(1) DAYTON LITERARY PEACE PRIZE. Paul Lynch’s book Prophet Song, set in a near future Ireland, is the 2024 Fiction Winner of the Dayton Literary Peace Prize. Lynch’s novel also received the Booker in 2023.
(2) THE BOOKSHELF IS THEIR COSTAR. Lavie Tidhar and Jared Shurin have launched a weekly newsletter called Shelfies, in which they get people to talk about their favorite bookshelf, and their connection with the books on it. Shurin declares, “It is unashamedly us snooping at people’s shelves.”
Take a unique peek each week into one of our contributors’ weird and wonderful bookshelves! We love books – and we’re the sort of people who love checking out other people’s collections! With Shelfies, we’ve asked a wide range of readers, authors and collectors from all walks of life to share not just their shelves with us – but the books that changed them.
From novelists to video game designers, scientists and film makers, and from London to Singapore, Ghana, Australia and New York and all points in between, Shelfies is a unique dose of book love directly into your inbox – sharing our love of books, with you.
(4) SFPA OFFICER ELECTION RESULTS. Starting January 1, 2025, Diane Severson Mori will be Vice President of the Science Fiction and Fantasy Poetry Association.
Science fiction often begins with a question of “what if”? And in 1960, Poul Anderson asked just such a question: What if aliens attempting to invade the Earth encountered a troop of medieval knights? And what if the knights won the ensuing struggle? This is the premise of The High Crusade, one of the most offbeat and entertaining science fiction novels of the early 1960s….
“Tonight We’re Wearing Waste Bags” by Elena Sichrovsky; Music by Patrick Urn; Read by Jenna Hanchey
“Dreamer, Passenger, Partner by Colin Alexander; Music by Phog Masheeen; Read by Jean-Paul L. Garnier
Theme music by Dain Luscombe
(7) MEMORY LANE.
[Written by Paul Weimer.]
Anniversary: The Running Man (1987)
By Paul Weimer: Possibly the best of the Schwarzenegger SF movies of the late 1980’s. Yes, better than The Terminator, better than Predator, possibly on a par with Terminator 2: Judgment Day. The Running Man remains a biting satire of fascism, authoritarianism, consumerism, game shows, and a whole lot more.
The authoritarian hellhole that the United States, using violent game shows as an opiate to the masses is really on point, decades later, rather more plausible than ever. Some of the best (and by best, I mean scary) are some of the commercials and interstitial bits in between the actual Running Man show. The show where a man climbs a rope, trying to grab dollars with a vicious pack of dogs underneath him…or the neo-Puritanism revealed when an announcer shockingly reveals Amber may have had several lovers in a year.
Arnold strides through this film and carries it on his charisma, as a package deal with Richard Dawson, who plays Damon Killan as an evil version of his Family Feud persona. They have the best rapport and the movie sings when they finally meet each other. (I was surprised on a rewatch how long the movie actually takes to put the two of them in the same room as each other). I also think the movie hits the right level of action, adventure, social commentary, and humor.
And then there are the betting pool scenes. Long before betting truly has taken over sports, and a lot of other things, the betting on the TV show seemed to me at the time to be “over the top” (who would bet on a game show)? Naive me didn’t believe it…but in the years since, it makes absolute and corrosive sense that the general public would in fact bid on the game show and the deaths on the show. I mean, if The Running Man was made today, Draftkings would be advertising on The Running Man.
Sadly, given recent events…I think it might be too naive in thinking that the ending, where the crimes of the state being revealed lead to revolution and change, can actually be realistic in this day and age. But I can dream, right?
I don’t have any Egyptian looking trinkets in my collection, so this Olmec head my Dad brought back from Mexico years ago will have to do.
…“Remember, girls, we are looking for the Lost Tomb of Sibor. Scorpia, since your people hail from the Crimson Waste, you have knowledge of this wasteland that the Horde lacks…”
“Yes, but…”
“So I get why you need Scorpia. But why am I here, Shadow Weaver?”
“Because you are Force Captain, Catra. And because Scorpia didn’t want to go without you.”
“I’ll get you for this, Scorpia.”
“So lead the way, Scorpia. You do know where the tomb is, don’t you?”
“Yes, but… I don’t think this is a good idea, Shadow Weaver. The Tomb of Sidor is an accursed place. My people shun it and never go there.”
“Silly barbaric superstition. The Tomb of Sidor contains something of great value to the Horde and I mean to retrieve it for Lord Hordak. And now go, Scorpia. Take us to the Tomb.”
“Yes, but it’s your funeral.”
“Is that a promise?”
“Hush, Catra, she’ll hear you.”…
(10) WET WORK. [Item by SF Concatenation’s Jonathan Cowie.] It may be that there are sub-surface mini-seas on some of the moons of Uranus!
The Voyager 2 flyby of Uranus in 1986 revealed an unusually off-centred planetary magnetic field. Nine US and one Brit researchers have now re-examined the Voyager Solar wind data set. It reveals that Uranus was hit by a Solar windstorm at the time of the craft’s encounter with the planet. This Solar windstorm offset the planet’s magnetic field.
Similar observations in the Saturn system reveal that when its moons with sub-ice surface water orbit outside of the protection of Saturn’s magnetic field, probes cannot detect water-group ions; this is because they have been swept away by the Solar wind. The researchers therefore hypothesise that the absence of water-group ions when Voyager 2 passed by might not be due to an absence of moons sub-surface water but due to the Solar windstorm that was raging at the time that swept those ions away. It could be that some of Uranus’ moons do have sub-surface water. They hypothesise that Uranus’s two outer moons, Titania and Oberon, are more likely candidates for harbouring liquid water oceans.
Were Heathcliff to roam the blustery moors around Wuthering Heights today, he might be interrupted by a ping on his cellphone saying something like this: The wind is raging, so power is cheap. It’s a good time to plug in the car.
OK. So the 18th-century literary occupants of these windswept hills received no such pings.
But Martin and Laura Bradley do. They live in Halifax, an old mill town below the wuthering, or windy, heights of West Yorkshire. And when a squall kicks up, producing a surplus of electricity from wind turbines on the moor, their phones light up with a notification, like one that informed them of a 50 percent discount one Saturday in October….
…Octopus Energy, the country’s biggest electricity supplier, runs nine wind turbines on those hills. When it’s gusty, and power is abundant, it offers discounts. The Bradleys say they save upward of 400 pounds ($517) a year. Octopus says it not only attracts customers but also persuades communities that they benefit from new energy infrastructure.
“We’ve got these famously bleak, windy hills,” said Greg Jackson, the company’s chief executive. “We wanted to demonstrate to people that wind electricity is cheaper, but only when you use it when it’s windy.”…
(12) THE DEATHS FROM TROPICAL STORMS AND HURRICANES IN THE USA HAVE BEEN GREATLY UNDERESTIMATED. [Item by SF Concatenation’s Jonathan Cowie.] In climate-change science fiction, people die in major climate events: cf. the film The Day After Tomorrow or the climate fiction of Kim Stanley Robinson.
In the real world, people die all the time and this enables demographers to calculate the number of expected deaths. Usually only a score or more deaths are associated with US tropical storms. These are due to obvious things like drownings or being hit by wind-blown debris.
Two US demographers have now looked the number of excess deaths (those above the expected death rate) between 1930 and 2015. They have found that there are an average of 7,000 – 11,000 excess deaths in the months following a tropical storm or hurricane. These deaths are mainly from infants (less than 1 year of age), people 1 – 44 years of age, and the black population. (Presumably the elderly were safe in a refuge while young adults were protecting property and so in harm’s way? But the very elderly also took a big hit.) The researchers did not look at the death certificates of all (around 100,000) those excess deaths over this eight-and-a-half decade period and so do not know exactly what it was they died of. This, they say, needs to be the subject of future research.
A Disney Holiday Short: The Boy & The Octopus follows the journey of a child who discovers a curious octopus has attached to his head during a seaside vacation. After returning home, the boy forms a true friendship with the octopus by introducing his new companion to his life on land — harnessing the power of the Force with his Jedi lightsaber, playing with his Buzz Lightyear action figure, and imagining Santa Claus’ route around the world with the map on his wall — before taking the lovable octopus out into the world to experience the joy of the holidays, hidden under his Mickey Mouse beanie….
[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Cora Buhlert, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Thomas the Red.]
…I’d be remiss if I didn’t mention Red Flags you might see waving during this process. For example:
The “after” samples contain errors the editor induced or didn’t catch in their own “before” sample.
The edits indicate the editor was manufacturing problems—choosing different words than are in the sample, without clarifying or enhancing meaning … possibly even making changes that take the meaning further away from the spirit of the selection.
The editor goes significantly beyond what was asked and essentially reworks your prose. My late writing partner, Michael Reaves, referred to that behavior as “peeing on your story.” You cannot address it, however, with editor obedience classes….
(2) DAYTON LITERARY PEACE PRIZE FINALISTS. The finalists for the Dayton Literary Peace Prize were announced August 14. There is one work of genre interest, in the fiction category, Prophet Song by Paul Lynch.
Inspired by the Dayton Accords which ended the Bosnian War, the annual Dayton Literary Peace Prize, the first and only international literary peace prize awarded in the United States, honors writers whose work demonstrates the power of the written word to foster peace. Based on that criteria, the Dayton Literary Peace Prize Foundation is pleased to announce the following 2024 book award finalists in the categories of fiction and nonfiction. The winners will receive a $10,000 cash prize, and the first runners-up will receive a $5,000 cash prize.
The 2024 fiction finalists are:
A History of Burning by Janika Oza (Grand Central Publishing)
Dust Child by Nguyễn Phan Quế Mai (Algonquin Books)
Prophet Song by Paul Lynch (Grove Atlantic)
River Sing Me Home by Eleanor Shearer (Berkley)
The Postcard by Anne Berest (Europa Editions)
We Meant Well by Erum Shazia Hasan (ECW Press)
The 2024 nonfiction finalists are:
An Inconvenient Cop by Edwin Raymond with Jon Sternfeld (Viking)
Built From the Fire by Victor Luckerson (Random House)
All Else Failed by Dana Sachs (Bellevue Literary Press)
HBO boss Casey Bloys has rejected the notion that viewers were split over their reaction to House of the Dragon season 2.
When asked by Deadline whether House of the Dragon has a shot at next year’s Emmys after – in the outlet’s words – the fanbase were “divided” over the most recent season, Bloys replied, “I’m not sure the fans were divided by season 2.”After the interviewer then made reference to George R.R. Martin’s recent deleted blog entry (which criticized certain aspects of the recent season), Bloys seemingly joked, “Yes, maybe one fan was. But no, the show did really, really well. I expect that will be in competition.”…
The owner of The Guardian confirmed that it is in talks to sell The Observer, the world’s oldest Sunday newspaper, to Tortoise Media. (BBC News)
Tortoise said negotiations include a commitment from it to invest more than £25 million ($33 million) over the next five years in the editorial and commercial renewal of the title. (Reuters)
Founded in 1791, The Observer was bought by Guardian Media Group in 1993. Since then, it has coexisted with The Guardian, which will remain a seven-day-per-week digital operation regardless of the outcome of the negotiations. (The Guardian)
Emmy Award winner Archie Panjabi (Under the Bridge, Snowpiercer) will star as a villain in Season 2 of Doctor Who, sources tell Deadline. The BBC and Disney+ series is set to return in 2025.
Details regarding her character remain under wraps. BBC and Disney+ declined to comment for this story.
Panjabi joins Ncuti Gatwa, who currently stars as the titular Time Lord; Millie Gibson, who plays his companion Ruby Sunday; and Varada Sethu, who will serve as the fifteenth Doctor co-companion Belinda Chandra….
Okay, Kristian, could you take your robe off now, please?”
Paul says this softly but matter-of-factly. Can I? It’s being presented as a choice, but he knows and I know that it isn’t a choice at all. Can I? I pause. Paul is the head makeup artist in our Raven unit. He looks at me with a sympathetic half smile. I know this is going to hurt, but it’s my job, he’s saying without saying anything. I have agreed to this, after all. David and Dan did run through this with me at the Fitzwilliam Hotel. Why the hell did I say yes? I think. But the nude scene has been signed and sealed: the scene where Hodor emerges from bathing pools completely naked for ten, maybe fifteen, seconds. I will be undressed for less time than it would take me to text a friend, yet it has played on my mind for weeks. Come on, Kristian, I think. Just get this over and done with….
…Next comes the hard part. Paul turns to fetch the prosthesis. I’ve had the pleasure of seeing it twice already, but its size has grown in my imagination in the intervening weeks, like a looming obelisk….
John Cassaday, an award-winning comic book artist best known for his runs on Planetary, a series he helped create about a trio of adventurers investigating strange events, and Astonishing X-Men, on which his work offered readers a new entry point to a decades-old franchise, died on Sept. 9 in Manhattan. He was 52.
Tara A. Martinez, his partner, said he died of cardiac arrest in a hospital.
In a medium known for its often fantastical scenarios, Mr. Cassaday’s drawings conveyed a sense of realism. Nowhere was that more evident than in his work on Planetary, which he created with the writer Warren Ellis. His work on that series “rightfully put him on the map,” Mark Waid, a comic book editor and writer, wrote on Facebook…
(8) MEMORY LANE.
[Written by Cat Eldridge.]
Anniversary: The Addams Family series (1964)
There are series I refuse to rewatch lest the Suck Fairy with her steel toed boots stomps all over it. One is The Addams Family series, which premiered on ABC this evening fifty ago, is definitely one of them. I unreservedly loved that series so I won’t rewatch.
Or so I thought until I changed my mind recently and did watch the first few episodes on Prime with a fair degree of angst and trepidation. It was, to my relief, still wonderful. So you can go back to that spooky place. Yes!
The Los Angeles Times in its obituary of David Levy explained how he came to create the series: “The idea for the series came to Levy when he was strolling with a friend down New York’s 5th Avenue and passed a display of Addams’ books. One, ‘Homebodies,’ showed the entire group of Addams characters in a family portrait on the cover. Levy was stopped in his tracks by the sight and told his friend: ‘There’s a hit series!’”
Now let’s talk about the characters here. Who wasn’t perfect? Be it John Astin as Gomez Addams or Carolyn Jones as his wife Morticia, they played their roles perfectly. And no, I’m certainly not forgetting Wednesday, their child. (Surely the name comes from the English folk poem, Wednesday’s child is full of woe), Uncle Fester or Thing. Not to mention Lurch played oh-so-well by Ted Cassidy.
It had pets, presaging to a great extent what Lio would have. Aristotle was Pugsley’s pet octopus and Fang was his pet jaguar. Addams Family had a lion called Kitty Kat, and they piranhas, Tristan and Isolde. Zelda was their vulture. Morticia had a very large carnivorous plant named Cleopatra and Wednesday has a pet tarantula by the name of Homer.
It didn’t last nearly as long as I thought did — just two seasons totaling sixty-four episodes shot in glorious black and white.
Halloween with the New Addams Family aired eleven years after the series went off the air with new characters added in. Seven years after the series was cancelled, the animated version of The Addams Family aired for sixteen episodes. It’s notable for a young Jodie Foster voicing Pugsley Addams. Only Jackie Coogan and Ted Cassidy returned in voice acting roles.
Gold Key Comics produced a comic book series in connection with the show, but it only lasted three issues.
I am not going to deal with the films here as that would take us down too long here. I’ll do those when the anniversary for the first film comes up.
It streams on Amazon. It has a perfect a hundred percent rating among audience reviewers at Rotten Tomatoes. That’s right, a perfect score.
(10) LIKE THE EIGHTIES. [Item by Steven French.] The latest Guardian gaming newsletter includes a review of an anthology of 80s style games by little known games developer UFOSoft – “little known” because the company is actually fictional:“Pushing Buttons: UFO 50 is an anthology of pure nostalgia – and the games are good, too”, a column by the Guardian’s Keza McDonald. (The game’s website is here: UFO 50.)
I filed this issue of Pushing Buttons late, because I have become obsessed with a 1985 strategy game about armies of warring dinosaurs. It’s called Avianos, and it’s part of an anthology of 50 games made in the 1980s by a little-known but influential developer, UFO Soft.
One minor detail: UFO Soft is fictional. All the games in this collection were made by a small group of modern developers. This anthology, UFO 50 (out today), is at once a tribute to imaginary 1980s game history and real 1980s game history. It impeccably imitates the look, feel and experimental creativity of the era, without the technical limitations.
These games aren’t mini-games – they’re substantial. I’ve played one Metroid-styled space adventure for over an hour and I don’t think I’m anywhere near completing it. I did complete the dinosaur war game, and it took a whole morning. I’m stuck currently midway through a game about guiding a little chameleon through predator-ridden levels. …
…The series aired its one and only season at the basic cabler beginning in June in the United States. The season finale, which now serves as the series finale, aired on Aug. 25 The show aired on AMC, BBC America, and streamer AMC+.
Krysten Ritter starred in “Echoes,” which served as a followup to the hit BBC America series “Orphan Black.” The cast also included Keeley Hawes, Amanda Fix, Avan Jogia, Rya Kihlstedt, and James Hiroyuki Liao.
The official series description states that it “follows a group of women as they weave their way into each other’s lives and embark on a thrilling journey, unravelling the mystery of their identity and uncovering a wrenching story of love and betrayal. Ritter plays Lucy, a woman with an unimaginable origin story, trying to find her place in the world.”
Axiom Space, the space company NASA picked to develop a private successor to the International Space Station, is in big trouble
As Forbes reports, the startup is struggling to pay the bills and has laid off at least a hundred employees, while cutting the pay of those who remain.
That leaves its plan to develop a module that can dock with the ISS before detaching to form its own space station on thin ice. And the clock is ticking, because the ISS is set to be retired by NASA in 2030, two years sooner than anticipated.
In other words, the company is quickly running out of time and is years behind schedule. As a result, Axiom Space was forced to “radically change the design” of the station, per Forbes.
However, according to Forbes‘ reporting, investors are balking at funding the development of a much smaller station that could end up being less commercially lucrative — and possibly even more expensive….
… To bring in some much-needed cash, Axiom Space started selling seats for trips to the ISS on board SpaceX’s Crew Dragon spacecraft….
The bloody battle between mortals and Norse gods is night, with Zack Snyder’s hotly anticipated adult animated series Twilight of the Gods premiering Thursday, September 19. Rousing the troops, Netflix today debuted the first four minutes of the show on TUDUM as part of its Geeked Week reveals…
[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, and Teddy Harvia for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]
The Journey That Matters, a series of six short films about Ursula K. Le Guin’s life and work that will be serialized on Literary Hub, based on outtakes from the feature documentary you all helped me to create. Spending time with Ursula meant having access to her warm, wise perceptions about all kinds of questions in literature and life. With these little films, I hope to share some more of that abundance.
It starts today with “What it Was Like,” in which Ursula reads her powerful essay about the illegal abortion she had as a senior at Radcliffe in 1950, which she credits with allowing her to pursue her career as a writer and to build her family. It’s a chilling reminder of what we’ve lost since Roe fell — and how women’s success and happiness is predicated on our bodily autonomy….
As young women growing up under the protection of Roe, we never really talked with our mother about her abortion. Elisabeth [Le Guin] learned that it had occurred when she went through several abortions of her own in the 1980s; but what we know about the story of Ursula’s necessarily different experience comes to us through her written words, as it does to you. “The Princess” was her keynote address to NARAL Pro-Choice America in 1982 when Roe was not even a decade old, and this piece, “What It Was Like,” was a talk for Oregon’s NARAL chapter in 2004. These stories are public statements, performances of Ursula’s own life material as a means to inspire and transform. The second of them, which you are about to hear, is also a rather extraordinary public love letter to her own family.
This is a hard essay to read or listen to, and it’s meant to be. Clearly, it was hard to write; watching Ursula in her 80s read her own words aloud, more than a decade after she wrote them, the emotion is palpable—and that shy little shrug at the end, that letting go. For us, it’s hard to watch. It’s a hard thing to think about your mother having an abortion, and an illegal one at that—to do so takes you to an exquisitely painful, vulnerable place, imagining what she went through: the shame, the grief, the sense of loss she must have experienced, the lingering, corrosive doubt. A hard thought exercise, but necessary to fully honor the fact that she could later choose to carry you to term, bring you into the world, into her world, to love and mother you the way she wanted to mother….
(2) NEW SFWA PROGRAM SEEKS INTERNS. The Science Fiction and Fantasy Writers Association (SFWA) received a grant from the National Endowment of the Arts (NEA) to support a new program they’re launching: Publishing Taught Me. This program will be shepherded by Nisi Shawl, an accomplished and multiple award-winning author, editor, instructor, and Kate Wilhelm Solstice Award recipient. It will take place over the coming year. And the press release adds that “Publishing Taught Me Launches with an Intern Search”.
…Publishing Taught Me will produce an online essay series, to be collated into an anthology, and a symposium aimed at promoting diversity, equity, and inclusion in the science fiction, fantasy, and horror genres. This will be done by inviting publishing professionals of color to describe their journeys and to provide advice and motivation to writers entering the field via their essays and participation in a Publishing Taught Me symposium. These goals will be accomplished with the support of two paid interns, who will serve as assistant editors for the essay series, symposium, and resultant anthology.
As managing editor for the project, Shawl will oversee the operational aspects of putting together an online essay series and anthology, and will work with SFWA staff to coordinate and execute their publication and the associated events. They will also provide mentorship to the two assistant editor interns, who should be early in their professional publishing careers.
We are now recruiting for the assistant editor internship positions for this program. Interested individuals must be at least at 18 years of age, and should have at least three months previous editing experience, preferably within the science fiction, fantasy, and horror genres, and a firsthand knowledge of the challenges facing people of color in the current publishing environment. Familiarity with Google Docs, Zoom, WordPress, and Canva is a plus.
Responsibilities include soliciting and editing project essays, overseeing contributor agreement completion, assisting with arranging the essays within the final publication, helping to establish and supporting project participant communication protocols, and preparing marketing materials for the project. The term “editing” includes developmental editing, line editing, and copyediting.
The editorial assistants’ work on the project begins November 1, 2023 and will be completed in November 2024. Hours worked will vary from week to week, but the anticipated time commitment will be up to 50 hours per month per person. A flat $2,000 stipend will be provided to each intern for their participation in the program.
If you are interested in applying, please complete the application hereby September 30, 2023. We encourage you to share this opportunity with anyone who qualifies and would benefit from learning about the science fiction, fantasy, and horror publishing industry as they fill this important role.
…This program will deliver invaluable insight into our industry that will benefit current and future genre storytellers, and we’re excited to bring it into existence. For questions about Publishing Taught Me, please contact publishing-taught-me@sfwa.org.
(3) STURGEON SYMPOSIUM NEXT WEEK. Katie Conrad, Interim Director of the Gunn Center for the Study of Science Fiction shared the schedule for the Second Annual Sturgeon Symposium being held at the University of Kansas from September 20-22. Full details at the link.
The Symposium theme this year, “Fantastic Worlds, Fraught Futures,” was inspired by this year’s KU Common Book, Octavia Butler’s Parable of the Sower. The festivities start Tuesday night (9/19) with a co-sponsored Feminist Futures Forum, and continue through Friday (9/20-9/22) with a three-day academic conference open to all and events including a zine workshop (Wednesday afternoon), an open-to-all young adult creative writing workshop with YA author L.L. McKinney (Thursday afternoon), the reception and presentation of the annual Sturgeon Award with a reading by author Samantha Mills (Thursday evening), a closing reception in the gallery with the KU Common Work of Art (Friday afternoon), and a free showing of the movie The Host (Friday evening).
(4) WHAT LIES IN STORE FOR SIMON & SCHUSTER? The Atlantic warns about the potential consequences of KKR’s purchase of Simon & Schuster in “Private Equity Comes for Book Publishing”.
Earlier this year, the Department of Justice blocked Penguin Random House, owned by the German media giant Bertelsmann, from acquiring Simon & Schuster. The big five publishers—HarperCollins, Penguin Random House, Hachette, Macmillan, and Simon & Schuster—already control about 80 percent of the book market. The literary class was relieved.
Less than a year later, the private-equity firm Kohlberg Kravis Roberts announced that it would buy Simon & Schuster. Because the firm doesn’t already own a competing publisher, the deal is unlikely to trigger another antitrust probe. But KKR, infamous as Wall Street’s “barbarians at the gate” since the 1980s, may leave Simon & Schuster employees and authors yearning for a third choice beyond a multinational conglomerate or a powerful financial firm.
“It may be a stay of execution, but we should all be worried about how things will look at Simon & Schuster in five years,” says Ellen Adler, the publisher at the New Press, a nonprofit focused on public-interest books….
…In their recent book about private equity, These Are the Plunderers, Gretchen Morgenson and Joshua Rosner recount maddening stories about KKR: how it bankrupted Toys “R” Us; gouged residents of Bayonne, New Jersey, for water and sewage; and, very recently, ran a vital provider of emergency services into the ground. If KKR’s latest deal follows a similar trajectory, Morgenson and Rosner might have a harder time documenting it. Their publisher is Simon & Schuster….
(5) DAYTON LITERARY PEACE PRIZE 2023. Noah Hawley’s Anthem is a work of genre interest among the six fiction finalists for the 2023 Dayton Literary Peace Prize. Given for both fiction and nonfiction, the prize honors writers whose work uses the power of literature to foster peace, social justice, and global understanding. Each winner receives a $10,000 cash prize.
2023 Dayton Literary Peace Prize Finalists
Anthem by Noah Hawley (Grand Central Publishing)
Something grave is happening to teenagers across America. Recovering from his sister’s tragic passing, Simon breaks out of a treatment facility to join a man called “The Prophet” on a quest as urgent as it is enigmatic. Their journey becomes a rescue mission when they set off to save a woman being held captive by a man who goes by “The Wizard” in this freewheeling adventure that finds unquenchable light in the dark corners of society.
Didn’t Nobody Give a Shit What Happened to Carlotta by James Hannaham (Little, Brown and Company)
A trans woman, Carlotta Mercedes, reenters life on the outside after more than twenty years in a men’s prison. Set over the course of a whirlwind Fourth of July weekend, Didn’t Nobody Give a Shit What Happened to Carlotta follows her struggles to reconcile with the son she left behind, to reunite with a family reluctant to accept her true identity, and to avoid anything that might send her back to lockup.
Horse by Geraldine Brooks (Viking)
A discarded painting in a junk pile, a skeleton in an attic, and the greatest racehorse in American history: from these strands, a Pulitzer Prize winner braids a sweeping story of spirit, obsession, and injustice across American history. Based on the remarkable true story of the record-breaking thoroughbred Lexington, Horse is a novel of art and science, love and obsession, and our unfinished reckoning with racism.
Mecca by Susan Straight (Farrar, Straus and Giroux)
From the National Book Award finalist Susan Straight, Mecca is a stunning epic tracing the intertwined lives of native Californians fighting for life and land. The author crafts an unforgettable American epic, examining race, history, family, and destiny. With sensitivity, furor, and a cinematic scope that captures California in all its injustice, history, and glory, she tells a story of the American West through the eyes of the people who built it—and continue to sustain it.
The Immortal King Rao by Vauhini Vara (W. W. Norton & Company)
In an Indian village in the 1950s, a precocious child is born into a family of Dalit coconut farmers. King Rao will grow up to be the world’s most accomplished tech CEO and lead a global corporate government. King’s daughter, Athena, must reckon with his legacy—literally, for he has given her access to his memories. The Immortal King Rao obliterates the boundaries between literary and speculative fiction, the historical and the dystopian, to confront our age of technological capitalism.
The Light Pirate by Lily Brooks-Dalton (Grand Central Publishing)
As devastating weather patterns wreak gradual havoc on Florida’s infrastructure, a powerful hurricane approaches a small town on the southeastern coast. Wanda, named for the terrible storm she was born into, grows up in a landscape abandoned by civilization. Moving from childhood to adulthood, Wanda loses family, gains community, and ultimately, seeks adventure, love, and purpose in a place remade by nature.
The World Uyghur Congress will host an online panel discussion featuring several award-winning and bestselling authors on Tuesday, October 17th, 2023. The date, one day before the opening of the Worldcon science fiction convention in Chengdu, China, was selected deliberately in order to draw attention to ongoing human rights abuses against the Uyghurs in East Turkistan. The United States, along with 11 parliaments and senates around the world and the independent Uyghur Tribunal have officially recognized the abuses as a genocide and a crime against humanity.
This marks the first year that Worldcon, the largest science fiction convention and the bestower of the prestigious Hugo Awards, will be hosted in China. The decision to hold the event in China has prompted concern from a wide range of science fiction fans, journalists, and authors, many of whom have called for a boycott. Making matters worse, the organization has invited Liu Cixin and Sergei Lukyanenko to attend as “guests of honor.” Both writers have been outspoken in favor of genocidal policies, with Liu saying that the genocidal policies are a justifiable form of “economic development” and Lukyanenko calling for Ukrainian children to be drowned.
“The Chinese government wants to use Worldcon as a sort of Potemkin Village in order to showcase how futuristic and technologically advanced the country has become,” said Andrew Gillsmith, author of the bestselling novel Our Lady of the Artilects and organizer of the #WritersSupportUyghurs campaign. “Meanwhile, they are interning people in concentration camps, forcibly separating children from their families, conscripting Uyghurs into slave labour schemes, and implementing the most comprehensive and technologically sophisticated surveillance regime in history. Science fiction writers and fans have a longstanding tradition of standing for human rights. This is in the spirit of that tradition.”
The event in October will broadcast live worldwide and is expected to last 90 minutes….
“We are grateful for this support from the science fiction and literary communities,” said Dolkun Isa, President of the World Uyghur Congress. “Our goal is not to disrupt Worldcon but to ensure that coverage of the event includes the facts about an ongoing genocide being perpetrated by the host country.”…
Alan Moore, the comic book visionary best known for writing such revered works as “Watchmen,” “V for Vendetta” and “Batman: The Killing Joke,” revealed to The Telegraph that he is longer accepting royalty checks from DC Comics for films and television series based on his works. He’s asked the company to instead reroute these checks to Black Lives Matter.
The Telegraph asked Moore if reports were true about him taking all of the money he makes from film and TV series and dividing it among the writers and other creatives, to which the writer answered: “I no longer wish it to even be shared with them. I don’t really feel, with the recent films, that they have stood by what I assumed were their original principles. So I asked for DC Comics to send all of the money from any future TV series or films to Black Lives Matter.”…
A Kickstarter campaign has been launched to raise funds for a dedicated documentary focusing specifically on the design and development of the iconic Eagle transport spacecraft from the epic 70s sci-fi TV show “Space: 1999.” The documentary feature is called “The Eagle Has Landed” and will showcase never-before-seen archival footage. It’s set to be released in time for the 50th Anniversary of “Space: 1999” in 2025.
“‘Space: 1999’ appeared on TV a few short years after the world watched Neil Armstrong take the first steps on the moon. The show’s unforgettable Eagle inspired a generation to envision a future in space and is still doing so decades later. The question we explore is why?” said writer, director Jeffrey Morris and founder FutureDude Entertainment, the production company behind the project….
…The Eagle Has Landed explores a passionate and ongoing nostalgia for a future that never happened. This intriguing feature-length documentary follows Jeffrey Morris—a Minnesota-based filmmaker and lifelong science-fiction aficionado—as he examines the fascinating connections between art, science, culture, and the iconic Eagle spacecraft. …
(9) MEMORY LANE.
1964 — [Written by Cat Eldridge from a choice by Mike Glyer.]
So let’s talk about the publishing of Keith Laumer’s A Plague of Demons which is our Beginning this time as it’s fascinating. Especially when it got entangled with Baen Books later on.
It first was published in If in the November and December 1964 issues as The Hounds of Hells. This is not the later version known as A Plague of Demons but a shorter version.
It got its first book publication as a paperback from Berkley Medallion the next year. The cover illustration is by Richard Powers.
Penguin, Paperback Library and then Warner Paperback Library (yes Warner bought Paperback Library), then Warner Books (such for Paperback Library) and finally Pocket Books before we get to Baen Books.
And there’s Baen Books. They did three paperback editions of it and then printed it as part of A Plague of Demons and Other Stories which collected a lot of his shorter fiction, mostly novelettes. It was then offered up as part of the Baen Free Library. ISFDB says it was included as part of The 1634: The Baltic War Disk and The 1635: The Eastern Front CD-ROMs.
Now let’s not overlook as you see in a few moments that A Plague of Demons is a most amazing novel. I’ve only included the first paragraph but it’s all you need as it’s most excellent.
So here is it. Do enjoy it.
It was ten minutes past high noon when I paid off my helicab, ducked under the air blast from the caged high-speed rotors as they whined back to speed, and looked around at the sun-scalded, dust-white, mob-noisy bazaar of the trucial camp-city of Tamboula, Republic of Free Algeria. Merchants’ stalls were a slash of garish fabrics, the pastels of heaped fruit, the glitter of oriental gold thread and beadwork, the glint of polished Japanese lenses and finely-machined Swiss chromalloy, the subtle gleam of hand-rubbed wood, the brittle complexity of Hong Kong plastic – islands in the tide of humanity that elbowed, sauntered, bargained with shrill voices and waving hands, or stood idly in patches of black shadow under rigged awnings all across the wide square. I made my way through the press, shouted at by hucksters, solicited by whining beggars and tattooed drabs, jostled by UN Security Police escorting officials of a dozen nations.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born September 13, 1931 — Elizabeth Marshall Thomas, 92. An American author. Anthropologist, author of both fiction and non-fiction books on animal behavior, Paleolithic life, and the !Kung Bushmen of the Kalahari Desert. She was written three works of fiction two genre, Reindeer Moon and The Animal Wife and one, Certain Poor Shepherds: A Christmas Tale, a Christmas story, a folk tale and therefore at least genre adjacent.
Born September 13, 1933 — Warren Murphy. Ok, I’ll admit that I’m most likely stretching the definition of genre just a bit by including him as he’s best known for writing along with Richard Sapir the pulp Destroyer series that ran to some seventy novels and was (making it possibly genre) the basis of Remo Williams: The Adventure Begins. He did a number of other series that were more definitely genre. (Died 2015.)
Born September 13, 1947 — Mike Grell, 76. He’s best known for his work on books such as Green Lantern/Green Arrow, The Warlord, and Jon Sable Freelance. The Warlord featuring Travis Morgan is a hollow Earth adventure series set in Skartaris which is a homage to Jules Verne as Grell points out “the name comes from the mountain peak Scartaris that points the way to the passage to the earth’s core in Journey to the Center of the Earth. It would be adapted by Matt Wayne for Justice League Unlimited’s “Chaos at the Earth’s Core”.
Born September 13, 1960 — Bob Eggleton, 63. He’s has been honored with the Hugo Award for Best Professional Artist eight times! He was guest of honor at Chicon 2000. There’s a reasonably up to date look at his artwork, Primal Darkness: The Gothic & Horror Art of Bob Eggleton which he put together in 2010 and was published by Cartouche Press.
Born September 13, 1961 — Tom Holt, 62. Assuming you like comical fantasy, I’d recommend both Faust Among Equals and Who Afraid of Beowulf? as being well worth time. If you madly, deeply into Wagner, you’ll love Expecting Someone Taller; if not, skip it. His only two Awards are a pair of World Fantasy Awards, both for novellas, “A Small Price to Pay for Birdsong” and “Let’s Maps to Others”. And yes, I know that he also publishes under the K. J. Parker name as well but I won’t go into the works he publishes here.
Born September 13, 1974 — Fiona Avery, 49. Comic book and genre series scriptwriter. While being a reference editor on the final season of Babylon 5, she wrote “The Well of Forever” and “Patterns of the Soul” as well as two that were not produced, “Value Judgements” and “Tried and True”. After work on the Crusade series ended, she turned to comic book writing, working for Marvel and Top Cow with three spin-offs of J. Michael Straczynski’s Rising Stars being another place where her scripts were used. She created the Marvel character Anya Sofia Corazon later named Spider-girl. She did work on Tomb Raider, Spider-Man, X-Men and Witchblade as well.
(12) CHENGDU WORLDCON NEWS. A three-part news release primarily devoted to a name for the Chengdu Worldcon mascot and its slogan – “Meet The Future! Slogan and Mascot’s Name for 2023 Chengdu Worldcon Announced” – included this segment publicizing some of the guests and programs, from which Sergey Lukianenko’s name is conspicuously absent.
…This year, the Committee has invited famous sci-fi activists such as Ben Yalow and Dave McCarty, as well as sci-fi litterateurs such as Robert Sawyer and Liu Cixin to bring a sci-fi literature feast to sci-fi fans. Meanwhile, Richard Taylor, the founder of Weta Workshop founder, who has won five Oscars for Best Visual Effects, and prominent figures in the Chinese sci-fi industry such as directors Guo Fan and Yang Lei, will attend the convention. They will engage in in-depth discussions on topics related to the fusion and development of science and technology innovation, culture, cultural tourism, and cultural creativity.
According to Liang Xiaolan, the full-time chairman of the 2023 Chengdu Worldcon and the vice president of the Chengdu Science Fiction Association, the convention will hold about 260 themed salons and parties, which are divided into eight categories: Science Fiction and Literature, Science Fiction and Art, Science Fiction and Film and TV, Science Fiction and Games (Animation), Science Fiction and Academics, Science Fiction and Technology, Science Fiction and Future, and Science Fiction and Industry. “For example, in the Science Fiction and literature section, there will be salons like Liu Cixin’s ‘A Sci-fi Reunion After 10 Years’, and Robert Sawyer’s ‘The Past, Present, and Future of Science Fiction’; In the Science Fiction and Technology section, we will discuss ‘How Far Are We From Space Travel?’ In the Science Fiction and Film and TV section, there will be a ’Sci-fi Film Special Effects Summit’; In the Science Fiction and Art section, there will be a ‘Three-Body Themed Concert’; In the Science Fiction and Games section, we will release the International Sci-fi Gaming Ranking,” Liang said….
There are scenes in both Three Rocks and The Buildings are Barking that converge for me. Toward the end of the Diane book, there’s a haunting scene where she appears to you on a sort of “ghost ferry,” and she’s beckoning to you, in a dream sequence, to come join her. It’s very powerful, very sad, very beautifully rendered, and it’s heartbreaking. And toward the end of Three Rocks you have Ernie—toward the end of his life—snoozing on his chair, and Nancy, in another dream sequence, is in some ways doing the same thing to Ernie. Calling on him to follow her.
So that’s me recognizing that parallel– or, under the reality that we’re all experiencing together, there is another reality. It’s just there. It’s there to find. Or create. In that dream sequence in Three Rocks, the conceit is that Nancy is doing this. I’m not doing this. Ernie is not. Nancy is doing this. So, I am saying something that I have said throughout the book, which is that Nancy is a powerful figure. She both represents and controls the world she is in. And Ernie’s world as well. Some people thought she was a child that Ernie and Abbie never had. That’s a little sentimentalized, but possible. And before that dream sequence, I’ve used Nancy in these transitional sections throughout the book where Nancy is taking you from the previous chapter, in effect, to the next chapter. Once again, it’s Nancy, physically, the drawing. Yes, I’m writing it, but it’s Nancy [who is doing it].
In the dream sequence, she’s just pure Nancy. To me, because there’s no writing going on until the very end. It came out of a conversation I had with [Nancy collector and producer/writer for The Simpsons] Tom Gammill, and I’ve also heard the same thing from Mark [Newgarden]. That Ernie would always say that he’s looking for “the perfect gag.” There’s always a more perfect gag that he can’t quite find. The most perfect gag ever. [Laughs] Which I think is a little bit… romanticizing. Either people who heard Ernie say it, or they themselves, romanticized it. It seems a little bit like false humility. In other words, “I’m not all that funny, I’m still looking for the perfect gag. If I ever find it, I’ll let you know.” It’s like a way of deflecting, that he’s a great cartoonist or a funny guy….
…To trace the roots of Star Trek’s replicator, it is necessary to understand that it is essentially a repurposed form of the transporter—the teleportation or matter transmission device that “beams” the crew between starship and planet surface. According to legend, the transporter was invented only because the original series lacked the budget to film special, effect-heavy scenes of planetary landing shuttles, but Star Trek did not invent the concept of matter transmission. Its first appearance in science fiction dates back at least as far as 1877, in Edward Page Mitchell’s story “The Man Without a Body,” which prefigures George Langelaan’s much better-known 1957 story “The Fly,” by having a scientist experience a teleportation mishap when his batteries die while he is only partway through a transmission, so that only his head rematerializes.
The replicator uses the same basic principle as the transporter, in which the atomic structure of a physical object is scanned and the information is used to reconstruct the object at the “receiving” end through energy-matter conversion. In practice, all transporters are replicators and matter “transmission” is a misnomer, because matter itself is not transmitted, only information. Every time Captain Kirk steps out of the transporter having “beamed up” from a planet’s surface, it is, in fact, a copy of him—the original has been disintegrated during the initial phase of the operation.
This was precisely the mechanism of teleportation explored in one of the earliest stories on this theme. In Guillaume Apollinaire’s 1910 story “Remote Projection,” an inventor finds that his teleporter is actually a replicator and ends up with 841 identical copies of himself scattered around the world. This idea anticipated the well-known Teletransporter philosophy thought experiment by British philosopher Derek Parfit, which explored questions of continuity of identity. If a transporter is actually a replicator, is the Captain Kirk that steps off the transporter pad the same as the one that was “beamed up” from the planet? If the planet-side Kirk is not disintegrated in the process, and survives the process, which of the two Kirks is the “real” one? Star Trek TNG explored this precise scenario as an ongoing story line, after an episode (“Second Chances,” 1993) featuring a transporter malfunction that results in two copies of the character Will Riker—one who materializes on board his ship and the other who is stranded on a planet. The planet-side copy eventually chooses to be known as Tom Riker….
…However, the formula for creating monumental battle scenes saw a paradigm shift as we moved into the digital age. It was no longer just about recruiting an army of extras and meticulously planning every combat move. Instead, the magic started happening in the digital realm, thanks to pioneering technology developed by New Zealand-based Weta Digital.
Enter Peter Jackson’s acclaimed Lord of the Rings trilogy, released from 2001 to 2003. With the assistance of Weta Digital’s specialised crowd-simulation software, the movies shattered all previous records by featuring battles with an unprecedented 200,000 characters. The program, sensibly named Massive, fused digital animation with early artificial intelligence to govern individual character interactions, creating a spectacle of unparalleled scale and complexity.
What sets Massive apart is its innovative use of AI, allowing each digitally-created soldier to act and react in ways that mimic real-life human behaviour – not just this, but to do it ‘independently’. By allowing the program to govern the movements, animators were spared from tailoring the movements of each of the 200,000 figures. This leap in technology generated battle scenes that were vast in scale and eerily realistic. The technology altered the very foundations of what directors considered possible, raising the bar for epic cinema to an entirely new level….
While the James Webb Space Telescope observed the atmosphere of an alien world 120 light-years away, it picked up hints of a substance only made by living things — at least, that is, on Earth.
This molecule, known as dimethyl sulfide, is primarily produced by phytoplankton, microscopic plant-like organisms in salty seas as well as freshwater.
The detection by Webb, a powerful infrared telescope in space run by NASA and the European and Canadian space agencies, is part of a new investigation into K2-18 b, an exoplanet almost nine times Earth’s mass in the constellation Leo. The study also found an abundance of carbon-bearing molecules, such as methane and carbon dioxide. This discovery bolsters previous work suggesting the distant world has a hydrogen-rich atmosphere hanging over an ocean.
Such planets believed to exist in the universe are called Hycean, combining the words “hydrogen” and “ocean.”
“This (dimethyl sulfide) molecule is unique to life on Earth: There is no other way this molecule is produced on Earth,” said astronomer Nikku Madhusudhan in a University of Cambridge video. “So it has been predicted to be a very good biosignature in exoplanets and habitable exoplanets, including Hycean worlds.”…
(17) VIDEO OF THE DAY. The new miniseries of Star Trek: Very Short Treks continues with “Holiday Party” about a “blooper reel” that’s mostly not actually funny, which is the point.
It’s a First Contact Day celebration and Spock is in charge of the entertainment.
[Thanks to Mike Kennedy, Andrew Porter, Daniel Dern, JJ, Lise Andreasen, Mark Roth-Whitroth, Andrew Gillsmith, Ersatz Culture, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Lou.]
A group of authors and other creative professionals are lending their names to an open letter protesting publishers’ lawsuit against the Internet Archive Library, characterizing it as one of a number of efforts to curb libraries’ lending of ebooks.
Authors including Neil Gaiman, Naomi Klein, and Cory Doctorow lent their names to the letter, which was organized by the public interest group Fight for the Future.
“Libraries are a fundamental collective good. We, the undersigned authors, are disheartened by the recent attacks against libraries being made in our name by trade associations such as the American Association of Publishers and the Publishers Association: undermining the traditional rights of libraries to own and preserve books, intimidating libraries with lawsuits, and smearing librarians,” the letter states.
…The letter also calls for enshrining “the right of libraries to permanently own and preserve books, and to purchase these permanent copies on reasonable terms, regardless of format,” and condemns the characterization of library advocates as “mouthpieces” for big tech.
“We fear a future where libraries are reduced to a sort of Netflix or Spotify for books, from which publishers demand exorbitant licensing fees in perpetuity while unaccountable vendors force the spread of disinformation and hate for profit,” the letter states.
…Author Daniel Handler, aka Lemony Snicket, was originally on the list of signatories to the letter but withdrew his name on Wednesday evening. No explanation was given, but some of his works are among those cited by the publishers in their lawsuit against Internet Archive….
(2) REMEMBER THE HYDRA CLUB. Here’s the famous (within fandom anyway) drawing of a meeting of the Hydra Club in New York City from the November 1951 issue of Marvel Science Fiction [Internet Archive] (via Roy Kettle).
The Hydra Club was a group of New York writers — Frederik Pohl was one of the nine heads who founded it. Dave Kyle says in “The Legendary Hydra Club” (Mimosa 25) that a banquet photo Life published was taken at the Hydras’ New York Science Fiction Conference of July 1-3, 1950. Hydras organized it and invited ESFA members to participate, too.
(3) DAYTON LITERARY PEACE PRIZE. The 2022 winners of the Dayton Literary Peace Prize have been announced. (The lone genre finalist wasn’t one of them.) Given for both fiction and nonfiction, the prize honors writers whose work uses the power of literature to foster peace, social justice, and global understanding. Each winner receives a $10,000 cash prize.
Fiction Winner
The Love Songs of W.E.B Du Bois by Honorée Fanonne Jeffers (HarperCollins): This intimate yet sweeping novel, with all the luminescence and force of Homegoing; Sing, Unburied, and The Water Dancer, chronicles the journey of one American family from the centuries of the colonial slave trade through the Civil War to our own tumultuous era.
Nonfiction Winner
How the Word is Passed by Clint Smith (Little, Brown): This compelling #1 New York Times bestseller examines the legacy of slavery in America—and how both history and memory continue to shape our everyday lives.
(4) SPSFC2 WINNING COVER. The administrator of the Self-Published Science Fiction Competiton posted a Q&A with the winners of the cover contest, author Dito Abbott and cover designer Kirk DouPonce from dogeareddesign.com and fictionartist.com.
Kirk: I read and enjoyed Dito’s manuscipt, there was no lack of imagery to work from! The story is a bit on the complex side, what I had originally contemplated for the cover changed many times. Often I’m able to read a manuscript and have the concept solidified in my head before starting. But not this time. So many possible directions! At some point I remember looking at his map and thinking “well duh, there’s the cover”. The map art had the perfect whimsical flavor the story was begging for. Almost as if the artist knew the story intimately.
(5) A DIFFERENT CHEKHOV IN SPACE. [Item by Martin Morse Wooster.] In the Financial Times behind a paywall, Sarah Hemming reviews a sf adaptation of Anton Chekhov’s The Cherry Orchard which is playing at the Yard Theatre through October 22.
Vinay Patel’s inventive version pitches the story into the future. Here the action unfolds o a spaceship spinning towards an elusive destination. We are hundreds of years into the mission: the ship is crewed by cloned humans (all of south Asian heritage) who never saw the E and various, now antiquated, bits of AI: Firs, the ancient retainer of the original, has become Feroze, a glitchy android servant, brilliantly played by Hari Mackinnon.
The cherry orchard still exists, but in an arboretum. It constitutes a link back to Earth, as does the ship’s rigid social hierarchy, which keeps the lower deck workers toiling in the dark. But the mission has become sclerotic: tensions are brewing between the decks, and the discovery of a nearly habitable planet brings everything to a head. As in the original, pragmatic engineer Abinash Lenka (Lopakhin in Chekhov) urges Captain Ramesh to change course but ends by taking charge himself.
(6) GODSTALK! P. C. Hodgell will be signing at Uncle Hugo’s on Saturday, October 15, from 1-2 p.m. for Deathless Gods ($16.00), the 10th novel in the Chronicles of Kencyrath series.
NASA announced on Thursday that it and SpaceX had signed an agreement to conduct a six-month study to see if one of SpaceX’s Crew Dragon capsules could be used to raise the altitude of the Hubble Space Telescope, potentially further extending the lifetime of the 32-year-old instrument….
(8) ROUGH LANDING. Cora Buhlert writes, “Turns out that my Hugo rocket was also damaged [not just the base], because the tip is chipped, which I only noticed yesterday, when I took it from the shelf to show it off. I honestly wonder what you have to do to chip a piece of a Hugo rocket, considering they’re stainless steel.
I still had some fun with the damaged Hugo trophy and had my brand-new Flash Gordon, Phantom and Ming the Merciless (in the look of the Defenders of the Earth cartoon) action figures fight over the trophy, because it looks like something from a vintage Flash Gordon comic:
1966 – [By Cat Eldridge.]Star Trek’s “Naked Time” aired 56 years ago yesterday in the USA on NBC. (Yeah I forgot. My bad.) it was the fourth episode of the first season and it was written by John D F Black who was given story credit idea when D C Fontana who the sequel, the Next Generation’s ‘The Naked Now”.
Surely everyone here knows the story of a strange, intoxicating infection, which lowers the crew’s inhibitions, spreads throughout the Enterprise. As the madness spreads, the entire ship is endangered. Really you have not watched it? You know it’s on Paramount +?
Did you know this was the first appearance of the Vulcan nerve pinch? Though of course this being TV, it was actually filmed first in “The Enemy Within”, but “The Enemy Within” would be broadcast a week after “Naked Time” was.
My favorite scene? Sulu’s half naked sword fight of course? However Takei had never use a sword at all so hurriedly learned to. He frequently mentions in interviews his much he likes his episode, saying it’s his favorite one, and devotes a entitle chapter on it in his autobiography.
It was meant to be a two-parter, with this episode ending with the Enterprise going back in time. The ending was revised so it would become a standalone episode. What would have been part two eventually became the episode, “Tomorrow is Yesterday”.
It is the only time Lt. Uhura, Yeoman Janice Rand and Nurse Christine Chapel all appear in the same episode.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born September 30, 1924 — Elinor Busby, 98. In 1960, she became the first woman to win a Hugo Award for Best Fanzine editing at Pittcon for Cry of the Nameless along with F. M. Busby, Burnett Toskey and Wally Weber. She was awarded a Fan Activity Achievement Award for fan achievements, presented at Corflu in 2013. She was on the committee of Seacon (1961). Busby is noted in Heinlein’s Friday, and her husband is likewise in The Cat Who Walks Through Walls.
Born September 30, 1931 — Angie Dickinson, 91. She was Dr. Layla Johnson in The Resurrection of Zachary Wheeler, the Dragon Queen in the genre adjacent Charlie Chan and the Curse of the Dragon Queen and Abbie McGee inThe Sun, the Moon and the Stars.
Born September 30, 1932 — Antoinette Bower, 90. I’ll start off with her being Sylvia in the classic Trek episode of “Catspaw” written by Robert Bloch. She had a previous genre appearance in a Twilight Zone story, “Probe 7, Over and Out” in which she was Eva Nord. It’s a shaggy God story as so termed by Brian Aldiss. She also had one-offs in The Man from U.N.C.L.E., The Wild Wild West, Mission: Impossible, Get Smart and The Six Million Dollar Man.
Born September 30, 1947 — Michael I. Wagner. Though best remembered for his work on Hill Street Blues and deservedly so, he’s co-created with Isaac Asimov, produced and wrote several episodes for the one-season ABC series Probe. He provided the story for two episodes of Next Generation, “Bobby Trap” and “Evolution” and wrote another, “Survivor”. (Died 1992.)
Born September 30, 1950 — Laura Esquivel, 72. Mexican author of Como agua para chocolate, Like Water for Chocolate in English. Magical realism and cooking with more than a small soupçon of eroticism. Seriously the film is amazing as is the book. ISFDB says she’s also written La ley del amor (The Law of Love) which I’ve not read.
Born September 30, 1951 — Simon Hawke, 71. Author of the quite superb Wizard of 4th Street series as Well as the TimeWars series.He has written Battlestar Galactica, Trek, Friday the 13th, Predator and Dungeons & Dragons novels as well as the genre adjacent Shakespeare & Smythe mysteries which bear titles such as Much Ado About Murder.
Born September 30, 1959 — Debrah Farentino, 63. She has a lead role in Earth 2 as Devon Adair, and she was the deliciously duplicitous Beverly Barlowe on Eureka.
Born September 30, 1960 — Nicola Griffith, 62. Writer, Essayist and Teacher. Her first novel was Ammonite which won the Tiptree and Lambda Awards and was a finalist for the Clarke and BSFA Awards, followed by The Blue Place, Stay, and Always, which are linked novels in the Ammonite universe featuring the character Aud Torvingen. In total, SFE has won the Washington State Book Award, Nebula Award, James Tiptree, Jr. Award, World Fantasy Award and six Lambda Literary Awards. Her novel Slow River won Nebula and Lambda Awards. With Stephen Pagel, she has edited three Bending the Landscape anthologies in each of the three genres Fantasy, Science Fiction, and Horror, the first of which won a World Fantasy Award. She latest novel is Spear which just came out. She was diagnosed with multiple sclerosis in March 1993. She lives with her wife, author Kelley Eskridge, in Seattle.
Born September 30, 1972 — Sheree Renée Thomas, 50. Writer, Shotgun Lullabies: Stories & Poems and Sleeping Under the Tree of Life; Editor, Dark Matter: A Century of Speculative Fiction from the African Diaspora which won a World Fantasy Award, and Dark Matter: Reading the Bones which also won a World Fantasy Award. She’s also written a variety of poems and essays including “Dear Octavia, Octavia E. Butler, Ms. Butler, Mother of Changes”. In 2020, Thomas was named editor of The Magazine of Fantasy & Science Fiction.
(12) COMICS SECTION.
Broom Hilda doesn’t think they’re horror movies at all.
(13) THEY GO HARD. Ursula Vernon stands up for Waffle House. Thread starts here. A few of the tweets —
Later, I would learn of the legendary Waffle House Index. When all else fails, when disaster is upon you, when the Angel has broken the seal and read from the scroll and fire and blood rains from heaven and the great Beasts sing before the throne…
I am not one to praise a corporation. Capitalism is not my jam. You all probably know that by now (unless you wandered in from a retweet, in which case, hi!) But for all their flaws, Waffle House offered health insurance to hourly employees back when that was laughable.
At times it feels more like an extended, if joke-free, SNL skit than a real movie, giving us the iconography we want but without any of the soul, propulsion or bare necessity we need to go with it, something that exists because it could rather than should….
This coming Halloween, it’s likely that many families will be watching Hocus Pocus 2 together, excited by the prospect of a tradition shift. Next Halloween, I doubt they’ll be watching it again.
On September 30th, pumpkin spice enthusiasts can visit HeftyPumpkinSpice.com to purchase their own limited edition trash bags. Now, fall lovers can keep their pumpkin spice obsession going strong on this National Pumpkin Spice Day and beyond by giving their garbage the cozy fall upgrade they never knew they needed.
(15) EARTH R.F.D. [Item by Steven French.] From Physics World: photometric microlensing uses the magnification of light from background stars caused by gravitational lensing to detect exo-planets. Unfortunately (or fortunately, depending on your point of view) we live too far out in the galactic ‘burbs where there are few background stars, for technologically adept aliens to spot the Earth. “Earth is ‘well-hidden’ from extraterrestrial civilizations hunting for habitable planets”.
… To have a good shot at spotting us, Kerins explained, an alien civilization would need to be positioned such that there were a lot of background stars behind us, as to give the Earth a good chance of deflecting the light from one. “The best position for an observer to be is right at the edge of our galaxy with us on a line of sight towards the galactic centre,” he noted, adding: “But there are very few stars at the edge of our galaxy and so presumably few observers.”…
(16) MARS ROCKS. [Item by SF Concatenation’s Jonathan Cowie.] Today’s issue of Science has a Mars cover story.
Two samples of rock (top and bottom holes) were collected by the Perseverance rover from this outcrop of the Séítah geologic formation in Jezero crater (see cover), Mars. Also visible are a discarded sample attempt (middle hole), a rock abrasion patch (lower left depression), and the rover’s tracks and shadow. Analysis of the Séítah formation shows that it consists of igneous rocks modified by liquid water
The overall, bottom line conclusion of Perseverance’s explorations of the floor of Jezero crater explored by Perseverance consists of two distinct igneous units that have both experience reactions with liquid water.
[Thanks to Chris Barkley, Michael Toman, Cat Eldridge, Nina Shepardson, Todd Mason, Steven French, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]
Anthony Doerr’s Cloud Cuckoo Land is among the six fiction finalists for the 2022 Dayton Literary Peace Prize. Given for both fiction and nonfiction, the prize honors writers whose work uses the power of literature to foster peace, social justice, and global understanding. Each winner receives a $10,000 cash prize.
The 2022 Dayton Literary Peace Prize fiction finalists are:
Beasts of a Little Land, by Juhea Kim, HarperCollins. An epic story of love, war, and redemption set against the backdrop of the Korean independence movement, Juhea Kim’s debut novel follows the intertwined fates of a young girl sold to a courtesan school and the penniless son of a hunter. Immersive, elegant, and unforgettable, Beasts of a Little Land unveils a world where friends become enemies, enemies become saviors, heroes are persecuted, and beasts take many shapes.
Cloud Cuckoo Land, by Anthony Doerr, Simon & Schuster. From the Pulitzer Prize-winning author of All the Light We Cannot See, Cloud Cuckoo Land is a triumph of imagination and compassion, a soaring story about children on the cusp of adulthood in worlds in peril, who find resilience, hope, and a book. A “wildly inventive, humane and uplifting book for adults that’s infused with the magic of childhood reading experiences” (The New York Times Book Review), this is a story of dreamers and outsiders whose lives are gloriously intertwined.
Infinite Country, by Patricia Engel, Simon & Schuster. From 2017 Dayton Literary Peace Prize winner Patricia Engel (The Veins of the Ocean), a dual citizen of Colombia and daughter of immigrants, a “profound, beautiful novel” (People) that chronicles the “breathtaking story of the unimaginable prices paid for a better life” (Esquire). In the bestselling Infinite Country, the decisions and indecisions that led Mauro, Elena, Karina, Nando,and Talia to occupy two different countries, two different worlds, comes into focus like twists of a kaleidoscope—as do the costs they’ve all been living with ever since.
North, by Brad Kessler, Abrams. From 2007 Dayton Literary Peace Prize winner for Birds In Fall, North traces the epic journey of Sahro from her home in Somalia to South America, along the migrant route through Central America and Mexico, to New York City, and finally, her last attempt to cross into safety in Canada. It also traces the inner journeys of Father Christopher questioning his monastic way of life, which seems suddenly outdated and privileged, and veteran Teddy Fletcher, who is seeking a way to make peace with his past.
The Love Songs of W.E.B Du Bois, by Honorée Fanonne Jeffers, HarperCollins. The 2020 NAACP Image Award-winning poet makes her fiction debut with this National Book Award-longlisted, magisterial epic. This intimate yet sweeping novel, with all the luminescence and force of Homegoing; Sing, Unburied, and The Water Dancer, chronicles the journey of one American family from the centuries of the colonial slave trade through the Civil War to our own tumultuous era.
What Comes After, by JoAnne Tompkins, Penguin Random House. After the shocking death of two teenage boys tears apart a community in the Pacific Northwest, a mysterious pregnant girl emerges from the woods and into the lives of those same boys’ families. What Comes After offers an unforgettable story of loss and anger, but also of kindness and hope, courage and forgiveness. It is a deeply moving account of strangers and friends not only helping each other forward after tragedy, but inspiring a new kind of family.
The 2021 Dayton Literary Peace Prize nonfiction finalists are:
High Conflict, by Amanda Ripley, Simon & Schuster. When we are baffled by the insanity of the “other side”—in our politics, at work, or at home—it’s because we aren’t seeing how the conflict itself has taken over. That’s what “high conflict” does. It’s the invisible hand of our time. In High Conflict, New York Times bestselling author and award-winning journalist Amanda Ripley investigates how good people get captured by high conflict—and how they break free.
How the Word is Passed, by Clint Smith, Little, Brown. This compelling #1 New York Times bestseller examines the legacy of slavery in America—and how both history and memory continue to shape our everyday lives. A deeply researched and transporting exploration of the legacy of slavery and its imprint on centuries of American history, How the Word Is Passed is a landmark of reflection and insight that offers a new understanding of how slavery has been central in shaping our nation’s collective history and ourselves.
Invisible Child, by Andrea Elliott, Penguin Random House. Invisible Child, winner of the 2022 Pulitzer Prize, is the unforgettable story of Dasani Coates, a homeless girl whose indomitable spirit is tested by poverty and racism in an unequal America. Elliott traces Dasani’s ancestors from slavery to the Brooklyn shelter where Dasani must guide her siblings through a world riddled by hunger, violence, and drug addiction. Dasani’s acceptance at a boarding school gives her the chance to exit poverty, but at the risk of abandoning her family, as well.
The Last Nomad, by Shugri Said Sahl, Algonquin Books of Chapel Hill. In this brave, remarkable memoir about an idyllic childhood shattered by war, Shugri Said Salh describes growing up as a nomad in the Somali desert, herding goats along with her grandmother. When the Somali Civil War breaks out, she must flee, first to a refugee camp and eventually to North America. Both a personal and a national history, The Last Nomad captures a lost world and is a riveting story of resilience, survival, and the shifting definitions of home.
The Sum of Us, by Heather McGhee, Penguin Random House. McGhee marshals economic and sociological research to paint an irrefutable story of racism’s costs while also sharing the humble stories of people yearning to be part of a better America. With startling empathy, this heartfelt message to all Americans offers a new vision for a future in which we finally realize that life can be more than a zero-sum game.
Wildland, by Evan Osnos, Macmillan. A dramatic, prescient examination of seismic changes in American politics and culture, Wildland is the story of a crucible, a period bounded by two shocks to America’s psyche, two assaults on the country’s sense of itself: the attacks of September 11 in 2001 and the storming of the U.S. Capitol on January 6, 2021. Following the lives of everyday Americans in three cities and across two decades, Evan Osnos reveals how we lost the moral confidence to see ourselves as larger than the sum of our parts.
A winner and runner-up in fiction and nonfiction will be announced on September 27, 2022.
