Pixel Scroll 8/2/24 We’re Off To Scroll The Pixels, The Wonderful Pixels Of Scroll

(1) SFWA BOARD ADDRESSES STAFF CHANGES. The Science Fiction and Fantasy Writers Association today sent members a message with very general comments about recent changes in their professional and volunteer staff. At the top is yesterday’s resignation by President Jeffe Kennedy, whose office will be filled by Vice President, Chelsea Mueller until a special election is held. The message also says other issues are roiling the organization without identifying any of them specifically.

…Due to the nature of the employee/employer relationship, we do not feel it is ethical or appropriate to make these matters public. Our duties as Board members require us to work in the best interest of SFWA. Our responsibilities as compassionate human beings compel us to seek solutions reflecting our respect for our employees and volunteers. Sometimes, we may fall short, especially when things happen quickly and information is limited. Moving forward, we ask for your patience and trust as we do our best to fulfill our obligations….

…All members received the email from Jeffe Kennedy explaining her resignation as SFWA’s President on Aug 1, 2024. The Board is working with all relevant stakeholders to determine the timeline and process for a special election for president as outlined in the Bylaws. We will share those details as they are finalized. In the interim, SFWA’s elected Vice President, Chelsea Mueller, will fill the office of president.

The Board acknowledges there are several other issues, both ongoing and recent, that have been brought to our attention. Please know that we are listening and we will address your concerns and your suggestions as we move forward. At the center of many of these issues is the need for greater transparency. We cannot comment on legal matters or confidential matters such as Griefcom and the Emergency Medical Fund (EMF). Still, there are many aspects of this organization where we need to improve communications with our membership. There are many good suggestions on how to do this, but most will take time to implement.

Many topics brought to the forefront need to be considered by the Board of Directors with member input. The Board has scheduled upcoming board meetings focusing on and prioritizing these topics…

(2) BBC PULLS TENNANT ERA WHO EPISODE TO REDUB CAMEO BY PROSECUTED NEWS ANCHOR. “’Doctor Who’ Episode Featuring Huw Edwards Removed From BBC iPlayer” reports Deadline.

The BBC is starting to scrub Huw Edwards from its vast library of content.

The UK broadcaster has temporarily removed from iPlayer an episode of Doctor Who featuring the disgraced news anchor, who this week pleaded guilty to indecent child image charges.

No longer available to stream is Fear Her, an installment from Season 2 of the sci-fi drama starring David Tennant and Billie Piper. The episode is now being redubbed to remove Edwards, whose voiceover features during a news clip.

He features when Chloe Webber, a girl who is terrorized by a demonic version of her abusive dead father, makes everyone disappear in a sports stadium….

The BBC added: “As you would expect we are actively considering the availability of our archive. While we don’t routinely delete content from the BBC archive as it is a matter of historical record, we do consider the continued use and re-use of material on a case-by-case basis.”

It is perhaps unsurprising that executives looked at the Edwards episode, given the nature of his crimes and that Doctor Who has a young fan base. The Daily Mirror reported that the footage of Edwards would be edited out.…

… The BBC also appears to have removed an episode of The Great British Menu featuring Edwards as a guest judge. Season 17, Episode 28 is not currently available on iPlayer.

The BBC will face decisions over whether it can replay countless hours of archive footage of Edwards. He has been a mainstay for major national moments, including the Queen’s death.

There have also been questions over whether Edwards should be scrubbed from James Bond movie Skyfall, during which he appears as a newsreader.

(3) EKPEKI BOUND FOR SCOTLAND. Oghenechovwe Donald Ekpeki has got a visa and will attend the Glasgow 2024 Worldcon. He’s still looking for help with some of the expenses. The GoFundMe to “Help Oghenechovwe Ekpeki Attend the 2024 Glasgow Worldcon” raised over $1000 of the $3000 goal on the first day.

(4) COVER REVEAL. And today Ekpeki shared the cover of Year’s Best African Speculative Fiction volume 3 by Cyrielle Prückner. The book can be preordered at Amazon.com.

(5) ROLL YOUR OWN INSULT. Ekpeki also has been playing with the Don Rickles of ChatGPTs:

(6) OCTOTHORPE. Episode 115 of the Octothorpe podcast is “I Like the Way Glasgow Did It”.

John is a busy bee, something’s bugging Alison, and Liz meets a wasp. We spend our episode this week digging into the WSFS Business Meeting in unprecedented detail, but hopefully we make it more transparent and at least somewhat funny. Let us know if you have any questions before the convention, and listen here!

An uncorrected transcript is available here.

A giant stripy purple bucket of popcorn on a cinema screen says “Octothorpe 115 WSFS Special”, and John, Alison and Liz sit in the audience, silhouetted in the style of *Mystery Science Theatre 3000*. John is saying “We’re gonna need a bigger box of popcorn.”

(7) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

August 2, 1954 Ken MacLeod, 70.

By Paul Weimer: When I first started reading MacLeod in the mid 1990s, it felt like a trangressive, even forbidden act.  As you know, Bob, I grew up in a relatively conservative (in many senses of the world) household. And while science fiction and fantasy (and really all of my reading) were escapes from that world, it wasn’t until I was an adult that I started to branch out and read things that felt…trangressive.

Like, for example, the Fall Revolution novels of Ken MacLeod.  Confronted with societies and ways of organizing nations and societies far removed from my normal reading or experience, was more than a bit of a wakeup call.  I had never actually read a socialist SF writer and a world both communist and libertarian and very different than what I was used to until I picked up The Star Fraction. His technological ideas, AI and Singularities and much more. I was struck, too how MacLeod seamlessly wove in concepts of alternate history and divergent choices right into his narrative. I was amazed that the fourth of the Fall books was in fact an alternate history to the first three. 

Ken MacLeod

Although contemporary events overshadowed and made his world impossible, I am also a fan of a one shot technothriller/spy thriller/mindbender, The Restoration Game. It’s set in a Soviet Republic that no longer exists, and has a MMO player as a main character, who finds out that the real world is even stranger than the game and its epic story she is trying to use to brew revolution. It shows MacLeod loving to burst his work at the seams with ideas, with a truly wham moment in the denouement of the novel that I would not dream of spoiling. Fun stuff, and one of my early book reviews, back in the day. You can still find that review review online although I think I was in the end a bit too harsh on it. I continue to confront and engage with MacLeod’s work.

Lately. I’ve been highly enjoying his newest works, the Lightspeed Trilogy books. The use of plausible politics and the polities of Earth keeping FTL travel a secret at all costs, combined with time jumps, strange aliens and their plans (especially the Fermi), and a tangle of ideas and concepts.  MacLeod’s books, from the Fall Revolution to the Lightspeed books are bursting at the seams with ideas. Critics and fans who bemoan that modern SF books are lacking inventiveness in ideas and concepts simply have not been reading MacLeod’s work. I get that, because his politics can be a bit much and his works wear them on their sleeve, and proudly. 

(8) COMICS SECTION.

  • Last Kiss recommends comic book lovers. In a manner of speaking.
  • Eek! shows faster isn’t going to be better.
  • Non Sequitur presents a writing challenge that’s hard to overcome.

(9) I BELIEVE. The Paris Review’s Jason Katz tells what it was like “At the Great Florida Bigfoot Conference”.

The evening before the fourth annual Great Florida Bigfoot Conference in the north-central horse town of Ocala, I was in a buffet line at the VIP dinner, listening to a man describe his first encounter. “I was on an airboat near Turner River Road in the Glades and I saw it there,” he said. “At first, I confused it with a gator because it was hunched over, but then it stood up. It was probably eight feet tall. I could smell it too. I froze. It was like something had taken control over my body.” His story contained a common trope of Bigfoot encounters: awe and fear in the face of a higher power.

I sat down at a conference room round table and gnawed on an undercooked chicken quarter, looking around at my fellow VIPs, or as the conference’s master of ceremonies, Ryan “RPG” Golembeske, called us, the Bigfoot Mafia. Most of the other attendees were of retirement age. Their hats, tattoos, and car bumpers in the parking lot indicated that many were former military, police, and/or proud gun owners. Many were Trump supporters—beseeching fellow motorists to, as one bumper sticker read, MAKE THE FOREST GREAT AGAIN, a catchphrase which had been written out over an image of a Bigfoot on a turquoise background in the pines, rocking a pompadour. The sticker was a small oval on the larger spare wheel cover of a mid-aughts Chinook Concourse RV. Above it and below it, in Inspirational Quote Font, was the phrase “Once upon a time … is Now!” The couple who owned the RV cemented their identities with a big homemade TRUCKERS FOR TRUMP window decal next to a large handicap sticker. As a thirty-six-year-old progressive, I was an outlier in this crowd. But, like many, I was a believer.

It bears repeating: I believe in the existence of the Bigfoot, Sasquatch, Yeti, Wild Man, or, as it is called in South Florida, the Skunk Ape….

(10) MOTTO. I like this one.

(11) BETTER NOT TELL BLOFELD. [Item by Mike Kennedy.] If Ernst Stravo Blofeld can make a giant space laser with stolen diamonds, you better not tell him about this supposition… “Mercury could have an 11-mile underground layer of diamonds, researchers say” at CNN.

A layer of diamonds up to 18 kilometers (11 miles) thick could be tucked below the surface of Mercury, the solar system’s smallest planet and the closest to the sun, according to new research.

The diamonds might have formed soon after Mercury itself coalesced into a planet about 4.5 billion years ago from a swirling cloud of dust and gas, in the crucible of a high-pressure, high-temperature environment. At this time, the fledgling planet is believed to have had a crust of graphite, floating over a deep magma ocean.

A team of researchers recreated that searing environment in an experiment, with a machine called an anvil press that’s normally used to study how materials behave under extreme pressure but also for the production of synthetic diamonds….

(12) CERN AT WORK ON ITS PUBLIC IMAGE. “Angels & Demons, Tom Hanks and Peter Higgs: how CERN sold its story to the world”PhysicsWorld looks back

“Read this,” said my boss as he dropped a book on my desk sometime in the middle of the year 2000. As a dutiful staff writer at CERN, I ploughed my way through the chunky novel, which was about someone stealing a quarter of a gram of antimatter from CERN to blow up the Vatican. It seemed a preposterous story but my gut told me it might put the lab in a bad light. So when the book’s sales failed to take off, all of us in CERN’s communications group breathed a sigh of relief.

Little did I know that Dan Brown’s Angels & Demons would set the tone for much of my subsequent career. Soon after I finished the book, my boss left CERN and I became head of communications. I was now in charge of managing public relations for the Geneva-based lab and ensuring that CERN’s activities and functions were understood across the world.

I was to remain in the role for 13 eventful years that saw Angels & Demons return with a vengeance; killer black holes maraud the tabloids; apparently superluminal neutrinos have the brakes applied; and the start-upbreakdown and restart of the Large Hadron Collider (LHC). Oh, and the small business of a major discovery and the award of the Nobel Prize for Physics to François Englert and Peter Higgs in 2013….

(13) JUSTWATCH TOP 10S. The JustWatch service has shared their list of the Top 10 streaming sff movie and TV shows in July 2024.

[Thanks to Kathy Sullivan, Teddy Harvia, Mike Kennedy, Oghenechovwe Donald Ekpeki, Daniel Dern, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day Thomas the Red.]

Year’s Best African Speculative Fiction 2023 Table of Contents

The table of contents has been released for The Year’s Best African Speculative Fiction volume 3 edited by Oghenechovwe Donald Ekpeki and Chinaza Ebere Eziaghighala, along with a recommended reading list.

The anthology will be published in November by Caezik Books, of Arc Manor. (The first two volumes can be purchased here.)

YEAR’S BEST AFRICAN SPECULATIVE FICTION VOLUME 3 TABLE OF CONTENTS

  • Nalo Hopkinson – The Most Strongest Obeah Woman of The World. Originally published in Out There Screaming: An Anthology of New Black Horror
  • Tananarive Due – Suppertime. Originally published in New Suns 2
  • P Djeli Clark – How To Raise A Kraken In Your Bathtub originally published in Uncanny Magazine
  • Tobias Buckell – By Throat & Void. Originally published in The Sunday Morning Transport
  • Tendai Huchu – The Hollowed People. Originally published in Mothersound: The Sauútiverse Anthology
  • Wole Talabi – Saturday’s Song. Originally published in Lightspeed Magazine.
  • Kemi Ashing-Giwa – Thin Ice. Originally published in Clarkesworld.
  • Makena Onjerika – The Forest of Talking Animals. Originally published in The Deadlands
  • Cheryl Ntumy – The Way of Baa’gh. Originally published in Mothersound: The Sauútiverse Anthology
  • Adelehin Ijasan – The Rafting of Jorge Santa Cruz. Interzone Digital.
  • Ilozumba Amanda – Haunting of Kambili. Originally published in Lolwe.
  • Michelle Iruobe – Parody of the Sower. Originally published in Omenana Magazine.
  • Gabrielle Emem Harry – A Name Is A Plea and A Prophecy. Originally published in Strange Horizons.
  • Chisom Umeh – Ncheta. Originally published in Apex Magazine.
  • Dennis Mugaa – Nairuko. Originally published in Fantasy Magazine.
  • Vuyokazi Ngemntu – Blood & Ballots. Originally published in Ibua Journal
  • Chukwu Nwaka – The Rainbow Bank. Originally published in Giganotosaurus.
  • Moustapha Mbacké Diop – Sirabiri of The Restless. Originally published in Blackened Roots: An Anthology of the Undead.
  • Oyedotun Damilola – A Journal of Strange Creatures and Beasts from Africa. Originally published in Dark Matter; Monsters Lairs, A Dark Fantasy Horror Anthology
  • Xan van Rooyen – Lost In The Echoes. Originally published in Mothersound: The Sauútiverse Anthology

The YBASF 2023 Recommended Reading List

  • Oyedotun Damilola Muees – A Song for the Selkies. From Reckoning mag
  • Adelehin Ijasan – Xhova. From Mothersound, Saautiverse Anthology
  • Somto Ihezue and Oghenechovwe Donald Ekpeki – A City, A Desert and all their Dirges. From Mothersound, Saautiverse Anthology
  • Busayo Akinmoju – Kinsmen. From Other and Different (A Coup of Owls 2023 Anthology of diverse fiction)
  • Jackie Chikambure – One Braid at a Time. From Zim SF #ShonaReads.
  • Naomi Eselojor – Seventy-year-old Corpse Harvester (Dark Matter Magazine)
  • Joshua Uchenna Omenga & Oghenechovwe Donald Ekpeki – The Pet of Olodumare (The Magazine of Fantasy & Science Fiction)
  • Adam Oyabanjo – The Wrong Shape To Fly (Worlds Long Lost)
  • Aline-Mwezi Niyonsenga – Fell Ourselves (Giganotosaurus)
  • Oluwatomiwa Ajeigbe – Immortality Soup (Lightspeed Magazine)
  • Dilman Dila – The Terminal Move (Rosarium Publishing)
  • Joshua Uchenna Omenga & Oghenechovwe Donald Ekpeki – Land of the Awaiting Birth (Between Dystopias: The Road To Afropantheology)
  • Somto Ihezue – A Guide, A Door, An Anchor (Frivolous Comma)
  • Uchechukwu Nwaka – Challenges to Becoming a Pro Dragonracer in Apapa-Downtown (Escape Pod)
  • Ofori-Atta, Nana Afadua – Headphone Boy (Tales and Feathers Magazine)
  • Yvette Lisa Ndlovu – His Thing (Lightspeed Magazine)
  • Dilman Dila – The Terminal Move (Rosarium Publishing)
  • Francis Ogamba – Nurse The Children (Uncharted Magazine)
  • Plengdi Negle – Dreams, Wires and Nightmares (Translunar Travelers Lounge)
  • Lerato Mahlangu – Petunia (Fiyah)
  • Nuzo Onoh – Onyili (Nightmare Magazine)
  • Masiyaleti Mahlangu – There’s No Hurry In Botswana (The Johannesburg Review of Books)
  • Victor Forna – Kɛrozin Lamp Kurfi (Apex Magazine)
  • Stephen Embleton – Undulation (Mothersound: The Sauútiverse Anthology, Android Press)
  • Tochi Onyebuch – Jamais Vue (Asimov’s)
  • Lesley Nneka Arimah – Invasion of the Baby Snatchers (Out There Screaming)
  • Dare Segun Falowo – October in Eran Riro (Caged Ocean Dub)
  • Suyi Davies Okungbowa – Lady Koi Koi: A Book Report (Apex Mag)
  • Tade Thompson – The Luck Thief (The Book of  Witches)
  • Tobias S Buckell – The Groves Lament (Mothersound: The Sauutiverse Anthology)
  • Xan Van Rooyen – The Broken Bones of Summer (Mythaxis)
  • Chinaza Eziagighala – A Dose of Insight (Planet Scumm)
  • Tobi Ogundiran – A Midnight In Moscow (Jackal, Jackal)
  • Mwanabibi Sikamo – Stolen Memories (Omenana Magazine)
  • Eugen Bacon – Human Beans (European Astrobiology Institute and Laksa Media)
  • Kofi Nyameye – The Pit of Babel (Asimov’s)
  • MH Ayinde – The Invoker and Her Quartet (Kaleiodetrope)
  • Deji Bryce Olukotun – This Is How We Save Them (Life Beyond Us)
  • J Umeh – Kalabashing. (Mothersound: The Sauutiverse Anthology)
  • Moses Oseh Utomi – Lies of the Ajungo (Tordotcom)
  • Eugen Bacon – Sina, The Child With No Echo (Android Press)
  • Abdulrahim Hussani – The Library Virus (Wilted Pages: An Anthology of Dark Academia)
  • NK Jemisin – Reckless Eyeballing (Out There Screaming)
  • Nnedi Okorafor – Stones (Clarkesworld)
  • Alex Jennings – Good Night Gracie (New Suns 2)

[Thanks to Oghenechovwe Donald Ekpeki for the story.]

Pixel Scroll 2/22/24 Home Is The Pixel, Home From The Scroll

(1) WE’RE BACK. “Odysseus becomes first US spacecraft to land on moon in over 50 years”CNN not only has the story, they enlisted Captain Kirk – William Shatner – to help tell it on the air.

The US-made Odysseus lunar lander has made a touchdown on the moon, surpassing its final key milestones — and the odds — to become the first commercial spacecraft to accomplish such a feat, but the condition of the lander remains in question.

Intuitive Machines, however, says the mission has been successful.

“I know this was a nail-biter, but we are on the surface, and we are transmitting,” Intuitive Machines CEO Steve Altemus just announced on the webcast. “Welcome to the moon.”

Odysseus is the first vehicle launched from the United States to land on the moon’s surface since the Apollo 17 mission in 1972.

Mission controllers from Intuitive Machines, the Houston-based company that developed the robotic explorer, confirmed the lander reached the lunar surface Thursday evening….

…After some intense waiting, Intuitive Machines, the company behind the Odysseus lunar landing mission, has confirmed the spacecraft is “upright and starting to send data.”

That’s a major milestone…

William Shatner on CNN.

(2) 2023 BUSINESS MEETING MINUTES POSTED. [Item by Kevin Standlee.] The 2023 WSFS Business Meeting minutes are now available at the WSFS rules page.

All documents are updated except the Resolutions of Rulings of Continuing Effect, which are still being reviewed by the Nitpicking & Flyspecking Committee. 

(3) HELP PAY TRIBUTE TO STEVE MILLER. Sharon Lee is asking people to send Locus their recollections about her husband, Steve Miller, who died on February 20. This link should work: locus@locusmag.com.

(4) THE YEAR’S BEST AFRICAN SPECULATIVE FICTION VOLUME THREE: CALL FOR SUBMISSIONS. The Year’s Best African Speculative Fiction Volume Three anthology is now open to submissions through March 31, 2024. See full guidelines at the link.

This next volume of the series covers works originally published in 2023. It will be published with a release date of late 2024 under the Caezik SF & Fantasy imprint (Arc Manor).

​Editors for this volume are Oghenechovwe Donald Ekpeki and Chinaza Eziaghighala.

(5) LINK Q&A. “Interview: Kelly Link on Writing Her First Novel” at New York Magazine.

How did you intellectually and practically and physically and spiritually transition from writing short stories to writing a rather long novel?

Even if one is a short-story writer at heart, this is a world of novels. This is a world where readers love novels, which I get. I love them too. But if you’re a short-story writer, any time that you are talking with somebody, they will say, “Well, have you ever thought about writing a novel?”

My husband and I ran a small press for a couple of decades. I had the enormous privilege of working with a bunch of writers on novels. I also, in my writing life, have a group of friends that I meet with, sometimes on a daily basis, and they are all novelists. We spend a lot of our time talking about the possibilities that novels present to a writer. And I love their books. I get to read them when they’re working on them. And eventually, if you’re me, at least, you start to think, Well, what could I do at this length? My very good friend, one of the writers that I work with, Holly Black, said to me about nine years ago, “If you don’t intentionally write a novel, you will write one by accident. And so you might as well plan out how to do it intentionally.”

(6) MYMAN ON THE 2023 HUGOS. Francesca Myman, who attended the Chengdu Worldcon, has written several illuminating posts about the current Hugo Award crisis.

Here’s the first post from February 16:

…The thing that gets me is, if they truly believed they were taking care of people’s safety, and they couldn’t possibly think about it creatively and find other solutions because {reasons}, they were remarkably blasé about a lack of reasonable guidance.

And it does seem that the internal justification was safety. On June 7 Kat Jones says “I’m pointing out examples of both that I find for these fan writers out of an abundance of caution, because I’m assuming we’re talking about the safety of our Chinese con-running friends when we’re making these evaluations. Maybe any fan writer concerns can be mitigated by asking them to curate their voter packet materials with our Chinese friends’ safety in mind?” Of course, “I’m assuming” isn’t the same thing as “I’m asking” and no answers are given.

Then in the February 3 interview, when Chris Barkley asked if people were likely to be endangered on some sort of social or physical level, Dave’s response was some aggrandizing bluster about “the friends I would make and how much I love them and how much I would set myself on fire for them if I needed to,” which inappropriately puts the blame for everything underhanded and weaselly and inexcusable that he did into the laps of the very people he’s claiming to protect.

I’m not here to say Chinese censorship doesn’t exist, we ourselves had to comply with regulations and couldn’t sell magazines and books at Worldcon and it did cause me a considerable amount of stress (and to be fair it was incredibly difficult to obtain any information about exactly what we needed to do to be in compliance, things like whether or not we were allowed to sell digital subscriptions and the actual problem was physical materials sold on site, or whether no sales at all were permitted), but the active participation of Westerners in hand-selecting targets for censorship is stomach-churning….

The second post appeared on February 17:

Soooo while I do think you should read my last long-but-important post about the Hugos, literally the MOST important news about what happened to the Hugos is this: Vajra Chandrasekera on Bluesky linked to a Chinese language post by “zionius” explaining that the supposed “slate” of Chinese voters that was removed from the voting was actually the result of a recommended list from Chinese publication Science Fiction World, their most respected and popular magazine. To be clear, a close analogy is if people removed a batch of Hugo votes from the voting process because they were listed in the Locus Recommended Reading List and voters had too-similar patterns because of that. A recommended reading list is NOT a slate.

Apparently there were one to nine recommendations per SF World category including both Chinese and non-Chinese creators. I suppose the “one recommendation” category, whatever that was, could be tough — but nine recommendations? That’s quite normal for a recommended reading list. The readership of SF World is vast, way higher than Locus, let me tell you that (Chandrasekera claims it’s bigger than that of every western SF magazine put together which seems plausible to me), so they have a ton of influence, but that doesn’t make it illegal….

The third post came out on February 19:

…If McCarty DID receive an earlier heads-up — I’m envisioning something like “you must remove these things because their inclusion will harm us” — we have no way to be sure. And it’s possible I’m wrong here. We lack a WHOLE lot of papertrail, and it’s probably not the worst thing we don’t have it, in terms of all the aforementioned safety concerns.

About which I would like to add: I imagined that if I had been in the committee’s position I would have been most worried about someone saying something about “Hong Kong, Taiwan, Tibet, negatives of China” onstage. But I don’t really have a basis to determine the impact of speeches, so. . .

. . .I asked an expat friend yesterday what the consequences would be if someone, for example, used the Worldcon stage to opine on the political situation in Taiwan, and got an “eek” face emoji.

Eek face emoji situation, I guess. Here’s what he said, which I found particularly illuminating:

“The entire community would face repercussions. Outright censoring, problems for the organizers, attracting Beijing’s ire. The government liaison who helped bring this thing to Chengdu would have severe career blowback and would either lose position or have to pivot and punish to save themselves. It would be a very selfish thing to do and would hurt the Chinese sci fi community significantly. Think of what happened when Bjork called out ‘Free Tibet!’ She said that one phrase on a stage in Beijing and for a decade + afterwards there was a massive crackdown on all artist performances and a massive impoverishment of live music in general. All the festivals struggled. Probably the most damaging thing done to China’s live music scene in the modern era. And Bjork did it because she didn’t know or care about consequences, she just wanted to say her piece. Because the West teaches Westerners that we are morally superior to everyone else and have a right or obligation to ‘speak truth to power’ especially in non white non European places.”

So based on this and other research I absolutely believe safety concerns were real. Which is why I keep coming back around to the point that the best way of handling that was just letting the rules play out and letting Chinese voters take the lead as they were meant to.

(7) ANOTHER ONE ON THE SHELF. “Stephen King Is Baffled by Decision To Keep New Salem’s Lot Movie on the Shelf” reports Comingsoon.net.

Salem’s Lot Still in Limbo

Back in November of 2023, King championed the adaptation of his celebrated vampire novel, saying it had a feeling of ”Old Hollywood” to it. The movie was originally due to be released in 2022, and then in the Spring of 2023, where it lost its spot on the calendar to Warner horror stablemate Evil Dead Rise.

Then came the SAG-AFTRA strike, which reportedly caused Warner Bros. to reconsider a theatrical release altogether, subsequently being eyed for a streaming debut on Max. However, a Warner spokesperson told Variety that ”No decision has been made about the film’s future distribution plans.”

Yet nothing else has been said about the film’s status since.

King isn’t feeling all that patient with Warner Bros. and has once again reiterated his praise for the film while failing to hide his bafflement at its continued release limbo.

”Between you and me, Twitter, I’ve seen the new SALEM’S LOT, and it’s quite good. Old-school horror filmmaking: slow build, big payoff. Not sure why WB is holding it back; not like it’s embarrassing, or anything. Who knows. I just write the fucking things.”…

(8) PRODUCTION ALMOST SHUTTERED, NOW OSCAR CONTENDER. The Hollywood Reporter found out “Why Megan Ellison Saved the Animated Film ‘Nimona’”.

In January of 2021, Megan Ellison got a call from Erik Lomis, the former head of distribution at her company, Annapurna Pictures, asking if she’d like to take a look at a movie whose filmmakers needed a lifeline. Disney was days away from announcing that it planned to shutter Blue Sky Studios, the 500-person, Greenwich, Connecticut-based animation studio it had inherited in the 2019 Fox acquisition, and with that closure, the Burbank media giant would be dropping Blue Sky’s most promising movie, Nimona.

“I wasn’t really engaging in new film projects at the time, but being curious, I said yes,” Ellison said, in an email.

Ellison watched the hand-drawn storyboard reels, which directors Nick Bruno and Troy Quane had adapted from ND Stevenson’s 2015 graphic novel, and instantly connected with the title character, a shape-shifter voiced by Chloë Grace Moretz who appears most often as a young woman, but can change into animals or other people. “I had never seen a character like Nimona in a film, let alone an animated family movie,” Ellison said. “I needed this movie when I was a kid, and quite frankly, I needed it right then and there. It was the perfect story to come into my life at that moment.”

Nimona — which has LGBTQ themes that Disney executives wanted to downplay — seemed destined to become a tax write-off before Ellison scooped it up. Now the movie, which Netflix released last June, is nominated for an Oscar for animated feature…. 

(9) ANALOG SCORES GERROLD INTERVIEW. There’s a “Q&A With David Gerrold” at The Astounding Analog Companion.

Analog Editor: What is your history with Analog?
David Gerrold: I have a long personal history with Analog. My first year of high school was at Van Nuys High. The library was a good place to hang out at lunch time and they had a subscription to Astounding. I started working my way through every issue they had. Astounding represented (to me) the high point of science fiction magazines. It introduced me to so many great stories and writers, that it became a goal. It was decades before I sold a story to the magazine, but that was one of the high points of my career.
This story was a sequel to an earlier piece where Ganny knit a spaceship out of cables and plastic sheeting. I suspect that construction of habitats in space would probably use a lot more fabricated materials than metal. So that was the spark. But once I’d written about how to build the ship, I began to wonder about the interplanetary politics, the economics, and how it all might work where everything is light minutes away from everything else. I think that’s part of the effect that reading Astounding/Analog had on me—I want to know how things work, especially in science fiction.

(10) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born February 22, 1959 Kyle Maclachlan, 65. I of course came to know Kyle Maclachlan first for playing Paul Atreides in David Lynch’s Dune. Like Timothée Chalamet, who was twenty-six when he played Paul Atreides, Maclachlan also was too old at twenty-five for the teen aged character. Just noting that.

(Remember that I’m not going to not noting everything that he’s done, just what I find interesting,)

Kyle Maclachlan at Cannes in 2017.

It was his first film role which I didn’t know until now, so he was old for an actor getting his film career going.

Next up was Blue Velvet in which he was Jeffrey Beaumont. Definitely genre, as it is a thriller mystery blended with psychological horror. Also directed by David Lynch. Weird film, and even weirder role for film. 

He did an excellent job as Lloyd Gallagher in The Hidden, a great SF film. He was not in The Hidden II which was not a great film. 

Yes, the Twin Peaks franchise is genre given some of the things that happened here. His Dale Cooper character is played to perfection over to the thirty episodes of the original series and the eighteen episodes of Twin Peaks known as Twin Peaks: The Return and Twin Peaks: A Limited Event Series. He was also in Twin Peaks: Fire Walk with Me.

Did you know that he voiced Superman? Well he did. In one of the better animated films, Justice League: The New Frontier, he was as Kal-El / Clark Kent / Superman. He voiced him very well. 

He showed up as Edward Wilde, a librarian in The Librarian: Quest for the Spear, one of the films in The Librarian franchise. Just on the off chance that you’ve not seen it, I’ll say no more as it, but it like all The Librarian franchise, is great popcorn viewing. 

He was Cliff Vandercave in The Flintstones, the only Flintstones film worth watching. 

Lastly he was in the Agents of S.H.I.E.L.D. in the dual role of Calvin Johnson / The Doctor. 

(11) COMICS SECTION.

(12) MASTODON UNDER ATTACK. TechCrunch says “Discord took no action against server that coordinated costly Mastodon spam attacks”.

Over the weekend, hackers targeted federated social networks like Mastodon to carry out ongoing spam attacks that were organized on Discord, and conducted using Discord applications. But Discord has yet to remove the server where the attacks are facilitated, and Mastodon community leaders have been unable to reach anyone at the company.

“The attacks were coordinated through Discord, and the software was distributed through Discord,” said Emelia Smith, a software engineer who regularly works on trust and safety issues in the fediverse, a network of decentralized social platforms built on the ActivityPub protocol. “They were using bots that integrated directly with Discord, such that a user didn’t even need to set up any servers or anything like that, because they could just run this bot directly from Discord in order to carry out the attack.”

Smith attempted to contact Discord through official channels on February 17, but still has only received form responses. She told TechCrunch that while Discord has mechanisms for reporting individual users or messages, it lacks a clear way to report whole servers.

“We’ve seen this costing server admins of Mastodon, Misskey, and others hundreds or thousands of dollars in infrastructure costs, and overall denial of service,” Smith wrote to Discord Trust & Safety in an email viewed by TechCrunch. “The only common link seems to be this discord server.”…

(13) A TUNE, NOT TUNA. “Whale song mystery solved by scientists” reports BBC.

… Baleen whales are a group of 14 species, including the blue, humpback, right, minke and gray whale. Instead of teeth, the animals have plates of what is called baleen, through which they sieve huge mouthfuls of tiny creatures from the water.

Exactly how they produce complex, often haunting songs has been a mystery until now. Prof Elemans said it was “super-exciting” to have figured it out.

He and his colleagues carried out experiments using larynxes, or “voice boxes”, that had been carefully removed from three carcasses of stranded whales – a minke, a humpback and a sei whale. They then blew air through the massive structures to produce the sound.

In humans, our voices come from vibrations when air passes over structures called vocal folds in our throat. Baleen whales, instead, have a large U-shaped structure with a cushion of fat at the top of the larynx.

This vocal anatomy allows the animals to sing by recycling air, and it prevents water from being inhaled….

(14) DEAR SCHADENFREUDE. Between bites of popcorn Shepherd exacted a little payback.  

(15) [DELETED]. I apologize for drawing a comparison between Shepherd and Vox Day in the item that formerly appeared in this space. I was wrong to give into the impulse, which vented at Shepherd my emotional reaction to all the Hugo stuff I’ve had to write news about for the last month, something he has nothing to do with. (And if you want to ask why, then, is item #14 still here — Shepherd intended the needle, and I felt it. Ouch.)

(16) MIDNIGHT PALS. But do you know who’s really spinning in his grave? Read this and Bitter Karella will tell you.

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, Laura, Joyce Scrivner, Oghenechovwe Donald Ekpeki, Kevin Standlee, SF Concatenation’s Jonathan Cowie, Steven French, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day OGH.]

Call for Submissions: The Year’s Best African Speculative Fiction Volume Two

By Oghenechovwe Donald Ekpeki: The Year’s Best African Speculative Fiction Volume Two anthology is now open to submissions until the end of the year. This next volume of the series is a dual Year’s Best anthology, covering work published in 2021 and 2022. It will be published with a release date of early 2023 under the Caezik SF & Fantasy imprint of Arc Manor, an award-winning press run by Publisher Shahid Mahmud and his Associate Publisher, Lezli Robyn.

GUIDELINES. We welcome submissions of all reprint works of speculative fiction, from any genres and sub genres, including fantasy, dark fantasy, science fiction, horror and genre blends, up to 17,500 words, published by Africans or authors of African descent in 2021 and 2022. This means all flash, short story, and novelette fiction is eligible, if the rest of the parameters are met.

Send your submissions as a Word document file with your name, country of origin, email address, word length, first publication date and venue, to yearsbestafricansf@gmail.com

We will be receiving submissions until midnight 31 December 2022, but are already compiling the book—so please get in early so we have more time to consider your work.

If your work is not yet published, but is upcoming this 2022, you can also submit it and tell us the anticipated publication date, so we can consider it early.

This year’s volume will be guest edited by Eugen Bacon and Milton Davis, alongside the series editor, Oghenechovwe Donald Ekpeki.

Authors will be paid 2c per word in USD, up from the past year’s 1c per word for a reprint.

A LITTLE HISTORY. This line of Year’s Best African Speculative Fiction anthologies was created, for the first time in the genre’s decades-long history, to draw attention to the works of Africans and people of African descent. This was intended to address visibility and other marginalizing barriers that exist for Africans and people of African descent on the global stage.

Volume One took on this task, with some critical success, despite the long line of obstacles that came with publishing on and from the African continent. These obstacles included the pandemic and related vaccine-hoarding policies, the Endsars protests and subsequent Lekki Massacre, and a Twitter ban by the Nigerian government. Slur-slinging racists, harassing trolls, Goodreads review-bombing, an Amazon KDP ban and seizure of funds for country of origin, and the same from Smashwords and Draft2Digital, also matched every step forward with another step back.

Despite all these obstacles, Volume One made the Nerds of a Feather and Locus recommended reading lists. The book and stories were well-received and reviewed by venues and reviewers such as Arley Sorg (co-editor of Fantasy Magazine) in Lightspeed, Brandon Crilly of Black Gate, Matthew Cavanagh of Runalong The Shelves, Mark Walter or Ginger Nuts of Horror, Adri Joy of Nerds of a Feather, Sarah Deeming of British Fantasy Society, T.G Shenoy of Locus Magazine, Fiona Moore of the British Science Fiction Association and many more who helped shine a light on the incredible fiction we had showcased.

A heartfelt thanks goes out to them all, and also to our copy editor Joshua Omenga, and the amazing authors in the anthology itself, including Tlotlo Tsamaase, Sheree Renée Thomas, Tobi Ogundiran, Pemi Aguda, Tendai Huchu, Suyi Davies Okungbowa, Craig Laurance Gidney, Eugen Bacon, and everyone else who worked on the project. We are that much closer to our goal for all their efforts.

ACCOLADES FOR VOLUME ONE. The editor for Volume One, Oghenechovwe Donald Ekpeki, is a Hugo Award finalist for best editor short form, and is the first Black African finalist for that category. The Year’s Best African Speculative Fiction Volume One is also a finalist in the World Fantasy Award, and the first African anthology to be a WFA finalist, in addition to being a finalist in the Locus and British Fantasy awards. The anthology’s cover, by Maria Spada, was a British Science Fiction Award finalist as well.

Volume One is free to download in all formats on the Jembefola Press website. Jembefola Press was founded to publish the first anthology of The Year’s Best African Speculative Fiction and other works like it. You can also find the Bridging Worlds Pan-African Non-fiction Anthology free to download in all formats there/here as well.

Oghenechovwe Donald Ekpeki

EDITORS. Oghenechovwe Donald Ekpeki is an African speculative fiction writer, editor & publisher in Nigeria. He has won the Nommo award twice, and an Otherwise and British Fantasy award. His novelette “02 Arena” won the Nebula award, and is a Hugo award finalist, making him the first African to be a Nebula best novelette winner and Hugo best novelette finalist. The thought-provoking piece was also a finalist for British Science Fiction, British Fantasy and Nommo awards. He edits The Year’s Best African Speculative Fiction anthology series, which he’s the first African Hugo award best editor finalist for Volume One. He’s the first BIPOC to be a Hugo award finalists in fiction and editing categories in the same year, and The Year’s Best African Speculative Fiction Volume One anthology he edited and published is also a Locus, British Fantasy and World Fantasy award finalist. His works of fiction and non-fiction have appeared, and are forthcoming, in Asimov’s, Tordotcom, Uncanny Magazine, Strange Horizons, Apex Magazine, Galaxy’s Edge, and more. He co-edited the Dominion anthology, Africa Risen anthology, and is a guest of honour at the forthcoming 2022 Cancon and 2023 International Conference for the Fantastic In The Arts (ICFA)

Eugen Bacon

Eugen Bacon is an African Australian author of several novels and fiction collections. She’s a 2022 World Fantasy Award finalist, and was announced in the honor list of the 2022 Otherwise Fellowships for “doing exciting work in gender and speculative fiction.” Eugen’s short story collection, Danged Black Thing by Transit Lounge Publishing was a finalist in the British Science Fiction Association, Foreword Indies, Aurealis and Australian Shadows awards. Her creative work has appeared in literary and speculative fiction publications worldwide, including Award Winning Australian Writing, Fantasy Magazine, Fantasy & Science Fiction, and The Year’s Best African Speculative Fiction. Her books in 2022: Mage of Fools (novel), Chasing Whispers (collection) and An Earnest Blackness (essays). Visit her website at eugenbacon.com and Twitter @EugenBacon

Milton Davis

Milton Davis is an award winning Black Speculative fiction writer and owner of MVmedia, LLC, a publishing company specializing in science fiction and fantasy based on African/African Diaspora history, culture and traditions. Milton is the author of thirty novels and short story collections: his most recent the Sword and Soul adventure Eda Blessed II. Milton is also a contributing author to Black Panther: Tales of Wakanda, published by Marvel and Titan Books, and coauthor of Hadithi and the State of Black Speculative Fiction with Eugen Bacon.  He is the editor and co-editor of ten anthologies; Terminus: Tales of the Black Fantastic from the ATL; Cyberfunk!; The City, Dark Universe and Dark Universe: The Bright Empire with Gene Peterson; Griots: A Sword and Soul Anthology and Griot: Sisters of the Spear, with Charles R. Saunders; The Ki Khanga Anthology, the Steamfunk! anthology, and the Dieselfunk! anthology with Balogun Ojetade. Milton’s work had also been featured in Black Power: The Superhero Anthology and Rococoa published by Roaring Lions Productions; Skelos 2: The Journal of Weird Fiction and Dark Fantasy, Steampunk Writers Around the World published by Luna Press; Heroika: Dragoneaters published by First Perseid Press, Bass Reeves Frontier Marshal Volume Two, and Slay: Stories of the Vampire Noire. Milton Davis and Balogun Ojetade won the 2014 Urban Action Showcase Award for Best Script. Milton’s story “The Swarm” was nominated for the 2017 British Science Fiction Association Award for Short Fiction and his story, “Carnival,” has been nominated for the 2020 British Science Fiction Association Award for Short Fiction. His story, “The Monsters of Mena Ngai,” appears in the Marvel Black Panther: Tales of Wakanda anthology. Milton is a 2022 recipient of the East Coast Black Age of Comics Convention Lifetime Pioneer Achievement Award.

Submissions Website address: arcmanorbooks.com/yearsbestafricansf