The Ignyte Awards Committee today announced the 2023 Ignyte Awards shortlist. The Awards “seek to celebrate the vibrancy and diversity of the current and future landscape of Science Fiction, Fantasy and Horror by recognizing incredible feats in storytelling and outstanding efforts towards inclusivity within the genre.”
The short list is derived from 20 BIPOC+ voters made up of FIYAHCON Staff and previous award winners, of varying genders, sexualities, cultures, disabilities, and locations throughout the world. This year’s awards also sourced 12 judges ages 12-18 for the Middle Grade and Young Adult categories. The collected judges are referred to as the Ignyte Awards Committee. The Committee was not limited to selections authored or otherwise created by BIPOC.
Voting is open to the public here through June 30, 2023 at 11:59PM EDT.
The award ceremony will be held in October, on a date to be determined.
BEST NOVEL: ADULT
for novel-length work (40k words) Works intended for an Adult audience
BABEL – R. F. Kuang (Harper Voyager)
KAIKEYI – Vaishnavi Patel (Redhook)
SIREN QUEEN – Nghi Vo (Tordotcom)
THE BLOOD TRIALS – N. E. Davenport (Harper Voyager)
THE SPEAR CUTS THROUGH WATER – Simon Jimenez (Del Rey)
BEST NOVEL: YOUNG ADULT
for novel-length (40k+ words) works intended for the young adult audience
BALLAD & DAGGER – Daniel José Older (Rick Riordan Presents)
BLOODMARKED – Tracy Deonn (Simon & Schuster Books for Young Readers)
BLOOD SCION – Deborah Falaye (HarperTeen)
LAKELORE – Anna-Marie McLemore (Feiwel & Friends)
THE KINDRED – Alechia Dow (Inkyard Press)
BEST IN MIDDLE GRADE
for works intended for the middle grade audience
RUBY FINLEY VS. THE INTERSTELLAR INVASION – K. Tempest Bradford (Farrar, Straus and Giroux BYR)
THE LAST MAPMAKER – Christina Soontornvat (Candlewick Press)
THE MARVELLERS – Dhonielle Clayton (Henry Holt & Company)
WITCHLINGS – Claribel Ortega (Scholastic Press)
YOU ONLY LIVE ONCE, DAVID BRAVO! – Mark Oshiro (HarperCollins)
BEST NOVELLA
for speculative works ranging from 17,500-39,999 words
BISHOP’S OPENING – R.S.A. Garcia (Clarkesworld)
EMPIRE OF THE FEAST – Bendi Barrett (Neon Hemlock)
EVEN THOUGHT I KNEW THE END – C. L. Polk (Tordotcom)
HELPMEET – Naben Ruthnum (Undertow)
INTO THE RIVERLANDS – Nghi Vo (Tordotcom)
BEST NOVELETTE
for speculative works ranging from 7,500-17,499 words
IF YOU FIND YOURSELF SPEAKING TO GOD, ADDRESS GOD WITH THE INFORMAL YOU – John Chu ( Uncanny Magazine)
MEN, WOMEN, & CHAINSAWS – Stephen Graham Jones (Tor.com Originals)
MURDER BY PIXEL: CRIME AND RESPONSIBILITY IN THE DIGITAL DARKNESS – S. L. Huang (Clarkesworld)
THE EPIC OF QU-SHITTU – Tobi Ogundiran (The Magazine of Fantasy & Science Fiction)
TO CARVE HOME IN YOUR BONES – Aigner Loren Wilson (The Magazine of Fantasy & Science Fiction)
BEST SHORT STORY
for speculative works ranging from 2,000-7,499 words
GIRL OIL – Grace Fong (Tor.com)
THE LADY OF THE YELLOW PAINTED LIBRARY – Tobi Ogundiran (Tordotcom)
THE LOCKED POD – Malka Older (The Sunday Morning Transport)
THE VOICE OF A THOUSAND YEARS – Fawaz Al-Matrouk (The Magazine of Fantasy & Science Fiction)
WANDERLUST – LP Kindred (Anathema: Spec From the Margins)
BEST IN SPECULATIVE POETRY
IN STOCK IMAGES OF THE FUTURE, EVERYTHING IS WHITE – Terese Mason Pierre (Uncanny Magazine)
I SHALL NOT SURRENDER – Beatrice Winifred Iker (Anathema: Spec From the Margins)
THE RECIPE FOR TIME TRAVEL – Monique Collins (FIYAH)
WE SMOKE POLLUTION – Ai Jiang (STAR*LINE)
YEAR OF THE UNICORN KIDZ – Jason B. Crawford (Sundress Publications)
CRITICS AWARD
for reviews and analysis of the field of speculative literature
Aigner Loren Wilson
Bogi Takács
Charles Payseur
Christina Orlando
Nerds of a Feather
BEST FICTION PODCAST
for excellence in audio performance and production for speculative fiction
Beneath Ceaseless Skies
Black Women Are Scary
Good Morning Antioch
PodCastle
Pseudopod
BEST ARTIST
for contributions in visual speculative storytelling
Aimee Campbell
Terri Chieyni
N’kai DeLauter
Taj Francis
Raymond Sebastien
BEST COMICS TEAM
for comics, graphic novels, and sequential storytelling
Changa And The Jade Obelisk #2 – Matteo Illuminat, Loris Ravina, Massimiliano Veltri & Robert Jeffrey II (MVMedia)
Squire – Nadia Shammas & Sara Alfageeh (HarperCollins)
Where Black Stars Rise – Marie Enger & Nadia Shammas (Tor Nightfire)
BEST ANTHOLOGY/COLLECTED WORKS
Lesser Known Monsters of the 21st Century – Kim Fu (Tin House Books)
Night of the Living Rez – Morgan Talty (Tin House Books)
Reclaim the Stars – Zoraida Córdova, ed. (Wednesday Books)
The Memory Librarian: And Other Stories of Dirty Computer – David Pomerico and Kyle Dargan, eds. (Harper Voyager)
The third annual Ignyte Awards winners were announced September 17 in an online ceremony hosted by Brent Lambert. The Ignyte Awards “seek to celebrate the vibrancy and diversity of the current and future landscape of Science Fiction, Fantasy and Horror by recognizing incredible feats in storytelling and outstanding efforts towards inclusivity within the genre.”
BEST NOVEL: ADULT
for novel-length work (40k words) Works intended for an Adult audience
A MASTER OF DJINN – P. Djèlí Clark (Tordotcom)
BEST NOVEL: YOUNG ADULT
for novel-length (40k+ words) works intended for the young adult audience
A SNAKE FALLS TO EARTH – Darcie Little Badger (Levine Querido)
BEST IN MIDDLE GRADE
for works intended for the middle grade audience
ROOT MAGIC – Eden Royce (Walden Pond Press)
BEST NOVELLA
for speculative works ranging from 17,500-39,999 words
AND THIS IS HOW TO STAY ALIVE – Shingai Njeri Kagunda (Neon Hemlock)
BEST NOVELETTE
for speculative works ranging from 7,500-17,499 words
The Ignyte Awards Committee today announced the 2022 Ignyte Awards shortlist. The Awards “seek to celebrate the vibrancy and diversity of the current and future landscape of Science Fiction, Fantasy and Horror by recognizing incredible feats in storytelling and outstanding efforts towards inclusivity within the genre.”
The shortlist was selected by 15 BIPOC+ voters made up of FIYAHCON Staff and previous award winners, of varying genders, sexualities, cultures, disabilities, and locations throughout the world referred to as the Ignyte Awards Committee. The Committee was not limited to selections authored or otherwise created by BIPOC.
Voting is open to the public here through June 10, 2022 at 11:59PM EDT.
This year’s award ceremony will be live broadcast on September 17 and will be hosted by Brent Lambert.
BEST NOVEL: ADULT
for novel-length work (40k words) Works intended for an Adult audience
A MASTER OF DJINN – P. Djèlí Clark (Tordotcom)
BLACK WATER SISTER – Zen Cho (Ace Books)
LIGHT FROM UNCOMMON STARS – Ryka Aoki (Tor Books)
SORROWLAND – Rivers Solomon (MCD)
THE UNBROKEN – C. L. Clark (Orbit)
BEST NOVEL: YOUNG ADULT
for novel-length (40k+ words) works intended for the young adult audience
A SNAKE FALLS TO EARTH – Darcie Little Badger (Levine Querido)
REDEMPTOR – Jordan Ifueko (Harry N. Abrams)
THE WILD ONES – Nafiza Azad (Margaret K. McElderry Books)
THIS POISON HEART – Kalynn Bayron (Bloomsbury YA)
WHITE SMOKE – Tiffany D. Jackson (Katherine Tegen Books)
BEST IN MIDDLE GRADE
for works intended for the middle grade audience
AMARI AND THE NIGHT BROTHERS – B.B. Alston (Balzer & Bray/Harperteen)
JOSEPHINE AGAINST THE SEA – Shakirah Bourne (Scholastic Inc.)
for Outstanding Efforts in Service of Inclusion and Equitable Practice in Genre
Anathema: Spec from the Margins – Michael Matheson, Andrew Wilmot, Chinelo Onwualu
dave ring
The Submission Grinder – David Steffen
We Need Diverse Books
Khōréō Magazine – Aleksandra Hill, Founder & Editor-in-Chief and Team
[Via Camestros Felapton. Note: File 770’s WordPress does not support one of the characters in the title of one finalist, therefore it has been replaced with a graphic image of the name.]
The 2021 Ignyte Awards winners were announced at FIYAHCON on September 18 in an online ceremony hosted by Ashia Monet.
The awards “seek to celebrate the vibrancy and diversity of the current and future landscapes of science fiction, fantasy, and horror by recognizing incredible feats in storytelling and outstanding efforts toward inclusivity of the genre.”
BEST NOVEL – ADULT
Black Sun – Rebecca Roanhorse (Gallery Books/Saga Press)
BEST NOVEL – YA
Legendborn – Tracy Deonn (Margaret K. McElderry Books)
BEST IN MG
Ghost Squad – Claribel A. Ortega (Scholastic)
BEST NOVELLA
Riot Baby – Tochi Onyebuchi (Tordotcom)
BEST NOVELETTE
The Inaccessibility of Heaven – Aliette de Bodard (Uncanny Magazine)
BEST SHORT STORY
“You Perfect, Broken Thing” – C. L. Clark (Uncanny Magazine)
BEST IN SPECULATIVE POETRY
“The Harrowing Desgarrador” – Gabriel Ascencio Morales (Strange Horizons)
The winners were chosen by an open public vote on a shortlist selected by the Ignyte Awards Committee, 15 BIPOC+ voters made up of FIYAHCON staff and previous award winners, of varying genders, sexualities, cultures, disabilities, and locations throughout the world.
The awards “seek to celebrate the vibrancy and diversity of the current and future landscapes of science fiction, fantasy, and horror by recognizing incredible feats in storytelling and outstanding efforts toward inclusivity of the genre.”
The short list is selected by the Ignyte Awards Committee, 15 BIPOC+ voters made up of FIYAHCON staff and previous award winners, of varying genders, sexualities, cultures, disabilities, and locations throughout the world. They were not permitted to nominate their own works or works of which they were a part. The Committee was not limited to selections authored or otherwise created by BIPOC.
Voting is now open to the public through May 21st at 11:59 PM Eastern Time. Public voting on the shortlist does not permit write-in nominations. Click here to vote.
This year’s awards ceremony takes place on September 18 during FIYAHCON 2021 and will be hosted by Ashia Monet.
BEST NOVEL – ADULT
for novel-length (40k+ words) works intended for the adult audience
Black Sun – Rebecca Roanhorse (Gallery Books/Saga Press)
The City We Became – N. K. Jemisin (Orbit)
Midnight Bargain – C. L. Polk (Erewhon Books)
The Only Good Indians – Stephen Graham Jones (Gallery Books/Saga Press)
Vagabonds – Hao Jingfang, translated by Ken Liu (Gallery Books/Saga Press)
BEST NOVEL – YA
for novel-length (40k+ words) works intended for the young adult audience
Elatsoe – Darcie Little Badger (Levine Querido)
Legendborn– Tracy Deonn (Margaret K. McElderry Books)
Raybearer– Jordan Ifueko (Amulet Books)
A Song Below Water – Bethany Morrow (Tor Teen)
A Sky Beyond the Storm – Sabaa Tahir (Razorbill)
BEST IN MG
for works intended for the middle grade audience
Frightville: Curse of the Wish Eater – Mike Ford (Scholastic Paperbacks)
Ghost Squad – Claribel A. Ortega (Scholastic)
Maya and the Rising Dark – Rena Barron (HMH Books for Young Readers)
Race to the Sun – Rebecca Roanhorse (Read Riordan/Disney Publishing Worldwide)
A Wish in the Dark – Christina Soontornvat (Candlewick Press)
BEST NOVELLA
for speculative works ranging from 17,500-39,999 words
Empress of Salt and Fortune – Nghi Vo (Tordotcom)
The Four Profound Weaves – R. B. Lemberg (Tachyon Publications)
Ring Shout – P. Djèli Clark (Tordotcom)
Riot Baby – Tochi Onyebuchi (Tordotcom)
Stone & Steel – Eboni J. Dunbar (Neon Hemlock)
BEST NOVELETTE
for speculative works ranging from 7,500-17,499 words
The Inaccessibility of Heaven – Aliette de Bodard (Uncanny Magazine)
Love Hangover – Sheree Renée Thomas (Mocha Memoirs Press)
The Night Sun – Zin E. Rocklyn (Tordotcom)
One Hand in the Coffin – Justin C. Key (Strange Horizons)
The Transition of Osoosi – Ozzie M. Gartrell (FIYAH)
BEST SHORT STORY
for speculative works ranging from 2,000-7,499 words
“Body, Remember” – Nicasio Andres Reed (Fireside Magazine)
“EXPRESS TO BEIJING WEST RAILWAY STATION” – Congyun ‘Mu Ming’ Gu, translated by Kiera Johnson (Samovar)
“My Country is a Ghost” – Eugenia Triantafyllou (Uncanny Magazine)
“Rat and Finch are Friends” – Innocent Chazaram Ilo (Strange Horizons)
“You Perfect, Broken Thing” – C. L. Clark (Uncanny Magazine)
BEST IN SPECULATIVE POETRY
“The Alt-History of King Kong” – Renoir Gaither (Speculative City)
“Fin – Terese Mason Pierre” (Uncanny Magazine)
“The Harrowing Desgarrador” – Gabriel Ascencio Morales (Strange Horizons)
“Hungry Ghost” – Millie Ho (Uncanny Magazine)
“Tequila Mockingbird” | Matar un Ruiseñor – Raúl Gallardo Flores, translated by Juan Martinez (Strange Horizons)
CRITICS AWARD
for reviews and analysis of the field of speculative literature
Escape Pod – Editors Mur Lafferty and S.B. Divya; Assistant Editor Benjamin C. Kinney; Hosts Tina Connolly and Alasdair Stuart, Audio Producers Summer Brooks and Adam Pracht, and the entire Escape Pod team
FIYAH Literary Magazine’s inaugural Ignyte Awards were presented in an online ceremony on October 17 brilliantly hosted by Jesse of Bowties & Books.
The Ignyte Awards seek to celebrate the vibrancy and diversity of the current and future landscapes of science fiction, fantasy, and horror by recognizing incredible feats in storytelling and outstanding efforts toward inclusivity of the genre. There were 1,431 valid votes cast to decide the winners.
Best Novel – Adult – for novel-length (40k+ words) works intended for the adult audience:
Gods of Jade and Shadow – Silvia Moreno-Garcia
Best Novel – YA – for novel-length (40k+ words) works intended for the young adult audience:
We Hunt the Flame – Hafsah Faizal
Best in MG – for works intended for the middle-grade audience:
Tristan Strong Punches a Hole in the Sky – Kwame Mbalia
Best Novella – for speculative works ranging from 17,500-39,999 words:
This is How You Lose the Time War – Max Gladstone & Amal El-Mohtar
Best Novelette – for speculative works ranging from 7,500-17,499 words:
Emergency Skin – N K Jemisin for the Amazon Forward Collection
Best Short Story – for speculative works ranging from 2,000-7,499 words:
A Brief Lesson in Native American Astronomy – Rebecca Roanhorse for Mythic Dream
Speculative Poetry –
A Conversation Between the Embalmed Heads of Lampião and Maria Bonita on Public Display at the Baiano State Forensic Institute, Circa Mid-20th Century – Woody Dismukes for Strange Horizons
Critics Award – for reviews and analysis of the field of speculative literature:
Alex Brown – Tor.com
Best Fiction Podcast – for excellence in audio performance and production for speculative fiction:
LeVar Burton Reads – LeVar Burton
Best Artist – for contributions in visual speculative storytelling:
Grace P. Fong
Best Comics Team – for comics, graphic novels, and sequential storytelling:
These Savage Shores – Ram V, Sumit Kumar, Vitorio Astone, Aditya Bidikar, & Tim Daniel
Best Anthology/Collected Works –
New Suns – Nisi Shawl
Best in Creative Nonfiction – for works related to the field of speculative fiction:
Black Horror Rising – Tananarive Due
The Ember Award – for unsung contributions to the genre:
LeVar Burton
Community Award – for Outstanding Efforts in Service of Inclusion and Equitable Practice in Genre:
Strange Horizons – Gautam Bhatia, Vajra Chandrasekera, Joyce Chng, Kate Cowan, Tahlia Day, William Ellwood, Rebecca Evans, Ciro Faienza, Lila Garrott, Dan Hartland, Amanda Jean, Lulu Kadhim, Maureen Kincaid Speller, Catherine Krahe, Anaea Lay, Dante Luiz, Heather McDougal, AJ Odasso, Vanessa Rose Phin, Clark Seanor, Romie Stott, Aishwarya Subramanian, Fred G. Yost, and the SH copyediting team and first readers
(1) IGNYTE AWARDS. Voting for FIYAHCON’s inaugural Ignyte Awards has closed. 1,461 ballots were submitted, of which 1,431 were valid. The winners will be revealed Saturday, October 17 at 5 p.m. (GMT -4:00).
(2) DELANY. “WHY I WRITE”. Samuel R. Delany’s Windham-Campbell Lecture has been posted to Vimeo.
‘Why I Write’ is the theme of this annual lecture celebrating the recipients of the Windham-Campbell Prizes. Due to Covid-19 this year’s lecture by Samuel R. Delany was pre-recorded and posted on the date and time it would have been delivered in person, September 16, 2020 at 5 PM.
(3) DELANY’S UPSTAIRS NEIGHBOR. On Facebook today, Delany related a celebrity brush from his early days in New York. (I bet you can guess before the excerpt ends how this story finishes!)
…I also gave myself a present: In the narrow four-story house in which we lived (in 21 Paddington St., beside Paddington Park), there was an Indian Restaurant on the ground floor, an African business office on the second floor, we lived on the third, and someone moved into the top floor shortly after we got there. Whoever it was brought a piano, and began to during the day. It was really beautiful music–and a couple of times I went upstairs and simply sat outside the door and listened. The second or third time I did so, I waited till player was almost finishing a piece. Then I stood up and knocked.
The player came to the door and answered. “Excuse me,” I told him. “I’m your downstairs neighbor. I just wanted to say, you play beautifully.”
“You really ???? it . . .?” he said.
“Yes, I really do. My name’s Chip Delany and I live with my wife downstairs.”
“My name’s Tim Curry,” he said. “I’m an actor, actually. But I also compose . . .”
Within the week Tim came down to dinner.
A couple of weeks later, Marilyn and I went to see Tim in a show Upstairs at the Royal Court, where he had a very small part doing a black-out parody of Enoch Powell in a very forgettable part. A few months after that, I saw him on the stairs and asked him how things were coming. Yes, he had another part–this was in a play at the Kings Road Theater, just across the street, it turned out, from the sprawl of the Kings Road Market.
Tim suggested we come to the second or third performance so that the show, which had rehearsed somewhere else, could settle into the space. I believe he even gave us the tickets….
(4) FACE OF THE ARCHIBALD PRIZE. Australian portrait artist Nick Stathpoloulos, a 1999 Hugo nominee and 10-time Ditmar Award winner, has once again had his work picked to represent the Archibald Prize exhibition at the Art Gallery of New South Wales, where Nick’s “Ngaiire” is one of the 2020 finalists.
Born in Sydney in 1959, Nick Stathopoulos is a self-taught artist known for his hyper-realistic style. Now a six-time Archibald Prize finalist, he won the 2016 People’s Choice with a portrait of Sudanese refugee lawyer Deng Adut. This year, his subject is Papua New Guinea-born, Australian-based singer-songwriter Ngaire Laun Joseph, who is known by the stage name Ngaiire.
The Peggy Glanville-Hicks Composers’ House where Ngaire was the 2019 composer-in-residence is just a couple of doors away from Stathopoulos’ studio. He approached Ngaire after seeing her perform live. ‘What an astonishingly powerful, emotive voice! She was wearing this elaborate headdress and make-up and I was captivated and started painting her in my head. After the performance, she happily consented to a portrait.
The great, late Diana Rigg was an inspiring and intimidating force both on and off camera as the Queen of Thorns Olenna Tyrell.
As detailed in the upcoming book Fire Cannot Kill a Dragon – the first uncensored behind-the-scenes story of the making Game of Thrones – Rigg was not only formidable as the crafty House Tyrell matriarch across five seasons of the HBO fantasy series, she could be fierce backstage as well.
The Royal Shakespeare Company veteran, who died earlier this month, was 74 when she was offered a recurring role in the series by showrunners David Benioff and Dan Weiss in 2012. “We had tea with her,” Benioff recalls. “Dames don’t audition for you; you audition for them. We loved her, she was funny, she was bawdy, she was everything we wanted for that character.” Adds Weiss: “She said with a big smile, ‘There’s an awful lot of bonking, isn’t there?'” of the show’s R-rated content.
Then Rigg impressed the producers by arriving at her first table read having already memorized all her lines for the season, showing some of the less experienced cast members how a seasoned pro prepares for a job.
… One time Rigg tried – and succeeded – in mischievously getting away with shortening her duties to perform a brief scene in season 6. It was the scene where Olenna discusses strategy with Ellaria Sand and famously cuts short Sand Snakes Obara, Nymeria, and Tyene by snapping, “Oh do shut up … Let the grown women speak.”
“She walked onto the set, and she went, ‘I’m ready now!'” recalls Jessica Henwick, who played the whip-snapping Nymeria Sand. “A cameraman came over and went, ‘Well, okay, but we haven’t finished setting up.’ She interrupted him and said, ‘Roll the cameras!’ And she just started doing her lines. She did two takes, and then the guy came over and was like, ‘Great, now we’re going to do a close-up.’ And she just stood up and she went, ‘I’m done!'”
“Now, she can’t walk fast. She has to be helped. So basically we just sat there and watched as Diana Rigg effectively did her own version of storming off the set, but it was at 0.1 miles per hour. She cracked me up. I loved her.”
…Twice in my life, I reached out to Iain Banks, and to my astonishment and perpetual pride, he replied on both occasions with a personal, type-written and signed letter. In one of the chapters of The Dream Architects, I briefly refer to one of these memories. At the time, my future was looking pretty bleak, and I had reached out to Banks in a desperate attempt to convince him to write for a sci-fi-themed game which I (naively) hoped would inexplicably get funded by the European Space Agency. “No thanks” Banks replied after a few weeks. The letter felt like an extraordinarily polite rejection, but nevertheless I wasthrilled! I thought: What if the letter had been written on the same typewriter as the Culture novels?! Although the message was just a considerate version of “farewell”, I took it differently. The presence of Banks warmth and wit in an actual tactile object that had somehow ended up in my hands turned the moment into a symbol of comforting hope, and as a result, the letter spurred me on. Maybe the world was enchanted after all?
Before 9/11, the biggest national expression of grief in my lifetime took place on January 28, 1986. That was when seven astronauts, including a teacher, Christa McAuliffe, boarded the space shuttle Challenger, took off and, about a minute later, died in a horrible fireball explosion. National tragedies aren’t all the same, though, and in subsequent years, that disastrous launch, although not forgotten, seems to have receded from the cultural memory. Partly, that’s probably because of more recent events like the 2001 terror attacks. But I also suspect that Challenger permanently changed how a lot of people felt about NASA, and space travel in general. Suddenly, neither of them seemed so alluring.
The Netflix docuseries Challenger: The Final Flight looks back at the events that led up to that explosion and its aftermath….
(8) TERRY GOODKIND DIES. Terry Goodkind (1948-2020), author of the epic fantasy series The Sword of Truth, died September 17 at the age of 72. He also was known for the contemporary suspense novel The Law of Nines (2009), which has ties to his fantasy series.
The Sword of Truth was adapted into a television series called Legend of the Seeker, which premiered in November 2008 and ran for two seasons.
(9) MEDIA ANNIVERSARY.
September 2000 — At Chicon 2000, Galaxy Quest would win the Best Dramatic Presentation Hugo. It would also win the Nebula Award for Best Script. It was directed by Dean Parisot with the screenplay by David Howard and Robert Gordon; the story was written by David Howard. The other finalists were The Matrix (which was just three votes behind it in the final count), The Sixth Sense, Being John Malkovich and The Iron Giant.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born September 17, 1917 – Betsy Curtis. A dozen short stories; fanzine, The Cricket with husband Ed. Early Pogo fan i.e. from 1949. B & E parents of Maggie Curtis Thompson of Comics Buyer’s Guide. B is in Pam Keesey & Forrest J Ackerman’s Sci-Fi Womanthology. (Died 2002) [JH]
Born September 17, 1920 — Dinah Sheridan. She was Chancellor Flavia in “The Five Doctors”, a Doctor Who story that brought together the First, Second, Third, Fourth and Fifth Doctors. Richard Hurndall portrayed the First Doctor, as the character’s original actor, William Hartnell, had died. If we accept Gilbert & Sullivan as genre adjacent, she was Grace Marston in The Story of Gilbert and Sullivan. (Died 2012.) (CE)
Born September 17, 1930 – Tom Stafford, 90. Commanded Apollo 10 and the Apollo-Soyuz Test Flight. Graduate of U.S. Naval Academy, then chosen by lottery for Air Force; brigadier general at the time of Apollo-Soyuz, so first general officer to fly in Space. Memoir We Have Capture. Space Medal of Honor, Russian Medal for Merit in Space Exploration. Explorers Club. [JH]
Born September 17, 1928 — Roddy McDowall. He is best known for portraying Cornelius and Caesar in the original Planet of the Apes film franchise, as well as Galen in the television series. He’s Sam Conrad in The Twilight Zone episode “People Are Alike All Over” and he superbly voices Jervis Tetch / The Mad Hatter in Batman: The Animated Series. (Died 1998.) (CE)
Born September 17, 1939 — Sandra Lee Gimpel, 81. In Trek’s “The Cage”, she played a Talosian. That led her to being cast as the M-113 creature in “The Man Trap”, another first season episode. She actually had a much larger work history as student double, though uncredited, showing up in sixty eight episodes of Lost in Space and fifty seven of The Bionic Woman plus myriad such genre work elsewhere including They Come from Outer Space where she was the stunt coordinator. (CE)
Born September 17, 1947 – Gail Carson Levine, 73. Children’s fiction; a score of novels, half as many shorter stories, a nonfiction book about how. Many of her tales are retellings, e.g. The Princess Test of The Princess and the Pea, The Princess Sonora and the Long Sleep of Sleeping Beauty (“I give the prince a real reason to kiss Sonora even though, after 100 years, she’s covered with spider webs”). [JH]
Born September 17, 1951 — Cassandra Peterson, 69. Definitely better remembered as Elvira, Mistress of The Darkness, a character she played on TV and in movies before becoming the host of Elvira’s Movie Macabre, a weekly horror movie presentation in LA in 1981. She’s a showgirl in Diamonds Are Forever which was her debut film, and is Sorais in Allan Quatermain and the Lost City of Gold. (CE)
Born September 17, 1956 – Shauna Roberts, Ph.D., 64. Two novels, a dozen shorter stories. Earlier, nonfiction, mostly medical. Plays recorder and harp. Likes Renaissance and Baroque, Turkish, folk music and blues. [JH]
Born September 17, 1961 – Vince Docherty, 59. Co-chaired Intersection and Interaction the 53rd and 63rd Worldcons. Interviewed in StarShipSofa 153. Co-edited Journey Planet 38 celebrating forty years of SF cons at Glasgow, composed front cover from Bill Burns’ collection. Big Heart (our highest service award). At Opening Ceremonies of Interaction, appearing onstage in Scots full dress, said “Remember I told you there’d be no tartan tat? I lied.” Enter pipers. [JH]
Born September 17, 1973 — Jonathan Morris, 47. SFF television series are fertile grounds for creating spinoff book series and Doctor Who is no exception. This writer has only written four such novels to date but oh the number of Big Finish audiobooks that he’s written scripts for now is in the high forties if I include the Companions and the most excellent Jago & Lightfoot spin-off series as well. (CE)
Born September 17, 1991 – Morgan Bolt. A fantasy trilogy and a stand-alone science fiction novel, all achieved in a few years. Contracted and killed by a rare form of cancer. Insisted it did not shake his faith. (Died 2018) [JH]
Born September 17, 1996 — Ella Purnell, 24. An English actress best remembered as Emma in the Miss Peregrine’s Home for Peculiar Children film. She’s also in Kick-Ass 2 as Dolce, she’s Natalie the UFO film that stars Gillian Anderson, and she was the body double for the young Jane Porter in The Legend of Tarzan. In a genre adjacent role, she was Hester Argyll in Agatha Christie’s Ordeal by Innocence. (CE)
(11) COMICS SECTION.
Speed Bump shows 2020’s most dangerous science fair exhibit.
(12) A GENERATION OF COMIC BOOK ARTISTS. Michael Gonzalez leads his CrimeReads post “On The Art And Life Of Jeffrey Catherine Jones” with a log reminiscence of the 1977 Creation Comic Book Con. Tagline: “In 1970’s New York City, Jones and a few artist friends reinvented what comic art could be.”
…Whereas most fantasy artists of that era drew in a macho style, Jones painted with sensitive strokes. His work was visual Emo, the dreamy visual equivalent of Pink Floyd and Kate Bush. “Jeff’s paintings had something else,” former protégé George Pratt wrote in a 2019 essay. “Hard to describe. Hard to nail down. But they lived in a different space that was emotionally deeper, for me at least. They were rich in self-reflection, a mood at once quieter, contemplative, and more viscerally honest.”
The series centers on lawyer Jennifer Walters (Maslany), cousin of Bruce Banner, who inherits his Hulk powers after she receives a blood transfusion from him. Unlike Bruce, however, when she hulks out Jennifer is able to retain most of her personality, intelligence, and emotional control.
… “She-Hulk” is one of several Marvel series in the works at Disney Plus, with several others set to feature stars from the Marvel Cinematic Universe. “Falcon and the Winter Soldier” and “WandaVision” are on deck first for debuts later this year, followed by “Loki” in early 2021. Marvel Studios is also developing the shows “Hawkeye,” “Ms. Marvel,” and “Moon Knight” as live-action shows.
(15) BUT. In his article “H. P. Lovecraft Is Cancelled” for Crisis Magazine (“A Voice for the Faithful Catholic Laity”), Charles Coulombe thinks it should be possible to compose people’s respect for Ray Bradbury into a shield for H.P. Lovecraft – but if not, threatens that Bradbury will go down the memory hole next. The World Fantasy Award trophy and S. T. Joshi also get entered in evidence, as you might expect, but somehow so do George R.R. Martin, John W. Campbell, Jr. and Jeannette Ng.
…Was Lovecraft a racist? He was indeed, in the manner of H. L. Mencken, H. G. Wells, and any number of noted scientificists of his day. As were they, he was also an atheist, and disliked all of the immigrants who, in his mind, were destroying the purity of Yankee New England: Italians, Poles, and my own French-Canadians (although his views of the last-named altered radically after visiting the Province of Quebec; one wonders what would have happened had he been able to journey to Poland and Italy). As with the change of his views regarding the French-Canadians, he was also amenable to altering his opinions and, according to those who knew him, never allowed them to affect his treatment of individuals. Indeed, despite his expressed anti-Semitism, he married a Jewish lady.
All of that aside, however—and despite the fact that I find his religious views abominable, as I do those of Mencken and Wells—it does not diminish either his intense talent nor his great literary achievement. Were I to discount him on the basis of his views, I should have to do so with the vast majority of writers in the English canon. But not too surprisingly, Bradbury had a handle on what is coming to fruition now decades ago. Asked in 1994 if he thought Fahrenheit 451 stood up well at that time, he replied: “It works even better because we have political correctness now. Political correctness is the real enemy these days. The black groups want to control our thinking and you can’t say certain things. The homosexual groups don’t want you to criticize them. It’s thought control and freedom of speech control.” Now, of course, it is being applied retroactively, and I shall not be surprised if his legacy too comes under attack…..
In the past few decades, the number of planets discovered beyond our Solar System has increased rapidly, and current estimates are that around one-third of all Sun-like stars host planetary systems1 . Given that the Milky Way contains around ten billion Sun-like stars, there are likely to be billions of planets in our Galaxy. All of these planet-hosting stars will eventually die, leaving behind burnt-out remnants known as white dwarfs. What becomes of the stars’ planetary systems when this happens is unclear, but in some cases it is thought that planets will survive and remain in orbit around the white dwarf2 . On page 363, Vanderburg et al.3 report the discovery of a planet that passes in front of (transits) the white dwarf WD 1856+534 every 1.4 days. Their work not only proves that planets can indeed survive the death of their star, but might offer us a glimpse of the far future of our own Solar System.
“There simply aren’t T. rexes like this coming to market,” James Hyslop, head of the auction house’s science and natural history department, said in a statement. “It’s an incredible rare event when a great one is found.”
Stan, who was unearthed in 1987, is named after his discoverer, Stan Sacrison. It’s unknown what name his parents gave him, if any.
(18) MORE ABOUT VENUSIAN GAS. See the primary research about phosphine gas in the atmosphere of Venus at Nature Astronomy.
…Studying rocky-planet atmospheres gives clues to how they interact with surfaces and subsurfaces, and whether any non-equilibrium compounds could reflect the presence of life. Characterizing extrasolar-planet atmospheres is extremely challenging, especially for rare compounds1. The Solar System thus offers important testbeds for exploring planetary geology, climate and habitability, via both in situ sampling and remote monitoring. Proximity makes signals of trace gases much stronger than those from extrasolar planets, but issues remain in interpretation.
(19) UNDERGROUND ART. Take a fantastic subway trip in this Adobe Photoshop commercial – view it at DailyCommercials,com.
(20) VIDEO OF THE DAY. In Floaters on Vimeo, Karl Poyser and Joseph Roberts explain what happens when a spaceship is busted by the space traffic cops.
[Thanks to Andrew Porter, Bill, Mike Kennedy, Martin Morse Wooster, JJ, N., John King Tarpinian, Michael Toman, Jeff Smith, SF Concatenation’s Janathan Cowie, John Hertz, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Jayn.]
FIYAH Literary Magazine announced the inaugural Ignyte Awards finalists on August 17.
The Awards seek to celebrate the vibrancy and diversity of the current and future landscapes of science fiction, fantasy, and horror by recognizing incredible feats in storytelling and outstanding efforts toward inclusivity of the genre.
Finalists were picked by the FIYAHCON team. Voting on the awards will be open to the broader SFF community through September 11. The online ballot is here.
Best Novel – Adult – for novel-length (40k+ words) works intended for the adult audience:
The Dragon Republic – R.F. Kuang
Gods of Jade and Shadow – Silvia Moreno-Garcia
Jade War – Fonda Lee
Storm of Locusts – Rebecca Roanhorse
Kingdom of Copper – S. A. Chakraborty
Best Novel – YA –for novel-length (40k+ words) works intended for the young adult audience:
Pet – Akwaeke Emezi
Everlasting Rose – Dhonielle Clayton
Slay – Brittney Morris
War Girls – Tochi Onyebuchi
We Hunt the Flame – Hafsah Faizal
Best in MG –for works intended for the middle-grade audience:
Tristan Strong Punches a Hole in the Sky – Kwame Mbalia
Just South of Home – Karen Strong
The Mystwick School of Musicraft – Jessica Khoury
Other Words for Home – Jasmine Warga
Sal and Gabi Break the Universe – Carlos Hernandez
Best Novella –for speculative works ranging from 17,500-39,999 words:
The Deep – Rivers Solomon, Daveed Diggs, William Hutson, and Jonathan Snipes
The Survival of Molly Southbourne – Tade Thompson
The Gurkha and the Lord of Tuesday – Saad Z. Hossain
This is How You Lose the Time War – Max Gladstone & Amal El-Mohtar
The Haunting of Tram Car 015 – P. Djèlí Clark
Best Novelette – for speculative works ranging from 7,500-17,499 words:
Emergency Skin – N K Jemisin for the Amazon Forward Collection
While Dragons Claim the Sky – Jen Brown for FIYAH Literary Magazine
Circus Girl, The Hunter, and Mirror Boy – JY Neon Yang for Tor.com
The Archronology of Love – Caroline Yoachim for Lightspeed
Omphalos – Ted Chiang for Exhalation: Stories
Best Short Story –for speculative works ranging from 2,000-7,499 words:
Ten Excerpts from an Annotated Bibliography on the Cannibal Women of Ratnabar Island – Nibedita Sen for Nightmare Magazine
Dune Song – Suyi Davies Okungbowa for Apex Magazine
And Now His Lordship is Laughing – Shiv Ramdas for Strange Horizons
Canst Thou Draw Out the Leviathan – Christopher Caldwell for Uncanny Magazine
A Brief Lesson in Native American Astronomy – Rebecca Roanhorse for Mythic Dream
Speculative Poetry –
Heaven is Expensive – Ruben Reyes, Jr. for Strange Horizons
Elegy for the Self as Villeneuve’s Beast – Brandon O’Brien for Uncanny Magazine
A Conversation Between the Embalmed Heads of Lampião and Maria Bonita on Public Display at the Baiano State Forensic Institute, Circa Mid-20th Century – Woody Dismukes for Strange Horizons
Those Who Tell the Stories – Davian Aw for Strange Horizons
goddess in forced repose – Tamara Jerée for Uncanny Magazine
Critics Award – for reviews and analysis of the field of speculative literature:
Jesse – Bowties & Books
Charles Payseur – Quick Sip Reviews
Maria Haskins
Alex Brown – Tor.com
Liz Bourke
Best Fiction Podcast – for excellence in audio performance and production for speculative fiction:
PodCastle – Editors Jen R. Albert, Cherae Clark, Khaalidah Muhammad-Ali, Host + Assistant Editor Setsu Uzume, & Audio Producer Peter Adrian Behravesh
Coda – Simon Spurrier, Matías Bergara, Michael Doig, Jim Campbell, & Colin Bell
Bitter Root – David F Walker, Chuck Brown, & Sanford Greene
Best Anthology/Collected Works –
The Mythic Dream – Dominik Parisien & Navah Wolfe
Broken Stars: Contemporary Chinese Fiction in Translation – Ken Liu
New Suns – Nisi Shawl
This Place: 150 Years Retold – Kateri Akiwenzie-Damm, Sonny Assu, Brandon Mitchell, Rachel and Sean Qitsualik-Tinsley, David A. Robertson, Niigaanwewidam James Sinclair, Jen Storm, Richard Van Camp, Katherena Vermette, Chelsea Vowel | illustrated by Tara Audibert, Kyle Charles, GMB Chomichuk, Natasha Donovan, Scott B. Henderson, Ryan Howe, Andrew Lodwick, Jen Storm | colour by Scott A. Ford, Donovan Yaciuk
A People’s Future of the United States – Victor LaValle & John Joseph Adams
Best in Creative Nonfiction – for works related to the field of speculative fiction:
AfroSurrealism: The African Diaspora’s Surrealist Fiction – Rochelle Spencer
The Dark Fantastic – Ebony Elizabeth Thomas
Black Horror Rising – Tananarive Due
Our Opinions are Correct – Charlie Jane Anders & Analee Newitz
Tongue-Tied: A Catalog of Losses – Layla Al-Bedawi
The Ember Award – for unsung contributions to the genre:
Tananarive Due
LeVar Burton
Keidra Chaney
Nisi Shawl
Malon Edwards
Community Award – for Outstanding Efforts in Service of Inclusion and Equitable Practice in Genre:
Beth Phelan
Mary Robinette Kowal
Diana M. Pho
Writing The Other – Nisi Shawl + K Tempest Bradford
Strange Horizons – Gautam Bhatia, Vajra Chandrasekera, Joyce Chng, Kate Cowan, Tahlia Day, William Ellwood, Rebecca Evans, Ciro Faienza, Lila Garrott, Dan Hartland, Amanda Jean, Lulu Kadhim, Maureen Kincaid Speller, Catherine Krahe, Anaea Lay, Dante Luiz, Heather McDougal, AJ Odasso, Vanessa Rose Phin, Clark Seanor, Romie Stott, Aishwarya Subramanian, Fred G. Yost, and the SH copyediting team and first readers
The winners will be announced during the inaugural FIYAHCON, being held October 17-18. FIYAHCON is a virtual convention centering the perspectives and celebrating the contributions of BIPOC in speculative fiction.
FIYAH Literary Magazine has announced the creation of the Ignyte Awards series.
The Awards seek to celebrate the vibrancy and diversity of the current and future landscapes of science fiction, fantasy, and horror by recognizing incredible feats in storytelling and outstanding efforts toward inclusivity of the genre.
Awards will be given in the following categories:
Best Novel – Adult
Best Novel – YA
Best in MG
Best Novella
Best Novelette
Best Short Story
Speculative Poetry
Critics Award
Best Fiction Podcast
Best Artist
Best Comics Team
Best Anthology/Collected Works
Best in Creative Nonfiction
The Ember Award for Unsung Contributions to Genre
Community Award for Outstanding Efforts in Service of Inclusion and Equitable Practice in Genre
Finalists will be picked by the FIYAHCON team and announced Monday, August 17. Voting on the awards will be open to the broader SFF community through September 11.
The winners will be announced during the inaugural FIYAHCON, being held October 17-18. FIYAHCON is a virtual convention centering the perspectives and celebrating the contributions of BIPOC in speculative fiction.