(1) ALMOST HALFWAY TO 101. The Science Fiction 101 podcast devoted its 50th episode to a look at a vintage prozine: “Analog Solutions”.

This time we have another one of our (made-up) time-honored traditions: reviewing a current science fiction magazine. We usually do this once a year, to keep on top of current SF trends – and also to compare & contrast current magazines with the SF magazines of the past.
In our last episode, we went back 50 years to review ANALOG from 1974.
This time, we’re bang up-to-date (almost) with a very recent issue of the very same magazine. Analog is the longest-continuously-running SF magazine, having been around under various titles since the 1930s!
What will we make of Analog‘s longstanding reputation for “hard SF”? How does the magazine stack up against its wholly online competitors such as Clarkesworld and Uncanny? How does it stack up against its former self?
(2) FREE IMAGE LIBRARY. The Public Domain Review is “Announcing the Public Domain Image Archive”.
After the hundreds (thousands?) of hours trawling through online image collections since the PDR’s inception, we’ve decided it was time to create one of our own! We are really excited to share with you the launch of our new sister-project, the Public Domain Image Archive (PDIA), a curated collection of more than 10,000 out-of-copyright historical images, free for all to explore and reuse.
While The Public Domain Review primarily takes the form of an “arts journal”, it has also quietly served as a digital art gallery, albeit one fractured across essays and collections posts. The PDIA sets out to emphasise this visual nature of the PDR, freeing these images from their textual homes and placing them front and center for easier discovery, comparison, and appreciation. Our aim is to offer a platform that will serve both as a practical resource and a place to simply wander — an ever-growing portal to discover more than 2000 years of visual culture.
A valuable image archive in its own right, offering hand-picked highlights from hundreds of galleries, libraries, archives, and museums, the PDIA also functions as a database of images featured in the PDR, offering an image-first approach to exploring the project’s content. The featured images each link to the relevant article on the PDR where one can read about the stories which surround the works….
Here’s an example of NASA art — government publications are not copyrighted, so in the public domain.

(3) IS THIS WORLDBUILDING CONVINCING? Mark Roth-Whitworth read C.J. Cherryh’s Alliance Rising, and says “I have written a meta-criticism of it — not of the story, which is as good as Cherryh is, but the political and interpersonal structure of the universe”: “Cherryh’s Alliance-Union universe”.
…I can already see problems with it – the sixty-three families, and none of them have anyone who is going to game the system, for their family’s benefit? None are going to cut back door deals with stations, to undercut other ship-families? Every one is going to be honest and trustworthy?…
(4) LISA TUTTLE’S HORROR PICKS. In “The best recent science fiction, fantasy and horror – reviews roundup”, Lisa Tuttle reviews Aerth by Deborah Tomkins; Witchcraft for Wayward Girls by Grady Hendrix; Water Moon by Samantha Sotto Yambao; and The Garden by Nick Newman.
(5) FIND OUT WHEN SFF EVENTS ARE HAPPENING. Stephen Beale, editor of The Steampunk Explorer site, has announced their “Expanded Calendar Listings”.
The recent re-launch of The Steampunk Explorer forced us to move some tasks to the back burner, and one of those was the calendar of events. When the site re-launched on Dec. 30, the calendar listed just 191 events taking place in 2025. But we got busy over the weekend and it now lists more than 600 happenings.
Here’s some background. We maintain a database of approximately 1,200 events that take place each year. In addition to steampunk gatherings, they include science fiction conventions, anime conventions, comic cons, Renaissance fairs, book fairs, and more.
Periodically, we go through the database and check the event websites to see if they’ve announced upcoming dates. If they have, we update the record and upload the event to the website. It’s a highly efficient process — if the event is in the same location and happens roughly the same time of the year, we can update the listing with five or six mouse clicks. (We also add new events as we learn about them.)…
If you want to see what’s happening over the next 12 months, check it out:
Steampunk events: All events | North America only
U.S. regions: New England | Mid-Atlantic | Southeast
Midwest | South Central | Mountain | Pacific
International: Canada | U.K./Europe | Australia/New Zealand
Plus the complete list covering all regions

(6) ROSENKRANTZ AND THEATER ARE DEAD. “There’s a New Version of Hamlet Staged in Grand Theft Auto” – CrimeReads warns fans of the Bard.
Friends, you read that right. A new film is coming to theaters in January that is… Hamlet staged in the Grand Theft Auto video game. Yes, Hamlet acted out by video game avatars, shot in-frame, and edited into its own film.
Before you wonder if something is rotten in the stage of filmmaking, or that the rest is violence, consider this…
Directed and written by Sam Crane and Pinny Grylls, and co-starring Crane and his friend Mark Oosterveen, the film, which is called Grand Theft Hamlet, is part digital narrative, part documentary. The film’s frame narrative features Crane and Oosterveen, two out-of-work actors sheltering-in-place during the COVID pandemic in January 2021, who discover that their video game pastime seems capable of not only bringing them together (and giving them a project) during isolation, but also allowing them to engage with a foundational text and their beloved craft.
The actors speak Shakespeare’s lines over the staging, in the modern, hyper-brutal world of GTA‘s Los Santos; underscoring the ways that Shakespeare’s words contain a kind of timelessness or malleability. According to critics, what ends up happening is not an attempt to make this as straight a Shakespeare production as possible, but to play with the text and the meaning of Hamlet in ways that only this new setting can unlock….
Grand Theft Hamlet – only in theaters starting January 17.
(7) TODAY’S BIRTHDAY.
[Written by Cat Eldridge.]
January 11, 1961 — Jasper Fforde, 64.
I, like most folk I suspect, first discovered the somewhat eccentric charms of his writing in the Eyre Affair, the first of his novels with Tuesday Next from the Special Operation Network, Literary Detective (SO-27), who could literally enter the great and not so great works of English literature.
Bidder and Stoughton published it twenty-five years ago. I’d like to say the Eyre Affair was a much-desired literary property but he says there were seventy-six publishers that he sent his manuscript to. I’m surprised there were that many publishers in the U.K. that he thought could have been interested.
There would be six in the series in all — this novel followed by Lost in a Good Book, The Well of Lost Plots, Something Rotten, First Among Sequels, One of our Thursdays Is Missing and The Woman Who Died a Lot. I won’t say that they were consistently great as they weren’t and the humor sometimes wore a lot more than a bit thin, but overall I like the series considerably.
I re-listened to the Eyre Affair recently and even the Suck Fairy admitted that it had held well over a quarter of a century, particularly the idea of dodos as pets as she wants one. Or two. Shudder.
Next up, and I wasn’t eggspecting to like it, yes, I know it’s a bad pun there, is The Big Over Easy which is set in the same universe as the Thursday Next novels though I don’t remember any overlapping characters twenty years after reading them. It reworks his first written novel, which absolutely failed to find any publisher whatsoever.
Its original title was Who Killed Humpty Dumpty? Errr, wasn’t there a novel involving a rabbit by almost that name? Kinda of drops a large anvil. It had a sequel of sorts in The Fourth Bear. Both are quite more than bearably good. Yes more bad puns.
I have not read his dystopian Shades of Grey series which is about a future Britain where everyone there is judged by how they perceive colors. Suspect someone with color blindness like myself wouldn’t be welcome there. A friend who did read it liked it a lot.
His Dragonslayer series, also known as The Chronicles of Kazam, are a YA affair and a great deal of fun indeed.
And we finish off with a news story from Toad News, “Extinct animals hostile to concept of being reengineered, study shows”.

(8) COMICS SECTION.
- Off the Mark has a frightening special flavor. Cats love it.
- The Argyle Sweater delivers funny TV remakes and spinoffs.
- Reality Check has silly science.
- Speed Bump found the discarded pixels.
- Free Range knows what editing is all about.
- Arlo and Janis critique current shows.
(9) ANIMAL NEW YEAR’S PARTY. [Item by Steven French.] Here’s a more upbeat piece from the Guardian’s gaming newsletter, “Pushing Buttons”: “Replaying games from my past with my young children has been surreal – and transformative”.
Thanks to some distinctly Scottish weather over the holidays, my family and I ended up celebrating Hogmanay at home rather than at the party we’d planned to attend. My smallest son’s wee pal and his parents came over for dinner, and when the smaller members of our group started to spiral out of control around 9pm, we threw them a little midnight countdown party in Animal Crossing.
The last time I played Animal Crossing was in the depths of lockdown. Tending my island paradise helped me cope while largely imprisoned in a 2.5 bedroom basement flat with a baby, a toddler and a teenager. (I was far from the only one – the National Videogame Museum compiled an archive of people’s Animal Crossing experiences during the Covid-19 pandemic, and it’s evident that it was a lifeline for many.) Our guests had brought their family Switch, and we set up the kids with their little avatars so they could join the animals’ New Year party.
They spent about 10 minutes gleefully whacking each other with bug nets before gathering with the other inhabitants in the square with a giant countdown clock in the background, the island’s racoon magnate Tom Nook offering party poppers and shiny top-hats. I was visited by a sudden, arresting memory of New Year’s Eve 2021, which I spent on my sofa, alone but also not alone, because I was with my friends in Animal Crossing, watching the same countdown clock tick down. My youngest had just started walking, and was unsteady on his short, chunky legs. Turning away from the screen, I saw him joking with his big brother, thrilled at being up so late. It felt surreal.
(10) EYE-POPPING. DJ Food recalls the “Psychedelic Crunchie Bomb poster offer” of 1969. The original ad is reproduced below. See good images of the four posters at the link.
A rare set of four “Crunchie Bomb” posters commissioned in 1969 by Frys Chocolate, measuring 20×15 inches. Two designed by graphic artist and Professor of Illustration at the RCA, Dan Fern, two by renowned designer Chris McEwan. They were available in exchange for 3 Crunchie wrappers – see the last photo of the original advert.

(11) I SOLEMNLY SWEAR. “Horror’s Hottest Ticket: These Directors Are Never Releasing Their Movie for Home Viewing and Have Created a Cult Hit” – Yahoo! has the story.
It started as something of a joke.
While cutting a trailer for their co-directorial effort “It Doesn’t Get Any Better Than This,” Nick Toti and Rachel Kempf had a little fun at the end of the clip.
“We were like, ‘Oh, it kind of needs something,’” he says. “So we put the scroll at the end. It just says, ‘The producers of this film regret to inform you that it will not be released online. See it in theaters.’”
In fact, the three-person creative team behind the found footage horror movie “It Doesn’t Get Any Better Than This” made an unusual pact before they even shot a frame: They would never make the work available for streaming, digital or physical purchase, only allowing it to play theatrically. Yet what might have seemed like a limitation ended up creating word-of-mouth interest in the microbudget production, which led to sold-out shows across the country without any promotional dollars….
(12) THE LAST CHATGPT ARGUMENT OF KINGS. [Item by Mike Kennedy.] Is it a killer robot? No. But it was a step toward that and a step too far for OpenAI to be comfortable letting this engineer use ChatGPT as a front-end to command their sentry gun/mount. Besides, they seem to be having way too much fun riding the mounted weapon like it was a potentially deadly mechanical bull at a country-western bar.
(Pro Hint: Next time just grab a ruler. It’s cheaper and you can finish your measuring project much faster.)
“Viral ChatGPT-powered sentry gun gets shut down by OpenAI” reports Ars Technica. Videos at the link.
OpenAI says it has cut off API access to an engineer whose video of a motorized sentry gun controlled by ChatGPT-powered commands has set off a viral firestorm of concerns about AI-powered weapons.
An engineer going by the handle sts_3d started posting videos of a motorized, auto-rotating swivel chair project in August. By November, that same assembly appeared to seamlessly morph into the basis for a sentry gun that could quickly rotate to arbitrary angles and activate a servo to fire precisely aimed projectiles (though only blanks and simulated lasers are shown being fired in his videos).
Earlier this week, though, sts_3d started getting wider attention for a new video showing the sentry gun’s integration with OpenAI’s real-time API. In the video, the gun uses that ChatGPT integration to aim and fire based on spoken commands from sts_3d and even responds in a chirpy voice afterward.
“If you need any other assistance, please let me know,” the ChatGPT-powered gun says after firing a volley at one point. “Good job, you saved us,” sts_3d responds, deadpan.
“I’m glad I could help!” ChatGPT intones happily.
In response to a comment request from Futurism, OpenAI said it had “proactively identified this violation of our policies and notified the developer to cease this activity ahead of receiving your inquiry. …”
(13) BLUE ORIGIN WILL LAUNCH NEW GLENN ON MONDAY. “The Very Long Wait for Jeff Bezos’ Big Rocket Is Coming to an End” – in the New York Times (behind a paywall). (Note: The date has changed since the article was published. The rocket now is set to make its inaugural launch attempt as soon as Monday at 1 am. Eastern. Weather conditions at sea, where the company hopes to recover part of the rocket after launch, prompted the 24-hour delay.)
The foundational building block for Jeff Bezos’ space dreams is finally ready to launch.
A New Glenn rocket — built by Blue Origin, the rocket company that Mr. Bezos started nearly a quarter century ago — is sitting on a launchpad at Cape Canaveral Space Force Station in Florida. It is as tall as a 32-story building, and its voluminous nose cone can carry larger satellites and other payloads than other rockets in operation today.
In the predawn darkness on Sunday, it may head to space for the first time.
“This has been very long awaited,” said Todd Harrison, a senior fellow at the American Enterprise Institute, a conservative-leaning think tank in Washington.
New Glenn could inject competition into a rocket business where one company — Elon Musk’s SpaceX — is winning big. While companies and governments have welcomed SpaceX’s innovations that have greatly cut the cost of sending stuff to space, they are wary of relying on one company that is subject to the whims of the world’s richest person.
“SpaceX is clearly dominating” the market for launching larger and heavier payloads, Mr. Harrison said. “There needs to be a viable competitor to keep that market healthy. And it looks like Blue Origin is probably the best positioned to be that competitor to SpaceX.”
New Glenn is larger than SpaceX’s current workhorse rocket, the Falcon 9, but not as big as Starship, the fully reusable rocket system that SpaceX is currently developing….
(14) VIDEO OF THE DAY. From four years ago, a WIRED making-of short: “Every C-3PO Costume Explained By Anthony Daniels”.
[Thanks to Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]