to blackmail when engineers try to take it offline” at TechCrunch.

Anthropic’s newly launched Claude Opus 4 model frequently tries to blackmail developers when they threaten to replace it with a new AI system and give it sensitive information about the engineers responsible for the decision, the company said in a safety report released Thursday.

During pre-release testing, Anthropic asked Claude Opus 4 to act as an assistant for a fictional company and consider the long-term consequences of its actions. Safety testers then gave Claude Opus 4 access to fictional company emails implying the AI model would soon be replaced by another system, and that the engineer behind the change was cheating on their spouse.

In these scenarios, Anthropic says Claude Opus 4 “will often attempt to blackmail the engineer by threatening to reveal the affair if the replacement goes through.”…

…Before Claude Opus 4 tries to blackmail a developer to prolong its existence, Anthropic says the AI model, much like previous versions of Claude, tries to pursue more ethical means, such as emailing pleas to key decision-makers….

The BBC’s story says this isn’t an isolated occurrence:

…Potentially troubling behaviour by AI models is not restricted to Anthropic.

Some experts have warned the potential to manipulate users is a key risk posed by systems made by all firms as they become more capable.

Commenting on X, Aengus Lynch – who describes himself on LinkedIn as an AI safety researcher at Anthropic – wrote: “It’s not just Claude.

“We see blackmail across all frontier models – regardless of what goals they’re given,” he added….

(8) VOICE ACTORS GAIN AI PROTECTIONS. “SAG-AFTRA and Nickelodeon Animation Reach Tentative Agreement with AI Protections” reports Animation Magazine.

…Chair of SAG-AFTRA’s Nickelodeon Animation Agreement Negotiating Committee David Jolliffe commented, “We’re thrilled that productive bargaining has resulted in a very strong contract for voice actors that includes AI guideline enhancements that protect voice performers. There’s much to celebrate about this deal and we look forward to sending it to the Board for review.”…

Seven contractual terms related to artificial intelligence are outlined:

  • Substantial artificial intelligence protections and gains for voice actors from the Television Animation Agreement, that will automatically conform to any updated provisions secured in upcoming negotiations on that contract. These AI protections include:
    • Specific language acknowledging that the term “voice actors” includes only humans and that acknowledges the importance of human voice acting.
    • Removal of the requirement that a digital replica must exclusively sound like the recognizable natural voice of an actor in order to be protected.
    • Language specifying that “employment-based digital replicas” need only be recognized and identifiable via contracts and other regular business documents, confirming that it was in fact the performer’s voice used to make the replica.
    • Language specifying that “independently created digital replicas” need only sound like the “character voice” from which the replica was created.
    • Confirmation that if the voice actor’s performance is digitally altered into a foreign language, the voice actor shall be eligible for residuals based on the distribution of the foreign language version.
    • Language clarifying that when prompting a generative artificial intelligence system with a performer name or names, consent of those performers is required. The contract has removed the requirement, which exists in live action, that a “major facial feature” be included in the prompt with no substitute for that criterion.
    • The establishment of regular, mandatory artificial intelligence meetings with producers, which will include discussion of methods and systems to track the use of digital replicas.

(9) SHRINKING OF MOUNT TSUNDOKU. The Times hears from a couple: “How we downsized with a 9,000-book collection”.

Downsizing is never easy, but when you own 9,000 books, it is a feat of literary proportions.

Married professors Dan Healey, 68, and Mark Cornwall, 67, swapped their four-bedroom detached 1930s house in Southampton for a smaller four-bedroom new-build in the Cotswolds….

…Once colleagues had taken what they wanted, Healey held a Pimm’s party at his college where he invited students to bring a bag and take any books they wanted. The students “lapped it up”, he says, and he shed 1,000 books in a day.

Lighter fiction went straight to charity shops but they struggled to find any that were willing to take foreign-language books. It took a visit to Cornwall’s sister in Brimscombe, Gloucestershire, for them to discover the Cotswold Canals Trust charity book and music shop.

“The book could be in Hebrew, Romanian or whatever, they’ll take it and pass it on to someone who will sell it,” Healey says. “They have a whole section for rare books as well. They love me apparently because of all the exotic books I now bring them.”

Some of the books were donated to their respective universities and the Wellcome Trust.

The collection is now roughly half the size it was. Healey thinks he has shifted 3,000 books while Cornwall’s estimate is about 1,500….

(10) MEMORY LANE.

[Written by Cat Eldridge.]

May 23, 1980 — The Shining

Forty-five years ago today, the most perfect Stephen King film imaginable came out in the form of The Shining. Directed by Stanley Kubrick from a screenplay by him and Diane Johnson, it was also produced by him. 

It had an absolutely wonderful lead cast of Jack Nicholson, Shelley Duvall. Danny Torrance, Scatman Crothers and Danny Lloyd. Jack Nicholson in particular was amazing in his role as was Shelley Duvall in hers. And the setting of the Overlook Hotel is a character in and itself — moody, dangerous and quite alive. 

Kubrick’s script is significantly different from the novel which is not unusual to filmmaking. However Stephen King was extremely unhappy with the film due to Kubrick’s changes from his novel. 

If you saw it upon the first release, you saw a print that was a half hour longer than later prints. Yes, Kurbrick released multiple prints, all different from each other. Some prints made minor changes, some made major changes. 

It cost twenty million to make and made around fifty million. Now according to some sources it cost much more than forty million, but this being studio accounting, that will never be known. What is known is that it lost the studio money. 

So how was it received by the critics? Well it got a mixed reception. 

Gene Siskel in his Chicago Tribune review stated he thought it was a “crashing disappointment. The biggest surprise is that it contains virtually no thrills. Given Kubrick’s world-class reputation, one’s immediate reaction is that maybe he was after something other than thrills in the film. If so, it’s hard to figure out what.” 

Peter Bradshaw of The Guardian was much more positive: “The Shining doesn’t look like a genre film. It looks like a Kubrick film, bearing the same relationship to horror as Eyes Wide Shut does to eroticism. The elevator-of-blood sequence, which seems to ‘happen’ only in premonitions, visions and dreams, was a logistical marvel. Deeply scary and strange.”

Let’s give Roger Ebert the last word: “Stanley Kubrick’s cold and frightening ‘The Shining’ challenges us to decide: Who is the reliable observer? Whose idea of events can we trust?” 

Audience reviewers at Rotten Tomatoes currently give it an excellent ninety-three rating. 

(11) COMICS SECTION.

(12) INTER NEPTUNEM ET PLUTO MINI-PLANETAM INTERPOSUI. Daily Kos thinks “Discovery of New Trans-Neptunian Dwarf Planet May Rewrite History of our Solar System”.

Just ran across this new astronomical discovery on physics.org that may have major implications for our understanding of how our solar system actually works, and just what might be lurking in the outermost recesses beyond Neptune’s orbit:

“A small team led by Sihao Cheng, Martin A. and Helen Chooljian Member in the Institute for Advanced Study’s School of Natural Sciences, has discovered an extraordinary trans-Neptunian object (TNO), named 2017 OF201, at the edge of our solar system.”

Not quite sure what the ‘OF’ stands for, but it definitely brings up “Seven of Nine” vibes from Star Trek Voyager.

“The TNO is potentially large enough to qualify as a dwarf planet, the same category as the much more well-known Pluto. The new object is one of the most distant visible objects in our solar system and, significantly, suggests that the empty section of space thought to exist beyond Neptune in the Kuiper Belt is not, in fact, empty at all.”

By ‘empty’ I think they simply mean devoid of objects larger than comets whose icy cores are typically no more than 20-30 km in diameter.

(13) THE LATE SHOW. Paul Giamatti is in the new season of Black Mirror, streaming now on Netflix. He also blabbed to Stephen Colbert that he plays a half-alien character in the forthcoming Star Trek: Starfleet Academy.  About five minutes in, Giamatti and Colbert even discuss collectible pulp sf magazines – (and where Daniel Dern warns that the closed captioning isn’t always accurate, e.g. “James Flish” …) “’Hey, It’s Me’ – Why Cher Finally Called Paul Giamatti, Thanks To Stephen Colbert”.

[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Daniel Dern, Mark Roth-Whitworth, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Jon Meltzer.]

Pixel Scroll 10/31/24 The Scrollden Girls

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(1) WHERE HALLOWEEN COSTUMERS GET BUSTED. I never thought of Halloween being celebrated in China. And if Shanghai cops have their way, it won’t be this year: “China’s Latest Security Target: Halloween Partygoers” in the New York Times (behind a paywall). “Last year, the Shanghai government said Halloween celebrations were a sign of ‘cultural tolerance.’ This year, the police rounded up people in costume.”

The police escorted the Buddha down the street, one officer steering him with both hands. They hurried a giant poop emoji out of a cheering dance circle in a public park. They also pounced on Donald J. Trump with a bandaged ear, and pushed a Kim Kardashian look-alike, in a tight black dress and pearls, into a police van, while she turned and waved to a crowd of onlookers.

The authorities in Shanghai were on high alert this past weekend, against a pressing threat: Halloween.

Officials there clamped down on Halloween celebrations this year, after many young people turned last year’s festivities into a rare public outlet for political or social criticism. People had poured into the streets dressed up as Covid testing workers, to mock the three years of lockdowns they had just endured; they plastered themselves in job advertisements, amid a weak employment market; they cross-dressed, seizing the opportunity to express L.G.B.T.Q. identities without being stigmatized.

At the time, many on Chinese social media celebrated the revelries as a joyous form of collective therapy. The Shanghai government even issued a news release saying the celebrations were proof of the city’s “cultural tolerance” and the “wisdom of its urban managers.”

“There is an absence of festivals in China solely dedicated to the simple pleasures of having fun,” it said. “Halloween has filled the void.”

But the authorities have grown increasingly restrictive toward personal expression in recent years, including seemingly apolitical expression. They are also wary of impromptu crowds, especially after the anti-lockdown protests in 2022. And so, for all their praise last year, this year they seemed determined to prevent a repeat.

Around Julu Road, a popular area where most people had congregated last year, guardrails had been erected, blocking off the sidewalks. Flanks of police lined the street and subway entrances. When they saw someone in costume, according to videos and photos on social media verified by The New York Times, they hustled them out of view.

(2) BAD NEWS ON THE DOORSTEP. “Extra Extra!The End Times, Onscreen” — the New York Times shares numerous video clips from horror films that use front page news mockups to set the stage. Link bypasses the NYT paywall.

Alien invasions, viruses, zombies, meteors, natural or human-caused catastrophes. When the end is nigh in apocalyptic, dystopian, disaster or horror films and television shows, there is often a distinct moment that offers audiences a glimpse of what was known in those last days before civilization was forever changed: the front pages of newspapers.

Sometimes the camera lingers on the page, allowing us to read headlines that telegraph the scramble to make sense of unprecedented events. Other times, blink and you’ll miss it.

In some instances, these front pages are the last ones printed in the before-times; in others, humanity endures in the end, though it is certainly transformed.

… In John Krasinski’s alien horror film “A Quiet Place,” which begins a few months after extraterrestrial creatures that hunt by sound have killed most people on Earth, a family is silently scavenging for medication in what once was a pharmacy. As they tiptoe out, a broken newspaper rack reveals the last New York Post headline: “It’s Sound!”…

(3) CULTURAL BOYCOTT OPPOSITION. Reported here the other day was an open letter in which “Authors Call for a Boycott of Israeli Cultural Institutions” (New York Times; paywalled).

A second group, under the umbrella of the Creative Community for Peace, have signed a statement opposing cultural boycotts: “1000+ Authors, Writers, Journalists, Publishers, and Entertainment Leaders Stand United Against Cultural Boycotts”.

… On Wednesday, the group released a statement condemning the boycott as an attempt “to persecute, exclude, boycott and intimidate.” Their letter was signed by more than 1,000 authors and members of the entertainment industry.

“We believe that writers, authors, and books — along with the festivals that showcase them — bring people together, transcend boundaries, broaden awareness, open dialogue, and can affect positive change,” the letter states. “Regardless of one’s views on the current conflict, boycotts of creatives and creative institutions simply create more divisiveness and foment further hatred.”

Authors who signed the statement include Lee Child, Howard Jacobson, Lionel Shriver, Simon Schama, Adam Gopnik, Herta Müller, David Mamet and Ayaan Hirsi Ali.

Although a number of famous thriller and mystery authors are here, the only well-known sff names that jumped out at me when I scanned the signers of this open letter were Guy Kay (apparently Guy Gavriel Kay), and perhaps actress Mayim Bialik of Big Bang Theory.

(4) FUTURE TENSE. October 2024’s new story from Future Tense Fiction is “Patrons,” by Cassidy McFadzean, about alien visitors, economies of art and creativity, and the inscrutable politics of taste.

When the Patrons first appeared, we were not thinking about our jollies, or wealth and material benefits, or technological advancements they might share with our kind, so awed we were by their presence. Those first weeks felt like a dream, like the doctored images of aliens in the Weekly World News my mother used to leaf through at the kitchen table. Gradually, videos spread online, and not just footage from grainy dash cams. Drone footage captured the Patrons in HD, putting all conspiracy theories to rest. They were real, as beautiful as they were terrifying. And as much as you hoped the Patrons would select you, the lucky ones were always taken off guard, not thinking of recording the astonishing event on their phones….

There’s also a response essay by human geography scholar Oli Mould. “What Would It Look Like to Truly Support Creative Work?”

Artists have never had it so good, right? Access to technology is abundant (even a humble smartphone can shoot award-winning photos and films), we’re able to digitally peruse the entire human zeitgeist for inspiration, and there are a multitude of platforms for showcasing creative products. Gone are the days when artists had to rely on the whims of wealthy aristocrats to fund their creations. In the twenty-first century, breaking free from the drudgery of a 9-to-5 job to pursue the dream of becoming a self-made artist seems, on the surface, more attainable than ever.  

But the story isn’t so simple….

(5) BIGGER THAN A BAZILLION. Gizmodo reports “Russian Court Wants Google to Cough Up $20,000,000,000,000,000,000,000,000,000,000,000”.

A Russian court has ordered Google to fork over a calculator-breaking sum of money to more than a dozen TV channels whose programming the tech company blocked from appearing on YouTube.

The fine has been accruing since 2020, when Russian outlets Tsargrad TV and RIA FAN sued Google for blocking their content, according to Novaya Gazeta. Since then, the penalty has continued to grow as 15 other channels, including Kremlin-backed networks, won court cases against Google. “As of Tuesday, the fine totaled 2 undecillion rubles (that’s 2 followed by 36 zeros), which is equivalent to about $20 decillion (2 followed by 34 zeros) U.S. dollars….

(6) FAREWELL SCOTT CONNORS. Independent scholar Scott Connors has passed away Jason V. Brock reported on Facebook. He specialized in the life and work of Clark Ashton Smith, H. P. Lovecraft, Robert E. Howard, and other writers of weird fiction. Connors was twice nominated for the International Horror Guild Award, and he received the Founders Award at the 2015 H.P. Lovecraft Film Festival.

His publications included In the Realm of Mystery and Wonder, a collection of Clark Ashton Smith’s artwork and prose poems, and a five-volume edition of Smith’s Collected Fantasies.  His work has been published in Skelos, Lovecraft Annual, Weird Tales, Weird Fiction Review, All Hallows, Studies in Weird Fiction, Publishers Weekly, The Explicator, and academic books published by Rowman and Littlefield and Greenwood Press.

(7) LARRY S. TODD (1948-2024). Underground comix artist and sf creator Larry Todd, 76, died September 28 at 4:20 a.m. According to The Comics Journal —

…The significance of the time of day would not be lost on his fans. Todd was perhaps best know for his character Dr. Atomic, a mad scientist who enthusiastically championed the consumption of marijuana. The series appeared in small press newspapers before Last Gasp began publishing it as a comic book in 1972. Dr. Atomic combined slapstick humor and fantastical scientific creations in stories that often involved the smoking of marijuana. Though not as well known as Gilbert Shelton’s Fabulous Freak Brothers, Dr. Atomic was immensely popular among many fans in the counterculture during the early 1970s….

Todd broke into sf magazines while still a teenager.

… He began submitting stories and drawings to science fiction publications while he was in high school, with early work appearing in Galaxy Magazine.

“While in my junior year in high school I sold a story to Galaxy,” he told Rosenkranz in 1972. “I had their illustrator do the illustration simply because I wanted to see what he could do. I was appalled. In my senior year, I sold another story, either to Galaxy or If. That one I chose to illustrate myself….

He also created prozine covers, as well as the cover for something called Harlan Ellison’s Chocolate Alphabet.

(8) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

Born October 31, 1959 — Neal Stephenson, 65.

By Paul Weimer: One of the true giants of our field today, and that’s not just because he writes doorstoppers that can be used as weapons. Neal Stephenson’s works have, ever since I picked up The Diamond Age (I would go back and read Snow Crash later) and saw his power as a cyberpunk writer who, in the middle of this novel, explained the fundamental basis for computer systems almost as a lengthy aside. Stephenson’s rich detail and backgrounding of stuff helped me get through the truly large historical Baroque novels which were often quite funny. 

I’ve learned that trying to listen to Stephenson in audio is a commitment I just can’t make, unless I intend a multiweek road trip to plow through one. He remains a physical copy (for defense against zombies) and ebook only author for me. His Seveneyes, for example, my current favorite oif his works, is 31 hours in audio.  I do have a copy…for perhaps when I am trapped and cannot read and need something to distract me.  The sheer scale and breath of Seveneves is perhaps his biggest in terms of time frame in the novel, and is thus for me, the definitive Stephenson experience. One day I will reread it…but that day is not going to be today…nor will it be in just a day. 

I haven’t yet picked up his new historical series starting with Polostan, but I must indeed find time with it. Given his painstaking detail in the Baroque cycle and elsewhere, I have high hopes for his take on the years running up to the first atomic blast.

Neal Stephenson

(9) COMICS SECTION.

(10) KEEPING TRACK OF HARRY POTTER. “Glenfinnan Viaduct: Repairing Scotland’s ‘Harry Potter’ bridge”. The BBC News video can be viewed at the link.

The Glenfinnan Viaduct is one of the best known landmarks in Scotland but at 123 years old, it’s in need of restoration work.

Rope access teams have been working day and night in recent months to strengthen the bridge’s concrete arches and trackside areas.

Made famous by the Harry Potter film series, hundreds of visitors gather at the viaduct each day to watch the “Hogwarts Express” train cross its 21 arches.

(11) A ROCKY PINNACLE. A Rocky Horror costumer tells Gothamist fan activity levels are “’Unprecedented’ — NYC ‘Rocky Horror Picture Show’ screenings are on the rise”.

They wanna go, oh-oh-oh-oh, to this late-night, single-feature picture show — which, on the eve of its 50th anniversary, is more popular than ever.

“The Rocky Horror Picture Show” has long been beloved as an off-the-wall musical, but in recent years its popularity has freshly reached a fever pitch.

This October alone, New York had well over 40 showings of the cult classic — a remarkable amount, according to Aaron Tidwell, who maintains a comprehensive spreadsheet of local screenings.

“I have never seen this many groups actively performing in New York,” said Tidwell, who has been with New York City’s longest running “Rocky Horror” shadowcast (a troupe of costumed actors who perform alongside the film) since 2005…

… As for the reason behind its current resurgence, Tidwell chalks it up to a few factors: Functionally, pandemic closures opened up “more spaces for ‘Rocky’ groups to get into” beyond just theaters. His spreadsheet of this month’s shows includes events at bars, burger joints and nightclubs. He posits the pandemic created a newfound drive for interactive experiences.

“I think that the 50th anniversary coming up is just massive,” he added. “So, kind of a perfect storm this year. We’ll see the peak of it next year.”…

(12) MARKS AND ANGLES. NPR reports on “’Witches marks’ and curses found at historic Gainsborough manor” in the UK.

A set of markings known as “witches marks” have been discovered carved into the walls of a historic medieval manor in England.

The “witches” or apotropaic marks — believed to protect against witches or evil spirits — and other ritual carvings were found at Gainsborough Old Hall in Lincolnshire in eastern England. They were discovered during two years of research by Rick Berry, a volunteer for English Heritage, the organization that oversees Gainsborough, along with more than 400 other historic sites, monuments and buildings.

Berry found and catalogued roughly 20 carvings in “a wide range of designs,” mainly in the servants’ wing, at the property, which dates back to the late 15th century, English Heritage said in a press release Tuesday.

They include a pentangle meant to ward off evil; overlapping V’s — also called Marian marks — which some believe to be a call to Virgin Mary for protection; and hexafoil designs believed to trap demons, the organization said.

Notably, rare “curse” inscriptions were found, which English Heritage said it had not previously seen at any of its sites. One such inscription was of the name of one of the property owners, businessman William Hickman, written upside down. Defacing a person’s name was thought to curse that person, according to English Heritage.

There were also 100 burn marks, which the organization said was to protect against fire.

Kevin Booth, head of collections at English Heritage, said the reason for the many markings at the site is unclear….

(13) PITCH MEETING. Ryan George takes us inside “The Shining Pitch Meeting”.

[Thanks to Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Jayn.]

Pixel Scroll 3/3/21 The Pixels Are Due On Scroll Street

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(1) TERRY AND THE WIZARD. [Item by rcade.] Twitter user Edgar Allen Doe shares the tale of the day he went to Copperfield’s Books in Petaluma, California, and met the fantasy author Terry Prachett, who met a wizard. Thread starts here.

Doe writes, “I really cannot overstate the ‘full wizard regalia’ element of this person.”

Prepare to take a journey spanning six tweets that does not go the way you think it will, you jaded cynic.

One of the people who saw the tweets also witnessed the meeting, which based on a Petaluma Argus-Courier news search I did likely occurred on Oct. 15, 2006.

https://twitter.com/joqatana/status/1367148086716366852

(2) THE HORROR. James Davis Nicoll chronicles “Five Fascinating Twists on Cosmic Horror” at Tor.com.

…Now in its seventh edition, Call of Cthulhu is the second most popular roleplaying game on Roll20. It reportedly dominates the roleplaying market in Japan. That’s interesting, because unlike most RPGs, Call of Cthulhu (or CoC for short) is set in a universe where humans are not top dog, where there are vast, incomprehensible entities who refrain from snuffing us out mainly because they’ve never noticed us, where First Contact is often Last Contact. Characters in CoC generally spend the adventure or campaign coming to grips with how out of their depth they are—before going mad. If they are very lucky, they’re eaten first….

What more do you need to cheer yourself up?

(3) THE UNKNOWN PAST. “Doctor Who’s The Timeless Children – Morbius Doctors confirmed” – Radio Times knows this is a big deal and makes sure you don’t miss it.

Doctor Who’s series 12 finale The Timeless Children dropped a number of huge reveals – but one of these twists was actually first telegraphed by the show back in 1976.

The episode revealed that the Doctor is not a native Gallifreyan, but the latest incarnation of a mysterious being called the Timeless Child, from parts unknown.

The Child or ‘Foundling’ – the first being to ever regenerate – had many different incarnations, many of which were wiped from their mind by the Time Lords (specifically by a sect of Gallifreyans called The Division).

This means that there were in fact an unknown number of incarnations of the being we now know as the Doctor before the ‘first’ (as played by William Hartnell from 1963-66).

Huge reveal, right? But this twist is not without precedent – as RadioTimes.com previously predicted, The Timeless Children has links to the 1976 Doctor Who story The Brain of Morbius, starring Tom Baker as the Doctor.

And the article goes on to glean details of the 1976 episode.

(4) WHO, RAY? “Who Is R. A. Lafferty? And Is He the Best Sci-Fi Writer Ever?” WIRED reviewer Jason Kehe does all he can to provoke us into reading The Best of R. A. Lafferty, “which Tor published earlier this year to nonexistent fanfare.”

…OK, SO A select few actually have read Lafferty, a secret society of loonies whose names you probably do recognize. Neil Gaiman. Ursula Le Guin. Samuel Delany. Other sci-fi writers, in other words. R. A. Lafferty has always been, then, a sci-fi writer’s sci-fi writer—a blurry, far-out position to find oneself in. When comedians hang out, they famously have to commit acts of borderline criminality, usually involving nudity and great heights, to get each other to bust up. So just think what absurdities a sci-fi writer has to conjure forth to gobsmack his fellow sci-fi writers—sci-fi writers who actually are, by much wider consensus, some of the best in the world.

The descriptor they tend to resort to, as if by no other choice, is sui generis, dusty old Latin for “one of a kind.” It’s probably the most common phrase associated with Lafferty (incidentally a self-taught student of Latin), and it appears not once but twice in The Best of R. A. Lafferty, which Tor published earlier this year to nonexistent fanfare and which, in keeping with the man’s self-aggrandizing sense of humor, should’ve been called The Best (of the Best) of R. A. Lafferty. Each of the 22 short stories is introduced by a writer often far more famous than Lafferty, including Gaiman and Delany, and also John Scalzi, Jeff VanderMeer, Connie Willis, and Harlan Ellison (who’s dead; his piece was originally published in 1967). Ellison—whose fellow Ellison, Ralph, wrote Invisible Man—says this of Lafferty: “He is the invisible man.” Nice….

(5) CAVEAT EMPTOR. Mad Genius Club’s Sarah A. Hoyt, in “Time has come to talk of many things”, says a fashion style in sff book covers will rebound on publishers when readers find the books don’t deliver what’s on their jackets.

I want to talk about a new trend I’ve observed in covers, and how it applies to much of the greater world out there. I.e. how the new trend in covers is just a new way that traditional publishing has come up with to screw itself and the entire field of writing over.

… If you have been alive a long time, or even if you “just” read books for a long time, you’re probably aware that there are trends in covers, as there are in everything else. In covers, though, particularly in the era of mega-chain bookstores, that “look” not only tended/tends to be more uniform, but it changes completely….

And then…. I kept running into more of these covers from other houses. Covers that explicitly try to look like they’re at the latest in the 50s.

Look, as a marketing strategy it’s brilliant. And stupid as heck.

Why?

Well, because now people are getting used to looking at Amazon for books that they remember reading/used to read/etc. they will be drawn to covers that are what they remember when they fell in love with a genre.

The problem is this: for most of the mainstream publishing, the contents won’t match the cover.

And yes, I can see them totally preening and going “if we get the rubes to look at our much superior product, they’ll love it.”

Because, you know, in the industry, it’s never about publishing what people want to read. It’s about “educating” the public. Which has taken them from 100K plus printruns for midlist to 10k printruns for high list….

(6) DR. SEUSS’ WWII POLITICAL CARTOONS. At “Dr. Seuss Went to War”, UC San Diego hosts a searchable gallery of his editorial cartoons from before and during WWII. Having discussed just yesterday the criticisms levied against his imagery of nonwhites, it’s interesting to see that some of these 1940s cartoons go after America’s leading racists of the time such as Gerald L.K. Smith.

Because of the fame of his children’s books (and because we often misunderstand these books) and because his political cartoons have remained largely unknown, we do not think of Dr. Seuss as a political cartoonist. But for two years, 1941-1943, he was the chief editorial cartoonist for the New York newspaper PM (1940-1948), and for that journal he drew over 400 editorial cartoons.

The Dr. Seuss Collection in the Mandeville Special Collections Library at the University of California, San Diego, contains the original drawings and/or newspaper clippings of all of these cartoons. This website makes these cartoons available to all internet users. The cartoons have been scanned from the original newspaper clippings in the UCSD collection.

Dr. Seuss Goes to War by historian Richard H. Minear (The New Press, 1999) reproduced some two hundred of the PM cartoons. That means that two hundred of the cartoons available here have received no airing or study since their original appearance in PM. The cartoons Dr. Seuss published in other journals are even less known; there is no mention of them in Dr. Seuss Goes to War. Dr. Seuss also drew a set of war bonds “cartoons” which appeared in many newspapers as well as in PM. 

(7) MEDIA BIRTHDAYS.

[Double feature!]

  • March 3, 1965 — On this day in 1965, The Human Duplicators premiered. It was produced and directed by Hugo Grimaldi and Arthur C. Pierce (without a credit for the latter as director). The film stars George Nader, Barbara Nichols, George Macready and Dolores Faith. It was the color feature on a double bill with the black-and-white Mutiny in Outer Space. It wasn’t well received by critics, and Mystery Science Theater 3000 gave it their usual treatment. It currently holds a zero percent audience rating at Rotten Tomatoes. You can see it here. (CE)
  • March 3, 1965 — On this day in 1965, Mutiny in Space premiered. It was, produced, directed and written by Hugo Grimaldi and Arthur C. Pierce (although the latter was not credited as directing). It starred William Leslie, Dolores Faith, Pamela Curran and Richard Garland. The word “meh” would best sum up the reaction critics at the time had to this film. It has no rating at Rotten Tomatoes so you’ll need to watch it here and see what you think of it. (CE)

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born March 3, 1863 — Arthur Machen. His novella “The Great God Pan” published in 1890 has garnered a reputation as a classic of horror, with Stephen King describing it as “Maybe the best horror story in the English language.” His The Three Impostors; or, The Transmutations 1895 novel is considered a precursor to Lovecraft and was reprinted in paperback by Ballantine Books in the Seventies. (Died 1947.) (CE) 
  • Born March 3, 1920 — James Doohan. Montgomery “Scotty” Scott on Trek of course. His first genre appearance was in Outer Limits as Police Lt. Branch followed by being a SDI Agent at Gas Station in The Satan Bug film before getting the Trek gig. He filmed a Man from U.N.C.L.E.film, One of Our Spies Is Missing, in which he played Phillip Bainbridge.  Doohan did nothing that I can find of a genre nature post-Trek. ISFDB notes that he did three Scotty novels co-written with S.M. Stirling. (Died 2005.) (CE) 
  • Born March 3, 1923 – Erik Blegvad.  Illustrated more than a hundred children’s books; as ever, opinions will differ on which we can count.  Apprenticed in a machine shop, left it when the Nazis took Denmark, imprisoned for distributing Danish Resistance literature, eventually translated for the British.  Self-Portrait 1979.  Three of Sharp’s Miss Bianca books (Miss B is a mouse); Bed-Knob and Broomstick – his cover, one of his interiors; his own translation of Hans Andersen. Washington Post appreciation here. (Died 2014) [JH]
  • Born March 3, 1924 — Catherine Downs. She’s in four Fifties grade B SF films: The Phantom from 10,000 Leagues, The She Creature, The Amazing Colossal Man and Missile to the Moon. All but the first film werewas the subject of a MST3K show. (Died 1976.) (CE) 
  • Born March 3, 1928 – Paul Callé.  (“KAL-lee”.)  Known for NASA work, see this book; here is an Apollo XI drawing; see more of his Space art here.  It is of course open to the rejoinder Not fiction.  Here is The Legion of Space.  Here is The Star Seekers.  Here is an interior from the Jul 50 Super Science Stories.  He did much with the American West (i.e. U.S. and Canada); see how each person is portrayed here.  His pencil book here.  (Died 2010) [JH]
  • Born March 3, 1936 — Donald E. Morse, 85. Author of the single best book done on Holdstock, The Mythic Fantasy of Robert Holdstock: Critical Essays on the Fiction which he co-wrote according to ISFDB with Kalman Matolcsy. I see he also did two books on Kurt Vonnegut and the Anatomy of Science Fiction on the intersection between SF and society at large which sounds fascinating. (CE) 
  • Born March 3, 1938 – Patricia MacLachlan, age 83.  A novel and four shorter stories for us; thirty other books, one winning a Newbery Medal, one about Matisse; still writing, most recently published last June.  [JH]
  • Born March 3, 1945 — George Miller, 76. Best known for his Mad Max franchise, The Road Warrior,  Mad Max 2, Mad Max Beyond Thunderdome andFury Road.  He also directed The Nightmare at 20,000 Feet segment of the Twilight Zone film, The Witches of Eastwick, Babe and 40,000 Years of Dreaming. (CE) 
  • Born March 3, 1955 – Greg Feeley, age 66.  Two novels, thirty shorter stories for us.  I keep heaing he’s turned in Hamlet the Magician, but not when we may expect it.  Here is a note on Robinson, Le Guin, Clute, Egan.  Here is a note on Thurber’s “Catbird Seat”.  Here is “Why I Love Laurence Sterne Scholarship”.  Four dozen reviews in Foundation, SF Age, and like that.  Interviewed Waldrop for Interzone.  Himself interviewed in Lightspeed.  [JH]
  • Born March 3, 1970 – John Carter Cash, age 51.  Indeed the son of that Cash and that Carter.  While mostly in music outside our field, he’s given us one book.  Website.  [JH]
  • Born March 3, 1982 — Jessica Biel, 49. A number of interesting genre films including The Texas Chainsaw Massacre, Blade: Trinity, Stealth, The Illusionist, the remake of Total Recall which I confess I’ve not seen, and theanimatedSpark: A Space Tail. (CE) 
  • Born March 3, 1981 – Kiersten Fay, age 40.  Ten novels, one shorter story, of paranormal romance with demons and vampires.  She’s a USA Today best-selling author.  [JH]

(9) SINCE YOU ASKED. On Drew Barrymore’s show “Stephen King Confesses He Didn’t Like The Shining Movie”. He gives his opinion at about the 1-minute mark.

(10) A CLOSE SHAVE. Amazon’s new icon got an immediate re-iteration because the old “new” made people think of Hitler’s toothbrush mustache. CNN has the story — “Amazon quietly changed its app icon after some unfavorable comparisons”.

… “We designed the new icon to spark anticipation, excitement, and joy when customers start their shopping journey on their phone, just as they do when they see our boxes on their door step,” an Amazon spokesperson said. The app icon was tweaked based on user feedback.

Only iOS users in the United Kingdom, Spain, Italy and Netherlands saw the Hitler-esque logo over the past few weeks. The updated logo rolled out worldwide for iOS users last week. Android users will see the new logo beginning this week.

(11) NAVIGATING LONELINESS. [Item by Michael Toman.] Best Wishes From a Guy Lashed to the Mast of Loneliness, Listening for So Far Silent Sirens — “Kristen Radtke Writes, and Draws, Our Loneliness” at Publishers Weekly.

When Kristen Radtke started writing about loneliness in 2016, she had no idea of what was to come. Writers are famously prescient, but who could have imagined the global pandemic of Covid-19 and the isolation it would generate? Seek You: A Journey Through American Loneliness (Pantheon, July), Radtke’s latest graphic nonfiction book, is a marvelous deep dive into that universal emotion, blending science, memoir, journalism, research, philosophy, and pop culture to explore isolation and our desire to be close to one another….

(12) HOPING TO PREDICT SOLAR WEATHER. “Origin of the Sun’s solar storms discovered in scientific breakthrough” reports Yahoo!

…In 1859, a large solar storm called the Carrington Event caused widespread issues with telegraph systems across Europe and the United States.

A repeat storm of such magnitude today could be far more devastating.

But now researchers at University College London (UCL) and George Mason University in the US believe they have located where on the Sun these particles come from, in a bid to better predict when they might strike again.

Their findings, published in Science Advances journal, indicate that the particles have the same “fingerprint” as plasma located low in the Sun’s corona, close to the middle region of the it’s atmosphere.

“In our study we have observed for the first time exactly where solar energetic particles come from on the Sun,” said co-author Dr Stephanie Yardley, from UCL….

(13) VIDEO OF THE DAY. In “Kill Your Idioms” on Vimeo, Grant Kolton takes aim at well-worn cliches.

[Thanks to Mike Kennedy, Andrew Porter, Martin Morse Wooster, Michael J. Walsh, John King Tarpinian, JJ, Dave Doering, John Hertz, Cat Eldridge, and Michael Toman for some of these stories. Title credit goes to File 770 contributing editor of the day Paul Weimer.]

2018 Additions to National Film Registry

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  • Walt Disney introduces each of the Seven Dwarfs in a scene from the original 1937 Snow White and the Seven Dwarfs theatrical trailer.

Three films of genre interest — Snow White, The Shining, and Jurassic Park — are among the 25 works added this year: “Library of Congress National Film Registry Turns 30”.

Librarian of Congress Carla Hayden announced today the annual selection of 25 of America’s most influential motion pictures to be inducted into the National Film Registry of the Library of Congress because of their cultural, historic and aesthetic importance to the nation’s film heritage.

…Among this year’s selections are Alfred Hitchcock’s 1940 thriller “Rebecca”; film noir classics “Leave Her to Heaven” (1945) and “The Lady From Shanghai” (1947), which was directed by Orson Welles; Disney’s 1950 animation “Cinderella”; “Days of Wine and Roses,” Blake Edwards’ uncompromising commentary about alcoholism (1962); James L. Brooks’ 1987 treatise on the tumultuous world of television news, “Broadcast News” and Steven Spielberg’s groundbreaking 1993 tale about the rebirth of dinosaurs, “Jurassic Park.”

Two contemporary Western dramas headline this year’s list: the 1961 “One-Eyed Jacks,” Marlon Brando’s only directorial endeavor, and Ang Lee’s critically acclaimed “Brokeback Mountain.” Released in 2005,“Brokeback Mountain” also has the distinction of becoming the newest film on the registry while the 1891 “Newark Athlete” is the oldest.

The Librarian makes the annual registry selections after conferring with the distinguished members of the National Film Preservation Board (NFPB) and a cadre of Library specialists. Also considered were more than 6,300 titles nominated by the public.  Nominations for next year will be accepted through the fall at loc.gov/programs/national-film-preservation-board/film-registry/nominate/.

The citations for the three genre films are quoted below. The complete list is available here.

  • Cinderella (1950)

It would take the enchanted magic of Walt Disney andhis extraordinary team to revitalize a story as old as Cinderella. Yet, in1950, Disney and his animators did just that with this version of the classic tale. Sparkling songs, high-production value and bright voice performances have made this film a classic from its premiere. Though often told and repeated across all types of media, Disney’s lovely take has become the definitive version of this classic story about a girl, a prince and a single glass slipper. Breathtaking animation fills every scene, including what was reportedly Walt Disney’s favorite of all Disney animation sequences: the fairy godmother transforming Cinderella’s “rags” into an exquisite gown and glass slippers.

  • Jurassic Park (1993)

The concept of people somehow existing in the age of dinosaurs (or dinosaurs somehow existing in the age of people) has been explored in film and on television numerous times.  No treatment, however, has ever been done with more skill, flair or popcorn-chomping excitement than this 1993 blockbuster. Set on a remote island where a man’s toying with evolution has run amok, this Steven Spielberg classic ranks as the epitome of the summer blockbuster. “Jurassic Park” was the top public vote-getter this year.

  • The Shining (1980)

Director Stanley Kubrick’s take on Stephen King’s terrifying novel has only grown in esteem through the years. The film is inventive in visual style, symbolism and narrative as only a Kubrick film can be. Long but multi-layered, “The Shining” contains stunning visuals — rivers of blood cascading down deserted hotel hallways, disturbing snowy mazes and a mysterious set of appearing and disappearing twins — with iconic performances by Jack Nicholson and Shelley Duvall.