Pixel Scroll 4/3/25 Pixels First, Or Multiverse First? Cosmologists Want To Know

(1) ‘WONDERLAND’ SF DOCUMENTARY. [Item by Ersatz Culture.] The UK free-to-air channel Sky Arts is showing the first of a four-part documentary series Wonderland: Science Fiction in the Atomic Age tonight at 8pm UK time. And it will air again on Saturday April 5 at 3:40 p.m.

Unusually, it looks to be focused on literary SF; the episode descriptions only mention film/TV/etc for the final episode.  The trailer shows talking heads clips from a number of well-known UK-based critics, academics and authors, including John Clute, Farah Mendlesohn, Adam Roberts and Tade Thompson.

A description of the four episodes as taken from the Fine Books & Collections website:

  • Episode I – Mary Shelley to Isaac Asimov (April 3)

The creation and detonation of two atomic bombs developed by science fiction reading scientists is followed by an exploration of early science fiction writers including Mary Shelley, Jules Verne, and H.G. Wells. It also features Kurt Vonnegut’s experience of being firebombed in 1944 in a prison in Dresden (Slaughterhouse Five) and J.G. Ballard’s war experiences in the Far East (Empire of the Sun). The fear of nuclear apocalypse is portrayed in a range of work including Nevil Shute’s On the Beach. The episode concludes with the work of Isaac Asimov.

  • Episode II – Arthur C. Clarke to Ray Bradbury (April 10)

The work of Isaac Asimov leads to the sense of wonder that surrounded 1960s’ space exploration, embodied in the work of Arthur C. Clarke such as Childhood’s End and The Nine Billion Names of God. Also included are J.G. Ballard’s concern with “inner space” and apocalyptic events (Crash, The Atrocity Exhibition, The Drowned World), the work of Robert A. Heinlein (The Moon is a Harsh Mistress), and Stanislaw Lem (Solaris). The episode concludes with discussions of the menacing alternative worlds of Aldous Huxley’s Brave New World, George Orwell’s 1984 and Ray Bradbury’s Fahrenheit 451.

  • Episode III – Margaret Atwood to Ted Chiang (April 17)

Writers like Ursula le Guin and Octavia Butler challenged conventional notions of gender. Margaret Atwood’s A Handmaid’s Tale created a more political, dystopian model to illustrate relations between genders becoming oppressive. Samuel Delaney (Babel-17, Dhalgren) questioned in the late 1960s and 1970s what it meant to be a person as the complexion of science fiction is seen to have changed, becoming less white and straight and American and British than it used to be in the Golden Age or the age of the pulps or even in the New Wave.

  • Episode IV – Quatermass to Christopher Nolan (April 24)

Discussion of the success of John Wyndham’s Day of the Triffids is followed by the long running and immensely successful Dr Who. Science fiction’s prescient concern with cyberspace and artificial intelligence is illustrated through the work of writers like William Gibson, William Burroughs and Philip K. Dick.

A trailer can be seen at the above link, or on the Sci-Fi-London website.  Starburst has a brief Q&A with the creator of the series, and there’s a positive review by someone who’s seen all four episodes.

The first episode is preceded by an apparently-unrelated documentary Douglas Adams: The Man Who Imagined Our Future; the UK comedy site Beyond the Joke has an overview, and there’s an an interview by the Radio Times with Adams’ collaborator John Lloyd.

(2) YEAR’S BEST CANADIAN KICKSTARTER. Stephen Kotowych has launched a Kickstarter to fund “Year’s Best Canadian Fantasy and Science Fiction: Volume 3”.

This year’s cover image is “Repair Station 73” by Pascal Blanché.

After highly successful campaigns for Volume One in 2023 and Volume Two in 2024, Year’s Best Canadian Fantasy & Science Fiction: Volume Three will help us cement the status of this series as the calling card anthology showing readers the powerful fantastical fiction being written by the Canadian F&SF community today.

If this project successfully funds, we’ll publish a reprint anthology made up of 50,000 words of today’s very best Canadian fantasy and science fiction. And, with YOUR help, we can make this a much longer anthology–see the Stretch Goals section below for details on how this could grow to be a 150,000 word anthology.

Stories written by Canadians appear in magazines both at home and abroad, on websites, in anthologies, and in zines. Some markets are well-known; others are smaller and might be missed. Some are free to read; some require subscriptions. And once the next issue of a magazine comes out, or an anthology goes out of print, or a publisher shuts down, these stories become hard to find and risk disappearing.

…And in the spirit of shopping Canadian, for Volume Three, I will be using a local book printer who did a very nice short run of Volume Two for me. Their books look great and their turnaround time is quick, so I’m looking forward to them printing the full run for me this year.

(3) KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present Andrea Hairston and Ursula Whitcher on Wednesday, April 9, 2025 beginning at 7:00 p.m. Eastern. Where: KGB Bar, 85 East 4th Street, New York, NY 10003 (Just off 2nd Ave, upstairs).

Andrea Hairston

Novelist, Andrea Hairston ran away from the physics lab to the theatre as a young thing and has been a scientist, artiste, and hoodoo conjurer ever since. Novels: Archangels of FunkWill Do Magic For Small Change, a NYT, (the latter an Editor’s pick & finalist for the Mythopoeic, Lambda, & Otherwise Awards); Redwood and Wildfire, winner of the Otherwise & Carl Brandon Award; Master of Poisons was on the Kirkus Review’s Best SF&F of 2020; and Mindscape, coming from Tordotcom, August, 2025.

Ursula Whitcher

Ursula Whitcher is a writer, poet, and mathematician whose collection of interwoven short stories, North Continent Ribbon, is published by Neon Hemlock Press. Ursula lives in Michigan with a spouse who works on high-voltage outer space experiments and two cats who work on lounging by heating vents. Look for more of Ursula’s writing in magazines such as Asimov’s and Analog or in the American Mathematics Society‘s Feature Column

(4) ALFIES: WHAT IT’S ALL ABOUT. In his report on “A Scottish Worldcon” at Not A Blog, George R.R. Martin recalls why he held the original Alfies ceremony in 2015, the first year the Sad and Rabid Puppies monopolized the Hugo ballot:

…A number of writers and fans who would surely have been nominated for a Hugo Award were squeezed out when the Puppies (Sad and Rabid) stuffed the ballot with their own favorites.   There was no way to rectify that (though various people tried, with everything from wooden asterisks to rules reform to voting No Award).   My own approach was the Alfies; consolation  trophies made of old hood ornaments, like many of the early Hugo Awards, given to writers and fans who missed out on nominations they likely would have gotten in a normal year….

He gave more Alfies in 2016. He skipped 2016 after that the purpose of them changed to just being nice tokens for people he thought should be honored. One Alfie was given in 2018 to John Picacio for the Mexicanx Initiative. At Dublin 2019 he presented Jane Johnson and Malcolm Edwards with Alfie Awards for Editing. But in 2024 they resumed their original purpose of calling attention to people unjustly denied their place on the Hugo Ballot.

Martin details why one of the victims of the Chengdu Worldcon Hugo shenanigans, R.F. Kuang, got an Alfie.

…The final Alfie of the night went to R.F.  KUANG for her novel BABEL, OR THE NECESSITY OF VIOLENCE,, which received 810 nominations, the third highest total.   Nonethelss, there was no place on the ballot her.  That was especially egregious, I thought, since BABEL would have had an excellent chance of coming out on top if the book had been nominated.  The novel had already won the Nebula Award and the Locus Award, among other honors; a Hugo would have given it a rare sweep of SF’s most prestigious awards.  Alas, BABEL never got the chance to contend.

But it did get an Alfie.  And Rebecca herself was there to collect it.

Will there be more Alfies in the years to come?  Only time will tell….

(5) RECOMMENDED READING. The New York Times supplies a whole chart to help you find “The Best Fantasy Novels to Read Right Now” – link bypasses the paywall.

The editors of The New York Times Book Review bring you cross-genre fantasy booksour favorite recent romantasy readsbooks that will transport you to other worldsour latest reviewsthrilling historical fantasiesthe essential Tanith Leenew series fantasy novels and more!

(6) WAYWARD WORMHOLE 2026. Cat Rambo’s Wayward Wormhole workshop will meet in Barbados from February 7-21, 2026. The focus will be on “The Art of the Novella”. Applications close May 15, 2025. Full details at the link.

Novellas are growing in popularity, and we want to help yours stand out.

Structurally, they can get tricky—they’re not mini-novels anymore than children are mini-adults—while still demanding full, fleshy, character arcs and immersive descriptions.

WHERE: Oistins area, Christ Church, Barbados. FEE:  $2,500.00 US (travel, accommodations, and food NOT included)

(7) THROUGH A MIRROR DARKLY. [Item by SF Concatenation’s Jonathan Cowie.] The first 15 minutes of BBC Radio 4’s Front Row earlier this week had an interview with Charlie Brooker, the writer behind Black Mirror. You can download it here.

(8) MEMORY LANE.

[Written by Cat Eldridge.]

April 3, 1999The Lost World series

Twenty-six years ago, something that had been made into a film at least seven times was made into a series. Sir Arthur Conan Doyle’s The Lost World, often shortened to just The Lost World, premiered this day in syndication in the States. (The first adaptation was made in 1925, and author Doyle appears in a preface to that film, though not all existing prints have him as some were cut, often radically.)

It was based very loosely as you well know on Doyle’s The Lost World novel and includes John Landis among its bevy of executive producers. The actual producer was Darrly Sheen who was the line producer on Time Trax and who did the same on several episodes of the Australian version of Mission: Impossible. The latter is a series that I like a lot which is not streaming anywhere. Did you did every episode used a script that not chosen for an expose during the run of the original series? Well it did. It marked the last appearance of Graves as Phelps as in the films the character goes bad and he wouldn’t do that. 

Guess where this series was produced? It was done at Village Roadshow Studios, Oxenford, Queensland, Australia.  Other productions of note done there include Thor: RagnarokPirates of the Caribbean: Salazar’s Revenge and Aquaman.

The initial cast was Peter McCauley as Professor George Edward Challeger, Rachel Blakely, as Marguerite Krux, Jennifer O’Dell as Veronica Layton, William deVry as Ned Malone and William Snow as Lord John Richard Roxton and Michael Sinelnikoff as Professor Arthur Summerlee. It would have way, way too many guest performers as it had at least or more generally every episode to list here. Suffice it say that if you watched any series that was made in Australia or. New Zealand then, it’s likely one or more of them could well grace this series. 

They lived in a giant tree house, really they did, one with many conveniences that rival what you and I have in a sort of Victorian peusdo-scientific fashion, and had many a fantastical adventure, none of which I’d say had anything to do with The Lost World novel unless there’s reptile people in there that I missed when I read it. It lasted three seasons consisting of sixty-six episodes. It was cancelled when funding for another season fell through. It’s on Amazon Prime right now.

Personal opinion? It was fun and I certainly don’t regret the time that I took to watch it. It was quite pulpy (Doc Savage would have fit right in here) and as long as you don’t expect it to have anything to do with the novel, you will enjoy a Thirties-style concept updated to contemporary standards. 

(9) COMICS SECTION.

(10) PROJECT HAIL MARY. “Ryan Gosling Plays a Nerdy Scientist on a Suicidal Space Mission in ‘Project Hail Mary’ CinemaCon Trailer: ‘I Put the Not in Astronaut’” at Variety.

Ryan Gosling, looking very nerdy and quite un-Ken-like, plays a science teacher turned grudging astronaut in “Project Hail Mary,” a sci-fi adventure that Amazon MGM Studios teased during its presentation to theater owners at CinemaCon on Wednesday.

“I put the ‘not’ in astronaut,” Gosling tells the government handler (Sandra Hüller) who has tapped him to undertake a suicidal space mission. “I can’t even moonwalk.”

The film, an adaptation of Andy Weir’s best-selling novel of the same name, follows an ordinary man who is told he has what it takes to go into the outer reaches of the universe. “You have the right stuff,” Gosling tells Hüller. “I have the wrong stuff.”…

(11) NINTENDO’S NEW CONSOLE. [Item by Steven French.] This week’s gaming newsletter from the Guardian:“Everything we learned from Nintendo’s ‘deep dive’ into the Switch 2”.

Sixty minutes – that’s how long Nintendo took on Wednesday afternoon to remind us that no other video game manufacturer creates joy like this one. It was the Nintendo livestream we’ve been waiting for: a deep dive into the new console after so much speculation. Sure, the Switch 2 is the company’s first real hardware sequel – an updated and spruced-up version of its predecessor rather than a radical new piece of kit. But the updates are the intriguing part.

Naturally, we’re getting a larger (7.9-inch, to be precise) screen that displays in full HD at 1080p; but we’re also getting re-thought Joy-Con controllers that now click to the console via strong magnets rather than those fiddly sliders we all put on the wrong way. The buttons are larger, too, so adults will be able to play Mario Kart with some semblance of skill. But the main new feature for the controllers is a new rollerball that enables each one to operate as a mouse. This will allow for new point-and-click features and some interesting control options. I like that they showed this off with a wheelchair basketball game, where you slide the controllers a long a surface to mimic pushing the wheels….

(12) JUSTWATCH QUARTERLIES. JustWatch has released their first quarter 2025 US streaming video on demand market share report — and as always, it’s based on data from over 15 million monthly JustWatch users in the US. The report tracks streaming interest by analyzing user behavior like filtering platforms, engaging with titles, and clicking through to offers.

Highlights from Q1 2025:

  • Prime Video takes the lead at 21%, just ahead of Netflix at 20%.
  • Max (13%) and Disney+ (12%) are neck-and-neck in the second tier.
  • Hulu holds 10%, while Apple TV+ (8%) and Paramount+ (7%) follow.
  • Peacock and Starz both captured 2% of market share.

SVOD Market Shares in Q1 2025. In a highly competitive landscape, Prime Video edged out Netflix to claim the leading position in Q1 2025 with a 21% market share. Netflix followed closely with 20%, making it a tight race at the top. Max secured third place at 13%, narrowly ahead of Disney+ at 12%, while Hulu held 10% of the market, closing the gap between them and the top three.

The remaining platforms—including Apple TV+, Paramount+, and services like Peacock and Starz—collectively accounted for the remaining share of the market. These figures reflect shifting user preferences as viewers navigate an increasingly fragmented streaming landscape.

Market Share Development in Q1 2025. Short-term growth trends between December 2024 and March 2025 showed modest but notable shifts. Disney+ and Starz each gained +1%, signaling increased user interest. In contrast, Paramount+ experienced the most significant drop, falling -2% over the same period. Most major platforms—including Prime Video, Netflix, and Hulu—remained stable throughout the quarter, suggesting consistent user engagement at the top.

Year-over-Year Comparison. Comparing Q1 2025 to Q1 2024, Peacock Premium and Starz demonstrated the strongest growth, each up +1% on average. Disney+ also showed positive momentum, while Paramount+ saw the largest decline at -2% year-over-year. Max and Netflix each slipped slightly with -1%, despite remaining major players in the U.S. streaming ecosystem.

(13) UNIVERSAL UP? [Item by Mark Roth-Whitworth.] Sure looks like this is what this study implies, that there’s a universal up/north. “The distribution of galaxy rotation in JWST Advanced Deep Extragalactic Survey” in Monthly Notices of the Royal Astronomical Society at Oxford Academic.

JWST provides a view of the Universe never seen before, and specifically fine details of galaxies in deep space. JWST Advanced Deep Extragalactic Survey (JADES) is a deep field survey, providing unprecedentedly detailed view of galaxies in the early Universe. The field is also in relatively close proximity to the Galactic pole. Analysis of spiral galaxies by their direction of rotation in JADES shows that the number of galaxies in that field that rotate in the opposite direction relative to the Milky Way galaxy is ∼50  per cent higher than the number of galaxies that rotate in the same direction relative to the Milky Way. The analysis is done using a computer-aided quantitative method, but the difference is so extreme that it can be noticed and inspected even by the unaided human eye. 

(14) VIDEO OF THE DAY. “’Star Wars: Tales of the Underworld’ Drops Trailer ahead of May 4 Premiere”Animation Magazine sets the frame.

Today, Disney+ released the trailer, key art and stills for Lucasfilm Animation’s Star Wars: Tales of the Underworld, an all-new anthology series of animated shorts from creator Dave Filoni, premiering exclusively on Disney+ just in time for the “Star Wars holiday,” May the 4th. Synopsis: The series of animated Star Wars anthologies, which began in 2022 with Tales of the Jedi and continued in 2024 with Tales of the Empire, this time focuses on the criminal underbelly of the galaxy through the experiences of two iconic villains.

Former assassin and bounty hunter Asajj Ventress is given a new chance at life and must go on the run with an unexpected new ally, while outlaw Cad Bane faces his past when he confronts an old friend, now a Marshal on the opposite side of the law.

[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Roger Silverstein, Dann, Mark Roth-Whitworth, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Warner Holme Review: Redwood and Wildfire 

Redwood and Wildfire by Andrea Hairston (Tor.com, 2022)

Review by Warner Holme: Andrea Hairston’s Redwood and Wildfire is a fascinating and strange piece of historical fantasy. While the concept of a fantasy relating to the early twentieth century entertainment world is not unusual, nor is the portrayal of the situations of marginalized people, this book represents an excellent mixing of both concepts.

The title refers to two of the lead characters. The first is a strong woman with a family history of magic as well as a burning desire to move beyond her starting place in life. She is literate, indeed a volume by Pauline Hopkins is a recurring point within this tale. There is strength and desire, as well as an ongoing fear of the overall situation, a knowledge of the difficulty of the world around them which does not stop her as she continues to struggle towards what she wants.

The other half of this pair is Wildfire, also called Aiden. He is an alcoholic, from a family that claims its own magic and is white or light skinned, which further complicates matters, especially considering the early 20th century setting and that most of the other characters are dark skinned; the problems of antimiscegenation laws and general bigotry are obvious.

In a simultaneously rough and believable struggle, Redwood moves north while planning to make a living one way or another, perhaps as a performer. After some time Aiden sobers up and follows after her. Hairston subverts the obvious cliché by making this only a sliver of the story, as the tale simultaneously shows Redwood and her living situation. In addition it manages to continue on long after their reunion, with a more effective and heart moving conclusion following as the reader sees them attempt to make a place in the allegedly tolerant Chicago area.

There are many little notes which show great research by the author, particularly related to the movements made into the arts by marginalized peoples. While much of this takes the form of specific namedropping, there is also a delightful feeling of the general situations that they found themselves in. 

While a romance is definitely key to the story, a secondary element involving one of the characters could easily upset the story. Aiden heads to look for Redwood, and throughout the middle portion spends time travelling with Redwood’s younger sister, and she makes semi frequent attempts at romance with him for a while. The reading could be uncomfortable for some, although the fact that Aiden seems more bemused than serious about the situation does a great deal to make it clear that nothing sexual will occur.

There is a delightful afterword that helps to explain the process that led an author known for her Afrofuturism to write a relatively low key historical piece, and how that motivation in turn led to the final product. While not strictly necessary to appreciate the book, this afterword is a delight for anyone who wants to understand the writing process.

Overall, Redwood and Wildfire is easy to recommend. While not perfect to a current sensibility, it nonetheless provides an excellent look at what the world was like for certain people in a certain time and place. At the same time there is a delightful bit of added wonder, a strange and delightful magic that feels entirely appropriate. Heartily recommended.

Pixel Scroll 3/10/22 No Pixels Were Harmed In The Production Of This Scroll

(1) ANALYZING SANDERSON’S KICKSTARTER SUCCESS. Kristine Kathryn Rusch has an in-depth commentary about a seismic event in self-publishing, “Business Musings: Brandon’s Kickstarter”.

… If the past is any indication, however, these big Kickstarters increase the people who watch  the category and, to use the cliched phrase, they will become the rising tide that will lift all boats.

That’s the small picture.

The larger one? Smart traditionally published bestsellers should be looking closely at this. Smart unpublished writers should use this as a wake-up call.

Traditional publishing will never pay its writers tens of millions for unnamed projects. Traditional publishing can barely afford the million-dollar advances these days.

And please, remember, the Kickstarter numbers are only the beginning of the earnings on these books. These books will live for decades. Brandon will earn money on them for decades—without licensing any of the copyright to some gigantic corporate entity that does not have his best interest at heart.

Also, remember that this Kickstarter is advertising. It’s introducing millions of readers to Brandon Sanderson. These new readers are asking Who is this guy and why is he getting so much money? What are these new readers going to do? Why, they’re going to buy a backlist book and try to read it before the Kickstarter ends.

His published book sales are going to increase dramatically. So the tens of millions he’s earning on the Kickstarter does not count the other ways this Kickstarter is benefitting him financially. Nor is it counting the promotion value that he’s getting from projects that he felt inspired to write.

There’s a lot more to unpack—from some of the innovations he’s doing to the impact on the fantasy and science fiction field. But for the moment, I’m stopping here.

If you’re one of the sour grapes people, perhaps you should ask yourself why you’re being so very negative. Are you jealous? Or scared?

The rest of you should watch what happens next. This is a very big deal. For all of us.

(2) KDP WTF. Philip Beaufoy, author of the Lochwood Series, is another casualty of a sudden and unexplained Kindle Direct Publishing account closure.

https://twitter.com/PhilipJBeaufoy/status/1502016704037240835

(3) LOVE IS ALL AROUND. The SFWA Blog’s “Romancing Sci-Fi & Fantasy” series begins with Alex Chantel’s “I See Romance … Everywhere!”

… I see romance everywhere, on all levels, and it makes me love the books I read even more. There are books without romance, that don’t need romance, and readers that are perfectly happy without it. But borrowing from the romance genre can strengthen a story and the readers’ connection to the characters. 

We all want to craft memorable characters, and the strong ones can become more enduring with a partner—two are stronger than one, as the adage goes. Princess Leia and Han Solo from Star Wars—closely followed by Ben and Rey. Paul and Chani from Dune. Nahri and Ali from S.A. Chakraborty’s Daevabad Trilogy. K and Chloe from Terry Miles’s Rabbits. Euthalia and Conrí from Jeffe Kennedy’s Forgotten Empires series. Niko and Petalia from Cat Rambo’s You Sexy Thing. Some of those names may strike a romantic chord within you?…

(4) DISNEY RECORD ON LGBTQIA+ SET STRAIGHT. Deadline reports a “Internal Pixar Letter Disputes Disney’s Support Of LGBTQIA+ Employees & Questions Company’s Commitment to Change”. (The full text of the letter is quoted at the end of Variety’s coverage.)

Shortly after Disney CEO Bob Chapek spoke out publicly against Florida’s so-called “Don’t Say Gay” bill today, a very pointed response began circulating internally at the studio. A letter signed by “The LGBTQIA+ employees of Pixar, and their allies” took Chapek to task. It refuted, point by point, an internal memo Chapek sent to employees on Monday and also criticized the fact that the company “did not take a hard stance in support of the LGBTQIA+” at the shareholder meeting.

“Monday’s email, ‘Our Unwavering Commitment to the LGBTQ+ Community,’ rang hollow,” read the LGBTQIA+ letter. It said Chapek’s communication “began with the claim that Disney has a long history of supporting the LGBT community, but Disney Parks did not officially host Pride until 2019, in Paris alone. Disney has a history of shutting down fan-created Pride events in the parks, even removing same-sex couples for dancing together in the 1980’s.”

The letter goes on to say the corporation is “capitalizing on Pride” through merchandising, specifically The Rainbow Mickey Collection.

“It feels terrible to be a part of a company that makes money from Pride merch when it chooses to ‘step back’ in times of our greatest need, when our rights are at risk,” the letter asserts.

The “step back” bit is likely a reference to Chapek’s assertion at a shareholders’ annual meeting today that “we chose not to take a public position on [the bill] because we felt we could be more effective working behind the scenes, engaging directly with lawmakers on both sides of the aisle.” It later came out that Chapek had only reached out to Florida Gov. Ron DeSantis very recently….

… Finally, the letter damningly addresses Chapek’s repeated insistence that the best way for Disney to make change is through creating “powerful content that changes hearts and minds.”

It reads [in part]:

“We at Pixar have personally witnessed beautiful stories, full of diverse characters, come back from Disney corporate reviews shaved down to crumbs of what they once were. Nearly every moment of overtly gay affection is cut at Disney’s behest, regardless of when there is protest from both the creative teams and executive leadership at Pixar. Even if creating LGBTQIA+ content was the answer to fixing the discriminatory legislation in the world, we are being barred from creating it.”

(5) CALL TO REMOVE A 2023 WORLDCON GOH. SF² Concatenation has tweeted the link to an editorial comment ahead of its next seasonal edition (slated for April). Read it here.

Science fiction is far more than a genre, it enthuses science and warns of possible futures, among much else. More, many of its aficionados are part of a community: a community that crosses nations. Sometimes that community needs to nail its colours to the mast. Now, at this moment in time, due to circumstances up-to-now unthought-of in the early 21st century, those colours are blue and yellow….

On Wednesday, 2nd March (2022), the UN moved to condemn Russia’s war on Ukraine. 141 nations supported that call: only Belarus, Syria, North Korea and Eritrea supported Russia, while China, Cuba and Venezuela abstained. And here’s the thing, if China is abstaining then arguably the 2023 SF Worldcon should dis-invite Sergei Lukyanenko as a Guest of Honour: Lukyanenko has repeatedly and publicly proclaimed his support for his nation’s war against Ukraine…

In particular, there is one person in the west who is currently due to share the platform at the 2023 Worldcon with Lukyanenko. Is that something he really wants to do?…

(6) REVIEWING SFF. Strange Horizons hosts “The Author and the Critic I: Christopher Priest and Paul Kincaid”, featuring the two named figures discussing the present and future of sff criticism. They begin at the beginning.

Christoper Priest: Before I wrote and published my first novel I had already written several amateurish book reviews. I was young and inexperienced, unguided, learning slowly as I went along. I was writing for fanzines published by Peter Weston and Charles Platt, and others. It was a way of writing something and seeing it in print—or at least, typed out by someone else, which at the time felt almost as good because after the process of being retyped, with bits cut out or changed or just got wrong, it looked different. By looking different it made me read it again and look at it with some objectivity. Overall, it was much easier and quicker to write an opinion piece on a new book by Brian N. Ball or Ken Bulmer than write a novel of my own. None of this counted in the long run, of course, although I still think for a beginning writer it was a good way to learn.

Paul Kincaid: Personally, I can’t remember a time when I didn’t read reviews. This goes back to a time when newspapers used to publish things like book reviews and film reviews. But I never thought about writing them until I started getting involved in fandom…. 

(7) MORE FROM THE WORLDCON. Morgan Hazelwood posts her notes about another DisCon III panel: “The Nuts and Bolts of Chapters”. (She also presents the material in a YouTube video.)

The panelists for the titular panel were: Ada Palmer, Aparna Verma, Elle E. Ire, Nancy Kress, and Patricia A. Jackson, with Delia Sherman as moderator.

The panel description was as follows:

Do you even need chapters? How long should they be? Should you title your chapters or just number them? Where do you break a chapter, and how do you write a good cliffhanger? How do you write chapters with multiple character points of view? So much to discuss for such a small topic!

While the panelists didn’t address all of these, they shared some valuable tips.

(8) UNMADE HITCHCOCK PROJECT. “Alfred Hitchcock once planned a sci-fi epic, which he envisaged as ‘a projection into the life of a generation ahead’” – BFI looks back at “Hitchcock’s sci-fi movie, ‘a forecast of days to come’”.

… News of Hitchcock’s sci-fi project broke in October 1926, a month after The Lodger was first shown to the press. P.L. Mannock of the Kinematograph Weekly, who had spoken to Hitchcock about his “film laid in the future”, wrote that “If we except ‘Metropolis,’ it will be the first screen forecast of days to come,” the last words being a deliberate reference to a novella by one of Lang’s inspirations, H.G. Wells. “Television will be used dramatically, and Sir Alan Cobham will probably be consultant on big episodes of the air.”…

(9) MEDIA BIRTHDAY.

1964 [Item by Cat Eldridge]

“My specialty is wisdom. Do you know what wisdom is?””- Dr. Lao

“No sir.” – Mike 

“Wise answer.” – Dr. Lao

Fifty-eight years ago, 7 Faces of Dr. Lao premiered. It was George Pal’s last directorial effort. As you well know, it’s based off of Charles G. Finney’s The Circus of Dr. Lao. (There is now a Kindle edition of The Circus of Dr. Lao though it won’t be mistaken for a Meredith Moment.) It was nominated for a Hugo at Loncon II, the year Dr. Strangelove won. 

The screenplay was by Beaumont, who wrote twenty-two Twilight Zone episodes which given he died at 38 is quite astonishing, and Ben Hecht (originally uncredited), whose most notable work was Alfred Hitchcock’s Spellbound and Notorious, though he did have a genre credit writing The Thing from Outer Space, an early Fifties film. He also did uncredited work on Casino Royale.

Tony Randall played myriad roles in the 7 Faces of Dr. Lao including of course Dr. Lao, the Mysterious Visitor. And if you look carefully, you spot Randall simply as himself sans any makeup as a silent audience member. He also voices the Serpent, a stop-motion animated snake which has the face of another actor. Quite a performance indeed. 

Pal originally wanted Peter Sellers for the role of Dr. Lao and Sellers very much wanted to do the role. However, MGM had Randall under contract who was far cheaper than Sellers would’ve been. 

Pal also saved quite a bit of money here by reusing footage from Atlantis, the Lost Continent and The Time Machine. The Woldercan spectacular that Dr. Lao does as his grand finale of his circus is drawn entirely from the former. 

Pal has stated that it’s only film that he lost money on. It made just one million and I can’t find any mention of how much the production costs were but they were obviously higher than the very small box office was.

So how was it received? The Hollywood Reporter at the time said Randall’s performance was “a dazzling display of virtuosity, in some stunning makeup created by Bill Tuttle.” Audience reviewers at Rotten Tomatoes give a very strong rating of seventy-eight percent.

I don’t believe it’s streaming anywhere but you can rent it pretty much everywhere. Or you can buy it for little more than a Meredith Moment. 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 10, 1891 Sam Jaffe, His first role was in Lost Horizon as the High Lama and much later in The Day the Earth Stood Still playing Professor Jacob Barnhardt. Later on we find him in The Dunwich Horror as Old Whateley, voicing Bookman in Bedknobs and Broomsticks, playing The Old-Man in The Tell-Tale Heart, and in his last film, appearing in Battle Beyond the Stars as Dr. Hephaestus. John Sayles wrote the script for the latter surprisingly enough. (Died 1984.)
  • Born March 10, 1905 Richard Haydn. Actor who appeared in a number of genre undertakings including voicing the Caterpillar in the early Fifties Alice in Wonderland, Professor Summerlee in the early Sixties version of The Lost World and Herr Falkstein in Young Frankenstein. I’d be very remiss not to note his appearance on The Twilight Zone as Bartlett Finchley in the chilling “A Thing About Machines”. And he had one offs on BewitchedShirley Temple’s Storybook and The Man from U.N.C.L.E., in the “The Mad, Mad Tea Party Affair” an unusual episode as it takes place almost entirely within U.N.C.L.E headquarters. (Died 1985.)
  • Born March 10, 1918 Theodore Cogswell. He wrote almost forty science fiction stories, most of them humorous, and was the co-author of a Trek novel, Spock, Messiah!, with Joe Spano Jr. He’s perhaps best remembered as the editor of the Proceedings of the Institute for Twenty-First Century Studies in which writers and editors discussed theirs and each other’s works. A full collection of which was published during 1993 except, as EoSF notes “for one issue dealing with a particularly ugly controversy involving Walter M Miller.”  Having not read these, I’ve no idea, what this details, but I’m betting one of y’all know. (Died 1987.)
  • Born March 10, 1921 Cec Linder. He’s best remembered for playing Dr. Matthew Roney in the BBC produced Quatermass and the Pit series in the later Fifties, and for his role as James Bond’s friend, CIA agent Felix Leiter, in Goldfinger. He also appeared on Alfred Hitchcock PresentsVoyage to the Bottom of the Sea, the Amerika series, The Ray Bradbury Theatre and The New Avengers. (Died 1992.)
  • Born March 10, 1938 Marvin Kaye. Editor of Weird Tales, he also edited magazines such as H. P. Lovecraft’s Magazine of Horror and Sherlock Holmes Mystery Magazine. His Cold Blue Light novels with Parke Godwin are quite superb. The Fair Folk anthology which is most excellent and which he edited won a World Fantasy Award. He wrote the “Marvin Kaye’s Nth Dimension” for the Space and Time website. (Died 2021.)
  • Born March 10, 1938 Ken Sobol. New to our Birthday honors list. I will single him out for having personally received Astrid Lindgren’s personal blessing to write the Pippi Longstocking series which he worked on with puppeteer Noreen Young. He also contributed scripts to Batman, Curious GeorgeG.I. JoeGeorge of the JungleHardy BoysHighlander, Superman, and Wizard of Id, and that’s hardly a complete listing.  He also wrote one of the best works done on baseball, Babe Ruth and the American Dream. (Died 2010.)
  • Born March 10, 1951 Christopher Hinz, 71. His Liege Killer novel, the first in his most excellent Paratwa Saga, won the Compton Crook Award, the BSFS Award for the Best First Novel. (And yes, there is a prequel, Binary Storm, which was written much later.) He was nominated for an Astounding Award for Best New Writer. 
  • Born March 10, 1956 Robert Llewellyn, 66. He plays the mechanoid Kryten in the Red Dwarf series. His It2i2 which was a television show about AI depicting fictional events but presented as a documentary. And he played a gryphon in the oh-so-superb MirrorMask

(11) AFROFUTURISM. The Schomburg Center’s 10th Annual Black Comic Book Festival in partnership with Carnegie Hall’s Afrofuturism Festival! Presents “Black Feminist Futures Series: Planting for the Future”.

The Black Feminist Futures Series features programs highlighting the powerful and long-standing relationship between Afrofuturism and Black feminism in genres ranging from literature, film, art, fashion, and community organizing. Planting for the Future, a virtual conversation on Black women’s participation in Afrofuturism through literature, film, art, fashion, and community organizing. The program features Dr. Andrea Hairston (author of Master of Poisons), Sheree Renee Thomas (author of Nine Bar Blues), Tananarive Due (author of The Between: A Novel), and Tanaya Denise Fields (founder of Black Feminist Project & Black Joy Farm, and author of “Dirty Business: The Messy Affair of Rejecting Shame” in the book You Are Your Best Thing). Moderated by Dr. Chesya Burke.

(12) GAIMAN MIRACLEMAN REPRINT. Following the herald of his return in Timeless #1 and the announcement of an all-new omnibus, Marvel Comics continues to mark the 40th anniversary of Miracleman’s modern era with a new printing of award-winning writer Neil Gaiman and artist Mark Buckingham’s redefining work on the character.

 Arriving in October, Miracleman By Gaiman & Buckingham Book 1: The Golden Age TPB will collect the first six issues of Gaiman and Buckingham’s groundwork to give a legendary super hero a fascinating future —a future that will now come to pass! Available for the first time in paperback, the Miracleman By Gaiman & Buckingham Book 1: The Golden Age TPB will give fans a chance to revisit this beloved era of Miracleman ahead of the exciting plans Marvel has in store for the iconic character later this year.

Atop Olympus, Miracleman presides over a brave new world forged from London’s destruction. It is a world free of war, of famine, of poverty. A world of countless wonders. A world where pilgrims scale Olympus’ peak to petition their living god, while miles below the dead return in fantastic android bodies. It is an Age of Miracles — but is humankind ready for it? Do we even want it? Is there a place for humanity in a world of gods? Gaiman and Buckingham delve into the lives of lonely idealists, rebellious schoolchildren and fracturing families, exploring the human constant in a changing world of gods and miracles.

(13) STAR WARS FAN NEWS. “’Star Wars’ fans are raising money for transgender youth”Yahoo! Life has the details. (The direct link to the GoFundMe is here: “Fundraiser by The Amidala Initiative (A Community Effort) : The Amidala Initiative for Equality Texas”. They have raised $8,292 of their $25,000 goal as of this writing.)

…Fans of the Star Wars franchise can relate to Padmé Amidala, a character from the Star Wars prequel trilogy played by Natalie Portman, for a multitude of reasons, from her troubled romance with Anakin Skywalker to her desire to do her best to protect her people.

It’s the latter that inspired the Amidala Initiative, a group of Star Wars fans and content creators who have joined … forces … to raise money for Texas advocacy organization Equality Texas after Texas Governor Greg Abbott directed the Texas Department of Family and Protective Services to investigate the parents of trans children who have had or are seeking elective gender-affirming procedures or treatments.

“We, the undersigned, are 77 fan content creators, podcasters, YouTubers, TikTokers, artists, writers and cosplayers who have joined together to use our limited platforms to stand in solidarity with our trans siblings and their families in Texas,” a GoFundMe site for the Amidala Initiative states. “No child should fear that their teachers will report their parents to the government for allowing them to live as their true gender. No parent should fear criminal charges for supporting their transgender child and helping them seek therapeutic and medical support to treat their gender dysphoria … this is something we refuse to stand by silently for.”…

(14) DOES NOT PLAY WELL WITH OTHERS. Radio Times listens in as “Christopher Eccleston rules out Doctor Who multi-Doctor story return”.

…However, according to the latest comments from The A Word star, there’s seemingly no chance he would return for a 60th anniversary team-up special currently rumoured for 2023.

He told crowds at Australian convention Supanova: “I’ve never been a fan of multi-Doctor stories. When I worked on the series, I had really strong ideas about what works and what doesn’t, and I always think that multi-Doctor stories are a bit of a cash-in, and a bit of exploitation.

“Creatively, they never worked for me. I looked at the script for the 50th anniversary and I felt as soon as I said I wasn’t doing it it got better because, well, if I’m not in it, it’s better. The creation of the War Doctor introduced a whole new facet to the canon.”

Interestingly though, a later comment from Eccleston suggested he would consider returning to Doctor Who in live-action for a solo storyline following the Ninth Doctor.

He added: “The Ninth Doctor, in particular, is a one-man band. Definitely. So he doesn’t work with other Doctors. If you want me back, you’d get me on my own.”

(15) HEAR FROM EDITORS. Space Cowboy Books will host an online panel discussion “Beyond the Submission Guidelines” on March 29 at 6:00 p.m. Pacific. Register for free here.

Join us for an online panel discussion with editors of SF/F magazines. Learn about the behind the scenes of running science fiction and fantasy magazines with editors: Arley Sorg (Locus & Fantasy Magazines), F.J. Bergmann (Mobius & Weird House), Rob Carroll (Dark Matter Magazine), and JW Stebner (Hexagon Magazine)

(16) PREDICTING THE PAST. [Item by SF Concatenation’s Jonathan Cowie.] Inscriptions provide an invaluable insight into the ancient world. But over the centuries, many inscriptions have been damaged and exist in fragmented or semi-legible forms, making the job of reading and interpreting them extremely difficult. In this week’s issue of Nature, “Restoring and attributing ancient texts using deep neural networks”, Yannis Assael, Thea Sommerschield and their team introduce Ithaca, a deep neural network designed to help historians restore and understand ancient Greek inscriptions. Working alone, Ithaca is able to restore damaged texts with a 62% accuracy, but when historians use Ithaca, their accuracy on the same task rises to 72%. Ithaca can also determine the original geographical location of inscriptions with 71% accuracy, and can date them to within 30 years from the date ranges proposed by historians. The researchers say that such cooperation between artificial intelligence and historians could help transform studies of the ancient world. 

(17) SOUNDTRACK OF SPACE. NASA’s Chandra X-Ray Observatory page hosts a “Sonification Collection” – maybe there is a “music of the spheres.”

…By translating the inherently digital data (in the form of ones and zeroes) captured by telescopes in space into images, astronomers create visual representations that would otherwise be invisible to us.

But what about experiencing these data with other senses like hearing? Sonification is the process that translates data into sound, and a new project brings the center of the Milky Way to listeners for the first time. The translation begins on the left side of the image and moves to the right, with the sounds representing the position and brightness of the sources. The light of objects located towards the top of the image are heard as higher pitches while the intensity of the light controls the volume. Stars and compact sources are converted to individual notes while extended clouds of gas and dust produce an evolving drone….

There’s a demonstration in this tweet:

(18) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] Arthur C. Clarke chats with Dick Cavett about 2001, life on other planets, and perpetual motion machines in this clip from a 1972 Dick Cavett Show. “Arthur C. Clarke on Why Aliens Would Be Superior To Humans”.

English science-fiction writer Arthur C. Clarke discusses the on-going research in astronomy into discovering new planets and how he believes there is life on other planets, although we don’t know it yet.

[Thanks to Michael Toman, Cat Eldridge, rcade, Phil Nichols, mlex, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Jim Janney.]

Schedules for DisCon III GoHs and Special Guests

The daily schedules have been released for DisCon III’s Guest of Honor Nancy Kress; Fan Guest of Honor Ben Yalow; and Special Guests Sheree Renée Thomas, Malka Older, and Andrea Hairston. Following each of their names is a day-by-day list of the events they will be attending.

DisCon III is the third World Science Fiction Convention (Worldcon) that has been held in Washington DC, USA. Worldcon is the annual gathering of science fiction and fantasy fans, writers, artists, musicians, and other creators from across the globe. DisCon III will be at the Omni Shoreham Hotel in Washington, DC, on December 15-19, 2021. Covid policy is here. Virtual events can be found at www.DisCon3.org 

The schedules appear after the break.

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Andrea Hairston Joins Sheree Renée Thomas in Hosting the Hugo Awards Ceremony

Andrea Hairston will be joining Sheree Renée Thomas in hosting the Hugo Awards Ceremony 2021 during DisCon III, to be held in Washington, D.C. from December 15-19.

Malka Older, one of the Special Guests at the convention, had originally been scheduled to co-host, but because her children are too young to be vaccinated, she made the difficult decision to withdraw from in-person events.  “I’m happy that our existing hybrid structure meant that we were able to move all of Malka’s other events to the virtual part of the convention,” said Mary Robinette Kowal, Chair of DisCon III. 

Older said, “I really appreciate everything the con has done to make the convention safe, and I think their measures are probably as good as they can be. I had hoped that everyone in my family would be able to be vaccinated by this time. But in this evolving situation, I’m being extra careful.”

Sheree Renee Thomas, DisCon III’s other Special Guest and co-host, suggested Andrea Hairston as her new co-host, and Hairston quickly accepted the invitation to become part of the event. “I am a great admirer and witness to the brilliance and excellence that Andrea brings to whatever she does. I’m thrilled that she will bring her special voice and presence to the Hugo Awards stage. It’s an exciting time, and I look forward to a wonderful celebration of this year’s excellent finalists and an entertaining evening,” said Thomas. 

Older said, “As sorry as I am to miss being at the ceremony in person, I’m thrilled that Andrea will be doing it with Sheree! I love her work, and I know she’ll be fantastic as host.”

Andrea Hairston is a novelist, playwright, and scholar. Her novels: Master of Poisons, on the Kirkus Review’s Best Science Fiction and Fantasy of 2020; Will Do Magic For Small Change, a New York Times Editor’s pick and finalist for the Mythopoeic, Lambda, and Otherwise Awards; Mindscape, shortlisted for the Phillip K. Dick and Otherwise Awards and winner of the Carl Brandon Award. Her short story “Seven Generations Algorithm” will be in Trouble the Waters: Tales from the Deep Blue edited by Sheree Renée Thomas, Pan Morigan, and Troy L. Wiggins, to be released in January. She is the Louise Wolff Kahn 1931 Professor of Theatre and Africana Studies at Smith College and the Artistic Director of Chrysalis Theatre.

Sheree Renée Thomas is an award-winning fiction writer, poet, and editor. Her work is inspired by myth and folklore, music, natural science, and the genius of the Mississippi Delta. Nine Bar Blues: Stories from an Ancient Future (2020), her fiction collection, was honored as 2021 Finalist for the Ignyte, Locus, and World Fantasy Awards. She is the Associate Editor of the historic Black arts literary journal, Obsidian: Literature & the Arts in the African Diaspora, founded in 1975 and is the Editor of The Magazine of Fantasy & Science Fiction, founded in 1949. She also writes book reviews for Asimov’s. Thomas is the Guest of Honor of Wiscon 45 and a Guest of Honor of StokerCon 2022. She collaborated with Janelle Monáe on the artist’s forthcoming fiction collection, The Memory Librarian and Other Stories from Dirty Computer (Harper Voyager, April 2022). Africa Risen: A New Era of Speculative Fiction, a new anthology she co-edited with Oghenechovwe Donald Ekpeki and Zelda Knight is forthcoming from Tordotcom Publishing in 2022. 

2020 Imagining Indigenous Futurisms Award

The 2020 IAFA Imagining Indigenous Futurisms Award winner is Lennixx-Nickolai Treat Bad Moccasin for “THE BOX”. The winner receives $1,000.

The award recognizes emerging authors who use science fiction to address issues of Indigenous sovereignty and self-determination.

Also announced as a shortlisted entry was Paul Johnson’s “Calling line 17”.

The award judge is author Andrea Hairston who said about the winner —

Lennixx-Nickolai Treat Bad Moccasin did a fascinating science fictional concept connecting the elders to the future with androids. The characters were complex and engaging. He crafts a compelling family drama with a great twist at the end. Indeed, the storyline is full of difficult choices, heartrending dilemmas, and delightful surprises. He riffs on our current struggles with grace, faces the horror, and offers us hope.

Hairston likewise congratulated Paul Johnson:

In his story technology is not in the service of separating us from the universe, but a way to reconnect our spirits.

Clarion Instructor Reading Series Schedule

The Clarion workshop began June 25 at UCSD, and the Clarion instructor reading series commences tomorrow night at San Diego’s Mysterious Galaxy bookstore — five evenings with leading sff writers working, presented by Mysterious Galaxy and Comickaze comics.

Dan Chaon and Lynda Barry: Wednesday, June 28, 7:00 PM (Mysterious Galaxy)

Nalo Hopkinson: Wednesday, July 5, 7:00 PM (Mysterious Galaxy)

Andrea Hairston: Wednesday, July 12, 7:00 PM (Mysterious Galaxy)

Cory Doctorow: Tuesday, July 18, 7:00 PM (Comickaze, Liberty Station)

C.C. Finlay and Rae Carson: Wednesday, July 26, 7:00 PM (Mysterious Galaxy)

Morigan and Hairston at NYRSF Readings on 5/3

Andrea Hairston and Pan Morigan.

Andrea Hairston and Pan Morigan.

The New York Review of Science Fiction Readings presents Pan Morigan and Andrea Hairston reading and playing music from Will Do Magic for Small Change on Tuesday, May 3.

The event takes place in The Brooklyn Commons at 388 Atlantic Avenue. Doors open 6:30 p.m.

Hairston’s new novel, Will Do Magic For Small Change (highly recommended by N.K. Jemisin in the NY Times) occurs in the same world(s) and tradition as Redwood and Wildfire:

Cinnamon Jones dreams of stepping on stage and acting her heart out like her famous grandparents, Redwood and Wildfire. But at 5’10” and 180 pounds, she’s theatrically challenged. Her family life is a tangle of mystery and deadly secrets, and nobody is telling Cinnamon the whole truth. Before her older brother died, he gave Cinnamon The Chronicles of the Great Wanderer, a tale of a Dahomean warrior woman and an alien from another dimension who perform in Paris and at the 1893 Chicago World’s Fair. The Chronicles may be magic or alien science, but the story is definitely connected to Cinnamon’s family secrets. When an act of violence wounds her family, Cinnamon and her theatre squad determine to solve the mysteries and bring her worlds together.

Pan Morigan is a vocalist, instrumentalist, songwriter, poet, and the music/sound director for Chrysalis Theater. Her musical adventures have included creating music and song for upwards of twenty-five plays, touring with Bobby McFerrin and his all-improvisational vocal group Voicestra, producing several albums, such as Castles of Gold and Wild Blue and creating, recording, and performing songs for Andrea Hairston’s novels, Redwood and Wildfire and Will Do Magic For Small Change. Pan’s forthcoming album project is called Storm Hands.

Andrea Hairston is the author of Redwood and Wildfire, winner of the 2011 Tiptree and Carl Brandon Awards, and Mindscape, winner of the Carl Brandon Award. Lonely Stardust, a collection of essays and plays, was published in 2014. Her latest play, Thunderbird at the Next World Theatre, appears in Geek Theater published by Underwords Press. Her third novel, Will Do Magic For Small Change, will be published in June 2016. In her spare time Andrea is the Louise Wolff Kahn 1931 Professor of Theatre and Africana Studies at Smith College and the Artistic Director of Chrysalis Theatre.

The full press release follows the jump.

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“Thunderbird” Staged Reading by Andrea Hairston 5/13

Andrea Hairston

Andrea Hairston

A staged reading of Andrea Hairston’s “Thunderbird” takes place at Manhattan’s SoHo Gallery for Digital Art on May 13.

It’s the not-too-distant future. Public gatherings (including theatre) have been banned, supposedly for public health and national security. Drones control the streets. Bennie, an old actor, sneaks into The Next World Theatre on a dangerous mission to catalogue resources and gather precious artifacts. Perhaps he has another mission; perhaps he’s an Enforcer stooge betraying everything he’s believed in, but he can’t quite remember. Dragons, musicians, and a second actor show up and challenge Bennie to face a past he’d like to forget and a future he wants to give up on.

Andrea Hairston is the Artistic Director of Chrysalis Theatre and a Theatre professor at Smith College. She’s also a novelist, author of Mindscape and Redwood and Wildfire, winner of the 2011 Tiptree and Carl Brandon Kindred Awards.

Actors James Emery, Joy Voeth, and Ama Patterson will perform the work. Pan Morigan and Jerry & Sylvia Johnson will play the music they have written for the show.

For more details, read the full press release which follows the jump. Continue reading