AudioFile’s 2022 Best Science Fiction and Fantasy audiobooks are full of out-of-this world listening. Read on to discover a new take on a beloved classic, rich worldbuilding with outstanding full-cast narrations, or a captivating noir fantasy full of otherworldly beings.
BEST SCIENCE FICTION & FANTASY AUDIOBOOKSFOR 2022
THE ATLAS SIX: Atlas, Book 1 by Olivie Blake | Read by Steve West, David Monteith, Damian Lynch, Caitlin Kelly, Andy Ingalls, Munirih Grace, Siho Ellsmore, James Patrick Cronin | AudioFile Earphones Award. Macmillan Audio | 16 hrs.
Six exceptional individuals are recruited to join the mysterious Alexandrian Society. Listeners hear from prospective initiates from alternating points of view as the competition unfolds, all performed by a talented ensemble of narrators.
A COURT OF MIST AND FURY: A Court of Thorns and Roses, Book 2 by Sarah J. Maas | Read by Melody Muze, Anthony Palmini, Henry W. Kramer, Jon Vertullo, Amanda Forstrom, and a Full Cast |AudioFile Earphones Award. GraphicAudio | 8 hrs.
Melody Muze inhabits the role of this story’s narrator, along with Feyre, a mortal in an immortal body who lives in the land of Faerie. Sound effects, background music, and an imaginative cast enhance this magical battle between good and evil.
EVEN THOUGH I KNEW THE END by C.L. Polk | Read by January LaVoy | AudioFile Earphones Award. Recorded Books | 3.75 hrs.
January LaVoy’s captivating talents are on full display as she narrates a romantic, fantastical noir mystery. Helen Brandt has sold her soul to a demon, but now faces a chance to earn it back, save her city, and have a future with her girl.
MAXINE JUSTICE: Galactic Attorney by Daniel Schwabauer | Read by Aimee Lilly | AudioFile Earphones Award. Oasis Audio | 9 hrs.
There can be no doubt that narrator Aimee Lilly is having fun portraying Maxine Justice, who is feisty, resilient, and a bit down on her luck. Lilly captures all of Max’s dry wit, which makes this whimsical sci-fi story full of humans, robots, and aliens even more effective.
MOON WITCH, SPIDER KING: Dark Star Trilogy, Book 2 by Marlon James | Read by Bahni Turpin | AudioFile Earphones Award. Penguin Audio | 30.75 hrs.
Bahni Turpin shows extraordinary range in her expert narration of this sprawling fantasy, the second installment of the Dark Star Trilogy. Listeners are treated to the fascinating and tumultuous 177-year life story of the witch Sogolon—from her painful childhood to her rise to power.
WITCHES ABROAD: Discworld, Book 12 by Terry Pratchett | Read by Indira Varma, Peter Serafinowicz, Bill Nighy | AudioFile Earphones Award. Penguin Audio UK | 9.75 hrs.
This highly amusing new recording of a classic in Pratchett’s beloved Discworld series, primarily narrated by Indira Varma with distinct British voices, introduces listeners to a godmother-witch, Magrat. She must stop the servant Emberella from marrying the prince, which (surprisingly) would destroy the kingdom.
We love hearing a good story well told, and we know that you do, too: the comfort and intimacy of a voice in your ear, the pleasure of being completely swept up in a narrative. That’s why, every December, we are so glad to celebrate audio excellence by selecting AudioFile’s Best Audiobooks. Thank you to all of the narrators, directors, producers, and publishers who filled our year with good listening.
(2) A PAY SERVICE NIXES DISCON III. “WeChat Restrictions, We Tried, We Really Tried” says DisCon III:
“We have had to remove WeChat as a payment option. Due to their restrictions on charitable giving, we are unable to use WeChat services at this time. Our tech team is working to find a workaround to help overseas fans who want to pay using WeChat. That said, all of our other avenues are still available, and there’s still time to join us at DisCon III. Please visit our member services page to purchase your membership.” said Mary Robinette Kowal, Chair of DisCon III.
(3) ON BROADWAY. [Item by Daniel Dern.] The opening of (Marvel) Hawkeye (new TV series) includes Clint “Hawkeye” Barton (and his 3 kids) going to a performance of Rogers The Musical (note that the signage looks very Hamiltonian), and we get to, delightfully, see about half of “I Can Do This All Day” about the NYC invasion, in the first Avengers movie.
… Written by Marc Shaiman and Scott Wittman, who have collaborated on other Broadway musical adaptations like Hairspray and Catch Me If You Can, Rogers is the MCU’s latest attempt to reminisce over past battles with a wink and nod. A little like the scene in Loki where the God of Mischief finds Infinity stones being used as paperweights, the silliness of Rogers asks the audience if they can remember what all the fuss was about….
…A strong cast gives the characters more weight and also pushes them closer to how Jordan intended them to be (from context) rather than how they come over in the books. Nynaeve in particular is clearly meant to be a strong-willed character in the books but comes over as just whiny and annoying (your impression may differ) in Jordan’s dialogue. However, the show’s Nynaeve is a really compelling character played by New Zealander Zoë Robins, full of intensity and suspicion of what she (correctly) perceives as a hostile world….
(5) FUTURE TENSE. The November 2021 entry in the Future Tense Fiction series is “Ride,” by Linda Nagata, a story about climate, public transportation, and AI in Hawaii.
…The boy waved at them, then turned again to Jasmine. “Give it a try,” he exhorted her in a conspiratorial whisper. “Promise you will?”
Her smile brightened. She didn’t want to disappoint those eyes. So she played along, teasing, “I might.” And maybe she really would. It was just a little game, after all….
I like to think of myself as deeply skeptical of the many internet algorithms telling me what I want and need. I turn off targeted advertising wherever I can. I use AdBlock to hide what’s left. Most of my YouTube recommendations are for concerts or sports highlights, but I know I’m just a few clicks away from a wild-eyed influencer telling me to gargle turpentine for a sore throat. Twitter trending topics? I regret clicking immediately.
But I make an exception for the sweet, all-knowing embrace of the Spotify algorithm, to whom I surrender my ears several times a day. This software doesn’t just know my taste in music better than my friends; it acts on it, with chains of songs that build off things that I know I like, or forgot I did….
(6) HARLAN IN THE WILDERNESS. Stephen Bowie interviewed Harlan Ellison in 1996 about his early days writing for television: “Harlan Hits Hollywood” at The Classic TV History Blog.
…I was going to ask you if you remembered watching “Memos From Purgatory” when it was first broadcast, but perhaps you don’t, since it wasn’t actually the first one.
It’s a moderately funny story about what happened the night it aired. I was living in Beverly Glen, in this little treehouse. The television set that I had was a real small TV, with rabbit ears, and the antenna was up the side of the mountain behind the house. I mean this house, literally and actually, sat half on a rock ledge and the other half sat in the crotch of a gigantic banyan tree. It was raining that night, it was raining terribly. And the antenna, which was up the hill – rabbit ears down in the house and an actual antenna up on the hill; I mean, there was no cable – well, the antenna fell over.
I had invited all these people to come and see the show, and we couldn’t get any reception. So a friend of mine volunteered to go up, and he put on my raincoat, and he stood up there in the pounding rain, a really torrential downpour. He stood up there holding the fuckin’ antenna up. And I was kind of, you know, upset that he was up there, not to mention that there were cougars or mountain cats – really, there were catamounts or cougars or whatever the fuck they are – up there running loose, because it’s all watershed land. And I was terrified that he was going to get eaten, or washed away, or drowned, or fall off the mountain, or something. So about midway through I went up and I took his place. And I came back drenched, soaking wet, I looked like a drowned rat, and everybody was raving about this thing, and I had only seen about half of it….
HBO’s hit series “Game of Thrones” came to an end in 2019 with two shortened seasons, which brought the total to eight seasons and 73 episodes. But the story’s original creator, the author George R.R. Martin, pushed for up to 10 seasons and 100 total episodes, according to a new book.
Miller, who conducted 757 interviews for the book, spoke with Martin, Martin’s agent, Paul Haas, and Richard Plepler, HBO’s former CEO.
“George would fly to New York to have lunch with Plepler, to beg him to do ten seasons of ten episodes because there was enough material for it and to tell him it would be a more satisfying and more entertaining experience,” Haas told Miller.
(8) IN XANADU. Henry Farrell points to the availability of the video of a panel he was on with Paul Krugman, Ada Palmer, Noah Smith, and Jo Walton. And he has a few more things he’d like to say in his post “The Future Finds Its Own Uses for Things” at Crooked Timber.
So this event on the relationship between social science and science fiction went live late last week. It has Paul Krugman, Ada Palmer, Jo Walton, Noah Smith and … me. I’ve been wanting to say something a little bit more about this relationship for a while. Here is one take, which surely misses out on a lot, but maybe captures some stuff too.
…The Hume quote captures a particular – and very common – way of thinking about the world. It suggests that beneath the vast procession of history, the extraordinary profusion of ways in which human beings organize their society, their politics and their economies, lies a hidden and coherent unity. He emphasizes “the constant principles of human nature” – other social scientists have other notions about what the underlying unity involves and entails. But from this perspective all the ways in which things are different across time and space are really illustrations of how they are really deeply the same. This is a powerful lens for understanding the world and perhaps changing it.
When Marco Polo counters Kublai Khan, he points towards quite the opposite phenomenon; how an apparent unity -an abstract of plane forces – can be opened up to disclose the quiddity of things. A chessboard is a plane divided into sixty-four squares – yet it is also something physical, made out of joined-together pieces of wood, each with its own history. The apparently all encompassing abstract unity conceals a world of variation. Unless you understand how the squares were formed – a year of drought; a frosty night; a caterpillar’s appetite; you cannot understand how the chessboard came to be as it is.
It is a little too simple to say that social science is on Hume’s side of the dialectic, while science fiction is on Marco Polo’s. What makes more sense, I think is that very good social scientists and very good science fiction writers each work the tensions between the two understandings of the world, more from the one side than the other….
(9) NAME YOUR PRICE. Filer Jane Sand’s novelette “Not Poppy Nor Mandragora” is in the newly released Fusion Fragment issue #9. The publishers invite readers to “download Fusion Fragment #9 for free or pay what you want!”
…Verne’s story, in turn, inspired the late 19th-century journalist Nellie Bly to make her own world tour, completing the trip in 72 days. She even met Verne in Amiens and wrote her own bestselling book about her adventures. Monty Python alum Michael Palin made the charming TV travelogue, Around the World in 80 Days with Michael Palin, in 1988, detailing his recreation of Fogg’s journey, without resorting to airplanes….
(11) MEDIA BIRTHDAY.
2002 — [Item by Cat Eldridge.] Nineteen years ago on NBC, It’s a Very Merry Muppet Christmas Movie first aired. It was the first film to be made for television by The Muppets franchise. It was directed by Kirk R. Thatcher (in his feature directorial debut though he earlier been hired by Nimoy to associate produce the Conspiracy ’87 Hugo-nominated Star Trek IV: The Voyage Home) and written by Tom Martin and Jim Lewis.
It starred the usual Muppet puppeteers (Steve Whitmire, Dave Goelz, Bill Barretta and Eric Jacobson) plus a number of human guests: David Arquette, Joan Cusack, Matthew Lillard, William H. Macy and Whoopi Goldberg. Executive producers Juliet Blake and Brian Henson, though the actual producers were Martin G. Baker and Warren Carr.
This is also the final Muppets production from the Jim Henson Company, as The Muppets were in their final years of ownership by the Henson family before being sold to Disney in 2004.
Critics were generally very impressed by this film with such comments as the Canadian Movie News saying it “is a medley of familiar Christmas classics such as It’s a Wonderful Life, A Christmas Story and The Grinch, amongst others, with a distinct Muppet spin.” Interestingly audience reviewers at Rotten Tomatoes were less impressed giving a mediocre fifty-one percent rating.
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born November 29, 1898 — C S Lewis. I first encountered him when reading The Screwtape Letters in University. I later read of course The Chronicles of Narnia which I found most excellent though I’ll admit that I’ve not read his Space Trilogy. (Died 1963.)
Born November 29, 1910 — Kendell Foster Crossen. He was the creator and writer of the Green Lama stories. The character was a Buddhist crime fighter whose powers were activated upon the recitation of the Tibetan chant om mani padme hum. He also wrote Manning Draco series, an intergalactic insurance investigator, four of which are can be found in Once Upon a Star: A Novel of the Future. The usual suspects has a really deep catalog of his genre work, and the Green Lama stories have been made into audio works as well. (Died 1981.)
Born November 29, 1918 — Madeleine L’Engle. Writer whose genre work included the splendid YA sequence starting off with A Wrinkle in Time and its sequels: A Wind in the Door, A Swiftly Tilting Planet, Many Waters, and An Acceptable Time. One of her non-genre works that I recommend strongly is the Katherine Forrester Vigneras series. She has a World Fantasy Award for Life Achievement. (Died 2007.)
Born November 29, 1950 — Peter Hooten, 71. He played the title character in the late Seveties Dr. Strange film, well before the present MCU film reality existed. His other genre appearances are all in definitely low-grade horror films such as Orca, House of Blood and Souleater. And one Italian film that had so many name changes that I’d accused it of name laundering, including 2020 Texas Gladiators.
Born November 29, 1955 — Howie Mandel, 66. He was the voice of Gizmo in Gremlins and Gremlins 2: The New Batch. His longest voice acting gig was on the Muppet Babies where he did a lot of different voices, and he voiced Sam-I-Am in In Search of Dr. Seuss which is not nearly as serious as it sounds.
Born November 29, 1969 — Greg Rucka, 52. Comic book writer and novelist, known for his work on Action Comics, Batwoman and Detective Comics. If you’ve not read it, I recommend reading Gotham Central which he co-created with Ed Brubaker, and over at Marvel, the four-issue Ultimate Daredevil and Elektra which he wrote is quite excellent as well. I’ve read none of his novels, so will leave y’all to comment on those. He’s a character in the CSI comic book Dying in the Gutters miniseries as someone who accidentally killed a comics gossip columnist while attempting to kill Joe Quesada over his perceived role in the cancellation of Gotham Central.
Born November 29, 1976 — Chadwick Boseman. Another death that damn near broke my heart. The Black Panther alias Challa in the Marvel metaverse. The same year that he was first this being, he was Thoth in Gods of Egypt. (If you’ve not heard of this, no one else did either as it bombed quite nicely at the box office.) He was Sergeant McNair on Persons Unknown which is at least genre adjacent I would say. And he even appeared on Fringe in the “Subject 9” episode as Mark Little / Cameron James. (Died 2020.)
An episode of The Simpsonsduring which the family visits Tiananmen Square is missing from Disney+’s Hong Kong platform.
Episode 12 of season 16 was found today to be absent from the streamer’s catalogue in the nation, having launched in Hong Kong earlier this month.
The episode features the family going to China to try to adopt a baby. At one point, they visit Tiananmen Square, which was the site of a deadly crackdown in 1989 against democracy protestors. A satirical sign in the cartoon square reads “On this site, in 1989, nothing happened.”
At time of publication, it is not clear whether Disney+ removed the episode or was ordered to by the authorities and Disney has not responded to requests for comment.
The discovery will lead to further concerns over censorship in Hong Kong….
… Since its inception in the mid-1970s, the tabletop role-playing game Dungeons & Dragons (D&D) has brought together a far more diverse array of players than its stereotypes suggest. Earlier this year, the game’s publisher, Wizards of the Coast, released a report showing that, of its estimated 50 million players, 54% were younger than 30 and 40% identified as female. What it didn’t reveal was the rise in visibility of queer and neurodiverse players.
…For people such as Shadia Hancock, the founder of advocacy group Autism Actually and Dungeon Master to a group of young neurodiverse players, the therapeutic potential of the game has always been clear.
“It’s about creating a sense of community,” Hancock says. “I work out the players’ expectations at the beginning of a game. Some get really into creating their characters, some are more interested in finding items and exploring the world, others are really interested in how the characters met. We all have a mutual love of gaming, but we all want something different from the session.”
Some characteristics expressed by some of Hancock’s players – social anxiety, increased empathy, difficulty adapting to change, feeling overwhelmed in noisy environments – have become familiar to many Australians in the wake of lockdowns. Studies cited by the Australian Institute of Health and Welfare found reported levels of social anxiety increased over the past two years among all age groups, with young neurodiverse Australians even more likely to have experienced a decline in wellbeing.
“While other people are excited about going out, I’m filled with dread,” Hancock tells me. “With Covid, we [autistic communities] had all these sudden changes, often with short notice, and there was this need to constantly adapt to new rules. Not knowing what is coming up is really anxiety-inducing. During the pandemic, that became a shared experience.”
*Confused? This page contains a parody of a famous story, “The Ones Who Walk Away From Omelas”, by Ursula K. Le Guin. I’d point you to it, but there are no versions legally free on the web. Buy a book! Read Wikipedia. If you are somehow here about the BTS song – sorry, I don’t know about that. (But with half a billion hits, somebody probably does.)
I’ve written notes on my take on Le Guin. An essay! That’s here.
Also, once I made the graphics I tossed ’em on Redbubble. Forgive me. It seemed funny.
“I incline to think that people from towns up and down the coast have been coming in to Omelas during the last days before the Festival on very fast little trains and double-decked trams.”
– Ursula K. Le Guin, “The Ones Who Walk Away From Omelas”
If you’ve been slavering for your chance to spend thousands upon thousands of dollars to head to Walt Disney World’s upcoming Star Wars Galactic Starcruiser experience, might I suggest you towel off your chin for the time being? Disney has released a video preview of some of what awaits families who come aboard the Halcyon, and it doesn’t look particularly enticing.
The first thing you should know about this video is that it stars Disney Parks Imagineer Ann Morrow Johnson and The Goldbergs’ sitcom actor Sean Giambrone. The two take a very short tour of the Starcruiser, but instead of them just talking like normal people about what people who come to the Halcyon can expect, it’s scripted and painfully unfunny. You’ve been warned. But this video also raises an important question, which is: Disney wants $6,000 for this?
[Thanks to Andrew Porter, Michael Toman, Cat Eldridge, Danny Sichel, Jayn, Bill, Joey Eschrich, Mike Kennedy, Martin Morse Wooster, JJ, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Joe H.]
Blast off with AudioFile’s 2021 Best Science Fiction & Fantasy Audiobooks by your side. Our Best Listening list includes Ray Porter’s lively narration of Andy Weir’s newest out-of-this-world adventure and a stunning sci-fi novella from Nnedi Okorafor brought to life by the talented Adjoa Andoh. Read on to discover all of our favorites and find some new listening to enjoy. For the full list of 2021 Best Audiobooks visit AudioFile’s website,
BLACK WATER SISTER by Zen Cho| Read by Catherine Ho | AudioFile Earphones Award
Narrator Catherine Ho delivers a stellar performance of this layered urban fantasy set in contemporary Malaysia. Jess’s college degree and secret girlfriend are not enough to keep her in the U.S. when her parents return to their homeland. She soon discovers that the gods and spirits are very real there. Ho’s seamless transitions between characters and accents keep listeners rooted in the story’s Southeast Asian setting.
PROJECT HAIL MARY by Andy Weir| Read by Ray Porter | AudioFile Earphones Award
Through tone and pacing, narrator Ray Porter makes Andy Weir’s fantastical space opera seem plausible. Porter captures the panic and semi-hysterical self-deprecation of an amnesiac who is the sole survivor on a spacecraft cruising through space. As the protagonist’s memories return, Porter is called upon to deliver a United Nations of accents.
REMOTE CONTROL by Nnedi Okorafor| Read by Adjoa Andoh | AudioFile Earphones Award
Narrator Adjoa Andoh captivates listeners with a stunning sci-fi novella set in a near-future Ghana. Andoh is perfectly in tune with Okorafor’s compelling story, smoothly switching between her British accent as the narrator and the intonations of the vibrant characters she brings to life. As a girl, Sankofa gains incredible power and then kills everyone she loves in a tragic accident. Exploring the country on foot, she learns to control her powers.
RULE OF COOL by Matthew Siege| Read by Felicia Day | AudioFile Earphones Award
Felicia Day narrates a sidesplitting literary RPG (role-playing game) told from the perspective of the story’s monsters. Raze is a gearblin—a mix of goblin and gremlin—in a game in which the players carry out quests. Using a special code, Raze casts aside her chains and gathers other monsters to face down the game’s so-called heroes. Raze’s journey is hilarious, and Day’s performance boosts the story to the level of a must-listen for fans of the genre.
THE SANDMAN: ACT II by Neil Gaiman, Dirk Maggs [Adapt.]| Read by James McAvoy, Neil Gaiman, Kat Dennings, Michael Sheen, David Tennant, John Lithgow, and a Full Cast | AudioFile Earphones Award
Anchored by Neil Gaiman’s hypnotic storyteller’s voice, the second act of THE SANDMAN bewitches. As Morpheus, Lord of Dreams, James McAvoy sounds both imperious and weary, otherworldly and very human. The star-filled cast of actors and lush production guide listeners back and forth in time and in and out of fantastic worlds. Sound effects and original music make for a completely immersive experience.
VAGRANT QUEEN 1: The Bezoar of Kings by Magdalene Visaggio, Jason Smith| Read by Nanette Savard and a Full Cast | AudioFile Earphones Award
Narrator Nanette Savard and an ensemble of voice actors skillfully create a universe in which a queen flees from villains who fear she will try to reclaim her throne. Thanks to the wonderful narration, it’s easy to get lost in the adventure. No-nonsense Queen Elida teams up with Isaac, a cocky rebel from the Han Solo School of Rogues, to steal a mind-control device from a bad guy.
2019 Best Science Fiction, Fantasy & Horror Audiobooks
Whether they are brought to life by an all-star cast or narrated by actors with the skills to bring vibrant characters to life, these 2020 Best Sci-Fi, Fantasy & Horror audiobooks will sweep you up in stories both familiar and highly original. Join an old friend on an unforgettable journey, witness the birth of a new city, or explore an isolated mansion in the Mexican countryside. Once you start listening to this year’s best audiobooks, you won’t want to put them down.
THE SANDMAN by Neil Gaiman, Dirk Maggs [Adapt.] | Read by Riz Ahmed, Kat Dennings, Taron Egerton, Neil Gaiman, James McAvoy, Samantha Morton, Bebe Neuwirth, Andy Serkis, Michael Sheen, and a Full Cast
The January 1 episode is part one of a two-part story called “Spyfall,” with part two arriving on Sunday, January 5, presumably also at 8 pm. That will be ‘Doctor Who’s regular time slot going forward.
If you’re a ‘Doctor Who’ superfan, BBC and BBC America are teaming up with Fathom Events for a one-time-only screening of both parts of “Spyfall” on the big screen, followed by a LIVE Q&A with Whittaker, Cole, and Gill from the Paley Center for Media in New York. These showings will be held at 600 theaters in the US on January 5. (Tickets go on sale on Friday at FathomEvents.com.)
(3) SMILE FOR THE CAMERA. Kevin Standlee promoted the
Tonopah 2021 Westercon at this weekend’s Loscon.
Team Tonopah welcomed 19 new attending members while we were at Loscon 46 at the LAX Airport Marriott, and talked to many more people to tell them all about our plans for Westercon in Tonopah, Nevada.
(4) KGB READINGS. TheFantastic Fiction at KGB reading
series hosts Ellen Datlow and Matthew Kressel present Paul Tremblay and
Nathan Ballingrud on Wednesday, December 18 at the KGB Bar. Event starts at 7
p.m. (KGB Bar, 85 East 4th Street, 2nd Floor, New York, NY.)
Paul Tremblay has won the Bram Stoker, British Fantasy, and Massachusetts Book awards and is the author of The Cabin at the End of the World, A Head Full of Ghosts, and most recently the short story collection Growing Thingsand Other Stories. His essays and short fiction have appeared in the Los Angeles Times, Entertainment Weekly online, and numerous year’s-best anthologies.
Nathan Ballingrud is the author of North American Lake Monsters and Wounds: Six Stories from the Border of Hell. He’s twice won the Shirley Jackson Award, and has been shortlisted for the World Fantasy, British Fantasy, and Bram Stoker Awards. His stories have appeared in numerous Best of the Year anthologies. Wounds, a film based on his novella “The Visible Filth,” has recently been released. North American Lake Monsters is in development as an anthology series at Hulu.
The Doppelgänger Gambit by Leigh Killough, 1979, cover by Michael Herring
Herring’s cover captures two key elements of this gripping 21st-century police procedural. The first: the two police officers don’t get along. The second: clothing fashions in this future are somehow even more hideous than real-world 1970s fashions. The cover is true to the work. Detective Janna Brill thinks Maxwell takes unconscionable risks, and these are the clothes described in the novel. (Though I suspect the cops in the novel used holsters.)
Two years ago, Ikea sent designers to the Mars Desert Research Station (MDRS), which created a habitat in the Utah desert that mimics the conditions on the Red Planet. Ikea interior designer Christina Levenborn stayed in the habitat, ultimately creating an Ikea line for small spaces inspired by her stay. But more recently, she used her experience living in the habitat to help researchers outfit the space. She just returned from redecorating the habitat, which now looks brightly lit and neatly organized. In fact, it looks a lot like what you’d see in an Ikea catalog—which is impressive, because the space is exceptionally small and stark.
Sff writer David Levine did a cycle with the MDRS in 2010 and File
770 ran several posts based on his updates, including “Levine Reaches Mars”.
Two external members of the Nobel literature prize committee have quit after criticising the Swedish Academy.
Gun-Britt Sundstrom said the choice of Peter Handke as this year’s winner had been interpreted as if literature stood above politics and she did not agree.
The choice of Handke was criticised because of his vocal support for the Serbs during the 1990s Yugoslav war.
Kristoffer Leandoer said he’d left due to Academy reforms taking too long following a sexual assault scandal.
(8) TODAY IN HISTORY.
December 2, 1979 — Star Trek comics premiered in syndicated form in the U.S. From 1979 to 1983, the Los Angeles Times Mirror Syndicate produced a daily and Sunday comic strip based upon this series. Larry Niven was among the many writers who did scripts for it. IDW has reprinted them in two volumes, The Newspaper Comics, Volume 1 and The Newspaper Comics, Volume 2.
December 2, 2005 — Aeon Flux premiered. Produced by Gale Hurd, it stars Charlize Theron in the title role. It’s based on the animated Aeon Flux series of the same name created by Peter Chung. It bombed at the box office, was poorly received by critics, and currently has a 9% rating at Rotten Tomatoes.
December 2, 2017 – First pizza party in space took place on the International Space Station.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born December 2, 1913 — Jerry Sohl. Scriptwriter and genre writer who did work for The Twilight Zone (ghostwriting for Charles Beaumont who was seriously ill at the time), Alfred Hitchcock Presents, The Outer Limits and Star Trek. One of his three Trek scripts was the superb “Corbomite Maneuver” episode. (Died 2002.)
Born December 2, 1914 — Ray Walston. Best known of course for playing the lead in My Favorite Martian from 1963 to 1966, alongside co-star Bill Bixby. His later genre appearances would include The Wild Wild West, Mission: Impossible, Six Million Dollar Man, Galaxy of Terror, Amazing Stories, Popeye, Friday the 13th: The Series and Addams Family Reunion. He would appear in The Incredible Hulk (in which David Banner was played by Bill Bixby) as Jasper the Magician in an episode called “My Favorite Magician”. (Died 2001.)
Born December 2, 1937 — Brian Lumley, 81. Horror writer who came to distinction in the Seventies writing in the Cthulhu Mythos and by creating his own character Titus Crow. In the Eighties, he created the Necroscope series, which first centered on Speaker to the Dead Harry Keogh. He has received a Lifetime Achievement Award from the Horror Writers Association, and a World Fantasy Award for Lifetime Achievement.
Born December 2, 1946 — Josepha Sherman. Writer and folklorist who was a Compton Crook Award winner for The Shining Falcon, which was based on the Russian fairy tale “The Feather of Finist the Falcon”. She was a prolific writer both on her own and in collaboration authors such as Mecedes Lackey (A Cast of Corbies), and Laura Anne Gilman (two Buffyverse novels). I knew her personally as a folklorist first and she was without peer writing such works as Rachel the Clever: And Other Jewish Folktales and Greasy Grimy Gopher Guts: The Subversive Folklore of Childhood that she wrote with T K F Weisskopf. Neat lady who died far too soon. Let me leave you with an essay she wrote on Winter for Green Man twenty years ago. (Died 2012.)
Born December 2, 1946 — David Macaulay, 73. British-born American illustrator and writer. Genre adjacent I’d say. Creator of such cool works as Cathedral, The New Way Things Work which has he updated for the computer technology age, and his latest, Crossing on Time: Steam Engines, Fast Ships, and a Journey to the New World.
Born December 2, 1952 — OR Melling, 67. One of her favorite authors is Alan Garner whose The Owl Service is a frequent read of hers she tells me. As for novels by her that I’d recommend, the Chronicles of Faerie series is quite excellent. For more adult fare, her People of the Great Journey is quite good.
Born December 2, 1968 — Lucy Liu, 51. She was Joan Watson on Elementary in its impressive seven-year run. Her other genre role, and it’s been long running, has been voicing Tinkermist in the Disney Fairies animated franchise. I kid you not. She’s had a few genre one-offs on The X-Files, Hercules: The Legendary Journeys and the Rise: Blood Hunter film, but not much overall.
Popular Edwardian novelist and inventor of the concept of Time Travel Herbert George Wells has appeared in central London this morning, intending to punch whoever made the BBC adaptation of War of the Worlds squarely on the nose.
Wells, who believed the chances of anyone making a boring adaptation of his masterpiece were a million to one, said ‘but still, it’s done’.
“There was a great disturbance in the… oh, I’m sure you’ll come up with a word for it”, said Wells. “As if millions of my fans voices cried out ‘what the heck’.”
Tamara Wilhite: What are you currently working on?
Louis Antonelli: Well, kind of following up the previous question, since the Sad Puppies in 2015 there’s been a pretty ironclad blacklist in the major science fiction magazine and publishers against anyone who isn’t an intolerant doctrinaire left-wing asshole. Nobody denies it anymore, because such assertions only gets the horse laugh.
The only major book publisher that judges authors impartially is Baen; Analog is the one major magazine that seems to pick stories based on merit and not the author’s politics and lifestyle….
Eighty million years ago, during the Cretaceous Period, Mongolia’s Gobi Desert was a dinosaur’s paradise of vast valleys, freshwater lakes and a humid climate.
Mammal-eating velociraptors, lizard-hipped sauropods and spike-armoured ankylosaurs could have been spotted roaming in what are now the Martian red sandstone spires of Bayanzag’s Flaming Cliffs.
These prehistorically favourable conditions make the Gobi Desert the largest dinosaur fossil reservoir in the world.
Over almost 100 years of palaeontological research in the Gobi, more than 80 genera have been found. But for many people living there, this scientific heritage remains unknown.
“Putting a fence up is not protection; protection is people’s knowledge,” Mongolian palaeontologist Bolortsetseg Minjin explains as we wind through the Flaming Cliffs in search of signs of fossil poaching.
A tiger has undertaken the longest walk ever recorded in India, travelling some 1,300km (807 miles) in five months.
Experts believe the two-and-a-half-year-old male is possibly in search of prey, territory or a mate.
The tiger, which is fitted with a radio collar, left its home in a wildlife sanctuary in the western state of Maharashtra in June.
It was then tracked travelling back and forth over farms, water and highways, and into a neighbouring state.
So far, the tiger has come into conflict with humans only once, when it “accidentally injured” one person who was part of a group that entered a thicket under which it was resting.
(16) JEOPARDY! Andrew Porter watched tonight’s Jeopardy!
with wrapped attention….
Category: Literary Works of the 1920s.
Answer: “Jane Webb Loudon wrote the 1st novel about one of these creatures, including the line, ‘Weak, feeble worm! Exclaimed Cheops.'”
Wrong question: “What is a Sphinx?”
Correct question: “What is a Mummy?”
(17) VIDEO OF THE DAY. “The
Mushroom Hunters” on YouTube is a poem by Neil Gaiman read by Amanda
Palmer, with music by Jherek Bischoff.
[Thanks to Camestros Felapton (Felapton Towers, Bortsworth, Bortsworthshire),
John King Tarpinian, JJ, Cat Eldridge, Martin Morse Wooster, Olav Rokne, Mike
Kennedy, Chip Hitchcock, and Andrew Porter. Title credit goes to File 770
contributing editor of the day StephenfromOttawa.]
AudioFile, a print and ezine, reviews audiobooks to “recommend good
listening, top-notch performances and dynamic listening experiences.” The
editors annually honor their choices of the best audiobooks across a variety of
categories — AudioFile’s Best
Audiobooks of 2019.
This year File
770 is partnering with AudioFile to
announce the winners of the 2019 Best Science Fiction, Fantasy & Horror
They are listed here with links to the AudioFile review.
2019 Best Science Fiction, Fantasy
& Horror Audiobooks
THE RAVEN TOWER by Ann Leckie, read by Adjoa Andoh
AudioFile, a print and ezine, reviews audiobooks to “recommend good listening, top-notch performances and dynamic listening experiences.” The editors annually honor their choices of the best audiobooks across a variety of categories.
This year File 770 is partnering with AudioFile to announce the winners of the 2018 Best of Sci-Fi, Fantasy & Horror Audiobooks. They are listed here with links to the AudioFile reviews. To see the winners in all the other categories, page through the AudioFile 2018 Best Audiobooks ezine.
2018 Best of SCI-FI, FANTASY & HORROR Audiobooks
ARMISTICE by Lara Elena Donnelly, read by Mary Robinette Kowal
AudioFile, a print and ezine, reviews audiobooks to “recommend good listening, top-notch performances and dynamic listening experiences.” The editors annually honor their choices of the best audiobooks across a variety of categories.
This year File 770 is partnering with AudioFile to announce the winners of the 2017 Best of Sci-Fi, Fantasy & Horror Audiobooks. They are listed here with links to the AudioFile reviews and, for some, a sample sound clip. (To see the winners in all the other categories, page through the AudioFile 2017 Best Audiobooks ezine.)
2017 Best of SCI-FI, FANTASY & HORROR Audiobooks
THE BEAR AND THE NIGHTINGALE by Katherine Arden, read by Kathleen Gati