To support the professional development of SFF authors through shared opportunities, camaraderie, and targeted philanthropy. To build an organization with a focus on bringing stories to an SFF loving readership through improved business practices.
Why did I start this organization, buying a domain and building a web presence? For the simple reason that in my opinion, professional organizations were hurting their members more than helping them. My idea of a professional is one who sells stories, whether short or long, and that they can repeat that process. I wanted an organization that was focused on helping science fiction and fantasy authors reach more fans. Period. Since one of those didn’t exist, I started my own.
The 20Booksto50k® Facebook group is described as a “Safe place to discuss how to ethically make money as authors.” They run an annual event — this year’s 20Books Vegas Conference will be held in Las Vegas in November. Of interest is that among the first five guest speakers listed are three sff authors, Kevin J. Anderson, David Farland, and David Weber.
Jon Del Arroz, who attended the past two 20Booksto50K conferences, publicized the new group in a YouTube video: “INSTANT REGRET: SFWA’s War On Indie Authors Creates New Rival Guild!” While reviewing Martelle’s message JDA said, “Craig’s being very cautious about not pointing fingers here,” a display of subtlety that went over JDA’s head given the title of his video. On the other hand, when Martelle says, “in my opinion, professional organizations were hurting their members more than helping them,” it’s not as if the sff field has many others.
Also, SFWA and 20Booksto50K have had some friction in the recent past. In 2019 Jonathan Brazee stirred up a hornets nest by calling on SFWA members in 20Booksto50K to support a slate of works for the Nebula Awards, for which he subsequently apologized. The intense criticism of the slate rankled Martelle, who said at the time: “It’s hard not take negative comments about 20Booksto50k® personally since I run that group, but taking a step back, we did nothing untoward. Indies read indies. We support each other by reading and buying each other’s stuff, often promoting it as well with our own hard-acquired email lists. The ignorance is appalling about what we do. I think ethically making money isn’t dirty and that’s part of the allusions.”
At present the IASFA is not a nonprofit organization, as the ”Support the IASFA” page explains. It is controlled by Craig Martelle and funds intended for it will flow through his business LLC.
At present IASFA is completely privately funded, but that limits our reach. If you could make a donation, we can improve our engagement and provide more benefits for our author members to include an expanded reach to touch the lives of more readers.
Funds will be collected by Craig Martelle, LLC who will immediately transfer all donations to the IASFA.
The Indie Alliance may eventually become a 501(c)(3) charity (where donations are tax deductible) but that isn’t for right now. We want to make sure this is a viable alternative to other professional organizations. There will be no Indie Alliance awards, but there could be grants to help offset certain author-related costs to hopefully help the next great science fiction author get their legs beneath them.
Eventually, we hope to have a legal defense fund which is probably the most important thing that a professional organization can provide. Until then, we’ll settle for growing a science fiction and fantasy fan base and interdependent place for professionals to hang out and talk shop – mainly how to sell more books. Nothing other than that belongs in here. No drama. No distractions. Focus.
The internet has many communities where people trade information about markets and promote their books, and there’s more forming all the time. Talk is free. Will IASFA go to bat for writers victimized by copyright violations, raise issues with exploitive companies, or have tools to cope with Amazon’s next idea for squeezing indies?
Lou Antonelli, Michael Burstein, and Brad Torgersen tried to start the Society for the Advancement of Speculative Storytelling (SASS) and reported when they reached 19 dues-paying members in 2013. But there hadn’t been a new post on the SASS blog in six years before Antonelli recently published an appeal there to vote for him as a SFWA director-at-large in the current election.
RadioTimes.com understands that a plan is in the works to air a standalone Doctor Who special some time before series 12 hits screens, possibly in a festive slot like this year’s New Year’s Day Special or the Christmas specials that were released every year prior (from 2005 onwards).
However, it’s also possible that the proposed episode will bypass the festive period altogether, airing in a less competitive slot to give the Tardis team their best reintroduction this winter, and avoiding the usual holiday themes favoured by previous Doctor Who specials.
(2) ORDERS OF THE PURPLE SAGE. Just as French fries are merely
a delivery vehicle for ketchup, File 770 exists to publicize where Scott
Edelman goes to eat lunch. In Episode 99 of Eating the Fantastic, the
meal is served at the Sagebrush Cantina in the company of comics
legend Gerry Conway.
My first meal of the Nebula Awards weekend was with comics legend Gerry Conway, who I’ve known for at least 48 years, since 1971 — when I was a comics fan of 16, and he was 19, and yet already a comics pro with credits on Phantom Stranger, Ka-Zar, and Daredevil. Our paths back then crossed in the basement of the Times Square branch of Nathan’s (which, alas, no longer exists) where the late Phil Seuling had organized a standalone dealers room without any convention programming dubbed Nathan’s Con, which was a test run for his future Second Sunday mini-cons.
Gerry and I have a lot of history in those 48 years, including his time as Marvel’s editor-in-chief when I worked in the Bullpen — though his tenure was only six weeks long, two of those weeks my honeymoon — a tenure you’ll hear us talk about during the meal which follows. He’s the creator of The Punisher, Power Girl, and Firestorm, and wrote a lengthy and at one point controversial run on Spider-Man. But he’s also worked on such TV series as Matlock, Jake and the Fatman, Hercules: The Legendary Journeys, Law & Order, and many others.
At Gerry’s recommendation, our meal took place at the Sagebrush Cantina in Calabasas, California, where I invite you to take a seat and eavesdrop on our longest conversation in 40 years.
We discussed how the comics business has always been dying and what keeps saving it, why if he were in charge he’d shut down Marvel Comics for six months, what it’s like (and how it’s different) being both the youngest and oldest writer ever to script Spider-Man, the novel mistake he made during his summer at the Clarion Writers Workshop, why he’s lived a life in comics rather than science fiction, what caused Harlan Ellison to write an offensive letter to his mother, the one bad experience he ever had being edited in comics (it had to do with the Justice League), the convoluted way Superman vs. Spider-Man resulted in him writing for TV’s Father Dowling Mysteries, how exasperation caused him to quit his role as Marvel’s Editor-in-Chief (while I was out of the Bullpen on my honeymoon), how he’d have been treated if he’d killed off Gwen Stacy in today’s social media world, and much, much more.
…I think accessibility to the works remains one of the biggest obstacles to this category working effectively, although the proposal makes substantial efforts to address this.
My other concern is the multiple vectors against which we’d need to judge works in this category. The proposal gives numerous examples of other game awards but I’m struck by the many ways game awards split their own categories….
(4) KOTLER’S PICKS. Paul Weimer hosts “6 Books with Steve Kotler” at Nerds of a
Feather. I’m in the middle of reading the author’s latest —
6. And speaking of that, what’s your latest book, and why is it awesome?
My latest book is Last Tango in Cyberspace. It’s a novel that follows a protagonist named Lion Zorn. He’s an empathy tracker or em-tracker, a new kind of human with a much deeper ability to feel empathy than most. His talent lets him track cultural trends into the future, a form of empathetic prognostication, and a useful skill to certain kind of company. But when Arctic Pharmaceuticals hires him to em-track rumors of a new and extremely potent psychedelic—with potential medical uses—he ends up enmeshed in a world of startup religions, environmental terrorists and overlapping global conspiracies. It’s a thriller about the ramifications of accelerating technology, the evolution of empathy, and the hidden costs of consciousness-expansion. And it’s awesome because, well, it’s just a ton of mind-blowing fun.
…History is a fairy tale true to its telling. Lafcadio Hearn’s lives are a fairy tale true in various tellings, primarily his own, then those of his correspondents, and with greater uncertainty, those of his biographers. Hearn changed, as if magically, from one person into another, from a Greek islander into a British student, from a penniless London street ragamuffin into a respected American newspaper writer, from a journalist into a novelist, and, most astonishingly, from a stateless Western man into a loyal Japanese citizen. His sheer number of guises make him a creature of legend. Yet this life, as recorded both by himself and by others, grows more mysterious the more one examines it, for it is like the Japanese story of the Buddhist monk Kwashin Koji, in “Impressions of Japan,” who owned a painting so detailed it flowed with life. A samurai chieftain saw it and wanted to buy it, but the monk wouldn’t sell it, so the chieftain had him followed and murdered. But when the painting was brought to the chieftain and unrolled, there was nothing on it; it was blank. Hearn reported this story told to him by a Japanese monk to illustrate some aspect of the Buddhist doctrine of karma, but he might as well have been speaking about himself as Koji: the more “literary” the renderings of the original story, the less fresh and vivid it becomes, until it might literally disappear, like that legendary painting.
Simon Stålenhag’s paintings are a strange, irresistible mix of mundane scenes from the Swedish countryside and haunting scenarios involving abandoned robots, mysterious machinery and even dinosaurs.
They are the product of his childhood memories — growing up in suburban Stockholm and painting landscapes and wildlife — and his adulthood appreciation for sci-fi.
“I try to make art for my 12-year-old self,” he said in a phone interview. “I want to make stuff that would make my younger self see it and go, ‘I’m not supposed to look at this because it’s for adults, but I really want to anyway.'”
Earlier this year the Internal Revenue Service officially recognized the Satanic Temple as a church, meaning it has 501(c)(3) tax exempt status.
According to the church’s website, the Satanic Temple’s mission is “to encourage benevolence and empathy among all people, reject tyrannical authority, advocate practical common sense and justice, and be directed by the human conscience to undertake noble pursuits guided by the individual will.”
Yet perhaps because the group describes itself as a “nontheistic religious organization” and maintains an openness about taking political stances, the IRS decision has brought some controversy.
According to an article on Rewire.News, a pro-life petition online states, “This egregious decision runs counter to everything America stands for,” and a Catholic commentator argued that without God or a literal Satan, there is no “real religion.”
A letter to the editor from a self-identified atheist began:
I’m fine with the ruling, based on the finding that the Temple’s attributes — unique tenets, regular congregations and religious services — meet the IRS guidelines for a tax-exempt religious organization, i.e., a church. Neither God, gods nor Satan are required to be a “real religion” under these guidelines, contrary to the commentator quoted in this month’s question.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born July 5, 1904 — Milburn Stone. Though you no doubt know him as Doc on Gunsmoke, he did have several genre roles including a German Sargent in The Invisible Agent, Captain Vickery in Sherlock Holmes Faces Death, Mr. Moore in The Spider Woman Strikes Back and Capt. Roth in Invaders from Mars. (Died 1980.)
Born July 5, 1929 — Katherine Helmond. Among her roles was Mrs Ogre in Time Bandits and Mrs. Ida Lowry in Brazil. Now I’ll bet you can tell her scene in the latter… (Died 2019.)
Born July 5, 1941 — Garry Kilworth, 78. The Ragthorn, a novella co-authored with Robert Holdstock, won the World Fantasy Award. It’s an excellent read and it makes me wish I’d read other fiction by him. Anyone familiar with his work?
Born July 5, 1948 — Nancy Springer, 71. May I recommend her Tales of Rowan Hood series of which her Rowan Hood: Outlaw Girl of Sherwood Forest is a most splendid revisionist telling of that legend? And her Enola Holmes Mysteries are a nice riffing off of the Holmsiean mythos.
Born July 5, 1957 — Jody Lynn Nye, 62. She’s best known for collaborating with Asprin on the MythAdventures series Since his death, she has continued that series and she is now also writing sequels to his Griffen McCandle series as well.
Born July 5, 1963 — Alma Alexander, 56. Author of three SF series including the Changer of Days which is rather good. I’m including her here for her AbductiCon novel which is is set in a Con and involves both what goes on at that Con and the aliens that are involved.
Born July 5, 1964 — Ronald Moore, 55. He‘s best known for his work on various Star Trek series, on the Battlestar Galactica reboot and on the Outlander series.
Born July 5, 1972 — Nia Roberts, 47. She appeared in two two Doctor Who episodes during the time of the Eleventh Doctor, “The Hungry Earth” and “Cold Blood”. But it’s an earlier role that gets her a Birthday citation just because it sounds so damn cool: Rowan Latimer in the “Curse of the Blood of the Lizard of Doom” episode of the Dr. Terrible’s House of Horrible whichspoofed shows such as Roald Dahl’s Tales of the Unexpected.
Look at every regular issue cover from the comic book days of 1952 to the present day! Issue contents included!
(10) COUNTING FANS AT WORLDCONS. The latest round of Hugo
statistics led to a discussion on the SMOFs list about other Worldcon stats,
where Rene Walling reminded readers about his compilations, published by James
Gunn’sAd Astra earlier in this decade:
Sweeping statements and generalizations are often made about the membership of early World Science Fiction Conventions (WSFC, or Worldcon) such as “only the same people came back every year” or “the attendance was all male.” Yet rarely is more than anecdotal evidence given to support these statements. The goal of this report is to provide some hard data on the membership of early Worldcons so that such statements can be based on more than anecdotal evidence.
…The number of members listed over the entire 1961-1980 time span totals 33,279 for the WSFC sources, which represents 81.66% of the total from the Long List (40,752). The total number of individual members is 17,136.
(11) IS BEST SERIES WORKING? At Nerds of a Feather, Joe
Sherry precedes his discussion of the nominees in “Reading the Hugos: Series” with some meta
comments about the category.
This is worth mentioning now because 2019 is the third year of the Best Series category and the second appearance of Seanan McGuire’s October Daye series because McGuire has published two additional novels (The Brightest Fell, Night and Silence) as well as some short fiction set in that universe. I wouldn’t be shocked to see McGuire’s InCryptid make a second appearance next year, and I also expect to see The Expanse to have its own second crack at the ballot, though with The Expanse I hope readers wait one more year for the ninth (and final?) volume to be published so that The Expanse can be considered as a completed work.
I’m curious what this says about the long term future and health of the category if we see some of the same series make repeat appearances. Of course, we can (and do) say the same thing about a number of “down the ballot” categories like Fanzine (we do appreciate being on the ballot for the third year in a row!), Semiprozine, and the Editor categories.
We have two episodes of The Good Place, and I won’t complain about that either, because this is a popular vote and the show clearly has its fans…. I’m still not among them. It seems to me that The Good Place is still trying to be several things at once, and is failing at all of them, and since the things it’s trying to be include “funny” and “though-provoking”, the result isn’t good.
(13) HELICON AWARDS. Richard Paolinelli celebrated the
Fourth of July by announcing the ten inaugural
winners of the Helicon Awards on his YouTube channel. Sad
Puppy Declan Finn won the Best Horror Novel category, which is probably more
informative about where these awards are coming from than that Brandon
Sanderson and Timothy Zahn also won.
The 2019 Helicon Awards celebrates the best literary works of 2018 in Science Fiction, Fantasy, Military Sci-Fi/Fantasy, Alternate History, Media Tie-In, Horror and Anthology (SF/F/H).
presentation Paolinelli keeps using the pronouns “we” and “our” without shedding
very much light on who besides himself is behind these awards. The slides for
the winners bear the logo of his Science
Fiction & Fantasy Creators Guild, opened last year with the ambition of
rivalling SFWA. The Science
Fiction & Fantasy Creators Guild closed group on Facebook is listed as
having 275 members – you can’t see the content without joining, but FB displays
a stat that it’s had 6 posts in the last 30 days. The SFFCGuild Twitter account hasn’t been
active since February 2018.
Paolinelli’s blog claims sponsorship of the awards, but in the video he says not only won’t winners be receiving a trophy, he hasn’t even designed a certificate for them, though he might do that in a few weeks.
In addition to the
10 Helicon Awards, Paolinelli named “three individual honorees for the Mevil
Dewey Innovation Award, Laura Ingalls Wilder Best New Author Award and the
Frank Herbert Lifetime Achievement Award.”
So far as the first two awards are concerned, it’s likely that what did most to persuade Paolinelli to give them those names was the decision by two organizations this past year to drop the names from existing awards – in Wilder’s case (see Pixel Scroll 6/25/18 item #5), the US Association for Library Service to Children said it was “over racist views and language,” while the American Library Association dropped Dewey (see Pixel Scroll 6/27/19 Item #13) citing “a history of racism, anti-Semitism, and sexual harassment.”
What is a full night’s sleep?! I haven’t had one of those in a long time. I run Sleepy Burrow Wombat Sanctuary in Australia, which is the largest wombat sanctuary in the world. I’m up every three hours to do round-the-clock feedings for the baby wombats that have recently come into our care. Their first nights with us are always the most critical time where their survival is the most at risk. If being up all night is what it takes to pull them through, I will do it. Don’t feel too bad for me though. I wouldn’t trade the life I have for anything in the world. I have a wonderful family I built with the most supportive husband, who is my partner both in life and rescue. I’m a mother to two perfect daughters, a dog, and a house full of the cutest wombats you can imagine. As a family unit we have rescued over 1,300 wombats.
That main character, it will not surprise you to hear, is David Mogo, Godhunter. David lives in a version of Lagos which has been subjected to the Falling: a war which has caused thousands of Orisha to rain down on the city and take up residence. A half-god himself, David was abandoned by his mother and raised by a foster-father who also happens to be a wizard, wielding magical talents which David’s divinity keeps him from using in the same way. Instead, when we meet David he’s trying to throw himself into a bounty hunting existence with as much amoral abandon as possible, taking on a job from far more shady wizard Ajala for “roof money” while trying to suppress the sense that he should be acting with slightly more principle.
Police and security forces around the world are testing out automated facial recognition systems as a way of identifying criminals and terrorists. But how accurate is the technology and how easily could it and the artificial intelligence (AI) it is powered by – become tools of oppression?
Imagine a suspected terrorist setting off on a suicide mission in a densely populated city centre. If he sets off the bomb, hundreds could die or be critically injured.
CCTV scanning faces in the crowd picks him up and automatically compares his features to photos on a database of known terrorists or “persons of interest” to the security services.
The system raises an alarm and rapid deployment anti-terrorist forces are despatched to the scene where they “neutralise” the suspect before he can trigger the explosives. Hundreds of lives are saved. Technology saves the day.
But what if the facial recognition (FR) tech was wrong? It wasn’t a terrorist, just someone unlucky enough to look similar. An innocent life would have been summarily snuffed out because we put too much faith in a fallible system.
What if that innocent person had been you?
This is just one of the ethical dilemmas posed by FR and the artificial intelligence underpinning it.
Training machines to “see” – to recognise and differentiate between objects and faces – is notoriously difficult. Computer vision, as it is sometimes called – not so long ago was struggling to tell the difference between a muffin and a chihuahua – a litmus test of this technology.
[Thanks to Cat Eldridge, John King Tarpinian, JJ, Chip Hitchcock, Martin Morse Wooster, Mike Kennedy, rcade, Michael Toman, Carl Slaughter, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Paul Weimer.]
The Science Fiction & Fantasy Creators Guild may someday be a group, however, it seems author Richard Paolinelli is the only man behind the curtain right now. The SF&FCG founder says the publicity came prematurely —
Well, since we haven't officially launched the site and only went active on twitter because a blogger jumped the gun… technically there's just one – the Founder of this organization: @ScribesShade We're not taking applications for membership yet.
Since the revelation, Paolinelli has wasted no time trying to leverage attention for his efforts. SF&FCG tweeted N.K. Jemisin, who engaged briefly, then muted the conversation.
@nkjemisin Hoping your autoblocker doesn't zap us. We are a new organization hoping to steer the sci-fi/fantasy community of creators away from the bickering and fighting over non- sci-fi/fantasy issues and back to just creating wonderful new stories.
Nick Mamatas also jumped on this yesterday. People joining his Twitter conversation tried to research who was behind the Guild, incorrectly guessing various Puppies. A WHOIS search showed the website was registered by author Karen L. Myers. However, it was neither the named Puppies nor Myers, as Richard Paolinelli (@ScribeShade) tweeted –
We weren't going to officially launch until Feb. 4th but, as we said, a blogger jumped the gun so we're not starting off the way we hoped and the site was not ready to go. Hey, that's life. Karen is merely helping out as she is way smarter at this than @ScribesShade is. ?
Today the SF&FCG looked for new targets to goad and made the mistake of trolling Alex Acks —
Maybe you need a new agent? Yours seems to have a very dark outlook on what your readers want to read. We prefer to think readers are looking for quality works that allow them to escape from the real world for awhile. Be well.
Then Sarah Gailey emptied the magazine – her 6-tweet explosion starts here:
So I guess some fragile little pissbabies have started a guild so they can weep on each other's cravats about how they're too delicate to cope with change in an industry that's deeply unimpressed by their inadequacies?
And Charlie Jane Anders responded ironically to SF&FCG’s self-described apolitical stance.
We feel it is time to return to SFF stories, films, shows and games that allow the reader/viewer/player to escape the real world – as it used to be. That is all we are about. We ask you to join us and you are certainly free not to and go on your way in peace, as will we.
Up til now, Paolinelli has been trying to follow Jon Del Arroz’ stairway to heaven, seeking interactions that could afterwards be portrayed to his base as attacks. He’s enjoyed only moderate success.
His book was part of Jon Del Arroz’ Odyssey Con book bundle [Scroll item 12], an attempt to exploit Monica Valentinelli’s publicity for quitting as the convention GoH. Valentinelli had discovered shortly before last year’s con that the committee not only still included a harasser she’d encountered before (their Guest Liaison), but she was going to be scheduled together with him on a panel, and when she raised these issues the first response from someone on the committee was a defense of the man involved. In contrast to the people who commiserated with the ex-GoH and mourned Odyssey Con’s confused loyalties, JDA attacked Valentintelli for being “unprofessional,” and went to work turning it into a book marketing opportunity. He arranged for flyers to be handed to Odyssey Con attendees offering them works by himself, Nick Cole, Declan Finn, L. Jagi Lamplighter, John C. Wright, and others including Paolinelli.
However, he has probably never been more successful in gaining the social media attention he’s pursued than he has in the past 24 hours, Despite beginning with a sentiment no more provocative than this –
Thank you. We are hoping to make the SFFCG a friendly place for all SFF artists – regardless of race, creed, religion or politics – across many platforms to gather, collaborate and create outstanding new universes in their chosen medium.