Tag Archives: Frank R. Paul Awards

Pixel Scroll 4/12/25 Hey, Scroll. Take A Walk On The Filed Side

Posted on by
30

(1) THE FATE OF U.S. WORLDCONS WEIGHED. Two editorials came out today addressing how Worldcons should react to the increased risks of international travel to the U.S.

The Unofficial Hugo Book Club Blog’s post “Worldcon In An Age Of American Truculence” concludes:

…Because of the voter base, institutional knowledge, and enormous fan base, US Worldcons will and should always occur. But perhaps there should be an increased willingness among fandom to support overseas conventions in locations that present logistical hurdles for North American travellers. If we may be so bold, perhaps we as fans should encourage the practice of having a Worldcon outside of North America every second year.

In an age of US truculence, Worldcon needs to embrace friends and allies around the globe without turning its back on the generations of fans and volunteers who have built it as an institution.

Gary Westfahl’s “Op-Ed: ‘No More Worldcons in the United States?’” at File 770 starts with a more draconian conclusion:

The time has come to cancel or move the 2025 Seattle Worldcon.

And to cancel or move the 2026 Los Angeles Worldcon.

It has to be done, in order to honor a century-old tradition of science fiction….

(2) FRANK R. PAUL AWARDS. Frank Wu has announced that the 2025 Frank R. Paul Awards will be presented at Philcon (November 21-23). Due to the lateness of the convention in the calendar, he is extending the deadline for submissions for the Frank R. Paul Awards for another month, to May 15. All artists, publishers and editors are enthusiastically encouraged to submit their 2024 work to the main awards administrator, Frank Wu, at FWu@Frankwu.com Details are available here: “Frank R. Paul Awards”.

Frank R. Paul Award trophy. Photo by Rich Lynch.

(3) BALTICON SUNDAY SHORT SCIENCE FICTION FILM FESTIVAL 2025. [Item by lance oszko.] The Balticon Sunday Short Science Fiction Film Festival 2025 has curated 19 short films representing 8 countries. Featured are Short Stories adapted into Short Films.

Sunday 25 May 2025 7 p.m. to 11:30 p.m.

George RR Martin produced another Howard Waldrop film Mary Margaret Road Grader“. Estimated budget $2.2 Million. Director Steven Paul Judd is known for Dark Winds and Marvel’s Echo. It has a score by Game of Thrones composer Ramin Djawadi.

Italian Director Luca Caserta brings us The Reach. One of the last authorized Dollar Baby Stephen King Films.
With a song by Bruce Springsteen.

Director George Vatistas adapted The Hobbyist by Frederic Brown.

Actor Stacy Thunes (Nosferatu – Head Nurse) currently at Universal Studios, Japan stars in The Hairdo.

An Old Friend. Director Nuk Suwanchote. An imaginary friend (Jason Faunt) finds out his sole purpose is to bring happiness to his child, only to discover his child is a 90 year old man (Tom Skerritt) on his deathbed.

First time Local filmmakers were also selected in Twilight Zone and Animation motifs.

Horror and Fantasy round out our offerings.

(4) “I’M NOT A ROBOT” [Item by lance oszko.] The Balticon Sunday Short Science Fiction Film Festival could not arrange a screening, but still worthy of your attention. “Watch The Surreal Identity Crisis of ‘I’m Not a Robot’” in The New Yorker.

(5) SFF BOOKS OUT OF NAVAL ACADEMY LIBRARY. Allen Steele pointed out that the list of 381 books pulled from the U.S. Naval Academy library (reported at the top of yesterday’s Scroll) includes several works of sff (even though the vast majority are nonfiction about gender issues or racism). Steele asks, “Wonder what Robert Heinlein would have to say about the actions of his Alma mater?”

The three sff works I found on the list are:

  • Light From Uncommon Stars / RykaAoki.
  • Sorrowland / Rivers Solomon
  • A Psalm For The Wild-Built / Becky Chambers.

(6) AUSTEN IN INNSMOUTH. Deep Cuts in a Lovecraftian Vein finds much to enjoy in “’Innsmouth Park’ (2025) by Jane Routley”.

Jane Austen’s role in weird fiction is underappreciated, largely because she herself didn’t really write any (although Northanger Abbey is a biting satire of the Gothic novel, and a must-read for Gothic fans which even Lovecraft acknowledged, which has to at least classify Austen as weird fiction’s strange aunt.) Yet the world she described, the characters and milieu she envisioned, have been enduring and influential far beyond the genre she initially worked in. Generations of writers have called back to Austen, and mashups like Sense and Sensibility and Sea Monsters (2009) by Austen & Ben H. Winters, Regency Cthulhu (2023) by Andrew Peregrine & Lynne Hardy, and Secrets & Sacrifices: A Regency Cthulhu Novel (2024) by Cath Lauria all point to a similar rainy-day afternoon brainstorm:

Why not mix Austen and Lovecraft?…

(7) PEN AMERICA LITERARY AWARDS FINALISTS.  There are almost no nominees of genre interest among the 2025 PEN America Literary Awards Finalists. The one exception is in this category, a work of horror fiction.

PEN Translation Prize ($3,000)

For a book-length translation of prose from any language into English.

The Empusium, Olga Tokarczuk. Translated from Polish by Antonia Lloyd-Jones (Riverhead Books)

(8) BBC COVERAGE OF BELFAST EASTERCON. Eastercon got a 15-minute slot on BBC Northern Ireland with Jo Zebedee and Ian McDonald doing an interview and chatting about it. “Saturday with John Toal – Puppets, Worms and Sci-fi”. Interview starts at 45m20s.

…As Belfast prepares to host a special Sci Fi convention Eastercon, for the first time in its 76 year history, John hears from two successful science fiction writers Ian McDonald and Jo Zebedee….

(9) STUNT OSCAR APPROVED. “Oscars Add Best Stunt Design Category Starting in 2027” – Variety has the story.

…“Since the early days of cinema, stunt design has been an integral part of filmmaking,” said Academy CEO Bill Kramer and Academy president Janet Yang. “We are proud to honor the innovative work of these technical and creative artists, and we congratulate them for their commitment and dedication in reaching this momentous occasion.”

In a statement, Leitch said, “Stunts are essential to every genre of film and rooted deep in our industry’s history—from the groundbreaking work of early pioneers like Buster Keaton, Harold Lloyd, and Charlie Chaplin, to the inspiring artistry of today’s stunt designers, coordinators, performers, and choreographers.” He went on to say, “This has been a long journey for so many of us. Chris O’Hara and I have spent years working to bring this moment to life, standing on the shoulders of the stunt professionals who’ve fought tirelessly for recognition over the decades. We are incredibly grateful. Thank you, Academy.”

…Category rules for eligibility and voting for the inaugural award will be announced in 2027 with the complete 100th Academy Awards Rules….

(10) BLACK MIRROR. “Black Mirror Season 7’s Tech Tales Come With a Knife-Twist of Emotion” — Gizmodo gets down to cases.

A new season of Black Mirror has arrived, and with it the usual cautionary tales (and screaming warnings) about technology’s darkest capabilities—wrapped in a deceptively alluring blanket of “Jeez, that would actually be really cool if it were real!” Across six episodes, season seven boasts some of the show’s all-time greatest performances, as well as its first sequel episode, which proves well worth the eight-year wait….

(11) MIDDLE-EARTH WAYFINDER. Wisconsin Public Radio profiles Karen Wynn Fonstad, “The Wisconsin cartographer who mapped Tolkien’s fantasy world”.

If you’ve ever wanted to explore the world of “The Hobbit” and “The Lord of the Rings,” the best place to start might be Oshkosh.

That’s where a Wisconsin cartographer created dozens of maps that went into “The Atlas of Middle-earth,” the official geographic guide to the world of author J.R.R. Tolkien. Her work went on to influence “The Lord of the Rings” movie trilogy.

Like many readers, Karen Wynn Fonstad fell in love with the fantasy series and went through multiple readings. Unlike most readers, she was trained as a cartographer, and came up with an ambitious plan to use the texts to create realistic maps from Tolkien’s texts.

Fonstad passed away 20 years ago. Now, her husband and her son — both geographers themselves — have embarked on a new quest: to digitize her original maps and find an archive to house them…

… “It’s a little bit of an overwhelming process because, first of all, there’s hundreds of maps. Secondly, the maps are built in such a way that they have many layers to them,” Mark said. “I barely scratched the surface this week.”

As we walk into the map library, we are surrounded by Middle-earth. Mordor, the Shire and all points in between are represented. And not just Middle-earth. Karen created works for other fantasy worlds — some never published.

How do you scan a collection of maps of varying sizes, some of them in delicate condition?

You need a big scanner, caution and some patience….

… In 1977, she called the American publisher of Tolkien’s work, Houghton Mifflin, to pitch the idea of an atlas. As Todd recalled, the person in charge of handling Tolkien’s work fell in love with the idea, and the Tolkien estate gave it the thumbs-up.

Then the work really began….

(12) MEMORY LANE.

[Written by Paul Weimer.]

Mad Max film (1979)

By Paul Weimer: The quintessential post-apocalyptic movie, the one with the real breakthrough. Sure, A Boy and His Dog and Damnation Alley and others preceded it, but this was the movie, series of movies that made a star of Mel Gibson, and the scenes of the Australian desert became the cinematic language and landscape of what a post apocalyptic world should look like in three movies that it took dozens for, say, the American Western.

That’s the power of Mad Max, that’s the power of George Miller’s cinematography. One could approach these movies from all sorts of angles, from worldbuilding to characterization, to point of view. As an example-the second movie, Mad Max 2 (The Road Warrior) is not told from the point of view and perspective that you’d expect. It’s a recreation, a retelling, and that brings in all sorts of interesting questions about narrative and conventions and storytelling. 

Or one could explore Max as a character, from his end of the world cop, all through the damaged survivor in the latest Mad Max movie, where he literally is used as a resource. 

Or one could explore environmental themes, social themes, and the psychology of the survivors of the landscape, from the small to the mighty.

But I want to talk a bit about cinematography, as a person interested in image, you are not surprised. One thing that told me and showed me that Miller “Still had it” in Fury Road was the scene with the dust storm and the vehicles approaching it. You know the scene if you watched it. It was solid proof for me that Miller’s fantastic cinematography, to be able to bring the wildness of the Australian wasteland to life in the previous films, was still there. It recalled for me of many of the other iconic places and imagery used in the series, from Thunderdome back through the mean streets of Melbourne in Mad Max. The lack of dialogue in much of the films means that Miller’s storytelling in the films is necessarily what the movies are carried on. And it is indeed carried so effectively. You remember the visuals, the costumes, the sets, and of course the vehicles. How many gearheads were born from watching these movies?

One last fun note on Mad Max. The first bit of Mad Max I saw was not until the mid 80’s. I accidentally caught the last few minutes on a videotape recording of Mad Max 2 while trying to (don’t judge) see D.C. Follies. I wondered what the heck I had watched and looked it up in the TV guide…and then I recorded and watched The Road Warrior and was captivated.  Later, I found the original Mad Max…and then, of course Thunderdome.

Mad Max. A cinematic icon, four movies (5 if you count Furious) and counting.

(13) COMICS SECTION.

(14) TWO HEARTS AND TWO EARS. “Graham Norton to star in Eurovision-themed Doctor Who episode” reports BBC.

Graham Norton is to star in a new episode of Doctor Who, taking his Eurovision commentary duties to an Interstellar Song Contest.

Norton, the BBC’s voice of Eurovision, will meet Ncuti Gatwa’s Time Lord at the 803rd annual Interstellar Song Contest, where different planets compete to be crowned winner.

“And it’s not just a cameo,” showrunner Russell T Davies said. “He has a whole plot twist all to himself!”

The episode will also feature fellow Eurovision fanatic and broadcaster Rylan Clark as the event’s co-host, and will be broadcast on BBC One just before this year’s real-life grand final on 17 May….

(15) THOUGHT EXPERIMENT. “How might AI chatbots replace mental health therapists?” asks The Week.

There is a striking shortage of mental health care providers in the United States. New research suggests that AI chatbots can fill in the gaps — and be remarkably effective while doing so.

Artificial intelligence can deliver mental health therapy “with as much efficacy as — or more than — human clinicians,” said NPR. New research published in the New England Journal of Medicine looked at the results delivered by a bot designed at Dartmouth College.

What did the commentators say?

There was initially a lot of “trial and error” in training AI to work with humans suffering from depression and anxiety, said Nick Jacobson, one of the researchers, but the bot ultimately delivered outcomes similar to the “best evidence-based trials of psychotherapy.” Patients developed a “strong relationship with an ability to trust” the digital therapist, he said.

Other experts see “reliance on bot-based therapy as a poor substitute for the real thing,” said Axios. Therapy is about “forming a relationship with another human being who understands the complexity of life,” said sociologist Sherry Turkle. But another expert, Skidmore College’s Lucas LaFreniere, said it depends on whether patients are willing to suspend their disbelief. “If the client is perceiving empathy,” he said, “they benefit from the empathy.”….

(16) UPON FURTHER CONSIDERATION. “MIT study finds that AI doesn’t, in fact, have values” says TechCrunch.

A study went viral several months ago for implying that, as AI becomes increasingly sophisticated, it develops “value systems” — systems that lead it to, for example, prioritize its own well-being over humans. A more recent paper out of MIT pours cold water on that hyperbolic notion, drawing the conclusion that AI doesn’t, in fact, hold any coherent values to speak of.

The co-authors of the MIT study say their work suggests that “aligning” AI systems — that is, ensuring models behave in desirable, dependable ways — could be more challenging than is often assumed. AI as we know it today hallucinates and imitates, the co-authors stress, making it in many aspects unpredictable.

“One thing that we can be certain about is that models don’t obey [lots of] stability, extrapolability, and steerability assumptions,” Stephen Casper, a doctoral student at MIT and a co-author of the study, told TechCrunch. “It’s perfectly legitimate to point out that a model under certain conditions expresses preferences consistent with a certain set of principles. The problems mostly arise when we try to make claims about the models, opinions, or preferences in general based on narrow experiments.”

Casper and his fellow co-authors probed several recent models from Meta, Google, Mistral, OpenAI, and Anthropic to see to what degree the models exhibited strong “views” and values (e.g., individualist versus collectivist). They also investigated whether these views could be “steered” — that is, modified — and how stubbornly the models stuck to these opinions across a range of scenarios.

According to the co-authors, none of the models was consistent in its preferences. Depending on how prompts were worded and framed, they adopted wildly different viewpoints.

Casper thinks this is compelling evidence that models are highly “inconsistent and unstable” and perhaps even fundamentally incapable of internalizing human-like preferences….

(17) BIRD WORRIES. “Conservationists raise alarm over Air Force plan to land SpaceX Starships on bird sanctuary atoll” reports Space.com.

The U.S. military is considering Johnston Atoll, a remote Pacific island chain that serves as an important refuge for dozens of seabird species, for “two commercial rocket landing pads” to test giant cargo rocket landings for the Department of the Air Force’s (DAF) Rocket Cargo Vanguard program, and it’s getting push-back from environmentalists.

The Rocket Cargo Vanguard program aims to develop the technologies required to rapidly deliver up to 100 tons of cargo anywhere on Earth using commercial rockets. Though not explicitly named, Elon Musk’s SpaceX is currently the only company —commercial or otherwise — capable of manufacturing rockets designed for landing and reuse, and its Starship megarocket is DAF’s leading contender. The Air Force outlined its plans in a Federal Registry notice last month. Objections from the American Bird Conservancy (ABC), however, may hinder plans for the new landing pads on the South Pacific atoll.Johnston Atoll lies about 825 miles (1,325 kilometers) southwest of Hawaii, and is home to several different species of seabirds, including the largest known colony of Red-tailed Tropicbirds. It was designated a refuge for native bird populations in 1926, but suffered environmental degradation through 2004, due to its use by the U.S. military as a nuclear weapons testing and chemical weapons disposal site. Since the military’s departure from the islands, restoration efforts have helped raise Johnston Atoll’s bird population back to nearly 1.5 million.

(18) ARE YOU GOING TO BELIEVE YOUR LYING EYES? “Purple Isn’t Real, Science Says. Your Brain Is Just Making It Up” reports Popular Mechanics. If there is no purple, does that mean there can be no purple people eaters?

You might be today years old when you realize there is no purple in the rainbow. There is no P in ROYGBIV.

But wait, what about violet? Well, despite what you may have come to believe, violet is not purple. In fact, violet (along with the rest of the colors in a naturally occurring rainbow) has something purple doesn’t—its own wavelength of light. Anyone who ever ended up with a sunburn knows violet wavelengths are real, as the Sun’s ultraviolet (UV) radiation is the reason you need to wear sunscreen, even though you can’t see those wavelengths (more on that later). Red, orange, yellow, green, blue, and indigo are all just as real.

But purple? Well, purple is just your brain’s way of resolving confusion.

That’s right. Red and blue (or violet) wavelengths are two opposite extremes on the spectrum. When you see both of these wavelengths in the same place, you eyes and brain don’t know what to do with them, so they compensate, and the clashing wavelengths register as the color we call purple. It doesn’t actually exist….

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Steven H Silver, lance oszko, Frank Wu, James Bacon, Allen Steele, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, Steven French, Kathy Sullivan, Teddy Harvia, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Dan’l.]

Pixel Scroll 3/7/25 How Many Files To Pixelscroll? Three Score Files And Ten

Posted on by
30

(1) FRANK R. PAUL AWARDS TAKING ENTRIES. Administrator Frank Wu has announced the Frank R. Paul Awards are open for submissions until April 15. Full details are available here.

There are two categories: Best Magazine Cover Art, and Best Book Cover Art. Prizes include a trophy (with a 3D-printed recreation of FRP’s tiger-robot-monster from the Sept. 1935 Wonder Stories) plus $500 in each category.

Artwork for any publication (pro, semi-pro, fanzine or online) is eligible, as long as the art was first published anywhere in 2024.

Artists are encouraged to submit (to me, Frank Wu, at FWu@FrankWu.com) on their own behalf up to 5 items they had published last year, with a note that the art was NOT generated using an AI program. 

Authors and publishers are also encouraged to submit on behalf of artists they’ve worked with, and anyone else can submit on behalf of any artwork that pleased them in the last year.

Trophy photo by Rich Lynch

(2) BOOK CURATION AS FREE SPEECH. “ABA Goes Into Damage Control After Contentious WI2025 Community Forum” reports Publishers Weekly.

A week after Winter Institute 2025 wrapped up in Denver on February 26, the American Booksellers Association dedicated Thursday’s issue of its weekly Bookselling This Week newsletter to respond to criticisms raised at a contentious WI2025 community forum. During that forum, booksellers criticized the ABA leadership and board for their refusal for more than a year to take a clear stand in support of indie booksellers who have been attacked for selling books about Palestine, as well as authors who are Palestinian and/or have spoken out against the Israeli military campaign in Gaza. Other speakers raised concerns about double standards, some related to compensation, in the organization’s treatment of its members. Booksellers had raised similar concerns at the community forum at WI2024 in Cincinnati.

Perhaps John Evans, a past ABA board member who currently owns Camino Books in a San Diego suburb, summed it up best, when he said at the WI2025 community forum: “We aren’t asking you to come out with a stance on the Israeli war. We are asking you to support booksellers in a censorious environment by making this statement publicly that it is not antisemitic to provide books to people who want them. All of this falls within the framework of a bookselling organization. This is not a political statement. This is a consensual, understood, fundamental principle of what we all do, and it’s hurting us. You not supporting that. It’s offending us.”

In a letter signed by all 12 ABA board members that appeared in BTW, the board emphasized that it, “along with the staff of American Booksellers for Free Expression and ABA, condemns all attacks on bookstores, in particular the targeting of bookstores who have chosen to highlight Palestinian books and authors in their stores. Each bookstore’s curation is their own expression of their freedom of speech, and verbal attacks, demands to carry or not carry certain titles, and threats to stores are not acceptable.” The board also promised to support any booksellers “during times of persecution, harassment, curation challenges, and other attacks on booksellers and stores.”

The ABA wrote in a separate statement, which also appeared in BTW, that booksellers have been offered support, resources, education, crisis counseling, and provided with a hotline by ABA staff. “This is the work that ABA is empowered to do by our ends policies and allowed to do as a 501(c)(6) nonprofit trade association,” the ABA declared. “We cannot make a political statement on behalf of our members, but we can and do support our members in their right to express those views.” The organization added: “Book curation is a form of speech, and it must remain free. We condemn any harassment or threat to our members that aims to abridge this freedom.”…

(3) STATE DEPARTMENT’S LATEST CULTURAL DAMAGE. The University of Iowa’s International Writing Program shared some bad news with Facebook readers:

Dear Friends: We write today with a difficult update. On Wednesday, Feb. 26, the International Writing Program (IWP) learned that its grants with the U.S. Department of State, Bureau of Educational and Cultural Affairs, were being terminated. This notification explained that the IWP’s awards “no longer effectuate agency priorities,” nor align “with agency priorities and national interest.” The immediate result was the cancellation of Between the Lines (the IWP’s summer youth program), and the dissolution of Lines and Spaces Exchanges, Distance Learning courses, and Emerging Voices programs. The overall Fall Residency cohort will be reduced by around half due to the loss of federally funded participants; the IWP’s other long-time funding partners, including a combination of donors, grants, foreign ministries of culture, and NGOs, will continue to support writers.

We are devastated by the abrupt end of this 58-year partnership and are working closely with University of Iowa General Counsel and Grant Accounting to review the terminations, understand their full impact, and respond in the best interest of the organization. Despite this disappointing turn of events, the IWP’s mission to promote mutual understanding through creative writing and literature remains unchanged; with the help of a limited number of other partners, we will still hold a 2025 Fall Residency even while pursuing new sources of funding. To support the IWP as we begin to rebuild, please visit this website: bit.ly/support-iwp

(4) TUTTLE ON FIVE NEW BOOKS. Lisa Tuttle’s “The best recent science fiction and fantasy – review roundup” for the Guardian covers The Unworthy by Agustina Bazterrica; Dissolution by Nicholas Binge; The River Has Roots by Amal El-Mohtar; When the Moon Hits Your Eye by John Scalzi; and The Foot on the Crown by Christopher Fowler.

(5) BOOKLESS IN BLIGHTY. But the Guardian immediately leaves you wondering who in Britain might take advantage of Tuttle’s recommendations: “New poll finds 40% of Britons have not read a book in the past year”.

According to new a polling by YouGov 40% of Britons have not read or listened to a book in the past year.

The median British adult has read or listened to three books in the past year, the survey found.

Women seem to be bigger readers than men, with 66% of women reading at least one book in the last year, compared with 53% of men.

There was a political split: while 72% of remain voters said they’d picked up a book in the past 12 months, 54% of leave voters reported doing so. Labour voters were most likely to have read in the last year (70%) when compared with Lib Dem (64%), Conservative (63%) and Reform (51%) voters.

A class divide also emerged, with 66% of respondents in middle-class households reporting having recently read a book compared with 52% of those in working-class households.

(6) EYE ON GUY. Andrew Porter has shared the photo he took of Brother Guy Consolmagno at Boskone.

Brother Guy Consolmagno, right, and Kielan Donahue at Boskone. Photo by and (c) Andrew Porter.

(7) JEOPARDY! Then, Andrew Porter relayed the results of genre interest from tonight’s episode of Jeopardy!

Final Jeopardy: Category: Science Fiction

Answer: Name shared by a groundbreaking magazine launched in April 1926 & a TV anthology series that premiered in September 1985

Wrong questions: What is Popular Science (crossed out; no actual question).

What is Outer Limits?

What is Unsolved Mysteries?

Correct question (obviously) is Amazing Stories.

(8) GENE HACKMAN FOLLOW-UP. Authorities in Santa Fe, NM held a press conference today where they revealed — “Gene Hackman Died From Alzheimer’s & Heart Disease; Wife Died Days Before” – Deadline has the story.

A February 27 autopsy of Gene Hackman reveals the 95-year-old Oscar winner died of a combination of “advanced Alzheimer’s disease” and severe heart disease, the New Mexico Chief Medical Examiner announced today.

“It is reasonable to conclude that Mr. Hackman died on February 18,” Dr. Heather Jarrell said in a press conference with Santa Fe Sheriff Adan Mendoza and other county officials. “He was in very poor health,” Dr. Jarrell also noted of Hackman, adding that there was evidence that he hadn’t eaten for a number of days. Ms. Arakawa is assumed to have died on or around February 11, officials estimated….

(9) MEMORY LANE.

[Written by Cat Eldridge.]

Weyr Search (1967) and Anne McCaffrey’s Dragonriders of Pern series 

Anne McCaffrey’s Dragonriders of Pern series has a fascinating Hugo history.

She won a Hugo the first time she was nominated, for the novella “Weyr Search”, in 1968 at Baycon (tied with Philip José Farmer’s “Riders of the Purple Wage”.) It was published in Analog Science Fiction / Science Fact, October 1967. 

It’s in A Dragon-Lover’s Treasury of the Fantastic anthology which was edited by Margaret Weis, available from the usual suspects at a very reasonable price. 

It would be the only win for the Dragonriders of Pern series but by far is not the only nomination for the series. 

Next up would be the “Dragonrider” novella which was nominated a year later at St. Louiscon. Three years later, her Dragonquest novel would get a nod at the first L.A. Con showing that con had impeccable taste. Are you surprised they did? I’m certainly not. 

At Seacon ‘79, The White Dragon was nominated. (I really love that novel.) 

The next L.A. Con (1984) would see another novel be nominated, Moreta: Dragonlady of Pern. The final nomination, also for a novel, was at MagiCon (1992), for All the Weyrs of Pern.

The series did win a number of other awards including a Nebula for Dragonrider, a Ditmar and Gandalf for The White Dragon, a Balrog for Dragondrums and The Science Fiction Book Club’s Book of the Year Award for The Renegades of Pern. It is, after all, an expansive series. Really expansive. 

Personal note: I really wanted to enjoy this series all the way through as I came to it later. They were great, they really were, but something happened in the stories early on for me that I can say but I won’t as it’s a MAJOR SPOILER.  

I read the first trilogy of Dragonquest, Dragonflight and The White Dragon plus Harper Hall trilogy of Dragonsong, Dragonsinger and Dragondrums, and I did read on through maybe, let me check ISFDB, through All the Weyrs of Pern, That’s when that MAJOR SPOILER occurs which makes me say why McCaffrey, oh why? 

(10) COMICS SECTION.

(11) HAPPY DEMENTED BIRTHDAY. Dr. Demento (Barry Hansen) turns 84 on April 2 and will celebrate his birthday at the LA Breakfast Club. Dr. Demento will take the audience through his 55 year career as America’s most unusual disc jockey and play some of his favorite songs. Tickets available here: “Celebrate The Doctor’s Career & 84th Birthday!”

ABOUT THE SPEAKER: Dr. Demento has been celebrating “mad music and crazy comedy” on the airwaves playing everything from Spike Jones to Frank Zappa for over five decades. He is responsible for introducing the world to the Dr. Demento Show’s #1 most requested song of all time, “Fish Heads”, and launching the career of “Weird Al” Yankovic. Throughout the years, the world-famous Doctor’s influence on pop culture has earned him induction into the National Radio Hall of Fame, an hour long Anniversary special on Comedy Central, featured guest appearances on Late Night with David Letterman, Larry King Live, and countless others including The Simpsons.

(12) A BIGGER SLICE OF THE CHEESE, PLEASE. “Disney Animation Production Management Workers Ratify First Union Contract” reports Animation Magazine.

After two years of determined effort, the production management workers at Walt Disney Animation Studios (WDAS) have officially ratified their first union contract with the studio, The Animation Guild announced today. This landmark agreement comes after an intense organizing effort that saw a supermajority of production workers vote to unionize in February 2023, a move that was initially met with resistance from studio leadership.

The organizing effort proceeded to a National Labor Relations Board (NLRB) hearing, culminating in a decisive ruling on September 27, 2023. The ruling affirmed the eligibility of full-time production coordinators, production supervisors and production managers to unionize with the International Alliance of Theatrical Stage Employees (IATSE) and The Animation Guild, IATSE Local 839 (TAG).

“It’s been an uphill journey, but at long last, we’ve reached the mountaintop. We are standing in our breakthrough — stronger, bolder, and united,” says production coordinator Tamara Lee….

(13) DOOM WITHOUT END, AMEN. The Guardian’s Stuart Jeffries adds to our amusement in “A Brief History of the End of the F*cking World by Tom Phillips review – apocalypse not”.

…The serious purpose of Phillips’s jolly doomscroll through the apocalyptic sex cults, pandemics, nuclear armageddons, rapture-fetishising fruitloops, numerologically obsessed nincompoops, swivel-eyed preppers waiting out zombie apocalypses in their Utah silos, not to mention the Bible’s (spoiler alert!) troubling last act, is to work out quite why, after so many failed prophesies, doom-mongery still thrives….

(14) SPACEX “STARSHIP” #GOBOOMFALLDOWN…AGAIN. [Item by Mike Kennedy.] “SpaceX’s Starship explodes in space, which Musk calls a ‘minor setback’” – Reuters has details.

SpaceX’s massive Starship spacecraft exploded in space on Thursday minutes after lifting off from Texas, prompting the FAA to halt air traffic in parts of Florida, in the second straight failure this year for Elon Musk’s Mars rocket program.

Several videos on social media showed fiery debris streaking through the dusk skies near south Florida and the Bahamas after Starship broke up in space shortly after it began to spin uncontrollably with its engines cut off, a SpaceX live stream of the mission showed.

The failure of the eighth Starship test comes just over a month after the seventh also ended in an explosive failure. The back-to-back mishaps occurred in early mission phases that SpaceX has easily surpassed previously, a setback for a program Musk had sought to speed up this year….

… The Federal Aviation Administration briefly issued ground stops at the Miami, Fort Lauderdale, Palm Beach and Orlando airports because of “space launch debris.” It said it had opened a mishap investigation into the incident…

(15) VIDEO OF THE DAY. Ryan George smuggles us inside “The Gorge Pitch Meeting”.

[Thanks to Mark Roth-Whitworth, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Dan’l.]

Frank R. Paul Awards 2024

Posted on by
1
Frank R. Paul Award trophy. Photo by Rich Lynch.

The Frank R. Paul Awards 2024 winners were announced today at halftime of the Buffalo 2024 NASFiC masquerade.

The Buffalo NASFiC sponsored this year’s awards. The winner receives a trophy (featuring a 3D print of the “Tiger-bot” smashing a car, from FRP’s cover for the September 1935 Wonder Stories), and an honorarium of $500.

2024 FRANK R. PAUL AWARDS (for 2023 calendar year)

BEST BOOK COVER

BEST MAGAZINE COVER

The award judges and administrators are: Frank Wu, Brianna Wu, Linda Pierce, Alan F. Beck, Jannie Shea, and Bill Engle (Frank R. Paul’s grandson).

Brianna Wu accepts the Frank R. Paul Awards on behalf of Kurt Miller. Photo by Rich Lynch.
Frank R. Paul trophy photo by Lisa Hertel.

Frank R. Paul Awards 2024 Nominees

Posted on by
Reply

The judges for the Frank R. Paul Awards today announced the nominees for 2024.

The award judges and administrators are: Frank Wu, Brianna Wu, Linda Pierce, Alan F. Beck, Jannie Shea, and Bill Engle (Frank R. Paul’s grandson).

The 2024 Buffalo NASFiC is sponsoring this year’s awards and will host the presentation ceremony. The winner will receive a trophy (featuring a 3D print of the “Tiger-bot” smashing a car, from FRP’s cover for the September 1935 Wonder Stories), and an honorarium of $500.

2024 FRANK R. PAUL AWARDS (for 2023 calendar year)

BEST BOOK COVER NOMINEES

HONORABLE MENTIONS

NOTE: The rules state that no artist can have more than 2 nominations; 3 Kurt Miller pieces scored highly enough to be nominated, so the lowest scoring was moved to the Honorable Mention listing.

BEST MAGAZINE COVER NOMINEES

HONORABLE MENTIONS

NOTE: AI-generated images and art from stock image companies (or derivatives thereof) are ineligible; three covers (Asimov’s, Jan-Feb, 2023; Asimov’s, May-June 2023; and Galaxy’s Edge, May 2023) scored highly enough to be nominated but were disqualified on these grounds.

See the award website for more information and instructions on how to submit work for consideration for next year’s awards (for the 2024 calendar year).

The cover art used on the trophy.

Pixel Scroll 3/23/24 Please Be Aware That The Closest Pixel Might Be Behind You

Posted on by
35

(0) The Saturday Scroll will be a short one. I am on my way to celebrate my sister-in-law’s birthday — which will feel a bit incongruous because I’m still shocked and saddened by this first piece of news:

(1) DEB GEISLER, FN (1957-2024). Dr. Deborah M. Geisler (Deb), chair of Noreascon 4, the 2004 Worldcon, died today at the age of 66.

Her husband, Mike Benveniste, announced on Facebook that she passed at home while resting comfortably under hospice care after a long battle with lung and heart disease.  He added:

Deb was, at her core, a teacher.  As a professor of Communication and Journalism at Suffolk University, she touched the lives of students for over 30 years.  Deb never stopped caring profoundly about her students and the material she taught.  She was also a science fiction fan, fellow of NESFA, and conrunner and made many friendships in that community. 

She was chair of Noreascon 4, a Boskone, the 2004 Worldcon, and volunteered her time, experience, and snark to many other conventions. She was also the love of my life — we would have been married 33 years this October.

Deb is survived by her sister Libby and brother Doug as well as her extended family.  I will post arrangements for a wake and a memorial in the future once I know them.

Deb Geisler in 2015. Photo by Michael Benveniste.

(2) FRANK R. PAUL AWARDS DEADLINE. The submission window for the Frank R. Paul Awards closes March 31. The relaunched award will be presented at the 2024 NASFiC in Buffalo. Award administrator Frank Wu reminds artists:

Frank R. Paul was the first great science fiction magazine artist; he did the covers for the first few years of Amazing Stories, and Ray Bradbury, Forry Ackerman and Arthur C. Clarke were enticed into this field by his art. The FRP awards for best book cover and magazine cover art offer a $500 honorarium for each. Any artist, author, editor or publisher can submit up to 5 of their own works from 2023; the awards are open to everyone, including pro, semi-pro, fan or indie. Reprinted works are fine, as long as the art is new for 2023. The award winners will be determined by a panel of judges, and Frank R. Paul’s grandson Bill Engle is a member of the award committee. 

For more information, please see the award website or contact the chief awards administrator, Frank Wu, at FWu@FrankWu.com.

The Frank R. Paul Awards were last run in 1996 by Kubla-Khan and the Nashville SF Association. Frank Wu is funding the first year’s award. For subsequent years they will be setting up a 501(c)(3) nonprofit and taking donations. 

(3) COIN OF THE REALM. “Coming to a Galaxy Near You – The Royal Mint Launches New Star Wars™ Range”.

The Millennium Falcon today (Monday 18th March) landed onto an official UK coin, as The Royal Mint unveils its latest collectable Star Wars™ coins and bullion bars.

Following the success of its first Star Wars coin series, Series 2 is dedicated to the franchise’s iconic vehicles. Designed by Ffion Gwillim, the first coin is the series depicts the infamous Millennium Falcon, one of the most recognised and celebrated vehicles in the Star Wars galaxy. Collectors and fans will enjoy the coin’s unique lenticular feature, depicting a silhouette of the Millennium Falcon and the Rebel Alliance ‘Starbird’ symbol.

Combining traditional minting techniques with modern technology, The Royal Mint’s craftspeople have faithfully reproduced the Star Wars vehicles for the first time on official UK coins. The lenticular feature, which tilts in the light to reveal symbols, is favourited by coin collectors, and demonstrates The Royal Mint’s specialised striking techniques. An advanced picosecond laser was used to imprint the intricate designs onto coin making tools to ensure exquisite accuracy.

Other coins launching in 2024 will showcase a TIE Fighter, X-Wing, and Death Star II.

(4) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born March 23, 1952 — Kim Stanley Robinson, 72. If the Mars trilogy was the only work that Kim Stanley Robinson had written, he’d rank among the best genre writers ever. So let’s talk about it. The trilogy consists of Red Mars, Green Mars and Blue Mars plus The Martians collection of short stories which I’ve not read because I didn’t know it existed until now. 

(He wrote another Mars set novel prior to this, Icehenge, but it is not related to this continuity however it shares much of its themes.)

Kim Stanley Robinson reading at Boskone 57 in 2020. Photo by Daniel Dern.

The trilogy with its colonizing and terraforming of Mars told through many narratives is quite fascinating. The use of multiple narratives isn’t by any means my favorite approach to telling a story but works perfectly here and I can’t imagine a more traditional approach working here. 

Red Mars won a BSFA and Nebula. Green Mars and Blue Mars won Hugos.

Then he went and wrote the outstanding Three Californias Trilogy. The novels that make up the trilogy are The Wild Shore, The Gold Coast and Pacific Edge. I’ve only spent brief periods of time there, though I lived in both states north of there, but I found his creation of three possible future Californias rather interesting. 

May I note that the Science in the Capital series (Forty Signs of Rain, Fifty Degrees Below, Sixty Days and Counting) is one perhaps that I can’t judge fairly as I didn’t like the first novel so I stopped there. 

His best one-off novels I think are without argument (ha!) The Years of Rice and Salt and New York 2140.  Now I’ll admit that’s based at, in part, on the fact that he’s written a lot of novel outside of the series I’ve read such as The Ministry for the Future with future generations being vested now which sounds interesting and  and Red Moonwell. 

He’s won way, way too many Awards to go into in detail, but I’ll will note that he won both the Robert A. Heinlein Award for everything that he done to that date, and the Arthur C. Clarke Award for Imagination in service to society. 

(5) VIDEO OF THE DAY. The Season 1 trailer for the new Doctor Who has dropped.

[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Frank Wu, Steven French, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Peer.]

Frank R. Paul Awards Revived

Posted on by
Cover art by Frank R. Paul for August 1927 Amazing Stories, illustrating a reprint of H.G. Wells’ The War of the Worlds.

The Frank R. Paul Awards for Magazine and Book Cover Art  have been relaunched and submissions are being taken through January 10, 2024.

The new awards are for cover art for books and magazines published in 2023. Prizes will include $500 for each of the two categories. The awards will be determined by a panel of judges.

Award administrator Frank Wu, a three-time Hugo winner, says “Bill Engle, Frank R. Paul’s grandson, is on the awards committee, and is as excited as we are about re-launching this award.”

Artists, authors and publishers are encouraged to submit up to 5 of their own works; this includes pro, semi-pro, fan and indie. Other folks are encouraged to submit up to 2 works by anyone. AI-generated artwork is NOT eligible for this award. A slate of finalists will be released prior to the announcement of the winners. For full information on submitting, please visit the award web page.

After the close of the submission period candidates will be judged by a panel of distinguished judges: Frank Wu, Brianna Wu, Jannie Shea and Alan F. Beck.

Frank R. Paul (1884-1963) was one of the first great science fiction illustrators, and the Guest of Honor at the first World Science Fiction Convention in 1939. For a gallery of Frank R. Paul’s work, click here. Click here for the entry on Frank R. Paul in The Science Fiction Encyclopedia.

The Frank R. Paul Awards were last run in 1996 by Kubla-Khan and the Nashville SF Association. Frank Wu is funding the first year’s award. For subsequent years they will be setting up a 501(c)(3) nonprofit and taking donations.