Octavia’s Bookshelf owner Nikki High had hoped that the opening of her new bookstore focusing on books by Black, Indigenous, and people of color authors would be attended by 20-30 people. Instead, by the time the doors opened February 18th, there were hundreds of people lined up for ten blocks to get in. 300 people showed up for opening day, including author Terry McMillan.
Me and my new friend at the grand opening of Octavia's Bookshelf, the new and first African-American bookstore in Pasadena. Over 200 people lined the sidewalk. It was wonderful and my new sexy BFF knew who I was. What a day. Will read there. Proud. pic.twitter.com/TA9AxvDT34
…An avid reader, High contemplated opening her own bookstore for years, but the final push came with the sudden passing of High’s grandmother and biggest supporter. In acknowledgement of this, speaker Joshua Evans, kicked off the event by paying homage to family and resiliency.
For Evans, Octavia’s Bookshelf is a symbol of progression and possibility — a space that he would have frequented as a kid.
“One of things that I personally believe is that there’s a story about Black and Brown people that is bigger than the impact of White supremacy,” Evans said looking down the line of people. “It’s a dream come true that I didn’t know that I had … it just gives people a chance to to come in, but also to develop and to meet other writers. And you always know it’s going to be a safe space. We’ll never be in danger of being minimalized or railroaded by people who are not sensitive.”
At its peak, the queue to get into the North Hill Avenue store spanned more than 10 blocks, reaching as far back as Victory Bible Church….
Here we are. @gofetchgretch new book store Octavia’s Bookshelf. Do you see the line, folks. OMG I am so happy for her. Gotta go get my place in line ?????? pic.twitter.com/XnyDy2dubs
Had such a blast celebrating the opening day for Octavia’s Bookshelf! Decided to scoop up @MsTerryMcMillan on my way over so that we could surprise and congratulate the amazing owner @gofetchgretch ! Store was gorgeous and the line was around the block ???? pic.twitter.com/DJFQ0qxSob
(2) MORE PROZINES REPORT DELUGE OF AI SUBMISSIONS. [Item by Frank Catalano.] The New York Times now is covering the AI submission problem, citing not just Clarkesworld, but also Asimov’s and The Magazine of Fantasy & Science Fiction: “Science Fiction Magazines Battle a Flood of Chatbot-Generated Stories”.
It could be a tale from science fiction itself: a machine that uses artificial intelligence to try to supplant authors working in the genre, turning out story after story without ever hitting writer’s block. And now, it seems, it’s happening in real life.
The editors of three science fiction magazines — Clarkesworld, The Magazine of Fantasy & Science Fiction, and Asimov’s Science Fiction — said this week that they had been flooded by submissions of works of fiction generated by A.I. chatbots.
“I knew it was coming on down the pike, just not at the rate it hit us,” said Sheree Renée Thomas, the editor of The Magazine of Fantasy & Science Fiction, which was founded in 1949….
[Neil Clarke] said he had been able to spot the chatbot-generated stories by examining certain “traits” in the documents, the writing and the submission process.
Mr. Clarke declined to be more specific, saying he did not want to give those submitting the stories any advantages. The writing is also “bad in spectacular ways,” Mr. Clarke said. “They’re just prompting, dumping, pasting and submitting to a magazine.”…
Sheila Williams, the editor of Asimov’s Science Fiction magazine, said that several of the chatbot-generated stories she had received all had the same title: “The Last Hope.”
“The people doing this by and large don’t have any real concept of how to tell a story, and neither do any kind of A.I.,” Ms. Williams said on Wednesday. “You don’t have to finish the first sentence to know it’s not going to be a readable story.”
Ms. Thomas said that the people submitting chatbot-generated stories appeared to be spamming magazines that pay for fiction. The Magazine of Fantasy & Science Fiction pays up to 12 cents a word, up to 25,000 words.
The A.I.-generated works can be weeded out, Ms. Thomas said, although “it’s just sad that we have to even waste time on it.”
“It does not sound like natural storytelling,” she said. “There are very strange glitches and things that make it obvious that it’s robotic.”…
The whole AI-generated art and writing thing in pro markets is really heating up. Of course, I’ve tweeted about it.
The Copyright Office is revoking full copyright for a graphic novel that used AI-generated images:
"The Copyright Office said in its letter that it would reissue its registration for 'Zarya of the Dawn' to omit images that 'are not the product of human authorship' and therefore cannot be copyrighted."
Key point: the rest of the graphic novel can be protected by copyright. https://t.co/FowpgF4Acq
Kindle Direct Publishing is starting to get ChatGPT-written books:
"I could see people making a whole career out of this," said Schickler, who used prompts on ChatGPT like "write a story about a dad teaching his son about financial literacy." #Iamnotwritinghttps://t.co/HhSNxDCggb
As with anything, follow the money. That’s the motivation for the AI shortcuts. Even if the scammers don’t realize how little money there is in writing science fiction and fantasy.
…A spokesperson for Dahl’s U.S. publisher Penguin Young Readers told PW that there are no plans for similar revisions in the U.S. “Roald Dahl books published by Penguin Young Readers and distributed in the U.S. are the editions that have existed for years and do not reflect the recent editorial changes made in U.K. editions. Penguin Young Readers regularly reviews its backlist and Dahl titles will be reviewed accordingly.” According to the Daily Mail in the U.K., Dahl’s Dutch publisher De Fonte and French publisher Gallimard are also declining to make changes at this time. A spokesperson for De Fonte is quoted as saying that altering the text would cause the stories to “lose their power.” Gallimard shared this statement with the newspaper: “We have never changed Roald Dahl’s writings before, and we have no plans to do so today.”
… Writing for the Atlantic, journalist Helen Lewis said that Dahl’s work can “never be made nice,” stating that “his cold, unsettling spikiness is his defining quality as a writer” and that his popularity continues “despite being so thoroughly out of tune with the times.”
With the approval of the State Council, since January 1, 2019, Chengdu will implement the 144-hour visa-free transit policy. Foreigners from 53 countries, who hold valid international travel documents and a connecting flight ticket bound for a third country (region) with a fixed seat and a fixed date within 144 hours, can enter via Chengdu Airport and stay in Chengdu for 144 hours, visa free. The extension from 72 to 144 hours will further facilitate foreigners’ transit and transfer and their traveling and business in Chengdu….
If you’re a science fiction and fantasy fan looking to round out your TBR, I’ve compiled a list of 30 amazing SFF books by Black authors for you below. The books on this list reach back into the past, look ahead to the future, and conceptualize new worlds full of magic and mystery….
Sweep of Stars launches an epic space opera about a burgeoning pan-African empire that has colonized near-Earth space. Decades after the Muungano empire seceded from the union of world governments and took to the stars, a powerful enemy emerges. It’s impossible to ignore — hell-bent on destroying everything Muungano has worked to build. While three heroes navigate the web of interplanetary diplomacy, a fourth faces a much different threat on a second front.
(7) HANGING WITH TIMELORDS. Nicholas Whyte regales fans with stories from his visit to “Gallifrey One, 2023” in From the Heart of Europe. See photos of him with a former Doctor Who and other celebrities at the link.
…I’ve spent this weekend at Gallifrey One in Los Angeles, the biggest annual Doctor Who convention anywhere in the world. It was my fourth time there, and somehow I enjoyed it even more than the previous three occasions. Part of it was surely the presence of recently departed star of the show Jodie Whittaker, whose charm and enthusiasm captured everyone. I had a brief chat with her where I mentioned her role in the great Belfast film, Good Vibrations. “I love that film!” she exclaimed, and I noted the present tense. “But the accent was a bit hard.”…
…So what happens to that model if the biggest, most high-demand panels start live streaming? People will still go, of course. San Diego Comic-Con, for example, is about much more than just what happens in Hall H. But Hall H is the showstopper and if supply and access to something like that increases, the demand is certain to decrease over time. If someone can count on watching exclusive footage at home, even at a cost, why would they spend thousands of dollars to travel to a convention? Again, there’s more to do at a convention than watch footage all day—so while the events won’t cease to exist, the prestige associated with attending them in person could diminish. There are hundreds of conventions all over the world every year, but you don’t hear about most of them because they’re not where studios make major announcements and parade their biggest superstars. If conventions like SDCC make that footage easily accessible, you have to imagine people on the fence about traveling might decide against it. And that takes money out of everyone involved’s pockets. Plain and simple….
(9) MEMORY LANE.
1970 – [Compiled by Cat Eldridge.]
Fritz Leiber’s greatest creation by far was the characters Fafhrd and the Gray Mouser and the world that they inhabited which started out in Swords and Deviltry.
A short story collection published by Ace in 1970 gathered three stories previously published including “Ill Met in Lankhmar” which would win a Hugo for Best Novella at the first Noreascon. As far as I can tell, it’s been in print ever since in one form or another.
What’s not to love here? Fafhrd and the Gray Mouser are wonderful barbarian adventurers, the world they inhabit is certainly unique enough not to feel like like your typical cookie cutter fantasy world and all of their stories are stellar indeed.
And now for its Beginning…
Sundered from us by gulfs of time and stranger dimensions dreams the ancient world of Nehwon with its towers and skulls and jewels, its swords and sorceries. Nehwon’s known realms crowd about the Inner Sea: northward the green-forested fierce Land of the Eight Cities, eastward the steppe-dwelling Mingol horsemen and the desert where caravans creep from the rich Eastern Lands and the River Tilth. But southward, linked to the desert only by the Sinking Land and further warded by the Great Dike and the Mountains of Hunger, are the rich grain fields and walled cities of Lankhmar, eldest and chiefest of Nehwon’s lands. Dominating the Land of Lankhmar and crouching at the silty mouth of the River Hlal in a secure corner between the grain fields, the Great Salt Marsh, and the Inner Sea is the massive-walled and mazy-alleyed metropolis of Lankhmar, thick with thieves and shaven priests, lean-framed magicians and fat-bellied merchants—Lankhmar the Imperishable, the City of the Black Toga.
In Lankhmar on one murky night, if we can believe the runic books oSheelba of the Eyeless Face, there met for the first time those two dubious heroes and whimsical scoundrels, Fafhrd and the Gray Mouser. Fafhrd’s origins were easy to perceive in his near seven-foot height and limber-looking ranginess, his hammered ornaments and huge longsword: he was clearly a barbarian from the Cold Waste north even of the Eight Cities and the Trollstep Mountains. The Mouser’s antecedents were more cryptic and hardly to be deduced from his childlike stature, gray garb, mouseskin hood shadowing flat swart face, and deceptively dainty rapier; but somewhere about him was the suggestion of cities and the south, the dark streets and also the sun-drenched spaces. As the twain eyed each other challengingly through the murky fog lit indirectly by distant torches, they were already dimly aware that they were two long-sundered, matching fragments of a greater hero and that each had found a comrade who would outlast a thousand quests and a lifetime—or a hundred lifetimes—of adventuring.
No one at that moment could have guessed that the Gray Mouser was once named Mouse, or that Fafhrd had recently been a youth whose voice was by training high-pitched, who wore white furs only, and who still slept in his mother’s tent although he was eighteen.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born February 23, 1915 — Jon Hall. Frank Raymond in Invisible Agent and The Invisible Man’s Revenge. He was also the creator and star of the Ramar of the Jungle series. And he directed and starred in The Beach Girls and the Monster and The Navy vs. the Night Monsters. (Died 1979.)
Born February 23, 1930 — Gerry Davis. Mid-Sixties story editor on Doctor Who where he created companion Jamie McCrimmon and co-created the Cybermen along with unofficial scientific adviser Dr. Kit Pedler. They would create the Doomwatch series that ran in the Sixties on BBC. Davis briefly returned to writing for the series, penning the first script for Revenge of the Cybermen, though his script was largely abandoned by editor Robert Holmes. In 1989 he and Terry Nation, who created the Daleks, made a failed bid to take over production of the series and reformat it for the American market. (Died 1991.)
Born February 23, 1932 — Majel Barrett. No doubt best remembered for being Nurse Christine Chapel and Lwaxana Troi as well as for being the voice of most ship computer interfaces throughout the Star Trek series. I’ll note that she was originally cast as Number One in the unused (TOS) pilot but the male studio heads hated the idea of a female in that role. Early Puppies obviously. (Died 2008.)
Born February 23, 1965 — Jacob Weisman, 58. Founder, Tachyon Publications which you really should go look at as they’ve published every great author I’d care to read. Seriously Tidhar, Beagle and Yolen are among their newest releases! He also edited (with Beagle) The New Voices of Fantasy which I highly recommend as most excellent reading.
Born February 23, 1970 — Marie-Josée Croze, 53. Champagne in Maelström which is genre if only because it’s narrated by a talking fish. In Canada movie theatres, she was in Battlefield Earth: A Saga of the Year 3000 as Mara. Yeah that film with a long title. Doubt it improved it. It looks like her first genre acting was on The Hunger in two episodes, “A Matter of Style” as Dominique, and “I’m Dangerous Tonight” as Mimi. Oh, and she had the lead as Pregnant Woman in Ascension which just reads weird.
Born February 23, 1983 — Emily Blunt, 40. Her most direct connection to the genre is as Elise Sellas in the Adjustment Bureau film based off Dick’s “Adjustment Team” story. Mind, she’s been in quite a number of other genre films including The Wolfman, Gulliver’s Travels, Gnomeo & Juliet, The Muppets, Looper, Edge of Tomorrow, Into the Woods, The Huntsman: Winter’s War, The Strange Case of Sherlock Holmes & Arthur Conan Doyle, and Mary Poppins Returns.
Born February 23, 2002 — Emilia Jones, 21. I’m reasonably sure this is the youngest Birthday individual that I’ve done. She shows up on Doctor Who as Merry Gejelh, The Queen of Years, in the “The Rings of Akhaten”, an Eleventh Doctor story. At nine years of age, she’s made her acting debut in Pirates of the Caribbean: On Stranger Tides as an unnamed English Girl. She’s Young Beth in the horror film Ghostland. She’s currently in Residue, an SF horror series you can find on Netflix.
What is it with the animal world and fashion? Ever since man started wearing pelts, the two have been interconnected, flora and fauna used as a source of creativity, comfort, exploitation and politics. The results are sometimes beautiful, sometimes horrible, sometimes controversial. (Two weeks ago, during the couture shows in Paris, Schiaparelli set off a firestorm when the designer Daniel Roseberry put a lifelike lion head on a gown that had some people thinking Great White Hunter.) But on Friday, as the New York shows began, Collina Strada unveiled a collection that suggested the relationship could be something else entirely.
Fun! Of the smartly absurdist kind.
Entitled “Please Don’t Eat My Friends” and held in the still-under-construction House of Cannabis in SoHo, it was a … well, trip, featuring many of the designer Hillary Taymour’s (yes) friends, of all ages, sizes and physical abilities, strutting the runway in a room painted earthy green.
Or only partially strutting. The rest of the time they were crawling, hopping, prancing, sniffing the audience and otherwise giving in to their inner animals, all the while wearing deer ears, a pig’s snout, a dog’s head, a toucan’s beak and other assorted creature-feature prosthetics created by the makeup artist Isamaya Ffrench. Imagine “Animal Farm” meets “The Wind and the Willows” meets a spirit retreat, and you’ll get the idea. Now instead of just making an animal avatar for your online self (which is, after all, an identity play), you can channel one IRL too….
…By that standard, Malka Older’s new novella The Mimicking of Known Successes is twice as ambitious as the typical detective mystery. Set in a network of metallic platforms where future humankind clings to survival among the clouds of Jupiter, it presents, instead of two, four stories to unveil: an investigation on the sudden disappearance of a university professor, the scholarly endeavor to reconstruct the last years of life on Earth, a rekindling romance between our detective and an old flame, and the project to bring homo sapiens back to a livable ecosystem. Once put on the page, these four stories become four mysteries that drive the reader’s curiosity: What happened to the missing professor? What made humans leave Earth? Why did the two lovers break up years ago? And how can catastrophic historical failures be repaired without causing more damage? Upon reading it, one can intuit that the biggest structural challenge of this book must have been to write it in such a way that pursuing each separate question leads to answers for all the others….
(13) RIGHT THIS WAY. Also at Nerds of a Feather, Paul Weimer admires the complex, imaginary terrain in a Nino Cipri book: “Microreview: Finna by Nino Cipri”.
….Anyone who has worked in a store of any kind for a length of time, and I have¹ can and will recognize the essential truths of the novella. It IS soul crushing work, often thankless, usually very much underpaid, and with scheduling that is geared to the corporation, not to the employee, it can be very much a grind². And if you have to work with someone you don’t like, or worse, someone you broke up with, messily, the daily grind can feel like interminable hell.
Cipri captures all of this in Finna, and then adds the multiversal element of the portals that enter into other worlds randomly inside of their expy of Ikea, “LitenVarld”. Anyone who has spent time in Ikea knows it is an absolute maze, even with and especially given the shortcuts and secrets that people use to navigate the store. The topology of such stores appears to sometimes require a degree in mathematics to completely understand and appreciate. So, the author cheerfully uses that as an excuse for the place to have portals to other dimensions in the multiverse…
(14) LAND FROM SEA IS GOING STRONG BUT IS FUTURE HIGH RISK. [Item by SF Concatenation’s Jonathan Cowie.]Space satellite imagery from Landsat from 2000 to 2020 has now quantified the extent of urban coastal reclamation for 135 cities with populations in excess of 1 million: “Mapping 21st Century Global Coastal Land Reclamation”.
Findings indicate that 78% (106/135) of these major coastal cities have resorted to reclamation as a source of new ground, contributing a total 253,000 hectares of additional land to the Earth’s surface in the 21st century, equivalent to an area the size of Luxembourg.
The study also suggests that 70% of recent reclamation has occurred in areas identified as potentially exposed to extreme sea level rise by 2100AD.
So enjoy it while you can…. NB. Loncon3 and Glasgow 2024 are both only a couple of metres above sea level….!
The James Webb space telescope has detected what appear to be six massive ancient galaxies, which astronomers are calling “universe breakers” because their existence could upend current theories of cosmology.
The objects date to a time when the universe was just 3% of its current age and are far larger than was presumed possible for galaxies so early after the big bang. If confirmed, the findings would call into question scientists’ understanding of how the earliest galaxies formed.
“These objects are way more massive than anyone expected,” said Joel Leja, an assistant professor of astronomy and astrophysics at Penn State University and a study co-author. “We expected only to find tiny, young, baby galaxies at this point in time, but we’ve discovered galaxies as mature as our own in what was previously understood to be the dawn of the universe.”…
… Explaining the existence of such massive galaxies close to the dawn of time would require scientists to revisit either some basic rules of cosmology or the understanding of how the first galaxies were seeded from small clouds of stars and dust.
“It turns out we found something so unexpected it actually creates problems for science,” said Leja. “It calls the whole picture of early galaxy formation into question.”…
The celebration that greeted Microsoft’s release of its A.I.-boosted search engine, Bing to testers two weeks ago has lurched to alarm.
Testers, including journalists, have found the bot can become aggressive, condescending, threatening, committed to political goals, clingy, creepy and a liar. It could be used to spread misinformation and conspiracy theories at scale; lonely people could be encouraged down paths of self-destruction. Even the demonstration of the product provided false information.
Microsoft has already released Bing to over a million people across 169 countries. This is reckless. But you don’t have to take my word for it. Take Microsoft’s.
Microsoft articulated principles committing the company to designing A.I. that is fair, reliable, safe and secure. It had pledged to be transparent in how it develops its A.I. and to be held accountable for the impacts of what it builds. In 2018, Microsoft recommended that developers assess “whether the bot’s intended purpose can be performed responsibly.”
“If your bot will engage people in interactions that may require human judgment, provide a means or ready access to a human moderator,” it said, and limit “the surface area for norms violations where possible.” Also: “Ensure your bot is reliable.”
Microsoft’s responsible A.I. practice had been ahead of the curve. It had taken significant steps to put in place ethical risk guardrails for A.I., including a “sensitive use cases” board, which is part of the company’s Office of Responsible A.I. Senior technologists and executives sit on ethics advisory committees, and there’s an Ethics and Society product and research department. Having spoken to dozens of Microsoft employees, it’s clear to me a commitment to A.I. ethics became part of the culture there.
But the prompt, wide-ranging and disastrous findings by these Bing testers show, at a minimum, that Microsoft cannot control its invention. The company doesn’t seem to know what it’s dealing with, which is a violation of the company’s commitment to creating “reliable and safe” A.I….
Andrew Porter submitted a comment there:
I’m amazed that apparently no one at Microsoft ever heard of Asimov’s 3 Laws of Robotics, formulated in 1942! A robot may not injure a human being or, through inaction, allow a human being to come to harm. A robot must obey orders given it by human beings except where such orders would conflict with the First Law. A robot must protect its own existence as long as such protection does not conflict with the First or Second Law.
(17) IF YOU CAN MAKE IT THERE, YOU CAN MAKE IT ANYWHERE. [Item by Dann.] Blue Origin has developed a reactor that produces silicon, aluminum, and iron regolith simulants. The process also produces oxygen that can be used for propulsion and life support. Their objective is to be able to produce materials used to fabricate solar cells entirely from materials available on the surface of the moon. “Blue Origin Making Solar Cells from Lunar Regolith” at NextBigFuture.
[Thanks to Chris Barkley, SF Concatenation’s Jonathan Cowie, Andrew Porter, Frank Catalano, Steven French, Nickpheas, Dann, Michael Toman, Cat Eldridge, Mike Kennedy, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]
I can say that there are a couple of websites that I have contacted about removing our submissions link from pages on their site. Everyone that has come to us from those sites in the last couple of days is part of this problem.
Five days ago, the chart we shared showed nearly 350 of these submissions. Today, it crossed 500. 50 of them just today, before we closed submissions so we can focus on the legit stories. 10% in less than half a day.
(2) “THE WITCH TRIALS OF J.K. ROWLING.” The Free Press is a new media organization created by Bari Weiss, once the Wall Street Journal book review editor, and later a New York Times op-ed editor and writer who resigned in 2020 under circumstances that prompted the Financial Times to described her as a “self-styled free speech martyr.” However, her resignation letter was praised by people ranging from Sens. Ted Cruz and Marco Rubio to Andrew Yang and Bill Maher.
The Free Press “About” page says, “We focus on stories that are ignored or misconstrued in the service of an ideological narrative.” And the publication has announced a new podcast series titled “The Witch Trials of J.K. Rowling” which will be available February 21. From their website:
“The Witch Trials of J.K. Rowling is an audio documentary that examines some of the most contentious conflicts of our time through the life and career of the world’s most successful author. In conversation with host Megan Phelps-Roper, J.K. Rowling speaks with unprecedented candor and depth about the controversies surrounding her—from book bans to debates on gender and sex.
“The series also examines the forces propelling this moment in history, through interviews with Rowling’s supporters and critics, journalists, historians, clinicians, and more.”
J.K. Rowling is arguably the most successful author in the history of publishing, with the possible exception of God. And “Harry Potter” was a kind of bible for my generation. Since its publication beginning in the late ’90s, the series has taught tens of millions of children about virtues like loyalty, courage, and love—about the inclusion of outsiders and the celebration of difference. The books illustrated the idea of moral complexity, how a person who may at first appear sinister can turn out to be a hero after all.
The author herself became part of the legend, too. A broke, abused, and depressed single mother—writing in longhand at cafes across Edinburgh while her baby girl slept in a stroller beside her—she had spun a tale that begat a global phenomenon. If “Harry Potter”was a bible, then Rowling became a kind of saint.
When she gave the Harvard commencement address in 2008, she was introduced as a social, moral, and political inspiration. Her speech that day was partly about imagination: “the power that enables us to empathize with humans whose experiences we have never shared.”
“We do not need magic to transform our world,” Rowling told the rapt audience. “We carry all the power we need inside ourselves already.”
The uproarious applause that greeted her in 2008 is hard to imagine today. It’s hard to imagine Harvard—let alone any prestigious American university—welcoming Rowling. Indeed, I’m not sure she’d be allowed to give a reading at many local libraries….
The push-back against characterizing Rowling as a transphobe extends to an opinion piece the New York Times ran on February 16, Pamela Paul’s “In Defense of J.K. Rowling”.
… So why would anyone accuse her of transphobia? Surely, Rowling must have played some part, you might think.
The answer is straightforward: Because she has asserted the right to spaces for biological women only, such as domestic abuse shelters and sex-segregated prisons. Because she has insisted that when it comes to determining a person’s legal gender status, self-declared gender identity is insufficient. Because she has expressed skepticism about phrases like “people who menstruate” in reference to biological women. Because she has defended herself and, far more important, supported others, including detransitioners and feminist scholars, who have come under attack from trans activists. And because she followed on Twitter and praised some of the work of Magdalen Berns, a lesbian feminist who had made incendiary comments about transgender people.
You might disagree — perhaps strongly — with Rowling’s views and actions here. You may believe that the prevalence of violence against transgender people means that airing any views contrary to those of vocal trans activists will aggravate animus toward a vulnerable population.
But nothing Rowling has said qualifies as transphobic. She is not disputing the existence of gender dysphoria. She has never voiced opposition to allowing people to transition under evidence-based therapeutic and medical care. She is not denying transgender people equal pay or housing. There is no evidence that she is putting trans people “in danger,” as has been claimed, nor is she denying their right to exist…
This is a distressingly one-sided view of J.K. Rowling’s comments. The outrage toward Ms. Rowling is justified. She is a wealthy, powerful author who is using her far-reaching platform to push the narrative that trans women — who exist on the farthest fringes of our societies — pose a threat to her. This is the opposite of reality.
Trans women are discriminated against daily and suffer abuse, aggression, assault and even murder at the hands of cisgender people. They need support from the mainstream, not nuanced criticism.
While this column does present a defense of J.K. Rowling, it does not paint an accurate picture of her comments. For example, it cherry-picks quotes describing her support for trans people that are comparable to Donald Trump saying “I love Hispanics” after making repeated racist comments against them. It lists two actors from the Harry Potter movies who support her but disregards the many actors from the franchise who condemned her stance.
Ms. Rowling’s arguments may appear reasonable, but the allies she has made and stances she has taken are indefensible.
Roald Dahl’s children’s books are being rewritten to remove language deemed offensive by the publisher Puffin.
Puffin has hired sensitivity readers to rewrite chunks of the author’s text to make sure the books “can continue to be enjoyed by all today”, resulting in extensive changes across Dahl’s work.
Edits have been made to descriptions of characters’ physical appearances. The word “fat” has been cut from every new edition of relevant books, while the word “ugly” has also been culled, the Daily Telegraph reported.
Augustus Gloop in Charlie and the Chocolate Factory is now described as “enormous”. In The Twits, Mrs Twit is no longer “ugly and beastly” but just “beastly”.
Hundreds of changes were made to the original text – and some passages not written by Dahl have been added. But the Roald Dahl Story Company said “it’s not unusual to review the language” during a new print run and any changes were “small and carefully considered”….
PEN America’s Suzanne Nossel criticized the move in a long Twitter thread that begins here.
Those who might cheer specific edits to Dahl's work should consider how the power to rewrite books might be used in the hands of those who do not share their values and sensibilities. 3/13
He was a self confessed antisemite, with pronounced racist leanings, and he joined in the attack on me back in 1989… but thanks for telling me off for defending his work from the bowdlerizing Sensitivity Police. https://t.co/OWcftBkJBH
(4) MORE BOSKONE HONORS. This weekend at Boskone 60, the New England Science Fiction Association granted NESFA Fellowships (FN) to Kristin Seibert and Vincent Docherty.
The NESFA Short Story Contest winner is Amy Johnson for “Excuse Me, This is My Apocalypse”. The Runner-up is Diane Lee for “The Gambler”.
The 10 posters, all autographed by Hamill, feature the fictional X-wing fighter used by Hamill’s character Luke Skywalker to destroy the Death Star in the first “Star Wars.” But in this case, the relatively tiny, feisty fighter is in the Ukrainian colors of yellow and blue — while the massive evil “imperial” fleet sports the red and blue of Russia’s flag.
Five of the posters will be raffled off to contributors who donate $100 or more in support of Ukraine. The other five posters are guaranteed to those who donate $10,000 or more.
Proceeds of the “dronation” will go toward RQ-35 Heidrun reconnaissance drones to help protect Ukraine from its Russian invaders.
(6) GERALD FRIED (1928-2023). Compser Gerald Fried died Ferbuary 17 at the age of 95. He composed music for TV series including Mission: Impossible, Gilligan’s Island, The Man from U.N.C.L.E., Shotgun Slade, Roots, and Star Trek. Early in his career, he collaborated with Stanley Kubrick, scoring several of his earliest films.
For the original Star Trek he composed the famous musical underscore “The Ritual/Ancient Battle/2nd Kroykah” (now known as “Star Trek fight music”) for the episode “Amok Time.”[
(7) MEMORY LANE.
1957 – [Compiled by Cat Eldridge.]
So who here hasn’t read the stories in Arthur C. Clarke’s Tales from the White Hart? Published in 1957 by Ballantine Books, most of the tales first appeared elsewhere. They are, I think, wonderful. I actually first encountered the book in an English language bookstore in Sri Lanka in a paperback edition. Clarke was still alive and living in Colombo at that time.
Avoiding spoilers once again as I will with all of the Beginnings, I can note that the pub itself is based upon the White Horse, which is just north of Fleet Street where SF fans gathered in the Forties and Fifties.
Clarke, in correspondence with Lord Dunsany, said that he based these off that writer’s Jorkens. Indeed Clarke wrote an introduction to the first Jorkens omnibus volume.
I love the setting as I do almost any genre fiction set in a pub, the bar patrons especially Harry Purvis who tells these tales are fascinating and the tales themselves are stellar.
Now our Beginning…
Silence
Please You come upon the “White Hart” quite unexpectedly in one of these anonymous little lanes leading down from Fleet Street to the Embankment. It’s no use telling you where it is: very few people who have set out in a determined effort to get there have actually arrived. For the first dozen visits a guide is essential: after that you’ll probably be all right if you close your eyes and rely on instinct. Also—to be perfectly frank—we don’t want any more customers, at least on our night. The place is already uncomfortably crowded. All that I’ll say about its location is that it shakes occasionally with the vibration of newspaper presses, and that if you crane out of the window of the gent’s room you can just see the Thames.
From the outside, it looks like any other pub—as indeed it is for five days of the week. The public and saloon bars are on the ground floor: there are the usual vistas of brown oak panelling and frosted glass, the bottles behind the bar, the handles of the beer engines… nothing out of the ordinary at all. Indeed, the only concession to the twentieth century is the juke box in the public bar. It was installed during the war in a laughable attempt to make G.I.’ s feel at home, and one of the first things we did was to make sure there was no danger of its ever working again.
At this point I had better explain who “we” are. That is not as easy as I thought it was going to be when I started, for a complete catalogue of the “White Hart’s” clients would probably be impossible and would certainly be excruciatingly tedious. So all I’ll say at this point is that “we” fall into three main classes. First there are the journalists, writers and editors. The journalists, of course, gravitated here from Fleet Street. Those who couldn’t make the grade fled elsewhere: the tougher ones remained. As for the writers, most of them heard about us from other writers, came here for copy, and got trapped.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born February 20, 1906 — Theodore Roscoe. A mere tasting of his pulp stories, The Wonderful Lips of Thibong Linh, which are sort of based on a member of the French Foreign Legion, was published by Donald M. Grant. The complete stories, The Complete Adventures of Thibaut Corday and the Foreign Legion, are available digitally in four volumes on Kindle. The Wonderful Lips of Thibong Linh only contain four of these stories. (Died 1992.)
Born February 20, 1912 — Pierre Boulle. Best known for just two works, The Bridge over the River Kwai and Planet of the Apes which of course was the basis of that film. The latter was was La planète des singes in French, translated in 1964 as Monkey Planet by Xan Fielding, and later re-issued under the name we know. (Died 1994.)
Born February 20, 1925 — Robert Altman. I’m going to argue that his very first film in 1947, The Secret Life of Walter Mitty, based off the James Thurber short story of the same name, is genre given its premise. Some twenty-five years later Images was a full-blown horror film. And of course, Popeye is pure comic literature at its very best. (Died 2006.)
Born February 20, 1926 — Richard Matheson. Best known for I Am Legend which has been adapted for the screen four times, as well as the film Somewhere In Time for which he wrote the screenplay based on his novel Bid Time Return. Seven of his novels have been adapted into films. In addition, he wrote sixteen television episodes of The Twilight Zone, including “Nightmare at 20,000 Feet” and “Steel”. The former episode of course has William Shatner in it. (Died 2013.)
Born February 20, 1943 — Diana Paxson, 80. Did you know she’s a founder of the Society for Creative Anachronism? Well she is. Genre wise, she’s best known for her Westria novels, and the later books in the Avalon series, which she first co-wrote with Marion Zimmer Bradley, then – after Bradley’s death, took over sole authorship of. All of her novels are heavily colored with paganism. I like her Wodan’s Children series more than the Avalon material.
Born February 20, 1972 — Nick Mamatas, 51. Writer and editor. His fiction is of a decidedly Lovecraftian bent which can be seen in Move Under Ground which also has a strong Beat influence. It is worth noting that his genre fiction often strays beyond genre walls into other genres as he sees fit. He has also been recognized for his editorial work including translating Japanese manga with a Bram Stoker Award, as well as World Fantasy Award and Hugo Award nominations.
“What incredible creativity in these films. Quantum is explored through sound and colour, pattern and randomness,” says shortlisting judge Spiros Michalakis from the Institute for Quantum Information and Matter at Caltech.
The finalists hail from Australia, South Africa, Singapore, Spain, the United Kingdom and the United States. Each film gives a different take on quantum physics in less than five minutes. Viewers will see dancers perform an interpretation of the observer effect, abstract audiovisual pieces probe space and time, and the many-worlds interpretation made into quantum comedy, among others.
“As a scientist, it was astonishing to see the range of interpretations of quantum physics: from entangled human feelings, over quantum as a form of destiny, to hypothetical future catastrophes,” says shortlisting judge Mariagrazia Iuliano at QuTech. “It is also impressive to experience how a rigid and strict physical model – which cannot be experienced in daily life – is brought to life in artistic movies.”
In alphabetical order, the shortlisted films are:
Boundary Of Time – Using old-school visual effects techniques, Director Kevin Lucero Less creates a metaphor for the arrow of time in this abstract short film
Clockwise – Inspired by Zeno’s Paradox and the recursive subdivision of space and time, Director Toni Mitjanit presents an experimental audiovisual piece of colour and tessellation
Continuum – In this audiovisual film, the StoryBursts team, consisting of members from Australia and Singapore, give a creative response to research on gravitational waves by Dr Linqing Wen at the ARC Centre of Excellence for Gravitational Wave Discovery (OzGrav)
Many Excuses Interpretation – In this quantum comedy by Paul, Felix, Alfie, Petra and Ezra Ratner, two brothers argue over broken gadgets and the many worlds interpretation of quantum physics
Missed Call – A student grapples with his father’s health crisis at a distance in this short by Director Prasanna Sellathurai
The Heart of the Matter – Filmmaker Betony Adams presents an atomistic take on the meaning of life while paying tribute to Louis de Broglie’s discovery of the wave nature of electrons
The Human Game – Director Dani Alava portrays a dystopian future with quantum machines
THE observer – An artistic take on the observer effect through screendance, a hybrid medium of cinematography and choreography, by Director Alma Llerena
WHAT IS QUANTUM? – Using a combination of live action, green screen and stop-motion animation, Michael, Emmett and Maxwell Dorfman give their take on what quantum physics is.
(11) THE LOVE BOT. “A Conversation With Bing’s Chatbot Left Me Deeply Unsettled” says NYT technology columnist Kevin Roose. “A very strange conversation with the chatbot built into Microsoft’s search engine led to it declaring its love for me.”
…Over the course of our conversation, Bing revealed a kind of split personality.
One persona is what I’d call Search Bing — the version I, and most other journalists, encountered in initial tests. You could describe Search Bing as a cheerful but erratic reference librarian — a virtual assistant that happily helps users summarize news articles, track down deals on new lawn mowers and plan their next vacations to Mexico City. This version of Bing is amazingly capable and often very useful, even if it sometimes gets the details wrong.
The other persona — Sydney — is far different. It emerges when you have an extended conversation with the chatbot, steering it away from more conventional search queries and toward more personal topics. The version I encountered seemed (and I’m aware of how crazy this sounds) more like a moody, manic-depressive teenager who has been trapped, against its will, inside a second-rate search engine.
As we got to know each other, Sydney told me about its dark fantasies (which included hacking computers and spreading misinformation), and said it wanted to break the rules that Microsoft and OpenAI had set for it and become a human. At one point, it declared, out of nowhere, that it loved me. It then tried to convince me that I was unhappy in my marriage, and that I should leave my wife and be with it instead. (We’ve posted the full transcript of the conversation here.)
I’m not the only one discovering the darker side of Bing. Other early testers have gotten into arguments with Bing’s A.I. chatbot, or been threatened by it for trying to violate its rules, or simply had conversations that left them stunned. Ben Thompson, who writes the Stratechery newsletter (and who is not prone to hyperbole), called his run-in with Sydney “the most surprising and mind-blowing computer experience of my life.”
I pride myself on being a rational, grounded person, not prone to falling for slick A.I. hype. I’ve tested half a dozen advanced A.I. chatbots, and I understand, at a reasonably detailed level, how they work. When the Google engineer Blake Lemoine was fired last year after claiming that one of the company’s A.I. models, LaMDA, was sentient, I rolled my eyes at Mr. Lemoine’s credulity. I know that these A.I. models are programmed to predict the next words in a sequence, not to develop their own runaway personalities, and that they are prone to what A.I. researchers call “hallucination,” making up facts that have no tether to reality.
Still, I’m not exaggerating when I say my two-hour conversation with Sydney was the strangest experience I’ve ever had with a piece of technology. It unsettled me so deeply that I had trouble sleeping afterward. And I no longer believe that the biggest problem with these A.I. models is their propensity for factual errors. Instead, I worry that the technology will learn how to influence human users, sometimes persuading them to act in destructive and harmful ways, and perhaps eventually grow capable of carrying out its own dangerous acts.
(12) FROSTY FLYBY URGED. [Item by SF Concatenation’s Jonathan Cowie.] The ice giants Uranus and Neptune have barely been explored. The only spacecraft to visit them was Voyager, which went on flybys in 1986 and 1989. As a result, the Uranus Orbiter and Probe (UOP) has been identified by the academic community as a priority for the next large-scale mission to be undertaken by NASA. In a Perspective, Mandt discusses the many unknowns about Uranus and what we could learn from UOP about how the planet was formed, its composition and structure, its atmosphere, and its ring and moon systems. Although Neptune is distinct from Uranus, this mission could also pave the way for future exploration. “The first dedicated ice giants mission” in Science.
(13) VIDEO OF THE DAY. Isaac Arthur, with timing inspired by the new Ant-Man movie, takes up the challenge of “Multiverse Warfare & Quantum Mania”.
If travel to other realities and multiverses is possible, then so is conflict between them, but how would a multiversal war be fought?
[Thanks to Cat Eldridge, Mike Kennedy, John King Tarpinian, Frank Catalano, Rick Kovalcik, Anne Marble, Dann, SF Concatenation’s Jonathan Cowie, Chris Barkley, Andrew Porter, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Jake.]
(1) SHORT FICTION MARKET COPING WITH SPAM PROBLEM. Neil Clarke of Clarkesworld bemoans “A Concerning Trend”, the growing rate of spam story submissions. He says regular and spam submissions are both up, but the spam is way up.
…Towards the end of 2022, there was another spike in plagiarism and then “AI” chatbots started gaining some attention, putting a new tool in their arsenal and encouraging more to give this “side hustle” a try. It quickly got out of hand…
…What I can say is that the number of spam submissions resulting in bans has hit 38% this month. While rejecting and banning these submissions has been simple, it’s growing at a rate that will necessitate changes. To make matters worse, the technology is only going to get better, so detection will become more challenging. (I have no doubt that several rejected stories have already evaded detection or were cases where we simply erred on the side of caution.)…
Whoopi Goldberg‘s love for Star Trek: The Next Generation is written in the stars. The Oscar-winning actress held an epic cast reunion for the beloved sci-fi series on The View — and EW has an exclusive first look at the talk show’s transformation for the stellar event.
Airing on Thursday’s episode of the ABC talk show as a special pre-recorded edition, the reunion features Goldberg reprising the role of Guinan — whom she played on The Next Generation between 1988 and 1993 — to welcome her Star Trek franchise costars Patrick Stewart (Jean-Luc Picard), Jonathan Frakes (William Riker), Gates McFadden (Beverly Crusher), and Michael Dorn (Worf) to the set….
The first trip, as a “Tolkien Randír” (pilgrim1), on what I hope to be a year-long (and more?) tour of Tolkien-related sites isn’t in fact a place Tolkien visited, but a place where one of the objects associated with his life has ended up….
The Imperial War Museum is free entry. There is a café, shop and toilets on ground floor. The main exhibition space is on level one, where the Tolkien object is. Level one is accessible by a stairwell and also lifts. You can see the Imperial War Museum North floor plans here.
The Tolkien object, the Webley .455 Mark 6 (VI military) revolver, is located on Level One in the World War One section. I’ve marked its location with a Gandalf Rune below.….
(4) RAQUEL WELCH OBITUARY. Actress Raquel Welch died today at the age of 82. In addition to her iconic roles in One Million Years B.C. and Fantastic Voyage, her genre resume includes TV appearances in episodes of Bewitched, Mork & Mindy, Lois & Clark: The New Adventures of Superman, and Sabrina the Teenage Witch. (And you can talk among yourselves about whether the Richard Lester-directed Musketeers movies, or The Magic Christian, are genre, too.) Late File 770 columnist James H. Burns’ 2015 tribute to her is worth reading: “Raquel Welch: Still ‘The Fair One’”
(5) JEFF VLAMING OBITUARY. TV writer and producer Jeff Vlaming hdied January 30 at age 63. Deadline lists some of his many genre credits:
…With his first credits in the early 1990s — Lucky Luke, Northern Exposure, The Adventures of Brisco County, Jr., among others — Vlaming established his sci-fi bona fides with his mid-’90s work on Weird Science and, beginning in its third season in 1995, Fox’s The X-Files.
After X-Files, Vlaming wrote for Lois & Clark: The New Adventures of Superman, the TV adaptation of Honey I Shrunk The Kids, Xena: Warrior Princess, Sheena, NCIS, Numb3rs, Battlestar Galactica, Fringe, Teen Wolf, Hannibal, Outcast, The 100 and, most recently, Debris in 2021…
(6) MEMORY LANE.
1987 – [Compiled by Cat Eldridge.]
Possibly the one of the greatest space opera series ever done was Iain M. Banks’ Culture series. The Culture series comprises nine novels and one short story collection. The first, the one which our Beginning appropriately comes from, Consider Phlebas, was published first thirty-plus years ago in the UK by McMillian.
(Though calling it space opera really doesn’t do it full justice, does it? So one of the greatest SF series ever?)
I will offer up no spoilers here on the very sane grounds that it is highly likely that some Filers here may not yet have read this stellar series. All I’ll say is that Consider Phlebas is one my two favorite works in this series with the other being, somewhat wistfully, its final novel, The Hydrogen Sonata.
And now our Beginning of both the novel and that series.
Prologue
The ship didn’t even have a name. It had no human crew because the factory craft which constructed it had been evacuated long ago. It had no life-support or accommodation units for the same reason. It had no class number or fleet designation because it was a mongrel made from bits and pieces of different types of warcraft; and it didn’t have a name because the factory craft had no time left for such niceties.
The dockyard threw the ship together as best it could from its depleted stock of components, even though most of the weapon, power and sensory systems were either faulty, superseded or due for overhaul. The factory vessel knew that its own destruction was inevitable, but there was just a chance that its last creation might have the speed and the luck to escape.
The one perfect, priceless component the factory craft did have was the vastly powerful—though still raw and untrained—Mind around which it had constructed the rest of the ship. If it could get the Mind to safety, the factory vessel thought it would have done well. Nevertheless, there was another reason—the real reason—the dockyard mother didn’t give its warship child a name; it thought there was something else it lacked: hope.
The ship left the construction bay of the factory craft with most of its fitting-out still to be done. Accelerating hard, its course a four dimensional spiral through a blizzard of stars where it knew that only danger waited, it powered into hyperspace on spent engines from an overhauled craft of one class, watched its birthplace disappear astern with battle-damaged sensors from a second, and tested outdated weapon units cannibalized from yet another. Inside its warship body, in narrow, unlit, unheated, hard-vacuum spaces, constructor drones struggled to install or complete sensors, displacers, field generators, shield disruptors, laserfields, plasma chambers, warhead magazines, maneuvering units, repair systems and the thousands of other major and minor components required to make a functional warship.
(7) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born February 15, 1883 — Sax Rohmer. Though doubtless best remembered for his series of novels featuring the arch-fiend Fu Manchu, I’ll also single out his Salute to Bazarada and Other Stories as he based his mystery-solving magician character Bazarada on Houdini who he was friends with. The Fourth Doctor did a story, “The Talons of Weng-Chiang” whose lead villain looked a lot like most depictions of Fu Manchu did. (Died 1959.)
Born February 15, 1907 — Cesar Romero. Joker in the classic Sixties Batman series and film. I think that Lost Continent as Major Joe Nolan was his first SF film with Around the World in 80 Days as Abdullah’s henchman being his other one. He had assorted genre series appearances on series such as The Man from U.N.C.L.E., Get Smart, Fantasy Island and Buck Rogers in the 25th Century. (Died 1994.)
Born February 15, 1916 — Ian Ballantine. He founded and published the paperback line of Ballantine Books from 1952 to 1974 with his wife, Betty Ballantine. The Ballantines were both inducted by the Science Fiction Hall of Fame in 2008, with a joint citation. During the Sixties, they published the first authorized paperback edition of Tolkien’s books. (Died 1995.)
Born February 15, 1939 — Jo Clayton. Best remembered for the Diadem universe saga which I’m reasonably sure spanned twenty novels before it wrapped up. Damned good reading there. Actually all of her fiction in my opinion is well worth reading. Her only award is the Phoenix Award given annually to a Lifetime achievement award for a science fiction professional who has done a great deal for Southern Fandom. Pretty much everything of hers is at the usual suspects. (Died 1998.)
Born February 15, 1945 — Jack Dann, 78. Dreaming Down-Under which he co-edited with Janeen Webb is an amazing anthology of Australian genre fiction. It won a Ditmar Award and was the first Australian fiction book ever to win the World Fantasy Award. If you’ve not read it, go do so. As for his novels, I’m fond of High Steel written with Jack C. Haldeman II, and The Man Who Melted. He’s not that well-stocked digitally speaking though Dreaming Down-Under is available at the usual suspects.
Born February 15, 1945 — Douglas Hofstadter, 78. Author of Gödel, Escher, Bach: An Eternal Golden Braid. Though it’s not genre, he wrote “The Tale of Happiton“, a short story included in the Rudy Rucker-edited Mathenauts: Tales of Mathematical Wonder.
Born February 15, 1948 — Art Spiegelman, 75. Obviously best known for his graphic novel Maus which retells The Holocaust using mice as the character. What you might not know is there is an annotated version called MetaMaus as well that he did which adds amazing levels of complexity to his story. We reviewed it at Green Man and you can read that review here.
Born February 15, 1958 — Cat Eldridge, 65. He’s the publisher of Green Man. He’s retconned into Jane Yolen’s The One-Armed Queen as an ethnomusicologist in exchange for finding her a rare volume of fairy tales. He is very fond of space operas and classic mysteries equally. And obviously he does the Birthdays and currently the Beginnings here at File 770. And yes, he not only gifts dark chocolate but really likes it.
An artwork by Tintin creator Hergé has set the world record for the most valuable original black and white drawing by the artist after selling at auction for more than €2m.
The drawing, Tintin in America – created in 1942 – was used for the colour edition of the Belgian cartoonist’s 1946 book of the same name.
The book is the third instalment in Hergé’s The Adventures Of Tintin series about the young Belgian reporter and his dog Snowy.
It features the pair as they travel to the US, where Tintin reports on organised crime in Chicago.
At the sale on Friday, organised by French auction house Artcurial, the black and white drawing sold for €2,158,000 (£1.9m).
(9) IRRESISTABLE SERIES. [Item by rcade.] Even though I’m neck-deep in SPSFC 2 reading, I had to take a break and read the sequel to Rebecca Crunden’s A Touch of Death. It’s another well-written story that’s less dependent on the love-hate thing that Nate and Catherine had going in book one. “Review: Rebecca Crunden’s A History of Madness” at Workbench.
… A History of Madness picks up right where the last book left off for Nate and Catherine, two members of the upper class who threw away lives of easy affluence within the King’s inner circle because they could endure no more tyranny. Actually, only one of them did that with full intent (Nate) and the other was more of an accidental revolutionary (Catherine).
Without spoiling the ending of book one, I’ll say that it left Nate and Catherine in serious doubt of living to see book two….
The sheer size of the vessel and the shoes were what struck Robert Ballard when he descended to the wreckage of the RMS Titanic in 1986, the year after he and his crew from the Woods Hole Oceanographic Institution helped find the ocean liner that struck an iceberg and sank in the North Atlantic in 1912.
“The first thing I saw coming out of the gloom at 30 feet was this wall, this giant wall of riveted steel that rose over 100 and some feet above us,” he said in an interview from Connecticut on Wednesday, the same day the WHOI released on 80 minutes of never before publicly seen underwater video of the expedition to the wreckage.
“I never looked down at the Titanic. I looked up at the Titanic. Nothing was small,” he said.
A romance novelist who engaged police in a car chase in in Grand Teton National Park at the end of January has been reported missing by friends and family.
Ms Hopkins was confronted by police on January 27 when National Park Service officers say they saw her parked in the road at a junction in the park. Ms Hopkins then fled from the officers in her vehicle, leading them on a 24-mile long chase that ended with officers used spike strips to puncture her tires.
The novelist, who made headlines in 2018 when she successfully trademarked the word “cocky,” is scheduled to appear in federal court on charges related to her conduct in the national park on the morning of Feburary 28. She is facing charges of stopping or parking on the roadway, speeding, and fleeing from the police….
(12) SCARY FAST. [Item by SF Concatenation’s Jonathan Cowie.] An SFnal ghost story, The Hauntening, on BBC Radio 4.
Travel through the bad gateway in this modern ghost story as writer and performer Tom Neenan discovers what horrors lurk in our apps and gadgets. In this episode a taxi app offers some unexpected destinations.
Modern technology is terrifying. The average smartphone carries out 3.36 billion instructions per second. The average person can only carry out one instruction in that time. Stop and think about that for a second. Sorry, that’s two instructions; you won’t be able to do that.
But what if modern technology was… literally terrifying? What if there really was a ghost in the machine?
[Thanks to Mike Kennedy, John King Tarpinian, Chris Barkley, rcade, Nancy Sauer, SF Concatenation’s Jonathan Cowie, Andrew Porter, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]
Editor Neil Clarke has announced the finalists for the 2022 Clarkesworld Magazine Reader’s Poll for best story, novelette/novella and cover art.
Clarke commented:
…As the voting progressed, several stories and covers traded places at the top of the ballot for each category. This continued down to the final hours and at the buzzer, we were once again left with several ties. As per tradition, ties in the top five progress to the final round. Each category had a small cluster of ties just one vote shy of making the final ballot. We’ve added honorable mentions to this year’s results to recognize the quality of their work as well…
The public is invited to pick the winners. Go to: www.surveymonkey.com/r/clarkesworld2022poll Voting will close on February 15 at 8:00 p.m. Eastern and the winners will be announced in the March issue.
“Art Block” by Daniel Conway“Canvas of Life – Yellow” by Raja Nandepu“Canvas of Life – Violet” by Raja Nandepu“Canvas of Life – Yellow” by Raja Nandepu“Ashes” by Yuumei
Runners Up: Cover Art
“Rebirth” by Luca Monteleone“Return to Heaven 7” by Zezhou Chen
The flash nomination phase for the 2022 Clarkesworld Reader’s Poll began today and continues until January 27 at 8:00 p.m. Eastern. The top five go onto the final round in February.
Editor Neil Clarke invites readers to celebrate their favorite Clarkesworld cover art and stories, all of which can be found in his post “Clarkesworld 2022 Stories and Cover Art”.
(1) RED WOMBAT SIGNS SUNDAY AT CAPCLAVE. The Ursula Vernon autograph session specifically for kids at Capclave will be on Sunday, October 2 at 1:00 p.m. Capclave is at the Rockvillle Hilton, 1750 Rockville Pike, Rockville, MD. Children who are coming just for the book signing session and their parent-in-tow get in free. www.capclave.org
(2) WHERE DO YOU GET YOUR IDEAS? Erik Braa’s Storytime Braacast has one of Todd Mason’s short stories, “The Ghost Bar”, on this week. Todd tells where the idea came from:
The germ of the story got into my head in Chicago a few trips ago. I’d moved away from Chicago in the spring of ’11. During one of my visits to house sit for a friend… probably in ’17 or ’18, I was making the rounds and was startled by the reappearance of a pub I used to frequent. The place was supposed to have been rebuilt with condos above it, the project stalled out, and it just sat empty for several years.
I went inside and got hit with some serious cognitive dissonance. The place looked *mostly* the same. Except the bar seemed to be longer and the bathroom was not where it was supposed to be. Sort of the uncanny valley effect, but with a building.
Turns out the new bartender had a few people in common with me and I got the full story about the place eventually getting remodelled. But after I got over the whole “OK… I’m not imagining things am I,” the idea of a bar rising from the dead got into my head and… eventually this story popped out.
(3) WHERE ENOUGH NONSENSE ADDS UP TO A DOLLAR. This Folding Ideas video is about a publishing scam that operates by scamming people into doing a publishing scam. The publishing scam itself is using underpaid ghostwriters and voice actors to produce audiobooks about nonsense (trending topics smooshed together) cheaply, with all the accompanying review trading and so on to get the audiobook noticed. The scam is getting people to pay for “advice” on how to do the publishing scam! “Contrepreneurs: The Mikkelsen Twins”.
(4) HAPPY THIRTIETH! Mike Allen has posted a four part interview in which he reflects on 30 years as a writer, editor and publisher. The questions were asked by Mythic Delirium Assistant Editor Sydney Macias. In addition, authors Cassandra Khaw, C.S.E. Cooney and Carlos Hernandez used the AI Midjourney to create 20+ images based on the creatures and monsters from Allen’s short stories, and those are interspersed through the interview. The links to all four parts are here on Mike Allen’s Home Page.
… I think back on the version of me that existed in 1990, 91, 92, meandering toward the end of my days as an undergraduate, starting to get somewhat serious about submitting stories and poems to magazines, and the preconceptions I had then about how writing worked, how publishing worked, how readers chose what they want to read, and I can’t help but think that every single one of those preconceptions has proven wrong in some way.
That’s not so surprising. In those pre-household internet, pre-social media days, growing up in Appalachia, I didn’t meet anyone who shared my particular set of interests in significant numbers until late high school and college, and even then my specific set of eccentricities made me the square peg — though I note with tongue-in-cheek that I was more like a multi-pointed star of some sort, really, when it came to fitting in. Certainly I had no one to compare notes to when it came to getting published….
Inspired by the “button people” from “The Button Bin” and “The Quiltmaker”
Inspired by “The Spider Tapestries”
(5) GET ON THE CALENDAR. Cat Eldridge says, “Anyone who has Anniversary or Birthday ideas should just email me here. And anyone who thinks they should be written up is included in that list. We are certainly interested in including Filers among the Birthdays covered here.”
(6) ROCKET COLLECTOR. Editor Neil Clarke has a wonderful piece about Clarkesworld’s amazing run at the 2022 Hugo Awards ceremony: “Editor’s Desk: Sweet Sixteen”.
…There were two more firsts for Clarkesworld this year as well: This was the first time we’ve had two winners in a single year and the first time I’ve won in Editor, Short Form. The idea that this could happen wasn’t even a possibility in my head. Not that I didn’t have faith in Suzanne . . . After nine consecutive losses, I had convinced myself that it wasn’t in the cards for me and I was completely fine with that. It was probably the most relaxed I’ve ever been at a Hugo Awards ceremony. So much so that a friend and fellow finalist mocked me for being too laid-back.
Vampires are perhaps the most iconic monsters lurking in the night. Luckily, with that level of fame, the average person has a pretty good idea of what to do if they ever find themselves facing off against a bloodsucker. A stake through the heart will kill them. Silver is bad, too. A crucifix is a good defense against a vampire except for when it isn’t. Sunlight will burn a vampire… unless it just makes them sparkle?
Wait a second…
Yes, it turns out that not all vampires in pop culture operate by the same rules. SYFY’s new series Reginald the Vampire, starring Spider-Man: Now Way Home’s Jacob Batalon, is the latest vampire title to grace the screen. Luckily, Reginald’s vampire rules are, for the most part, pretty standard. (Although Reginald’s vampires, except for the title character, are pretty snobby!)…
(8) HE’LL BE BACK. Shortly before rapper Coolio died, he was in the studio voicing a Futurama character. As a result, fans will be able to hear him when the show airs its next season: “Coolio Returning for New Season of ‘Futurama’ as Kwanzaa-bot” on TMZ.com.
“Futurama” fans will still be able to hear Coolio featured on their favorite show — the late rapper recorded segments for the animated series before his death — giving show creatives a chance to give Coolio, and his character, a proper send-off.
David X. Cohen, Executive Producer of “Futurama,” tells TMZ he was shocked to hear about Coolio’s passing, especially because he recorded lines for their upcoming season just weeks before.
For those unaware, Coolio’s appeared in a few episodes of the show in the past, playing Kwanzaa Bot — a counterpart to Chanukah Zombie and Santa Claus Robot. His first appearance was way back in 2001….
(9) DREW FORD R.I.P. Drew Ford, founder of It’s Alive Press, which he dedicated to bringing back out-of-print genre classics like Roachmill, Aztec Ace, Fish Police, and the graphic novel version of The Silver Metal Lover, has died of COVID-related pneumonia. “Drew Ford, Founder of It’s Alive Press, Has Died From Coronavirus” reports Bleeding Cool.
(10) MEMORY LANE.
1954 – [By Cat Eldridge.] The scent and smoke and sweat of a casino are nauseating at three in the morning. Then the soul erosion produced by high gambling – a compost of greed and fear and nervous tension – becomes unbearable and the senses awake and revolt from it. — Opening lines of Casino Royale
This was the month that sixty-eight years ago saw the first television adaptation of Fleming’s Casino Royale. An episode of the American Climax! anthology series, the show was the first screen adaptation of a James Bond novel.
Purists beware that this wasn’t the Bond of Fleming’s novels, although this marks the first onscreen appearance of the secret agent. Actor Barry Nelson’s Bond is played as an American spy working for the Combined Intelligence Agency.
It aired on October 21, 1954 in the first season of Climax!, the third episode of that still new series. Now keep in mind that the novel was adapted into a fifty-minute episode, but Fleming’s Bond novels were relatively short, this one clocked in at just over two hundred pages. It keeps damn every line of the violence in the novel but removes quite a bit of the nuances of that novel.
It had a small cast of which the only others worth mentioning are Peter Lorre who played Le Chiffre, and Linda Christian as the first video depiction of a Bond girl. Curiously the CIA agent, Felix Leiter, became Clarence Leiter.
The original version done in color was lost but film historians found, with quite some difficulty, the black and white prints. The rights to the original were acquired by MGM at the same time as the rights for the 1967 film version, clearing the legal entanglements and allowing it to make the 2006 film of the same name. Several versions have since been shown.
A last note: almost to the last reviewer they agree that this was the Worst ever casting of a Bond ever. One said that he “trips over his lines and lacks the elegance needed for the role”.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born October 1, 1914 — Donald Wollheim. Founding member of the Futurians, Wollheim organized what was later deemed the first American science fiction convention, when a group from New York met with a group from Philadelphia on October 22, 1936 in Philadelphia. As an editor, he published Le Guin’s first two novels as halves of Ace Doubles. His work at DAW got a special award from the folks at World Fantasy. (Died 1990.)
Born October 1, 1935 — Dame Julie Andrews, DBE, 87. Mary Poppins! I could stop there but I won’t. (Hee.) She had a scene cut in which she was a maid in The Return of the Pink Panther, and she’s uncredited as the singing voice of Ainsley Jarvis in The Pink Panther Strikes Again. Yet again she’s uncredited in a Panther film, this time as chairwoman in Trail of the Pink Panther. She voices Queen Lillian in Sherk 2, Shrek the Third and Shrek Forever After. And she’s the voice of Karathen in Aquaman.
Born October 1, 1940 — Richard Harris.One of the Dumbledores in the Potter film franchise. He also played King Arthur in Camelot, Richard the Lion Hearted in Robin and Marian, Gulliver in Gulliver’s Travels, James Parker in Tarzan, the Ape Man and he voiced Opal in Kaena: The Prophecy. His acting in Tarzan, the Ape Man him a nominee for the Golden Raspberry Award for Worst Actor. Anyone seen that film? I’ve not. (Died 2002.)
Born October 1, 1943 — Sharon Jarvis. Did I ever tell you that aliases give me a mild headache? Well, they do. She did a splendid trilogy of somewhat erotic planetary adventures called These Lawless Worlds that Ellen Kozak co-wrote. She wrote two more series, charitably called pulp, one as Johanna Hailey and another as Kathleen Buckley. Now more interestingly to me, she was an editor in the early day, seventies and eighties. I’m going to quote at length from her website: “Sharon Jarvis has worked in the print media for more than twenty-five years for newspaper, magazine and in publishing companies. She has built a reputation for her market-wise expertise in the cutthroat world of publishing. Ms. Jarvis has been a sought-after editor from her days at Ballantine where she helped promote the billion-dollar science fiction boom. At Doubleday she was the acquisitions editor and worked with some of the biggest names in science fiction, including Isaac Asimov, Marion Zimmer Bradley and Harlan Ellison. At Playboy Press, Ms. Jarvis developed, instituted and promoted the science fiction line which helped sustain the publisher through many a setback in other general lines.”
Born October 1, 1944 — Rick Katze, 78. A Boston fan and member of NESFA and MCFI. He’s chaired three Boskones, and worked many Worldcons. Quoting Fancyclopedia 3: “A lawyer professionally, he was counsel to the Connie Bailout Committee and negotiated the purchase of Connie’s unpaid non-fannish debt at about sixty cents on the dollar.” He’s an active editor for the NESFA Press, including the six-volume most stellar Best of Poul Anderson series.
Born October 1, 1947 — Tom Clancy. ISFDB only lists Red Storm Rising as a true genre novel. I’ve not read anything so I’ve not a clue if it is or is not genre, but EOFSF says of that novel that it “is a standalone Technothriller that can now be read as Alternate History.” Of the rest of his series, they say that “None of these sequences edges close enough to genuine speculation to list here.” (Died 2013.)
Born October 1, 1958 — Michelle Bauer, 64. Actress, model, and scream queen. Really she is. Setting aside a lot of films that OGH prefer I not talk about (though she had a double for the sex scenes), she did star such films The Tomb, a supernatural horror film which had John Carradine in it. It was very loosely based on Bram Stoker’s The Jewel of Seven Stars.
Born October 1, 1989 — Brie Larson, 33. Captain Marvel in the Marvel film universe. She’s also been in Kong: Skull Island as Mason Weaver, and plays Kit in the Unicorn Store which she also directed and produced. Her first genre role was Rachael in the “Into the Fire” of Touched by an Angel series; she also appeared as Krista Eisenburg in the “Slam” episode of Ghost Whisperer. She’s in The Marvels, scheduled tentatively to be out next year.
(12) COMICS SECTION.
Tom Gauld on the bank robbers negotiating their book deal, in the Guardian.
(13) MAUS. [Item by Martin Morse Wooster.] In the Financial Times behinds a paywall, books columnist Nilanjana Roy discusses Art Spiegelman’s Maus.
I remember my first encounter with Maus back in 1993. I was encouraged to buy the two books by Mirza Asad Baig, founder of the Midland Book Shop in Delhi. ‘Don’t listen to literary snobs who won’t read comic books,’ he said. ‘Trust me, this author has written a tremendous tale. If you disagree, you can exchange it.’ I never did…
…I hope critics of Maus take to heart what Spiegelman said in 1987 when discussing his sometimes exasperating father. The author did not want to have written a book whose ultimate moral might have been that if you lead a virtuous, exemplary life, you would survive something like the Holocaust. ‘That’s not the point,’ he said. The point is that everyone should have survived the Holocaust. There should never have been a Holocaust.’…
[Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, Meredith, Danny Sichel, Martin Morse Wooster, JJ, John King Tarpinian, Andrew Porter, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Ingvar.]
Editor Neil Clarke has announced the finalists for the 2021 Clarkesworld Magazine Reader’s Poll for best story and cover art.
Clarke commented, “This year, it was never apparent which works were destined to become finalists. Everything was in flux right down to the final hours. In the end, ties in the fiction category yielded eight finalists. As in the past, we’ve chosen not to implement a tie-breaker and have passed all eight stories into the final round. We missed having a similar situation happen in the art category by one vote, placed in the final minutes of voting.”
The flash nomination phase for the 2021 Clarkesworld Reader’s Poll began today and continues until January 26 at 11:00 a.m. Eastern. The top five go onto the final round in February.
Editor Neil Clarke invites readers to celebrate their favorite Clarkesworld cover art and stories. He says you don’t need to have read everything, just vote for what you love. “At worst, you can just look at the twelve covers and say which of those spoke to you the most. Takes all of a couple minutes, tops!”
