Starting on July 27, X-Men visionary Chris Claremont teams up with artist Sid Kotian for a five-part Gambit limited series. Claremont, the writer who defined the X-Men and crafted the franchise’s most influential stories, is back with a brand-new X-Men saga starring one his most popular co-creations—Gambit.
Featuring artwork by rising star Sid Kotian, Gambit will be a five-issue limited series that invites fans back to the exciting time when Gambit and a de-aged Storm forged an everlasting bond as they thieved their way along the Mississippi River!
The series will unearth a wide range of previously untold adventures, from a brush with the Shadow King to an array of earthbound and out of this world escapades, that gives Claremont a chance to further explore Gambit’s path to becoming a heroic X-Man. And it reveals new insights into another trademark character of his, Storm, at a pivotal moment in her history. Get your first look at this story of action, intrigue and revenge in new interior artwork and variant covers by all-star artists Salvador Larroca, Peach Momoko, Scott Williams, and InHyuk Lee.
When asked why he chose to revisit this specific era, Claremont told AiPT Comics: “Because I considered it somewhere that provided the opportunity for a whole-lotta-fun to be had by all involved. Think about it: who notices kids? The way Remy dresses, not to mention his great body and gorgeous looks, most of the time all eyes turn towards him. [Kid] ‘Ro remains functionally invisible. Target looks to Remy, ‘Ro picks his pocket. But the true reason, frankly, is that the story turned out to be a whole lot more fun this way.”
Gambit #1 hits stands on July 27. For more information, visit Marvel.com. See the variant covers following the jump.
During a live stream today, Orbit Books officially announced the title and cover for the final installment of James S.A. Corey’s science fiction series, The Expanse: Leviathan Falls, which will hit stores sometime in 2021 .
…Orbit didn’t release any synopsis for the book, but Abraham and Franck did explain that the novel will provide a definitive ending for the series.
During the live stream, Abraham and Franck answered a handful of reader questions. In addition to Leviathan Falls, they plan to have another novella that’ll come out after that final book, which will provide a “nice grace note” to some hanging threads from the series. Abraham noted that he’s been waiting to write the story for “years.”
Franck explained that they don’t plan to write any novels in the world, but that Alcon could always put together another Expanse-related project for television.
(2) RSR UPDATE. Rocket Stack Rank’s Greg Hullender announced today in “Taking a Break” that he’ll be on hiatus as a short fiction reviewer —
After five years of writing reviews for Rocket Stack Rank, I’m going to take an indefinite break. This month marks five years since we started the site, and so it seemed like a good time to pause.
Eric Wong says he will continue to update RSR with monthly lists of stories that readers can flag and rate and find reviews for, as well as aggregate recommendations from various sources (currently 6 reviewers, 16 awards, 7 year’s best anthologies) for the Year-To-Date and Year’s Best lists.
Five years ago, in September 2015, Eric and I started Rocket Stack Rank as a response to the Sad/Rabid Puppy episode that ruined the 2015 Hugo Awards. As we said at the time, we wanted “to create a website to encourage readers of science fiction and fantasy to read and nominate more short fiction.”
The response was very positive, and we’ve enjoyed steady support from readers. We quickly ramped up to a few thousand unique monthly users, with 20-30,000 monthly page views (we recently passed 1,000,000 total page views), and we’re currently the #1 Google result for “short science fiction story reviews.” Best of all, we were finalists for the Hugo Award for Best Fanzine three times (2017, 2018, 2019). Thank you for supporting us!
(3) ANOTHER VIEW OF ROWLING’S CONTROVERSIAL LATEST. Alison Flood, in “JK Rowling’s Troubled Blood: don’t judge a book by a single review” in The Guardian, says she’s read Rowling’s Troubled Blood and although there are parts she says are “tone-deaf” that she doesn’t consider the novel “transphobic” since the cross-dressing character is not the main villain and is not described as trans or even a transvestite.
…Perhaps some will still consider this depiction transphobic, given Rowling’s rightly widely criticised views on trans people. It is, at best, an utterly tone-deaf decision to include an evil man who cross-dresses after months of pain among trans people and their allies. But there is also reason to be wary of any moral outrage stoked by the Telegraph, a paper that generally doesn’t shy away from publishing jeering at the “woke crowd”, or claims that children are “put at risk by transgender books”, or attacks on “the trans lobby”. And we should also be wary of how one review has been reproduced without question by countless newspapers and websites, by journalists who have shown no indication of having read the book themselves.
…The McFadden-fronted podcast will be the first one from the Nacelle Company and serves as a stepping stone for its NacelleCast Studios, the company’s neighboring podcast studio in Burbank. The new podcast studio will serve as the main production space for all NacelleCast productions.
The Nacelle Company has created a number of pop history-focused titles including Netflix’s The Movies That Made Us, The Toys That Made Us and the CW’s Discontinued. Branching into the podcast space is a step in the company’s efforts to broaden its reach of pop history-focused content.
Anil Menon is joining Gadi as co-host for a one-hour discussion on science fiction and change, bringing along friends and colleagues Christopher Brown, Claude Lalumière, Geoff Ryman, Nisi Shawl, and Vandana Singh. This Saturday, 19 September.
Arguably, science fiction has had a focus on working out the consequences of a change (what-if scenarios) rather than how a certain change comes to be. This seems to be especially true in the case of social or political change. The distinguished panelists will discuss the possibilities and limitations of (science) fiction for representing a changing world.
(6) GENUINE PIXEL NEWS. Plans for a Japanese adaptation of The Door Into Summer were unveiled on Twitter. Thread starts here.
(7) UNDERTALE CONCERT. Beginning at the 45-minute mark in this YouTube video, you can listen to the full orchestral concert that was staged for the 5th anniversary of the video game Undertale.
This is probably why many folks who watched the concert last night absolutely got in their feelings about the game. The top comment on the YouTube video says, “I cried like twice through the whole thing.” I saw the same sentiment unfold across my Twitter timeline, where folks reminisced on the game’s highlights and what it meant to them when they played it. It was a total mood shift from the general depressing and terrifying tenor of the year. Undertale is, at its heart, an optimistic game about friendship and love.
…How would we know such organisms might exist? Many chemical compounds that simple microbes produce are also made by non-biological processes. But one, phosphine or PH3, is difficult to produce on Earth abiotically (without life) and, as argued by Seager and her colleagues in another paper, could be a good “biosignature” or sign of life on planets around other stars. This isn’t always the case: The compound is found in the dense hydrogen-rich atmospheres of Jupiter and Saturn, where it is understood to be an abiotic product of simple chemistry, and will likely be found on gas giants around other stars using the James Webb Space Telescope, planned for launch next year. But Venus — which has an atmosphere in which hydrogen is extremely scarce — is a place where phosphine is a plausible biosignature.
The detection of sufficient quantities of phosphine in Venus’s atmosphere would be an intriguing pointer to the possibility of life in the sulfuric-acid clouds of our sister planet, but many questions would remain. Is it possible that planetary chemists have overlooked ways to produce phosphine on Venus in the absence of life? And if phosphine is produced by biology, where did that life originate? It is one thing to imagine life adapting to and hanging out opportunistically in the clouds of Venus. It is quite another to imagine that life could have originated there, sandwiched between the hell of the surface and the frozen realms of the thin upper atmosphere….
(9) MEDIA ANNIVERSARY.
September 1995 — Twenty five years ago this month at Intersection, Lois McMaster Bujold’s Mirror Dance won the Hugo for Best Novel. Other finalists were John Barnes’ Mother of Storms, Nancy Kress‘s Beggars and Choosers, Michael Bishop‘s Brittle Innings and James Morrow’s Towing Jehovah. It would be the third Hugo winner of the Vorkosigan saga, and Bujold’s third Hugo award-winning novel in a row. It’s the direct sequel to Brothers in Arms. The Vorkosigan saga would win the Best Series Hugo at Worldcon 75. (CE)
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born September 16, 1898 — Hans Augusto Rey. German-born American illustrator and author best remembered for the beloved Curious George children’s book series that he and his wife Margret Rey created from 1939 to 1966. (An Eighties series of five-minute short cartoons starring him was produced by Alan Shalleck, along with Rey. Ken Sobol, scriptwriter of Fantastic Voyage, was the scriptwriter here.) His interest in astronomy led to him drawing star maps which are still use in such publications as Donald H. Menzel’s A Field Guide to the Stars and Planets. A simpler version for children called Find the Constellations, is still in print as well. (Died 1977.) (CE)
Born September 16, 1917 – Art Widner. Pioneer in earliest days, he left for a few decades to teach school, beget children, other mundane matters, then returned, resuming his fanzine YHOS (“Your Humble Obedient Servant”, pronounced ee-hoss though I said it should rhyme with dose), the Eo-Neo. See here. Here is his cover for the Mar 40 Spaceways. On his board game Interplanetary see here. DUFF (Down Under Fan Fund) delegate. Big Heart (our highest service award). First Fandom Hall of Fame. YHOS first took my note on The Glass Bead Game. As of his passing he may have been Oldest of All; rooming with him at a few cons, I promised not to call him “Woody” (see Mary Sperling in Methuselah’s Children). Our Gracious Host’s appreciation here. (Died 2015) [JH]
Born September 16, 1916 — Mary, Lady Stewart (born Mary Florence Elinor Rainbow, lovely name that). Yes, you know her better as just Mary Stewart. Genre wise, she’s probably best known for her Merlin series which walks along the boundary between the historical novel and fantasy. Explicitly fantasy is her children’s novel A Walk in Wolf Wood: A Tale of Fantasy and Magic. (Died 2014.) (CE)
Born September 16, 1930 — Anne Francis. You’ll remember her best as Altaira “Alta” Morbius on Forbidden Planet. She also appeared twice in The Twilight Zone (“The After Hours” and “Jess-Belle”). She also appeared in multiple episodes of Alfred Hitchcock Presents and The Alfred Hitchcock Hour. She’d even appear twice in The Man from U.N.C.L.E. and played several roles on Fantasy Island as well. (Died 2011.) (CE)
Born September 16, 1932 — Peter Falk. His best remembered role genre is in The Princess Bride as the Grandfather who narrates the Story. The person who replaced him in the full cast reading of The Princess Bride for the Wisconsin Democratic Party fundraiser, Director Rob Reiner, wasn’t nearly as good as he was in that role. He also plays Ramos Clemente in “The Mirror”, an episode of The Twilight Zone. And he’s Reverend Theo Kerr in the 2001 version of The Lost World. (Died 2011.) (CE)
Born September 16, 1932 – Karen Anderson. Fan and pro herself, wife of another, mother of a third, mother-in-law of a fourth. While still Karen Kruse she was WSFA (Washington, DC, SF Ass’n) secretary and joined SAPS (Spectator Amateur Press Society) and The Cult. Marrying Poul Anderson she moved to the San Francisco Bay area, bore Astrid, and thus was mother by marriage to Greg Bear. Stellar quality also in filk, costuming, and our neighbor the Society for Creative Anachronism. At an SF con party a few decades ago I arrived in English Regency clothes having just taught Regency dancing; she sang “How much is that Dukie in the window?” See here; appreciation by OGH here. (Died 2018) [JH]
Born September 16, 1938 – Owen Hannifen, 82. How he found the LASFS (Los Angeles Science Fantasy Soc.; “LASFS” pronounced as if rhyming with a Spanish-English hybrid “mas fuss”, unless you were Len Moffatt, who rhymed it with “sass mass” and had earned the right to do it his way) minutes, then and now known as The Menace of the LASFS, I’ve never learned; with a good Secretary – Jack Harness, Mike Glyer, John DeChancie – they’ve been swell; anyway they lured OH to L.A. (from Vermont?), where he roomed with Harness and others in a series of apartments, the Labyrinth, Labyrinth 3, Labyrinth of Valeron, Labyrinth DuQuesne (see here). He was in N’APA, OMPA, SAPS, and The Cult. Dungeons & Dragons was fire-new then; he and his wife Hilda (also “Eclaré”) did that. They moved to the San Francisco Bay Area, Sampo Productions (named for the magic sampo in “Why the Sea Is Salt”), and incidentally the SCA. [JH]
Born September 16, 1948 – Julia Donaldson, C.B.E., 72. Author, playwright, performer; almost two hundred books. Famous for The Gruffalo. Half a dozen stories of Princess Mirror-Belle. Busked in America, England, France, Italy. Bristol Street Theatre, British Broadcasting Corp., Edinburgh Book Festival. Honorary doctorates from Univ. Bristol, Univ. Glasgow. Children’s Laureate of the United Kingdom 2011-2013. Commander of the Order of the British Empire. Website here. [JH]
Born September 16, 1952 — Lisa Tuttle, 68. Tuttle won the Astounding Award for Best New Writer, received a Nebula Award for Best Short Story for “The Bone Flute”, which she refused, and a BSFA Award for Short Fiction for “In Translation”. My favorite works by her include Catwitch, The Silver Bough and her Ghosts and Other Loverscollection. Her latest novel is The Curious Affair of the Witch at Wayside Cross. (CE)
Born September 16, 1960 – Kurt Busiek, 60. Writer for Dark Horse, DC, Dynamite, Eclipse, Harris, Image, Marvel, Topps. Known particularly for Astro City, Marvels, the Thunderbolts. Nine Eisners, six Harveys; two Comics Buyer’s Guide Awards for Favorite Writer. Here he’s interviewed about Conan. Alex Ross put KB and wife Ann into Marvels 3 reacting to the arrival of the Silver Surfer and Galactus. I’ll leave out Page 33. What jewels these Filers be. [JH]
Born September 16, 1960 — Mike Mignola, 60. The Hellboy stories, of course, are definitely worth reading, particularly the early ones. His Batman: Gotham by Gaslight is an amazing What-If story which isn’t at all the same as the animated film of that name which is superb on its own footing, and the B.P.R.D. stories are quite excellent too. I’m very fond of the first Hellboy film, not so much of the second, though the animated films are excellent. (CE)
Born September 6, 1982 – María Zaragoza, 38. Three short stories for us; novels, poetry, film scripts, graphic novels. Post-human, anthology of Spanish SF authors. Atheneum of Valladolid Award, Young Atheneum of Seville Novel Prize. Part of Fernando Marías Amando’s storytelling collective “Children of Mary Shelley”; of “The Cabin” collective of mutant artists (painters, poets, writers, sculptors, photographers), Ciudad Real. [JH]
(10b) BELATED BIRTHDAY. Worldcon 76 chair Kevin Roche turned 60 on September 15 — we wish him a cake-full of candles for the occasion!
(11) COMICS SECTION.
Thatababy calls it a “new Mary Worth” storyline. Daniel Dern says, “I had to convince myself I hadn’t dreamed it.”
Lio discovers what happens when horror movies take over your yard.
(12) CLAREMONT ANNIVERSARY SPECIAL. Marvel Comics will honor the extraordinary career of writer Chris Claremont in December with the Chris Claremont Anniversary Special.
For the past 50 years, Claremont has graced the Marvel Universe with his brilliant storytelling—creating and defining some of its most iconic heroes and building the framework for one of its most treasured franchises.
In the Chris Claremont Anniversary Special, the acclaimed writer returns to the world of the X-Men with a brand-new story. Dani Moonstar is drafted for a mission across time and space for an incredible psychic showdown against the Shadow King—joining forces with other characters created and defined by the pen of Chris Claremont! In this extra-sized milestone issue, Claremont will team up with a host of iconic artists including Brett Booth and reunite with his classic New Mutants collaborator, Bill Sienkiewicz.
…Chris Claremont’s influential run on X-Men changed the comic book landscape forever. As the architect behind the epic tapestry that makes up the world of mutants, Claremont’s contributions went far beyond the creation of characters but to the very themes, concepts, and allegories that are ingrained in the X-Men today. Claremont’s work catapulted the X-Men into unprecedented success with now classic stories such as Dark Phoenix Saga and Days of Future Past as well as series like New Mutants and Wolverine’s first solo series. In addition to his groundbreaking work on X-Men titles, Claremont also had memorable runs on books such as Ms. Marvel and Fantastic Four.
Just before “Fargo” returned to production in August, Noah Hawley — the writer who somehow adapted an eccentric and beloved Coen brothers film into one of the most decorated television series of the past decade — sent a letter to the show’s cast and crew. He wrote about the importance of safety. He wrote about mutual responsibility. He wrote about Tom Cruise.
“Someday in the not too distant future Tom Cruise will go to space,” the message began. “He will bring a film crew with him. He will bring a director and actors. They will shoot a film. Now space, as we know, is an airless vacuum where nothing can live. A hostile void where a suit breach or airlock malfunction can kill, where even the simplest tasks must be done methodically, deliberately. Astronauts train for years to prepare. They drill protocols and procedures into their heads. They know that surviving in space will require their full concentration. Now imagine doing all that AND making a movie.”
The “Fargo” crew is rather more earthbound, but Hawley likened its experience to that of Cruise, who is indeed planning a trip to the International Space Station to shoot an action movie. (It was reported in May that he will do this with the help, of course, of Elon Musk.) But before Tom Cruise ascends into space, the cast and crew of “Fargo” are gathering in Chicago to film the final two episodes of the show’s fourth season in a 13-day stretch — five months after being forced to break camp by the coronavirus pandemic.
You may not have realized it, but sitting atop one of the highest points in the San Gabriel mountains, looming 5,700 feet over L.A., is arguably one of the world’s most important spots for scientific discovery: the Mount Wilson Observatory.
The 114-year-old site is covered in equipment that not only helped mankind discover the universe and cement Southern California as an astronomy hub, but still connects normal people to wonders beyond our own world.
Worryingly, the Bobcat Fire is charging right for it. Only 500 feet away as of Tuesday afternoon.
Descanso Gardens has announced a month-long fall exhibit for those of you who get really into decorative gourd season. “Halloween at Descanso” is a socially distant, “pumpkin-filled extravaganza” that takes place October 1-31.
The exhibit is suitable for all ages, so don’t worry about this Halloween event being too scary. Instead, expect a winding hay maze, a house built entirely out of pumpkins, a pumpkin arch that leads to a forest filled with pumpkin-headed scarecrows, and colorful pumpkin mandalas. The pathways that lead to the Hilltop Gardens, the Japanese Garden, and the main promenade will feature hand-carved jack-o-lantern boxes.
(16) JEOPARDY! Andrew Porter says tonight’s Jeopardy! contestants struck out on this one.
Category: Summarizing the novel.
Answer: Utopia (not); I ain’t goin’ nowhere; the butler did it (in 1872).
Margie went into the schoolroom…and the mechanical teacher was on and waiting for her,’ the passage (from Asimov) read, ‘The screen was lit up, and it said, ‘Today’s arithmetic lesson is on the addition of proper fractions. Please insert yesterday’s homework in the proper slot.’ Margie did so with a sigh.”
These days, Bradley–who teaches middle school in Fairfax County Public Schools–feels a lot like the ‘mechanical teacher.’ He spends ever morning huddled ina spare room in his Northern Virginia home staring at his computer screen. The monitor is filled with small rectangles: Each one depicts an anonymous, identical silhouette.
From his home in Cape Canaveral, Air Force pilot Alex Layendecker explained how he had been drawn to the study of sex and reproduction in space. “I had been immersed in the space environment in the Air Force, assigned to launch duty, and was simultaneously pursuing an M.A. in public health, and then at the Institute for Advanced Study of Human Sexuality, and I was looking for a dissertation topic,” he recalled. “I decided that sex and reproduction in space had not received the attention they deserved—if we’re serious about discussions of colonization, having babies in microgravity—on Mars or other outposts of the Earth, then more needs to be learned.” His general recommendation was that because of the squeamishness of NASA to study sex in space, a private nonprofit organization, or Astrosexological Research Institute, should be founded for this research critical to human settlement of outer space.
What were the prospects for space-based sex lives? Layendecker’s study of the literature yielded both good and bad news. Sex should be possible, even lively, but reproduction, critical for space colonization, could entail severe health consequences…
(20) BE SEATED. In Two Chairs Talking Episode 36 – “Marrying the genre next door” — Perry Middlemiss and David Grigg talk about novels which blur the boundaries between genres: literary novels with strong elements of fantasy or science fiction. Call them “genre adjacent” fiction. And David interviews Matthew Hughes, author of the historical fiction novel “What the Wind Brings.”
(21) SHARP, POINTY. The final trailer for Guillermo del Toro’s Antlers has dropped.
A small-town Oregon teacher and her brother, the local sheriff, become entwined with a young student harboring a dangerous secret with frightening consequences.
[Thanks to Darrah Chavey, Daniel Dern, N., John King Tarpinian, Mike Kennedy, Martin Morse Wooster, John Hertz, JJ, Cat Eldridge, Michael Toman, Gadi Evron, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Ingvar.]
(1) GARCIAGATE GOFUNDME. Chris Garcia, Vanessa and the boys had to evacuate from their Northern California home because of the fires. So far their house has survived, but there’s no telling when they will be able to return. Til then, they’re in hotels. A GoFundMe appeal launched yesterday: “GarciaGatePenguins Fire Relief” People have donated $5,780 of the $10,000 goal in less than 24 hours.
…Initially they believed their home is lost, but are holding out hope that their home and belongings aren’t destroyed. It may still be a long voyage in the clean up process, assuming the house is still standing. What may have been destroyed by smoke damage is also still an unknown. It has been an incredibly hard time and they are incurring many added expenses for temporary lodging and having to eat out.
(2) EATING THE FANTASTIC. Scott Edelman continues having the conversations he would have had in New Zealand had there been a flesh-and-blood CoNZealand. It’s time for tea and scones with Farah Mendlesohn on Episode 126 of Eating the Fantastic.
I’d previously made plans to chat and chew with three guests on the ground in Wellington, but since that proved impossible, I decided to go virtual, too, urged on by my Patreon supporters. And so, during my previous two episodes, you were able to eavesdrop as I dined with Lee Murray in New Zealand and Stephen Dedman in Australia. This time around, we’re off to Stoke-on-Trent in Staffordshire, England for tea and scones with Farah Mendlesohn.
Farah was a Hugo Award finalist this year in the category of Best Related Work for her book The Pleasant Profession of Robert A. Heinlein, and had previously been nominated in that category for The Inter-Galactic Playground: A Critical Study of Children’s and Teens’ Science Fiction, and On Joanna Russ. She won a Hugo (with Edward James) in 2005 for The Cambridge Companion to Science Fiction, as well as a World Fantasy Award in 2017 for Children’s Fantasy Literature: An Introduction, which she wrote with Michael M. Levy.
She’s also edited anthologies, including Glorifying Terrorism, Manufacturing Contempt: An Anthology of Original Science Fiction, which she created to protest laws introduced by the British Government she saw as restricting free speech. She was the chair of the Science Fiction Foundation from 2004-2007, served as President of the International Association of the Fantastic in the Arts from 2008-2011, and is currently an Associate Fellow of The Anglia Ruskin Centre for Science Fiction and Fantasy.
We discussed the reasons Robert A. Heinlein resonated with her, how her early and current readings of Heinlein differ, why the science fiction of the ’30s was far more politically radical than that of the ’40s and ’50s, her deliberately controversial comment about Ursula K. Le Guin, the circumstances under which she’s more interested in the typical rather than the groundbreaking, that period during the ’20s when everyone was fascinated by glands, the one Heinlein book she wishes we’d go all back and reread, our joint distaste for fan policing, and much more.
We’re getting the first look at the upcoming second season of His Dark Materials, HBO/BBC’s big-budget adaptation of Philip Pullman’s fantasy epic.
The second season begins after Lord Asriel has opened a bridge to a new world, and, distraught over the death of her best friend, Lyra follows Asriel into the unknown. In a strange and mysterious abandoned city she meets Will, a boy from our world who is also running from a troubled past. Lyra and Will learn their destinies are tied to reuniting Will with his father but find their path is constantly thwarted as a war begins to brew around them. Meanwhile, Mrs. Coulter searches for Lyra, determined to bring her home by any means necessary.
“Harry Potter” author J.K. Rowling has emerged into a fresh controversy after she returned the Ripple of Hope Award bestowed upon her by the Robert F. Kennedy Human Rights organization in December 2019, following criticism from Kerry Kennedy. Kerry is the daughter of Robert F. Kennedy, and the president of the organization.
“Over the course of June 2020 — LGBTQ Pride Month — and much to my dismay, J.K. Rowling posted deeply troubling transphobic tweets and statements,” Kennedy posted on the organization’s website on Aug. 3. “On June 6, she tweeted an article headlined “Opinion: Creating a more equal post-COVID-19 world for people who menstruate.” She wrote glibly and dismissively about transgender identity: ‘People who menstruate.’ I’m sure there used to be a word for those people. Someone help me out. Wumben? Wimpund? Woomud?”
Kennedy said she had spoken with Rowling “to express my profound disappointment that she has chosen to use her remarkable gifts to create a narrative that diminishes the identity of trans and nonbinary people, undermining the validity and integrity of the entire transgender community — one that disproportionately suffers from violence, discrimination, harassment, and exclusion and, as a result, experiences high rates of suicide, suicide attempts, homelessness, and mental and bodily harm. Black trans women and trans youth in particular are targeted.”
“Because of the very serious conflict of views between myself and RFKHR, I feel I have no option but to return the Ripple of Hope Award bestowed upon me last year,” said the author. “I am deeply saddened that RFKHR has felt compelled to adopt this stance, but no award or honor, no matter my admiration for the person for whom it was named, means so much to me that I would forfeit the right to follow the dictates of my own conscience.”
Rowling said Kennedy’s statement “incorrectly implied that I was transphobic, and that I am responsible for harm to trans people.”
While appearing on David Tennant’s celebrity interview podcast, David Tennant Does a Podcast With…, Sulu actor Takei alleged that the cast of the original Star Trek TV series all got along apart from Shatner, with Takei confirming that it often felt like “William Shatner versus the rest of the world”.
“It got more and more intense,” Takei recalled. “How do I put it? It began from the TV series. There was one character whose charisma and whose mystery was like a magnet.
“It was Spock, the strange alien with pointy ears. That intrigued the audience and women thought ‘I’m the one who can arouse him.’ His fan letters were this many, and Leonard’s were that many, and that created an insecurity [in Shatner].”
He continued: “Movie-making, TV-making, theatre-making is all about collaborative teamwork. A good actor knows that the scene works when there’s that dynamic going on with the cast. Some actors seem to feel that it’s a one-man show. That’s the source of some tensions.”
Shatner saw the article and lashed out —
Then, in an unrelated exchange on Twitter, Shatner downplayed Trek’s immediate benefits to his career.
(6) THE MARTIAN CANTICLES. [Item by Martin Morse Wooster.] In the August 24 Financial Times, Ludovic Hunter-Tilney talks to progressive rocker Rick Wakeman about his new album, The Red Planet, He says he got the idea for the album about Mars by attending the Starmus International Festival of astronomy and music in Tenerife, Spain.
“Next year’s Starmus, due to be held in Armenia, marks the 50th anniversary of the first orbit of Mars by a space probe. Wakeman will be among the musicians appearing. He describes how the event’s founder, the astrophysicist Garek Israelian, updated him about the latest Martian findings.
‘He told me that it’s beginning to look like 20bn years ago Mars was a blue planet with oceans and rivers. ‘Your good friend David Bowie may have been right,’ Wakeman recalls. The rock musician–who played the piano part on Bowie’s celebrated ‘Life on Mars’ in 1971–went very quiet as the scientist spoke. Inside, a light went on. ‘Bingo!’ he said to himself/”
(7) THE TOON IS OUT THERE. [Item by Olav Rokne.] Lower Decks must look like a success, since now X-Files seems to be jumping onto the animated spin-off bandwagon. But since this show is being done by the creators of Movie 43 (which currently earns a generous 5% on Rotten Tomatoes) I wouldn’t hold out much hope for the series being watchable. From Variety: “‘X-Files’ Animated Comedy Series in Development at Fox”.
An animated “X-Files” comedy series spinoff is in the works at Fox, Variety has confirmed.
The project is currently titled “The X-Files: Albuquerque.” It has received a script and presentation commitment at the broadcaster. The show would revolve around an office full of misfit agents who investigate X-Files cases too wacky, ridiculous or downright dopey for Mulder and Scully to bother with. They’re basically the X-Files’ B-team.
“X-Files” creator Chris Carter is attached to executive produce the project, with Rocky Russo and Jeremy Sosenko attached to write and executive produce. Gabe Rotter, who worked on the “X-Files” revival at Fox, will also executive produce. 20th Television and Fox Entertainment will produce. Bento Box will provide animation. Neither Gillian Anderson or David Duchovny is involved with the project at this time.
(8) UP THE AMAZON. Publishers Lunch reports:
…In advance of Independent Bookstore Day on August 29, Powell’s Books announced that it will no longer sell rare and collectible books through Amazon Marketplace. Owner Emily Powell wrote in a message to customers, “For too long, we have watched the detrimental impact of Amazon’s business on our communities and the independent bookselling world…. The vitality of our neighbors and neighborhoods depends on the ability of local businesses to thrive. We will not participate in undermining that vitality.”
We’ve all read about it: after decades of construction, a shiny new generation ship is loaded with a crew of bright-eyed optimists. Once the sun is just another bright star in the sky, mutiny and civil war reduce the crew to ignorant peasants…unless something worse happens. This is a narrative pattern set as early as Murray Leinster’s 1935 “Proxima Centauri,” solidified by Heinlein’s 1941 “Universe,” and embraced by authors ever since: human foibles in the confined space of a generation ship ensure calamity. Ideally not of the sort that leave everyone too dead to be interesting.
But it does not have to go that way! Here are five examples of generation ships that managed to avoid mutiny, civil war, barbarism, and mass cannibalism.
(10) THE MAGIC OF LONDON BOOKSHOPS. Publishers Weekly conducted a “Q & A with Garth Nix” whose new book is The Left-Handed Booksellers of London.
Why did you choose to set the tale in 1983 London?
In part I chose to set the story in 1983 London because that was when I first saw it in person, visiting from Australia. I was there for about six months, off and on—even though I have returned to the U.K. many times since—so I have particularly concrete memories of that time. But I also wanted to make it a slightly alternate 1983, so the world of the book could be more diverse and have greater gender equality, and I could enjoy myself including and transforming various cultural references of the time.
The magic users in your book are booksellers rather than being specifically wizards, witches, magicians, etc. What’s the connection for you, between selling books and casting spells?
I think bookshops have always been rather magical, so by extension, the people who work in them are too! There is also something magical about making the connection between a book and a reader. I always had tremendous satisfaction in match-making a customer with a book they didn’t know they wanted, but would later come back in to rave about and buy everything the author had written.
In Merlin and the booksellers generally, you’ve created a group of characters who are magically gender-fluid. Why was it important for you to include this facet of the characters?
I think this is similar to my writing about places I wish really existed, that I could visit. While it isn’t easy for the booksellers to physically become the gender they feel they are, it is far easier than it is in this world. I think it would be good to be, as Merlin says, “somewhat shape-shiftery.”
(11) MEDIA BIRTHDAY.
August 28, 1956 — X Minus One’s “Surface Tension.” Based off the short story of the same name by the Hugo Award winning James Blish that was first published in the August 1952 edition of Galaxy Science Fiction, it first aired on this date in 1956. A Cold War tale in which The East and The West knowing the sun will soon explode meet to decide how to save the human race. Can this end well? The story was adapted as usual by George Lefferts. The rather extensive radio cast was Luis Van Rooten, Danny Auchal, Lawson Zerbe, Larry Haines, Mason Adams, Jim Stevens and Bob Hastings. You can listen to it here.
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born August 28, 1749 – Johann von Goethe. Two-part play Faust big in the history of fantasy; four shorter stories, a dozen poems, also ours; other plays, poems, novels; criticism; science, particularly anatomy, botany, color; three thousand drawings. Inspired Mozart, Beethoven, Schubert, Mendelssohn, Berlioz, Gounod. On the cusp leaving the balance of Classicism for the passion of Romanticism. (Died 1832) [JH]
Born August 28, 1833 – Sir Edward Burne-Jones, Bt. Painter, illustrator, designer. “I mean by a picture a beautiful, romantic dream of something that never was, never will be – in a light better than any light that ever shone – in a land no one can define or remember, only desire – and the forms divinely beautiful”. Here is The Beguiling of Merlin. Here is Angeli laudantes (Latin, “Angels praising”; tapestry). Here is The Golden Stairs. Here is The Wheel of Fortune. Here is a study for The Masque of Cupid (Desiderium is Latin, “desire”). His accepting a baronetcy disgusted his socialist wife and friends. (Died 1898) [JH]
Born August 28, 1896 — Morris Ankrum. Numerous appearances in the Fifties — in Rocketship X-M as Dr. Ralph Fleming, as a Martian leader in Flight to Mars, in Red Planet Mars playing the United States Secretary of Defense, in Invaders From Mars playing a United States Army general, and as yet another Army general in Earth vs. the Flying Saucers. (Died 1964.) (CE)
Born August 28, 1916 – Jack Vance. Forty novels – these are round numbers; I think The Dying Earth is a novel, and I think it’s science fiction. Sixty shorter stories. Memoir This Is Me, Jack Vance (or more properly “This is I”). Interviewed in Aberrations, Lighthouse, Locus, Orbit (Dutch, hello Kees van Toorn), SF Review, StarShipSofa. Mystery novels too (Edgar for The Man in the Cage), unless they all are. Three Hugos, a Nebula; Prix Utopia; Forry (for service to SF; Los Angeles Science Fantasy Soc.); Jupiter; Emperor Norton Award (for extraordinary invention and creativity); Seiun; World Fantasy Award for Life Achievement; SFWA (Science Fiction & Fantasy Writers of America) Grand Master; SF Hall of Fame. (Died 2013) [JH]
Born August 28, 1917 — Jack Kirby. Responsible for a goodly part of modern comics from Captain America and the X-Men to Challengers of the Unknown and the New Gods. I’m very much looking forward to the New Gods film being worked on, now delayed by the Pandemic. (Died 1994.) (CE)
Born August 28, 1925 – Arkady Strugatsky. A score of novels, fifty shorter stories, with his brother Boris; also translated English (with B) and Japanese. Roadside Picnic is much applauded; I recommend Hard to Be a God. Interviewed in Fiction (French), Foundation, Locus, Polaris (German), Urania (Italian), Yellow Submarine (French). Together Guests of Honour at Conspiracy ’87 (45th Worldcon). (Died 1991) [JH]
Born August 28, 1948 — Vonda McIntyre. I’ve read a number of her works including Dreamsnake and The Moon and the Sun which are all phenomenal. The latter was based on a short stor of hers done as a faux encyclopaedia article “The Natural History and Extinction of the People of the Sea”, that was illustrated by Le Guin. Way cool. (Died 2019.) (CE)
Born August 28, 1951 – Barbara Hambly, 69. Forty novels, two dozen shorter stories. Interviewed in Andromeda Spaceways, Locus. Forry Award. Two Lord Ruthven Awards. Children of the Jedi a NY Times Best Seller. Served a term as SFWA President. Black Belt in karate (shôtôkan). Outside our field, notably historical fiction (free man of color Benjamin January, nineteen detective novels in antebellum New Orleans; The Emancipator’s Wife; Search the Seven Hills; several others). Peter Nicholls calls her writing vigorous, interesting, and alert. [JH]
Born August 28, 1954 – Diane Turnshek, 66. Astronomer; teaches at Carnegie Mellon Univ. and Univ. Pittsburgh. Four short stories and a Probability Zero. SFWA Speakers’ Bureau. Dark Sky Defender Award from Int’l Dark Sky Ass’n. Ranks Flatland about the same as The Taming of the Shrew. [JH]
Born August 28, 1964 – Traci Harding, 56. A score of novels, half a dozen shorter stories. Her publisher (HarperCollins/Voyager Australia) says she blends fantasy, fact, esoteric theory, time travel, and quantum physics; sold half a million books in Australia alone. Worked in film studio management before starting to write novels. Website here. [JH]
Born August 28, 1965 — Amanda Tapping, 55. She’s best known for portraying Samantha Carter on Stargate SG-1 and Stargate Atlantis. She also starred as Helen Magnus on Sanctuary which I never managed to see. Anyone seen it? She was in The Void which also starred Adrian Paul and Malcolm McDowell. (CE)
Born August 28, 1978 — Rachel Kimsey, 42. She voices Wonder Woman on Justice League Action, yet another series that proves animation, not live, is the DC film strong point. Here’s a clip of her voice work from that show. She was Zoe, the old imaginary friend of Frances, on Don’t Look Under The Bed, a supposedly horror that ran on Disney. Disney, horror? And she was a zombie in the “Don’t Let Her Pull You Down” musical video by New Found Glory. (CE)
Born August 28, 1978 — Kelly Overton, 42. She has the lead role of Vanessa Van Helsing in Van Helsing, a Syfy series based off of Zenescope Entertainment’s Helsing graphic novel series. She‘s been on True Blood as the werewolf Rikki Naylor, and then there’s The Collective, a horror film written, directed, and produced by her and her husband, Judson Pearce Morgan. (CE)
Each week on NewberyTart, Jennie and Marcy, two book-loving mamas (and a librarian and a bookseller, respectively), read and drink their way through the entire catalogue of Newbery books, and interview authors and illustrators along the way.
On today’s episode, Jennie and Marcy talk about the finalist of the 1971 Newbery Medal for excellence in American children’s literature, Enchantress from the Stars by Sylvia Engdahl.
Marcy: Since I started reading what I consider to be better science fiction, the tone of the book leaves me thinking it could be a little better, even if it might not necessarily be true, but it just falls in that category. Does it make sense the association?
Jennie: I think that we’re both talking about prejudices we have when it comes to books as we approach them and what we enjoy versus what we have been exposed to in the past. I think that makes total sense. I’m just like, Elana should be with a knife in her teeth and she should be hanging from the rafters.
Marcy: You want her to be Zoe from Firefly.
Jennie: I was thinking more Ripley.
This is a really great discussion about what we’ve come to expect from heroines in sci-fi!
Marcy: Which is ironic because this is probably one of the building blocks that got us to where we are to the ones that we wanted.
Jennie: I think it’s really good that we take some time and look at this and hopefully bring it to some new new readers.
Marcy: I have nothing but gratitude for the innovators who gave us any main characters, much less ones who rebelled in even any small ways and accomplished things and were characters who had agency. In this case, literally, even if they make bad choices sometimes, which people do. It’s still totally necessary to get us to where we are now, where we have so many choices and so many great female characters. We wouldn’t be here without those.
Libraries have long been home to feline residents who keep patrons company, promote activities and programs, and assist with pest control. We checked in on four library cats (and their humans) to see how their lifestyles have changed during the pandemic.
Browser from Texas’s White Settlement Public Library may be one of the nation’s most famous library cats. In a viral story from 2016, a city council member tried to oust Browser from his position at the library; after a public outcry, Browser was reinstated for life while his political opponent lost his reelection campaign.
Browser has stuck around the library during the pandemic closure but seems to be missing the crowds.
“He is generally quite independent, but since the closure he always wants to be near people. We can usually find him in the lap of a staff member, or lying helpfully on their keyboard,” library staffer Kathryn King told I Love Libraries. “Now that we are offering curbside service, he posts himself at the window during curbside hours to watch the patrons come and go.”…
…What is true is that Heinlein is probably less generally relevant to newer science fiction readers and writers than he was to new SF readers and writers in earlier eras. I have essayed this at length before and therefore won’t go into it again now. I will say, however, that Heinlein’s work and the work of many of his contemporaries are at an awkward age: enough decades after publication that the underlying cultural assumptions of the work and the author are no longer consonant with contemporary times, but not enough decades out that the work can be comfortably be considered a “period piece,” which means that consonance is no longer expected.
In other words: a lot of “Golden Age of Science Fiction” work currently lies in a sort of cultural uncanny valley, existing in a simultaneous state of being too distant from contemporary readers, and also not nearly distant enough. That’s not Heinlein’s fault, precisely; it’s a matter of time and culture. It’s going to happen to most creative work — well, most work that’s remembered at all.
(17) BRADBURY’S CRIME. Time travelers…dark carnivals…living automata…and detectives? Hard Case Crime is celebrating Ray Bradbury’s centennial, with a deluxe illustrated commemorative collection of his finest crime stories: Killer, Come Back To Me.
Honoring the 100th birthday of Ray Bradbury, renowned author of Fahrenheit 451, this new, definitive collection of the master’s less well-known crime fiction, published in a high-grade premium collectible edition, features classic stories and rare gems, a number of which became episodes of Alfred Hitchcock Presents and The Ray Bradbury Theater, including the tale Bradbury called “one of the best stories in any field that I have ever written.”
Is it murder to destroy a robot if it looks and speaks and thinks and feels like a human being? Can a ventriloquist be incriminated by the testimony of his own dummy? Can a time traveler prevent his younger self from killing the woman they both loved? And can the survivor of a pair of Siamese twins investigate his own brother’s murder? No other writer has ever rivaled the imagination and narrative gifts of Ray Bradbury, and the 20 unforgettable stories in this collection demonstrate this singular writer’s extraordinary range, influence and emotional power.
(18) HOLE NEW IDEA. [Item by Mike Kennedy.] Universe Today brings to our attention a new theory that would allow human-transmissible wormholes. There are, however, just a feeeew caveats. For instance, though the trip would be almost instantaneous for the passengers, an outside perspective would see the trip take longer than light would take to travel the same distance. Oh, and there’s the bit where the engineering would be many, many orders of magnitude greater than anything humans are currently capable of. And the thing where the effect depends on whether a particular 5-dimensional model of the universe correctly describes it or not. “One Theory Beyond the Standard Model Could Allow Wormholes that You Could Actually Fly Through”.
The study, titled “Humanly traversable wormholes,” was conducted by Juan Maldacena (the Carl P. Feinberg Professor of theoretical physics from the Institute of Advanced Study) and Alexey Milekhin, a graduate of astrophysics student at Princeton University. The pair have written extensively on the subject of wormholes in the past and how they could be a means for traveling safely through space.
…The fireworks underlined the light in the darkness, the path forward, the bombs bursting in air, and made me reflect on our journey here for our movement to push this great American culture in a healthy and wondrous direction through science fiction and comics.
God’s blessed me with talents beyond most of the field in science fiction, fantasy, and comics, and on top of it, a clear vision of what needs to be done with the work not only to produce greatness for my own edification, but to do glory to His name and bring a return to hope, heroism, and the exceptionalism of mankind to fiction and culture.
It’s been missing for a long time, and the trials and tribulations, the struggles, the blacklisting, the bannings, they all were trials given to me to push me to outwork and out-innovate the competition, which is the true American way of winning.
(20) SONG DYNASTY CAT TWEETS. You wouldn’t want to miss this. Thread starts here.
[Thanks to John King Tarpinian, John Hertz, JJ, Martin Morse Wooster, Cat Eldridge, Lise Andreasen, Michael Toman, James Davis Nicoll, Mike Kennedy, Chris Barkley, Olav Rokne, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Olav Rokne.]
… That’s the part that worries me, as artificial intelligence applications may be able to leverage the data to manipulate Cory and other people—just as technology, PR, and marketing companies try to do in our lives today.
“There’s never been a culture that had a mythos of apocalypse in which the apocalypse was a multi-causal, longterm event.” William Gibson speaks in the whisper-soft drawl of a man who for a long time now has never had to speak up in order to be heard. Though a certain edge had crept into our conversation by this point, watching him stretch out on the leather chaise longue of this hotel library (“my second home,” he calls it, as we make our way up from the lobby), it struck me that few people are able to seem at once so apprehensive and yet so intensely relaxed about the prospect of the end of the world as we know it.
“But if we are in fact facing an apocalypse,” he continues, getting now into the swing of this particular riff, “that’s the sort we’re facing. And I think that that may be what makes it so difficult for us to get our heads around what’s happening to us.”
…Though Claremont accepts the thesis that Dark Phoenix is, in many ways, in tune with the femme fatale trope, he’s not sure it’s totally apt.
“I’m not sure I would consider her a femme fatale. That actually is more Mystique’s side of the ledger,” Claremont said, referring to the blue-skinned, shape-changing mutant villain he’d introduce a bit later in his run. But the writer cannot deny the influence he and initial X-Men series artist Dave Cockrum had in reshaping Jean Grey—moving her from soft-spoken B-list heroine to full-on goddess.
“The fun with Jean for example was that when I first took over X-Men, Jean was a relatively two-and-a-half-dimensional character,” Claremont said. “What you had there was essentially unchanged from what [X-Men co-creator] Stan Lee had introduced years before. And we wanted to, I think, rough things up a tad but in the process, explore her more.”
(5) SAY CHEESE. In the Washington Post, Lela Nargi reports on the U.S. Geological Survey’s Unified Geologic Map Of The Moon, in which the survey combined maps made during the Apollo missions with subsequent satellite photo missions to create “the definitive blueprint of the moon’s surface geology.” “A new map shows the moon as it’s never been seen”.
…The USGS, which released the map in April, makes a lot of maps of Earth. It is also the “only institution in the world that creates standardized maps for surfaces that are not on Earth,” says USGS research geologist James Skinner. That includes Mars and other planets and moons in our solar system.
The new moon map took more than 50 years to make. It started with six original maps collected from the Apollo missions to the moon in the 1960s and ’70s. The maps did a good job of showing the basic layout of the moon.
New technology has made it possible to create an updated map and “turn it into information scientists can use,” says Skinner.
Recently, we discussed science fiction stories about naturally occurring rogue worlds; there is, of course, another sort of wandering planet. That would be the deliberately-impelled variety, featured in stories in which ambitious travellers take an entire world along with them. This approach has many obvious advantages, not the least of which is that it greatly simplifies pre-flight packing….
(7) TODAY IN HISTORY.
June 2, 1950 — Rocketship X-M premiered. The film was produced and directed by Kurt Neumann. The screenplay was by Orville H. Hampton, Kurt Neumann and Dalton Trumbo (of Johnny Got His Gun fame). It starred Lloyd Bridges, Osa Massen, John Emery, Noah Beery, Jr., Hugh O’Brian, and Morris Ankrum. It was shot on a budget of ninety-four thousand dollars. It was nominated for the 1951 Retro Hugo Award for Best Dramatic Presentation at the Millennium Philcon when Destination Moon won that Award. Fandom holds it in higher esteem than audience reviewers at Rotten Tomatoes do who give it a 16% rating! Oh, and it was the first SF film to use a theremin in the soundtrack.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born June 2, 1857 – Karl Gjellerup. In The Pilgrim Kamanita, the Pilgrimmeets a strange monk who he does not know is Gautama Buddha. In The World-Roamers, characters re-experience happenings of former eons. In The Holiest Animal, the snake that killed Cleopatra, Odysseus’ dog, Jesus’ donkey, and others, meeting after death, choose as the holiest animal the Buddha’s horse – but he has vanished without a trace, to Nirvana. Nobel Prize in Literature. Translated into Dutch, English, German, Polish, Swedish, Thai. (Died 1919) [JH]
Born June 2, 1899 – Lotte Reiniger. Pioneer of silhouette animation. Animated intertitles and wooden rats for Paul Wegener’s Pied Piper of Hamelin (1918); a falcon for Fritz Lang’s Nibelungen (Part 1 – Siegfried, 1924). Her own Adventures of Prince Achmed (1926) is the oldest known surviving feature-length animated film. Doctor Dolittle and His Animals, 1928. Her early version of a mutiplane camera preceded Walt Disney and Ub Iwerks by a decade. Great Cross of the Order of Merit of the Fed’l Republic of Germany, 1979. (Died 1981) [JH]
Born June 2, 1915 – Lester del Rey. Fan, pro, short-order cook. Used many names, not least of which was Ramon Felipe San Juan Mario Silvio Enrico Smith Heathcourt-Brace Sierra y Alvarez-del-Rey de los Verdes. Two dozen novels alone and with others; a hundred shorter stories (see the 2-vol. Selected Short Stories); half a dozen non-fiction books; Skylark Award, SFWA (Science Fiction & Fantasy Writers of America) Grand Master; translated into Croatian, Dutch, French, German, Italian, Japanese, Norwegian, Polish, Portuguese, Romanian, Russian, Spanish, Swedish; reviews for Analog, features editor for Galaxy; SF editor for Ballantine; with Judy-Lynn del Rey and after her death, Del Rey Books. (Died 1993) [JH]
Born June 2, 1921 — Virginia Kidd. Literary agent, writer and editor, who worked mostly in SF and related fields. She represented R.A. Lafferty, Ursula K. Le Guin, Anne McCaffrey, Judith Merril, and Gene Wolfe. She was married to James Blish, and she published a handful of genre short fiction. Wolfe modeled Ann Schindler, a character in Castleview, in large part on Kidd. (Died 2003.) (CE)
Born June 2, 1929 — Norton Juster, 91. Author of The Phantom Tollbooth, he met Jules Feiffer who illustrates when he was taking his trash out. There is of course the superb film that followed. And let’s not forget The Dot and the Line: A Romance in Lower Mathematics, a work well worth an evening spent reading. (CE)
Born June 2, 1937 — Sally Kellerman, 83. She makes the list for being Dr. Elizabeth Dehner in the superb episode of Trek “Where No Man Has Gone Before”. She also had one-offs on the Alfred Hitchcock Hour, The Twilight Zone, The Outer Limits, The Invaders, and The Ray Bradbury Theater. She played Natasha Fatale in Boris and Natasha: The Movie. (CE)
Born June 2, 1948 – Leigh Edmonds. Founder of ANZAPA (Australia – New Zealand Amateur Press Ass’n). Melbourne SF Club Achievement Award. First DUFF (Down Under Fan Fund) delegate, publishedEmu Tracks Over America. First A-NZ Administrator of GUFF (Get-Up-and-over Fan Fund, or Going Under Fan Fund, in alternate years). Helped organize 10th Australian natcon (i.e. national convention); Fan Guest of Honour (with Valma Brown) at 30th. Two Ditmars for Best Fanzine, three for Best Fanwriter. [JH]
Born June 2, 1959 – Lloyd Penney. Thirty years on Ad Astra con committees (Toronto); Chair 1993 & 1994. “Royal Canadian Mounted Starfleet” (with Yvonne Penney & others – and song) in Chicon IV Masquerade (40th Worldcon). Also with Yvonne, Chairs of SMOFcon VI (Secret Masters Of Fandom, as Bruce Pelz said “a joke-nonjoke-joke”; con-runners’ con); CUFF (Canadian Unity Fan Fund) delegates, published Penneys Up the River; Fan Guests of Honor, Loscon XXXIV. Prolific loccer (loc or LoC = letter of comment, the blood of fanzines); 5 FAAn (Fan Activity Achievement) Awards. [JH]
Born June 2, 1963 – Katsuya Kondô.Manga artist, character designer, animator, animation director. His character designs are considered the epitome of the Studio Ghibli style. Known for Kiki’s Delivery Service; Ocean Waves (both Ghibli); Jade Cocoon (PlayStation game); D’arc (2-vol. manga about Joan of Arc; with Ken’ichi Sakemi). Recently, character design for Ronya, the Robber’s Daughter (Ghibli, 2014). [JH]
Born June 2, 1972 — Wentworth Miller, 48. I’m including him here today as he plays Captain Cold on the Legends of Tomorrow which might one of the best SF series currently being aired. His first genre role was on Buffy and other than a stint on the Dinotopia miniseries, this role is his entire genre undertaking along with being on Flash. (CE)
Born June 2, 1973 – Carlos Acosta. Cuban director of Birmingham Royal Ballet; before that, 17 years at The Royal Ballet, many other companies. Prix Benois de la Danse. Commander of the Order of the British Empire for services to ballet. Besides dancing in many fantasies (Afternoon of a Faun, Apollo, The Nutcracker, Swan Lake) – and finding time for a wife and three children – he’s written a magic-realism novel, Pig’s Foot. Memoir, No Way Home. [JH]
(9) A POEM FOR THE DAY. By John Hertz:
May didn’t do it.
A month whose name’s almost young
Dealt him out to us.
Lively-minded, he connects
Energizing give and take.
An acrostic (read down the first letters) in 5-7-5-7-7-syllable lines.
… And, throughout it all, I have been endlessly supported by my agent, Eleanor Wood of Spectrum Literary Agency. We first met face-to-face at the Nebula weekend in New York City in 1989. The morning after _Falling Free_ won my first Nebula Award, we shook hands over a hotel breakfast in a deal I trust neither of us has had cause to regret. Though I don’t think either of us realized how long it would last, three decades and counting.
(13) HARE GROWTH. A new collection of shorts on HBO Max, Looney Tunes Cartoons, captures the look and feel of the originals. The New York Times article may be paywalled; here are the key points and cartoon link.
In “Dynamite Dance,” Elmer Fudd comes at Bugs Bunny with a scythe, prompting the hare to jam a stick of lit dynamite in Elmer’s mouth.
Over the course of the short animated video, the explosives get bigger and more plentiful, as Bugs jams dynamite in Elmer’s ears, atop his bald head, and down his pants. The relentless assault moves from rowboat to unicycle to biplane, each blast timed to the spirited melody of Ponchielli’s “Dance of the Hours.”
The short has the look, feel and unabashed mayhem of a classic “Looney Tunes” cartoon, circa the early 1940s. But “Dynamite Dance” is of much more recent vintage, one of scores of episodes created by a new crop of WarnerBros. animators over the past two years.
…“I always thought, ‘What if Warner Bros. had never stopped making “Looney Tunes” cartoons?’” said Peter Browngardt, the series executive producer and showrunner. “As much as we possibly could, we treated the production in that way.”
…The creators of the new series hope to do justice to the directors, animators and voice artists of the so-called Termite Terrace, a pest-ridden animation facility on Sunset Boulevard where many of the franchise’s most beloved characters were born.
“There was something about the energy of those early cartoons,” Browngardt said. “And those five directors: Frank Tashlin, Bob Clampett, Tex Avery before he left for MGM, Chuck Jones, and Friz Freleng. They literally invented a language of cinema.”
Facebook is facing an unusually public backlash from its employees over the company’s handling of President Trump’s inflammatory posts about protests in the police killing of George Floyd, a black man in Minneapolis.
At least a dozen employees, some in senior positions, have openly condemned Facebook’s lack of action on the president’s posts and CEO Mark Zuckerberg’s defense of that decision. Some employees staged a virtual walkout Monday.
“Mark is wrong, and I will endeavor in the loudest possible way to change his mind,” tweeted Ryan Freitas, director of product design for Facebook’s news feed.
“I work at Facebook and I am not proud of how we’re showing up,” tweeted Jason Toff, director of product management. “The majority of coworkers I’ve spoken to feel the same way. We are making our voice heard.”
(15) GOING DOWN. NPR presents excerpts of the resetting of Orpheus and Eurydice (and Tony winner for Best Musical of 2019): “Hadestown: Tiny Desk Concert” — long audio/video.
You can probably guess that we recorded the original Broadway cast of Hadestown before the coronavirus pandemic made live theater (live anything) an untenable risk. The reminders are everywhere — in the way 16 performers bunch up behind the desk, singing formidably in close proximity as a large crowd gathers just off camera — that this took place in the Before-Times. To be specific, on March 2.
We’d actually been trying to put this show together since the spring of 2019, when Hadestown was a freshly Tony-nominated hit musical. We hit several delays along the way due to scheduling issues, only to end up rushing in an attempt to record while playwright Anaïs Mitchell — who wrote both the musical and the 2010 folk opera on which it’s based — was eight months pregnant.
Thankfully, we captured something truly glorious — a five-song distillation of a robust and impeccably staged Broadway production. A raucous full-cast tone-setter, “Way Down Hadestown” lets Hermes (André De Shields, in a role that won him a Tony) and Persephone (Kimberly Marable, filling in for Amber Gray) set the scene before a medley of “Come Home With Me” and “Wedding Song” finds Orpheus (Reeve Carney) and Eurydice (Eva Noblezada) meeting and falling in love. “When the Chips Are Down” showcases the three Fates — spirits who often drive the characters’ motivations — as played by Jewelle Blackman, Yvette Gonzalez-Nacer and Kay Trinidad. And in “Flowers,” Eurydice looks back with regret and resignation on her decision to leave Orpheus for the promise of Hadestown.
MGH, King’s College London researchers use crowdsourced data from app to monitor symptoms in 2.6 million, study how the disease spreads
Though fever, cough, and shortness of breath are the symptoms most commonly associated with COVID-19 infection, a recent study in which 2.6 million people used a smartphone app to log their symptoms daily showed that the most oddball pair of indicators — loss of smell and taste — was also the best predictor, and one that scientists said should be included in screening guidelines.
…The scientists adapted a smartphone app that had been created by corporate partner ZOE, a health science company, for research on how to personalize diet to address chronic disease. The new program, a free download from the Apple or Google app stores, collects demographic and health background information and then asks how the participant is feeling. If they’re feeling well, that’s the end of the daily entry. If they’re not it asks further questions about symptoms.
Neil Gaiman, author of “Coraline”: “I think this period of time is going to be a fertile time for storytellers for decades and, I hope, centuries to come.
Lois Lowry, author of “The Giver”: “We’re at the part of the book where the reader is feeling a terrible sense of suspense.”
Nnedi Okorafor, author of “The Shadow Speaker”: “One thing I’ve felt since all of this has happened, is this idea of … oh my gosh, it’s finally happening.”
Max Brooks, author of “World War Z”: “Those big crises that affect us all have to be solved by all of us … it may not be some alpha male with a big gun or some clairvoyant wizard or someone with magical powers.”
[Thanks to Martin Morse Wooster, JJ, Chip Hitchcock, John King Tarpinian, Darrah Chavey, Joey Eschrich,Mike Kennedy, Michael Toman, Cat Eldridge, John Hertz, and Andre Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Joseph Hurtgen.]
By Mark L. Blackman: On the rainy (though not snowy) evening of Tuesday, April 3, at its venue, the Brooklyn Commons Café in Downtownish Brooklyn, the New York Review of Science Fiction Reading Series featured offerings from authors Chris Claremont and Chandler Klang Smith. The event was guest-hosted by Amy Goldschlager, an editor, proofreader, book/audiobook reviewer, and a past Curator of the Series.
Jim Freund, the Series’ Producer and Executive Curator, and the host of WBAI’s long-running Hour of the Wolf radio program on sf and fantasy, welcomed the audience and guests, cautioning again that the event was being Livestreamed. It was, he said the 50th anniversary of the film 2001: A Space Odyssey, and it would be marked the next night on Hour of the Wolf (Wednesday night/Thursday morning, 1-3 am, WBAI, 99.5 FM). (He teased that the story that was Kubrick’s inspiration wasn’t “The Sentinel!”) Tonight, though, he went on, tongue firmly in cheek, was the viewing party for Legion (Season 2 was premiering at 10 pm on FX – Claremont’s X-Men stories are the source material for the series – and, in truth, there was a more official event on the West Coast). After appealing for those who could to donate to support the Series (readings are free, with a suggested donation of $7, but no one is turned away), and thanking House Manager Barbara Krasnoff, Tech Ops Madeline Flieger, Tech Director Terence Taylor (not present, he was rather the Text Director) and the Café (tip the baristas!), he announced upcoming NYRSF readings:
May Day 1st (still tent.): In Memory of Ama Paterson, with Pan Morigan, Andrea Hairston and Sheree Renée Thomas
June 5th (tent.): A Tribute to Thomas M. Disch, with Guest Curator Henry Wessels
July was unbooked at present, August would be a launch party for Bill Campbell’s two-part anthology, and the 28th Season would open in September with a commemoration of the 10th anniversary of Beneath Ceaseless Skies. He concluded by turning things over to the evening’s guest curator, Amy Goldschlager.
We have “two great readers tonight,” she began, before introducing the first, Chandler Klang Smith, quipping that this was “the last stop on her New York tour”. (She’d read two weeks earlier at the KGB Bar.) Her new novel The Sky Is Yours, we were informed, was listed by Entertainment Weekly as a “Best New Book.” Tor.com and Lit Hub compared it favorably with Infinite Jest, The Wall Street Journal called it “mesmeric … a great and disturbing debut,” and NPR described it as “a wickedly satirical synthesis that underlines just how fractured our own realities can be during periods of fear, unrest, inequality and instability.” Goldschlager added that it was “a very New York kind of novel.”
Smith, who read from the novel, concurred; Empire Island is loosely based on a future New York City, one with flying, fire-spitting dragons. Duncan Ripple V, scion of a wealthy family, is haunted by, then conscripted by, the Phantom Fireman, aka the faceless Leather Lungs, to be his protégé fighting dragon fires, as you’d expect, a major threat to the largely ravaged city.
During the intermission, there was a “very cool raffle,” a drawing for those who had donated, with the prizes being an Advanced Reading Copy (“ARC”) of The Sky Is Yours and a copy of Nightcrawler (which was fittingly won by a young fan).
Chris Claremont, the evening’s second reader, is, of course, best-known for his unbroken 17-year run on Marvel Comics’ The Uncanny X-Men. (His story arc “Dark Phoenix” is the source material for next year’s major release Dark Phoenix, which will be mainstreamed into the Marvel Cinematic Universe.) Additionally, he has published nine novels, with more on the way. (As a fascinating aside, his papers are archived in the Rare Book and Manuscript Library at Columbia University, “right down the hall from three Gutenberg Bibles.”)
As part of the course he’s teaching at NYU in writing graphic novels (“The challenge of not being Frank Miller,” he noted, is having to find an artist), he wrote a sample story; his offering, a work-in-progress, grew out of that story. In our history, Kublai Khan tried to conquer Japan, but his fleet was blown off course by “the Divine Wind.” In his alternate history, China succeeds and the Samurai flee in boats, settling in the Hawaiian Islands, as well as in Alaska and California. Over the next few centuries, they bond with the indigenous peoples and spread, so that when Europeans arrive, they find an integrated warrior society, with horses. Thus, in the 21st century, the British domains (there is no American Revolution) end at the Alleghenys – however, somehow technology is present-day (the Internet, planes, GPS and CSIs), though we might quibble that different geopolitics would lead to technological divergences – and when a Maui-born girl is murdered in the no-man’s-land of Ohio, there’s a joint Anglo-Indigene investigation (and “spy stuff” … and unaccountably, there are dragons).
A Q-&-A session brought, the host and readers back to the platform, but it quickly mutated (sorry). Replying to a question, Claremont said that the impetus for the story was wondering why did the history of the Americas have to be Eurocentric? In this version, someone else got here first, and having been evicted from Japan by China, they resist the European invaders. He was next asked about writing comics. Whereas writing novels is a solo act, the comics writer has to communicate the story visually to the artist so that they can draw it (and different artists have different approaches). There has to be a balance of image and expository dialog, and additionally, the writer has to direct the action from the upper left to the bottom right and get the reader to turn to the next page. When there’s synergy between writer and artist, he said, it’s “mainstream comics at their best.” (As a reviewer, Goldschlager noted that doing audiobooks of graphic novels doesn’t work.) Neatly closing a circle, Claremont praised the cinematography of 2001 and “Kubrick’s genius” in having the ship slowly and silently move through space to a waltz. (Comics can afford better special effects than movies, and they can be done faster.)
As traditional, the Jenna Felice Freebie Table offered giveaway books, and, it being the 5th night of Passover, several sheets of matzoh.
The audience, which exceeded 50, included Sue Hollister Barr, Melissa C. Beckman, Susan Bratisher, Karen Heuler, Alexa and Nicholas Kaufmann, Barbara Krasnoff, Gordon Linsner, Herschel M. Rothman, and James Ryan. Over the course of the evening and afterward, and, for some, despite the holiday, many audience members availed themselves of the Café’s food, coffee bar, beer and wine.
Claremont’s archive includes materials for all of his major writing projects over the last 40 years. The collection includes notebooks with story ideas as well as drafts of short stories, plays, novels and comic books as well as materials from Claremont’s early training in the theater and his career as an actor.
Columbia hopes to create a research center for New York comics archives, and toward this end will celebrate its acquisition of the Claremont papers by holding the Comic New York conference March 24-25, 2012 at the University’s Low Library.