Tag Archives: GUFF

Pixel Scroll 4/30/20 A File And Scroll Reunion Is Only A Pixel Away

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(1) CATS TRIUMPHANT. Naomi Kritzer has had a big week. Her YA novel Catfishing on Catnet won an Edgar Award today, and won a  Minnesota Book Award on Tuesday. Here’s an excerpt of the Q&A she did for the St. Paul Library:

How does it feel to be a Minnesota Book Award finalist?

It is a huge honor and feels amazing!

Tell us something about your finalist book that you want readers to know?

It is loosely based on my (Hugo Award-winning) short story Cat Pictures Please, which you can still find online:

Share something about your writing process and preferences. For instance, where is your favorite place to write?

When I’m outlining or brainstorming, I use a notebook of unlined paper, like a sketch diary. I like to write in my sunny living room but discovered at some point that the ergonomics of a couch, hassock, and lap desk will lead quickly to back problems, so I usually write at a desk in my home office.

(2) BOOKSTORE LOVE. LitHub tells the world “Now you can use your favorite indie bookstore as your Zoom background.” Like this shot of Vroman’s – where John King Tarpinian and I got John Scalzi to sign our copies of The Collapsing Empire a few years ago. The complete list of bookstores with notes on each one can be found on the Lookout + Ecotone blog.

(3) INGENIOUS. The Science Fiction and Fantasy Association of New Zealand blog gives a good rundown of Alison Scott’s plans for “The Virtual GUFF Tour”, since she can’t travel there in person this year. It’s an effort completely worthy of a former editor of the fanzine Plokta, “The journal of superfluous technology.” 

Alison Scott is the recently elected European GUFF delegate. The plan was for the winning delegate to travel down under to meet local fans and addend the 2020 Worldcon – CoNZealand. Of course because of you-know-what the borders are closed and CoNZealand has gone virtual. But Alison appears undaunted – she now plans to take a virtual tour of Australasia visiting Australian and New Zealand places and fans before attending the virtual worldcon. There will be a proper itinerary mimicking a physical journey and Alison even plans to adhere to the local timezones (yay jetlag!). You can read more about her plans and follow her progress over on the facebook group dedicated to the trip.

(4) RAMPING UP TO THE APOCALYPSE. The Baltimore Science Fiction Society has completed the ADA compliant ramp in front of their building. The January 20 Pixel Scroll ran details about the permits coming through. Club President Dale S. Arnold said today –

Although the COVID-19 emergency and related closures caused some delays, eventually the weather and logistics worked to allow completion. Many years ago when the plan for renovations to the BSFS Building was announced the author Jack Chalker commented that if a bunch of SF Fans were able to pull off that complex of a plan it would be a sign of the coming apocalypse.  With the completion of this ramp (except final painting the door which was altered in the ramp design) we have now realized the dream from 1991 having completed everything planned when we bought the building.

And BSFS didn’t finish a moment too soon, because the apocalypse appears to be just around the corner.

(5) NOT GENTEEL. Errolwi points out how well today’s Merriam-Webster tweet complements James Davis Nicoll’s famous quote about the English language:

(6) AIMLESS, IF NOT LOST, IN SPACE. And by no coincidence whatsoever, the next item is about James Davis Nicoll’s latest Tor.com post, “Far From Any Star: Five Stories About Rogue Worlds”.

It’s been weeks since you last socialized (in the flesh) with anyone outside your household…or with anyone, if you live alone. Loneliness is tough. But things could be worse: you could be a rogue world, ejected from your home system billions of years ago. You could be a pitiful world formed far from any star. Such worlds are commonplace in our galaxy. They are not quite so common in science fiction. Still, a few of them feature in books that you may have read…

(7) JEMISIN AND GAIMAN. The Fisher Center will present “UPSTREAMING: Neil Gaiman in Conversation with N. K. Jemisin” on May 2 at 7:30 p.m. EST. However, the website says, “Tickets are not currently on sale. Call the box office for more information, 845-758-7900.” So if you’re interested, call.

Join Professor in the Arts Neil Gaiman for a remote, live streamed conversation with Hugo Award-winning author N. K. Jemisin (Broken Earth trilogy), whose new work The City We Became was released in March to great acclaim. The conversation is part of an ongoing Fisher Center series in which Gaiman discusses the creative process with another artist.

(8) LE GUIN IN ’75. Fanac.org has posted a video recording of an Aussiecon (1975) Worldcon panel with Ursula K. Le Guin, Susan Wood and others, “Worlds I Have Discovered.”

AussieCon, the 33rd Worldcon, was held in Melbourne, Australia in 1975. This panel centers on questions to Guest of Honor Ursula Le Guin’s on her writing for young adults (or at least classified as for young adults). The panelists, moderated by Fan Guest of Honor Susan Wood, are Ursula herself, Stella Leeds, Peter Nicholls, Anna Shepherd, and Ann Sydhom. The video quality leaves a lot to be desired, but the discussion on Le Guin’s process of writing, the panel’s views on children’s literature, and children’s literature as a literary ghetto remain interesting and very pertinent. Remember, this was decades before the phenomena of Harry Potter.

Andrew Porter sent the link with this reminder that the same year his Algol Press published Dreams Must Explain Themselves, a 36-page chapbook whose title essay is about how Le Guin got ideas for books.

(9) TODAY IN HISTORY.

  • April 30, 1955  — Science Fiction Theatre’s Y.O.R.D. episode first aired. Directed by Leon Benson from a screenplay by him and George Van Marter as based on a story written by Marter and Ivan Tors. Truman Bradley Was The Host and the cast included Walter Kingsford, Edna Miner Louis,  Jean Heydt and DeForest Kelley. The latter would be playing Captain Hall, M.D.  You can watch it here.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge. Bonus typos provided by OGH.]

  • Born April 30, 1913 — Jane Rice. Her first story “The Dream” was published  in the July 1940 issue of Unknown. Amazingly, she’d publish ten stories there during the War. Her only novel Lucy remains lost due to somewhat mysterious circumstances. Much of her short stories are collected in The Idol of the Flies and Other Stories which is not available in digital form. (Died 2003.)
  • Born April 30, 1920 — E. F. Bleiler. An editor, bibliographer and scholar of both sff and detective fiction. He’s responsible in the Forties for co-editing the Best SF Stories with T.E. Dikty. They later edited Best Science-Fiction Stories. He also did such valuable reference guides like The Checklist of Fantastic Literature and The Guide to Supernatural Fiction. (Died 2010.)
  • Born April 30, 1926 — Edmund Cooper. Pulpish writer of space opera not for the easily offended. His The Uncertain Midnight has an interesting take on androids but most of his work is frankly misogynistic. And he was quite prolific with over twenty-four novels and a dozen story collections. A lot of his work is available at the usual digital suspects. (Died 1982.)
  • Born April 30, 1934 — William Baird Searles. Author and critic. He‘s best remembered  for his long running review work for Asimov’s  where he reviewed books, and Amazing Stories and F&SF where he did film and tv reviews. I’m not familiar with his writings but I’d be interested to know who here has read Reader’s Guide to Science Fiction and Reader’s Guide to Fantasy which he did, as they might be useful to own. (Died 1993.)
  • Born April 30, 1938 — Larry Niven, 82. One of my favorite authors to read, be it Ringworld, The Mote in God’s Eye with Jerry Pournelle, or the Rainbow Mars stories which I love in the audiobook version. What’s your favorite Niven story? And yes, I did look up his Hugos. “Neutron Star” was his first at NyCon 3 followed by Ringworld at Noreascon 1 followed by “Inconstant Moon” (lovely story) the following year at L.A. Con I,  “The Hole Man” (which I don’t remember reading) at Aussiecon 1 and finally “The Borderland of Sol” novelette at MidAmericaCon. He’s not won a Hugo since 1976. 
  • Born April 30, 1973 — Naomi Novik, 47. She wrote the Temeraire series which runs to nine novels so far. Her first book, His Majesty’s Dragon, won the Astounding Award. She most deservedly won the Nebula Award for Best Novel for Uprooted which is a most excellent read. I’ve not yet her Spinning Silver, so opinions are welcome.
  • Born April 30, — Gal Gadot, 34. Wonder Woman of course in the DC film universe. Other genre work, well, other than voicing Shank on Ralph Breaks the Internet, there really isn’t any. She did play Linnet Ridgeway Doyle in the Kenneth Branagh production of Murder on the Orient Express which is quite lovely but hardly genre or even genre adjacent. 

(11) SOUNDTRACK. Steve Vertlieb would like to introduce the world to French film composer, Thibaut Vuillermet.

(12) REVENGE OF THE GRINDHOUSE. SYFY Wire reports ”Trolls World Tour Rocks $100 Million On Vod”.

The decision to skip a theatrical release in the age of coronavirus was a wise move that led to big returns for DreamWorks’ Trolls World Tour. 

According to The Wall Street Journal, the animated movie has racked up nearly $100 million in the three short weeks since it arrived on VOD and digital platforms Friday, April 10. With approximately 5 million rentals at $19.99 a pop, Universal has generated over $77 million from a digital release model that allows studios to keep an estimated 80 percent of profits. Since the traditional theatrical model relies on a 50-50 kind of split, a film playing in a physical venue has to make a lot more money in order for a studio to turn a profit. 

The real point here is that Trolls Would Tour has brought in more tangible revenue during its first 19 days on demand than the first movie did during five months in theaters.

However, one theater chain intends to punish Universal for their plans to reproduce the success by simultaneously releasing movies in theaters and through video-on-demand, presumably trimming their revenue. The Hollywood Reporter covered the announcement: “AMC Theatres Refuses to Play Universal Films in Wake of ‘Trolls: World Tour'”.

AMC Theatres on Tuesday delivered a blistering message to Universal Pictures, saying the world’s largest cinema chain will no longer play any of the studio’s films in the wake of comments made by NBCUniversal CEO Jeff Shell regarding the on-demand success of Trolls World Tour and what it means for the future of moviegoing post-coronavirus pandemic….

“The results for Trolls World Tour have exceeded our expectations and demonstrated the viability of PVOD,” Shell told The Wall Street Journal, which first reported the numbers. “As soon as theaters reopen, we expect to release movies on both formats.”

In a strongly worded letter to Universal Filmed Entertainment Group chairman Donna Langley, AMC Theatres chairman and-CEO Adam Aron said Shell’s comments were unacceptable. AMC is the largest circuit in the world.

“It is disappointing to us, but Jeff’s comments as to Universal’s unilateral actions and intentions have left us with no choice. Therefore, effectively immediately AMC will no longer play any Universal movies in any of our theaters in the United States, Europe or the Middle East,” Aron wrote.

“This policy affects any and all Universal movies per se, goes into effect today and as our theaters reopen, and is not some hollow or ill-considered threat,” he continued. “Incidentally, this policy is not aimed solely at Universal out of pique or to be punitive in any way, it also extends to any movie maker who unilaterally abandons current windowing practices absent good faith negotiations between us, so that they as distributor and we as exhibitor both benefit and neither are hurt from such changes….” 

(13) CHICKEN EATER OF THE SEA. [Item by Chip Hitchcock.] From the Harvard Gazette: “Water Beast: New paper argues the Spinosaurus was aquatic, and powered by predatory tail”.

New paper argues the Spinosaurus was aquatic, and powered by predatory tail

Back in the Cretaceous period, 145 to 66 million years ago, dinosaurs dominated the land and sky. They also, a new paper argues, terrorized the aquatic realm. Recent fossil evidence has revealed that Spinosaurus aegyptiacus, among the largest of all known carnivorous dinosaurs, was a creature of the water, with a center of gravity and a giant tail fin perfect for swimming. The same paper shares robotic modeling by two Harvard scientists that shows how that large, flexible tail fin — unique among dinosaurs — would have given the giant predator a deadly propulsive thrust in the water, similar to a salamander or crocodile tail.

The paper, “Tail-Propelled Aquatic Propulsion in a Theropod Dinosaur,” in the April 29 issue of Nature, uses new fossil evidence and robotically controlled models created by Harvard co-authors Stephanie E. Pierce and George V. Lauder, professors of organismic and evolutionary biology, to show its power.

Pierce said the new fossils were necessary to make their argument, as much of the fossil evidence of Spinosaurus, unearthed by German paleontologist Ernst Stromer, had been destroyed in World War II. University of Detroit paleontologist Nizar Ibrahim, the Nature paper’s lead author, had located more traces of the dinosaur in Morocco in 2014, and in 2018 he went back, successfully excavating extensive Spinosaurus remains. The fossils included tail vertebrae with meter-long spines that seemed to form an expanded paddle, raising questions as to what the tail was used for.

“The working hypothesis was that Spinosaurus used its tail to swim through water,” said Pierce, Thomas D. Cabot Associate Professor of Organismic and Evolutionary Biology. Ibrahim and his team reached out to Pierce, curator of vertebrate paleontology at the Museum of Comparative Zoology, to test their idea. She was immediately intrigued by the 5-plus-meter-long tail.

Yes, Dave, “Predatory Tail” would be a great name for a band.

(14) YOUR MISSION… “Nasa names companies to develop Moon landers for human missions”

Nasa has chosen the companies that will develop landers to send astronauts to the Moon’s surface in the 2020s.

The White House wants to send the next man and the first woman to the Moon in 2024, to be followed by other missions.

Jeff Bezos’ Blue Origin, Elon Musk’s SpaceX and Alabama-based Dynetics were selected to work on landers under the space agency’s Artemis programme.

The 2024 mission will see astronauts walk on the Moon’s surface for the first time since 1972.

Combined, the contracts are worth $967m (£763m; €877m) and will run for a “base period” of 10 months.

“With these contract awards, America is moving forward with the final step needed to land astronauts on the Moon by 2024, including the incredible moment when we will see the first woman set foot on the lunar surface,” said Nasa’s administrator Jim Bridenstine.

“This is the first time since the Apollo era that Nasa has direct funding for a human landing system, and now we have companies on contract to do the work for the Artemis programme.”

(15) RECIPES WITH CHARACTERS. “Need new recipes for quarantine? Pixar’s YouTube channel is here to help”. Entertainment Weekly shares some examples.

As Pixar taught us, anyone can cook… and now the animation studio is giving you something to cook.

The Pixar YouTube channel features a series called “Cooking With Pixar,” a collection of recipes inspired by the studio’s films. At the moment, the series only has three videos, but they should provide some inspiration if you’re in need of something new to cook — which, it’s fair to say, most of us probably are at this point.

(16) YOU’RE MELTING! “Nasa space lasers track melting of Earth’s ice sheets” – BBC has the story.

Scientists have released a new analysis of how the Greenland and Antarctic ice sheets have changed, from 2003 to 2019.

The study shows that ice losses from melting have outpaced increases in snowfall, resulting in a 14mm rise in global sea-levels over the period.

We’ve had a number of very similar reports to this recently.

What makes this one of interest is that it uses data from the highest-resolution satellite system dedicated to studying the poles – IceSat.

This system flies space lasers over glaciers and other ice fields to track their constantly shifting shape.

The US space agency (Nasa) has now launched two of these altimeter instruments.

The first, IceSat, operated between 2003 and 2009; the second, IceSat-2, was put up in 2018.

Thursday’s report is a first attempt to tie both satellites’ observations together.

(17) BROTHER GUY’S AIR. “Antarctic meteorites yield global bombardment rate”

A team of UK scientists has provided a new estimate for the amount of space rock falling to Earth each year.

It’s in excess of 16,000kg. This is for meteorite material above 50g in mass.

It doesn’t take account of the dust that’s continuously settling on the planet, and of course just occasionally we’ll be hit by a real whopper of an asteroid that will skew the numbers.

But the estimate is said to give a good sense of the general quantity of rocky debris raining down from space.

(18) VIDEO OF THE DAY. Horizon on Vimeo is a short film by Armond Dijcks based on images taken by the International Space Station.

[Thanks to Joyce Scrivner, Mike Kennedy, Andrew Porter, Cat Eldridge, Chip Hitchcock, JJ, Martin Morse Wooster, Michael Toman, Errolwi, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Matthew Johnson.]

2020 GUFF Race Decided

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The winner of the GUFF 2020 race is Alison Scott of the UK.

GUFF, the Get Up-and-over Fan Fund or the Going Under Fan Fund, depending on which direction it’s running, exists to provide funds to enable well-known fans from Australasia and Europe to visit each other’s national (or other) conventions and get to know each other’s fandoms better.

Marcin “Alqua” Klak, European GUFF Administrator, writes:

Considering the current global situation and in consultation with the GUFF candidates and CoNZealand the GUFF delegate will participate remotely in CoNZealand (29th July – 2nd August). Once it is possible and safe to travel again the GUFF trip will be organized.

And he adds, “The current GUFF administrators would like to thank the other candidates and all those who voted in the race. We would also like to thank Claire Brialey who helped us with many things.”

There were 102 valid votes received. Also, 5 invalid votes were received (these were missing the voting contribution, additionally one voter claimed he didn’t vote.) Two fans provided the contribution but not the vote.

As one candidate withdrew from the race because of the current global situation ballots cast for them were allocated to the second preference. (Klak did not name that candidate in the press release.)

The other candidates were Cora Buhlert (Germany); Hisham El-Far and Lee Fletcher (UK); Hanna Hakkarainen (Finland); Elizabeth Jones and Claire Rousseau (UK); and Dave Lally (UK).

The votes were not tabulated in the initial press release [see update], but some other statistics were released.

There were voters from 12 countries: Australia – 17; Belgium – 1; Finland – 7; Germany – 2; Greece – 1; Ireland – 3; Netherlands – 2; New Zealand – 2; Spain – 1; Sweden – 6; UK – 48; USA – 12.

The total contributions (before PayPal claiming their fees) were: 210 AUD;  310 EUR; 558.95 GBP;  82.32 NZD.

Update 04/18/2020: The administrators have released the ballot count:

2020 GUFF Voting Begins

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The Going Under Fan Fund (GUFF) ballot for the 2020 race is now available online.

Voters will choose a European delegate to attend to CoNZealand in Wellington, NZ (July 29-August 2).

The six candidates are: Cora Buhlert (Germany); Hisham El-Far and Lee Fletcher (UK); Hanna Hakkarainen (Finland); Elizabeth Jones and Claire Rousseau (UK); Dave Lally (UK); Alison Scott (UK).

Ballots will be accepted until April 13. The candidates’ platforms, general information about voting, and the online ballot can be found here. A PDF ballot for printing is also available. Votes are not valid unless accompanied by a contribution of at least GBP6, EUR7, AUD10, NZD10, or an equivalent amount in other currencies. See the ballot for full rules and payment options.

GUFF, the Get Up-and-over Fan Fund or the Going Under Fan Fund, depending on which direction it’s running, exists to provide funds to enable well-known fans from Australasia and Europe to visit each other’s national (or other) conventions and get to know each other’s fandoms better.

The winner(s) will take over the administration of the fund for the next northbound and southbound races.

Here are the candidates’ platforms and nominators:

Cora Buhlert (Germany)

Cora Buhlert is a writer, teacher, translator, crafter and lifelong SFF fan from Bremen, Germany. She writes for the Hugo-nominated fanzine Galactic Journey, co-runs the Speculative Fiction Showcase, a blog focussed on self-published and small press SFF, and recently created the 1945 Retro Hugo recommendation spreadsheet to help nominators. At her personal blog, she writes long rambling posts about science fiction, fantasy, media and whatever else comes to mind, including her adventures at the 2017 and 2019 WorldCons, where she was a panellist and volunteer. She’d love to have some adventures at CoNZealand to share as well.

Nominators: Camestros Felapton, Jo Van Ekeren (Australasia), Adrienne Joy, Kári Tulinius, Mark Yon (Europe)

Hisham El-Far and Lee Fletcher (UK)

Lee and Hisham met at a con in 2004, became best friends and partners in geekery, and have attended (and worked) DragonCons, Eastercons, Worldcons, Nineworlds and many more! They tweet, meet, and squee IRL about books, cosplay, and all things nerdy. In 2019 Lee opened The Portal Bookshop, an LGBT+ and diverse SFF specialist – now they push the best books at people for a living. Hisham helps! They can’t wait to explore NZ, nerd out with awesome new people, connect across continents, and document (and live-tweet) a riotous, excitable adventure to help fans everywhere vicariously get their geek on.

Nominators: Thoraiya Dyer, Abigail Nathan (Australasia), Matt Cavanagh, Joanne Harris, Alasdair Stuart (Europe)

Hanna Hakkarainen (Finland)

An efficient HR-person by day and an enthusiastic Fan by nature, Hanna is the way you spell “fandom” in Finnish. Hanna has organized cons of all sizes, from hundred-member Åcons, Finncons for thousands to Worldcon 75. She would love to go to New Zealand and Australia, chat with new friends until the various marsupials come home, and bring new ways to fandom from the Antipodes back home. Hanna loves to read, binge media, share bad memes and conjure culinary delights for friends and family. She never misses an opportunity to meet people and enjoy new activities, so bring on ConZealand!

Nominators: Sarah Lee Parker, PRK (Australasia), Phil Dyson, Jukka Halme, Mihaela Marija Perkovi? (Europe)

Elizabeth Jones and Claire Rousseau (UK)

We’ve both been involved in conventions since 2014, having volunteered at LonCon3, WorldCon75, Dublin2019, BristolCon and NineWorlds, doing front of house, exhibits, social media, programming and speaking on panels. We’re also both involved in fandom through BookTube, the bookish part of YouTube. There we discuss science fiction, fantasy and fandom (Claire’s channel: https://www.youtube.com/user/ClaireRousseau, Elizabeth’s channel: https://www.youtube.com/user/booksandpieces). Attending ConZealand is an opportunity to meet fellow fans from across the globe and to document and celebrate this amazing fandom with a series of videos about WorldCon and the fans that make it.

Nominators: Elizabeth Fitzgerald, Tansy Rayner Roberts (Australasia), Aliette de Bodard, Esther MacCallum-Stewart, Nicholas Whyte (Europe)

Dave Lally (UK)

Well known in UK, Ireland and Europe.
Active since his 1st UK Eastercon/Eurocon-Seacon 84/Brighton.
Video progs for (a) Worldcons: The Hague 1990 (Confiction), Glasgow 1995 (Intersection) and 2005 (Interaction), (b) most Eastercons : 1991-2005 and (c) many Octocons (IrishNatSFCons).
2006-2013: Chair ESFS (European SF Society-Eurocon’s home).
Since 2014: Membership Officer-British SF Association.
2016: Eastercon (Mancunicon) Committee.
Expertise “The Prisoner” (TV: 1967) and “The Wicker Man” (film: 1973).
Conventions are fandom’s lifeblood : not just the interaction of fen with the GoHs, but fen with
each other.
Financial services: retired. Irish National. London resident.

Nominators: Perry Middlemiss, John Toon (Australasia), Kin-Ming Looi, Mali Perera, Bridget Wilkinson (Europe)

Alison Scott (UK)

I’ve been attending conventions since 1984 and running them since 1986, including chairing Eastercons and curating fan spaces at UK Worldcons.
I write and illustrate fanzines, winning the Hugo for Plokta and the Rotsler and Nova for fan art. I helped edit the Aussiecon 4 at-con newsletter remotely while the convention slept.
I enjoy conventions mightily; I stay up late, meet new people, and have many passions, including fan funds, fundraising, and trip reports.
Through fandom I’ve grown to know many Australasian fans and would relish the chance to learn first-hand about their local fan groups and activities.

Nominators: Sue Ann Barber, Damien Warman (Australasia), Johan Anglemark, Sue Mason, Mark Plummer (Europe)

Call for Nominations for 2020 GUFF Race

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GUFF administrators ae calling for nominations to send a European fan to CoNZealand, the 2020 Worldcon in Wellington, New Zealand (July 29-August 2).

GUFF is the Going Under and Over (or Get Under) Fan Fund which transports SF fans from Europe to Australasia (and vice versa).

Marcin “Alqua” Klak, the current European Administrator of GUFF, and Simon Litten (Australasian Administrator) have posted full details here.

Depending on the length of trip they’re able to make, the winner could also consider visiting other parts of New Zealand and Australia to visit fans. The winner will also be required to take over the administration of the fund for the next northbound and southbound races.

Nominations are being taken until January 10, 2020. Then the candidates will be announced and voting will run until April 13.

2019 GUFF Race Ends

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Simon Litten, the 2019 Get-Up-and-over Fan Fund (GUFF) winner, will represent New Zealand and Australian fandom at Worldcon 77 in Dublin, Ireland in August

GUFF administrators Donna Maree Hanson (Australasia) and Marcin Klak (Europe) received 73 votes. “Even after the final round of votes were counted, there was only one vote between the winning candidate and the runner up,” said their press release, which did not name the second-place finisher.

 [Thanks to Paul Weimer for the story.]

Pixel Scroll 12/28/18 Baby Is 3.14159

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I’m still recovering from the flu, however, here’s a curtailed Scroll to help keep the conversation moving.

GUFF INTERVIEWS. The Get-Up-and-over Fan Fund (GUFF) ballot for the 2019 race is available online. Voters will choose an Australasian delegate to attend Dublin 2019 in Ireland (August 15-19). There is an option for the delegate to also attend the Eurocon (Titancon, in Belfast, Northern Ireland, on August 22-25).

The candidates are Lynelle Howell, Simon Litten, and Nicole Murphy.

GUFF co-administrator Marcin Klak has posted interviews with all three candidates

NASA AFFECTED BY SHUTDOWN. Cnet points out that space mission press coverage will be handicapped if the government shutdown continues — “NASA shutdown: Agency could be dark during historic New Year’s missions”.

NASA’s live stream is currently offline, however, and the agency is redirecting people to NASA TV, which it states will show live events. The NASA public relations team is unable to publicize the events and send out press releases during the shutdown because they aren’t exempt from the furlough.

Previous government shutdowns, in January and February this year, lasted no longer than three days. But this shutdown could continue into the new year. As recently as Thursday, at least one US senator suggested there’s “no end in sight”. 

LEARN TO RUN A COMIC CON. Ithaca College will offer the “First College Course on Running a Comic Convention”.

Ithaca College, a mid-size nationally-ranked private college, will offer a course on running a comic convention in the Spring 2019 semester, the first time we’ve heard of a college course on the topic.  Students taking the course will plan and manage Ithacon, the second-longest-running comic convention in the nation.  The course, Creating and Promoting Ithacon, will be co-taught by Ed Catto, formerly of Bonfire Agency (see “Rotterdam, Catto Start Bonfire“) and Reed Exhibitions, currently a lecturer in the Department of Management; and English professor Katherine Kittredge, who’s the coordinator of Ithacon.

Students will plan, manage, and market the convention, and do post-event analysis.  Other topics of the course will include publishing, filmed entertainment, licensing, collectibles and fan communities.

BLEEDING COOL TOP 100 POWER LIST. This week Bleeding Cool has been dribbling out its “Top 100 Power List” of the comics industry’s influential figures. The list came to my attention because Vox Day is grumpy that he’s not on it — despite having (unintentionally) managed to get a Bleeding Cool editor fired this year for publishing an interview with him – which he figures represents some level of industry power….

This attempt to list the most powerful people working in the English-speaking comic book marketplace is, of course, flawed. It is judged by all manner of attributes, the ability to influence what comics exist and sell, but also the willingness to use that power in the industry to affect things, and the ability to retain said power if a job is taken away. Which is why you will see a number of people on a higher spot than their bosses.

…It does not measure talent or likeability, respect or fairness, and it does not intend to represent diversity or balance. All it does is note power, used for betterment — or detriment — in the English speaking comic book world.

96. Eddie Ibrahim

Director of Programming at San Diego Comic-Con – it may come but once a year but Eddie holds the fortunes and plans of many comic book publishers and creators in his hands. His whim can see a publisher given the chance to expose the world to what they are working on. Or denied the chance and remain in relative obscurity. Also, it may be down to him to see if the panel you have arranged will be full of your fans or people waiting to see Critical Role.

74. Ethan Van Sciver. Leaving DC Comics after prominent creators refused to work with him anymore, he used the usual mixture of Comicsgate virtue signalling, identity politics and mocking hater videos to raise over half a million dollars on Indiegogo, for his still-upcoming Cyberfrog comic revival. The highest amount raised on crowdfunding by any comic creator in the year, it helps that he can actually draw. This helped him take the position as leading Comicsgate figure as Richard Meyer stepped back, due to his legal case with Mark Waid, and not wanting to give the defence further ammunition.

53. Gail Simone. Leading comic book writer, advisor, social media presence and whose Women In Refrigerators continues to impact all over the place, Simone has also become showrunner of the Lion Forge line of superhero comic books. With a massive social media following and an uncompromising attitude, Simone always brings a lot to the party.

54. Ta-Nehisi Coates. Writer of Black Panther, as well as a literary activist, he has brought attention to this comic alongside the release of the movie, and has created a small but new fanbase for Marvel comic books.

46. Kelly Sue DeConnick. Writer of Bitch Planet and Pretty Deadly, a strong voice in the comics industry fuelled with the Captain Marvel movie based on her take on the character, she remains a font for advice, support and comradeship, and her production company with Matt Fraction, Milkfed, continued to develop new comics and adapt and represent them for other media.

[Thanks to JJ, John King Tarpinian, Chip Hitchcock, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, Carl Slaughter and Andrew Porter for some of these stories Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

2019 GUFF Voting Begins

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The Get-Up-and-over Fan Fund (GUFF) ballot for the 2019 race is now available online.

Voters will choose an Australasian delegate to attend Dublin 2019 in Ireland (August 15-19). There is an option for the delegate to also attend the Eurocon (Titancon, in Belfast, Northern Ireland, on August 22-25).

The candidates are Lynelle Howell, Simon Litten, and Nicole Murphy.

Ballots will be accepted until April 22. The candidates’ platforms, general information about voting, and the online ballot can be found here. A PDF ballot for printing is also available. Votes are not valid unless accompanied by a contribution of at least GBP6, EUR7, AUD10, NZD10, or an equivalent amount in other currencies.

GUFF, the Get Up-and-over Fan Fund or the Going Under Fan Fund, depending on which direction it’s running, GUFF exists to provide funds to enable well-known fans from Australasia and Europe to visit each other’s national (or other) conventions and get to know each other’s fandoms better.

The winner will take over the administration of the fund for the next northbound and southbound races.

Here are the candidates’ platforms:

Lynelle Howell (New Zealand)

Hi, my name is Lynelle Howell and I’m a fan. I’ve been actively involved in fandom for over 20 years at both local and national level. I’ve chaired two natcons, helped set up SFFANZ (the Science Fiction and Fantasy Association of New Zealand). I have administered the Sir Julius Vogel Awards (SJVs) for more than 10 years. I’m currently the FFANZ (Fan Fund of Australia and New Zealand) administrator and am on the Executive for CoNZealand, the 78th worldcon in 2020.

I’m running for GUFF as I’m keen to attend more international conventions (including Eurocon and Dublin 2019) and meet new friends

Nominators: Australasia – Norman Cates (NZ), Julian Warner (Aus), Lorain Clark (NZ) and Roman Orszanski (Aus); Europe – Kylie Ding (UK) and James Shields (Ireland)

Simon Litten (New Zealand)

I am a New Zealand fan with 30 years involvement in organised fandom, having helped found and served on the committee of both the local SF club and NZ’s national SF body SFFANZ.

I have helped organise two national SF conventions; and have served on a Hugo awards subcommittee for the “best series” category.

I enjoy travelling and meeting fans from other countries.

I would be honoured to be the GUFF delegate and to represent antipodean fandom at the Dublin WorldCon.

Nominators: Australasia – Lucy Sussex (Aus), Gillian Polack (Aus) and Ross Temple (NZ); Europe – Nina Horvarth (Austria), Claire Brialey (UK) and Esther MacCallum-Stewart (UK).

Nicole Murphy (Australia)

I love conventions! Since joining the committee for Conflux 1 in 2002, I’ve sat on the committee for 9 out of 14 Confluxes (including chairing Conflux 4, co-chairing Conflux 9 and after a break, programming Conflux 14). Additionally, I’ve run a couple of online mini-cons and convened the Aurealis Awards twice. Today I’m employed as a professional conference organiser! I look forward to meeting amazing Dublin Worldcon and Belfast Titancon participants and, in particular, the opportunity of bringing my experience, creativity and Australian sense of humour to GUFF. We will most definitely have a ball!

Nominators: Australasia – Cat Sparks (Aus), Kaaron Warren (Aus) and Rose Mitchell (Aus); Europe – Jukka Halme (Finland) and Mihaela Marija Perkovic? (Croatia).

Pixel Scroll 10/7/18 They’re Pixelling Scrolls At Buckingham Palace, Christopher Robin Went Down With Alice

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(1) R.U.R. BEING SERVED? NPR says “The Robots Are Coming To Las Vegas”. How long will people pay to see a robot arm mix a cocktail, in slow motion and without conversation?

At the Vdara Hotel and Spa in Las Vegas, robots are at the front line of room service. “Jett” and “Fetch” are delivery robots, designed to look like dogs, each about three feet high.

They can bring items from the hotel’s cafe right to your room. Among their many capabilities, they can travel alone across the lobby, remotely call for an elevator, and even alert guests when they arrive at their hotel room through an automated phone message.

It’s not just Vdara that’s experimenting with this technology. Other Las Vegas hotels, including the Renaissance Las Vegas, are using automation to cater to customers’ needs. So too was the Mandarin Oriental before changing over to the Waldorf Astoria this summer. And at bars like the Tipsy Robot, it’s the machines that are making the drinks.

(2) VISIT FROM THE DOCTOR. NPR’s Glen Weldon says “‘Doctor Who’ Goes Back To Basics, With A Twist”.

…With her rich Northern accent (the actress was born in Yorkshire), Whittaker’s Doctor isn’t posh or effete — no bow ties or fezzes for her. Instead she radiates pragmatism (if pragmatism is a thing that can radiate) and a decidedly middle-class, we’re-all-in-this-together enthusiasm. At least, she seems to — “The Woman Who Fell To Earth,” like all new-Doctor debut episodes, showed The Doctor still a bit jumbled from the regeneration process, and working to figure out who she is. As for the much ballyhooed change of sex, it merits precisely one quick throwaway exchange (“Why do you call me ma’am?” “Because you’re … a woman?” “I am? Does it suit me?”) before she gets on to the business of saving the day.

…Much time and attention was devoted to setting up our four, then three, companions: Bus driver Graham (Bradley Walsh), police officer Yas (Mandip Gill) and young warehouse worker Ryan (Tosin Cole). Brought together by chance and united by tragedy, the three promise to bring a dynamic to the series we haven’t seen since old-school Who: A team of colleagues with different skill sets. Modern Who has defaulted to “companion nurtures unspoken romantic feelings for The Doctor” so often that this should make a welcome change.

The grounded nature of the episode — The TARDIS is missing in action, forcing The Doctor to improvise a plan in and around greater Sheffield — played to Whittaker’s strengths. Capaldi’s quick-tempered, exasperated headmaster persona is utterly gone, replaced by something warmer and more empathetic. Her Doctor is just as brilliant and other-worldly as ever, but it’s couched in something earthier.

(3) GUFF. Donna Maree Hanson announced that nominations are now open for the Get Up-and-over Fan Fund. The winning GUFF delegate(s) will be attending Worldcon in Dublin in 2019.

Nominations are open from 8 October until 5 December 2018 and candidates will be announced soon after. Voting will then run until 23:59 BST 22 April 2018, with the winner announced online as soon as possible after voting has closed.

Nominations should be sent via email to donnamareehanson at gmail dot com or via post to her address above, or via email to alqua.kun at gmail dot com (postal address on request). The bond can be sent by PayPal to guff2018@ozfanfunds.com or contact Donna for bank transfer details. She will also take cash in person.

The 2019 GUFF Call for Nominations (PDF) includes details and answers to frequently asked questions.

(4) WILSON OBIT. Scott Wilson, who played Hershel Greene over three seasons of hit zombie series The Walking Dead, has died of cancer: “‘The Walking Dead’ Actor Scott Wilson Dead at 76” at Rolling Stone.

Over an acting career that spanned over 50 years and amassed over 80 credits, some of Wilson’s most notable film roles include his turn as Richard Hickock in the 1967 adaptation of In Cold Blood, a murder suspect in In the Heat of the Night, pilot Scott Crossfield in The Right Stuff and as the man who murders Jay Gatsby in the Robert Redford-starring version of The Great Gatsby.

However, Wilson will best be remembered for portraying religious and widowed farm owner Hershel Greene on The Walking Dead, a role he played from 2011 to 2014 before the character was killed off.

(5) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and JJ.]

  • Born October 7, 1906 – John L Nanovic, Editor born in Slovakia who emigrated to the U.S.. The Encyclopaedia of Science Fiction says: “From 1931 he was associated with Street & Smith, for whom he edited The Shadow from 1932 to 1943; and was also involved in developing the figure of Doc Savage for the firm, writing the initial treatment which was published, long afterwards, as Doc Savage, The Supreme Adventurer, and editing the actual journal, Doc Savage Magazine, from 1933 to 1943. He was responsible for the successful choice of Lester Dent as principal author of the series; Dent wrote most of the Doc Savage stories published under the house name Kenneth Robeson .”
  • Born October 7, 1907 – Richard “Shave” Shaver, Writer whose fantasy stories in Amazing Stories, 1944-48, raised one of the most spectacular feuds in early fandom. He began hearing voices, which he believed were real, telling him a bizarre mythos of prehistoric cannibals living in vast underground caves and preying on human beings’ minds by supernatural means. Amazing editor Ray Palmer published the first of these stories, “I Remember Lemuria”, plus more than 20 sequels, and demanded that fans accept these as true fact (which, of course, did not go over well with fans, who eventually engaged in a campaign led by Forest J. Ackerman to get readers to boycott Ziff-Davis magazines and persuade the U.S. Post Office to ban them). After more than 4 years of contentious letters from fans and the associated uproar, management finally banned Shaver from the magazine and Palmer resigned as editor.
  • Born October 7, 1938 – Jane Gallion (Ellern), Writer, Poet, and Fan who was one of the members of the Los Angeles Science Fiction Society subgroup The Blackguards, which hosted many parties and tournaments. She edited the fanzines Karuna, Topaze, and Topaze (etc.), contributed to many other fanzines over the years, and was known for her three post-apocalyptic novels which were very early examples of feminist works involving explicit sex.
  • Born October 7, 1942 – Lee Gold, 76, Writer, Editor, Filker, Gamer, and Fan. She became prominent after 1975 as the editor of Alarums and Excursions, a monthly gaming APA for RPG writers which won the Charles S. Roberts Award for Best Amateur Wargame Magazine and the Origins Award three years in a row, and is still going on today. She also published Xenofilkia, a bi-monthly compilation of filk songs, and five issues of the anthology Filker Up. Her professional writing credits in the RPG field include Land of the Rising Sun, Lands of Adventure, GURPS Japan, and Vikings. She and her husband Barry were jointly inducted into the Filk Hall of Fame in 1997, and were Interfilk guests at Ohio Valley Filk Fest in 2000.
  • Born October 7, 1945 – Hal Gibson Pateshall Colebatch, 73, Lawyer, Journalist, Editor, and Writer from Australia who has written, singly or in collaboration, two novels and at least two dozen shorter pieces set in Larry Niven’s The Man-Kzin Wars series. However, his main body of work is non-genre, including six books of poetry, short stories, and radio dramas and adaptations. His non-fiction books include social commentary, biography and history, and he has published many hundreds of articles and reviews in various news and critical venues.
  • Born October 7, 1950 – Howard Chaykin, 68, Writer, Artist, and Illustrator of comic books. His first major work was for DC Comics drawing “The Price of Pain Ease”, which was an adaptation of Fritz Leiber’s characters Fafhrd and the Gray Mouser, in Sword of Sorcery #1. He illustrated Samuel Delany’s graphic novel Empire, did a comic book adaptation of Alfred Bester’s The Stars My Destination with Byron Preiss, and provided covers for novels by authors such as Roger Zelazny, Fred Saberhagen, and Philip José Farmer. He would illustrate damn near everything else from Batman and Superboy and The Legion of Super-Heroes for DC to Hulk! and Iron-Man for Marvel, but I think his best genre work was his own American Flagg.
  • Born October 7, 1956 – Rick Foss, 62, Historian, Writer, Food Connoisseur, Conrunner, and Fan who has had around a dozen short fiction works published, mostly in Analog, some of which are in his Probability Zero universe. He is also a food writer, maintains a blog of interesting and little-known stories about food and cooking, has published the book Food in the Air and Space: The Surprising History of Food and Drink in the Skies about the history of airline food, and has had occasional food-related contributions on File 770. He is a member of LASFS and SCIFI, has worked many Loscons and other conventions, and chaired Loscon Sixteen in 1990. Along with his brother Wolf Foss, he was Fan Guest of Honor and Toastmaster at Windycon 19 in 1992.
  • Born October 7, 1959 – Steven Erikson (Steve Rune Lundin), 59, Archaeologist, Anthropologist, and Writer from Canada. He’s published the ten-volume-and-counting fantasy series Malazan Book of the Fallen as well as associated short fiction, and there are at least two spinoff series in progress or planned now, the Kharkanas Trilogy and Karsa Orlong Trilogy. His works have received World Fantasy and Aurora Award nominations, and he has been Guest of Honor at several conventions, including the 2015 World Fantasy Convention.
  • Born October 7, 1975 – Jamie Hector, 43, Actor and Producer who has had recurring roles in Heroes, Heroes: Hard Knox, and Person of Interest, a guest role on Jericho, appearances in the films The Strain and Max Payne, and has done character voices on videogames and animated series including Halo, GTA, and TRON: Uprising.
  • Born October 7, 1979 – Shawn Ashmore, 39, Actor and Producer who is best known to genre fans as Iceman in the X-Men movies and videogames. He appeared in an episode of The Ray Bradbury Theater at the age of 12 and had guest roles in Earth: Final Conflict, The (new) Outer Limits, and Smallville, and main roles in the TV series Animorphs and The Following, the perhaps-best-forgotten miniseries Earthsea, the film Solstice, and the videogame/live action hybrid Quantum Break.
  • Born October 7, 1979 – Aaron Ashmore, 39, Actor and Producer who is best known to genre fans as Jimmy Olsen on Smallville. He’s also had main roles in the TV series Warehouse 13, Lost Girl, and XIII: The Series, and guest roles on Fringe, The Listener, and Animorphs, where he played his twin brother Shawn’s double.

(6) COMICS SECTION.

  • The monster and social media at Off the Mark. (Which monster? Well, I can’t say Frankenstein, because every time I do that somebody shows up to tell me Frankenstein is not the monster, and sometimes I do grow weary….)
  • Lio has a good word about books. (As good a word as you can have in a comic without dialog.)
  • Will the tip in this Monty help pay your way to the next Scottish Worldcon?

(7) NOW, VOYAGER. Engadget speculates that “Voyager 2 probe may be on the edge of interstellar space”.

NASA’s Voyager 2 probe may be close to joining its sibling and entering interstellar space. The vessel has been detecting a five percent increase in cosmic rays since late August, suggesting that it’s close to crossing the heliopause (the edge of the solar wind bubble, aka the heliosphere) and entering the interstellar realm. Voyager 1 saw similar increases in May 2012, so its fellow spacecraft may be in for a repeat.

(8) URBANITY. See a gallery of Jae Cheol Park’s work at My Modern Met: “Incredible Pen Drawings Visualize Futuristic Cities With Densely Detailed Architecture”.

If you’re into sci-fi art, the work of South Korean concept artist Jae Cheol Park (aka Paperblue) might just make it to the top of your favorites list. This artist’s incredible pencil and pen drawings detail imaginary worlds that blend science fiction with fantasy. Futuristic cities appear as expanding, industrial metropolises built upon chaotic layers of construction.

Each monochrome work is hand-sketched with perfect perspective, showing the colossal scale of Park’s architectural structures and his limitless imagination. Buildings seem to be stacked on top of each other, like futuristic slums built on hills that reach as high as skyscrapers. […]

(9) VENOM. Hollywood Reporter: “Why ‘Venom’ Is Dividing Critics and Audiences”.

Subhead: “Ten years of Marvel Studios domination has taught people to expect a certain tone from comic book movies.”

[This story contains spoilers for Venom]

This weekend Sony launches its own cinematic universe with Ruben Fleischer’s Venom. Although the film is making a strong showing at the box office opening weekend, the reviews have been less than approving. The general consensus gathered from reviews for Venom is that the film is a tonal mess, veering wildly from drama, horror, and comedy from scene to scene. That assessment of tone is true, but I remain unconvinced that it makes for a bad movie, and least of all a poor adaptation of the comic book character who made his debut in 1988

.(10) BY TCHAIKOVSKY. Paul Weimer shares another book at Nerds of a Feather: “Mircoreview [book]: Ironclads, by Adrian Tchaikovsky”.

…And then there is Finland.

Long ago, when reading Poul Anderson’s Boat of a Million Years, I was introduced to the idea of how many outsiders thought about Finland. One of the viewpoint characters, showing off his unusual skills to a dark age Dane, is constantly asked if he had learned the strange arts from the Finns. I grasped the idea that Finland to outsiders was a strange, unusual place with people speaking a very different language and customs. The term Scandinavia, for instance, most definitely *excludes* Finland from it’s purview.

The strangeness and wonder of Finland infuses this slim volume. Even as the protagonists fight across the landscape of Sweden to complete their mission, the Finns they encounter (and the hints of the Finland they come from) are treated like an alien land with technology and power that’s a bit off, a bit different than everything else they are used to. There is more than a hint of a Faerieland quality to Finland and the Finns that the author leverages wonderfully into the novel….

(11) FANS WILL SOON BE THROWING UP. Uh, but in a good way — “Star Trek: Discovery Unveiled Your New Spock and He Is Wearing That Beard” at Yahoo! Entertainment.

Fans of Star Trek: Discovery will soon be throwing up their Vulcan salutes as everyone’s favorite sharp-eared space voyager will debut in the forthcoming second season. At New York Comic Con 2018, a new (bearded!) Spock made his first appearance in a trailer for the new season, set to premiere January 17, 2019.

During the panel Ethan Peck, who will play the famous science officer, recalled the audition process: “It was absolutely outrageous. It was a long audition process, and in the beginning I didn’t know what I was reading for. I knew it was for Star Trek and this guy was struggling with emotion and logic. And toward the very end of it I found out who it was and I was like, ‘Oh my gosh I can’t believe,’ and I had a panic attack throughout the last meeting with [Executive Director Alex] Kurtzman, and about two days later I was like, ‘You know what, even if it doesn’t go my way, what an incredible experience to brush arms with this character and this world.’ And I got a text message from the casting director, Orly Sitowitz, and she said, ‘Welcome aboard, Mr. Spock.’ I was in such shock I sat down on the corner of the street and I cried for like 15 minutes, I was so overwhelmed and overjoyed. I’ll never forget the moment.”

[Thanks to John King Tarpinian, Chip Hitchcock, JJ, Cat Eldridge, Martin Morse Wooster, Mike Kennedy, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Niall McAuley.]

Pixel Scroll 6/6/18 Rishathra And the City And The City

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(1) EMMY CAMPAIGN. Comicbook.com spotted these “For Your Consideration” videos touting Star Trek: Discovery for costuming and makeup Emmy nominations.

https://www.youtube.com/watch?v=sNxxJOdtTZw

(2) WISCON PROGRAM NOTES. Yes, there were other panels at WisCon… Lady Business has launched a series of posts to tell you about them, beginning with – “WisCon 42 Panel Writeups: ‘Positive Representations of Masculinity’”.

I didn’t think to say this during the panel itself, but I’ve seen the “helping hand” ethos more and more on reality tv lately. I’ve been watching a lot of Face Off, which is a makeup/special effects artist competition show, and once of the great sellings points of that show for me is how often the competitors help each other. On that show there’s often an element of “this person’s idea for the makeup is so good and it would be a shame if they didn’t manage to realize their vision because of [impediment of the hour].” It’s great to see this approach spreading through more and more competition shows. It’s not just a question of what kinds of contestants are on these shows, but deliberate editing decisions about choosing to play up cooperation rather than conflict. Face Off started out playing up the conflict a lot more in early seasons, but as the show went on they chose more and more to highlight the collaborative aspects and the artistry. I think this is a really important trend in terms of what producers and editors predict or perceive audiences reacting well to, and it’s a trend we can and should reward.

(3) WISH FULFILLMENT. C.E. Murphy’s friends made it happen — “Agent Carter Kisses”.

I have, from time to time, made noises about how much I wanted the Agent Carter kit from Besame Cosmetics, all with a “maybe someday I can buy it” wist.

Well, some of my friends conspired and got it for me as a birthday gift! In fact, I got the package from the Lead Conspirator, my friend Mary Anne, and I thought “???” and turned it to see ‘cosmetics’ written on the customs form, and, as Young Indiana will attest, said, “Oh, she didn’t,” right out loud.

… Later, after everybody said BUT WHAT ABOUT THE OTHER ONES I went to try them, too, and holy carp.

Me, looking at the color of the 2nd lipstick (“Forget Me Not”): oh, this will definitely by my least favorite of three colors.

Me, putting it on: holy shit if this is my LEAST favorite this is gonna be an AMAZING trio!!!

The products are still available from Besame Cosmetics’ Agent Carter Shop.

We are overjoyed to introduce our 1946 Agent Carter collection. This labor of love was sparked by Marvel’s use of our popular shade, 1946 Red Velvet, on the iconic Agent Carter. Peggy’s fierce independence, glamour, and intelligence — as well as our love for the series — inspired us to create a collection dedicated to the show.

(4) GUFF. Congratulations to Donna Maree Hansen for publishing her GUFF Trip Report so quickly!

My GUFF trip report is complete at 62 pages comprised of 26,000 words and photos. The report contains the account of the trip I made to Finland for Worldcon 75 and my adventures meeting fans around northern Europe, Ireland and the UK.

If you would like a copy then please order below. All money raised from the report goes to the GUFF to support other SF fans to travel to SF cons in Europe and Australasia.

I’ve set the minimum donation to $7.00.

Thank you in advance.

(5) IT COMES IN THE MAIL. Seen at ~12:00 in this video, Campbell (best new writer) nominee Jeanette Ng sent a copy of her book with a thank you note to the creators of a wrestling podcast she thanked in the acknowledgements.

DMS, who sent the item, says “And, yes, I do watch a show about opening mail.”

(6) A PEEK AT THE BALLOT. Joe Sherry resumes his Nerds of a Feather series with “Reading the Hugos: Novella” —

River of Teeth: From my review: “Um, did you know there was a serious plan to bring hippopotamuses to America to alleviate a meat shortage? I didn’t either, but Sarah Gailey did. I’m so happy that she knew this because it grew into this insanity of a novella that delivers a fantastic story that feels like the wild west as seen from hippoback. River of Teeth is glorious, but it is more than just the wonderful idea of using hippos as beasts of burden and transit (and oh, this idea is so well excuted) – it is also filled with striking characters like Winslow Remington Houndstooth and Regina Archambault, but the whole cast, really. It’s great.” The fact that this is my least favorite of the finalists does not denigrate River of Teeth at all, but rather it shows just how high the bar is in this category.

(7) ON FIRE. Paul Weimer’s latest Nerds of a Feather contribution is “Microreview [book]: Fire Dance, by Ilana C Myer”.

In 2015, attracted by it’s cover and premise, I became interested in the work of then debut novelist Ilana C Myer. Her Last Song Before Night was a triumph of poetry, language and worldbuilding that immersed me from the first page and refused to let me go. I was left wanting to learn much more about Lin and her world of Court Poets, returning magic, and vivid language.

Fire Dance, although not strictly a sequel to Last Song Before Night, returns us to that same world, set not longer thereafter. The consequences of Lin’s unleashing of long suppressed magic in the land of Eivar is only starting to be felt, with none understanding what this will truly mean….

(8) VACATIONING FROM THE NEW AND SHINY. Book Smugglers’ Ana Grilo turns back to “Old School Wednesdays: The Amulet of Samarkand (Bartimaeus #1) by Jonathan Stroud”.

This is another entry in a series of Old School Wednesdays posts, brought to you by the amazing folks who supported us on Kickstarter. As one reward level, backers were given the opportunity to pick an Old School title for one of us to read and review online.

It starts with the summoning of one of the most powerful djinn in history, Bartimaeus. He is tasked with stealing the Amulet of Samarkand from Simon Lovelace, one of England’s greatest and most powerful magicians. Bound and controlled by the magician who summoned him (and WHO could have that kind of power?), Bartimaeus sets out to accomplish the deed.

(9) TIMESCAPE IMPRINT. James Davis Nicoll reminds Tor.com readers “Why Editors Matter: David Hartwell’s Extraordinary Timescape Books”.

Thanks to Asimov’s repeated admonitions that editors matter, I began at an early age to pay attention to the humans responsible for the books I consumed en masse. When I knew which editors were behind the works I liked, I would follow them from company to company. Thus I first became aware of Hartwell as the person behind Pocket Books’ remarkable Timescape imprint1.

(10) MAREN OBIT. Jerry Maren, the last of The Wizard of Oz’ Munchkin actors, died in May. The Hollywood Reporter has the details: “Jerry Maren, Last Surviving Adult Munchkin From ‘Wizard of Oz,’ Dies at 98”.

He also appeared in ‘Superman’ and Marx Brothers movies, as well as on television in ‘The Gong Show’ and ‘Seinfeld.’

Jerry Maren, the last surviving adult Munchkin from The Wizard of Oz, has died. He was 98.

The actor, who stayed active in show business long after Dorothy had returned to her home in Kansas, died last month, a niece and his nephew reported in separate Facebook posts.

Maren had been residing in an assisted-care facility in the San Diego area, Steve Cox, co-author of the 2006 book Short and Sweet: The Life and Times of the Lollipop Munchkin, told The Hollywood Reporter.

At age 19, Maren (at 3-foot-4) appeared as one of the three Lollipop Guild Munchkins (the green one in the middle) in the classic 1939 movie. He had been spotted by an MGM scout while performing in a show at the Bond Hotel in Connecticut and was the youngest of the 124 adult actors to suit up as a Munchkin. (A few children were used as a well.)

(11) PEW PEW. The Pew Research Center has published a new study of how Americans view the roles of NASA and of private companies in space endeavors: “Majority of Americans Believe It Is Essential That the U.S. Remain a Global Leader in Space”

Despite the increasing role of private companies in space exploration, most believe NASA’s role is still vital for future.

Sixty years after the founding of the National Aeronautics and Space Administration (NASA), most Americans believe the United States should be at the forefront of global leadership in space exploration. Majorities say the International Space Station has been a good investment for the country and that, on balance, NASA is still vital to the future of U.S. space exploration even as private space companies emerge as increasingly important players.

…And, as the private sector increasingly ventures into space – through companies such as SpaceX, Blue Origin and Virgin Galactic – 65% of Americans believe NASA should still play a vital role in the exploration of space, while a third (33%) say private companies will ensure enough progress in this area even without NASA’s involvement.

Pew summarizes their findings as regards NASA with this graphic:

Three news sources provide their own takes on what the Pew research “really” means (note the variability in headlines, in particular):

A study published today by the Pew Research Center has found that a majority of Americans reckon that staying on top of the space pile should be a US priority, with NASA still attracting a lot of love.

However, party poppers are unlikely to be fired within NASA’s scattered spaceflight centres since the idea of putting boots back on the Moon or on Mars doesn’t attract quite the same levels of affection.
While previous studies, like this one by the National Science Board, found that 25 per cent of Americans felt too much was spent on space exploration (45 per cent said it was OK and 21 per cent wanted more), the new research focussed on where US citizens think space priorities should lie and who – NASA or the private sector – should be doing the work.

Americans rank monitoring Earth’s climate and detecting asteroids and other objects that could hit the planet as top priorities for NASA, according to a new Pew Research Center survey. Lowest on the list: returning astronauts to the Moon — a top priority for the White House.

For the future: Half of the 2,541 Americans surveyed think people will be routinely traveling to space as tourists in the next 50 years. But 58% of respondents said they wouldn’t want to orbit Earth.

The Trump administration has vowed to make America great again in spaceflight, and the centerpiece of its space policy to date has been a re-prioritization of human spaceflight as central to NASA’s activities. As part of this initiative, the White House has sought to reduce funding for satellites to observe environmental changes on Earth and eliminate NASA’s office of education.

However, a new survey of 2,541 Americans by Pew Research Center, which aims to represent the views of US adults, finds that these views appear to be out of step with public priorities.

(Special thanks to Mike Kennedy for pulling this item together.)

(12) MEANWHILE, BACK AT REALITY. NPR reports “Space Station For Sale: NASA Administrator Is In Talks With International Companies”.

Soyuz MS-09 spacecraft is scheduled to blast off Wednesday morning with its three-member crew to begin what is billed as Expeditions 56-57 at the International Space Station.

But new NASA Administrator Jim Bridenstine, this week is talking openly about a very different future the International Space Station and space travel in general. The big idea is less government and more private investment.

In an interview with the Washington Post published Tuesday, Bridenstine says he is in talks with international companies about commercial management of the space station.

Bridenstine, who was sworn in this past April, says there are many large corporations that are interested the commercial potential of the ISS.

(13) FROM HERE TO THERE. Camestros Felapton became positively obsessed with working up a list of all the possible ideas about “How To Teleport”. Amazing! Here are three examples –

  • Transport only your consciousness, transmit into clone or robot bodies somewhere else. Obviously has a potential duplication issue. Seems a lot like demonic possession the more you think about it.
  • Quantum tunnelling. Fundamental particles can do this so why can’t you? There’s a chance that you might be somewhere else and so sometimes you are somewhere else. Requires messing with the fundamentals of probability.
  • A wormhole/portal. You physically move but through a piece of space that is a shortcut. The implication is that places in space ae all physically closer than they appear.

Then he followed up with a 19-paragraph set of model “Terms and Conditions” for using such a device — highly entertaining!

Teleport-buffer Terms & Conditions

1 You must access and use the HereThere!(tm) teleport-buffer (“teleport-buffer”) only in accordance with these terms and conditions (“Teleport-buffer Terms and Conditions”) the Energiser/De-energiser Terms and Conditions and any instructions for use provided or made available by Tel-E-Port-U Centauri Pty Ltd or its affiliates (“Tel-E-Port-U”) or Engineering Officers from time to time.

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(14) CONCAROLINAS. Author Jason Gilbert, who ran ConCarolinas’ film festival, told Facebook readers why he won’t be involved anymore.

On a professional level, it was one of the easiest decisions I’ve ever made.

ConCarolinas was the first con that ever accepted me as a guest, and I have considered it my “Home Con” for years. But the past few years have shown the con to be moving in a direction that I cannot go. The event itself and the past few days have made my decision easier. Where I was originally going to resign from running the film festival since I only agreed to do it for one year, I cannot make myself return in any capacity. I have seen ConComm members treating guests and vendors with disrespect. I have seen scheduling that made any form of professional development almost impossible, and turned what could have been good panels into a conversation led by people who have no knowledge in that particular subject, and are questioning why they were placed on the panel in the first place when they never signed up for it. Filmmakers who worked hard on their projects and were rewarded with recognition and awards were treated as an afterthought.

But, beyond that, I have seen horrific behavior from the ConComm on social media. A disabled guest was openly mocked in two separate Facebook threads, which disgusted me to my core. I have screenshots. Complaints about John Ringo’s fans using the ConCarolinas page to hunt down Guests and Attendees in efforts to troll and harass them on their own walls to the point of abuse and hate speech were ignored. I have screenshots. The conchair went to David Weber’s page and offered discount passes to next year’s event if those on the “Right” could tell stories of actions taken against them by those on the “Left.” I have screenshots. Two con security volunteers, both with no more than the basic, required 8-hour training in order to receive a permit to carry a concealed weapon in North Carolina, were carrying over the weekend. One of them the head of the team. I have screenshots. I have contacted the hotel and gotten their policy. Based on my conversation with them, they had no idea that, not only were there loaded guns at the event, but that there have been loaded guns at the event for years. One guest will be having a conference call today over this, as management is apparently floored.

(15) TREK ACTORS REUNITED. GeekTyrant has this story covered: “First Trailer For The Sci-Fi Thriller 5TH PASSENGER Brings Together Several Fan-Favorite STAR TREK Actors”

The first trailer has been released for a new sci-fi thriller 5th Passenger and the cool think about this film is that it brings together several fan-favorite Star Trek cast members.

…The cast of the film includes Doug Jones (Star Trek: Discovery), Tim Russ (Star Trek: Voyager, Star Trek: The Next Generation, Star Trek: Deep Space Nine), Marina Sirtis (Star Trek: The Next Generation, Star Trek: First Contact, Star Trek: Generations), and Armin Shimerman (Star Trek: Deep Space Nine).

5th Passenger was funded through Kickstarter and they ended up raising a little over $80,000. The goal was to create the film centered around a strong female lead. The director of the film, Scott Blake, had this to say about his film:

“I directed 5th Passenger because it’s a film I wanted to see. It is inspired by my love of the science fiction genre, The Twilight Zone, and Alfred Hitchcock Presents. All twisted storylines with principled characters thrown into extreme situations where society breaks down and their morals and values are tested.”

 

(16) KISSY-FACE. Iphinome hit it out of the park with these two scales for measuring literary displays of affection:

Having given it some thought, here’s a kissy-face scale.

0 – No kissy face
1 – rare and chaste kissy face
2 – What you would expect from two people who date
3 – Delectable, some people do like to make kissy face and it is wonderful but that’s not the main plot
4 – There’s a lot of kissy face here. Might be uncomfortable.
5 – They’re kissing again. Is this a kissing book?

And a second scale for grownup sexy times

0 – Eww no keep your cooties out of my reading time
1 – This book contains grown ups and you should assume they like sexy times from time to time but it isn’t really talked about.
2 – Implied grownup sexy times. I hate a great time last night. Come to my room later. Cut away to another scene after the kissy face.
3 – On page low detail grownup sexy times.
4 – Grown up sexy times with detail, low frequency. One or two such events in a novel length work.
4.5 – Outlander
5 – You’re reading this story because you really like reading detailed depictions of grown up sexy times.

Swordspoint gets three kissy face emoji.

[Thanks to Chip Hitchcock, JJ, DMS, Mike Kennedy, Martin Morse Wooster, Carl Slaughter, Andrew Porter, Cat Eldridge, and John King Tarpinian for some of these stories, Title credit goes to File 770 contributing editor of the day Daniel Dern.]

2018 GUFF Winner

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Polish fan Marcin Klak is the 2018 GUFF delegate. GUFF is the Get Up and Over (or Going Under) Fan Fund which transports SF fans from Australasia to Europe (and vice versa).

Klak will attend Continuum in Melbourne, Australia over the June 8-11 weekend.

Voting figures were not released, but GUFF co-administrator Donna Maree Hanson says, “It was a strong race with high number of votes being cast at Eastercon in the UK.”

The other candidates were and Steve and Alice Lawson.