Pixel Scroll 8/29/23 Mom Said Not To Scroll Pixels In The File

(1) DEATH IN THE MOUTH 2 KICKSTARTER. Cartoonist and writer Sloane Leong and writer Cassie Hart have partnered to launch a Kickstarter appeal for a second volume of Death in the Mouth: Original Horror from the Margins.  Death in the Mouth 2 is a horror anthology showcasing BIPOC and other ethnically marginalized writers and artists from around the world. It will feature twenty prose stories spanning the distant past to the far future, real and fictive worlds, all while exploring new and unique manifestations of horror. Each story will also be accompanied by an original black and white illustration by a unique artist.

They’ve invited authors like Sascha Stronach, Jeeyon Shim, Richard Van Camp, Erika T. Wurth, Nadia Bulkin, JAW McCarthy, Ana Hurtado, Paula D. Ashe and more to contribute stories.

Artists include Anand Radhakrishnan, Max Banshees, Rosío Airén, Eli Minaya, Tiffany Turrill-Gourdin, Julie Benbassat, Daylen Seu, Sloane Hong, Leslé Kieu, and Makoto Chi. They anticipate welcoming many new and underrepresented authors and artists through their open call.

At this writing the Kickstarter has raised $19,435 of its $40,000 goal with 16 days to go.

(2) HOW DARE YOU. At Black Gate, S.M. Carrière reminds everyone that “Reviews Are Not For Authors”, with a couple spectacular examples of writers who felt otherwise:

…The first case I was made aware of involved Susan Stusek, who was dropped by her publisher because of the backlash she received on TikTok and GoodReads following her behaviour.  The book, to be released by publisher Sparkpress September 12th of this year was sent to several book reviewers to drum up publicity, as is the norm. One reviewer had the sheer temerity not to rate the book a perfect five stars, rating it instead four stars; still a brilliant rating by any measure. The accompanying review was also very positive.

Stusek did not seem to agree. She took to TikTok to voice her vexation with the four star review…

(3) WORK-FOR-HIRE. Rachael K. Jones shares expertise in “Work-for-Hire in Short Fiction: An Overview” at the SFWA Blog.

Work-for-hire writing jobs are common in novel-length work, especially in the world of tie-in fiction, but rarer in short fiction. If you’re primarily a short fiction author, you might be caught off-guard if approached with this kind of work. You may not have an agent who can give you advice. You might not know how much money to ask for, or how to tell a valid offer from a scam. If you’ve been approached with short fiction work-for-hire and don’t know where to start, this article is for you!

Overview of Work-for-hire

Work-for-hire is defined by the US Copyright Office as work where “the hiring or commissioning party is considered the author and the copyright owner.” This differs from a typical author–publisher relationship where the publisher purchases limited rights to use a story in a specific way. For example, if you sell a story to Clarkesworld, after the exclusivity period ends, you can reprint the story, include it in a collection, translate it, sell movie rights, write sequels, expand it into a novel, or use it any way you’d like.

Under the work-for-hire model, this isn’t the case. In exchange for the upfront payment, you assign the copyright to the commissioner of the work to do with as they please. This entity now has the right to use the story however they wish: they can include it in a collection, sell the movie rights, produce sequels, make it into merchandise or non-fungible tokens (NFTs), and so forth, while you lose the legal right to do so….

(4) INTERZONE. Gareth Jelley, Editor and Publisher of Interzone and IZ Digital reminded me the current website for Interzone is https://interzone.press and said Interzone #295 should be with subscribers by the end of September.

Because we were corresponding about the James White Award, he pointed out that one of the former winners, DJ Cockburn, has had some short stories in IZ Digital, Interzone’s online sister zine (which are free to read, though support is welcomed):

The stories in IZ Digital are not republished in Interzone, and vice versa. The two publications are related, but independent.

(5) SUNK WITHOUT A TRACE. The Guardian leads with the Nautilus cancellation on the way to suggesting why it happened: “The great cancellation: why megabucks TV shows are vanishing without a trace”.

A big budget series filmed in Queensland which employed hundreds of Australian cast and crew has become the latest victim of cuts at Disney, being dropped by the studio after filming – and before it even had a chance to be released.

Nautilus, a UK series that had been set to stream on Disney+, is a prequel story to Jules Verne’s 20,000 Leagues Under the Sea. Shazad Latif stars as Captain Nemo, an Indian prince who became a prisoner of the East India Company and sets off on a mission of revenge on submarine Nautilus.

The series was in production for most of 2022 on the Gold Coast, where it took up half the soundstages at Village Roadshow Studios to house the replica submarine. The cast also included Australian actors Georgia Flood, Pacharo Mzembe, Benedict Hardie and Darren Gilshenan, as well as international talent Cameron Cuffe and Thierry Fremont.

When Nautilus was announced in 2021, the Queensland government touted the production would inject $96m into the local economy and create 240 positions for crew and 350 jobs for background actors. At the time, Queensland premier Annastacia Palaszczuk flagged the prospect of multiple seasons to be filmed in the state. Screen Queensland declined to reveal the value of government incentives the production received, citing commercial in confidence….

…In May, Disney+ announced a content removal plan designed to cut US$1.5bn worth of content, meaning it substantially reduces the company’s value, giving it a lot less tax to pay. Nautilus is not the only victim: a live-action TV adaptation of The Spiderwick Chronicles was also completed and then axed. Disney isn’t the only network to abandon shows that have largely been made…

(6) A DECADE IN SFF ART EXPLAINED. Michael Gonzalez interviews Adam Rowe about his new book Worlds Beyond Time: Sci-Fi Art of the 1970s for CrimeReads: “The Strange, Surreal, Visionary Sci-Fi Art of the 1970s”.

Tell me about your relationship with Vincent Di Fate, a legendary artist who also wrote the book’s introduction. What was your pitch to get him involved? Did he give you any advice about putting the book together?

Fairly quickly after deciding to write a pitch for this book, I realized there was a great art collection that already covered a lot of the same ground: Di Fate’s Infinite Worlds, 1997. It covers over a century of science fiction art, so it’s not the exact subject as mine, but I highly recommend it to anyone who enjoyed my collection. 

I also talked to Grady Hendrix, an author who co-wrote the 70s and 80s horror fiction celebration Paperbacks From Hell in 2017 (a big inspiration for the format and tone of Worlds Beyond Time). Hendrix told me that talking to Di Fate had helped him understand the publishing industry better, and recommended I talk to him for my book.

I interviewed Di Fate a few times while writing the book, and his knowledge of science fiction art history was immensely helpful – I learned a lot. He told me about one of the most interesting shifts in ‘70s science fiction cover art history, the fact that cover art trends shifted away from surrealism and towards representational art in 1971, when two influential editors led the charge: Donald A. Wollheim left Ace Books to start DAW Books in 1971, the same year Lester and Judy-Lynn del Rey started the Del Rey imprint within Ballantine. 

So, when I was looking for someone to write the foreword, Di Fate was my first choice. I’m thankful he agreed! 

(7) ED HUTNIK (1956-2023.) Filk has lost another valued member of the community, Ed Hutnik. He died at home on August 25, 2023. He was the husband of Jeanne Wardwell. In addition to filking, he participated for many years in medieval re-creation activities. The family obituary is here. Fans have left memories on the Tribute Wall.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 29, 1854 Joseph Jacobs. Australian folklorist, translator, literary critic and historian who became a notable collector and publisher of English folklore. Many of our genre writers have use of his material. “Jack the Giant Killer” becomes Charles de Lint’s Jack Of Kinrowan series!  Jack the Giant Killer and Drink Down the Moon to give an example. (Lecture mode off.) Excellent books by the way. (Died 1916.)
  • Born August 29, 1904 Leslyn M. Heinlein. She was born Leslyn MacDonald. She was married to Robert A. Heinlein between 1932 and 1947. Her only genre writing on ISFDB is “Rocket’s Red Glare” which was published in The Nonfiction of Robert Heinlein: Volume I.  (Died 1981.)
  • Born August 29, 1942 Dian Crayne. A member of LASFS, when she and Bruce Pelz divorced the party they threw inspired Larry Niven’s “What Can You Say about Chocolate-Covered Manhole Covers?” She published mystery novels under the name J.D. Crayne. A full remembrance post is here. (Died 2017.)
  • Born August 29, 1946 Robert Weinberg. Author, editor, publisher, and collector of science fiction. At Chicon 7, he received a Special Committee Award for his service to science fiction, fantasy, and horror. During the Seventies, he was the genius behind Pulp which featured interviews with pulp writers such as Walter B. Gibson and Frederick C. Davis. He also published the Pulp ClassicsLost FantasyWeird Menace, and Incredible Adventures series of pulp reprints at the same time. (Died 2016.)
  • Born August 29, 1951 Janeen Webb, 72. Dreaming Down-Under which she co-edited with Jack Dann is an amazing anthology of Australian genre fiction which won a World Fantasy Award. If you’ve not read it, go do so. The Silken Road to Samarkand by her is a wonderful novel that I also wholeheartedly recommend. Death at the Blue Elephant, the first collection of her ever so excellent short stories, is available at the usual suspects though Dreaming Down-Under is alas not.
  • Born August 29, 1953 Nancy Holder, 70. She’s an impressive four-time winner of the Bram Stoker Award. I’m not a horror fan so I can’t judge her horror novels for you, but I’ve read a number of her Buffyverse novels and I must say that she’s captured the feel of the series quite well. If you are to read but one, make it Halloween Rain.
  • Born August 29, 1954 Michael P. Kube-McDowell, 69. A filker, which gets major points in my book.  I’m reasonably sure I’ve read both of his Isaac Asimov’s Robot City novels, and I can recall reading Alternities as well which was most excellent.

(9) TEACHER’S PET. At KCET’s website you can watch a 4-minute clip from Antiques Roadshow where they appraised someone’s Ray Bradbury Archive. The books once belonged to an English teacher who had 17-year-old Ray in her class at Los Angeles High School.

(10) COLLECTORS POLL. Tumblr user Obsidian Sphere asks “Which Magazine Would You Most Like To Have A Complete, Restored Set Of?. They list nine choices (actually, they list them twice) beginning with these two:

Weird Tales 1922 Frankly, most of the stores were below par, “Beloved Dead” indeed, really only famous because of a few notable exceptions.

Amazing Stories 1926 The first all “scientifiction” magazine. But truth be told, most of the writing was just bad. (and then there was the “Shaver Mystery!”) In 1985, when Spielberg decided he wanted a TV series called Amazing Stories instead of just looking for another name when he found the Mag still had the rights to the title, he brought the whole catalog. He flushed it, calling it garbage so they could do stories about Grandpa’s ghost train and cute furry critter from space crying over Ricky and Lucy getting divorced….

You need to be a Tumblr user or log in some other way to vote.

(11) THE CAR IS THE STAR. “How ‘Back to the Future: The Musical’ created a DeLorean that flies” at LAist. Here’s part of the illusion:

…”Inside it all is a mechanical, steel, aluminum madness of gizmos and electronics and what we call turtles to make it spin,” said Hatley. “Motors, lights, effects, smoke machines, speakers. It’s crammed with that. You can just get a person in it.”

The car itself only moves slightly, while turning around. So to create the illusion of speed, Finn Ross installed an LED wall at the back of the stage and a scrim in the front, with the car sandwiched in between. It’s projected video, along with lights, sound and underscoring, that make it look like the car is truly hurtling from 0 to 88 mph….

(12) NEVERS LAND. Another peek inside an effects department is offered in “The Bewitching Victorian Era VFX of ‘The Nevers’” at Animation World Network.

…A signature sequence from Season 1A is the lake fight, where Nichlas ‘Odium’ Perbal (Martyn Ford), who has the ability to walk on water, attempts to drown Amalia True (Laura Donnelly).  According to Han, “You couldn’t have done that by just letting one department take control. Stunts had to choreograph this sequence that was half above and below water.  Special effects had to design all the rigs. Amalia had a winch cable that helped her to get almost a supernatural speed to swim across the tank.  For us, we prevised the whole thing shot by shot.  For every shot we did an isometric blueprint on paper so people could see, ‘For this shot we’re going to use wires and glass platform,’ or, ‘That shot will be done underwater with an underwater camera.’  It’s a great study piece of every possible component of visual effects, special effects and stunts working together.” …

(13) VIDEO OF THE DAY. [Item by SF Concatenation’s Jonathan Cowie.] “The Art of Future Storytelling of 2000 AD Magazine” is a video from Art Shutter.

In this mini-documentary, we embark on a thrilling journey through the pages of 2000 AD, the galaxy’s greatest comic magazine. Join us as we uncover the rich history, iconic characters, visionary creators, and enduring influence of this British comic institution. From the stern visage of Judge Dredd to the mind-bending artistry of its pages, we’ll explore how 2000 AD reshaped the comics landscape and left an indelible mark on pop culture. Don’t miss this tribute to the geniuses behind illustration comics and other disciplines of commercial art!

[Thanks to Michael Toman, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Rick Kovalcik, Gareth Jelley, Dann, Steven French, Soon Lee, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 8/25/20 Headless Pixel

(1) NEW BEOWULF. Maria Dahvana Headley’s “new, feminist translation of Beowulf“ was released today by Macmillan.


Nearly twenty years after Seamus Heaney’s translation of Beowulf—and fifty years after the translation that continues to torment high-school students around the world—there is a radical new verse translation of the epic poem by Maria Dahvana Headley, which brings to light elements that have never before been translated into English, recontextualizing the binary narrative of monsters and heroes into a tale in which the two categories often entwine, justice is rarely served, and dragons live among us.

Read Headley’s Introduction here.

…And so, I offer to the banquet table this translation, done by an American woman born in the year 1977, a person who grew up surrounded by sled dogs, coyotes, rattlesnakes, and bubbling natural hot springs nestled in the wild high desert of Idaho, a person who, if we were looking at the poem’s categories, would fall much closer in original habitat to Grendel and his mother than to Beowulf or even the lesser denizens of Hrothgar’s court.

I came to this project as a novelist, interested specifically in rendering the story continuously and clearly, while also creating a text that feels as bloody and juicy as I think it ought to feel. Despite its reputation to generations of unwilling students, forced as freshmen into arduous translations, Beowulf is a living text in a dead language, the kind of thing meant to be shouted over a crowd of drunk celebrants. Even though it was probably written down in the quiet confines of a scriptorium, Beowulf is not a quiet poem. It’s a dazzling, furious, funny, vicious, desperate, hungry, beautiful, mutinous, maudlin, supernatural, rapturous shout.

In contrast to the methods of some previous translators, I let the poem’s story lead me to its style. The lines in this translation were structured for speaking, and for speaking in contemporary rhythms. The poets I’m most interested in are those who use language as instrument, inventing words and creating forms as necessary, in the service of voice. I come from the land of cowboy poets, and while theirs is not the style I used for this translation, I did spend a lot of time imagining the narrator as an old-timer at the end of the bar, periodically pounding his glass and demanding another. I saw it with my own eyes.

(2) RAISEDWULF. Raised By Wolves continues to look wild as hell in new trailer for Ridley Scott’s HBO Max series” says A.V.Club.

Members of the very small but very vocal group of Alien: Covenant supporters (and its smaller Prometheus chapter) are probably a little extra excited for Raised By WolvesHBO Max’s new sci-fi series is executive produced by Ridley Scott, who also directed the first two episodes of a story that definitely looks like it’s treading thematic territory similar to Covenant—or what might’ve come after Covenant if Scott had been allowed to complete his trilogy. Scripted and created by Aaron Guzikowski (Prisoners), Raised By Wolves follows a pair of androids (including one played by Amanda Collin, serving serious Michael Fassbender android vibes) raising human children on a distant planet, where they’re teaching the little kiddos to be atheists. Everything is just fine until some other humans show up with their strong religious views and hatred of robots:

(3) ADDRESSEE UNKNOWN AT BAKER STREET. Netflix dropped a trailer for Enola Holmes, based on the novels by Nancy Springer about Sherlock Holmes’s little sister.

When Enola Holmes—Sherlock’s teen sister—discovers her mother missing, she sets off to find her, becoming a super-sleuth in her own right as she outwits her famous brother and unravels a dangerous conspiracy around a mysterious young Lord. Starring Millie Bobby Brown, Sam Claflin, with Henry Cavill and Helena Bonham-Carter.

(4) FOCUS ON FEAR. S.M. Carrière lets everyone know “Fans Can Be Scary” at Black Gate.

…However, there is absolutely no way that fans should get to dictate the way a story unravels. They do not get to demand of an author to end the series in the way that is not what the writer envisioned, or what the story demanded of them. Fans have no right to force the inclusion of events that do not ring true for that author or the story they’re trying to tell.

Yet, large clusters of fans believe that it is, in fact their right. Those folks, it seems, are not above threatening to end the careers of the author(s) that displeased them, some even going so far as to send death threats. No example of this sticks in my mind than the threats sent to author Veronica Roth, who displeased fans by killing off her protagonist (bold move. I can respect that), leaving the love interest to deal with that trauma.

…What scares me even more, however, is the idea that someone with too much time and a deeply entrenched sense of entitlement might show up at my door one day. I’ve heard first hand accounts of this happening to YouTubers and other celebrities, and the idea alone is enough to make me hyperventilate. Perhaps my home in the country will be an underground bunker…

This fear is, of course, compounded by gender. I’ve worked my fair share of gigs in retail with overly amorous clientele. I’ve been stalked by blokes who thought that a friendly sales person was actually a flirt. I’ve been hounded by men insistent that I am their future wife and they would treat me so well, if only I could be made to see it. I’ve had some of those men turn aggressive and threatening when I state in no uncertain terms that I am not interested. I’ve lost sleep and had panic attacks (and before anyone decides to explain to me that it’s not that bad, I highly recommend a little site called When Women Refuse).

Fans showing up at my door, even if just for a chat or an autograph, would absolutely trigger all of this nonsense. They would be a thoroughly unwelcome presence in my space. The utter lack of concern they show for a person’s need for privacy and even their mental well-being is frightening. Just thinking about it is making me get clammy.

(5) NASA. A Dublin 2019 Worldcon Special Guest is in the news.

https://twitter.com/JimBridenstine/status/1298279772116652035

(6) GET UP TO SPEED. Nisi Shawl’s “A Crash Course in the History of Black Science Fiction” is an annotated list of 40 black science fiction works that are important to an understanding of the history of Black Science Fiction. Shawl comments in the introduction —

…Just one caveat before you start ordering and downloading and diving into things: some of these works could be construed as fantasy rather than science fiction. The distinction between these two imaginative genres is often blurred, and it’s especially hard to make out their boundaries when exploring the writing of African-descended authors. Why? Because access to the scientific knowledge from which SF often derives has been denied to people of the African diaspora for much of history. And the classification of what is and is not scientific knowledge hasn’t been under our control–it’s frequently a matter of dispute. Also, it’s sometimes difficult to understand the history of black science fiction without reference to the history of black fantasy.

Keeping in mind how inextricably the two genres are interwoven, I include works of fantasy in this history of black science fiction crash course reading list, though I’m careful to note their presence with a parenthetical F at the end of each entry, thusly: (F).

(7) STAY THE COURSE. And Worlds Without End has created a “A Crash Course in the History of Black Science Fiction Reading List” to help readers track their progress, plus a “Roll-Your-Own Reading Challenge” on reading “Speculative Fiction by Authors of Colour”. (Note: You must be a logged in member of WWEnd to join this challenge. Join WWEnd).

(8) ESSENCE OF WONDER. This week’s Essence of Wonder with Gadi Evron features “Nisi Shawl on Music, Spirituality, and the Creative Process”.

Nisi Shawl will join Gadi to co-host a show on music and spirituality in the creative process. Nisi will be joined by Iya Oshunmiwa for a discussion of West African religious traditions and how Nisi’s work relates to those traditions. Oshun Miwa is a Priest of Oshun and professional storyteller?. Nisi and Gadi will explore the role of music in Nisi’s life and work, and we’ll also have a reading from Nisi’s work.

(9) CLASHING THE SYMBOLS. Ros Anderson holds forth “On the Difficulty of Finding a Distinct Human Voice for an AI heroine”, and finds help in a thousand-year-old book.

…I stopped reading the AI books once I hit the first unfathomable equation. Instead, I found myself carrying The Pillow Book around with me, as if it were a balm that I wanted always to have on hand. In Japan, The Pillow Book is a set school text. It has been hailed as one of the earliest works of literature by a woman. But I believe that what has truly given it longevity—across a whole millennium—is Sei’s own distinctive, seductive voice.

Her writing feels like a witty and perceptive friend, cutting in her opinions, but never too serious. Some have even called Shonagon—mistakenly—shallow. The Pillow Book has been described as a 1,000-year-old proto-blog. It has some of that same immediacy and intimacy. That sense of fun.

When I went to my friends’ café each morning to write my own book, The Pillow Book would be tucked in my bag. Something of its timeless narrator slipped a circuit and made it into my writing too. Sylv.ie’s voice began to emerge: a mix of politeness, restraint and disarming honesty. Naïve and rather snobbish, but with a clear, outsider’s eye.

(10) FANFUND AUCTION AT COLUMBUS VIRTUAL NASFIC. [Item by Michael J. Lowrey.] The Fanfund Auction at the Columbus in 2020 Virtual NASFIC has closed, with total sales of US$549.01. Items sold ranged from chapbooks, to naming rights in a new shared universe. to a knitted lace shawl, to private cocktail classes, to a crocheted Irish steampunk textile postcard.

Even though it was a NASFIC, participants included (at a minimum) fen from Germany, Ireland, Poland, the U.S., the U.K. and Australia.

(11) DE-BOOK ‘EM, DANNO. Smithsonian Magazine has “The Inside Story Of The $8 Million Heist From The Carnegie Library”.

…There are two types of people who frequent special collections that are open to the public: scholars who want to study something in particular, and others who just want to see something interesting. Both groups are often drawn to incunables. Books printed at the dawn of European movable type, between 1450 and 1500, incunables are old, rare and historically important. In short, an incunable is so valued and usually such a prominent holding that any thief who wanted to avoid detection would not steal one. The Oliver Room thief stole ten.

Visitors and researchers alike love old maps, and few are more impressive than those in Theatrum Orbis Terrarum, commonly known as the Blaeu Atlas. The Carnegie Library of Pittsburgh’s version, printed in 1644, originally comprised three volumes containing 276 hand-colored lithographs that mapped the known world in the age of European exploration. All 276 maps were missing….

(12) MEDIA BIRTHDAY.

  • August 25, 1951, Space Patrol’s “A Big Wheel Named Ferris” first aired. The series was created by Mike Moser who was the series writer along with Norman Jolley. The principal cast was Ed Kemmer, Lyn Osborn, Ken Mayer, Virginia Hewitt, Nina Bara and Bela Kovacs. Although aimed at children, it had a sizeable adult following for its fifteen-minute and half-hour versions. Books, comic books and a radio series were soon to be added. Even toys would be offered to the viewers. You can watch this episode here.

(13) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born August 25, 1909 Michael Rennie. Definitely best-remembered as Klaatu in The Day the Earth Stood Still. He would show up a few years later on The Lost World as Lord John Roxton, and he’s got an extensive genre series resume which counts Lost in Space as The Keeper in two episodes, The Batman as The Sandman, The Time TunnelThe Man from U.N.C.L.E. and The Invaders. (Died 1971.) (CE)
  • Born August 25, 1913 – Walt Kelly.  Having acknowledged Herriman’s Krazy Kat as immortal and unique, what does that leave for Kelly’s Pogo?  There is something sublime about the Kat; but Pogo is superb.  If the Kat is brandy, say Delamain, Pogo may be bourbon, say Willett.  Here is a sample.  Here is another.  Judith Merril put Pogo in No. 6 of her Year’s Best SF.  Fantagraphics is up to vol. 6 of a complete run.  (Died 1973) [JH]
  • Born August 25, 1930 Sir Sean Connery, 90. Best film? From Russia with Love. Best SF film? Outland. Or Time Bandits you want go for silly. Worst film? Zardoz. These are my choices and yours no doubt will be different. (CE) 
  • Born August 25, 1947 – Michael Kaluta, 73.  Fifty covers, two hundred fifty interiors.  Interviewed in Realms of Fantasy.  Artbooks The Studio (with Jones, Windsor-Smith, Wrightson), The MK CollectionMK Series 2Dream Makers (with Grant, Heller, Moore, Vess, Wrightson), EchoesWings of TwilightMK Sketchbook vols. 1-4.  Comics, music albums, role-playing games, collectible cards; airplane-nose art and flight-unit patches.  Here is the Baycon ’87 Program Book.  Here is Davy.  Here is Vector 276.  Here is Deep Signal.  Shazam Award.  Inkpot.  Chesley for Artistic Achievement.  Spectrum Grand Master.  [JH]
  • Born August 25, 1955 Simon R. Green, 65. I’ll confess that I’ve read pretty much everything he’s written save his NYT best-selling Robin Hood: Prince of Thieves. (Shudder! I did see it.) Favorite series? The NightsideHawk & Fisher and Secret History are my all-time favorite ones with Drinking Midnight Wine the novel I’ve re-read the most. His only active series now is the Ishmael Jones fantasy mystery and it’s quite excellent. (CE) 
  • Born August 25, 1956 – Chris Barkley, 64.  Con-goer; several hundred including some three dozen Worldcons when I last tried to count; I often find him doing Press Relations.  Campaigned for a Young Adult award; we now have the Lodestar.  Accessibility and diversity, too, get his labors.  Vigorous contributor to File 770.  Fan Guest of Honor at Windycon 2019.  “You have to walk a fine line between your utter conviction that you are right AND feeling flexible enough in your beliefs that you can admit you are wrong or can compromise.”  [JH]
  • Born August 25, 1958 Tim Burton, 61. Beetlejuice is by far my favorite film by him. His Batman is interesting. Read that comment as you will. Charlie and the Chocolate Factory is definitely more Dahlish than the first take was, and Sleepy Hollow is just damn weird. (CE)
  • Born August 25, 1959 – Georges T. Dodds, Ph.D., 61.  Essays, reviews, in ArgentusSF SiteWARP.  Edited The Missing Link and Other Tales of Ape-Men.  Did an adaptation of Lemina’s To-Ho and the Gold Destroyers.  Note that his reviews include The Ghost Book of Charles Lindley, Viscount Halifax; Mary Shelley’s Last Man; and Brooks’ Freddy the Detective.  [JH]
  • Born August 25, 1967 – Laura Anne Gilman, 53. Thirty novels, six dozen shorter stories, some with co-authors, some under other names; more outside our field.  Managed a wine-tasting room awhile.  Interviewed in After HoursApexElectric VelocipedeFantasyInterGalactic Medicine ShowStrange Horizons.  “Writer, editor, tired person”.  Amen.  [JH]
  • Born August 25, 1970 Chris Roberson, 50. Brilliant writer. I strongly recommend his Recondito series, Firewalk and Firewalkers. The Spencer Finch series is also worth reading. He’s also written two Warhammer novels, Dawn of War and Sons of Dorn, and Is publisher with his wife Allison Baker of Monkey Brain Books. He won a Sidewise Awards for Alternate History for his O One novella which I’ve not read. (CE)   
  • Born August 25, 1971 – Lisa Papademetriou, 49.  A dozen novels, some under another name; more outside our field; many for young adults, but your mileage may vary.  Ranks The Hitchhiker’s Guide to the Galaxy about the same as The Wave in the Mind.  [JH]
  • Born August 25, 1987 Blake Lively, 33. She was Adaline Bowman in The Age of Adaline, a neat meditation upon life and death. She also played Carol Ferris in that Green Lantern film but the less said about it the better. Her very first role was as Trixie / Tooth Fairy in The Sandman at age eleven. (CE)

(14) COMICS SECTION.

(15) THEME PARK ON THE ROCKS. “Evermore faces financial ruin after failing to pay contractors”Utah Business has the story.

“My wife [Patrice] and I have cried many nights over this project,” says Ken Bretschneider, founder and CEO at Evermore Park. “This is not a position we wanted or should have gotten into.” 

Only eight years ago, Bretschneider invested more than $37 million (and counting) of his own fortune largely from the sale of his previous startup DigiCert in 2012 to build a sort of live-action theme park in Pleasant Grove, Utah. He hired dozens of contracted construction workers to bring his medieval vision to life, but as plans became more and more grandiose, Bretschneider found himself strapped for cash and unable to make payments to the teams building the park.

Bretschneider claims he’s been fighting for additional funding something he says has been hard to procure for a unique project such as this but until he does, he owes millions of dollars in construction, mechanic, and landscaping fees to workers across the valley who have yet to be paid, sparking a number of controversies across the state…. 

(16) DREAM FOUNDRY WRITING CONTEST. The Dream Foundry Writing Contest is taking submissions through October 11, 2020. The contest  will be judged by Neil Clarke of Clarkesworld Magazine. Full guidelines here.

We’re looking for complete and finalized stories of speculative fiction of up to 10,000 words. This year, we’re proud to announce monetary prizes for 1st, 2nd, and 3rd places.

1st: $1000; 2nd: $500; 3rd: $200

There is no submission fee. All rights remain with the creators.

At the Dream Foundry blog there’s “An Interview with the Dream Foundry’s Writing Contest Coordinator Vajra Chandrasekera”.

Professional development spaces for emerging writers are not necessarily easily accessible to those who need it most. How do you see opportunities like the Dream Foundry’s writing contest fitting into the professional development of new and upcoming writers?

I think nine-tenths of “professional development” for a short story writer at the beginning of their career is learning how to make their own practice effective. This means figuring out what they want to write about and what they’re good at writing, and writing more stories where they do those things, ideally at the same time. Sometimes it’s just that a contest gives you a clearly defined set of constraints to work within, which can be very productive. Sometimes it’s good to hang out in a discord with a bunch of other people who are trying to solve the same problems you are—so you can commiserate and share experiences and animal pictures, if you’re into that sort of thing, and even if not, these are good spaces to eventually share knowledge about the industry, too.

(17) DREAM FOUNDRY ART CONTEST. The new Dream Foundry Art Contest coordinator is Dante Luiz, an illustrator and occasional writer from southern Brazil. He is one of the two Art Directors for Strange Horizons, and his first graphic novel was published in 2020 by comiXology Originals (CREMA, written by Johnnie Christmas).

The Dream Foundry Art Contest will run from 1 September 1 to November 1, 2020. The first place winner for the art contest will receive $1000. Guidelines are located here.

(18) LIFESAVING APP. From the creator of The Oatmeal.

About

This app was designed by Matt Inman, creator of The Oatmeal.

It was built and developed by Nick Inman, Matthew’s brother.

FAQ

When will it be available in the Google Play store?
It will be available at some point in space and time.

The app didn’t work for me! What should I do?
Try vigorously shaking your phone and rebooting your router.
If that fails, try blowing profusely into your phone’s charge port.
If that fails, accept that the universe is fundamentally against you.
Just please don’t email us about it.

Does this app work on dogs?
No. That’s why it has the word “cat” in the title.

What about tigers?
Yes, it is tiger-compatible.

(19) ANOTHER ORDINARY DAY ON THE INTERNET. Think of your experiences on Facebook. Ever wonder how you got into arguments you don’t even want to be in? Ever had to block someone? Now think of having to deal with 800 times as much of it as you do. Okay. Now you’re ready to hear Larry Correia explain “About My ‘Tone’ On Social Media” [Internet Archive] on Monster Hunter Nation.

…I had one last month, with 8,000 comments, where I ended up blocking over 100 people in 24 hours. That was nuts.

Apparently, where all these people come from, blundering into a stranger’s living room and screaming in his face is a “conversation”. And if you don’t put up with their endless abuse, you’re obviously a bad person.

Awesome.  I’ll be the bad guy.

And it is bipartisan. Though I’d say 80% of the time I’m yelled at by annoying leftists, 15% it’s annoying right wingers, and 5% Too Fucking Insane To Register On Any Regular Political Scale.

That’s for controversial posts. For regular, boring, not controversial posts at all, I can count on getting lots of “helpful” suggestions. These mean well, but then never stop coming, and most of them are so awful they really make my head hurt. You’re right, sir, I should totally install more electrical outlets into my closet. Why thank you, ma’am, I should totally disregard my decade of professional experience and write my books according to your really awful suggestions.

Then there’s the people who think they are funny, who aren’t. I’ve heard the same tired jokes 10,000 times. I can’t post about the availability of a new product without Shut Up And Take My Money memes, and I can never mention food spicier than white bread without listening to dozens of people whine about how weak their bowels are…

(20) BE ON THE LOOKOUT. Gizmodo warns “Trillions of Rogue Planets Could Be Careening Through Our Galaxy”. And none of them are insured.

A new estimate suggests the Milky Way contains more free-floating planets than stars. It’s a big claim, but an upcoming mission might actually prove it.

Rogue planets in our galaxy could number in the tens of billions and possibly even trillions, according to new research published in the Astronomical Journal. If confirmed, it means the Milky Way hosts more unbound, starless planets than it does stars. This estimate was developed in preparation for the Roman Galactic Exoplanet Survey (RGES), a five-year mission that’s scheduled to start in about five to six years.

(21) THE SHAPE OF THINGS THAT ARE PRESENT. “Johannes Kepler and COVID-19: 400 Years of Mathematical Modeling” on the Library of Congress Blog.

…Because viruses have such small genetic codes they have to be very efficient when it comes to building their shapes. Many, such as COVID-19, have polyhedral designs. A polyhedron is a three-dimensional shape with flat faces that are made of two-dimensional polygons. They have straight edges and sharp corners. As geometric figures, they have been studied since the time of the ancient Greeks.

In the early 17th century the astronomer Johannes Kepler, perhaps best known for his derivation of the laws of planetary motion, was fascinated by these shapes. In 1619, exactly 400 years before the outbreak of COVID-19, he produced a book called “Harmonices Mundi” (“Harmony of the Worlds”) that peered into and tried to understand these simple yet mysterious forms. The Library has copies of this work in the Rare Books and Special Collections Division.

(22) DOMESTIC FELICITY. What will SJWs think of the idea you can heat your home with cats? “Cat v panel heater: Which is better?” at New Zealand blog One Roof.

… How many cats do you need to heat an energy-efficient home?

It’s the question on everybody’s lips. Well, maybe not everyone’s lips, and it’s possible this is a niche topic, but it is relevant.

A 3kg cat has a heat output of 14.8 watts, or 129.65 kilowatt-hours – the metric commonly used by power companies to show you how much energy you’re using.

These numbers are important when it comes to the design and building of energy-efficient homes, as the heat output of random things like cats can lead to overheating.

For example, to be certified Passive House, a building must have an annual heating demand of less than 15kWh per square metre to maintain a comfortable temperature.

For a typical Kiwi house of 150sqm, the annual energy demand would be 2250kWh. The number of cats required, therefore, would be 17.35, but let’s avoid chopping cats and round up to 18 whole cats.

(23) WILL THEY MAKE YOU GLAZE OVER? Food & Wine  promises “These New Dunkin’ Beers Are Made with Actual Donuts”.

At this point, an endless parade of brands is dabbling in craft beer collaborations: bands like The Flaming Lips, clothing lines like L.L. Bean, and even the mustard maker French’s. But few companies have been as aggressive in their beer collab-ing ways as Dunkin’. After some early experiments in 2017 (a pumpkin brown ale with Catawba Brewing and a coffee stout with Wormtown Brewery), the donut and coffee chain found a lasting (and larger) partner in 2018 with the Massachusetts-based Harpoon Brewing. That year, the two brands released their Dunkin’ Coffee Porter. Then, in 2019, Harpoon Dunkin Summer Coffee Pale Ale hit shelves.

Now, for the 2020 fall season, Harpoon and Dunkin’ are releasing a full lineup of four beers—including three new brews, two of which are billed as the first beers to ever be made with actual Dunkin’ donuts. And tapping into craft beer’s biggest trend, one of those is even a donut-infused hazy IPA!

Arriving this September, Harpoon and Dunkin’ are bringing back their popular Coffee Porter for the third consecutive year—and it arrives alongside a trio of new creations: Harpoon Dunkin’ Pumpkin, Harpoon Dunkin’ Boston Kreme, and Harpoon Dunkin’ Jelly Donut. The first of the three is described as a “Spiced Latte Ale” inspired by the seasonal espresso drink. The “light in color and easy-drinking” 5.2 percent ABV ale is “brewed with real pumpkin, pumpkin pie spices, and a splash of coffee” to create “a perfect blend of all the autumn flavors we love, with just a touch of espresso-like roast.”…

(24) VIDEO OF THE DAY. In “Honest Game Trailers:  Fall Guys, Ultimate Knockout” on YouTube, Fandom Games takes on a multi-player game where you “use five percent of your brain” to maneuver your character through a course “that’s somewhere between Battle Royale and a Japanese game show.”

[Thanks to John King Tarpinian, Mike Kennedy, Rich Horton, Andrew Porter, Martin Morse Wooster, JJ, John Hertz, Cat Eldridge, Daniel Dern, David Doering, and Michael Toman for some of these stories. Title credit goes to File 770 contributing editor of the day Bill.]

Pixel Scroll 10/22/19 All I Said To My Wife Was That That Pixel Scroll Was Good Enough For Jehovah

(1) EARLY RETURNS ON STAR WARS FINAL TRAILER. Jeff VanderMeer is a tough audience:

I’m crying over the new Star Wars trailer. I’m bawling and overcome. I’m shaking like a performative baby over this trailer.

Finally. Finally it will be over and I will never have to encounter this mediocre piece of crap franchise again…until the next time.

While Chuck Tingle tries to exert a calming influence:

(2) FLEET OF REFERENCES. Io9 is hyping “The First Big Cameo of Star Wars: The Rise of Skywalker Has Been Revealed”. Here’s what they spotted —

…Now, that’s almost certainly the Ghost. Not a Force Ghost, THE Ghost. What’s the Ghost?

It’s the customized VCX-100 light freighter flown by Captain Hera Syndulla, which was kind of the Millennium Falcon of Star Wars Rebels. Later, it appeared in Rogue One: A Star Wars Story and, thanks to the epilogue of Rebels, we knew it survived until the timeline of the sequel trilogy. Now, it seems the Ghost, and probably even Hera herself, are standing with the Falcon in what we can only assume is the Resistance’s final stand against the First Order.

And they saw even more ships in that brief scene that you’ll probably need to look up in the Wookieepedia.

(3) BETTER CAPERS. Galactic Journey’s Jason Sacks says a well-known comic has turned the corner – in 1964 – thanks to the editorial direction of Julius Schwartz: “[October 22, 1964] Introducing a “New Look” for Batman”.  

I have some good news for those of you who haven’t been paying close attention to comic books: Batman comics are finally readable!

That’s a major change from the puerile adventures which editor Jack Schiff has been presenting in the pages of Batman and Detective Comics. For all too many years, Schiff and his team of seemingly subpar creators have delivered a never-ending stream of absurdly juvenile tales of the Caped Crusader and his steadfast sidekick. He gave us ridiculous and dumb tales in which Batman gallivanted in outer space, Robin was romantically pursued by the pre-teen Bat-Girl, and the absurdly awful Bat-Mite showed up at random times to add chaos to Batman’s life. Even adventures which featured classic Batman villains (such as last fall’s Batman #159, “the Great Clayface-Joker Feud,”) fell far short of even the most basic standards of quality. Great they were not.

(4) FILER Q&A. Today Speculative Fiction Showcase’s Jessica Rydill interviewed “Heather Rose Jones, author of Floodtide, a novel of Alpennia”.

Have there been any particular books or writers who influenced you, whether in or outside the genre? [I’m a Jane Austen fan and live in Bath, which has featured in many dramatizations of her work]

As I mentioned previously, one of the inspirations for Daughter of Mystery was wanting to write a Georgette Heyer novel with lesbians. But the other major inspiration–if maddening frustration can be a form of inspiration–was Ellen Kushner’s novel The Privilege of the Sword. That book came so close to being the perfect novel of my heart…and then turned out to be a different novel. A perfectly wonderful novel, but not the book I desperately wanted. So that was another influence, not so much in writing style, but in the “feel” of the story–a story about brave and clever girls who love and rescue each other.

Jane Austen is something of an underlayer, if only in providing examples of the world of women in early 19th century Europe. One of the historical realities that modern readers aren’t always aware of is how strictly gender-segregated 19th century life was. Women–especially unmarried women–spent most of their lives socializing with other women and living with them in intimate proximity. It makes setting up same-sex relationships much easier! It’s been very important to me to center the series on women and their connections and community with each other. Too many historical stories allow women only as isolated characters, always interacting with men. In reality, if a woman had a problem or a puzzle or a project, the first people she’d turn to would be other women. I wanted the series to reflect that.

(5) MORE ON DALLAS TORNADO. Fanartist Brad Foster and his wife Cindy also escaped injury, however, they were almost right in the tornado’s path and their home suffered roof damage, while in the yard trees and fences took a hit.

(6) HEARING FROM OKORAFOR. AudioFile’s article “Author Nnedi Okorafor on Personal Experiences & Fantastic Worlds” hears from the author of Akata Witch and many other fantasy titles about narrating the audiobook of her autobiography Broken Places & Outer Spaces.  

Narrating her memoir was more difficult than revisiting her words in the editing process. “There’s something to the art of reading it out loud, and it being an oral telling as opposed to written, that brings [those experiences] even more to the forefront. Reading it out loud in the booth, it was just even more intense. I was reliving it that much more.” The memoir details how she became a writer, showing “the idea that those things we think will break us can actually be the things that make us. All of these experiences that we have are useful, even the terrible ones. It’s just a matter of how you choose to use them. Because they are going to be there regardless. Do you want to just let them fester there, or do you want to make something out of them?”

(7) ROYALTY STATEMENT. James Davis Nicoll provides Tor.com readers with introductions to “Science Fictional Rulers, from Undying Emperors to Starlike Sovereigns”

Science Fiction is famous for the bewildering variety of worlds it imagines. This is particularly true for its political systems. A newcomer to SF might well be astounded by the diverse range of governmental arrangements on display. Let me provide some examples…

(8) HARI PLOTTER. Io9 promises“Apple’s Long-Anticipated Adaptation of Isaac Asimov’s Foundation Casts Some Familiar Faces”.

It’s been a long road from page to screen for Isaac Asimov’s iconic Foundation series, with the first real foothold coming last year when Apple announced it had snagged the rights for the streaming service now known as Apple TV+. Today, more news: Jared Harris (Chernobyl) and Lee Pace (Captain Marvel) have joined the cast.

And even better, we know who they’ll be playing, per Deadline: “Pace plays Brother Day, the current Emperor of the Galaxy. Harris plays Hari Seldon, a mathematical genius who predicts the demise of the Empire.”

(9) MORE MARVEL PRO AND CON. Rosy Cordero, in “Here’s What Marvel Directors And Stars Are Saying About Martin Scorsese’s MCU Criticism,” in Entertainment Weekly, rounds up comments, including ones from Robert Downey Jr., Joss Whedon, and Jon Favreau.

Avengers and Age of Ultron director Joss Whedon singled out [James] Gunn’s work when responding to Scorsese earlier this month. He tweeted, “I first think of @JamesGunn, how his heart & guts are packed into GOTG. I revere Marty, & I do see his point, but… Well there’s a reason why ‘I’m always angry’” (the latter quote being a Hulk reference).

Meanwhile, a British director joins the dogpile — “Ken Loach Says Marvel Films Are ‘Made as Commodities Like Hamburgers’” at The Hollywood Reporter.

Speaking to Sky News, the two-time Palme d’Or-winning Brit described Marvel’s output as “boring” and cynically produced.

“They’re made as commodities like hamburgers, and it’s not about communicating, and it’s not about sharing our imagination,” he said. “It’s about making a commodity which will make a profit for a big corporation – they’re a cynical exercise. They’re a market exercise, and it has nothing to do with the art of cinema. William Blake said, ‘When money is discussed, art is impossible.'”

(10) TODAY IN HISTORY.

  • October 22, 1936 — According to the Encyclopedia of Science Fiction, today is the day, “Fandom gathering at Milton A. Rothman’s home in Philadelphia, 1936, declares itself to be the first sf Convention. Some fans accept this; others consider the following year’s Leeds UK event a more significant landmark since it was organized in advance as a convention and used public meeting facilities.”
  • October 22, 2006Torchwood, a companion to Doctor Who, premiered on BBC Three.  Starring John Barrowman and Eve Myles, it ran for forty one episodes over five years. And Big Finish Productions has produced some thirty audio-stories so far.  
  • October 22, 2016  — On this day in the U.K. and Canada, Class, a spin-off series of Doctor Who, premiered. Starring Greg Austin, Fady Elsayed and Sophie Hopkins, the series would last just a single season of eight episodes due to really poor ratings though Big Finish Audio continued the series as an audiowork. 

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 22, 1919 Doris Lessing. The five novels collectively known as Canopus in Argos: Archives certainly established her genre creds. I personally would add her Cat Tales, three volumes of stories and nonfiction (Particularly Cats, Rufus the Survivor and The Old Age of El Magnifico) to your reading list. (Died 2013.)
  • Born October 22, 1922 Lee Jacobs. LA fan in the last years of his life. I’m mentioning him here because he’s credited with the word filk which was his entirely unintentional creation. He typoed folk in a contribution to the Spectator Amateur Press Society in the 1950s: “The Influence of Science Fiction on Modern American Filk Music.” Yes I know that its first documented intentional use was by Karen Anderson in Die Zeitschrift für vollständigen Unsinn (The Journal for Utter Nonsense) #774 (June 1953), for a song written by her husband Poul. (Died 1968.)
  • Born October 22, 1938 Christopher Lloyd, 81. He has starred as Commander Kruge in The Search for Spock, Emmett “Doc” Brown in the Back to the Future trilogy, Judge Doom in Who Framed Roger Rabbit, and Uncle Fester in The Addams Family and the Addams Family Values. (Huh. I didn’t spot him in those.) Let’s not forget that he was in The Adventures of Buckaroo Banzai Across the 8th Dimension as John Bigbooté, and he played Dr. Cletus Poffenberger in a recurring role on Tremors.
  • Born October 22, 1938 Derek Jacobi, 81. He played a rather nicely nasty Master in “Utopia”, a Tenth Doctor story. He’s currently Metatron on Good Omens. And he was Magisterial Emissary in The Golden Compass.
  • Born October 22, 1939 Suzy McKee Charnas, 80. I’d say The Holdfast Chronicles are her best work to date. Certainly they’re the most honored, winning Gaylactic Spectrum, James Tiptree Jr. and Lambda Literary Awards. Any of you read her Sorcery Hall series?
  • Born October 22, 1943 Jim Baen. Editor of Galaxy and If. Considered to be the first profitable Ebooks publisher. Founder of Baen Books. (Died 2006.)
  • Born October 22, 1952 Jeff Goldblum, 67. The Wiki page gushes over him for being in Jurassic Park and Independence Day (as well as their sequels, The Lost World: Jurassic Park and Jurassic World: Fallen Kingdom) and Independence Day: Resurgence, but neglects my favorite film with him in it, The Adventures of Buckaroo Banzai Across the 8th Dimension, not to mention the Invasion of the Body Snatchers remake he was in. 
  • Born October 22, 1954 Graham Joyce. Selecting his best novel is a futile exercise as everything is fantastically good but I’ll single out Some Kind of Fairy Tale and The Tooth Fairy as the ones I found the most interesting reads. (Died 2014.)
  • Born October 22, 1956 Gretchen Roper, 63. Long-time member of fandom, filker and con-runner. She co-founded Dodeka Records with her husband, Bill Roper. She received with her husband the Pegasus Award for Best Original Humorous Song, “My Husband The Filker”, and was inducted into the Filk Hall of Fame in 2008. She runs The Secret Empire, a business selling filk and other things at cons.

(12) COMICS SECTION.

  • XKCD has a Narnia joke. (And remember, these cartoons have a second joke in a rollover– rest your cursor on the pictures and you see more text.)
  • Tom Gauld tries to help out New Scientist’s AI readers.

(13) THE CON GAME. S.M. Carrière offers sound advice in “How I Survive Conventions” at Black Gate.

6. Engage. It can be a scary thing to approach folks at conventions. There isn’t really any way around it, but practice does make it easier. Start, if you like, by asking questions at panels that permit it. You can then use that to speak to any of the panelists afterwards, asking for clarification or even pointers. Also, try the dealer’s room if the convention has one. It’s a great place to practice conversational skills, and most of the vendors are quite happy to chat. I know I am.

(14) ENCOUNTERING PANGBORN. Cora Buhlert’s review of Davy is part of this review column at Galactic Journey (scroll down): “[October 18, 1964] Out in Space and Down to Earth (October’s Galactoscope #1)”.

Edgar Pangborn has been writing science fiction under his own name for thirteen years at this point and was apparently writing under other names before that. However, none of his stories have been translated into German and the availability of English language science fiction magazines is spotty at best. Therefore, I had never encountered Pangborn’s work before, when I came across his latest novel Davy in my local import bookstore.

(15) WATCH THIS. Entertainment Weekly shares a video clip: Black Lightning gives Jefferson a suit upgrade in sneak peek: ‘Well, damn'”

…We’ve known for a while now that Jefferson Pierce (Cress Williams) is getting a new suit this season, but now we finally know how he receives it. In this exclusive clip from tonight’s episode, Agent Odell (Bill Duke) gives the imprisoned superhero a gift: a watch. Jefferson is initially skeptical because it looks like a normal timepiece and he’s probably suspicious of anything the shady ASA spook gives him. But Odell continues to gently push Jefferson until he actually tests it out and discovers the watch’s real purpose: It’s basically a morpher that contains Black Lightning’s sleek new super-suit.

“This is the reason we have you have here, why we’re testing you, why we’re putting you through so much pain and struggle,” says Odell as the suit begins to cover a Jefferson’s body. “It’s so we can create tech that will help all metas to live better. The Markovians are planning on killing or capturing all of the metas in Freeland. I cannot stop them without your help.”

“Well, damn,” Jefferson simply says as he checks out his new threads. (This is essentially the equivalent of Kara’s “Pants!” exclamation from the Supergirl season 5 premiere when she tried out her new panted super-suit for the first time.)

(16) CRISPER THAN CRISPR? BBC sees promise: “Prime editing: DNA tool could correct 89% of genetic defects”.

A new way of editing the code of life could correct 89% of the errors in DNA that cause disease, say US scientists.

The technology, called prime editing, has been described as a “genetic word processor” able to accurately re-write the genetic code.

It has been used to correct damaging mutations in the lab, including those that cause sickle cell anaemia

The team at the Broad Institute say it is “very versatile and precise”, but stress the research is only starting.

…Much of the excitement has centred on a technology called Crispr-Cas9, which was developed just seven years ago.

It scans DNA for the right spot and then, like a microscopic pair of scissors, cuts it in two.

This creates the opportunity to edit the DNA.

However, the edits are not always perfect and the cuts can end up in the wrong place. Both issues are a problem for using the technology in medicine.

The promise of prime editing is precision.

(17) NO DUMMY. They knew the importance of sticking to it — “Neanderthal ‘glue’ points to complex thinking”.

Traces of ancient “glue” on a stone tool from 50,000 years ago points to complex thinking by Neanderthals, experts say.

The glue was made from birch tar in a process that required forward planning and involved several different steps.

It adds to mounting evidence that we have underestimated the capabilities of our evolutionary cousins.

Only a handful of Neanderthal tools bear signs of adhesive, but experts say the process could have been widespread.

The tool, found in the Netherlands, has spent the last 50,000 years under the North Sea. This may have helped preserve the tar adhesive.

Co-author Marcel Niekus, from the Stichting STONE/Foundation for Stone Age Research in Groningen, said the simple stone flake was probably used either for cutting plant fibres or for scraping animal skins.

While birch tar may have been used by Neanderthals to attach stone tools to wooden handles in some cases, this particular tool probably had a grip made only of tar. Dr Niekus said there was no imprint from a wood or bone shaft in the tar.

It would have enabled the user to apply more pressure to the stone flake without cutting their hands – turning the edge into a precision cutting tool.

(18) GALILEO PROBE GETS A MOVIE. The “‘Saving Galileo’ Documentary Screens This Weekend” at Caltech’s Beckman Auditorium in Pasadena, CA on Saturday, Oct. 26, at 7 p.m. PDT. Free admission; first come, first served.

…Produced by JPL Fellow and national Emmy Award-winner Blaine Baggett, the hour-long film tells the story of how the mission stayed alive despite a multitude of technical challenges, including a years-long launch delay and the devastating failure of its main antenna to open properly in space. It is also the story of a team of scientists and engineers transformed through adversity into what many came to regard as a tight-knit family.

“Saving Galileo” picks up from Baggett’s previous documentary “To the Rescue,” which focuses on the mission’s tortuous path to the launch pad. Together the films capture how, despite its many challenges and limitations, Galileo proved a resounding success, leading to profound scientific insights that continue to draw NASA and JPL back to Jupiter for new adventures.

(19) PLACEBO. NPR contends: “The Placebo Effect Works And You Can Catch It From Your Doctor”.

If there’s one thing you do want to catch from a trip to your doctor, it’s her optimism.

A new study, published Monday in the journal Nature Human Behavior, finds that patients can pick up on subtle facial cues from doctors that reveal the doctor’s belief in how effective a treatment will be. And that can have a real impact on the patient’s treatment outcome.

Scientists have known since at least the 1930s that a doctor’s expectations and personal characteristics can significantly influence a patient’s symptom relief. Within research contexts, avoiding these placebo effects is one reason for double blind studies — to keep experimenters from accidentally biasing their results by telegraphing to test subjects what they expect the results of a study to be.

The new study both demonstrates that the placebo effect is transmitted from doctor to patient, and shows how it might work.

(20) OWN LE GUIN DOCUMENTARY. The latest Kickstarter backer update for the documentary Worlds of Ursula Le Guin contains information on how to view a digital copy and buy a DVD:

We know many of you haven’t yet had a chance to watch the film – we’re trying to bring it to you as quickly as we can. Online streaming, DVD, and broadcast opportunities vary by country, and continue to evolve, but here’s our latest update:

  • In the United States and English-speaking Canada, the film is now available to rent and buy via iTunes. For residents whose reward package didn’t include a DVD, you can also pre-order the DVD through our US distributor Grasshopper Films.
  • In the United Kingdom and Ireland, the film will be available to stream on BBC iPlayer after our broadcast date, expected to be announced soon. DVDs will be available in September 2021. 
  • If you live in Israel, streaming and DVDs will be available in March 2020.
  • For everyone else, you can pre-order the DVD internationally through Grasshopper Films. We’re also planning a worldwide Video-on-Demand (VOD) release in December for participating countries (excluding those listed above, and some others). 

Note that our DVD release date has shifted – we now expect to have DVDs ready to send out by mid-November. All DVDs will include closed captions in English for the hearing impaired, subtitles in several languages, and special extras we rescued from the cutting room floor. DVDs won’t be region-specific, so viewers around the world should be able to watch them.

(21) VIDEO OF THE DAY. in “Bicycle” on Vimeo, Cool 3D World shows what happens when five green men decide to ride a bicycle.

[Thanks to JJ, John King Tarpinian, Chip Hitchcock, Cat Eldridge, Rob Thornton, Mike Kennedy, Martin Morse Wooster, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Brian Z.]