The Science Fiction and Fantasy Writers of America, Inc. (SFWA) will present the 2021 Kevin O’Donnell, Jr. Service to SFWA Award to Colin Coyle at the 57th Annual SFWA Nebula Awards® for his outstanding work on behalf of the organization.
The Service to SFWA Award recognizes a volunteer of SFWA who best exemplifies the ideal of service to the Science Fiction and Fantasy Writers of America. In 2012, the award was renamed in honor of author Kevin O’Donnell, who dedicated 20+ years of volunteer service to the organization.
SFWA President Jeffe Kennedy said, “Summarizing all the ways that Colin has served SFWA feels almost impossible. He’s been a pillar of SFWA’s programs for years and this recognition is long overdue. I’m thrilled to add Colin to this list and I know his name on it will set a high bar for those who will follow after.”
For the last five years, Coyle has been instrumental in shepherding the audio/visual component of the annual Nebula Conference. Coyle tirelessly researched and implemented some of the first hybrid conference components seen in the industry at our Nebula Conference in Pittsburgh in 2017. With his attention to detail and expertise, SFWA was able to simultaneously stream some live panel and workshop events, including the business meeting, to international attendees and members.
In 2020, when the Nebula Conference moved entirely online due to the ongoing pandemic, Coyle’s contributions ensured that the virtual Nebula Airship launched with both a professional look and feel. Seamless technical integration meant that the entire conference was now accessible to an entirely new and international audience. In a year where many were forced to stay in their homes, Coyle’s work ensured the community could celebrate together. He led the technical aspects of the Nebula Awards ceremony as well, helping to elevate the once simple stage presentation to a professionally produced show.
In 2019, when SFWA’s publisher of the Nebula Showcase anthology suddenly ceased operations, Coyle stepped up and rescued the anthology, turning it around quickly through his own Parvus Press. This fulfilled a longtime wish of many past Board members, allowing SFWA to offer copies onsite at the Nebula Conference only a few months later and in addition to the usual retail offerings.
In 2018, Coyle spent the majority of his time at the San Jose Worldcon volunteering in the SFWA suite. Over 350 SFWA members and their guests attended the SFWA suite that year, a record, which required record volunteer hours to manage.
Colin Coyle will join many distinguished recipients of the Kevin O’Donnell, Jr. Service to SFWA Award, including Connie Willis, Victoria Strauss, Julia Rios, Bud Sparhawk, Lee Martindale, Vonda McIntyre, and Jim Fiscus. The award will be presented at the 57th Nebula Awards® Ceremony, which will take place online and in-person during the 2022 Nebula Conference in Los Angeles, May 20–22, 2022.
(1) LABORS OF LOVE. The Hugo Award Book Club has completed its
series of articles on the depiction of labor unions
in science fiction. Olav Rokne sent the links with a note, “I welcome any
feedback, and appreciate being informed of any omissions.”
At their peak in 1954, unions represented almost a third of workers in the United States, and it was easy to take their existence — and their action as a counterbalance to the power of capital — for granted. Even employees in non-union workplaces enjoyed gains because employers had to keep up with union shops to retain and recruit labour.
But despite their prevalence in society, labour unions were largely absent from science fictional narratives during the Golden Age, and their few portrayals in the genre are usually either comedic or antagonistic.
As labour activist and science fiction author Eric Flint pointed out atWorldCon76, the major contributors to the development of science fiction — from the dawn of the Golden Age of Science Fiction through this era of union organizing and stability — were largely drawn from academic circles or the upper middle class. Despite working for a living, these authors and editors did not see themselves as part of the proletariat, and thus based their narratives on assumptions that their privileged working relationships allowed them to hold.
Cory Doctorow has been one of the leading lights of the genre’s reappraisal of the role of employment in society and the relationship between workers and employers. Tackling such subjects as employment precarity, labour mobility, and income inequality, Doctorow’s work consistently shows a strong understanding of the labour union world.
Of particular note is his 2010 novel For The Win which depicts a unionization drive amongst workers who are paid to gather resources in a World Of Warcraft-style online game. This depiction shows the necessity of worker organization in the face of capital overreach, and is informed by knowledge of the systemic flaws in traditional labour organizing.
The first unmistakable labour union in science fiction cinema that we were able to find is the Textile and Garment Workers Union depicted in the 1951 Ealing Studios comedy The Man In The White Suit. The film revolves around the invention of an indestructible fabric by a mild-mannered chemist played by Sir Alec Guinness, and the subsequent attempts by business and labour unions to suppress the invention. The depiction of unions in this movie is broad and largely inaccurate, depicting them as collaborating with management and encouraging industrial sabotage.
Despite these inaccuracies about how unions operate, we will be endorsing The Man In The White Suit for 1952 Retro Hugos, . It is in most ways a superb and thoughtful piece of science fiction about the introduction of a new technology, and is elevated by witty dialogue and star-worthy performances (Guinness was nominated for an Academy Award that year for a different comedy from the same studio).
I needed to get out of my comfort zone, so I went to Project Gutenberg, clicked through a few bookshelves until I got to classic Science Fiction, and decided to do an unrehearsed, essentially live narration of a story that was published in Astounding Stories of Super Science in 1931.
It’s not the greatest story I’ve ever read (if I’d read it before I narrated it, I wouldn’t have chosen it), but it’s a fine representative of that era’s genre fiction writing. I had some fun doing my best impression of someone reading it in 1931, and I recorded it to share with any of you who are interested in this sort of thing.
(3) DAYS OF YORE. Rob
Hansen has added reports, photos, and
publications from “Brumcon 2 – The 1965 Eastercon” to his British
fanhistory site THEN. Charlie Winstone’s conreport sets the stage:
It all started some fifteen months ago, – the Brummies, in a fit of derring-do, talked Ken Cheslin into standing up and calling for the 1965 Convention venue to be Birmingham. This he did, not without some misgivings. After all the British Science-Fiction Association’s Committee was also centred upon Birmingham. Still, there were plenty of Brummies (Easter Brummies, as they were christened by Archie Mercer) around – it was surely not an impossible task to put on a Convention.
This episode of Eating the Fantastic almost didn’t happen, and not just because it was recorded somewhat spontaneously. No, the reason this episode almost didn’t happen was because instead of digging into dessert, we were afraid we might be spending the night being interrogated by the Secret Service. And if that had occurred, the blame would be entirely on Parvus Press publisher Colin Coyle.
It was all due to his afternoon mission to visit the White House and fulfill Kickstarter rewards relating to his recently released anthology If This Goes On, edited by Cat Rambo. And because that title contains my short story “The Stranded Time Traveler Embraces the Inevitable,” I decided to tag along. We had an off-the-record lunch at Jaleo, but once we we’d completed our mission, we debriefed what we’d just done over dessert at Art and Soul.
We discussed the reason we were glad we got to record the episode rather than spend the night in jail, how the tragic events of Charlottesville inspired him to hire Cat Rambo to assemble the If This Goes On anthology, why he switched over to the Kickstarter model for this book and what surprises he discovered during the process, the reason his company isn’t publishing horror even though he’d like to, the surprising shared plot point slush pile writers used to indicate future American culture was failing, what an episode of West Wing taught him about launching Parvus Press, what he isn’t seeing enough of in the slush pile, the acting role of which he’s proudest from back in his theater days (hint: you’ve probably seen Danny DeVito do it), the advice he wishes he could have given himself when he started out as a publisher, and much more.
One of the nation’s leading newspapers is attempting an unprecedented rights grab, according to its writers. In the midst of contract negotiations with its newsroom staff, the Los Angeles Times, purchased last year by biotech billionaire Patrick Soon-Shiong, has proposed that its journalists, as a condition of employment, cede control of any books or other creative works made outside of their daily journalistic duties.
The Los Angeles Times Guild, a trade union representing some 400 newsroom staffers, has called the proposal “a new low in the newspaper industry,” pointing out that no other major newspaper has such strict copyright restrictions. “If we have a book idea related to our work,” according to the Times Guild, “the company wants unfettered power to claim control over whether it gets written, who owns the copyright and what we might get paid for it.”
In a comment Dorothy Grant asks
whether the AG complaint should be taken at face value:
Several thoughts on that: first, we’re not seeing the actual contract clause, we’re seeing what one party to the negotiations has taken public in an attempt to pressure the other side. Which means that the ratio of truth to hyperbole is… unknown.
But have you read any “quality” fiction recently? Between making sure that all the right demographics are presented in the exact right way, and the tendency of “quality” fiction to still be about nothing, most of it is not much fun. In fact, there’s even a technical term for reading that’s supposed to be fun: it’s called ludic fiction. It’s characterized by a particular experience: you get lost in it. You forget you’re reading and you’re engrossed in the vicarious experience.
Have you noticed that the people
who stress the importance of “fun” rarely sound like they’re having any?
(8) TODAY’S BIRTHDAYS.
by Cat Eldridge.]
Born March 22, 1920 – Ross Martin. Best known for portraying Artemus Gordon on The Wild Wild West. I watched the entire series on DVD one summer some decades back include the films in less than a month from start to finish. Now that was fun! It looks like Conquest of Space, a 1955 SF film, in which he played Andre Fodor was his first genre outing. The Colossus of New York in which he was the brilliant Jeremy ‘Jerry’ Spensser came next, followed by appearances on Alcoa Presents: One Step Beyond, The Twilight Zone, Zorro, The Immortal, Night Gallery, Invisible Man, Gemini Man (a far cheaper version of Invisible Man), Quark (truly one of the worst SF series ever), Fantasy Island and Mork & Mindy. (Died 1981.)
Born March 22, 1930 – Stephen Sondheim, 89. Several of his works were of a fantastical nature including Into The Woods which mines deeply into both Brothers Grimm and Charles Perrault for its source material. And there’s Sweeney Todd: The Demon Barber of Fleet Street which is damn fun even if it isn’t genre.
Born March 22, 1931 – William Shatner, 88. Today is indeed his Birthday. I could write a long, detailed Birthday entry but y’all know everything I could possibly say here. Suffice it to that I did enjoy him on Trek for the most part and actually found his acting on TekWar where he was Walter H. Bascom to be some of his better work. Now the short-lived Barbary Coast series featuring his character of Jeff Cable was the epitome of his genre acting career.
Born March 22, 1946 – Rudy Rucker, 73. He’s certainly best known for the Ware Tetralogy, the first two of which, Software and Wetware, both won Philip K. Dick Award. Though not genre, I do recommend As Above, So Below: A Novel of Peter Bruegel.
Born March 22, 1950 – Mary Tamm. She’s remembered for her role as Romana, the companion to the Fourth Doctor in “The Key to Time” story. It seemed liked she was there longer only because another actress, Lalla Ward, played her in the following season. This actress was soon to be married to Tom Baker. She also appears briefly in the 20th Anniversary special The Five Doctors through the reuse of footage from the uncompleted story Shada. Tamm had only one other genre gig, to wit as Ginny in “Luau” on the Tales That Witness Madness series. (Died 2012.)
Born March 22, 1969 – Alex Irvine, 50. I strongly recommend One King, One Soldier, his offbeat Arthurian novel, and The Narrows, a WW II Detroit golem factory where fantasy tropes get a severe trouncing. He’s also wrote The Vertigo Encyclopedia which was an in-house project so, as he told me back then, DC delivered him one copy of every Vertigo title they had sitting in the warehouse. For research purposes. And he’s written a fair number of comics, major and minor houses alike.
Born March 22, 1978 – Joanna Page, 41. Queen Elizabeth I in the first episode of “The Day of the Doctor” on Doctor Who in which the Tenth Doctor, Eleventh Doctor and the War Doctor all make appearances. Other genre appearances are scant but she did play María on Bedlam, a British supernatural series, she was Gladys in a film adaptation of Arthur Conan Doyle’s The Lost World, and she also played of Ann Cook in the film adaptation of Alan Moore’s From Hell.
(9) COMICS SECTION.
In Baldo someone has come up with a good trick for increasing their reading time.
Cats’ fascination with laser pointers is the basis for the science fictional humor in Grimmy.
We’ve all heard of the saying “the customer is always right” but when you work in service industries, what can you do to vent your frustration when the customer is rather annoying?
Whether it’s children running riot, requests for the most obscure information, or just plain rude customers, Australian bookshop worker Anne Barnetson has faced it all. But she’s come up with a rather novel way of dealing with such awkward situations.
Anne is the creator of Customer Service Wolf, a comic found on Instagram and Tumblr. It gives a humorous anthropomorphic take on life dealing with strangers turning up in bookshops with strange requests.
As if in fulfillment of his own prophecy, Isaac Bashevis Singer has been astonishingly prolific in death. An untranslated magnum opus, Shadows on the Hudson, was translated into English in 1998, followed by a sequel collection of reminiscences of pre-1914 Jewish Warsaw, More Stories from My Father’s Court, followed by a steady, enviable beat of short stories, either unpublished or published in Yiddish but never translated, stories steadily adding to and enriching Singer’s great twin themes: the magical Yiddishkeit cosmos wrecked in World War II and the scattered, wandering survivors of that wreckage. In the past two years, Singer’s stories have been published in Harper’s and The New Yorker. Another, “The Murderer,” appears in the current spring issue of The Paris Review. Every few months, it seems, there is a Singer dispatch from beyond the grave, another unlabeled bottle floating in on the tide. Reading his bibliography, one would never guess he has been dead nearly three decades. And there will be more Singer for the foreseeable future, as the editor of his estate told The New Yorker: “There are novels, short stories, memoirs, even plays—some of which appeared in Yiddish and some of which … exist only as handwritten manuscripts.” Heaps of Singer’s words are wheeling blindly about in library archives, at the bottoms of desk drawers, manuscripts translated by hand on magazine tear sheets, unilluminated microfilm vibrantly uncollected and unclassified. He and his oeuvre refuse to be still. They seem to wend their way to the surface with something like the residue of Singer’s consciousness, or rather with the uncanny pseudoconsciousness of an automaton, set in motion by a now-dead hand.
(11) GAME IN THE WORKS. Rad Magpie’s mission is to “Support
underrepresented creators and radical interactive media.” Their first in-house studio is working on the
first Sri Lankan fantasy game to exist called Sigiriya with Mary Anne Mohanraj
Sigiriya is a mobile game set in the ancient Sri Lankan fortress of the same name. Our interactive experience marries heart-centered, narrative-driven gameplay with both fantastical and historical elements.
Our team is working to bring this game to life, and we are currently in the early production phases.
(12) YOU ASKED FOR IT, WE GOT IT. “Toyota to Help Develop Moon Rover” says the headline, though Daniel Dern comments, “In my initial glimpse I thought it said “Moon River” and wasn’t sure if it was about the song, or they were going ‘Lunar Duckboats!’”
Toyota will be adding some depth to its development prowess when it partners with Japan’s space agency to create a manned lunar rover powered by fuel cell technologies.
According to the Japan Aerospace Exploration Agency (JAXA), though Japan has no plans to send humans into space at this time, the rover could serve as a building block to eventually get them there.
(13) DRAGON LADY. In her New Yorker article “A Battle for My Life”. Emilia Clarke, TV’s Daenerys Targaryen, reveals she had two surgeries for brain aneurysms after season 1 and season 3 of Game of Thrones, and discusses that people should be urgently treated if they have brain or stroke problems.
Just when all my childhood dreams seemed to have come true, I nearly lost my mind and then my life. I’ve never told this story publicly, but now it’s time.
Back in 2015, a hitchhiker was murdered on the streets of Philadelphia.
It was no ordinary crime. The hitchhiker in question was a little robot called Hitchbot. The “death” raised an interesting question about human-robot relationship – not so much whether we can trust robots but whether the robots can trust us.
The answer, it seems, was no.….
Hitchbot is not the first robot to meet a violent end.
Dr Kate Darling, of Massachusetts Institute of Technology (MIT), encouraged people to hit dinosaur robots with a mallet, in an workshop designed to test just how nasty we could be to a machine.
She also conducted an experiment with small bug-like robots.
Most people struggled to hurt the bots, found Dr Darling.
“There was a correlation between how empathetic people were and how long it took them to hit a robot,” she told BBC News, at her lab in Boston.
“What does it say about you as a person if you are willing to be cruel to a robot. Is it morally disturbing to beat up something that reacts in a very lifelike way?” she asked.
The reaction of most people was to protect and care for the robots.
“One woman was so distressed that she removed the robot’s batteries so that it couldn’t feel pain,” Dr Darling said.
(17) MERGER MASHUPS.
Chris Hemsworth on Instagram celebrated the
Disney-Fox merger by wearing a Deadpool outfit with a Viking helmet. Ryan
Reynolds marked the merger by wearing mouse ears on his Deadpool outfit on his
(18) VIDEO OF THE DAY. In “Why Do Flat-Earth Believers Still
Exist?” on YouTube, John Timmer of Ars
Technica shows the increasinly flimsy evidence flat earth followers have
for claiming the earth is flat.
John King Tarpinian, Daniel Dern, Mike Kennedy, Martin Morse Wooster, Chip
Hitchcock, Cat Eldridge, JJ, Michael Toman, Carl Slaughter, and Andrew Porter
for some of these stories. Title credit belongs to File 770 contributing editor
of the day Kip Williams.]
….If, on the other hand, the above feels like a gross exaggeration of your social anxiety, then perhaps I do have a handful of weird old tips for you.
Perhaps the most important thing is to have someone on your side. I am extremely lucky to have talented and fearless people who want me to succeed, and it has helped immeasurably. Now, this may seem like a bit of a paradox. Social anxiety can make recruiting your friends not just a Herculean task, but a mild imposition on them, and therefore an impossible request. “How can I make such a request,” you say, “as worthless and unworthy as I am? My friend surely has better things to do—like staring into space or streaming the complete run of She’s the Sheriff. I can’t let them waste their time on me.”
To get over this, the first thing you have to do is acknowledge that your brain is lying to you. I mean, Suzanne Somers is great and all, but that show just doesn’t hold up. Good acting can only go so far in saving such a horrible premise.
Oh, and your brain is also lying about your worthlessness. You are worthy and deserving of the help of others. But seriously, who the hell thought that show was a good idea?
(2) THE BOVA ERA. Do my eyes deceive me, a kind word for Analog? Well, not about just any issue — James Davis Nicoll reviews the Special Women’s Issue from June 1977 in “Nothing Without a Woman or a Girl”. (So, perhaps Galactic Journey will say something kind about the magazine in another 14 years?)
I have excoriated Ben Bova’s fiction in the past, but I have nothing but admiration for his work as editor for Analog. While Disco-Era Analog might seem a bit stodgy to modern eyes, at the time Bova was a breath of fresh air. Rather than settle for being a second-rate Campbell, he did his best to be a first-rate Bova. He recruited new authors, many of whom differed (excitingly) from Analog’s Old Guard. He also bought more stories by women than did his predecessor1. While some old guard objected to Bova’s direction, enough readers enjoyed it to give him a remarkable six Best Editor Hugo Awards, as well as one nomination for the same category….
Eyes of Amber won the Hugo. The Screwfly Solution won a Nebula. Two major awards for stories from one issue is remarkable. Other stories, such as the Tellure, may not have won accolades but were memorable enough for me to remember as soon as I laid eye on them. All things considered, this was a pretty awesome read to be my third ever issue of Analog. It’s no surprise that Bova was nominated for a Hugo on the basis of his 1977 work.
…In my mind, whenever someone asks what could be vegan about fantasy, it proves to me that they’ve never been a vegan reading fantasy. In addition to a lot of the violence and war in the genre (it’s usually a central component, even outside of grimdark), the best scenes feature someone riding their steed in a fine leather vest to grab a hock of ham. I’m not even sure I know what hocks are, but I have concluded they are key to the development of fantasy heroes. So, you know, my fiction is just focused a bit differently. In fact, I think that diversity and exploration is what fantasy is all about.
I’m not here to get into all of that, though. I’m here to talk about one of Cat’s and my favorite subjects: yummy food. Now, I’m not an authority on gourmet cuisine. Go to a vegan restaurant or check out many amazing online vegan chefs for that. (I’m particularly fond of Richa Hingle.) Hey, I’m not even a great cook. But I haven’t eaten meat in almost a quarter century, so I can definitely speak to “what we eat.” Don’t worry. This is just a quick blog to spark some ideas. But if you don’t mind eating plants, here are five simple foods you could give a spin….
(4) WHERE RIVERS AND FANS MEET. The 2018 Confluence will be held at the Sheraton Pittsburgh Airport Hotel from July 27-29, with Guest of Honor Catherynne M. Valente and special music guest S.J “Sooj” Tucker.
This year marks the 30th anniversary of the first Confluence, although it is not the 30th Confluence (they had to skip 1999 and 2013).
(5) TOURISTS. Stormtroopers and other Imperial military personnel dropped in to see the sf exhibit at the Pasadena Museum of History today. (Photo by John King Tarpinian.)
(6) HAPPY BELATED BIRTHDAY
Born June 2, 1920 — Bob Madle, one of only two surviving attendees of the very first Worldcon. It’s possible Bob is the oldest living SF fan.
(8) PIONEER FILK. Rob Hansen has added what appears to be the earliest filking fanzine produced in the UK to his THEN fanhistory site: “Songs From Space (1957)”.
Presented here is what appears to be the earliest filking fanzine published in the UK, which is dated August 1957. It was published by Eric Bentcliffe, reworked lyrics were by Sandy Sandfield, and artwork by Eddie Jones.
The final song, Space Club Drag, is inspired by The Space Club, a clubroom for London fandom that Helen Winick had tried to establish around the turn of the year.
The most incredible family of superheroes is back. The Parrs, the lovable, fearless family of five we first met in 2004 in The Incredibles, will return for another animated adventure when Disney-Pixar’s Incredibles 2 arrives in theaters June 15.
And although 14 years have passed, it’s like the clock has barely ticked at all: The new movie picks up seconds after the first one ended, with the same cast of characters. Elastigirl (voiced by Holly Hunter) hurtles back into superhero work, while her husband, Mr. Incredible (Craig T. Nelson), remains behind as a stay-at-home dad with the couple’s three kids, teenage Violet (Sarah Vowell), adolescent Dash (newcomer Huck Milner) and baby Jack-Jack.
I have been in contact with Jada at ConCarolinas by Messenger, and she tells me that they will be making a live announcement at closing ceremonies, with the video to be on their Facebook group, which will make clear that going forward they will be inviting guests they feel are genre-related and that as a convention which has never taken a political stance they will not tolerate being told that guests must lean one way or another or that guests are uninvitable because of their political stances. They will expect anyone who attends to be able to be in a room with another person who disagrees with him/her and be civil to one another. They will also not be beholden to bullies or trolls and will not disinvite guests after such attacks. They will also mention what happened to John, and state that the mutual decision for him not to attend was wrong and that they apologize to John for the hurt and the frustration that was caused by their decision and for the fact that their initial statement did not make it clear that HE was the one being harassed and bullied by vile, unfounded allegations (which went so far as to drag his wife into the fire) and threats to harass him at the con which would have turned a regional con into a battleground. On that basis, I have agreed to attend the con as a special guest next year.
Weber also says the convention will give him a contract about his appearance.
People, the object is to fix the problem, not to pile on (from either side) and not for anybody to issue masochistic mea culpas. But there is a point at which grown-ups have to begin the “fix the problem” conversation by acknowledging that they screwed up and publicly apologizing to the object of their screwing up. To be blunt, ConCarolinas owes John Ringo a public apology for not making clear who was the victim and strongly condemning the hatemongers who attacked him AS HATEMONGERS.
At the moment, I am VERY satisfied. I’m sure that some people are going to wish that there’d been more self-flagellation and public contrition, but she was reading a prepared statement that she wanted to be sure got every point covered. Under the circumstances, I think this is a positive admission of the mistakes that were made, an apology to John, a proper characterization of the vileness of the allegations thundered against him, and a very decent starting point to move forward. And speaking as someone who’s had to eat a little crow in public himself upon occasion, I know how hard it is — especially coming back after the fact — to apologize in a case like this.
(11) FAN OVERBOARD. Honor Harrington fandom has been experiencing some rough sailing. Longtime volunteer Tom Coonradt announced his retirement as the Senior Master Chief Petty Officer of the Royal Manticoran Navy due to a conflict with leadership.
…It is with a very heavy heart that I say this.
It is my opinion that John Roberts is the worst possible fit for a first space lord this, or any, Organization could have.
Since before John Roberts became first space lord he has treated me with disdain, condescension, and disrespect. And I know I am not the only one. Culminating with a public outburst at a respected member of this organization at Manticon.
John Roberts refuses to communicate with me in writing, he says because he communicates poorly in writing. My concern is that there is ZERO accountability there. There is no recording of a spoken conversation that can keep a first space lord honest. He has out rightly and in writing (ironically) refused to discuss anything with me at all in writing, even if it is a simple message of “I want to talk to you about this topic, when can I call you?” I had on the phone, only a few short weeks ago, given him several possible solutions to our communication issue. When I thought we had reached a compromise, the only thing he sent me, ironically enough, is the new policy on how to replace the SMCPON. One he refused to discuss further with me after I gave my impressions.
He has no ability to be flexible, and in fact will refuse to listen or even acknowledge any advice, idea or criticism that he doesn’t agree with….
The group’s website defines The First Space Lord as the Senior Executive Vice President of The Royal Manticoran Navy: The Official Honor Harrington Fan Association, Inc.
The full text of Coonradt’s statement can be found attached to a comment on this post.
Whannell: So the exoskeleton that helps people with paralysis walk and move, this movie is the internalized version of that, where it goes one step further and there’s nothing exterior. It’s a chip.
It has been interesting to watch the world catch up to my script. Because when I wrote the first draft of this script, automated cars and smart kitchens were still science fiction. And in the ensuing years, they’ve become ubiquitous. I mean, my wife’s car parks itself and talks to her. And my daughter thinks it’s perfectly normal to have a voice talking to her in the kitchen, and she asks it to play songs and it does. So in a way I feel like I’m living in the world of the movie I wrote all those years ago.
(13) PARVUS IS OPEN. Colin Coyle of Parvus Press says they are open for novel and novella submissions until July 15. See details on the publisher’s website under Submissions.
(14) DEPARTMENT OF MYSTERIOUS HINTS. Here’s your first clue:
I don't want to drop any mysterious hints building up anticipation or anything, but I -might- be talking with @seananmcguire about teaching a class for the Rambo Academy in coming months that is going to be supercool.https://t.co/F9tAFLRtrU
…On the surface, Hearts of Tabat might be a slightly satirical comedy-of-manners, but the Beasts are growing restless and rebellious, and something (or someone) is trying to siphon away the magic that protects the land. When, abruptly, Bella Kanto is accused of sorcery and exiled, it is clear something is very wrong.
Rambo’s world is beautifully described, complex and plausible. Good people are complicated, and aren’t always good. Sebastiano works daily with the Beasts, seeing their natures, yet spouts standard bigoted lines about how they can’t be accorded the same rights as humans. Adelina’s infatuation with Eloquence causes her to ignore her own better judgment. Eloquence himself is charming and seductive, but we see a different side of him at home with his sisters.
A large part of the Tabat society is religion. The Trade Gods and the Moon Temples, with their different belief systems, are depicted convincingly. The effects of poverty are not romanticized. Frankly, Obedience has it so bad at home that when she is abducted along with a magic student I can only think that’s going to be a step up for her….
[Thanks to John King Tarpinian, JJ, Chip Hitchcock, Mike Kennedy, Martin Morse Wooster, Cat Eldridge, Carl Slaughter, Cat Rambo, Jack Lint, Rich Lynch, Colin Coyle, and Andrew Porter for some of these stories, Title credit goes to File 770 contributing editor of the day Ingvar.]