The nominees are award-eligible works and persons first nominated by fans and members of the Australian NatCon which have been compiled into a ballot by a sub-committee elected at the previous National SF Convention business meeting.
Some categories include more than five nominees due to tied nomination numbers. And some have less, due to insufficient valid nominations.
The Ditmars will be awarded at the 2022 Australian National SF Convention, Conflux 16 to be held September 30-October 3 in Canberra.
BEST NOVEL
All the Murmuring Bones, A.G. Slatter, Titan Books.
The Bridge, J.S. Breukelaar, Meerkat Press.
The Councillor, E.J. Beaton, DAW Books.
A Marvellous Light, Freya Marske, Tor.
Papa Lucy & The Boneman (Books of Before & Now 1), Jason Fischer, Outland Entertainment.
The Rose Daughter, Maria Lewis, Hachette Australia/Little Brown Books.
She Who Became the Sun, Shelley Parker-Chan, Tor.
BEST NOVELLA OR NOVELETTE
“Ariadne, I Love You”, J. Ashley-Smith, in Ariadne, I Love You, Meerkat Press.
“Dirty Heads”, Aaron Dries.
“Ghost Recall”, Alan Baxter, in Ghost Recall (Eli Carver 3), Grey Matter Press.
“The Little One”, Rebecca Fraser, in Coralesque and other tales to disturb and distract, IFWG Publishing Australia.
“A Vast Silence”, T.R. Napper, in The Magazine of Fantasy & Science Fiction, November/December 2021.
BEST SHORT STORY
“A Good Big Brother”, Matt Tighe, in Spawn: Weird Tales of Pregnancy, Birth and Babies, IFWG Australia.
“Goon of Fortune”, Geneve Flynn, in Midnight Echo 16.
“The House That Hungers”, Maria Lewis, in Aurealis No. 146, November 13 2021.
“The King in Yella”, Kaaron Warren, in Under Twin Suns: Alternate Histories of the Yellow Sign, Hippocampus Press.
“Legacy of the Species”, Pamela Jeffs, in The Terralight Collection, Four Ink Press.
“A Whisper in the Death Pit”, Kyla Lee Ward, in Weirdbook 44, Wildside Press.
BEST COLLECTED WORK
Coralesque and Other Tales To Disturb and Distract, Rebecca Fraser, IFWG Publishing Australia.
The Gulp, Alan Baxter, 13th Dragon Books, self-published.
The nominees are award-eligible works and persons first nominated by fans and members of the Australian NatCon which have been compiled into a ballot by a sub-committee elected at the previous National SF Convention business meeting.
The awards will be presented at the 2020 Ditmar Awards ceremony, hosted by Conflux (September 30-October 3, 2022 in Canberra, Australia.)
Note that some categories include more than five nominees due to tied nomination numbers. And some have less, due to insufficient valid nominations. The Final ballot will have a “No Award” option in each category.
Best Novel
The Crying Forest, Venero Armanno, IFWG Publishing Australia.
Hollow Empire, Sam Hawke, Penguin.
The Animals in That Country, Laura Jean McKay, Scribe Publications.
Monstrous Heart, Claire McKenna, HarperCollins.
The Left-Handed Booksellers of London, Garth Nix, Allen & Unwin.
Poison & Light, Gillian Polack, Shooting Star Press.
Repo Virtual, Corey J. White, Tom Doherty Associates.
Best Novella or Novelette
“The Attic Tragedy”, J. Ashley-Smith, in The Attic Tragedy, Meerkat Press.
“The Roo”, Alan Baxter, self published.
Bad Weather”, Robert Hood, in Outback Horrors Down Under, Things in the Well.
“Flyaway”, Kathleen Jennings, Pan Macmillan Australia.
“The Weight of the Air, The Weight of the World”, T.R. Napper, in Neon Leviathan, Grimdark Magazine.
Best Short Story
“The Genetic Alchemist’s Daughter, Elaine Cuyegkeng, in Black Cranes: Tales of Unquiet Women, Omnium Gatherum.
“Hacking Santorini”, Cat Sparks, in Dark Harvest, NewCon Press.
“The Calenture”, Kaaron Warren, in Of Gods and Globes 2.
The Zookeeper’s Tales of Interstellar Oddities, Aiki Flinthart and Pamela Jeffs, CAT Press.
Songs for Dark Seasons, Lisa L. Hannett, Ticonderoga Publications.
Neon Leviathan, T.R. Napper, Grimdark Magazine.
Dark Harvest, Cat Sparks, NewCon Press.
Best Artwork
Cover art, Keely Van Order, for Drive, She Said by Tracie McBride, IFWG Publishing Australia.
Illustrations, Rovina Cai, for The Giant and the Sea, Lothian.
Illustrations, Kathleen Jennings, for Mother Thorn and other tales of courage and kindness, Serenity Press.
Best Fan Publication in Any Medium
Pratchat, Elizabeth Flux and Ben McKenzie, Splendid Chaps Productions.
Ethel the Aardvark, LynC, Melbourne Science Fiction Club.
The AntipodeanSF Radio Show, Ion Newcombe.
The Coode Street Podcast, Jonathan Strahan and Gary K. Wolfe.
Best Fan Writer
Bruce Gillespie, for writing in SF Commentary.
LynC, for writing in Ethel the Aardvark.
Best Fan Artist
Lyss Wickramasinghe, for fanart on Tumblr including (Elsie, Hold On), (The Gem and the Other) and (Vesuvia Pride).
Best New Talent
Nikky Lee.
William Atheling Jr Award for Criticism or Review
Terry Frost, for reviews in Terry Talks Movies, YouTube.
Kathleen Jennings, for “Contracts and Calcifer, or ‘In Which A Contract Is Concluded Before Witnesses’: the transactional structure of Howl’s Moving Castle”, The Proceedings of the Diana Wynne Jones Conference, Bristol 2019 [paper published 2020].
The Ditmar Award is Australia’s oldest and best-known science fiction, fantasy and horror award, presented annually at the Australian NatCon since 1969.
This year’s NatCon, Swancon 2020 in Perth, was cancelled due to the pandemic and the award winners were announced online.
Best Novel
The Year of the Fruit Cake, Gillian Polack, IFWG Publishing Australia.
Best Short Fiction
“Whom My Soul Loves”, Rivqa Rafael, in Strange Horizons, 11 November 2019.
Best Collected Work
Collision, J.S. Breukelaar, Meerkat Press.
Best Fan Publication in Any Medium
[Joint Award]
Be The Serpent podcast, Alexandra Rowland, Jennifer Mace and Freya Marske.
SF Commentary, Bruce Gillespie.
Best Fan Writer
Elizabeth Fitzgerald, for reviews in Skiffy and Fanty.
Best New Talent
Freya Marske.
William Atheling Jr. Award for Criticism or Review
Grant Watson, for reviews on FictionMachine.
Note: There were insufficient nominations for the Best Artwork and Best Fan Artist categories, therefore no awards were given.
The nominees are award-eligible works and persons first nominated by fans and members of the Australian NatCon which have been compiled into a ballot by a sub-committee elected at the previous National SF Convention business meeting.
The awards will be presented at the 2020 Ditmar Awards ceremony, hosted by Swancon (April 24-26, 2021 in Perth, Australia.)
The Final ballot will have a “No Award” option in each category.
Best Novel
Claiming T-Mo, Eugen Bacon, Meerkat Press.
The Year of the Fruit Cake, Gillian Polack, IFWG Publishing Australia.
Best Short Fiction
“into bones like oil”, Kaaron Warren, in Into Bones like Oil, Meerkat Press.
“Whom My Soul Loves”, Rivqa Rafael, in Strange Horizons, 11 November 2019.
Best Collected Work
Collision, J.S. Breukelaar, Meerkat Press.
Best Artwork
INSUFFICIENT NOMINATIONS
Best Fan Publication in Any Medium
Be The Serpent podcast, Alexandra Rowland, Jennifer Mace and Freya Marske.
SF Commentary, Bruce Gillespie.
Best Fan Writer
Bruce Gillespie, for writing in SF Commentary and ANZAPA articles.
Elizabeth Fitzgerald, for reviews in Skiffy and Fanty.
Best Fan Artist
INSUFFICIENT NOMINATIONS
Best New Talent
Freya Marske
William Atheling Jr Award for Criticism or Review
Eugen Bacon, for Writing Speculative Fiction, Red Globe Press.
(1) DITMAR
NOMINATIONS OPEN. Nominations
for the 2020 Australian SF (“Ditmar”) awards are open until one minute before
midnight Perth time on Sunday, March 1, 2020 (ie. 11.59 p.m., GMT+8). The
current rules, including Award categories can be found at: here.
After many thought Lupita Nyongo’o and Jordan Peele were snubbed from Oscar nominations this year for their work on Us, the duo ended up winning big at the NAACP Image Awards. By the time the annual gala was over Saturday night, Peele had won Outstanding Writing In A Motion Picture while Nyong’o won Outstanding Actress In A Motion Picture.
…Despite receiving zero nominations at the 92nd Academy Awards, the Peele-directed horror flick also managed to win big elsewhere this awards season. Peele won Best Director at this summer’s Saturn Awards while Nyong’o won Best Actress with the Hollywood Critics Association and more. As a whole, the movie’s biggest award came during the Critics’ Choice Awards, where it won Best Sci-fi/Horror movie.
John Romita Sr.Amazing Spider-Man#51 Cover Kingpin Original Art (Marvel, 1967). One of the finest Amazing Spider-Man covers we have ever had! It was the Kingpin’s very first cover appearance, and it set the image of the character in many fan’s heads for decades to come….
(4) SEND THE TARDIS TO DUBLIN. Nicholas Whyte wishes Doctor
Who spent more time in Ireland – like any at all. He has written a rundown
on the Irishness of the TV show, book adaptations, audio dramas, and comics. You
might say there is more green in Tom Baker’s trademark scarf than the rest of
the show combined.
It is a sad fact that up to the present day (choosing my words *very* carefully here), not a single second of TV screen time on the show, or any of its spinoffs, has been set in Ireland. Indeed, hitherto the Doctor spent more televised time in Hungary than on the Emerald Isle (special prize if you know what story I am referring to). A couple of confused characters do wonder if Gallifrey, the home planet of the Time Lords, may be in Ireland, but that’s as close as we get.
However, the real life relationship between Doctor Who and Ireland is much stronger. Tenth Doctor David Tennant’s grandmother was from Northern Ireland – his grandfather was a professional footballer, whose record of 57 goals for Derry City in a single season still stands. Lalla Ward, who played the second incarnation of Romana and was briefly married to Fourth Doctor Tom Baker, is the daughter of the 7th Viscount Bangor; their family home was Castle Ward in County Down, better known to Game of Thrones fans as Winterfell.
And lucky kids in Belfast and Derry were thrilled one day in 1978 when the Fourth Doctor himself turned up at their school…
…The hack has to be done like an old video game cheat code. You need to make certain inputs by a certain time in order to bring “Chewie mode” online. Here is a video and written instruction from the FreshBaked YouTube Channel, which specializes in Disneyland tips and tricks:
Chalk this one up to fun scientific papers we inexplicably missed last year. A group of undergraduates at the University of Leicester in the UK calculated the growth rate of the fictional Star Trek critters known as tribbles. They published their results in a short paper in the university’s undergraduate-centric Journal of Physics Special Topics, estimating just how long it would take for there to be enough tribbles to fill up the USS Enterprise….
…Imagine a world hot enough to turn lead into a puddle, where the atmospheric pressure can crush a nuclear-powered submarine. Now imagine sending a rover to explore that world.
Venus, ancient sister of Earth with a planetary environment just this side of hellish, has been visited by a handful of probes since the early days of space flight. Of the many missions to our celestial neighbor, only about a dozen have made contact with the surface of the planet. The longest-lived landers only managed to function for a couple of hours before succumbing to the relentlessly oppressive heat and pressure.
… Current, state-of-the-art, military-grade electronics fail at approximately 125°C, so mission scientists at JPL have taken their design cues from a different source: automatons and clockwork operations. Powered by wind, the AREE mission concept is intended to spend months, not minutes, exploring the landscape of our sister world. Built of advanced alloys, AREE will be able to collect valuable long-term longitudinal scientific data utilizing both indirect and direct sensors.
As the rover explores the surface of Venus, collecting and relaying data to an orbiter overhead, it must also detect obstacles in its path like rocks, crevices, and steep terrain. To assist AREE on its groundbreaking mission concept, JPL needs an equally groundbreaking obstacle avoidance sensor, one that does not rely on vulnerable electronic systems. For that reason, JPL is turning to the global community of innovators and inventors to design this novel avoidance sensor for AREE. JPL is interested in all approaches, regardless of technical maturity.
This sensor will be the primary mechanism by which the potential rover would detect and navigates through dangerous situations during its operational life. By sensing obstacles such as rocks, crevices, and inclines, the rover would then navigate around the obstruction, enabling the rover to continue to explore the surface of Venus and collect more observational data.
February 23, 1935 — The Phantom Empire premiered. It was a Western serial film with elements of SF and musical theater as well. It was directed by Otto Brower and B. Reeves Eason. It starred the singing cowboy himself Gene Autry along with Frankie Darro and Betsy King Ross. In 1940, a feature film edited from the serial was released as either Radio Ranch or Men with Steel Faces. It was a box office success earning back its seventy-five thousand dollar budget. The very few audience members who gave it a rating at Rotten Tomatoes didn’t like it hence the 27% rating there. You can see the first chapter here.
February 23, 1954 — Rocky Jones, Space Ranger premiered. This was the first science fiction television show to be entirely pre-filmed (instead of being televised live as was the case with Captain Video, Buck Rogers and Tom Corbett.) It was also the first to use sets of unusual good quality, live location shoots, and rather decent special effects. Rocky Jones was played by Richard Crane. It was created by Roland D. Reed and written by Warren Wilson, Arthur Hoerl and Marianne Mosner, with Hollingsworth Morse being the director. It lasted but two seasons as it never really caught on with the public. Story wise, it actually had a great deal of continuity built into it, unlike almost all of the other series at the time. Its thirty-nine episodes, each twenty-five minutes in length, aired originally between February 23rd and November 16th, 1954. You can see the first episode here.
February 23, 1978 — Quark was slotted in on NBC as a mid-season replacement series. Yes, the pilot aired on May 7, 1977, so technically that it’s birthday but let’s skip past that please. It was created by Buck Henry, co-creator of Get Smart. The series starred Richard Benjamin, Tim Thomerson, Richard Kelton, Tricia Barnstable and Cyb Barnstable. It specialized in satirizing popular SF series and films — the Wiki article states that three episodes were based upon actualTrek episodes, though that can’t be confirmed. It lasted but eight episodes beating Space Rangers by two episodes in longevity. You can see the first episode here. here.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born February 23, 1564 — Christopher Marlowe. Author of Doctor Faustus (or The Tragical History of the Life and Death of Doctor Faustus. Elizabeth Bear made him a character in her Stratford Man series which is Ink and Steel and Hell and Earth novels which I highly recommend. If you’ve not read them, the Green Man review is here. (Died 1593.)
Born February 23, 1915 — Jon Hall. Frank Raymond in Invisible Agent and The Invisible Man’s Revenge. He was also the creator and star of the Ramar of the Jungle series. And he directed and starred in The Beach Girls and the Monster and The Navy vs. the Night Monsters. (Died 1979.)
Born February 23, 1930 — Gerry Davis. Mid-Sixties story editor on Doctor Who where he created companion Jamie McCrimmon and co-created the Cybermen along with unofficial scientific adviser Dr. Kit Pedler. They would create the Doomwatch series that ran in the Sixties on BBC. Davis briefly returned to writing for the series, penning the first script for Revenge of the Cybermen, though his script was largely abandoned by editor Robert Holmes. In 1989 he and Terry Nation, who created the Daleks, made a failed bid to take over production of the series and reformat it for the American market. (Died 1991.)
Born February 23, 1932 — Majel Barrett. No doubt best remembered for being Nurse Christine Chapel and Lwaxana Troi as well as for being the voice of most of the ship computer interfaces throughout the series. I’ll note that she was originally cast as Number One in the unused Pilot but the male studio heads hated the idea of a female in that role. Early Puppies obviously. (Died 2008.)
Born February 23, 1965 — Jacob Weisman, 55. Founder, Tachyon Publications, which you really should go look at as they’ve published every great author I’d care to read. Seriously Tidhar, Beagle and Yolen are among their newest releases! He also edited (with Beagle) The New Voices of Fantasy which I highly recommend as most excellent reading.
Born February 23, 1983 — Emily Blunt, 37. Her most direct connection to the genre is as Elise Sellas in the Adjustment Bureau film based off Dick’s “Adjustment Team” story. Mind, she’s been in quite a number of other genre films including The Wolfman, Gulliver’s Travels, Gnomeo & Juliet, The Muppets, Looper, Edge of Tomorrow, Into the Woods, The Huntsman: Winter’s War, The Strange Case of Sherlock Holmes & Arthur Conan Doyle, and Mary Poppins Returns.
Born February 23, 2002 — Emilia Jones, 18. I’m reasonably sure this is the youngest Birthday individual that I’ve done. She shows up on Doctor Who as Merry Gejelh, The Queen of Years, in the “The Rings of Akhaten”, an Eleventh Doctor story. At nine years of age, she’s made her acting debut in Pirates of the Caribbean: On Stranger Tides as an unnamed English Girl. She’s Young Beth in the horror film Ghostland. She’s currently in Residue, an SF horror series you can find on Netflix.
(11) LEAP BEER. On February 29 Ology
Brewing Company in Tallahassee, Florida will combine the debut of their Tropical
Habitat beer – “inspired by the Southern Reach trilogy” – with a book signing
by Jeff VanderMeer.
To honor our friendship with Jeff VanderMeer, Tallahassee resident and author of the Southern Reach Trilogy, we are releasing Tropical Habitat, a tropical, otherworldly Hazy Double IPA at a special Book Signing and Meet & Greet event alongside the release of three other beers (Barrel-Aged Imperial Stout, Barrel-Aged American Sour, and Fruit Beer).
A portion of Tropical Habitat sales (both cans and tap pours) will benefit the Friends of St. Marks Wildlife Refuge (The Salamander Project) and honor the setting of the trilogy book series and one of our team’s favorite places – the North Florida Coast.
Uncommon for Leigh Brackett, “The Veil of Astellar” begins with a framing story about a manuscript found inside a message rocket sent to the Interworld Space Authority headquarters on Mars. This manuscript offers an explanation of the space phenomenon called “the Veil” which comes out of nowhere and swallows spaceships in the asteroid belt. The space police officers are initially sceptical about the account, but eventually manage to determine that it is authentic. Furthermore, the much feared Veil has vanished and the message inside the rocket explains why….
(13) HEARTFIELD CLASS. Cat Rambo shared “Highlights from Writing Interactive Fiction,”
taught online by Kate Heartfield. Thread
starts here.
Had a great time teaching an online workshop on interactive fiction today for the @AcademyRambo. Thanks to all the great participants and to @Catrambo for making it possible and for live tweeting under the hashtag #writinginteractive
Differences between writing these and writing stories: In writing these kinds of works, with some you're always thinking about the fact that the reader is a character in the story. You also don't have an ending that is a fixed point. #writinginteractive
We’re going through a Harley Quinnaissance at the moment, even if Birds Of Preydidn’t light up the box office, and it looks like DC Universe is eager to keep it going. As announced on Twitter, the streaming service (which still exists and has yet to be swallowed up by HBO Max!) will already be getting a new season of the Harley Quinn animated series in April. The first season just premiered at the end of 2019, so this will be a surprisingly short wait for a chance to hear more DC comic book characters say “fuck” and get beat up in surprisingly violent ways. Also, maybe this time Harley and Poison Ivy will end up together? Or maybe they won’t and that’s okay too? Either way, DC Universe has to hold onto something that fans want to see, or else HBO Max will just quietly roll up and take over. Then Harley Quinn’s going to have to hang out with the Friendsinstead of Poison Ivy, and nobody wants that.
The South Korean dark comedy film Parasite had a historic awards season sweep – and in the process, reignited the debate over whether subtitles or dubbing is the best way to watch a movie that isn’t in your native language.
As director Bong Joon Ho accepted the first-ever best foreign language picture Golden Globe for a South Korean film, he said: “Once you overcome the one-inch tall barrier of subtitles, you will be introduced to so many more amazing films.”
Fast forward a month, and he was making history again, accepting the best picture award once more at the Oscars. Parasite’s Oscar win introduced it to a broad US audience – but not everyone was in favour of watching the award winner in its original language.
Dubbing takes the stress out of enjoying a foreign film, some argued, and performances are meant to be heard, not read. The angered response from subtitle fans ranged from accusations of racism to pointing out the needs of deaf viewers.
How you watch a foreign film is a clearly personal matter, tangled in pet peeves and accessibility. But as foreign flicks are gaining more screen time before American audiences, here’s a deeper dive into how we got here, and where the industry is headed.
In the early days of film, on-screen text was far from a “one-inch barrier” – it was the only way to express dialogue. Title cards were the precursor to subtitles, and they, too, were controversial in a way that mirrors the modern debate.
Stage actors would try to hide their work in silent film as many felt the lack of sound diminished the quality of the performance, Professor Marsha McKeever, academic director of New York University’s Tisch School of the Arts, told the BBC.
(16) THE CALL OF THE UNWILD. Yours truly used to live a few blocks from where this happened: “Wild bear roams streets of California neighbourhood” (video). The bears didn’t come down to our block, but coyotes, skunks, and possums did.
A wild bear has been sedated and captured after it was seen roaming in a residential area in Monrovia, California.
The 28.3 stone (180kg) elderly female walked through residential areas close to Angeles National Forest.
A mild California winter could be a possible reason for the sighting, as warmer weather causes bears to leave their dens in search of food.
…Although science is Greene’s raw material in this fathoming — its histories, its theories, its triumphs, its blind spots — he emerges, as one inevitably does in contemplating these colossal questions, a testament to Einstein’s conviction that “every true theorist is a kind of tamed metaphysicist.”
I’ve been impressed with my ability to not get sucked into Hasbro’s Transformers’ Siege line. Those figures really look impressive, but I’m trying to keep my Transformers purchases to the Masterpiece line. But now with the release of Netflix’s Transformers: War for Cybertron Trilogy trailer, I’m thinking my resolve is about to crumble especially given how good this series looks.
[Thanks to Cat Eldridge, Andrew Porter, Martin Morse Wooster, Mike
Kennedy, JJ, Chip Hitchcock, John King Tarpinian, and Michael Toman for some of
these stories. Title credit goes o File 770 contributing editor of the day Daniel
Dern.]
The nominees are award-eligible works and persons first
nominated by fans and members of the Australian NatCon which have been compiled
into a ballot by a sub-committee elected at the previous National SF Convention
business meeting.
The Ditmars will be presented at the 2019 Australian
National SF Convention, (Continuum 15)
in Melbourne, June 7-10, 2019.
The
following section details the contents of the preliminary ballot. (Note that
the final ballot will include a “No Award” option in each category.
Best Novel
Devouring Dark, Alan Baxter, Grey Matter Press.
The Subjugate, Amanda Bridgeman, Angry Robot.
Faerie Apocalypse, Jason Franks, IFWG Publishing
Australia.
City of Lies (Poison Wars 1), Sam Hawke, Tom Doherty
Associates.
The Beast’s Heart, Leife Shallcross, Hodder &
Stoughton.
Tide of Stone, Kaaron Warren, Omnium Gatherum.
Best Novella or Novelette
“Triquetra”, Kirstyn McDermott, in Triquetra, Tor.com
“Cabaret of Monsters”, Tansy Rayner Roberts, in Cabaret of Monsters, The Creature Court.
“The Dragon’s Child”, Janeen Webb, in The Dragon’s Child, PS Publishing.
Best Short Story
“The Art of Broken
Things”, Joanne Anderton, in Mother of Invention, Twelfth Planet
Press.
“A Man Totally Alone”,
Robert Hood, The Mammoth Book of Halloween Stories: Terrifying Tales Set on
the Scariest Night of the Year!, Skyhorse Publishing.
“The Heart of Owl
Abbas”, Kathleen Jennings, in Tor.com.
“Junkyard Kraken”, D.K.
Mok, in Mother of Invention, Twelfth Planet Press.
Best Collected Work
Sword and Sonnet, edited by Aidan Doyle, Rachael K. Jones and E. Catherine Tobler, Ate Bit Bear.
Mountains of the Mind, Gillian Polack, Shooting Star Press.
Mother of Invention, Rivqa Rafael and Tansy Rayner Roberts, Twelfth Planet Press.
A Hand of Knaves, Leife Shallcross and Chris Large, CSFG Publishing.
Tales from the Inner City, Shaun Tan, Allen & Unwin.
Best Artwork
Cover art, Likhain, for Mother
of Invention, Twelfth Planet Press.
Cover and internal illustrations,
Shauna O’Meara, for A Hand of Knaves, CSFG Publishing.
Best Fan Publication in Any Medium
Earl Grey Editing, Elizabeth Fitzgerald.
Pratchat, Elizabeth Flux, Ben McKenzie,
Splendid Chaps Productions.
SF Commentary, Bruce Gillespie.
Galactic Suburbia, Alisa Krasnostein, Alexandra
Pierce, and Tansy Rayner Roberts.
Best Fan Writer
Liz Barr, for writing in
squiddishly.
Bruce Gillespie, for writing in SF
Commentary and ANZAPA articles.
Best Fan Artist
INSUFFICIENT
NOMINATIONS FOR ANY FAN ARTIST
Best New Talent
Elizabeth Fitzgerald
Sam Hawke
Bren MacDibble (aka Cally Black)
Leife Shallcross
William Atheling Jr Award for Criticism or Review
Damien Broderick, for Pscience
Fiction, McFarland.
Damien Broderick, for Consciousness
and Science Fiction, Springer.
Tansy Rayner Roberts, for Gentlewomen
of the Press, Sheep Might Fly.
Cat Sparks, for “The 21st
Century Catastrophe: Hyper-capitalism and Severe Climate Change in Science
Fiction” PhD exegesis.
Let us return now to those thrilling days of yesteryear when Australian
fans were called upon to vote for the “Best Fannish Cat” in the Ditmar Awards.
The earliest of these two forgotten episodes in SJW credential
history occurred
in 1991. The nominees were:
1991: Suncon, Brisbane
Best Fannish Cat
Apple Blossom, humans: Elaine Cochrane & Bruce Gillespie
Constantinople, human: Phil Wlodarczyk
Emma Peel, human:
Terry Frost
Godzilla, humans:
Ian Gunn & Karen Pender-Gunn
Honey, humans:
Gerald [Smith] & Womble
Satan, human:
Phil Wlodarczyk
Truffle, humans:
Mark Loney & Michelle Muijsert
Typo,
human: Roger Weddall
Typo won the award.
“It’s a long story,” recalls Bruce Gillespie. “The person who was
Chair of the convention in Brisbane stuffed up many aspects of the convention.
She was also part of a non-Melbourne group who believed that every aspect of
the Ditmars was a cruel plot by Melbourne fans to keep all the Ditmars for
themselves. So she allowed members of the convention to vote for the categories
as well as the items in the categories. Irresistible bait to Melbourne fans in
general — who ganged up to include Best Fannish Cat in the categories.”
Bruce Gillespie holding his cane toad Ditmars. Photo by Janice Gelb.
Marc Ortlieb says that wasn’t the only mischief fans got up to at Suncon.
“That was the year that things got really silly. The NatCon was in Brisbane
and, as a joke, Mark Loney created stuffed cane toads to present at the
ceremony, with the real Ditmars to be presented at the closing ceremony. The
cane toads were presented, but the real Ditmars weren’t ready.” The real ones would
be distributed later at a Nova Mob club meeting.
Even though the award was a put-on, “Best Fannish Cat” made such an indelible impression on Australian fanhistory that the category would be revived in a future round of Ditmars.
As Gillespie sees it, “The list of nominees was regarded as so exemplary that the category was repeated (once) in a later set of the Ditmars. Apple Blossom was our nominee in 1991, and Flicker was our nominee in the much later Ditmars. Neither won, but the winners were very popular cats who had been met by many Melbourne fans. The general effect was to confirm the suspicion of Perth fans that Melbourne fans ‘did not take the Ditmars seriously’.”
Roger Weddall, owner of the winning cat, Typo, was elected the DUFF
delegate in 1992. Unfortunately, he was diagnosed with lymphoma shortly before leaving
for North America, and ended up cutting short his trip after attending Magicon.
He died a few months later. Thus it really was with affection that in 1993 someone
drafted “A Modest Proposal for the [Swancon 18]
Business Meeting” urging the creation of the “Roger Weddall Memorial Ditmar
Controversy” and crediting him with some of these shenanigans:
It happens without warning, under no man’s control. None can predict where it will strike or how often. Yes it’s the Ditmar Controversy! It is time to take the guesswork out and have a permanent, official Ditmar Controversy each year and every year. Let us not leave it to chance and ConCom whim to arrange a proper and fitting controversy but instead let us make a firm and binding commitment for now and forever to have
The Roger Weddall Memorial Ditmar Controversy
In honour of Fandom’s best Ditmar Controversers, the man who brought you the best Fannish Cat, Cane Toads and other Ditmar atrocities,
Vote Yes!
At the 1993 Natcon Business meeting
However, there are Aussie fans for whom these memories of the ’91 Ditmars are not bathed in a golden glow. A 2005 Swancon XXX progress report solicited nominations for the Tin Duck Award (a genuine, annual award) with the warning – “Please do not invent new categories. (e.g. No Best Fannish Cat. We’ve heard it before, and it wasn’t funny the first time.)”
But with the passage of time nostalgia kicked in. Dudcon 3, the 2010 Australian National Science Fiction Convention revived Best Fannish Cat as a special committee award. The less facetious eligibility rules included requirements that nominees be “natural members of the species Felis Catus,” and be alive and resident in Australia at the time of the nomination.
Aerin
Thoraiya Dyer unsuccessfully advanced her cat, Aerin, as a candidate by forcing it to be photographed in a Darth Vader costume.
He is a big, lazy, neutered Tom, who just hangs around the house and sleeps on Genevieve’s bed. Sometimes he lays on the couch with us while we watch Doctor Who, but I cannot claim any other great fannish activity.
– James Allen
Felix Blackford
His real breeding name is Mystical Prince Felix, but he answers to Fifi. If fannish credentials other than his owning us are required, I will point out that the last line of the bio that Damien Broderick wrote for my story in the current Cosmos is: “She devotes her life to Mystical Prince Felix, a truly enormous Ragdoll cat.” – Jenny Blackford
Peri Peri Canavan
Named for being orange with attitude, just like the sauce. Is a firm believer in First Breakfast, Second Breakfast, Elevensies, Luncheon, Afternoon Tea, Dinner and Supper. Knows that a library chair is a great place to nap. Enjoys a good SF TV show/film/book because it means an available lap. Can time travel, if the time involved is dinner time. Stomach is larger on the inside than the outside. – Trudi Canavan
Flicker Gillespie
Origin: derelict building in Collingwood. Official description: black domestic shorthair. Fannish credentials: How many fannish cats know their fathers? Flicker is father of Harry and Sampson Gillespie, as well as Miss Smith Endacott and Rascal Taylor. Now that his fathering days have been cut short, Flicker will sit on any visiting fannish lap that stays still for more than a few seconds. – Elaine Cochrane
Pazuzu Sparks
Named for the Exorcist’s demon, He meows ’cause he’s endlessly dreamin’ Of food and the flap Which he knows is a trap Set up by that bad Nemo”s schemin’
His nemesis one day will pay But meanwhile he spends all the day Knowing instead That fridge, pantry and bed Are all his, and that that way they’ll stay.
So he’ll crash at a run through the door, Spread litter all over the floor, Scrounge every crumb, Bite my elbow and thumb then curl up with Foyle and his war. – Robert Hood
(The verse is by Robert Hood the Australian writer – not our Rev. Bob.)