Pixel Scroll 3/31/24 I Shall Name This Clever WordPlay After Myself, Said Tom Eponymously

(1) WHY BARDON DECLINED A 2024 HUGO NOMINATION. Natasha Bardon has posted on Instagram her reasons for declining her Best Editor, Long Form Hugo nomination: 

Learn more about Bardon in this interview from 2020 – “An Interview With… Natasha Bardon” — and this news item from the Bookseller in 2022 – “Bardon promoted to publisher at HarperVoyager and Magpie Books”.

(2) WHAT’S ON THE BALLOT. Cora Buhlert analyzes all the categories in “Some Thoughts on the 2024 Hugo Finalists” which were announced at the UK Eastercon.

Here is Buhlert’s reaction to the voters’ picks for Best Related:

Best Related

I guess everybody knows my strong preference for well-researched non-fiction in this category by now, so I’m pleased that five of six finalists in this category are actually books.

The late Maureen Kincaid Speller was an always insightful critic, so I’m glad to see the collection  A Traveller in Time: The Critical Practice of Maureen Kincaid Speller by Maureen Kincaid Speller, edited by Nina Allan, on the ballot.

Volumes 2 and 3 of Chinese Science Fiction: An Oral History, edited by Yang Feng, are the sequels to the first volume which was nominated in this category last year and most worthy they are, too.

All These Worlds: Reviews & Essays by Niall Harrison does exactly what it says on the tin. I haven’t this collection yet, but it’s exactly the sort of thing I like to see in this category.

A City on Mars by Kelly and Zach Weinersmith is an illustrated popular science book about how feasible it is to colonise Mars. I wasn’t familiar with this book at all, though again it absolutely fits into this category.

The Culture: The Drawings by Iain M. Banks is an art book collecting drawings that the late Iain M. Banks did of spacecraft, locations, etc… of his Culture series. Again, I had no idea that this book existed, but it’s most fitting finalist.

Finally, we have a podcast or rather videocast named Discover X nominated in this category. Discover X appears to be a collection of interviews with various SMOFs and SFF professionaly done by Tina Wong at last year’s Chengdu Worldcon.

Discover X was initially nominated in Best Fancast, but since it is a professional project, it was moved into Best Related. This isn’t the first time a professional podcast was nominated in Best Related. Writing Excuses was nominated in this category several times approx. 10 years ago.  I’m not very happy with podcasts nominated in Best Related, but since there is no professional podcast (procast?) category, there really is no other place to put them. And podcasts are among the less edgy of the many edge finalists we’ve seen in this category in recent years.

There also was a withdrawl is this category, because Bigolas Dickolas Wolfwood was nominated for a viral tweet promoting the Hugo-winning novella This Is How You Lose the Time War by Amal El-Mohtar and Max Gladstone, which pushed the book up various bestseller lists due to Bigolas Dickolas Wolfwood’s many Twitter followers. Now the Bigolas Dickolas Wolfwood affair is a perfect example of how word of mouth works and can catapult a work into the stratosphere. Bigolas Dickolas Wolfwood also appears to be a great person and it was very classy of them to decline a nomination. However, this nomination also illustrates why the Best Related Work needs to be reformed and the definition tightened. Because how on Earth can you compare a single tweet, even one which sold thousands of books, with a 400 page non-fiction book?

And even if we limited Best Related to non-fiction books and long essays, we’d still get a wide range of potential finalists as this year’s ballot shows….

(3) TAKEN FROM THE SHELF. Haven’t had enough Eastercon this weekend? Rob Hansen is prepared to immerse you in the 1956 edition — CYTRICON II – at his richly-detailed fanhistory site.

CYTRICON II, the 1956 UK national science fiction convention was held at The George Hotel in the town of Kettering over the Easter weekend, Friday 30th March – Monday 2nd April. Overflow hotel was The Royal, with The Swan Hotel hosting a further seven fans. Parties were held in both The George and The Royal. The con was organised by the London Circle.

Here’s a brief excerpt from a contemporaneous conreport.

ARCHIE MERCER:

At a quarter to four on Good Friday I staggered from the train at Kettering station, adjusted my two slung haversacks, took a tighter grip on my gramophone(in the right hand) and a parcel consisting mainly of records for same (in the left), and set my face firmly towards the George Hotel. About fifty yards ahead of me, Walt Willis stalked his proud and lordly way. About as far again behind me, I could discern the chatter of several more humans – if they too were fen, and if so who, I still don’t know. Besides I can’t say that it’s all that important.

Arriving at the George in good order, I was immediately caught up in a furious burst of misapprehensions by Joyce, the receptionist, who was practically insisting that I must have a car and wanted to know the number of it. I explained patiently that the nearest thing was the train I’d so carelessly abandoned down at the station and I hadn’t a clue as to its number. So she decided to humour me and let me in without it. I signed the book under Peter Reaney, moved within — and the Con was on….

(4) EX MACHINA REWATCH MOVIE REVIEW. [Item by Erin Underwood.] 2023 was AI’s breakthrough year, and as we move into 2024, I wanted to take a look back at one of the best AI films to see how it held up over the last decade. Check out my new rewatch review of Alex Garland’s groundbreaking AI film Ex Machina. Does the story and the technology hold up? Is it still the instant classic everyone thought it was back in 2014? “Ex Machina Movie Review – A groundbreaking AI film in 2014. What’s it like now?”

(5) BOOK PRESERVATION. Via WIRED: “This Woman Deconstructs 100-Year-Old Books To Restore Them”.

Author, educator and book restorer Sophia Bogle has nerves of steel: one slip of the hand and a century-old first edition book could be ruined. Come inside her workshop as she breaks down the amazing deconstruction, revitalization, and reassembly that goes into her history preserving speciality.

(6) READY FOR MY CLOSEUP. Forbes shares a look “Inside The Ambitious Plan To Broadcast The Entire Total Solar Eclipse”.

It’s nature’s most spectacular sight, but during North America’s total solar eclipse on April 8, the sun’s corona will only be visible for a few precious minutes from any one location.

However, totality itself will be viewed for a combined total of 100 minutes from a 115-mile path of totality stretching from Mexico to the Canada, via the U.S. So why not have cameras stationed all along the track and broadcast the entire thing as one continuous livestream?

That’s the thinking behind the Dynamic Eclipse Broadcast Initiative, a nationwide citizen science team armed with a $314,000 NASA grant, hoping to pioneer a unique new way to broadcast a total solar eclipse.

It’s as much about solar science as it is about broadcasting, however, with a new understanding of the solar corona the ultimate prize.

DEB is the brainchild of the team behind the successful Citizen CATE experiment from the 2017 total solar eclipse, the last to cross the U.S, which saw more than 60 identical telescopes equipped with digital cameras positioned from Oregon to South Carolina to image the solar corona.

The resulting images were then spliced together to reveal the plasma dynamics of the inner solar corona, which is 10,000 times hotter and dimmer than our star’s surface—and can only be studied in full during a total solar eclipse….

(7) VFX OSCAR WINNER TIM MCGOVERN DIES. Visual effects artist Tim McGovern died March 30 at the age of 68. He won an Oscar for his work on the 1990 film Total Recall. Deadline’s profile covers his other accomplishments.

…The Visual Effects Society recently recognized McGovern with the 2023 Founders Award for his contributions to the art, science, or business of visual effects and meritorious service to the Society.

McGovern was a founding member of Sony Pictures ImageWorks and ran it as the Senior VFX Supervisor as well as the SVP of Creative and Technical Affairs. After leaving Sony, McGovern continued as an independent VFX artist and filmmaker.

McGovern’s most recent film credits include Shazam! Fury of the Gods (2023), Jungle Cruise (2021), Men in Black: International (2019), First Man (2019), Ant-Man and the Wasp (2018), Dunkirk (2017), The Huntsman: Winter’s War (2016), and Mission: Impossible — Rogue Nation (2015), among many others….

(8) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born March 31, 1960 Ian McDonald, 64. What works by Ian McDonald have I enjoyed so much that I’ve read them over and over, and then when they were available as audioworks listened to them several more times? That’s easy. The Desolation Road series, Desolation Road and Ares Express which I’m holding to be the best story ever set on Mars.

Ian McDonald

A town that develops around an oasis on a terraformed Mars with a cast of characters that are truly fascinating? What’s not to really like? Not to mention the Ares Express running across the desert. Damn I wanted to see that train! 

(I do have a list of other works set on Mars I like — Kage Baker’s The Empress of Mars, Larry Niven’s Rainbow Mars, Arthur Clarke’s The Sands of Mars, Kim Stanley Robinson’s Mars trilogy and Frederik Pohl’s Man Plus.) 

Completely shifting his tone was King of Morning, Queen of Day. Multiple generations of Irish women might have the potential to bring the fey who are obviously quite dangerous into their world. That isn’t the best aspect of the novel — it’s the characters herein. He’s very skilled in his character crafting. 

The Chaga saga set in Africa (Chaga and Kirinya) with its slow moving alien biological invasion is perfectly horrific; I’ve not yet read the short fiction set in the series.

I read both of the future India series, River of Gods and Cyberabad. I throughly enjoyed River of Gods but found Cyberabad less than interesting.

I tried the first of Everness series. No, not my cup of tea. Really not. 

Which was not true of The Dervish House, my last choice. An alternative history of Istanbul set now, well it was twenty years in the future when it was written, though the changes there suggest a history that deviated a lot earlier. Loved the characters. Loved the technology he created. Loved the story. Brilliant all around.

(9) CREDIT GRAB? CBR.com explains why “Marvel’s New Addition to Wolverine’s List of Creators Draws Controversy”.

Marvel’s decision to add a new name among Wolverine’s creators in the upcoming film Deadpool & Wolverine has sparked controversy among fans and comic creators alike.

It has been revealed that Roy Thomas, former editor-in-chief of Marvel Comics, will be credited as one of the four creators of Wolverine. The other creators of the character include the late writer Len Wein, artist Herb Trimpe, and designer John Romita Sr. The news sparked a Facebook post from writer Bobbie Chase, who worked at Marvel in the 1980s and 1990s, asking others to discuss the true creators of the character as well as the implications for editors-in-chief to claim creation over other characters.

Chase also mentioned speaking to Wein’s widow about the changes, saying, “Recently my friend and Len Wein’s widow, Christine Valada, got a call from Marvel executive David Bogart, informing her that in the upcoming Wolverine & Deadpool movie, Roy Thomas will now be credited as the co-creator [of Wolverine], and David said it’s a done deal. […] Of course Christine is seriously concerned about Len’s legacy. Len was profoundly important to the comic book industry, and that legacy is being changed for the worse, six years after his death.”

Chase’s frustrations about this change stemmed from the fact that the other creators of Wolverine have all died, making it hard to dispute the authenticity of Thomas’ addition to the list…. 

(10) CLOWNS AND QUESTION MARKS. 13th Dimension called on fans to “Dig These 13 Great ‘Serious BATMAN’ Moments in BATMAN ’66”. Here’s one example:

The Joker Is Wild. Batman and Robin are nearly unmasked by the Joker after being momentarily grabbed by the villain’s henchmen. The heroes are engaging the villain while he hijacks a live TV performance of the opera Pagliacci – that is why Joker is wearing a white Pierrot clown costume. I think that this image is very much in the dramatic style and spirit of the amazing Norm Saunders paintings used for the 1966 Topps Batman trading card set, inspired by the series.

(11) TAKING IT OUT FOR A SPIN. Gizmodo says “Star Trek: Strange New Worlds’ Incredible Musical Episode Is Getting the Vinyl It Deserves”. It comes out June 7.

Of all the highs Star Trek: Strange New Worlds’ sophomore season pulled off—intense actionVulcan dramafamiliar faces, and plenty more—perhaps one of the most delightful of all was “Subspace Rhapsody,” its earnestly cheesy all-singing, all-dancing musical showstopper. And if you’ve had the soundtrack streaming non-stop since last year, we’ve got great news for you.

io9 can exclusively reveal that Lakeshore Records is going to release the complete 11-track score for the episode on a black vinyl record, with artwork inspired by the poster released for the episode at San Diego Comic-Con last year forming the cover….

(12) VIDEO OF THE DAY. Matt Mitchell says this is how it would sound “If Dune was Southern”. Y’all pay attention now.

(P.S. I’m told one of the references is to Tony Chachere’s spice.)

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Wobbu Palzooza, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Speculative Sounds: Sonic Discoveries from “John The Balladeer”

By RL Thornton: One of the great rediscoveries of this year has been the stories of World Fantasy Award-winner Manly Wade Wellman. In particular, his magical stories about the high Appalachian wanderer and silver-stringed guitarist John have been republished by Valancourt Press in an anthology called John The Balladeer and in a larger complete two-volume set by Haffner Press (h/t to Michael Dirda of the Washington Post).

As Wellman’s dialect-laden prose slowly pulled me into his fantastic world of deep magic, my inner music geek started to wonder if all the songs in the stories were real. I knew that “In The Pines” had become notorious due to Nirvana’s live acoustic version, but what about the rest? Well, a little bit of YouTube diving reveals that Wellman knew his stuff!

So if you want to hear some of the songs as you read about John’s adventures, check out what I found below and enjoy. In most cases, each song’s YouTube link is accompanied by the lyrics from the story and the performer’s name.

OLD DEVLINS WAS A-WAITIN

When John refers to Bascom Lamar Lunsford, it turns out he was a real musician and song collector who actually recorded for the Library Of Congress!

CALL ME FROM THE VALLEY

His golden locks, John Dowland

“Beauty, strength, youth are flowers and fading seen—

Duty, faith, love are roots and ever green….”

  • Grace Davidson (soprano); David Miller (Lute)

THE LITTLE BLACK TRAIN

Song: Hell Broke Loose In Georgia

  • The Skillet Lickers

Song: The Little Black Train

  • The Carter Family

Song: Many Thousands Gone

  • Matthew Sabbatella and the Rambling String Band

Song: Sourwood Mountain

  • Carolina Chocolate Drops
  • Frank Proffitt

SHIVER IN THE PINES

Song: In The Pines

  • Leadbelly (aka Where Did You Sleep Last Night?)
  • Nirvana (aka Where Did You Sleep Last Night?)
  • Bill Monroe and the Bluegrass Boys
  • Grateful Dead (Rare from 1966)

“Fare thee well my charming girl

With the golden slippers on….”

Song: Cuckoo Waltz

Song: Pretty Fair Maid In The Garden

Song: Willie From The Western States (variant of Barbara Allen)

Song: I Dreamed Last Night Night Of My True Love, All In My Arms I Had Her

WALK LIKE A MOUNTAIN

Song: Lonesome River

“By the shore of Lonesome River
Where the waters ebb and flow, 
Where the wild red rose is budding
And the pleasant breezes blow,

It was there I spied the lady 
That forever I adore,
As she was a-lonesome walking 
By the Lonesome River shore. . . .”

(Above version currently unknown)

“Went to the rock to hide my face, 

The rock cried out,

‘No hiding place!….’”

Song: No Hiding Place

  • Bessie Jones
  • Flatt & Scruggs

John Henry

  • Leadbelly
  • Johnny Cash

ON THE HILLS AND EVERYWHERE

Go Tell It On The Mountain

  • Bob Marley
  • Mahalia Jackson
  • Dolly Parton

Nineteen Picked for 2024 Eisner Awards Hall of Fame

Comic-Con International has announced the 19 individuals who will automatically be inducted into the Will Eisner Comic Awards Hall of Fame for 2024. These inductees include 12 deceased comics pioneers and 7 living creators. The deceased greats are Creig Flessel, A. B. Frost, Billy Graham, Albert Kanter, Warren Kremer, Oscar Lebeck, Frans Masereel, Keiji Nakaszawa, Noel Sickles, Cliff Sterrett, Elmer C. Stoner, and George Tuska. The judges’ living choices are Kim Deitch, Gary Groth, Don McGregor, Bryan Talbot, Ron Turner, Lynn Varley, and James Warren. 

In April, nominees will be announced for online voting to add four more inductees into the Hall of Fame.

The 2024 Hall of Fame judging panel consists of Dr. William Foster, Michael T. Gilbert, Karen Green, Alonso Nuñez, Jim Thompson, and Maggie Thompson.

The Hall of Fame trophies will be presented in a special program during Comic-Con on the morning of July 26. The Eisner Awards in 30+ other categories will be presented in a ceremony that evening

2024 EISNER HALL OF FAME JUDGES’ CHOICES

KIM DEITCH (1944- )

Pioneer underground cartoonist Kim Deitch’s best-known character is Waldo the Cat, a fictional 1930s-era animated cat who stars in the seminal Boulevard of Broken Dreams, Shroud of Waldo, Alias the Cat, and various other strips and books. Kim’s other works include Shadowlands, Reincarnation Stories, Beyond the Pale, and Deitch’s Pictorama, a collaboration with brothers Simon and Seth. Art Spiegelman has called Deitch “the best kept secret in American comics.” Deitch was co-founder of the Cartoonists Co-op Press (1973–1974) and has taught at the School for Visual Arts in New York. He received Comic-Con’s Inkpot Award in 2008.

CREIG FLESSEL (1912–2008)

Creig Flessel drew the covers of many of the first American comic books, including the pre-Batman Detective Comics #2–#17 (1937–1938). As a writer/artist, Flessel created the DC character the Shining Knight, in Adventure Comics #66 (Sept. 1941). He drew many early adventures of the Golden Age Sandman and has sometimes been credited as the character’s co-creator. When editor Vin Sullivan left DC Comics and formed his own comic book publishing company, Magazine Enterprises, Flessel signed on as associate editor. He continued to draw comics, often uncredited, through the 1950s, including Superboy stories in both that character’s namesake title and in Adventure Comics, and anthological mystery and suspense tales in American Comics Group’s (AGC’s) Adventures into the Unknown.

A. B. FROST (1851–1928)

The work of illustrator/cartoonist Arthur Frost was published in three albums: Stuff and Nonsense (1884), The Bull Calf and Other Tales (1892), and Carlo (1913). Because of his skills in depicting motion and sequence, Frost was a great influence on such early American newspaper comics artists as Richard Outcault, Rudolph Dirks, Jimmy Swinnerton, and Fred Opper. His work appeared in magazines such as Harper’s Weekly and Punch.

BILLY GRAHAM (1935–1997)

Billy Graham was an African American comic book artist whose earliest work appeared in Warren’s Vampirella magazine in 1969. He eventually became art director at Warren, then in 1972 he moved over to Marvel, where he helped create Luke Cage, Hero for Hire with John Romita Sr. and George Tuska. From 1973 to 1976, he worked with writer Don McGregor on “Black Panther” in Jungle Action. During the 1980s, he worked with McGregor on the Sabre title at Eclipse Comics.

GARY GROTH (1954– )

Gary Groth is an American comic book editor, publisher, and critic. Active as a fan, while a teenager he published Fantastic Fanzine and in the early 1970s organized Metro Con in the Washington, DC area. In 1976 he co-founded Fantagraphics Books with Mike Catron and Kim Thompson and served as editor-in-chief of The Comics Journal.  

ALBERT KANTER (1897–1973)

Albert Lewis Kanter began producing Classic Comics for Elliot Publishing Company (later the Gilberton Company) with The Three Musketeers in October 1941. Classic Comics became Classics Illustrated in 1947. Kanter believed he could use the burgeoning medium to introduce young and reluctant readers to “great literature.” In addition to Classics Illustrated, Kanter presided over its spin-offs Classics Illustrated Junior, Specials, and The World Around Us. Between 1941 and 1962, sales totaled 200 million.

WARREN KREMER (1921–2003)

Warren Kremer studied at New York’s School of Industrial Arts and went straight into print services, working for pulp magazines. He gradually took on more comics work in Ace Publications, his first title being Hap Hazard. In 1948 Kremer began working for Harvey Comics, where he stayed for 35 years, creating such popular characters as Casper and Richie Rich and working on titles including Little Max, Joe Palooka, Stumbo the Giant, Hot Stuff, and Little Audrey. In the 1980s, Kremer worked for Star Comics, Marvel’s kids imprint, and contributed to titles like Top Dog, Ewoks, Royal Roy, Planet Terry, and Count Duckula

OSKAR LEBECK (1903–1966)

Oskar Lebeck was a stage designer and an illustrator, writer, and editor (mostly of children’s literature) who is best known for his role in establishing Dell Comics during the 1930s and 1940s. Notably, he hired Walt Kelly, who became one of the star creators of the line, best known for originating Pogo while there. Lebeck also selected John Stanley to bring panel cartoon character Little Lulu to comic books. Comic book historian Michael Barrier commented that Dell’s fairy tale, nursery rhyme, and similarly themed titles “represented an effort by Lebeck, who had written and drawn children’s books in the 1930s, to bring to comic books some of the qualities of traditional children’s books, especially through rich and rather old-fashioned illustrations.”

FRANS MASEREEL (1889–1972)

Frans Masereel is one of the most famous Flemish woodcut artists of his time. Like Lynd Ward, Masereel wrote “novels without words” and can be seen as a precursor to current graphic novelists. His first “graphic novel” was De Stad (1925), in which he described life in the city in 100 engravings. Other books are Geschichte Ohne Worte and De Idee, about an idea that’s being haunted by the police and justice. It became very popular among anti-Nazis. Masereel settled in France after World War II and died in 1972.

DON MCGREGOR (1945– )

Don McGregor began his comics writing career in 1969, writing horror stories for James Warren’s Creepy, Eerie, and Vampirella. After working as an editor on several of Marvel Comics’ B&W line of comics/magazines, in 1973 he was assigned to write the Black Panther in Marvel’s Jungle Action comics. The “Panther’s Rage” series was the first mainstream comic to have an essentially all-black cast of comics. Don also wrote Killraven, Luke Cage, Powerman, and Morbius, The Living Vampire in that time period. In the middle of the 1970s he created the historically important graphic novel Sabre, with art by Billy Graham. During the early 1980s, Don’s works included Detectives Inc. titles for Eclipse, and heworked with Gene Colan on Ragamuffins (Eclipse) Nathaniel Dusk (DC), and Panther’s Quest (Marvel). His 1990s writing included Zorro and Lady Rawhide forTopps.

KEIJI NAKAZAWA (1939–2012)

Keiji Nakazawa was born in Hiroshima and was in the city when it was destroyed by a nuclear weapon in 1945. He settled in Tokyo in 1961 to become a cartoonist. He produced his first manga for anthologies like Shonen Gaho, Shonen King, and Bokura. By 1966, Nakazawa began to express his memories of Hiroshima in his manga, starting with the fictional Kuroi Ame ni Utarete (Struck by Black Rain) and the autobiographical story Ore wa Mita (I Saw It). Nakazawa’s life work, Barefoot Gen (1972), was the first Japanese comic ever to be translated into Western languages. Barefoot Gen was adapted into two animated films and a live-action TV drama and has been translated into a dozen languages.

NOEL SICKLES (1910–1982)

Noel Sickles became a political cartoonist for the Ohio State Journal in the late 1920s. He moved to New York in 1933, where he became a staff artist for Associated Press. Here, he was asked to take over the aviation comic strip Scorchy Smith. In that comic, Sickles developed a personal, almost photographic style. His method of drawing became popular among other comic artists and was particularly inspiring to Milton Caniff (Terry and the Pirates). Sickles and Caniff started working together closely, assisting each other on their comics. After AP turned Sickles down for a salary raise, he devoted the rest of his career to magazine illustration.

CLIFF STERRETT (1883–1964)

Cliff Sterrett is one of the great innovators of the comic page and the creator of the first comic strip starring a heroine in the leading role, Polly and Her Pals. Between 1904 and 1908, he worked for the New York Herald, drawing illustrations and caricatures. He started doing comics when he got the opportunity to draw four daily strips for the New York Evening Telegram in 1911. In 1912, Sterrett was hired by William Randolph Hearst, for whom he created Polly and Her Pals. The strip was initially published in the daily comic page of the New York Journal. A year later, it also became a Sunday page and a four-color supplement to the New York American. Starting in the 1920s, Sterrett used cubist, surrealist, and expressionist elements in his artwork. In 1935 he handed over the daily strip to others to concentrate wholly on the Sunday strip, which he drew until his retirement in 1958.

ELMER C. STONER (1897–1969)

E. C. Stoner was one of the first African American comic book artists. He worked on comics through the Binder, Chesler, and Iger Studios from the late 1930s through the 1940s. For National he drew the “Speed Saunders” story in the first issue of Detective Comics. His other credits included “Blackstone” for EC Comics; “Captain Marvel,” “Lance O’Casey,” and “Spy Smasher” for Fawcett; “Blue Beetle” and “Bouncer” for Fox; “Breeze Barton” and “Flexo” for Timely; and “Doc Savage” and “Iron Munro” for Street & Smith. From 1948 to 1951 he drew a syndicated newspaper comic strip, Rick Kane, Space Marshal, which was written by Walter Gibson, magician and famed author of The Shadow. Stoner is also believed to have created the iconic Mr. Peanut mascot while he was still a teenager in Pennsylvania.

BRYAN TALBOT (1952– )

Bryan Talbot was part of the British underground comix scene starting In the late 1960s, creating Brain Storm Comix at Alchemy Press, among other works. In 1978 he began the epic The Adventures of Luther Arkwright saga, one of the first British graphic novels. Talbot began working for 2000AD in 1983, producing three books of the Nemesis the Warlock series with writer Pat Mills. His 1994 Dark Horse graphic novel The Tale of One Bad Rat has won countless prizes. For four years Talbot produced work for DC Comics on titles such as Hellblazer, The Sandman, The Dead Boy Detectives, and The Nazz (with Tom Veitch). His other works include the Grandville series of books, the graphic novels Alice in Sunderland, Dotter of Her Father’s Eyes (with Mary Talbot), and the autobiography Bryan Talbot: Father of the British Graphic Novel.

RON TURNER (1940– )

Ron Turner founded Last Gasp in 1970: a San Francisco–based book publisher with a lowbrow art and counterculture focus. Over the last 50 years Last Gasp has been a publisher, distributor, and wholesaler of underground comix and books of all types. In addition to publishing notable original titles like Slow DeathWimmen’s ComixBinky Brown Meets the Holy Virgin MaryAir Pirates, It Ain’t Me Babe, and Weirdo, it also picked up the publishing reins of important titles—such as Zap Comix and Young Lust—from rivals that had gone out of business. The company publishes art and photography books, graphic novels, manga translations, fiction, and poetry.

GEORGE TUSKA (1916–2009)

George Tuska’s first professional work came in 1939, when he became assistant on the Scorchy Smith newspaper strip. At the same time, he joined the Iger-Eisner Studio. There he worked on stories for a variety of comic book titles, including Jungle, Wings, Planet, Wonderworld, and Mystery Men. In the 1940s, as a member of the Harry “A” Chesler Studio, he drew several episodes of Captain Marvel, Golden Arrow, Uncle Sam, and El Carim. After the war, he continued in the comics field with memorable stories for Charles Biro’s Crime Does Not Pay, as well as Black Terror, Crimebuster, and Doc Savage. He also became the main artist on Scorchy Smith from 1954 to 1959, when he took over the Buck Rogers strip, which he continued until 1967. In the late 1960s, Tuska started working for Marvel, where he contributed to Ghost Rider, Planet of the Apes, X-Men, Daredevil, and Iron Man. He continued drawing superhero comics for DC, including Superman, Superboy, and Challengers of the Unknown. In 1978, along with José Delbo, Paul Kupperberg, and Martin Pasko, Tuska started a new version of the daily Superman comic, which he worked on until 1993.

LYNN VARLEY (1958– )

Lynn Varley is an award-winning colorist, notable for her collaborations with her former husband, writer/artist Frank Miller. She provided the coloring for Miller’s Ronin (1984), an experimental six-issue series from DC Comics, and Batman: The Dark Knight Returns (1986), a four-issue miniseries that went on to become a commercial and critical success. Subsequently, Varley colored other Miller books, including Batman: The Dark Knight Strikes Again, 300, Elektra Lives Again, and The Big Guy and Rusty the Boy Robot (with Geoff Darrow).

JAMES WARREN (1930– )

James Warren published Famous Monsters of Filmland, a magazine that influenced just about everyone in comics in the 1950s and 1960s, then went on to publish such influential comics magazines as Creepy, Eerie, Blazing Combat, Vampirella, and The Spirit in the 1960s–1980s.Creators whose work was highlighted in these magazines included Archie Goodwin, Louise Jones (Simonson), Frank Frazetta, Al Williamson, Steve Ditko, Gene Colan, Bernie Wrightson, Billy Graham, Neal Adams, Wally Wood, Alex Toth, John Severin, and Russ Heath.

[Based on a press release.]

Pixel Scroll 3/30/24 What Do You Get When You Cross A Velociraptor With An Interociter

(1) JMS’ OFFERINGS AT THE TEMPLE. “Harlan Ellison’s Last Words: Sci-Fi Writer Makes Posthumous Comeback” in Los Angeles Magazine.

The Lost Aztec Temple of Mars has stood atop the hills of Sherman Oaks for decades, with a façade lovingly fashioned like the ruins of an ancient alien civilization. Carved into its faded orange exterior is an imagined history of flying ships and extraterrestrials, of tangled tendrils and tentacles, of creatures serpentlike and humanoid. This was the home of author Harlan Ellison, a sanctuary he also called Ellison Wonderland, where he wrote his popular scripts and short stories and kept its rooms filled with a museum-grade collection of science fiction and pop culture.

The house is largely as he left it in 2018, when he died there at age 84. For much of his life, Ellison was a leading writer of science fiction (he preferred the less restrictive label “speculative fiction”), a close friend to colleagues including Isaac Asimov and Neil Gaiman, but also notorious among his many enemies and comrades in Hollywood and the once-insular science fiction world.

Upstairs at the house, where Ellison’s manual typewriters, tobacco pipes and a row of rocket-shaped Hugo Awards remain, it is familiar and sacred ground to his old friend, the writer and producer J. Michael Straczynski….

…For Straczynski, 69, Ellison was not just a friend but a father figure of lasting impact. His real father, he says, “was complete shit.” Another executor would have simply liquidated Ellison’s assets, donated them to a favorite charity and moved on. But Straczynski has taken on a bigger mission — to return Ellison’s name to prominence.

“I would not be where I am right now if not for Harlan,” explains Straczynski, who was a 12-year-old in Newark, New Jersey, when he discovered the writer, and sought out his books for years. As his own career evolved from journalism to writing for animated TV, then a latter-day version of The Twilight Zone, show-running Babylon 5 and writing screenplays for Clint Eastwood (2008’s Changeling) and others, Ellison’s feisty example remained central. “His words kept me going. He was the only writer that I came across who made the notion of courage essential to the writing process, and being willing to fight for it.”…

(2) WANDERING EARTH II HUGO PROMO IMAGE. [Item by Ersatz Culture.] The official Weibo account of The Wandering Earth posted an image to celebrate becoming a Hugo finalist.  This in turn was reposted by director Frant Gwo.  This acknowledgement might be a hopeful indicator of whether there might be some representation at Glasgow?

(3) MOVIE MAGIC. The Museum of Neon Art in Los Angeles is hosting “Larry Albright: A Great Magic Truth; March 29, 2024 through September 8, 2024”.

The Museum of Neon Art (MONA) is pleased to present Larry Albright: A Great Magic Truth, an exhibition celebrating the legacy of artist, inventor, and pop-culture force, Larry Albright. The exhibition contains plasma sculptures, consumer electronics, miniature neon set pieces, and film clips from Albright’s work in movies such as Close Encounters of the Third KindStar WarsStar TrekBlade Runner, The Goonies and more. Albright’s distinctive artistic style bridged the gap between the Light and Space Movement, assemblage, and pop culture in the 1970’s through 2000’s. A Great Magic Truth exemplifies the interconnectedness of art and science, and celebrates how humans can manipulate matter in a way that transcends time and space to create new realities. The exhibition will be on display March 29, 2024 through September 8, 2024.

(4) MONSTER RASSLIN. Matt Goldberg assures us “The World Is Big Enough for Two Godzillas” at Commentary Track.

Last year’s Godzilla Minus One took the character back to his roots with a human-driven story with the monster standing in for trauma and pain. Far from a heroic savior, the Godzilla of Godzilla Minus One was a return for the horrifying entity that our heroes would risk everything to defeat. It’s a great movie, but that’s not all Godzilla can be. Even if you want to argue it’s an American/Japanese divide (as this Polygon article does, although I think it kind of breezes past large chunks of Godzilla’s history), the fact remains that Godzilla is not just one kind of character, and hasn’t been for some time. That’s why I have no problem riding with his heroic iteration in Godzilla x Kong: The New Empire.

If you’re familiar with the Showa Era Godzilla, you’ll see that’s where director Adam Wingard puts his allegiance—big, monster wrestling fights with lots of destruction and little concern towards plot details or character development. It’s been a strange journey for this “MonsterVerse” that Legendary (the series’ production company) put together where Gareth Edwards’ 2014 Godzilla feints at trying to the bridge the gap between a serious Godzilla and a monster-fighting Godzilla, but by the time you’ve reached this sequel, they’re fully in their monsters-rasslin’ mode. It’s nice to feature acclaimed actors like Rebecca HallDan Stevens, and Oscar-nominee Brian Tyree Henry, but they’re simply here to class up the joint (and doing a solid job of it). The characters with the two clearest arcs are Kong and Jia (Kaylee Hottle), the deaf girl from Godzilla vs. Kong who can communicate with Kong via sign language. They’re both looking for a place to belong, and wouldn’t you know it, it’s even deeper in The Hollow Earth (Hollower Earth?)….

(5) SMILE, YOU’RE ON ROBOT CAMERA. Science reports on research where a “Robot face mirrors human expressions.”

Humanoid robots are capable of mimicking human expressions by perceiving human emotions and responding after the human has finished their expression. However, a delayed smile can feel artificial and disingenuous compared with a smile occur-ring simultaneously with that of a companion. Hu et al. trained an anthropomorphic facial robot named Emo to display an anticipatory expression to match its human companion. Emo is equipped with 26 motors and a flexible silicone skin to provide precise control over its facial expressions. The robot was trained with a video dataset of humans making expressions. By observing subtle changes in a human face, the robot could predict an approaching smile 839 milliseconds before the human smiled and adjust its face to smile simultaneously.

Primary research here: “Human-robot facial coexpression”.

(6) ALICE IN MOVIELAND. [Item by Daniel Dern.] “Alice through the projector lens” at Den of Geek. For serious Alice/Carroll video (movie, TV, etc) fans, this list (the article’s nearly 15 years old, but I’m seeing many I was unaware of and want to find, e.g. “A Song Of Alice,” along with some I might have seen but would cheerfully rewatch). And others I’m familiar with, happily.

There’s some well-known/fabulous actors among the casts, including WC Fields, Clark Gable, Ringo Starr, Zsa Zsa Gabor, Phyllis Diller, Jonathan Winters, and Gene Wilder. I’m curious to see Mr. T as the Jabberwock!

(Did Robin Williams ever do any Alice? Can somebody do one starring Kate McKinnon?)

This isn’t a complete list; e.g. it appears to omit the phenomenal 1988 (but not for young kids) Czech stop-motion animation (plus one live actor, playing Alice), Alice (Original title: Neco z Alenky).

(7) RING TOUR. Tech Wizards is selling a line of ten Lord of the Rings Posters done travel ad-style. Two examples below. (Click for larger images.)

Experience the beauty and adventure of Middle-earth through a beautifully illustrated scene that captures the essence of Tolkien’s legendary universe.

(8) CHANCE PERDOMO (1996-2024). Actor Chance Perdomo, the Chilling Adventures of Sabrina and Gen V star, died following a motorcycle accident says The Hollywood Reporter obituary notice. Perdomo was relatively young, his career was just beginning to take off, and he had already done quite a bit of genre work.

Perdomo played Ambrose Spellman and appeared in all episodes of The Chilling Adventures of Sabrina (2018-2020) based on the Archie comics about Sabrina, the teenage witch.

Gen V (2023- ) is a spin-off of The Boys. He appeared in all 10 episodes of season 1. It has been renewed for a season 2, tentatively expected next calendar year. His character Andre Anderson was part of the cliffhanger at the end of S1, so his disappearance may take some explaining in S2, unless they recast the part.

Moominvalley (2019- ) is an English/Finnish production appearing originally on TV in the UK and Finland. Dubs for several other languages followed. It’s based on the Moomin series of books and comics. Perdomo‘s character Snork appeared in 4 episodes of the 3rd and currently final season. A 4th season is expected. 

(9) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born March 29, 1930 John Astin. Now let’s talk about one of my favorite performers, John Astin. I know him best as Gomez Addams in The Addams Family series which was on the air shorter than I thought, lasting just two seasons and a little over sixty episodes. He played him again in Halloween with the New Addams Family (which I’ve not seen) and voiced him thirty years later in The Addams Family, a two-season animated series. I’ll admit I’m not interested in animated series based off live series. Any live series.

John Astin and Carolyn Jones in The Addams Family (1964).

Oh did you know he was in West Side Story? He played Glad Hand, well-meaning but ineffective social worker. No, you won’t find him in the credits as he wasn’t credited then but retroactively he got credited for it which was good as he was a lead dancer. Brilliant film and I’ve no intention of watching the new version, ever.

(Yes I’ve long since abandoned the idea that these Birthdays are solely about genre.)

I’d talk about him being in Teen Wolf Too but let’s take the advice of Rotten Tomatoes reviewers and steer way clear of it. Like in a different universe. Same for the two Killer Tomatoes films. I see he’s in Gremlins 2: The New Batch as janitor but I can’t say I remember him.

So series work… I was going to list all of his work but there’s way too much to do that so I’ll be very selective. So he’s The Riddler in two episodes of Batman and a most excellent Riddler he was. 

But that was nothing when compared to his role on The Adventures of Brisco County, Jr. as Prof. Albert Wickwire. He’s a charming, if somewhat absent minded inventor who assists Brisco with diving suits, motorcycles, and even grander creations such as rockets and airships. Dare I say that this was an element of steampunk in the series? It was a great role for him. 

Finally he has a recurring role as Mr. Radford (the real one) as opposed to Mr. Radford (the imposter) on Eerie, Indiana. A decidedly weird series that was cancelled before it completed.

(10) COMICS SECTION.

  • Candorville tries to find a bright side to look on.
  • Macanudo knows the benefits of reading.
  • Rhymes with Orange reveals an unexpected complication of raising a child.
  • War and Peas asks “You Dare Call That… Thing– HUMAN?!?” – and is mostly about xenosex.

(11) CAN’T TELL GOGGINS WITHOUT A SCORECARD. “’I was freaking out’: Walton Goggins on fear, The White Lotus and being a 200-year-old mutant in Fallout” in the Guardian.

…Goggins is almost unrecognisable as the Ghoul, in part due to the full-face prosthetic work that essentially turns him into a bright red, noseless skull. Which, as you may imagine, was not a lot of fun to wear.

“I didn’t know how I would hold up, to be quite honest with you,” he says. “The very first day we were working, it was 106F [41C]. And all of a sudden, the sweat started building up. I couldn’t stop it. Jonathan Nolan asked me: ‘Are you crying?’ I said: ‘No, I don’t know what you’re talking about.’ And he touched my eye and water came pouring out of the piece, because there was a buildup of sweat inside. I’m not one to complain, but I sat down on a log and literally said to myself: ‘Man, you’re getting too old for this shit. I don’t know how I’m going to do nine months of this.’ I was freaking out.’…

(12) VERONICA CARLSON INTERVIEW. Steve Vertlieb invites you to look back at this 2013 YouTube video celebrating the life and career of beloved Hammer Films actress Veronica Carlson.

In an exclusive one-on-one sit-down recorded for the documentary, THE MAN WHO “SAVED” THE MOVIES, iconic Hammer Studios actress (and 60s era Mod “It Girl”) Veronica Carlson candidly discusses her days with Hammer, her near familial relationships with the legendary Peter Cushing & Christopher Lee, her close friendship with cinema journalist / archivist Steve Vertlieb, and what caused her to leave the film industry just as her star was rising.

(13) VIDEO OF THE DAY. Ryan George takes us inside the “Divergent Pitch Meeting”.

[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Ersatz Culture, Steve Vertlieb, Kathy Sullivan, Lise Andreasen, Daniel Dern, Steven French, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

BSFA Awards 2023

The British Science Fiction Association announced the winners of the 2023 BSFA Awards at Eastercon on March 30.

The awards are voted on by members of the British Science Fiction Association and by the members of the year’s Eastercon, the national science fiction convention, held since 1955.

The BSFA Awards have been presented annually since 1970. 

BEST NOVEL

  • The Green Man’s Quarry by Juliet McKenna

BEST SHORT FICTION

  • “How to Raise a Kraken in Your Bathtub” by P. Djèlí Clark

BEST SHORTER FICTION

  • “And Put Away Childish Things” by Adrian Tchakovsky

BEST AUDIO FICTION

  • The Dex Legacy by Emily Inkpen

BEST ARTWORK

  • Cover of The Surviving Sky by Leo Nicholls

BEST COLLECTION

  • The Best of British Science Fiction 2022 edited by Donna Scott

BEST NON-FICTION (LONG)

  • A Traveller in Time: The Critical Practice of Maureen Kincaid Speller edited by Nina Allan

BEST SHORT NON-FICTION

  • Project Management Lessons from Rogue One by Fiona Moore

BEST TRANSLATED SHORT FICTION

  • “Vanishing Tracks in the Sand” by Jana Bianchi, translation by Rachael Amoruso

BEST FICTION FOR YOUNGER READERS

  • The Library of Broken Worlds by Alaya Dawn Johnson

Here is an example of this year’s award trophy. (Photo posted by Fiona Moore on Facebook.)

Person Refused Membership by UK Eastercon and Escorted Out by Security

Reports circulated Friday that Dave McCarty had been refused admission to the UK Eastercon being held this weekend. McCarty had posted a flight itinerary to the UK on his Facebook page on March 27.

File 770 contacted the Levitation (UK Eastercon 2024) committee asking if they could confirm the story or put it to rest. Today Farah Mendlesohn, Chair, Levitation 2024 issued the following statement:

On Thursday the Levitation (Eastercon 2024) executive committee was informed that a person, whose presence we believed would cause significant interference with the operations of the convention, was intending to join on the door.

The Levitation (Eastercon 2024) executive committee took the decision to refuse membership to this person. 

An email was sent explaining our decision and referencing our code of conduct which states that we may revoke or refuse membership under these circumstances.  

When this person then chose to enter the convention the next day, we told them that they would not be allowed to buy a membership and asked them to leave the site. They repeatedly refused to do so. We explained that if they did not leave we would ask site security to escort them out. They did not leave, and security did therefore escort them from the premises.

A second person of concern who purchased a membership in 2022 was permitted to remain under specified conditions, and has abided by those conditions.

Farah Mendlesohn

Chair, Levitation 2024

N.B. Levitation is an unincorporated members’ society under UK law, and may refuse membership for any reason other than a person belonging to a protected group. 

The “second person of concern” is believed to be Ben Yalow, who is present at the convention.

J.J.S. Boyce Review: Sharffen Berger Chocolate Bars

Review by J.J.S. Boyce: Today we take a look at three bars from American chocolate makers Scharffen Berger. Using restored, vintage machinery from Europe, and starting from the raw cacao beans, this is the very definition of artisanal chocolate. I sampled a bitter-sweet, with 70% cacao content, and two semi-sweets of 62%.

The bitter-sweet is very smooth and chocolaty, while still possessed of a pleasant, but not overwhelming sweetness. As with all good darks, a little goes a long way. One bite should satisfy one’s chocolate craving, but it’s delicious enough that one can go through a 1-oz bar (28 g) in one sitting without meaning to.

I preferred it to the plain semi-sweet, which was still good, but not chocolaty enough for my taste. This is, of course, completely personal. The perfect balance between sweetness and chocolate is a moving target.

The highlight of today’s chocolate offerings was the semi-sweet mocha. I’ve had chocolate-covered coffee beans before, but could only handle them in small doses. A whole coffee bean with a thin layer of chocolate is a bit much; Scharffen Berger’s mocha bar provides a more palatable coffee to chocolate ratio. The ground coffee also contributes a pleasant crunchiness to the bar’s texture, and offsets the sweeter chocolate a bit.

All in all, I would say Scharffen Berger is an excellent choice if you are looking for high quality chocolate. You can find more information and place orders at their website.


J.J.S. Boyce is a freelance writer and science teacher. He tries to use both sides of his brain regularly, but will probably never know enough opera to be a Jeopardy! champion. His author blog is at www.jjsboyce.ca; his reviews can be found at Green Man Review, Sleeping Hedgehog, and Blogcritics; other work can be found at Terry, the Science Creative Quarterly, and print media.

2024 Philip K. Dick Award Winner Announced

The winner of the 2024 Philip K. Dick Award, given for distinguished science fiction published in paperback original form in the United States, was announced March 29 at Norwescon 46:

WINNER

  • These Burning Stars by Bethany Jacobs (Orbit)

SPECIAL CITATION

  • The Museum of Human History by Rebekah Bergman (Tin House)

The award is sponsored by the Philadelphia Science Fiction Society and the Philip K. Dick Trust and the award ceremony is sponsored by the Northwest Science Fiction Society.  

The judges for this year’s award are Nicky Drayden, Gordon Eklund, Christopher V. Rowe, Kali Wallace (Chair), and Lisa Yaszek.

Pixel Scroll 3/29/24 Scroll On, You Crazy Pixel

(1) FLOTSAM AND JETSAM. The five-day “Treasures From Planet Hollywood” auction brought in more than $15.6 million from over 5,500 bidders worldwide across some 1,600 lots, according to Heritage Auctions. Here are some items of genre interest that fetched big bucks.

Mechanical Man from Hugo

The whip from Indiana Jones and the Temple of Doom sold for $525,000 to become the most valuable prop or costume from the beloved franchise…

Another first-day smash was the Bapty& Co.-made ax Jack Nicholson used to heeeeeere’s-Johnny his way through the bathroom door in Stanley Kubrick’s The Shining. Among the first props Planet Hollywood secured before its grand opening in New York City in 1991, that ax sold for $125,000. When that sold Wednesday after a fierce bidding war, the auction room erupted in applause — for the first time, but not the last.

Over the five-day event, the hits kept coming: The Barbasol can Wayne Knight uses to smuggle dinosaur embryos out of 1993’s Jurassic Park realized $250,000The blaster Princess Leia carried across the forest moon of Endor in Return of the Jedi sold for $150,000, while an original Stormtrooper blaster from Star Wars, which Bapty & Co. forged from a British Sterling submachine gun, sold for $112,500.

Tobey Maguire’s black symbiote suit from 2007’s Spider-Man 3 swung out the door for $125,000, just a web ahead of one of his signature Spidey suits from the same film, which realized $106,250A “good guy” Chucky doll from 1988’s Child’s Play scared up a winning bid of $106,250….

…. A set of three Sankara stones from Indiana Jones and the Temple of Doom realized $100,000, while “the cup of the carpenter” — the Holy Grail itself — sold for $87,500.

But one of the auction’s first bidding wars was over a display figure wearing Gary Oldman’s Vlad the Impaler reproduced armor from 1992’s Bram Stoker’s Dracula, which Planet Hollywood obtained from technical advisor Christopher Gilman and sold on Wednesday for $87,500. And on the auction’s final day, a bidding war broke out over a prop from one of Martin Scorsese’s most underappreciated masterpieces, his 2011 adaptation of Brian Selznick’s children’s book Hugo, from which the original Mechanical Man automaton realized $81,250….

The top-selling item overall was the “Titanic prop that saved Rose and sparked debate…” reports NPR.

…”The wood panel from Titanic that saved Rose — but, controversially, not Jack — was the king of the auction, realizing $718,750 to float to the top of the five-day event,” auction house Heritage Auctions said in a release….

(2) SPOT RESOLUTION. Camestros Felapton wants you to know “Why I Declined a Hugo Spot”.

…2023 looms large here and there were definitely people I would rather see on the Hugo ballot for Best Fan Writer this year than myself. One was obviously Paul Weimer but I was certain he’d be top of most people’s ballots anyway but I was hoping some Chinese fans would make it onto the category. That didn’t happen but it is a decent list of finalists and there is nobody there that I would have wanted to replace.

Closely related to this was also the sense that I was likely to have gathered additional votes from things that I had written in 2024, specifically on the 2023 Hugo Award stats. Even if that wasn’t the case it would have felt like it was the case to me. So, I thought I’d feel happier skipping this year and putting my hat into the ring for next year…

(3) DREAM FOUNDRY CONTESTS OPEN SOON. The Dream Foundry’s annual contest for emerging artists and writers will take entries from April 1 until May 27, 2024. Every year their contest coordinators select ten finalists from a pool of submissions from around the world. Both contests offer cash prizes, first choice of seats in Flights of Foundry workshops, and other opportunities. Eligibility requirements and full details about prizes are at the links:

  • Art Contest — This year’s art contest will be judged by Lauren Raye Snow & Jessica Cheng, The contest coordinator is Grace P. Fong.
  • Writing Contest — The writing contest will be judged by Valerie Valdes and C.L. Polk, and our contest coordinator is Julia Rios.

(4) KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present Robert Levy and Jennifer Marie Brissett on Wednesday, April 10 at 7:00 p.m. Eastern. Location: KGB Bar, 85 East 4th Street, New York, NY 10003 (Just off 2nd Ave, upstairs).

ROBERT LEVY

Robert Levy’s novel The Glittering World was a finalist for the Shirley Jackson Award and the Lambda Literary Award. His collection No One Dies from Love: Dark Tales of Loss and Longing was published last year by Worde Horde and includes stories from The Magazine of Fantasy & Science Fiction, Nightmare, Black Static, The Dark, The Best Horror of the Year, and The Year’s Best Gay Speculative Fiction. Trained as a forensic psychologist, he teaches at the Stonecoast MFA Program in Creative Writing and can be found at TheRobertLevy.com.

JENNIFER MARIE BRISSETT

Jennifer Marie Brissett is the author of Destroyer of Light, which received a starred Kirkus Review and was on its list of Best Fiction of the Year. She is also the author of Elysium, which won The Philip K. Dick Award Special Citation and was a finalist for the Locus and Tiptree Awards. And once a long time ago she owned and operated an independent bookstore in Brooklyn. She lives in Manhattan where she is currently working on her next novel Daughters of the Night. Find her via her website at www.jennbrissett.com

(5) CLIMATE FICTION CONTEST OPENS. Grist’s “Imagine 2200 climate fiction contest 2024” is open for submissions through June 24.

Grist is excited to open submissions for the fourth year of our Imagine 2200: Climate Fiction for Future Ancestors short story contest. 

Imagine 2200 is an invitation to writers from all over the globe to imagine a future in which solutions to the climate crisis flourish and help bring about radical improvements to our world. We dare you to dream anew….

…. The winning writer will be awarded $3,000. The second- and third-place winners receive $2,000 and $1,000, respectively. An additional nine finalists will each receive $300. All winners and finalists will have their story published in an immersive collection on Grist’s website. …

We are thrilled to also announce the judges for our 2024/25 contest: Omar El Akkad and Annalee NewitzEl Akkad is an author and journalist whose award-winning debut novel, American War, is an international bestseller and was selected by the BBC as one of 100 Novels That Shaped Our World. Newitz is a science fiction and nonfiction writer whose third novel, The Terraformers is a finalist for the Nebula Award, and whose latest nonfiction book, Four Lost Cities, is a national bestseller.

Imagine 2200 celebrates stories that envision the next decades to centuries of equitable climate progress, imagining futures of abundance, adaptation, reform, and hope. We are looking for stories that are rooted in creative climate solutions and community-centered resilience, showing what can happen as solutions take root, and stories that offer gripping plots with rich characters and settings, making that future come alive.

In 2,500 to 5,000 words, show us the world you dream of building.

Your story should be set sometime between the near future and roughly the year 2200….

(6) WANT TO GO TO SPACE? NASA is accepting applications to “Become An Astronaut” through April 16. The complete guidelines are at the link.

Astronaut requirements have changed with NASA’s goals and missions. Today, to be considered for an astronaut position, applicants must meet the following qualifications:

  1. Be a U.S. citizen
  2. Have a master’s degree* in a STEM field, including engineering, biological science, physical science, computer science or mathematics, from an accredited institution.
  3. Have a minimum of three years of related professional experience obtained after degree completion (or 1,000 Pilot-in-Command hours with at least 850 of those hours in high performance jet aircraft for pilots) For medical doctors, time in residency can count towards experience and must be completed by June 2025.
  4. Be able to successfully complete the NASA long-duration flight astronaut physical.

(7) LOUIS GOSSETT JR. (1936-2024). Actor Louis Gossett Jr., winner of an Oscar for his performance in An Officer and a Gentleman and an Emmy for his role in TV’s Roots,died March 29 at the age of 87.

His genre resume includes the movie Enemy Mine (as the alien soldier), the Watchmen TV series (as the former Hooded Justice, for which he won an Emmy), and an episode of Touched By An Angel (a role which also earned an Emmy nomination). He voiced Lucius Fox in The Batman animated series (2007).

(8) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born March 29, 1957 Elizabeth Hand, 67. These are my personal choices, not an overview of her career. 

I’ll say up front that my favorite work by Elizabeth Hand is an atypical work by her, Wylding Hall. Using an oral history framing to tell the story of when the young members of a British folk band decide to record a new album, they choose this ancient country house that has a history that is very troubled. The characters are fascinating, the setting is well crafted and the story, well, I think it’s her best story ever and it did win the Shirley Jackson Award. 

Elizabeth Hand

So what else did I like by her? There’s Mortal Love which intertwine the now while reaching back in the Victorian past with the mystery of a woman who holds the key to lost Pre-Raphaelite paintings, appropriate since she seems too akin to one of those of those works herself. 

I will admit that I like her more grounded works better which is why the next pick is Illyria, a short novel set in the theater world (did I mention that I adore Angel Carter’s Wise Children? Well I do.) Twin sisters are now cast in a production of Twelfth Night, and magic will happen this night. It garnered a World Fantasy Award.

Curious Toys is an extraordinary work as a young girl attempts to find a murderer in turn-of-the-century Chicago. That description hardly describes the story awaiting the reader here as the girl is but fourteen and the setting the killer is stalking is the famous Riverview amusement park.  

Finally I find much to appreciate in her Cass Neary private eye series. A smart-assed, substance abusing and always self-destructive punk who means well, the series is that rare series that develops the character novel by novel. 

(9) COMICS SECTION.

(10) FANCY THREADS. “When Hollywood Needs a Historically Accurate Outfit That Looks Just Right, It Turns to Rabbit Goody”Smithsonian Magazine has the story.

… Thistle Hill Weavers, founded by Rabbit Goody in 1989, makes textiles for movies and television shows, historic houses, and high-end furniture and clothing companies. What sets this little mill in Central New York apart from every other cloth manufacturer in the country is Goody’s remarkable ability to re-animate the past: No one else produces short runs of textiles that so faithfully replicate the weave, texture, weight and color of historic fabrics. If you’ve seen “The Gilded Age” or Cinderella Man, you’ve seen Goody’s work in action. The majority of Thistle Hill’s income comes from creating more contemporary fabrics for interior designers and architects, and from the work Goody does with historic houses, such as Mount Vernon, George Washington’s home in Virginia. Yet many of her favorite jobs have come from Hollywood costume designers seeking perfectly rendered, historically accurate textiles to recreate items like Abraham Lincoln’s shawl for the movie Lincoln or much of the colonial-era clothing seen in the 2008 mini-series “John Adams.”…

… Today Thistle Hill Weavers employs seven people whom Goody has trained to run the nine mechanized shuttle looms dating from the 1890s through the 1960s, plus archaic-sounding equipment like a warp winder and a quiller—all necessary to transform big cones of thread into beautiful pieces of fabric. Goody’s workers generally arrive with no knowledge of weaving; she teaches them everything they need to know….

(11) NYT ON VINGE. The New York Times obituary linked here is behind a paywall: “Vernor Vinge, Innovative Science Fiction Novelist, Dies at 79”.

… Mr. Vinge’s immersion in computers at San Diego State University, where he began teaching in 1972, led to his vision of a “technological singularity,” a tipping point at which the intelligence of machines possesses and then exceeds that of humans.

He described an early version of his vision in Omni magazine in 1983.

“We’re at the point of accelerating the evolution of intelligence itself,” he wrote, adding, “Whether our work is cast in silicon or DNA will have little effect on the ultimate results.” He wrote that the moment of the intellectual transition would be as “impenetrable as the knotted space-time at the center of a black hole,” and that at that moment “the world will pass far beyond our understanding.”

A decade later, he fleshed out the intellectual transition — the singularity — in a paper (subtitled “How to Survive in the Post-Human Era”) for a symposium sponsored by the NASA Lewis Research Center and the Ohio Aerospace Institute.

“Within 30 years,” he said, “we will have the technological means to create superhuman intelligence. Shortly after, the human era will be ended. Is such progress avoidable? If not to be avoided, can events be guided so that we may survive?”

That prediction has not come true, but artificial intelligence has accelerated to the point that some people fear that the technology will replace them….

(12) MEASURING THE UNIVERSE. The New York Times makes sure she is “Overlooked No More: Henrietta Leavitt, Who Unraveled Mysteries of the Stars”.

…In the early 20th century, when Henrietta Leavitt began studying photographs of distant stars at the Harvard College Observatory, astronomers had no idea how big the universe was. Debate raged over whether all of the objects visible through the telescopes of the day were within our own Milky Way galaxy, or whether other galaxies — or “island universes,” as they were then called — might exist somewhere out in space.

Leavitt, working as a poorly paid member of a team of mostly women who cataloged data for the scientists at the observatory, found a way to peer out into the great unknown and measure it.

What’s now commonly called Leavitt’s Law is still taught in college astronomy courses. It underpinned the research of other pioneering astronomers, including Edwin Hubble and Harlow Shapley, whose work in the years after World War I demolished long-held ideas about our solar system’s place in the cosmos. Leavitt’s Law has been used on the Hubble Telescope and the James Webb Space Telescope in making new calculations about the rate of expansion of the universe and the proximity of stars billions of light years from earth.

“All of those major discoveries rested on Leavitt’s discovery,” Wendy L. Freedman, a professor of astronomy and astrophysics at the University of Chicago, said in a phone interview, referring to the explosion of knowledge about space over the last century. “It’s the bedrock foundation of so much of what we do today in cosmology and astrophysics in general.”

What Leavitt achieved was essentially twofold. In a groundbreaking observation in 1908, she noticed that certain stars, called Cepheids, photographed in the Large and Small Magellanic Clouds — two relatively nearby galaxies — had a distinctive pattern: The longer it took for the Cepheids to cycle through their variations, the brighter they were in magnitude. Then, in a paper in 1912, she laid out a mathematical formula to explain her observation, called a “period-luminosity” relationship.

That opened the door to a new kind of interstellar triangulation, as Cepheid variables emerged as a reliable way to calculate cosmic scale for Earthbound astronomers. Distances that before then were anyone’s guess suddenly had a formula, and the portrait that emerged was shocking — a universe hundreds of times bigger than most astronomers had imagined….

(13) AT THE CORE. “Astronomers Capture Dazzling New Image of the Black Hole at the Milky Way’s Center” in Smithsonian Magazine.

Astronomers have captured the first-ever image of magnetic fields circling the supermassive black hole at the center of our Milky Way galaxy.

The fields have a similar structure to those around the black hole at the center of Messier 87, a massive elliptical galaxy in the constellation Virgo. This finding suggests that strong magnetic fields may be a common feature of all black holes, the researchers report in a pair of papers published today in the Astrophysical Journal Letters.

“This spiral pattern that we see swirling around the black hole indicates that the magnetic fields must also be a spiral pattern whirling around—and that they’re very strong and very ordered,” Sara Issaoun, a co-leader of the research and an astronomer at the Center for Astrophysics, Harvard & Smithsonian, says to BBC Science Focus’ Tom Howarth….

(14) WEEDS IN SPACE! Yesterday I was frustrated that NASA had not said what plants are part of its lunar-bound experiment. Cat Eldridge found the answer on the Space Lab website: “Lunar Payload LEAF – Lunar Effects on Agricultural Flora”.

…The LEAF β (“LEAF Beta”) payload will protect plants within from excessive Lunar sunlight, radiation, and the vacuum of space, while observing their photosynthesis, growth, and responses to stress. The experiment includes a plant growth chamber with an isolated atmosphere, housing red and green varieties of Brassica rapa (Wisconsin Fast Plants®), Wolffia (duckweed), and Arabidopsis thaliana. By bringing seedling samples back to Earth, as part of Artemis III, the research team will apply advanced system biology tools to study physiological responses at a molecular level…

(15) WHEN DID THE FIRST HOMININS TRULY ENTER EUROPE? [Item by SF Concatenation’s Jonathan Cowie.] (I have never forgiven the dinosaurs for what they did to Raquel Welch.) When did humans first enter Europe has been the subject of some debate. Now, new research from a site in Ukraine at Korolevo has used two different dating methods. These have given a very similar result… “East-to-west human dispersal into Europe 1.4 million years ago” in Nature.

Here, using two methods of burial dating with cosmogenic nuclides [the researchers] report ages of 1.42 ± 0.10 million years and 1.42 ± 0.28 million years…

…this suggests that early hominins exploited warm interglacial periods to disperse into higher latitudes and relatively continental sites—such as Korolevo—well before the Middle Pleistocene Transition.

(16) NEW SF YOUTUBER….? [Item by SF Concatenation’s Jonathan Cowie.] Well, we all (OK, perhaps just some of us) have our favorite SF YouTuber, be it Moid Moidelhoff at Media Death Cult who is particularly popular with those fairly new on their SF journey, or Book Pilled for those that are perhaps more seasoned.  One recent newcomer that some Filers might like to check out is Grammaticus Books.  He recently reminded me of a forgotten Heinlein classic from 1942, Orphans of the Sky.  So I went to see if I had a copy in my library, and lo, it came to pass that I had and that I must have read it the best part of half a century ago…

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, Kathy Sullivan, Olav Rokne, Daniel Dern, Danny Sichel, SF Concatenation’s Jonathan Cowie, Steven French, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Jon Meltzer.]

2023 Chesley Awards

ASFA, The Association of Science Fiction and Fantasy Artists, announced the winners of the 2023 Chesley Awards on March 29.

BEST COVER: HARDCOVER BOOK  

  • Manzi Jackson – Africa Risen edited by Sheree Renee Thomas, Oghenechovwe Donald Ekpeki, & Zelda Knight (Tor; November 2022)

BEST COVER: PAPERBACK OR EBOOK 

  • Luisa Preissler – The Last Stand of Mary Good Crow By Rachel Aaron (Aaron Bach LLC; June 2022)

BEST MAGAZINE ILLUSTRATION 

  • Tehani Farr – Eternus #1 Metal Variant; October 2022

BEST INTERIOR ILLUSTRATION 

  • Omar Rayyan – Animal Farm by George Orwell (Suntup Editions; December 2022)

BEST GAMING RELATED ILLUSTRATION 

  • Ryan Pancoast – “Discover the Impossible” (WofC Kamigawa: Neon Dynasty; February 2022)

BEST PRODUCT ILLUSTRATION 

  • Nico Delort – The Lighthouse (Mondo; March 2022)

BEST COLOR WORK – UNPUBLISHED 

  • Serena Malyon – ”Steady” Watercolor and acryla gouache

BEST MONOCHROME – UNPUBLISHED 

  • Ed Binkley – “Listener”; Colored Pencil and Acrylic

BEST THREE DIMENSIONAL ART 

  • Dug Stanant – “The Boatman”; Mixed Media

BEST ART DIRECTOR 

  • Neil Clarke – Clarkesworld

ARTISTIC LIFETIME ACHIEVEMENT AWARD 

  • Gregory Manchess