2024 Theakston Old Peculier Crime Novel of the Year

The 2024 Theakston Old Peculier Crime Novel of the Year is In The Blink of an Eye by Jo Callaghan.

The prize was created to celebrate “excellence, originality, and the very best in crime fiction from UK and Irish authors” whose novels were published in paperback during the eligibility period. The winner receives £3,000 and a handmade, engraved beer barrel provided by Theakstons Brewery.

Other awards announced at the Theakston Old Peculier Crime Writing Festival were:

MCDERMID DEBUT AWARD

  • Marie Tierney, for Deadly Animals

THEAKSTON OLD PECULIER OUTSTANDING CONTRIBUTION

  • Martina Cole

Theakston Old Peculier Crime Novel 2024 Shortlist

Harrogate International Festivals has announced the shortlist for the Theakston Old Peculier Crime Novel of the Year 2024 and the shortlist for the Inaugural McDermid Debut Award.

The Theakston Old Peculiar Crime Novel prize was created to celebrate “excellence, originality, and the very best in crime fiction from UK and Irish authors” whose novels were published in paperback during the eligibility period. The winner receives £3,000 and a handmade, engraved beer barrel provided by Theakston Old Peculier. 

The McDermid Debut Award showcases six new voices writing across a broad range of subgenres from thrillers to cosy crime, locked room mysteries and historical crime.

THEAKSTON OLD PECULIER CRIME NOVEL OF THE YEAR

  • The Last Dance by Mark Billingham (Sphere; Little, Brown Book Group)
  • In the Blink of an Eye by Jo Callaghan (Simon & Schuster UK)
  • The Secret Hours by Mick Herron (Baskerville; John Murray Press)
  • Killing Jericho by William Hussey (Zaffre, Bonnier Books UK)
  • None of This is True by Lisa Jewell (Century; Cornerstone)
  • Strange Sally Diamond by Liz Nugent (Sandycove; Penguin Ireland)

The public are now invited to vote for the winner here; voting for that closes July 11. The prize winner will be revealed July 18.

MCDERMID DEBUT AWARD

  • Crow Moon by Suzy Aspley (Orenda Books)
  • Dark Island by Daniel Aubrey (Harper Collins) 
  • Knife Skills for Beginners by Orlando Murrin(Bantam, Transworld) 
  • Mrs Sidhu’s Dead and Scone by Suk Pannu (Harper Collins) 
  • The Library Thief by Kuchenga Shenjé (Sphere, Little Brown) 
  • Deadly Animals by Marie Tierney (Bonnier Books) 

The  winner will be determined by a judging panel of industry experts, including literary, broadcasting and media figures. All shortlisted authors will receive a full weekend pass to the Festival and the winner, announced on the opening night of the Festival, will receive a £500 cash prize.

[Based on a press release.]

Pixel Scroll 5/3/24 Shhhh, I’m Hunting Pixels

(1) MICHELE LUNDGREN RUNNING FOR MICHIGAN LEGISLATURE. Detroit resident Michele Lundgren, wife of Carl Lundgren, co-founder of the Association of Science Fiction and Fantasy Artists (ASFA) and creator of hundreds of sff book covers, was charged last July as a Michigan fake Trump elector. The case has been slowly progressing, with the preliminary exam for Lundgren and other defendants expected to resume May 28. But in the meantime, Lundgren has declared her candidacy for the state legislature: “Michigan ‘fake elector’ takes on top Democrat in bid for state House” reports Bridge Michigan.

Michele Lundgren knows she’s a long shot candidate for the Michigan House of Representatives. 

She’s a Republican living in the Democratic stronghold of Detroit, and a political newcomer with little name recognition. She’s also challenging one of the most powerful Democrats in the state — and fighting felony charges for allegedly trying to help overturn Donald Trump’s 2020 election loss.

But the 74-year-old Cass Corridor resident says she’s serious about taking on House Speaker Joe Tate, D-Detroit, telling Bridge Michigan she feels strongly about representing the party she believes in.

“I’m a novice, and I don’t have any real background in political science or politics,” she said. “But when somebody steps up and says, ‘We’ve got no one else,’ I make an effort to try to learn as much as I can and represent our party and our district as best as possible.”

Lundgren is unopposed in the Republican primary in Michigan’s 9th state House District, meaning she’s a lock for the general election. That’ll likely be against Tate, a U.S. Marine Corps veteran and former professional football player who helped deliver Democratic majority control in Lansing….

… “That someone who is…one of the fake electors that have been charged with felonies is running against our leader, our speaker of the state House — the idea of it is almost hard to fathom,” Michigan Democratic Party Chair Lavora Barnes told Bridge. “It’s a little shocking to me.”…

…A preliminary exam for Lundgren and other defendants is expected to resume May 28. If the judge sends the case to trial, it’s unlikely it will be resolved by the Nov. 5 general election. 

Lundgren and other co-defendants maintain that they did nothing wrong. Calling the ongoing case a “nightmare,” Lundgren said she believed she was putting her name to a sign-in sheet for a meeting and was unaware it would be passed off as an elector document….

This will be Lundgren’s second campaign for the 9th district seat. She was defeated in 2022 by a Democrat who received 91% of the vote.

(2) WHO’S WHO. Just in case there isn’t enough controversy in the Guardian, they commissioned Martin Belam to give us “The greatest Doctor Who – ranked!” Fortunately, he was 100% right about who deserves to head up this list. (I will now beat a quick retreat to my bomb shelter…)

1. David Tennant
Tenth and Fourteenth Doctors, 2005-10, 2022-3

His second bite of the cherry just about elevates David Tennant above Tom Baker. Tennant agreed to step into the role after Eccleston’s abrupt departure, not knowing how successful the 2005 revival would be, then discovered he’d inherited a monster. His time in the role is littered with stories that put the character most through the emotional wringer (Midnight/Human Nature/The Waters of Mars) and some of the most comedy gif-able moments, which made him the perfect Doctor for the social media age. By 2009, Tennant’s Doctor Who was the BBC One Christmas ident and the show had ubiquitous cultural capital again.

Whether by accident or design, his brief return with Catherine Tate in 2023 delivered three enjoyable specials and worked as a convenient way to soft reboot the show for the Disney+ era. Over to you, Ncuti …
Best story: Blink. Iconic performance: Midnight

(3) PLENTY MORE WHERE THEY CAME FROM. That ranked list of Doctor Who’s might need to leave room: “48 Years Later, The Oldest Sci-Fi Show Could Finally Explain Its Weirdest Mystery” says Inverse.

…In 2020, then-showrunner Chris Chibnall decided the answer was — both. The Time Lords established a rule of 12 regenerations, but the Doctor had lived countless lives before having their memory wiped of said lives. Retroactively, the faces glimpsed in “The Brain of Morbius” accounted for some of those past lives, and, most prominently, Jo Martin’s dangerous Fugitive Doctor was among those lost Doctors, too. But who were those other secret Doctor Whos? It seems possible that the new version of the show might finally give us an answer.

According to a new quote from current Who showrunner, Russell T Davies, the story of “The Timeless Children,” established during the Jodie Whittaker era, will continue in Season 2 of the newly relaunched series. “That storyline’s a gift handed to me by Chris Chibnall, and it’s an honour to take it on from him,” Davies told Doctor Who Magazine. “There’s so much story in it! We’re dealing with it in what we’re shooting now for Season 2.”

It’s not super shocking that Davies is picking up the threads from the Chibnall era in the Ncuti Gatwa era. The three David Tennant/Catherine Tate specials already made it clear that the Doctor’s origin story of having been adopted is still very much on his mind, especially in the episode “Wild Blue Yonder.” But if Season 2 of the new era is doubling down on the Timeless Child, and the Doctor’s time working for the clandestine group called the Division, then it seems possible we’ll learn at least a little bit about the identity of some of those other Doctors….

(4) ORIGINS OF H.G. WELLS. The University of Calgary’s Nickle Galleries is exhibiting “H.G. Wells: A Scientific Romance” through July 19.

H.G. Wells: A Scientific Romance explores the inspired beginnings of Herbert George Wells (1866 – 1946), an early and major figure in what was to become science fiction. Trained in the sciences, Wells intended to be a teacher. Instead, poor health led him to pursue freelance journalism and write science-infused adventure stories known as “scientific romances.”

This exhibition traces Wells’ extraordinary early output, in the 1890s, of influential short stories and commercially successful novels that established him as a prescient and prolific writer, thinker, and cultural presence. Take a time machine back to fin de siècle London to see the future as Wells imagined it.

For those who can’t visit in person, there is a virtual tour available at Thinglink.

Also, some of the highlights are displayed in this series of videos.

(5) GOOGLE DOC GONE. WIRED can describe “What Happens When a Romance Writer Gets Locked Out of Google Docs”, however, no one has been able to find out why it happened to this writer. Chuck Tingle doesn’t know either, however, he is a source for this article.

… When she saw the word inappropriate in the notification, Renee worried her work had been dinged for its spice. “I thought I was the problem,” she says. “I thought I had somehow messed it up.”

But she hadn’t. At least, she hadn’t messed it up in any way she could hope to avoid in the future. Google never specified which of her 222,000 words was inappropriate. There were no highlighted sections, no indicators of what had rendered her documents unshareable. Had one of her readers flagged the content without discussing it with her first? Was it a malicious attack on the files? Had someone at Google decided her content was too spicy?…

While it’s still unclear what exactly happened to Renee’s docs, or if it’s just a fluke, the effects of mishaps like this are complex. Even though it’s now commonplace, there can still be unease around letting major corporations store personal writing. For authors who write about sex, say, or queer people trying to find a voice, hearing that your content could be flagged as “inappropriate” can have a chilling effect. The problem, says bestselling pseudonymous author Chuck Tingle, is that companies like Google now function like utilities. “It’s the same as water and electric,” he says.

Tingle would know: His “Tinglers,” erotica pieces he releases as Kindle Singles, led to his contract at Macmillan for the queer horror novels Camp Damascusand Bury Your Gays. Those early singles were written without the benefit of editors, often within a matter of hours. They’re sloppy. “They’re punk rock,” he says, but they also helped him build a community around the “underdog genres” of erotica, horror, and comedy that his work falls into. If Amazon decided to stop selling his Tinglers, it would be a big blow, even though he now has a book deal…

(6) NO POC ON THEAKSTON 2024 LONGLIST. “’It really isn’t good enough’: crime novel of the year award criticised for entirely white longlist” in the Guardian.

The Theakston Old Peculier crime novel of the year has faced criticism after its 2024 longlist did not feature a single book by an author of colour.

The UK and Ireland’s most prestigious prize for crime fiction is awarded to the best crime novel published each year in paperback. The winner is voted for jointly by the awards’ academy and the public, and is presented each year at the Theakston Old Peculier crime writing festival in Harrogate. The longlist is selected by the academy from all the titles submitted by publishers. This year’s longlist comprised 18 books, none of which is by an author of colour.

“It’s very pale …,” thriller writer Sarah Pinborough commented on Facebook after the list was announced last Thursday, sparking a debate among a number of authors.

“A big question is, how does the festival go from having a Black Woman as its Programme Chair in 2011 – me! – to where it is now?” commented crime writer Dreda Say Mitchell. “Who’s on the committee? How did they get chosen? What is the duration of time for someone to be on the committee? This should all be underpinned in clear and transparent policies and documentation … Because currently it really isn’t good enough.”…

(7) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born May 3, 1985 Becky Chambers, 39. Raise your hand if you like the female-centered fiction of Becky Chambers. I certainly do. Quite a bit in fact.  I say female-centered because apparently she garners more than a few complaints that there’s no strong male characters here. You know of the type Heinlein only wrote of. Like Hazel Stone. Sorry I couldn’t help myself. 

Becky Chambers, photo by Julie Branson

Shall we start with the Wayfarers series? The books in the series are The Long Way to a Small, Angry PlanetA Closed and Common OrbitRecord of a Spaceborn Few and The Galaxy, and the Ground Within. Each is most excellent and quite unique in its own manner. 

The first book was first self-published through a Kickstarter campaign before being picked up by Hodder & Stoughton. Harper and with the otherwise alien crew of Wayfarer are fascinating. It reminds me a bit of Rambo’s Disco Space Opera novels in its depiction of aliens.

A Closed and Common Orbit would be nominated for a Hugo at Worldcon 75. Sidra, a Lovelace AI installed in a body kit and Pepper, a tech expert originally from an Enhancement Colony who’s her companion are the main characters here. Oh, this is was quite a tale indeed. 

Like the preceding novel, Record of a Spaceborn Few was nominated for a Hugo, this time at Dublin 2019.  I’ll not spoil it here, but suffice it to say that it deals with something that gets ignored in mass exodus from Earth story lines. Of course the series itself garnered a Hugo this year. 

The final of the four novels is The Galaxy, and the Ground Within. Here we have the Five-Hop One-Stop, call it a bar if you will on a planet that serves on a rest, refuelling and supply depot for ships transiting through wormholes, where a group of strangers must cooperate to survive when something catastrophic happens. That these characters are wonderfully portrayed is what matters here. This is my second favorite novel in the fourth series after the first. 

Her final work I’ll note here, setting aside for the moment her short fiction, is her To Be Taught, if Fortunate story which follows four astronauts as they travel beyond the Solar System on a research mission to explore potential life in other systems. Enough plot details. Fascinating story tightly told which won at CoNZealand. 

She has written about a baker’s dozen pieces of short fiction thus far. One in The Vela shared universe serial that is space opera I think. There is, and I’ve not read it, “A Good Heretic”, a short story set here which to be found in the Infinite Stars: Dark Frontiers anthology. 

I think Apple should pick up the Monk & Robot series as both A Psalm for the Wild-Built and A Prayer for the Crown-Shy would adapt well to the video with the proper budget that Apple could give them. Well and that they’d give Chambers a full say in adapting them. Robots, monks, tea. Cool. 

(8) COMICS SECTION.

(9) EATING THE FANTASTIC. Scott Edelman invites listeners to devour a Georgian dinner with Dan Parent in Episode 224 of the Eating the Fantastic podcast.

Dan Parent

My guest this episode is Dan Parent, an artist and writer who’s worked for Archie Comics for 35 years. I was excited to talk with him for many reasons, a big one being how little I know about the inner working of that company, which I’ve only touched on briefly for you back during my lunch with Howard Bender in Episode 204.

Parent started at Archie immediately after graduating from the famed Joe Kubert School, another topic I was happy to explore. In 2010, he introduced the first openly gay character in Archie Comics when he created Kevin Keller in Veronica #202, which he wrote and drew. That character eventually got his own title with the publication of Kevin Keller #1 in 2012.

Parent’s been involved with several crossover titles which expanded the Archie universe, such as Archie vs. Sharknado in 2015, and the six-part crossover Archie Meets Batman ’66 in 2018. Parent’s creator-owned work includes Die Kitty Die, which he collaborated on with artist/writer Fernando Ruiz in 2016, and which I found to be a delightful spoof of the comics business and many of the characters I loved as a kid. In May 2013, Parent was presented with the GLAAD Media Award for Outstanding Comic Book….

(10) SF FROM A TO Z. [Item by Dann.] New/aspiring author Mike Burke posted something he wrote a while back.  It was a writing prompt/challenge.  He had to write a 26-word long story where the first letter of each word corresponded with each successive word of the alphabet: “A twenty-six word story challenge”. Read it at the link.

(11) EVERYONE’S A CRITIC. “An FAQ About Your New Birth Control: The Music of Rush” at McSweeney’s Internet Tendency.

…Imagine taking the most annoying parts of science fiction and Libertarianism, isolating them, and then somehow blending them up into a cursed musical slurry. Then, infuse that slurry with a distinctive incel vibe, and presto! You’ve got one of the most powerful contraception options on the market.…

(12) NOT SUCH A LONG TIME AGO. “How Engineers Created a Flying ‘Star Wars’ X-Wing” in Smithsonian Magazine.

Seeing a Star Wars X-wing starfighter won’t require a trip to a galaxy far, far away.

This year, just in time for May 4—Star Wars Day—the Smithsonian’s National Air and Space Museum has unveiled a drone outfitted with X-wing body shells that resembles the popular spacecraft from the films. The display resides at the museum’s Steven F. Udvar-Hazy Center in Chantilly, Virginia.

The large drone, a Boeing CV2 Cargo Air Vehicle (CAV), represents a milestone for remotely piloted aircraft in the United States, says Roger Connor, who curates the museum’s vertical flight collection. Weighing more than 1,000 pounds, the drone was the first remotely piloted electrical vertical takeoff and landing aircraft of its size approved by the Federal Aviation Administration for public demonstration, Connor says.

In December 2019, two drones fitted with add-ons to look like X-wings, including the one displayed at the museum, flew above a crowd of spectators for the opening of the Star Wars: Galaxy’s Edge attraction at Walt Disney World in Orlando, Florida. The aircraft, which has a wingspan of 20 feet 2 inches and is more than 24 feet long and 7 feet tall with the X-wing costume on, will be on loan indefinitely from Disney and Boeing….

[Thanks to Steven French, Teddy Harvia, Kathy Sullivan, Dennis Howard, Gary Farber, Bill, Dann, Daniel Dern, Lise Andreasen, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

2023 Theakston Old Peculier Crime Novel of the Year

The 2023 Theakston Old Peculier Crime Novel of the Year is The Botanist by M.W. Craven (Little, Brown Book Group; Constable).

The prize was created to celebrate “excellence, originality, and the very best in crime fiction from UK and Irish authors” whose novels were published in paperback during the eligibility period. The winner receives £3,000 and a handmade, engraved beer barrel provided by Theakstons Brewery.

Also “Highly Commended” was The Locked Room byElly Griffiths (Quercus).

Ann Cleeves received the Theakston Old Peculier Crime Writing Festival Outstanding Contribution to Crime Fiction Award.

2023 Theakston Old Peculier Crime Novel of the Year Shortlist

The shortlist for the 2023 Theakston Old Peculier Crime Novel of the Year has been announced.

The prize was created to celebrate “excellence, originality, and the very best in crime fiction from UK and Irish authors” whose novels were published in paperback during the eligibility period.

The winner receives £3,000 and a handmade, engraved beer barrel provided by Theakston Old Peculier. 

The public are now invited to vote for the winners here; voting closes July 8. The prize winner will be revealed July 21.

The shortlist:

• The Botanist by M.W. Craven (Little, Brown Book Group; Constable)
• Into The Dark by Fiona Cummins (Pan Macmillan; Macmillan/Pan)
• The Locked Room by Elly Griffiths (Quercus)
• Black Hearts by Doug Johnstone (Orenda Books)
• Wrong Place Wrong Time by Gillian McAllister (Penguin Random House; Michael Joseph)
 The It Girl by Ruth Ware (Simon & Schuster)

Crime Fiction Awards News for May 2023

2023 THEAKSTON OLD PECULIER CRIME NOVEL OF THE YEAR

The longlist for the 2023 Theakston old Peculier Crime Novel of the Year has been announced.

The prize was created to celebrate “excellence, originality, and the very best in crime fiction from UK and Irish authors” whose novels were published in paperback during the eligibility period.

 The winner receives £3,000 and a handmade, engraved beer barrel provided by Theakston Old Peculier. 

The public are now invited to vote for a shortlist of six titles here; voting for that closes May 18. Then the shortlist will be posted and winner voting will open June 15. The prize winner will be revealed July 20.

The Longlist in full:

  • The Murder Book by Mark Billingham (Little, Brown Book Group; Little Brown)
  • The Botanist by M.W. Craven (Little, Brown Book Group; Constable)
  • Into The Dark by Fiona Cummins (Pan Macmillan; Macmillan/Pan)
  • The Paris Apartment by Lucy Foley (HarperCollins; HarperFiction)
  • The Locked Room by Elly Griffiths (Quercus)
  • The Twyford Code by Janice Hallett (Profile Books; Viper)
  • Bad Actors by Mick Herron (John Murray Press; Baskerville)
  • The Family Remains by Lisa Jewell (Cornerstone; Century Fiction)
  • Black Hearts by Doug Johnstone (Orenda Books)
  • The Lost Man of Bombay by Vaseem Khan (Hodder & Stoughton)
  • The Last Party by Clare Mackintosh (Little, Brown Book Group; Sphere)
  • All I Said Was True by Imran Mahmood (Bloomsbury Publishing; Raven Books)
  • Wrong Place Wrong Time by Gillian McAllister (Penguin Random House; Michael Joseph)
  • 1989 by Val McDermid (Little, Brown Book Group; Little Brown)
  • The Heretic by Liam McIlvanney (HarperCollins; HarperFiction)
  • Blue Water by Leonora Nattrass (Profile Books; Viper)
  • May God Forgive by Alan Parks (Canongate Books)
  • Truly Darkly Deeply by Victoria Selman (Quercus)
  • Reputation by Sarah Vaughan (Simon & Schuster)
  • The It Girl by Ruth Ware (Simon & Schuster)

2023 CWA DAGGER AWARDS

The Crime Writers’ Association (CWA) of the United Kingdom announced the longlist for the 2023 CWA Dagger Awards on April 22.

GOLD DAGGER

This award is for the best crime novel by an author of any nationality.

  • Oxblood by Tom Benn
  • Shoot the Moonlight Out by William Boyle
  • The Ink Black Heart by Robert Galbraith
  • The Kingdoms of the Savannah by George Dawes Green
  • The Lost Man of Bombay by Vaseem Khan
  • The Bookseller of Inverness by SG Maclean
  • A Killing in November by Simon Mason
  • The Clockwork Girl by Anna Mazzola 
  • The Winter Guest by William Ryan 
  • A Killing Rain by Faye Snowdon
  • The Bone Road by NE Solomons 
  • The Silent Brother by Simon Van der Velde


IAN FLEMING STEEL DAGGER

Eligible books in this category are thrillers set in any period and include, but are not limited to, spy fiction, psychological thrillers and action/adventure stories.

  • Opera by Julie Anderson
  • A Kiss After Dying by Ashok Banker
  • Take Your Breath Away by Linwood Barclay
  • Seventeen by John Brownlow
  • The Match by Harlan Coben
  • The Botanist by MW Craven
  • Daisy Darker by Alice Feeney
  • The Ink Black Heart by Robert Galbraith
  • Alias Emma by Ava Glass
  • A Loyal Traitor by Tim Glister
  • Notes on an Execution by Danya Kukafka
  • May God Forgive by Alan Parks

JOHN CREASEY (NEW BLOOD) DAGGER

This award is for the best crime novel by a first-time author of any nationality.

  • A Good Day to Die by Amen Alonge
  • Better the Blood by Michael Bennett
  • Breaking by Amanda Cassidy 
  • Don’t Know Tough by Eli Cranor
  • The Local by Joey Hartstone
  • The Truth Will Out by Rosemary Hennigan 
  • London in Black by Jack Lutz 
  • Dirt Town by Hayley Scrivenor
  • No Country for Girls by Emma Styles
  • Nobody But Us by Laure Van Rensburg
  • Outback by Patricia Wolf
  • The Partisan by Patrick Worrall

HISTORICAL DAGGER

This award is for the best historical crime novel, set in any period up to 50 years prior to the year in which the award will be made.

  • The Darkest Sin by DV Bishop
  • Blackstone Fell by Martin Edwards
  • Two Storm Wood by Philip Gray
  • The Lost Diary of Samuel Pepys by Jack Jewers
  • The Bookseller of Inverness by SG MacLean
  • The Clockwork Girl by Anna Mazzola
  • Death at the Dolphin by Gretta Mulrooney
  • The Homes by JB Mylet
  • The Bangalore Detectives Club by Harini Nagendra
  • Blue Water by Leonora Nattrass
  • Hear No Evil by Sarah Smith
  • The Mushroom Tree Mystery by Ovidia Yu


ALCS GOLD DAGGER FOR NON-FICTION

This award is for any non-fiction work on a crime-related theme by an author of any nationality.

  • The Poisonous Solicitor by Stephen Bates
  • Dead in the Water by Matthew Campbell & Kit Chellel
  • What We Fear Most by Ben Cave
  • Scandal at Dolphin Square by Simon Danczuk & Daniel Smith
  • The Life of Crime by Martin Edwards
  • Unlawful Killings by Wendy Joseph
  • Tremors In The Blood by Amit Katwala
  • To Hunt a Killer by Julie Mackay & Robert Murphy
  • The Real Special Relationship by Michael Smith
  • The Life Inside by Andy West
  • About A Son by David Whitehouse
  • Stitched Up by Shahed Yousaf

CRIME FICTION IN TRANSLATION DAGGER

This award is for a crime novel not originally written in English and which has been translated into English for UK publication.

  • Good Reasons to Die, by Morgan Audic (tr Sam Taylor)
  • The Red Notebook, by Michel Bussi (tr Vineet Lal)
  • Even the Darkest Night by Javier Cercas (tr Anne Mclean)
  • Bad Kids by Zijin Chen, (tr Michelle Deeter)
  • Impossible, by Erri De Luca (tr NS Thompson) 
  • Femicide by Pascal Engman (tr Michael Gallagher)
  • The Bleeding by Johana Gustawsson (tr David Warriner) 
  • The Corpse Flower by Anne Mette Hancock (tr Tara Chace) 
  • The Anomaly by Hervé Le Tellier (tr Adriana Hunter) 
  • The Dark Flood by Deon Meyer (tr KL Seggers) 
  • The Tattoo Murder by Akimitsu Takagi (tr Deborah Boehm)
  • Lady Joker by Kaoru Takamura (tr Allison Markin Powell & Marie Iida)

SHORT STORY DAGGER

This award is for any crime short story first published in the UK in English in a publication that pays for contributions, or broadcast in the UK in return for payment.

  • The Disappearance by Leigh Bardugo – In ‘Marple’ 
  • The Tears of Venus by Victoria and Delilah Dowd – In ‘Unlocked’ 
  • Strawberry Moon by John Grisham – In ‘Sparring Partners
  • Clout Chaser by Rachel Howzell Hall
  • The Beautiful Game by Sanjida Kay 
  • Paradise Lost by Abir Mukherjee
  • Death In Darjeeling by Vaseem Khan – In ‘The Perfect Crime’ 
  • Just One More by Laura Lippman – In ‘Seasonal Work & Other Killer Stories
  • Auld Bride by Judith O’Reilly – In ‘Gone’ 
  • The Lake House by Ferdinand von Schirach – In ‘Punishment’ (tr: Katharina Hall) 
  • Runaway Blues by C J Tudor – In ‘A Sliver of Darkness’ 
  • Cast A Long Shadow by Hazell Ward – In ‘Cast A Long Shadow

PUBLISHERS’ DAGGER

This prestigious Dagger is awarded annually to the Best Crime and Mystery Publisher of the Year.

  • Bitter Lemon Press 
  • Bookouture 
  • Canelo 
  • Harper Fiction 
  • Hodder & Stoughton 
  • Mantle 
  • Michael Joseph 
  • Raven 
  • Pushkin Vertigo 
  • Quercus 
  • Simon & Schuster 
  • Viper

DAGGER IN THE LIBRARY

The Dagger in the Library is a prize for a body of work by an established crime writer who has long been popular with borrowers from libraries, and who has supported libraries and their users.

  • Ben Aaronovitch    
  • Sophie Hannah 
  • Mick Herron  
  • Erin Kelly  
  • Angela Marsons  
  • Brian McGilloway 
  • Tim Weaver

DIAMOND DAGGER

Awarded every year to an author whose crime-writing career has been marked by sustained excellence, and who has made a significant contribution to the genre. Votes from CWA members go forward to be deliberated on by an independent panel. This year’s recipient is:

  • Walter Mosley

2023 MARGERY ALLINGHAM SHORT MYSTERY COMPETITION

The Crime Writers Association also has announced the longlist for the 2023 Margery Allingham Short Mystery Competition.

The international competition is open to short stories of up to 3,500 words that have not been previously published anywhere, or shortlisted for this competition.

  • Off the Rails – Cailey Barker
  • The Mitcham Manor Inquiry – Antony M Brown
  • The Note – Tim Butterworth
  • Confession – Ajay Chowdhury
  • Unlucky for Some – Charlie Cochrane
  • The Key – Christine Curran
  • The Midwinter Murders – Robert Grossmith
  • How to Catch a Bullet in a Plate – Judith O’Reilly
  • Huitzilopochtli – Eugene O’Toole
  • Carême and the Crime of the Century – Emma Seaman
  • The Fifth Element – Mark Thielman
  • The Breast Band Murder – Norman Thomas

2022 ELLERY QUEEN MYSTERY MAGAZINE READER AWARDS

The winners of the 2022 Ellery Queen Mystery Magazine Reader Awards have been posted.

  • W. Edward Blain — “The Secret Sharer” (July/August 2022) 
  • Doug Allyn — “Blind Baseball” (May/June 2022)
  • Anna Scotti — “Schrödinger, Cat” (March/April 2022)

[Thanks to Cora Buhlert for these stories.]

2022 Theakston Old Peculier Crime Novel of the Year

The 2022 Theakston Old Peculier Crime Novel of the Year is Slough House by Mick Herron.

The prize was created to celebrate “excellence, originality, and the very best in crime fiction from UK and Irish authors” whose novels were published in paperback during the eligibility period. The winner receives £3,000 and a handmade, engraved beer barrel provided by Theakstons Brewery.

Also named as “Highly Commended” was True Crime Story by Joseph Knox.

Michael Connelly received the Theakston Old Peculier Crime Writing Festival Outstanding Contribution to Crime Fiction Award.

2022 Theakston Old Peculier Crime Novel of the Year Shortlst

The shortlist for the 2022 Theakston Old Peculier Crime Novel of the Year has been announced.

The prize was created to celebrate “excellence, originality, and the very best in crime fiction from UK and Irish authors” whose novels were published in paperback during the eligibility period.

 The winner receives £3,000 and a handmade, engraved beer barrel provided by Theakston Old Peculier. 

The public are now invited to vote for the winners here; voting closes July 8. The prize winner will be revealed July 21.

The shortlist:

  • The Night Hawks by Elly Griffiths (Quercus Fiction)
  • True Crime Story by Joseph Knox (Doubleday)
  • Daughters of Night by Laura Shepherd Robinson (Mantle/Pan)
  • Slough House by Mick Herron (Baskerville)
  • Midnight at Malabar House by Vaseem Khan (Hodder & Stoughton)
  • The Last Thing to Burn by Will Dean (Hodder & Stoughton)

2022 Theakston Old Peculier Crime Novel of the Year Longlist

The longlist for the 2022 Theakston old Peculier Crime Novel of the Year has been announced.

The prize was created to celebrate “excellence, originality, and the very best in crime fiction from UK and Irish authors” whose novels were published in paperback during the eligibility period.

 The winner receives £3,000 and a handmade, engraved beer barrel provided by Theakston Old Peculier. 

The public are now invited to vote for a shortlist of six titles here; voting for that closes May 26. Then the shortlist will be posted and winner voting will open June 14. The prize winner will be revealed July 21.

The Longlist in full:

  • Girl A by Abigail Dean (HarperFiction)
  • Tall Bones by Anna Bailey (Doubleday)
  • The Heron’s Cry by Ann Cleeves (Pan Macmillan)
  • Blood Ties by Brian McGilloway (Constable)
  • The Cut by Chris Brookmyre (Little, Brown)
  • The Less Dead by Denise Mina (Harvill Secker)
  • The Night Hawks by Elly Griffiths (Quercus Fiction)
  • Watch Her Fall by Erin Kelly (Hodder & Stoughton)
  • I Know What I Saw by Imran Mahmood (Raven Books)
  • True Crime Story by Joseph Knox (Doubleday)
  • Daughters of Night by Laura Shepherd Robinson (Mantle/Pan)
  • Rabbit Hole by Mark Billingham (Little, Brown)
  • Slough House by Mick Herron (Baskerville)
  • Dead Ground by M. W. Craven (Constable)
  • The Devil and the Dark Water by Stuart Turton (Raven Books)
  • Midnight at Malabar House by Vaseem Khan (Hodder & Stoughton)
  • The Last Thing to Burn by Will Dean (Hodder & Stoughton)
  • The Trawlerman by William Shaw (riverrun)

2021 Theakston Old Peculier Crime Novel of the Year

The 2021 Theakston Old Peculier Crime Novel of the Year is Chris Whitaker’s We Begin At The End.

We Begin At The End, a New York Times bestseller, has been optioned for film and is currently in development. Whitaker was interviewed here when his book made the shortlist.

Whitaker’s earlier book Tall Oaks was honored with the CWA John Creasey New Blood Dagger Award.

The prize was created to celebrate “excellence, originality, and the very best in crime fiction from UK and Irish authors” whose novels were published in paperback during the eligibility period. The winner receives £3,000 and a handmade, engraved beer barrel provided by Theakstons Brewery.