Ballots must reach the administrators by 11:59 p.m. British/Irish time (UTC+1; 3:59 p.m. Pacific, UTC-7) on Tuesday April 2, 2024.
The two candidates are Vanessa Applegate and Sarah Gulde. The winner will travel to the Glasgow 2024 Worldcon in Scotland. Here are their platforms:
Vanessa Applegate has been around fandom for more than twenty years, mostly attending and occasionally running logistics for cons in Northern California. Mostly, she arts, has had art in various zines, co-edited The Drink Tank for a year, was nominated for the Hugo for her work on Journey Planet, and has been known to throw on a costume from time to time. Vanessa lives among the redwoods in the Santa Cruz Mountains with her husband, a pair of clingy cats, and two miniature fans-in-training. You will know her by her hair flowers!
European nominators: John Coxon, Alyssa Wales North American nominators: Francesca Myman, Dave O’Neill, Chuck Serface
This isn’t my first time standing for TAFF … maybe the third time’s the charm? But the nice thing about throwing your hat in the TAFF ring is that even when you lose, you make some great new friends along the way! (Hi friends I made along the way!)
I’m a two-time Hugo Finalist, and 2024 will be the 10th anniversary of my first Worldcon (Loncon 3). I’ve kept in touch with folks I met there, but I would love to attend Glasgow 2024 as the TAFF delegate and make even more fannish friends across the pond!
European nominators: Johan Anglemark, James Bacon North American nominators: Chris Garcia, Seanan McGuire, Kevin Roche
The administrators’ latest newsletter is also out today. Download it here: Taffluorescence 2.
Ellen Datlow has been editing horror, fantasy, and science fiction short stories and novellas for over forty years. She’s won numerous awards and accolades for her work and has edited numerous best of anthologies along with short stories for magazine and book publishers. Subterranean Press is releasing a book on some of the best stories she’s edited. I spoke to Ellen about her work as an editor, about genre fiction, and about the business in general.
0:32: Ellen talks about how she got into editing and editing anthologies….
For the last couple of years, I’ve been visiting Steve Saling in Chelsea, Massachusetts, where he lives in a residence he designed for himself and a couple dozen other people, a mix of stunning “smart home” technology and human care that he created to arrive in time for his body’s big changes. Steve got a diagnosis of amyotrophic lateral sclerosis (ALS) in his late 30s. He’s 51 now. More than a dozen years into his condition, he has said repeatedly that his life is worth living—and that technology, in the absence of medicine, is “the cure.” Maybe that sounds like one more instance of overhyped claims for Silicon Valley—I would have thought so upon first hearing—but, over time, I came to understand what he meant.
In the architecture of the life that Steve created, I saw a kind of “anticipatory design”—to repurpose a term of Buckminster Fuller’s. At Saling House, the residence that bears Steve’s name, there are impressive digital devices that act, in one sense, as treatment: a whole array of ingenious software and hardware made to maximize his independence even as his body gradually changes. The sheer novelty of the engineering is impressive. But more impressive by far are the ideas packed into all his designed gear and services for life with little mobility—ideas about help, about needfulness. About assistance itself in every life. On my afternoons with him, my perspective and my vocabulary about giving and receiving help changed. Steve taught me to think differently about the plain fact of human needfulness and its role in a desirable life….
I enjoyed Bill & Ted Face the Music quite a bit, which is utterly unsurprising as I am both Gen-X, i.e., the generation of Bill and/or Ted, and also I used to live in San Dimas, home of Bill and Ted and the town in which almost all of this film takes place (fictionally; it doesn’t look like they did a whole lot of filming in actual San Dimas this time around). Also I am the fan of the first two films, particularly Bill & Ted’s Bogus Journey, the first film in history to successfully reference both Ingmar Bergman and the glam band Poison. What was surprising to me was that I teared up a bit at the end of this one. I know why, and I’ll tell you in a bit.
…In Dungeons & Dragons,everything pretty much goes as planned.
In the real world, the pressing themes—pandemic, climate change, state-sanctioned brutality, the government’s emphatic disinterest in functioning properly—lend themselves to a darker, more surreal plot. It is serious. We’re holed up in our homes. The absence of bars, physical workspaces, and cheap baseball tickets from our lives creates a sense of confused inertia. Are we a tenth of the way through the pandemic or halfway? Are we actually getting anywhere, or are we stuck in the last season of Lost? There is endless horizon in every direction—we’re measuring our time in hair growth, if at all.
D&D, on the other hand, is full of clear lines and brighter absurdities. I’m on my 18th session; I live in a tower on the outskirts of a village called Goosetown. Like real life, much of what goes on isn’t scripted. But, unlike reality, it’s safely self-contained. In a session of D&D, the cocktail of youth nostalgia and fantasy otherworldliness could give rise to almost anything—as long as it abides by the game’s few rules. It isn’t the leap into unbounded fantasy that appeals; it’s the lines, the structure, the finitude (with a sort of community working within them).
(5) DON’T FIRE THE RETROS. Cora Buhlert takes up the challenge of explaining “Why the Retro Hugos Have Value” – of which this excerpt is just part of the introduction.
…Now no one is obliged to care about the Retro Hugos. However, if you didn’t nominate and vote, you don’t get complain about the results. I also understand the frustration that Retro Hugo voters keep voting for familiar names like John W. Campbell and weak early stories by future stars of the genre over better works, because I share it. However, unlike many other folks, I didn’t complain, but decided to do something about it, so I started the Retro Hugo Recommendation Spreadsheet and Retro Science Fiction Reviews to help potential Retro Hugo nominators and voters make more informed choices. Because I believe that it’s better to try and fix something than destroy or abolish something that some people enjoy.
And while I understand why Worldcons are reluctant to give out Retro Hugos due to the work and expense involved, I really don’t understand the intense hatred they engender in some fans. There are a lot of things going on at Worldcons that I personally don’t care about, but that doesn’t mean I want to take those things away from the people who do enjoy them. I simply focus on the things that give me joy and ignore the rest.
However, the current campaign against the Retro Hugos is part of a larger trend to dismiss the past of our genre as racist, sexist and irrelevant. Also witness the recent debate about the SFF canon, what it is and whether it is relevant with contributions by John Scalzi (here and here), Nina Allan, Camestros Felapton (here and here), the Hugo Book Club, Font Folly, Steve Davidson,Doris V. Sutherland, Aidan Moher and others. The canon discussion is mostly civil (and the only uncivil are the usual idiots I haven’t linked here) and also makes a lot of good points, such as that there is no one fixed SFF canon, but that individual people have different works which are important to them, that canons can be abused as a form of gatekeeping, that it’s not necessary to read classic SFF works, unless you enjoy them or want to write an academic work about SFF. However, pretty much everybody who is interested in older SFF has experienced hostility about this interest, even if we don’t go around and tell people that they’re not “real fans” (TM), unless they have read the entire output of Heinlein, Asimov, Lovecraft, etc… (and in that case, I wouldn’t be a “real fan” (TM) either). Witness Jason Sanford saying that the Retro Hugo voters are “a small group of people stuck in the past giving today’s genre the middle finger”, never mind that most Retro Hugo voters are Hugo voters as well. Or the person who called me a Nazi on Twitter for tweeting about the Retro Hugo winners, until I blocked them.
As I said before, no one has to care about older SFF and no one has to read it, if they don’t want to. But attacking people for being interested in older SFF and enjoying the Retro Hugos is not okay. Nor is everybody who’s interested in older SFF a reactionary fascist, even if received wisdom claims that the SFF of the golden age was all racist and sexist stories about straight white American men in space, lorded over by the twin spectres of Campbell and Lovecraft.
… It appears that we are now entering into a new phase of celebrity signature products, one that combines the scarcity of a limited-edition booze or sneaker, with the massive scale of something everybody loves.
Welcome to celebrity ice cream.
This week two very different arbiters of cool dropped their very own frozen treat collaborations. First up was pop star Selena Gomez, who managed a double dip collaboration, first on a song called . . . yep . . . “Ice Cream” made with K-pop stars Blackpink, and spinning that into her very own flavor for specialty ice-cream brand and chain Serendipity. It’s called Cookies & Cream Remix, and it’s pink vanilla ice cream with crunchy cookie bites and fudge bits.
(7) GARCIAGATE GOFUNDME. The “GarciaGatePenguins Fire Relief” GoFundMe has raised $11,115 (the original goal was $10K) and is still taking donations. Chris Garcia, Vanessa Applegate and the boys had to evacuate from their Northern California home because of the fires. So far their house has survived, but there’s no telling when they will be able to return. Til then, they’re in hotels.
(8) BOSEMAN OBIT. Actor Chadwick Boseman died August 28 reports Yahoo! News.
Chadwick Boseman, who played Black American icons Jackie Robinson and James Brown with searing intensity before inspiring audiences worldwide as the regal Black Panther in Marvel’s blockbuster movie franchise, died Friday of cancer. He was 43.
…Boseman was diagnosed with colon cancer four years ago, his family said in a statement.
“A true fighter, Chadwick persevered through it all, and brought you many of the films you have come to love so much,” his family said. “From Marshall to Da 5 Bloods, August Wilson’s Ma Rainey’s Black Bottom and several more – all were filmed during and between countless surgeries and chemotherapy. It was the honor of his career to bring King T’Challa to life in Black Panther.”
Boseman had not spoken publicly about his diagnosis. He is survived by his wife and a parent and had no children, Fioravante said.
(9) TODAY’S DAY.
John Hertz celebrates it.
The sun’s risen on Independent Bookstores Day. May they earn still more.
August 29, 1957 — X Minus One’s “Volpla” was first broadcast. Based on a story by Wyman Guin who first gained noticed with his “Beyond Bedlam” novella in Galaxy Science Fiction in August 1951. (In 2013, he would receive the Cordwainer Smith Rediscovery Award.) His story in “Volpla” is that an individual creates small creatures and teaches them to say they are aliens. Ernest Kinoy as usual wrote the radio script. Nelson Olmstead, Adele Newton and Sarah Fussell were the cast. You can listen to it here.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born August 29, 1905 – Don Wilcox. Five novels for us, ninety shorter stories; detective and Western stories; plays; paintings. Some Captain Video for television. For a while with Amazing and Fantastic under Palmer, averaged 40,000 words a month. Best of DW vol. 1 appeared 2016; vol. 2, 2017. (Died 2000) [JH]
Born August 29, 1926 – Thomas N. Scortia. Chemist. Worked in aerospace. Six novels for us (some with Frank Robinson), fifty shorter stories. The Glass Inferno (with FR) became The Towering Inferno (I. Allen dir. 1974). With Dalton Trumbo, The Endangered Species. Collection Caution! Inflammable! has an introduction by Theodore Sturgeon. (Died 1986) [JH]
Born August 29, 1942 – Dian Crayne. Three novels, eight shorter stories (one with Larry Niven), a few interiors; The Game of Fandom. Married to Bruce Pelz 1964-1970 (their divorce party inspired LN’s “What Can You Say About Chocolate-Covered Manhole Covers?”; a chocolate-covered manhole cover has been part of the L.A. Science Fantasy Soc, Gift Exchange every December since), to Chuck Crayne 1972-2009 (he and BP co-chaired L.A.Con the 30th Worldcon, co-founded the North America SF Con held when the Worldcon is overseas). Here she is at Pacificon II (22nd Worldcon) as Thuvia, Maid of Mars, BP at her left. (Died 2017) [JH]
August 29, 1942 — Gottfried John. He’s likely best-known as General Arkady Orumov on GoldenEye but I actually best remember him as Colonel Erich Weiss on the extremely short-lived Space Rangers. He was Josef Heim in the “The Hand of Saint Sebastian” episode of the Millennium series, and played König Gustav in the German version of Rumpelstilzchen as written by the Brothers Grimm. (Died 2014.) (CE)
Born August 29, 1946 – Robert Weinberg. A dozen novels, fifty shorter stories; five dozen anthologies; Biographical Dictionary of Science Fiction & Fantasy Artists; The Art of the Pulps (with D. Ellis, H. Hulse), The Collectors’ Book of Virgil Finlay (with D. Ellis, R. Garcia). Letters, essays, editorials in Collecting Fantasy, The Diversifier, ERB-dom (E.R. Burroughs), Fantasy Newsletter, Horrorstruck, The “Weird Tales” Collector, Windy City Pulp Stories. Co-chaired Chicago Comiccon 1976-1996; 9th and 16th World Fantasy Cons. Sam Moskowitz Archive Award (excellence in collecting). Chicon 7 (70th Worldcon) Special Award for service. (Died 2016). [JH]
August 29, 1951 — Janeen Webb, 69. Dreaming Down-Under which she co-edited with Jack Dann is an amazing anthology of Australian genre fiction which won a World Fantasy Award. If you’ve not read it, go do so. The Silken Road to Samarkand by her is a wonderful novel that I also wholeheartedly recommend. Death at the Blue Elephant, the first collection of her ever so excellent short stories, is available at iBooks and Kindle though Dreaming Down-Under is alas not. (CE)
August 29, 1953 — Nancy Holder, 67. She’s an impressive four-time winner of the Bram Stoker Award. I’m not much of a horror fan so I can’t judge her horror novels for you but I’ve read a number of her Buffyverse novels and I must say that she’s captured the feel of the series quite well. If you are to read but one, make it Halloween Rain. (CE)
August 29, 1954 — Michael P. Kube-McDowell, 66. A filker which gets major points in my book (filker link: “Back in Black” .) And yes, I’m stalling while I try to remember what of his I’ve read. I’m reasonably sure I’ve read both of his Isaac Asimov’s Robot City novels, and now I can recall reading Alternities as well. God, it’s been twenty years since I read him. I’m getting old. (CE)
August 29, 1959 — Rebecca de Mornay, 61. May I note she made a deliciously evil Milady de Winter in The Three Musketeers? She’s Clair Dupin in The Murders in the Rue Morgue, Wendy Torrance in The Shining miniseries (no, I never heard of it) and Penelope Decker in several episodes of Lucifer. Oh, and she was Dorothy Walker in Marvel’s Jessica Jones series. (CE)
Born August 29, 1970 – Jenn Reese, 50. Five novels; Tales of the Chinese Zodiac, twelve shorter stories 2005 adding in 2006 a carp, a mantis, an owl; Alphabet Quartet perhaps inevitably became 26 flash-fiction stories “Arthur” – “Zoom” (with G. van Eekhout, T. Pratt, H. Shaw); two dozen other short stories; nine covers. Here is Mitigated Futures. Here is Do Better. Currently a graphic designer in Portland where she can revel in the rain. [JH]
Born August 29, 1977 – Renée Carter Hall, 43. One novel, thirty shorter stories. Limestone Circle (poetry) 1999-2002. Cóyotl Award. Co-authored a story in 8th Grade with two friends which reached Steven Spielberg and was used in Tiny Toon Adventures with all three friends as cartoon characters. Website here. [JH]
August 29, 1989 — Charlotte Ritchie, 31. Like so many British performers, she’s had a role on Doctor Who playing Lin in the Thirteenth Doctor story, “Resolution “. Her first genre role was an uncredited one in Harry Potter and the Goblet of Fire, and I see she was Alison in the first season of Dead Pixels, and another Alison in Ghosts, a truly haunting series. (CE)
… Kalima Desuze, owner of Cafe con Libros in Brooklyn, New York, describes recent business as both “lucrative” and “bittersweet.”
“Many folks are buying books, but may not have a home to dialogue about it,” she says. “This work cannot be done in isolation; we all need community. I’m tired of solidarity with Black folks only coming after death when some of us have spent our lives talking about and organizing against systemic racism… So, while I definitely appreciate the support, it’s been hard to profit off the bodies of fictive kin.”
“The stories have always been there, and the experiences have always been there, but not everybody was comfortable talking about them,” says La’Nae Robinson, who co-owns Bliss Books & Wine in Kansas City with her sister, La’Nesha Frazier. “So I think now that it’s more in the spotlight, it’s creating more conversations, and people are open to having conversations—and they’re actually holding them in their hands and educating themselves on topics that they just didn’t think about.”
Joining us on the 5th of September will be those who plan and execute the marketing of legends. – Dave Farland will join us to discuss his plan with Scholastic for making Harry Potter big. – Ed Elbert will discuss the advertising of Star Wars. – Craig Miller will share the stories of fandom and community outreach for Star Wars. – Brian Meeks will bring us to 2020 with a discussion of self-publishing.
One pen to rule them all. Our tribute to J.R.R. Tolkien’s beloved trilogy is made with a level of craftsmanship to rival the great Elven-smiths of Eregion. The Lord of the Rings Limited Edition is a magical creation of lostwax casting that celebrates imagination, creativity and heroic journeys at their finest.
…Armaments and regalia belonging to the Fellowship of the Ring make up the elements of the barrel. Gandalf’s staff, Aragorn’s sword and Gimli’s axe are just some of the icons contained within a structure crowned by a cubic zirconia set in the emblem of the White Tree of Gondor.
The cap’s major features are a hand-enamelled Eye of Sauron suspended in the Tower of Barad-dûr, and a clip resembling Frodo’s Elvish blade, Sting. In place of a conventional capband sits a removable replica of the One Ring, inscribed with Tengwar script and plated in gold.
A sci-fi legend is making the case for the new U.S. Space Force to use naval ranks. In an Military Times op-ed, Star Trek‘s William Shatner argues—with prodigious use of emoji—the long history of naval ranks in science fiction makes it appropriate for the burgeoning Space Force to follow suit.
Although Shatner’s argument is tongue in cheek, there’s actually a more practical reason why the Space Force might emulate the U.S. Navy—not the U.S. Air Force.
“Star Trek” has borrowed so much of its iconic rank symbols from the U.S. military and NASA. When you unveiled the Space Force logo, many immediately saw it as an homage to “Star Trek” (even though our Delta was an homage to the previous military space insignias). Why not borrow back from “Star Trek” and adopt our ranks as well? We took them from the Navy for good reason, even though Gene Roddenberry was a veteran of the U.S. Army Air Corps. They made better sense when talking about a (space) ship.
In a practical sense, there is some rationale for using naval ranks. Spaceships are a lot like submarines: enclosed vessels traveling through a void-like medium on long treks. Like subs, spaceships handle hull pressures, though they must deal with pressure on the inside and outside.
Naval forces have deep experience with planning and conducting voyages that could take weeks or months, while most Air Force missions last several hours at the most. When the Space Force finally operates spaceships, it might find itself more culturally aligned with the Navy than the Air Force….
…Sure, we know as well as you do that the transition to online events has been 50 shades of awkward for most organizations. But if any group should be prepared for a transition to the digital plane, it’s fans of speculative fiction, who have been immersed in synthetic lifeforms, alien worlds, next-wave tech, and cyber-realms for years. No need to be skeptical about ArmadilloCon 42’s virtual nature; these folks are hardwired for it.
More importantly, the ArmadilloCon team is still inspired by the same spirit of community and love of the genre that was shared by the 300 or so fans who gathered at the Villa Capri Hotel in May of 1979 for the first con. That means not just celebrating the futures of the past – those imagined by Asimov, Bradbury, Clarke, Dick, and their peers – but also the futures of the future: those being conjured by writers breaking into the field. The con’s 42-year mission, to borrow a phrase, has always been to explore strange new worlds, to seek out new writers and new speculative fiction, to boldly go with them where no fan has gone before. You can count on ArmadilloCon to continue that mission online in the same way it always has IRL.
[Thanks to Andrew Porter, Bill, John King Tarpinian, Mike Kennedy, Martin Morse Wooster, JJ, John Hertz, Gadi Evron, Cat Eldridge, and Michael Toman for some of these stories. Title credit goes to contributing editor of the day Peer.]
(1) GARCIAGATE GOFUNDME. Chris Garcia, Vanessa and the boys had to evacuate from their Northern California home because of the fires. So far their house has survived, but there’s no telling when they will be able to return. Til then, they’re in hotels. A GoFundMe appeal launched yesterday: “GarciaGatePenguins Fire Relief” People have donated $5,780 of the $10,000 goal in less than 24 hours.
…Initially they believed their home is lost, but are holding out hope that their home and belongings aren’t destroyed. It may still be a long voyage in the clean up process, assuming the house is still standing. What may have been destroyed by smoke damage is also still an unknown. It has been an incredibly hard time and they are incurring many added expenses for temporary lodging and having to eat out.
(2) EATING THE FANTASTIC. Scott Edelman continues having the conversations he would have had in New Zealand had there been a flesh-and-blood CoNZealand. It’s time for tea and scones with Farah Mendlesohn on Episode 126 of Eating the Fantastic.
I’d previously made plans to chat and chew with three guests on the ground in Wellington, but since that proved impossible, I decided to go virtual, too, urged on by my Patreon supporters. And so, during my previous two episodes, you were able to eavesdrop as I dined with Lee Murray in New Zealand and Stephen Dedman in Australia. This time around, we’re off to Stoke-on-Trent in Staffordshire, England for tea and scones with Farah Mendlesohn.
Farah was a Hugo Award finalist this year in the category of Best Related Work for her book The Pleasant Profession of Robert A. Heinlein, and had previously been nominated in that category for The Inter-Galactic Playground: A Critical Study of Children’s and Teens’ Science Fiction, and On Joanna Russ. She won a Hugo (with Edward James) in 2005 for The Cambridge Companion to Science Fiction, as well as a World Fantasy Award in 2017 for Children’s Fantasy Literature: An Introduction, which she wrote with Michael M. Levy.
She’s also edited anthologies, including Glorifying Terrorism, Manufacturing Contempt: An Anthology of Original Science Fiction, which she created to protest laws introduced by the British Government she saw as restricting free speech. She was the chair of the Science Fiction Foundation from 2004-2007, served as President of the International Association of the Fantastic in the Arts from 2008-2011, and is currently an Associate Fellow of The Anglia Ruskin Centre for Science Fiction and Fantasy.
We discussed the reasons Robert A. Heinlein resonated with her, how her early and current readings of Heinlein differ, why the science fiction of the ’30s was far more politically radical than that of the ’40s and ’50s, her deliberately controversial comment about Ursula K. Le Guin, the circumstances under which she’s more interested in the typical rather than the groundbreaking, that period during the ’20s when everyone was fascinated by glands, the one Heinlein book she wishes we’d go all back and reread, our joint distaste for fan policing, and much more.
We’re getting the first look at the upcoming second season of His Dark Materials, HBO/BBC’s big-budget adaptation of Philip Pullman’s fantasy epic.
The second season begins after Lord Asriel has opened a bridge to a new world, and, distraught over the death of her best friend, Lyra follows Asriel into the unknown. In a strange and mysterious abandoned city she meets Will, a boy from our world who is also running from a troubled past. Lyra and Will learn their destinies are tied to reuniting Will with his father but find their path is constantly thwarted as a war begins to brew around them. Meanwhile, Mrs. Coulter searches for Lyra, determined to bring her home by any means necessary.
“Harry Potter” author J.K. Rowling has emerged into a fresh controversy after she returned the Ripple of Hope Award bestowed upon her by the Robert F. Kennedy Human Rights organization in December 2019, following criticism from Kerry Kennedy. Kerry is the daughter of Robert F. Kennedy, and the president of the organization.
“Over the course of June 2020 — LGBTQ Pride Month — and much to my dismay, J.K. Rowling posted deeply troubling transphobic tweets and statements,” Kennedy posted on the organization’s website on Aug. 3. “On June 6, she tweeted an article headlined “Opinion: Creating a more equal post-COVID-19 world for people who menstruate.” She wrote glibly and dismissively about transgender identity: ‘People who menstruate.’ I’m sure there used to be a word for those people. Someone help me out. Wumben? Wimpund? Woomud?”
Kennedy said she had spoken with Rowling “to express my profound disappointment that she has chosen to use her remarkable gifts to create a narrative that diminishes the identity of trans and nonbinary people, undermining the validity and integrity of the entire transgender community — one that disproportionately suffers from violence, discrimination, harassment, and exclusion and, as a result, experiences high rates of suicide, suicide attempts, homelessness, and mental and bodily harm. Black trans women and trans youth in particular are targeted.”
“Because of the very serious conflict of views between myself and RFKHR, I feel I have no option but to return the Ripple of Hope Award bestowed upon me last year,” said the author. “I am deeply saddened that RFKHR has felt compelled to adopt this stance, but no award or honor, no matter my admiration for the person for whom it was named, means so much to me that I would forfeit the right to follow the dictates of my own conscience.”
Rowling said Kennedy’s statement “incorrectly implied that I was transphobic, and that I am responsible for harm to trans people.”
While appearing on David Tennant’s celebrity interview podcast, David Tennant Does a Podcast With…, Sulu actor Takei alleged that the cast of the original Star Trek TV series all got along apart from Shatner, with Takei confirming that it often felt like “William Shatner versus the rest of the world”.
“It got more and more intense,” Takei recalled. “How do I put it? It began from the TV series. There was one character whose charisma and whose mystery was like a magnet.
“It was Spock, the strange alien with pointy ears. That intrigued the audience and women thought ‘I’m the one who can arouse him.’ His fan letters were this many, and Leonard’s were that many, and that created an insecurity [in Shatner].”
He continued: “Movie-making, TV-making, theatre-making is all about collaborative teamwork. A good actor knows that the scene works when there’s that dynamic going on with the cast. Some actors seem to feel that it’s a one-man show. That’s the source of some tensions.”
Shatner saw the article and lashed out —
Then, in an unrelated exchange on Twitter, Shatner downplayed Trek’s immediate benefits to his career.
(6) THE MARTIAN CANTICLES. [Item by Martin Morse Wooster.] In the August 24 Financial Times, Ludovic Hunter-Tilney talks to progressive rocker Rick Wakeman about his new album, The Red Planet, He says he got the idea for the album about Mars by attending the Starmus International Festival of astronomy and music in Tenerife, Spain.
“Next year’s Starmus, due to be held in Armenia, marks the 50th anniversary of the first orbit of Mars by a space probe. Wakeman will be among the musicians appearing. He describes how the event’s founder, the astrophysicist Garek Israelian, updated him about the latest Martian findings.
‘He told me that it’s beginning to look like 20bn years ago Mars was a blue planet with oceans and rivers. ‘Your good friend David Bowie may have been right,’ Wakeman recalls. The rock musician–who played the piano part on Bowie’s celebrated ‘Life on Mars’ in 1971–went very quiet as the scientist spoke. Inside, a light went on. ‘Bingo!’ he said to himself/”
(7) THE TOON IS OUT THERE. [Item by Olav Rokne.] Lower Decks must look like a success, since now X-Files seems to be jumping onto the animated spin-off bandwagon. But since this show is being done by the creators of Movie 43 (which currently earns a generous 5% on Rotten Tomatoes) I wouldn’t hold out much hope for the series being watchable. From Variety: “‘X-Files’ Animated Comedy Series in Development at Fox”.
An animated “X-Files” comedy series spinoff is in the works at Fox, Variety has confirmed.
The project is currently titled “The X-Files: Albuquerque.” It has received a script and presentation commitment at the broadcaster. The show would revolve around an office full of misfit agents who investigate X-Files cases too wacky, ridiculous or downright dopey for Mulder and Scully to bother with. They’re basically the X-Files’ B-team.
“X-Files” creator Chris Carter is attached to executive produce the project, with Rocky Russo and Jeremy Sosenko attached to write and executive produce. Gabe Rotter, who worked on the “X-Files” revival at Fox, will also executive produce. 20th Television and Fox Entertainment will produce. Bento Box will provide animation. Neither Gillian Anderson or David Duchovny is involved with the project at this time.
(8) UP THE AMAZON. Publishers Lunch reports:
…In advance of Independent Bookstore Day on August 29, Powell’s Books announced that it will no longer sell rare and collectible books through Amazon Marketplace. Owner Emily Powell wrote in a message to customers, “For too long, we have watched the detrimental impact of Amazon’s business on our communities and the independent bookselling world…. The vitality of our neighbors and neighborhoods depends on the ability of local businesses to thrive. We will not participate in undermining that vitality.”
We’ve all read about it: after decades of construction, a shiny new generation ship is loaded with a crew of bright-eyed optimists. Once the sun is just another bright star in the sky, mutiny and civil war reduce the crew to ignorant peasants…unless something worse happens. This is a narrative pattern set as early as Murray Leinster’s 1935 “Proxima Centauri,” solidified by Heinlein’s 1941 “Universe,” and embraced by authors ever since: human foibles in the confined space of a generation ship ensure calamity. Ideally not of the sort that leave everyone too dead to be interesting.
But it does not have to go that way! Here are five examples of generation ships that managed to avoid mutiny, civil war, barbarism, and mass cannibalism.
(10) THE MAGIC OF LONDON BOOKSHOPS. Publishers Weekly conducted a “Q & A with Garth Nix” whose new book is The Left-Handed Booksellers of London.
Why did you choose to set the tale in 1983 London?
In part I chose to set the story in 1983 London because that was when I first saw it in person, visiting from Australia. I was there for about six months, off and on—even though I have returned to the U.K. many times since—so I have particularly concrete memories of that time. But I also wanted to make it a slightly alternate 1983, so the world of the book could be more diverse and have greater gender equality, and I could enjoy myself including and transforming various cultural references of the time.
The magic users in your book are booksellers rather than being specifically wizards, witches, magicians, etc. What’s the connection for you, between selling books and casting spells?
I think bookshops have always been rather magical, so by extension, the people who work in them are too! There is also something magical about making the connection between a book and a reader. I always had tremendous satisfaction in match-making a customer with a book they didn’t know they wanted, but would later come back in to rave about and buy everything the author had written.
In Merlin and the booksellers generally, you’ve created a group of characters who are magically gender-fluid. Why was it important for you to include this facet of the characters?
I think this is similar to my writing about places I wish really existed, that I could visit. While it isn’t easy for the booksellers to physically become the gender they feel they are, it is far easier than it is in this world. I think it would be good to be, as Merlin says, “somewhat shape-shiftery.”
(11) MEDIA BIRTHDAY.
August 28, 1956 — X Minus One’s “Surface Tension.” Based off the short story of the same name by the Hugo Award winning James Blish that was first published in the August 1952 edition of Galaxy Science Fiction, it first aired on this date in 1956. A Cold War tale in which The East and The West knowing the sun will soon explode meet to decide how to save the human race. Can this end well? The story was adapted as usual by George Lefferts. The rather extensive radio cast was Luis Van Rooten, Danny Auchal, Lawson Zerbe, Larry Haines, Mason Adams, Jim Stevens and Bob Hastings. You can listen to it here.
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born August 28, 1749 – Johann von Goethe. Two-part play Faust big in the history of fantasy; four shorter stories, a dozen poems, also ours; other plays, poems, novels; criticism; science, particularly anatomy, botany, color; three thousand drawings. Inspired Mozart, Beethoven, Schubert, Mendelssohn, Berlioz, Gounod. On the cusp leaving the balance of Classicism for the passion of Romanticism. (Died 1832) [JH]
Born August 28, 1833 – Sir Edward Burne-Jones, Bt. Painter, illustrator, designer. “I mean by a picture a beautiful, romantic dream of something that never was, never will be – in a light better than any light that ever shone – in a land no one can define or remember, only desire – and the forms divinely beautiful”. Here is The Beguiling of Merlin. Here is Angeli laudantes (Latin, “Angels praising”; tapestry). Here is The Golden Stairs. Here is The Wheel of Fortune. Here is a study for The Masque of Cupid (Desiderium is Latin, “desire”). His accepting a baronetcy disgusted his socialist wife and friends. (Died 1898) [JH]
Born August 28, 1896 — Morris Ankrum. Numerous appearances in the Fifties — in Rocketship X-M as Dr. Ralph Fleming, as a Martian leader in Flight to Mars, in Red Planet Mars playing the United States Secretary of Defense, in Invaders From Mars playing a United States Army general, and as yet another Army general in Earth vs. the Flying Saucers. (Died 1964.) (CE)
Born August 28, 1916 – Jack Vance. Forty novels – these are round numbers; I think The Dying Earth is a novel, and I think it’s science fiction. Sixty shorter stories. Memoir This Is Me, Jack Vance (or more properly “This is I”). Interviewed in Aberrations, Lighthouse, Locus, Orbit (Dutch, hello Kees van Toorn), SF Review, StarShipSofa. Mystery novels too (Edgar for The Man in the Cage), unless they all are. Three Hugos, a Nebula; Prix Utopia; Forry (for service to SF; Los Angeles Science Fantasy Soc.); Jupiter; Emperor Norton Award (for extraordinary invention and creativity); Seiun; World Fantasy Award for Life Achievement; SFWA (Science Fiction & Fantasy Writers of America) Grand Master; SF Hall of Fame. (Died 2013) [JH]
Born August 28, 1917 — Jack Kirby. Responsible for a goodly part of modern comics from Captain America and the X-Men to Challengers of the Unknown and the New Gods. I’m very much looking forward to the New Gods film being worked on, now delayed by the Pandemic. (Died 1994.) (CE)
Born August 28, 1925 – Arkady Strugatsky. A score of novels, fifty shorter stories, with his brother Boris; also translated English (with B) and Japanese. Roadside Picnic is much applauded; I recommend Hard to Be a God. Interviewed in Fiction (French), Foundation, Locus, Polaris (German), Urania (Italian), Yellow Submarine (French). Together Guests of Honour at Conspiracy ’87 (45th Worldcon). (Died 1991) [JH]
Born August 28, 1948 — Vonda McIntyre. I’ve read a number of her works including Dreamsnake and The Moon and the Sun which are all phenomenal. The latter was based on a short stor of hers done as a faux encyclopaedia article “The Natural History and Extinction of the People of the Sea”, that was illustrated by Le Guin. Way cool. (Died 2019.) (CE)
Born August 28, 1951 – Barbara Hambly, 69. Forty novels, two dozen shorter stories. Interviewed in Andromeda Spaceways, Locus. Forry Award. Two Lord Ruthven Awards. Children of the Jedi a NY Times Best Seller. Served a term as SFWA President. Black Belt in karate (shôtôkan). Outside our field, notably historical fiction (free man of color Benjamin January, nineteen detective novels in antebellum New Orleans; The Emancipator’s Wife; Search the Seven Hills; several others). Peter Nicholls calls her writing vigorous, interesting, and alert. [JH]
Born August 28, 1954 – Diane Turnshek, 66. Astronomer; teaches at Carnegie Mellon Univ. and Univ. Pittsburgh. Four short stories and a Probability Zero. SFWA Speakers’ Bureau. Dark Sky Defender Award from Int’l Dark Sky Ass’n. Ranks Flatland about the same as The Taming of the Shrew. [JH]
Born August 28, 1964 – Traci Harding, 56. A score of novels, half a dozen shorter stories. Her publisher (HarperCollins/Voyager Australia) says she blends fantasy, fact, esoteric theory, time travel, and quantum physics; sold half a million books in Australia alone. Worked in film studio management before starting to write novels. Website here. [JH]
Born August 28, 1965 — Amanda Tapping, 55. She’s best known for portraying Samantha Carter on Stargate SG-1 and Stargate Atlantis. She also starred as Helen Magnus on Sanctuary which I never managed to see. Anyone seen it? She was in The Void which also starred Adrian Paul and Malcolm McDowell. (CE)
Born August 28, 1978 — Rachel Kimsey, 42. She voices Wonder Woman on Justice League Action, yet another series that proves animation, not live, is the DC film strong point. Here’s a clip of her voice work from that show. She was Zoe, the old imaginary friend of Frances, on Don’t Look Under The Bed, a supposedly horror that ran on Disney. Disney, horror? And she was a zombie in the “Don’t Let Her Pull You Down” musical video by New Found Glory. (CE)
Born August 28, 1978 — Kelly Overton, 42. She has the lead role of Vanessa Van Helsing in Van Helsing, a Syfy series based off of Zenescope Entertainment’s Helsing graphic novel series. She‘s been on True Blood as the werewolf Rikki Naylor, and then there’s The Collective, a horror film written, directed, and produced by her and her husband, Judson Pearce Morgan. (CE)
Each week on NewberyTart, Jennie and Marcy, two book-loving mamas (and a librarian and a bookseller, respectively), read and drink their way through the entire catalogue of Newbery books, and interview authors and illustrators along the way.
On today’s episode, Jennie and Marcy talk about the finalist of the 1971 Newbery Medal for excellence in American children’s literature, Enchantress from the Stars by Sylvia Engdahl.
Marcy: Since I started reading what I consider to be better science fiction, the tone of the book leaves me thinking it could be a little better, even if it might not necessarily be true, but it just falls in that category. Does it make sense the association?
Jennie: I think that we’re both talking about prejudices we have when it comes to books as we approach them and what we enjoy versus what we have been exposed to in the past. I think that makes total sense. I’m just like, Elana should be with a knife in her teeth and she should be hanging from the rafters.
Marcy: You want her to be Zoe from Firefly.
Jennie: I was thinking more Ripley.
This is a really great discussion about what we’ve come to expect from heroines in sci-fi!
Marcy: Which is ironic because this is probably one of the building blocks that got us to where we are to the ones that we wanted.
Jennie: I think it’s really good that we take some time and look at this and hopefully bring it to some new new readers.
Marcy: I have nothing but gratitude for the innovators who gave us any main characters, much less ones who rebelled in even any small ways and accomplished things and were characters who had agency. In this case, literally, even if they make bad choices sometimes, which people do. It’s still totally necessary to get us to where we are now, where we have so many choices and so many great female characters. We wouldn’t be here without those.
Libraries have long been home to feline residents who keep patrons company, promote activities and programs, and assist with pest control. We checked in on four library cats (and their humans) to see how their lifestyles have changed during the pandemic.
Browser from Texas’s White Settlement Public Library may be one of the nation’s most famous library cats. In a viral story from 2016, a city council member tried to oust Browser from his position at the library; after a public outcry, Browser was reinstated for life while his political opponent lost his reelection campaign.
Browser has stuck around the library during the pandemic closure but seems to be missing the crowds.
“He is generally quite independent, but since the closure he always wants to be near people. We can usually find him in the lap of a staff member, or lying helpfully on their keyboard,” library staffer Kathryn King told I Love Libraries. “Now that we are offering curbside service, he posts himself at the window during curbside hours to watch the patrons come and go.”…
…What is true is that Heinlein is probably less generally relevant to newer science fiction readers and writers than he was to new SF readers and writers in earlier eras. I have essayed this at length before and therefore won’t go into it again now. I will say, however, that Heinlein’s work and the work of many of his contemporaries are at an awkward age: enough decades after publication that the underlying cultural assumptions of the work and the author are no longer consonant with contemporary times, but not enough decades out that the work can be comfortably be considered a “period piece,” which means that consonance is no longer expected.
In other words: a lot of “Golden Age of Science Fiction” work currently lies in a sort of cultural uncanny valley, existing in a simultaneous state of being too distant from contemporary readers, and also not nearly distant enough. That’s not Heinlein’s fault, precisely; it’s a matter of time and culture. It’s going to happen to most creative work — well, most work that’s remembered at all.
(17) BRADBURY’S CRIME. Time travelers…dark carnivals…living automata…and detectives? Hard Case Crime is celebrating Ray Bradbury’s centennial, with a deluxe illustrated commemorative collection of his finest crime stories: Killer, Come Back To Me.
Honoring the 100th birthday of Ray Bradbury, renowned author of Fahrenheit 451, this new, definitive collection of the master’s less well-known crime fiction, published in a high-grade premium collectible edition, features classic stories and rare gems, a number of which became episodes of Alfred Hitchcock Presents and The Ray Bradbury Theater, including the tale Bradbury called “one of the best stories in any field that I have ever written.”
Is it murder to destroy a robot if it looks and speaks and thinks and feels like a human being? Can a ventriloquist be incriminated by the testimony of his own dummy? Can a time traveler prevent his younger self from killing the woman they both loved? And can the survivor of a pair of Siamese twins investigate his own brother’s murder? No other writer has ever rivaled the imagination and narrative gifts of Ray Bradbury, and the 20 unforgettable stories in this collection demonstrate this singular writer’s extraordinary range, influence and emotional power.
(18) HOLE NEW IDEA. [Item by Mike Kennedy.] Universe Today brings to our attention a new theory that would allow human-transmissible wormholes. There are, however, just a feeeew caveats. For instance, though the trip would be almost instantaneous for the passengers, an outside perspective would see the trip take longer than light would take to travel the same distance. Oh, and there’s the bit where the engineering would be many, many orders of magnitude greater than anything humans are currently capable of. And the thing where the effect depends on whether a particular 5-dimensional model of the universe correctly describes it or not. “One Theory Beyond the Standard Model Could Allow Wormholes that You Could Actually Fly Through”.
The study, titled “Humanly traversable wormholes,” was conducted by Juan Maldacena (the Carl P. Feinberg Professor of theoretical physics from the Institute of Advanced Study) and Alexey Milekhin, a graduate of astrophysics student at Princeton University. The pair have written extensively on the subject of wormholes in the past and how they could be a means for traveling safely through space.
…The fireworks underlined the light in the darkness, the path forward, the bombs bursting in air, and made me reflect on our journey here for our movement to push this great American culture in a healthy and wondrous direction through science fiction and comics.
God’s blessed me with talents beyond most of the field in science fiction, fantasy, and comics, and on top of it, a clear vision of what needs to be done with the work not only to produce greatness for my own edification, but to do glory to His name and bring a return to hope, heroism, and the exceptionalism of mankind to fiction and culture.
It’s been missing for a long time, and the trials and tribulations, the struggles, the blacklisting, the bannings, they all were trials given to me to push me to outwork and out-innovate the competition, which is the true American way of winning.
(20) SONG DYNASTY CAT TWEETS. You wouldn’t want to miss this. Thread starts here.
[Thanks to John King Tarpinian, John Hertz, JJ, Martin Morse Wooster, Cat Eldridge, Lise Andreasen, Michael Toman, James Davis Nicoll, Mike Kennedy, Chris Barkley, Olav Rokne, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Olav Rokne.]
By James Bacon: Journey Planet, editors James Bacon, Christopher J Garcia, Alissa McKersie, Ann Gry, Chuck Serface, John Coxon and Steven H Silver are incredibly proud and pleased to have been considered by fans to be worthy of being nominated as a Hugo finalist.
2019 was a wonderful year for us all, in many ways, and we openly admit that this delightful news was and is badly needed at this difficult time for so many in 2020 and our thoughts are with those who work and strive in these challenging times. .
We hope that we can share our love and appreciation of so many things through our fanzines and welcome this opportunity to share them.
Last year’s issues were: Antique Space, Defying Integrity of Continuity, Apollo XI, and The Matrix.
Each of these issues are so distinctly different: from celebrating a historic anniversary to publishing Russian poetry, to the world of fiction in two so very wondrous and different ways. We are so privileged to have the time and good will of so many people who enjoy spending their time contributing, creating, and helping make these zines.
We would like to thank our contributors: Artist Sara Felix who did amazing covers for two of our issues. Artists Meg Frank and Vanessa Applegate who did a cover each.
Our thanks to Stephanie Alford, Bob Hole, and Jose Sanchez Ed Hengeveld, David M. Stein, Kurt Erichsen, Jack Clemons, John Scalzi, Richard Man, Alma Alexander, Allen M. Steele, Bryan A. Palaszewski, David Hardy, John Donat, Joseph Green, C. Stuart Hardwick, Nancy Jane Moore, Bill Higgins, Gregory Benford, y Pádraig Ó Méalóid, Brenda W. Clough, Scott Hipp, Sarah Gulde, Rob Hansen, Patty Wells, Regina Kanyu Wang, Teddy Harvia, and Tim Gagnon, NASA (we used a lot of their photos). Emma Harris, Warren Frey, Espana Sheriff, Jenn Scott Ulrika O’Brien, Jenn Scott Peppard Saltine, Cardinal Cox, Helena MacCallum, James Mason, and Bill Howard.
We are very grateful for everyone’s support and hard work, and we are thankful for the honour of being Hugo Finalists.
Our thanks to all those who nominated us but also to the Hugo Administrator Tammy Coxen and her team, the WSFS Division and of course the Chairs, Committee and staff of ConZealand.
Chris, James, Alissa, Ann, Chuck, John, and Steven.