Pixel Scroll 1/12/23 Sorry, Wrong Prime Number

(1) HELP LAIRD BARRON. A GoFundMe was started yesterday for “Laird Barron: hospital costs, medication costs”. It has raised $107,285 of the $200,000 goal in 24 hours.

Mike Davis here: Laird is a private person and I’m trying to convey just how serious this is without revealing too much personal information. Make no mistake: This is very serious, and potentially life threatening. That said: He needs a bronchoscopy. He has a mass on his lung. His blood sugar numbers are dangerously high. He will need medications as well. These are just a few of the things that will need to be paid for.

We are raising funds for Laird for three reasons:

  • Medical bills (and they will be very high, make no mistake).
  • Health Insurance (his friends are looking into getting him health insurance, if possible)
  • Lost income (Laird has been on a sickbed since September or so. That’s a long time to be unable to work.)

Laird has been very supportive of so many in the horror community. It’s our turn to give back.

(2) NO COMPOUND INTEREST. In Radio Times, “Russell T Davies debunks Doctor Who £10 million budget rumours”.

…Following reports that the BBC sci-fi will now receive a monumental budget of £10 million per episode, Davies has debunked the rumours.

Asked about the circulating reports, the showrunner explained to Doctor Who Magazine: “That has been exaggerated. If that was the budget, I’d be speaking to you from my base on the Moon.”…

… Executive producer Jane Tranter added: “It’s a really good budget for us. But we are not Game of Thrones. Or The Rings of Power.”

(3) SENDING THE TARDIS OVER THE RAINBOW. When it comes to Doctor Who, “Colourising classic episodes isn’t sacrilege” opines Radio Times’ Steve O’Brien.

…Those black-and-white Doctor Who stories that we have now are already far from the versions that were first put out on VHS in the 1990s. Now, software can restore the original video look to these smudgy old tele-recordings.

With our televisions getting bigger and the resolution becoming sharper, these vintage episodes from the ’60s are beginning to look ever more anachronistic, like listening to a scratchy Noel Coward 78 next to Kendrick Lamar’s latest. It’s difficult to find any black-and-white movie or TV show on Netflix and even BritBox seems wary. While it welcomes plenty of antique TV, it has precious few non-colour series in its vast archive.

Not that colourising old black-and-white Doctor Who is entirely new. Some Jon Pertwee episodes, first broadcast in colour, for years existed only as black and white tele-recordings (the original colour tapes having been junked). Until 2013, the only copy of The Mind Of Evil that survived was in black-and-white, until it was discovered that it was possible to recover the original colour by decoding chroma dot signals within the picture. Only when it was being readied for DVD release was it discovered that episode one didn’t have any chroma dot information, which meant it had to be colourised from scratch….

(4) SAVING THE MOVIES. The New York Times wondered “Why Do Some Films Get Restored and Others Languish? A MoMA Series Holds Clues.”

A frothy musical comedy from Weimar Germany, starring an actress whose unexpected death at 31 may have been a Gestapo murder. The first known Irish feature to be directed by a woman. An American drama from 1939 distributed to largely Black audiences, starring Louise Beavers as the progressive warden of a reform school.

All these films might have disappeared forever, at least in their complete forms. But all are showing beginning Thursday in To Save and Project, the Museum of Modern Art’s annual series highlighting recent preservation work. Some titles, like the opening-night selection, “The Cat and the Canary,” a popular silent from 1927, were preserved by MoMA itself. Others have been flown in from archives around the globe. ‌

Decisions about which films become candidates for preservation — or even what preservation means for any given movie — are rarely clear-cut. They depend on a combination of commercial interests, historical judgments, economic considerations and the availability and condition of film materials….

(5) WHO’LL SAVE FAT JACK’S? “Fat Jack’s, Philadelphia’s first and oldest comic book shop, raising money to fight closure” – the Philadelphia Inquirer has the latest, including news of a GoFundMe appeal.

…Years of losing business to online sellers and the rise of digital comics pushed many comic stores to close down. Fat Jack’s remained operating, as community members raised money to help them out of a 2019 economic downturn. But, right as stability seem to be in sight, the pandemic sent them into a six-month shutdown. Being an in-person store, Fat Jack’s saw sales plummet.

“We’re in a terrible situation and we desperately need your help,” wrote Fat Jack’s manager, Eric Partridge, on the store’s official GoFundMe. According to Partridge, who has been managing the store for 28 years, most Center City clientele had settled into remote work and were no longer making their way into Philly — a reality that, per a 2022 Center City District report, the city continues to struggle with. Only 57% of foot traffic is back, compared to 2019 levels.

“We used to have about 222 to 250 people a week, but now we are down to about 180,” said store owner Mike Ferraro. Fat Jack’s subscription program has also been affected. Working from home meant that readers had to cancel their membership due to being unable to pick up their comics….

(6) FANHISTORY ZOOM AVAILABLE. Fanac.org has added a two-part Zoom panel about Pittsburgh fandom to its YouTube channel.

Pittsburgh in the late 60s/70s saw an explosion of fannish activity, with the founding of the Western Pennsylvania SF Association (WPSFA), the creation of PghLANGE and the publication of many fanzines, including Granfalloon (Linda Bushyager and Suzanne Tompkins). What made Pittsburgh special?…This group of panelists can certainly tell us – they’re the Founding Mothers of WPSFA and PghLANGE.  This conversation among friends truly conveys what it was like to be young, female, and the center of fannish creativity in 1970s Pittsburgh. It’s history through facts and anecdotes, from how the organizers of the 1960 Worldcon felt about these new kids, to the Breezewood Curse and where the name PgHLANGE came from. You’ll learn where and why Harlan Ellison whispered “Save me” to Ginjer, the contents of the first PgHLANGE art show, who Mary Esther is, and how Bob Silverberg came to welcome the Founding Mothers to Pittsburgh. It’s great fun, and the convention stories of far too many people sharing far too little sleeping space may remind you of your early convention experiences.

 In part 2 of this session, we continue the conversation by the Founding Mothers of WPSFA and PghLANGE (with a few friends!), and continue the focus on fans, professionals and conventions of the 70s…

There are some great stories about Harlan Ellison, and Robert Silverberg. Octavia Butler’s interaction with the group comes up too. Linda talks about why she started writing, and her connection to the NYcon, and Ginjer comments on her transition from social worker to award winning editor. The impact of Star Trek on WPSFA is dissected as well. Fans, both living and dead, are remembered, with stories and anecdotes, including the full story of the Pittsburgh subway system. My favorite is the story of “the Sensuous SF writer”….There are touching stories, funny stories, and at least one story that achieved mythic status in fandom. If you were a Pittsburgh fan in the 70s, you may find yourself mentioned!

Note: Participants had a few technical difficulties and there are some rough spots in the recording. 

(7) MEMORY LANE.

1996 [Compiled by Cat Eldridge.] George R.R. Martin’s A Game of Thrones

I gather that it’s hard to properly describe food to someone who won’t be able to actually taste it. This apparently isn’t a problem for George R.R. Martin who inserts detailed descriptions of food everywhere in A Song of Ice and Fire

I have not seen the HBO series so I’ve no idea how this was scripted into an actual scene if indeed it was. I like the novels and my long standing policy as you know by now is not to watch an adaption of any such work that I’ve enjoyed immensely. Full cast audio adaptations are different as, for many reasons, they work for me whereas video adaptations don’t. 

Below is one of my favorite such passages. 

All the while the courses came and went. A thick soup of barley and venison. Salads of sweetgrass and spinach and plums, sprinkled with crushed nuts. Snails in honey and garlic. Sansa had never eaten snails before; Joffrey showed her how to get the snail out of the shell, and fed her the first sweet morsel himself. Then came trout fresh from the river, baked in clay; her prince helped her crack open the hard casing to expose the flaky white flesh within. And when the meat course was brought out, he served her himself, slicing a queen’s portion from the joint, smiling as he laid it on her plate. She could see from the way he moved that his right arm was still troubling him, yet he uttered not a word of complaint.

Later came sweetbreads and pigeon pie and baked apples fragrant with cinnamon and lemon cakes frosted in sugar, but by then Sansa was so stuffed that she could not manage more than two little lemon cakes, as much as she loved them. She was wondering whether she might attempt a third when the king began to shout.

King Robert had grown louder with each course. From time to time Sansa could hear him laughing or roaring a command over the music and the clangor of plates and cutlery, but they were too far away for her to make out his words.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born January 12, 1930 Bruce Lansbury. Brother of Angela Lansbury. He is best remembered as producer of eighty-eight episodes of Murder, She Wrote starring his sister. He also was a writer for fifteen episodes of the show. He produced the bulk of the episodes of The Wild Wild West, and many episodes of Mission: Impossible. (That was how I found him as I’m watching the entire series.) He was producer of Buck Rogers in the 25th CenturyKnight Rider and Wonder Woman, and executive produced The Fantastic Journey. (Died 2017.)
  • Born January 12, 1951 Kirstie Alley. She’s here for being Saavik on Star Trek II: The Wrath of Khan, her very first film. It was, errr, interesting reading the various rumors why this was her only Trek film. Her SFF experience otherwise was brief limited to being the villain’s ex-girlfriend in Runaway, an uncredited handmaiden on Quark, and being in the Village of the Damned as Dr. Susan Verner. (Died 2022.)
  • Born January 12, 1952 Walter Mosley, 71. I have read his Ezekiel “Easy” Rawlins series but hadn’t been aware that he wrote SF of which he has four novels to date, Blue LightFutureland: Nine Stories of an Imminent FutureThe Wave, and 47. There’s a Jack Kirby art book called Maximum Fantastic Four was conceived of and orchestrated by him.  Interestingly enough, he’s got a writing credit for episode of Masters of Science Fiction called “Little Brother” where Stephen Hawking is the Host according to IMdB.
  • Born January 12, 1955 Rockne O’Bannon, 68. Creator of five genre series in Alien Nation, CultDefianceFarscape and seaQuest. He also helped write the Warehouse 13 pilot. He has also written and produced for Constantine, Revolution and V, among many other projects. I truly loved Farscape and seaQuest but thought Defiance went bad fast.
  • Born January 12, 1957 John Lasseter, 66. Animator fired from Disney for promoting computer animation who joined Lucasfilm which eventually became Pixar under Steve Jobs. And where he directed Toy StoryA Bug’s LifeToy Story, Cars and Cars 2. He also Executive Produced Toy Story 3 as well as ZootopiaFinding Dory and Incredibles 2.
  • Born January 12, 1960 Oliver Platt, 63. My favorite role by him is Porthos in The Three Musketeers but his first genre role was as Randy Steckle in Flatlineers and he later played Rupert Burns in the Bicentennial Man film on Asimov’s The Positronic Man. He voices Hades in Wonder Woman, not surprising given his deep voice.
  • Born January 12, 1970 Kaja Foglio, 53. Writer, artist, and publisher. Foglio co-won the first Hugo Award for Best Graphic Story at Anticipation (2009) for the absolutely stunning Girl Genius, Volume 8: Agatha Heterodyne and the Chapel of Bones, created with her husband artist Phil Foglio and colorist Cheyenne Wright, and co-won two more Hugos in the following years.  Having won three three years running, they removed themselves from further competition.  If you haven’t read them, you’re in for treat as they’re quite amazing. Her husband Phil Foglio and colorist Cheyenne Wright do stunning work.
  • Born January 12, 1980 Kameron Hurley, 43. Winner of a Best Related Work Hugo at London 3 for We Have Always Fought: Challenging the Women, Cattle and Slaves Narrative. Fiction wise, her most excellent God’s War won a BFA and a Kitschie, whereas her The Geek Feminist Revolution won her a BFA for non-fiction. Very impressive indeed. Oh, and she won a Hugo for Best Fan Writer at Loncon 3 as well. Nice. 

(9) JOB THREAT? The Hollywood Reporter takes the media writing community’s temperature about new AI writing platforms: “ChatGPT: Will Hollywood Writers Consider Rules for AI?”

…“Do I see this in the near term replacing the kind of writing that we’re doing in writers rooms every day? No, I don’t,” says Big Fish and Aladdin writer John August, who has tested the free research preview and talked about it on the popular Scriptnotes podcast, which he co-hosts with Craig Mazin (The Last of Us). Still, he adds, “There certainly is no putting the genie back in the bottle. It’s going to be here, and we need to be thinking about how to use it in ways that advance art and don’t limit us.”

Another prominent writer and showrunner, speaking to The Hollywood Reporter anonymously, has taken ChatGPT for several test rides and says the chatbot seems incapable of writing funny jokes or producing results that might be useful to include in a script without “substantial creative input from me.” This showrunner adds, “When people conclude that this is going to replace professional writers, I think they’re sort of swallowing an Elon Musk-style fantasy about the future that is not actually connected to the technology.”…

(10) DIG THOSE DIGITS. Speaking of Elon Musk, what’s he doing using my number? “Tesla set to spend $770 million expanding Texas Gigafactory” reports The Verge.

Electric vehicle manufacturer Tesla has notified the state of Texas of its plans to spend upward of $770 million expanding its already immense Austin-based factory….

(11) HOME SWEET HOME. Steve Vertlieb posted an intimate view of his “living” room (Steve’s quotemarks) on Facebook. Looks very fannish, although the stacks may be too straight. (Click for larger images.)

(12) GOING UP. [Item by SF Concatenation’s Jonathan Cowie.] Nature reports “2022 was a record year for space launches”, as 180 rockets lifted off successfully, with SpaceX driving the pace.

 2022 was a record year for space with 180 successful rocket launches to orbit — the most ever, and 44 more than in 2021. The launches were dominated by rockets from US company SpaceX and from the Chinese government and businesses…

(13) JUSTWATCH. Here are JustWatch’s Top 10 lists for December.

[Thanks to Chris Barkley, Andrew Porter, Michael Toman, Diana Glyer, Steve Vertlieb, SF Concatenation’s Jonathan Cowie, BravoLimaPoppa, Cat Eldridge, Mike Kennedy, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 11/20/22 The Emergency Holo-Scrollo

(1) GREG BEAR APPRECIATIONS. GeekWire’s Alan Boyle has a tribute to the famed sff writer who died yesterday: “Greg Bear, 1951-2022: Writer influenced the science fiction world”.

…Bear, who moved to the Seattle area in 1987, also had an impact on his adopted home. He was a member of the team that created and organized the Washington State Centennial Time Capsule. And GeekWire contributor Frank Catalano recalls introducing Bear to the late software billionaire Paul Allen — a contact that helped lead to the creation of the Science Fiction Museum and Hall of Fame, now part of Seattle’s Museum of Pop Culture.

The accolades streaming in from friends and admirers stressed the personal as well as the public contributions made by Bear over the decades. “Greg the man was a friend,” fellow science-fiction icon Harry Turtledove tweeted. “Greg the writer was quite remarkable.”…

Boyle draws on Frank Catalano’s 2017 interview with Greg Bear, also at GeekWire, where it is available as a podcast with an accompanying article, “Science fiction has won the war: Best-selling author Greg Bear on the genre’s new ‘golden age’”.

…As a “hard” science fiction writer who does extensive research, Bear has dived into everything from nanotechnology (his 1983 novel Blood Music is credited by some as being its first use in science fiction) to planetary science. A current fascination, in part because it’s a key setting in the War Dogs trilogy, is Titan. “It’s got a hazy orange layer,” he explained. “It’s full of plastics, and waxes, and organic chemistry. Then, it turns out, it’s actually got a water ocean underneath.”

But the hard science fiction reputation can mask the fact that Bear has also written — successfully — novels that are fantasy, horror, and near-future techno thrillers. “I find the idea, and then I try to find the story that fits it,” he said. “Some of these ideas are coming up so fast that you can’t write about them as far-future ideas.”…

The SFWA Blog’s“In Memoriam – Greg Bear” notes he was a past President, and quotes from a selection of several other Presidents.

…Current SFWA President Jeffe Kennedy remarked, “When I took over as a newbie President of SFWA, Past-President Greg Bear was unfailingly gracious to and supportive of me. I loved his work and admired him as an author, so to discover what a truly kind person he was meant so much. He will be greatly missed by SFWA and the larger community.”

Former SFWA Presidents also wished to pay their respects to their colleague and friend as such:

“There are few people in my life from whom I learned so much, and was so fortunate to have known, than Greg Bear.” – Paul Levinson

“Whether or not he was one of the greatest novelists of speculative fiction may be questionable for the ages to argue but a Prince of SF he surely was. From the beginning to the end, he was a sincere literary artist, scientifically learned, a speculative visionary, if not the king of that which has no king, surely a prince seated at the SF table.” – Norman Spinrad

“Greg Bear and I were friends for thirty years. What I loved about his work was that it freely embraced the entire scope science fiction has to offer: from the far future (Anvil of Stars), through the present day (Quantico), to cavorting with creatures we know only from the distant past (Dinosaur Summer), he took us on a grand tour of his boundless imagination.” – Robert Sawyer

“Greg was my vice president, unflappable, always supportive, funny, endearing, and smart. Heart-breaking he is leaving us so soon.” – Jane Yolen

(2) GREG BEAR PHOTOS. From throughout his career, taken by and © Andrew Porter.

(3) BUTLER’S PRESCIENCE. The New York Times explains how “Octavia Butler’s Science Fiction Predicted the World We Live In”.

Sixteen years after her death, the writer Octavia Butler is experiencing a renaissance.

Butler, seen here on a mural at a middle school that bears her name, is celebrated for novels that grappled with extremism, racial justice and the climate crisis.

The future she wrote about is now our present moment. What follows is a tour of the worlds that made her — and the worlds that she made.

She wrote 12 novels and won each of science fiction’s highest honors. In 1995, she became the first science fiction writer to be awarded a MacArthur “genius” grant. The MacArthur Foundation said of Octavia E. Butler, “Her imaginative stories are transcendent fables, which have as much to do with the future as with the present and the past.”

Part of what has made Butler so beloved is the work that preceded these honors: the way she envisioned her own future and encouraged herself to keep going despite the very real obstacles in her path. She recorded her goals and aspirations in her personal journals in terms that have since resonated across the decades:

I will buy a beautiful home in an excellent neighborhood.

I will help poor Black youngsters broaden their horizons.

I will travel whenever and wherever in the world that I choose.

My books will be read by millions of people!

So be it! See to it!…

(4) RAY NELSON UPDATE. From Ray Faraday Nelson’s Facebook page:

Deteriorating health has made it necessary to move Ray to a nursing home. Ray loves to receive letters and if you would like to let him know how much you enjoyed his work, now would be a good time (and soon). Send to Ray Nelson, c/o Walter Nelson, PO Box 370904 Reseda CA 91337

In his cartoons Nelson popularized the association fans with propeller beanies, and he was honored with the Rotsler Award in 2003.

(5) PITTSBURGH FANDOM BACK IN THE DAY. Fanac.org’s next FanHistory Project Zoom Session is “Fannish Life in 1970s Pittsburgh, with Ginjer Buchanan, Linda Bushyager, Suzanne Tompkins, and Laurie Mann”.  It will take place Saturday December 10, 2022 at 4:00 p.m. Eastern.

Pittsburgh in the late 60s/70s saw an explosion of fannish activity, with the founding of the Western Pennsylvania SF Association (WPSFA), the creation of PghLANGE and the publication of many fanzines, including Granfalloon (Linda Bushyager and Suzanne Tompkins). What made Pittsburgh special? Why the resurgence of fannish activity? Who were the driving forces? In this session, Ginjer Buchanan, Linda Bushyager and Suzanne Tompkins, three of the movers and shakers of 1970s Pittsburgh fandom, talk about that era. Our Moderator Laurie Mann is a current Pittsburgh fan as well as a fan historian.

(6) SOME PREFER PIRACY. “The FBI closed the book on Z-Library, and readers and authors clashed” reports the Washington Post.

The FBI’s takedown of Z-Library, one of the world’s largest repositories of pirated books and academic papers, this month set ablaze the subset of TikTok devoted to discussing books and authors, said Lexi Hardesty, a BookTok content creator.

“I have never seen authors and readers go head-to-head the way they did that week,” said Hardesty, a student at the University of Kentucky.

Readers were mourning that their ability to download free textbooks, novels and academic papers had disappeared overnight. Some BookTokers compared the shutdown of the website to the mythical burning of the library of Alexandria in 48 B.C., Hardesty said. “Some even said that shutting it down was an extension of slavery.”

Yet authors across BookTok were relieved. “Piracy costs us our sales, specifically for marginalized authors; it adversely impacts public libraries; and it hurts the publishing industry,” said Nisha Sharma, an author and BookToker. “Essentially when you mourn Z-Library, you are mourning the end of theft.”…

(7) MEMORY LANE.

1995 [By Cat Eldridge.] Deep Space Nine‘s “The Sword Of Kahless”

“Did you see the look on the face of that Klingon that I killed? It was as if he understood the honor bestowed upon him. The first man in a thousand years to be killed by the Sword of Kahless.” — Kor

“I’m sure he was very proud.”  – Dax

On this evening twenty-seven years ago in syndication, Deep Space Nine‘s “The Sword Of Kahless” was brought to us for our enjoyment. 

The story was created by Richard Danus and was turned into a script by Hans Beimler. 

The episode was directed by LeVar Burton. It features the return of John Colicos as Kor. Colicos had first appeared as Kor, the very first Klingon in all of Trek, in Trek’s “Errand of Mercy” and had previously appeared in this series in the episode “Blood Oath”. 

GO GET YOURSELF A CUP OF WARM KLINGON BLOODWINE AS SPOILERS LIKE BLOOD OFF A BATLEFF FOLLOW NOW.

Kor has returned to the Deep Space Nine to get the help of Worf and  Dax to help to find the ancient Sword of Kahless. It was the very first bat’leth forged by the founder of the Klingon Empire, Kahless the Unforgettable. After they find the sword, they are forced to evade the forces of Toral, son of Duras, and Worf and Kor starting fighting to the death.

Worf and Kor realize that the Sword is partially sentient and has turned them against each other, and will lead to the end of the Empire. 

Worf ponders if they really were meant to find it; Kor firmly asserts that they were, but notes that they were also not meant to keep it. So they teleport the sword into space where hopefully it will stay forever. 

IF YOU HAVE DRANK ENOUGH OF THAT WINE, COME ON BACK BY THE WARMING FIRE. 

The sword itself was created specifically for the episode, and was made to seem more elaborate than the bat’leths previously seen in Trek, including hand etchings to make it appear similar to Damascus steel. 

This episode was somewhat unpopular with many viewers when it first aired, something which disappointed writer Hans Beimler and producer René Echevarria. What particularly disappointed them was the fact that many viewers were unable to accept the notion that the bat’leth itself had no actual power. According to Echevarria, “A lot of fan reaction was that there must be a tech explanation, that the sword must be emitting something. I was astonished.” — Star Trek: Deep Space Nine — The Office Poster Magazin

Michelle Erica Green, who watched the episode in April 2013 for TrekNation, thought that it was not a typical Deep Space Nine episode and that it required that the viewer had knowledge of Worf’s history from the Next Generation. It rated slightly off the “Little Green Men” episode that preceded it and the “Our Man Bashir” that followed it.

It of course is streaming at Paramount +. 

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 20, 1923 Nadine Gordimer. South African writer and political activist. Her one genre novel was July’s People which was banned in her native country under both governments. Her three stories are collected in Beethoven Was One-Sixteenth Black and Other Stories. She received the Nobel Prize in Literature, recognized as a writer “who through her magnificent epic writing has been of very great benefit to humanity”.  (Died 2014.)
  • Born November 20, 1923 Len Moffatt. He was a member of First Fandom. Len and his second wife June helped organize many of the early Bouchercons for which they received a Lifetime Achievement Award from the Bouchercon staff. He was a member of LASFS. He wrote far too many zines to list here. Mike has an excellent look at his memorial here. (Died 2010.)
  • Born November 20, 1929 Jerry Hardin. Actor famous for his character roles, whom genre fans know as the informant Deep Throat in The X-Files, or perhaps as Samuel Clemens in the Star Trek: The Next Generation double episode “Times’s Arrow”. Other TV series guest appearances include Star Trek: Voyager, Sliders, Brimstone, Time Trax, Lois & Clark, Quantum Leap, Dark Justice, Starman, Alfred Hitchcock Presents, The (new) Twilight Zone, and The Incredible Hulk, and he had roles in Big Trouble in Little China and Doomsday Virus (aka Pandora’s Clock). (Died 1993.)
  • Born November 20, 1926 John Edmund Gardner. No, not the one that wrote that Grendel novel, but the who was actually an English spy and a novelist who is remembered for his James Bond novels of which he wrote, according to critics, way too many as they though they were silly, but also for his Boysie Oakes spy novels and three novels containing featuring Professor Moriarty that are most tasty. (Died 2007.)
  • Born November 20, 1932 Richard Dawson. Usually one appearance in a genre film or show isn’t enough to make the Birthday list but he was Damon Killian on The Running Man, a juicy enough role to ensure making this list. Twenty years earlier he was Joey on Munster, Go Home! He’d voice Long John Silver on an animated Treasure Island film in the Seventies. And he had a one-off on the classic Fantasy Island as well. (Died 2012.)
  • Born November 20, 1944 Molly Gloss, 78.  What a lovely name she has! Her novel Wild Life won the 2000 James Tiptree, Jr. Award. She has two more SF novels, The Dazzle of Day and Outside the Gates. Her “Lambing season” short story was nominated for a Hugo at Torcon 3, and “The Grinnell Method” won a Sturgeon. 
  • Born November 20, 1956 Bo Derek, 66. She makes the Birthday list for being Jane Parker in Tarzan, the Ape Man. There’s also Ghosts Can’t Do It and Horror 101 as well as the two Sharknado films she did. A friend of Ray Bradbury, she was the presenter when Kirk Douglas received the 2012 Ray Bradbury Creativity Award.
  • Born November 20, 1963 Ming-Na Wen, 59. Actor born in Macau who appeared as Agent Melinda May in Agents of S.H.I.E.L.D. She was raised near Pittsburgh, PA and graduated from Carnegie Mellon University. She has also had main roles in the series Stargate Universe and the short-lived Vanished, and a recurring role in Eureka. Her breakthrough genre role was providing the voice for Disney’s Mulan, for which she won an Annie Award (awards which recognize voice actors in animated productions). This led to a lengthy career providing voices for animated features and series, including Spawn, The Batman, Adventure Time with Finn & Jake, Phineas and Ferb, Robot Chicken, and Guardians of the Galaxy, as well as a plethora of Mulan spinoffs, offshoots, tie-ins, and video games. Other genre appearances include the films The Darkness, Starquest (aka Terminal Voyage), Tempting Fate, and Rain Without Thunder.

(9) COMICS SECTION.

  • Non Sequitur shows a space probe confirming what you already suspected.  

(10) UNDENIABLE TREND. In July Price Charting did a scientific analysis and confirmed there’s been a “300% Increase in Boob Size on Comic Book Cover Art” since 1940. [Via Carol Pinchefsky on Facebook.]

…Comparing modern day (2010+) to the early comics (1940-60), we observe from the green trendlines:

  • Busts occupy more than triple the cover space today
  • The amount of cleavage shown has more than doubled (cleavage of greater than 50% was not observed until the 1970s at which point it became relatively common)
  • Women actually did “fill out” in the waist over time (hip:waist ratio declined by ~15%)
  • Breast:Waist ratio has remained the same – as breasts have grown, so have waists

(11) THE COLD NOSE EQUATIONS. Space.com observes “Spacesuited Snoopy doll floats in zero-g on moon-bound Artemis 1 mission”. Photo at the link.

… The white-spotted dog, who became “the first beagle on the moon” in a series of Peanuts comic strips in 1969, is now on his way back to the moon aboard NASA’s Artemis 1 mission(opens in new tab). Snoopy, in the form of a small doll dressed in a one-of-a-kind replica of NASA’s pressure suit for Artemis astronauts, is the “zero-g indicator,” or ZGI, on board the space agency’s now lunar-orbit-bound Orion spacecraft.

“Oh, I’m sorry, Snoopy. They had to put you on a leash because you’re hanging in the Orion capsule right now,” NASA Administrator Bill Nelson said during an August photo op with the beagle (in this case, a costume character(opens in new tab), also wearing the bright orange spacesuit). “Snoopy was the last person to be put in Orion when they closed the hatch.”

Snoopy’s leash, or tether, was to keep the doll in view of a camera inside Orion’s cabin. Traditionally, zero-g indicators have been flown on crewed spacecraft as a visual sign for the astronauts that they have reached orbit. The Artemis 1 Orion is flying without a crew — other than Snoopy, four LEGO minifigures(opens in new tab), Shaun the Sheep(opens in new tab) and three instrumented manikins(opens in new tab) — so the doll was flown for the benefit of the public watching the launch on NASA’s television channel or website….

(12) TO CLICK OR NOT TO CLICK. “Ancient Apocalypse on Netflix: Is Graham Hancock’s theory true?” asks Slate.

… Graham Hancock, the journalist who hosts the series, returns again and again to his anger at this state of affairs and his status as an outsider to “mainstream archaeology,” his assessment of how terrible “mainstream archaeology” is about accepting new theories, and his insistence that there’s all this evidence out there but “mainstream archaeologists” just won’t look for it. His bitter disposition, I’m sure, accounts for some of the interest in this show. Hancock, a fascinating figure with an interesting past as a left-leaning foreign correspondent, has for decades been elaborating variations on this thinking: Humans, as he says in the docuseries, have “amnesia” about our past. An “advanced” society that existed around 12,000 years ago was extinguished when the climate changed drastically in a period scientists call the Younger Dryas. Before dying out completely, this civilization sent out emissaries to the corners of the world, spreading knowledge, including building techniques that can be found in use at many ancient sites, and sparking the creation of mythologies that are oddly similar the world over. It’s important for us to think about this history, Hancock adds, because we also face impending cataclysm. It is a warning….

However, the last half of Slate’s article is devoted to an interview with archaeologist John Hoopes about why no credence should be placed in Hancock’s theories.

(13) ALL WASHED UP. “Why did the Redshirts always die on ‘Star Trek’? It had to do with doing laundry”, or so claims MeTV.

…So a fast decision was made to change the shrinking fabric. Since the velour was causing so much grief, they had to do something with all those extra shirts. Waste was not going to happen on such a tight budget….

[Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, JJ, John King Tarpinian, Jennifer Hawthorne, Frank Catalano, Daniel Dern, Chris Barkley, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Kendall.]

Pixel Scroll 3/20/22 The Cardinality Of The Reals

(1) AN ORDERLY ILLUSION. The Daily Californian’s Logan Roscoe, in “Bureaucratizing science fiction”, analyzes the use of architectural design in New Weird visuals.

…When playing Controlthe player fights interdimensional enemies, but in every background, they see an attempt at subjecting the supernatural to a distinctly human authority. When watching “Loki,” the watcher is baffled by the mysteries of time travel and elusive authoritarians, but in every background, they see an attempt at condensing those mysteries into something understood. When watching “Legion,” the viewer is captivated by sights such as an interview room positioned upside down, dangling above an entire city; but in every background, they see a need for such an interview room — characters lost and scrambling for ways to understand the phenomena that make every cell in their bodies scream in discomfort. In all of these pieces of media, the humans try to colonize the unknown before it colonizes them….

(2) THERE’S KNOW PLACE LIKE HOME. Jennifer Bernstein studies the reasons for “Edith Wharton’s Ghosts” in the Boston Review.

… This disposition of unease followed her into adulthood. She married Edward Robbins Wharton (Teddy) in 1885; the two traveled extensively until Teddy’s depression anchored him to The Mount, a melancholy that seems to have bled into Edith’s psyche. Wharton lived some happy years there, famously writing in bed with her little dogs, but gradually became disillusioned with the house she had once loved, even coming to find it sinister and threatening. Her marriage deteriorated; after verbal abuse and violent episodes of hysteria on Teddy’s part and infidelity by both parties, Edith moved to Paris, and Teddy sold the house without her consent in 1911. They divorced two years later. Wharton would never again live in the United States.

So the symbol of her self-invention became something Wharton hated and feared. Amidst her marital and emotional turmoil, did Wharton really believe The Mount was haunted? Subsequent occupants shared her suspicions; some reported hearing strange noises and seeing spectral figures. The estate, now open to the public as a house museum, offers a popular ghost tour, promising the chance to see apparitions of past denizens, caretakers, groundskeepers, and tragic suicides.

But the question of Wharton’s own beliefs is perhaps the wrong one to ask. In the preface to Ghosts, Wharton adumbrates her view that belief in the supernatural is not an act of the intellect. Rather, it is “in the warm darkness of the pre-natal fluid far below our conscious reason that the faculty dwells with which we apprehend the ghosts we may not be endowed with the gift of seeing.” …

(3) SUN SETS ON YURI’S NIGHT. “Space Conference Censors Name of First Human in Space Because He Was Russian” says Futurism in a disapproving article.

Whipping themselves into a Freedom Fries-esque fit of censoriousness, a space industry conference has removed the name of celebrated Soviet cosmonaut Yuri Gagarin, the first human to travel into space, from an event.

The nonprofit Space Foundation announced  in a now-deleted note that “in light of current world events” it would be changing the name of a fundraiser from “Yuri’s Night” to “A Celebration of Space: Discover What’s Next” at its Space Symposium conference.

“The focus of this fundraising event remains the same — to celebrate human achievements in space while inspiring the next generation to reach for the stars,” the deleted update notes.

… Erasing the name of the first person to ever fly to space while supposedly celebrating “human achievements in space” is bad enough.

But doing so in line with the milquetoast trend of disavowing all things Russian, including famous composers and food products, amid the country’s current invasion of Ukraine is just outrageous….

(4) ESSAY: GINJER BUCHANAN [Item by Cat Eldridge]

I have come to honor one of our most excellent Editors ever. She was the Editor-in-Chief at Ace Books and Roc Books where she stayed for a stellar thirty years before retiring. Prior to that, she was consulting editor for the Star Trek tie-ins at Pocket Books and an outside reader for the Science Fiction Book Club. And yes, she was active in fandom from an early age which included being a founding member of the Western Pennsylvania Science Fiction Association or WOOPSPA or as it was affectionately known as she noted in a Locus interview.

Berkley president and publisher Leslie Gelbman upon her retirement said  of her:  “During her thirty years with Ace and Roc, Ginjer was essential in growing our science fiction and fantasy list and launching the careers of several bestselling authors. Her love for the genre and books in general and dedication to her authors is unparalleled, and she’s a key reason Ace/Roc is one of the preeminent science fiction-fantasy publishers.”

She won a Hugo at Loncon 3 for Best Editor, Long Form and was nominated for the same at Nippon 2007, Denvention 3, Anticipation, Aussiecon 4 and Renovation.

She won the Nebula Solstice Award in 2013, and the same year saw her garner the Edward E. Smith Memorial Award for Imaginative Fiction. She was nominated in 2006 for a World Fantasy Award for a Special Award, Professional for her work Ace Books but alas did not win. 

She was the Toastmaster at the World Fantasy Convention in 1989, and a Guest of Honor at ArmadilloCon in 1988, Foolscap in 2000 and at OryCon in 2008. Ginjer Buchanan was also a Guest of Honor at the Dublin 2019 Worldcon. And she will be a GOH at World Fantasy Con in New Orleans in 2022.

And yes, she’s written fiction. Her sole novel is a Highlander series tie-in, White Silence. She’s also penned three short pieces of fiction, “The End of Summer by The Great Sea” in the Alternate Kennedys anthology,  Cathachresis” in the More Whatdunits anthology, and “If Horses Were Wishes …“ in the By Any Other Fame anthology. The first two are edited by Mike Resnick alone, the last by Resnick and Martin H. Greenberg. 

Being a serious Firefly fan, she has an essay, “Who Killed Firefly?” in the Jane Espenson edited Finding Serenity: Anti-Heroes, Lost Shepherds and Space Hookers in Joss Whedon’s Firefly collection. Being a fan of the Buffy the Vampire Slayer series, she penned “The Journey of Jonathan Levenson: From Scenery to Sacrifice” which was in Buffy the Vampire Slayer: The Watcher’s Guide, Volume 3 edited by Paul Ruditis. 

Oh, and she has one published poem, “Four Views of Necon” published in Cemetery Dance’s The Big Book of Necon anthology edited by Bob Booth.

All in all, an amazing individual who has contributed in oh so many ways to our community, so let’s toast her now as she so richly deserves to be. 

(5) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 20, 1932 Jack Cady. He won the Nebula Award, the World Fantasy Award, and the Bram Stoker Award, an impressive feat indeed. McDowell’s Ghost gives a fresh spin on the trope of seeing seeing a War Between The States ghost, and The Night We Buried Road Dog is another ghost story set in early Sixties Montana. Underland Press printed all of his superb short fiction into two volumes, Phantoms: Collected Writings, Volume 1 and Fathoms: Collected Writings, Volume. He had a Hugo nomination at ConAdian for his novella The Night We Buried Road Dog”. (Died 2004.)
  • Born March 20, 1948 Pamela Sargent, 74. She has three exemplary series of which I think the Seed trilogy, a unique take on intergenerational colony ships, is the one I like the best. The other two series, the Venus trilogy about a women determined to terraform that world at all costs is quite good, and there is the Watchstar trilogywhich I know nothing about. Nor have I read any of her one-off novels, so please do tell me about them. Her “Danny Goes to Mars” novelette won a Nebula and was nominated for the same at ConFrancisco. She was given the Kevin O’Donnell Jr. Service to SFWA Award. 
  • Born March 20, 1948 John de Lancie, 74. Best known for his role as Q in the Trek multiverse, though I was more fond of him as Janos Barton in Legend which stars Richard Dean Anderson (if you’ve not seen it, go now and watch it).  He was also Jack O’Neill’s enemy Frank Simmons in Stargate SG-1. He has an impressive number of one-offs on genre shows including The Six Million Dollar ManBattlestar Galactica (1978 version), The New Twilight ZoneMacGyverMission: Impossible (the Australian edition which is quite excellent), Get Smart, Again!Batman: The Animated Series, and I’m going to stop there. He’s currently reprising Q in the second season of Picard
  • Born March 20, 1950 William Hurt. He made his first film appearance as a troubled scientist in Ken Russell’s Altered States, an making film indeed. He’s next up as Doug Tate in Alice, a Woody Allen film. Breaking his run of weird roles, he shows in Lost in Space as Professor John Robinson. Dark City and the phenomenal role of  Inspector Frank Bumstead followed for him. He was in A.I. Artificial Intelligence as Professor Allen Hobby and performed the character of William Marshal in Ridley Scott’s Robin Hood. Up next was horror film Hellgate and his role as Warren Mills,and Jebediah from Winter’s Tale. His final, to date that is, is in Avengers: Infinity War as Thaddeus “Thunderbolt” Ross. Two series roles of notes, the first being in the SyFy Frank Herbert’s Dune as Duke Leto I Atreides. Confession: the digitised blue eyes bugged me so much that I couldn’t watch it. His other role worth noting is Hrothgar in Beowulf: Return to the Shieldlands. (Died 2022.)
  • Born March 20, 1955 Nina Kiriki Hoffman, 67. Her first novel, The Thread That Binds the Bones, won the Bram Stoker Award for first novel. In addition, her short story “Trophy Wives” won a Nebula Award for Best Short Story. Other novels include The Silent Strength of Stones (a sequel to Thread), A Fistful of Sky, and A Stir of Bones. All are amazingly excellent. Most of her work has a strong sense of regionalism being set in either California or the Pacific Northwest. 
  • Born March 20, 1962 Stephen Sommers, 60. He’s responsible for two of my very favorite pulpish films, The Mummy and The Mummy Returns which he directed and wrote. He also did the same for Van Helsing, and the live action version of Rudyard Kipling’s The Jungle Book. No, I’ve not seen it, so how is it? Not that he’s perfect as he did all four of the Scorpion King films…
  • Born March 20, 1970 Cathy DeBuono, 52. If you were observant, you noticed her as M’Pella, a dabo girl who worked in Quark’s on Deep Space 9 during the last three seasons for an amazing fifty two episodes. She also worked on the series as a stand-in, photo double, and body double for Terry Farrell. She received no on-screen credits until her final appearance in “The Dogs of War” episode
Cathy DeBuono
  • Born March 20, 1979 Freema Agyeman, 43. Best known for playing Martha Jones in Doctor Who, companion to the Tenth Doctor. She reprised that role briefly in Torchwood. She voiced her character on The Infinite Quest, an animated Doctor Who serial. Currently she’s on Sense8 as Amanita Caplan. And some seventeen years ago, she was involved in a live production of Terry Pratchett’s Discworld’s Lords and Ladies held in Rollright Stone Circle Chipping Norton, Oxfordshire. It was presented out of doors in the centre of two stone circles. She’s continued her Martha Jones role in the Big Finish audio productions. 

(6) COLLECTOR’S ITEM. The New York Post listens to the register ringing as “First-ever Marvel comic nabs whopping $2.4M at auction”.

A particularly prized copy of the first-ever Marvel comic book fetched more than $2.4 million in an online auction, the auctioneer said Friday.

Known as the Marvel Comics #1 “pay copy,” it’s “arguably one of the top three comic books in the world of comics collecting,” said Vincent Zurzolo, chief operating officer of ComicConnect. The New York-based auctioneer sold the book Thursday night for a bit under $2,427,800.

The buyer’s name has not been disclosed. He is “an extremely passionate comic book collector and investor” who also collects other items, Zurzolo said.

Published in 1939, Marvel Comics #1 introduced characters including Sub-Mariner and the original Human Torch, a precursor of the character of the same name that was later a member of Marvel’s Fantastic Four. The book launched what became the Marvel universe of comics, movies, TV shows and video games….

(7) WEAVER OF TANGLED WEBS. Spider-Man: No Way Home special effects supervisor Kelly Port discusses what he did on the film in this video from Vanity Fair that dropped Friday. “How ‘Spider-Man: No Way Home’ Visual Effects Were Made”.

(8) ROBOSMACKDOWN. “‘More Than Robots’ Review: An International Battle” in the New York Times.

… Despite the movie’s title, robots are, in fact, the subject and spectacle of this lighthearted film.

Working in groups over the course of several weeks, young inventors participate in the FIRST Robotics Competition to create industrial-size robots that are complex enough to move automatically, shoot projectiles and even climb. The organization that runs the competition was founded by the inventor Dean Kamen, who wanted to host an event that would develop the skills of young engineers. (The international reach of the competition drew powerful patrons: When the organizers of the tournament present the season’s challenge, they acknowledge that the competition is sponsored by Lucasfilm.)

The documentary follows four teams in early 2020 as they prepare for regional competitions in Japan, Mexico and California. The most memorable scenes come from the two teams in Los Angeles, each led by their teachers Fazlul and Fatima, who are also a married couple. Despite the apparent differences in funding between the two schools, both mentors encourage their students to build robots that stand up to the hard knocks of engineering battles….

(9) ANIME NEWS. A trailer for a new Netflix anime series “Tekken: Bloodline”

(10) WHAT’S MISSING. [Item by Martin Morse Wooster.] In this video, Patrick WIlliens, self-proclaimed Batman nerd. wonders what happened to Robin in most of the versions of Batman released this century.  He notes that Batman co-creator Bill Finger created Robin to be Watson to Batman’s Holmes and give Batman someone to talk to, and thinks that having an age-appropirate Batman (not 13 and not an adult) would make Batman more human and less broody and obsessed. “Why Are Batman Movies Afraid Of Robin?”

[Thanks to JJ, John King Tarpinian, Andrew Porter, Michael Toman, Chris Barkley, Will R., Cat Eldridge, Mike Kennedy, and Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day Anna Nimmhaus.]

World Fantasy Convention 2022 in New Orleans

World Fantasy Convention 2022 has named its Guests of Honor: Ginjer Buchanan, Victor LaValle, Jo Walton, Caitlín R. Kiernan, and Andrei Codrescu. The Toastmaster is Ursula Vernon. An artist Guest of Honor will be named later. Chaired by Tom Hanlon, the convention will be held in New Orleans, Louisiana November 3-6, 2022.

The event’s sponsor, the Louisiana Association for Literacy and the Fantastic, launched WFC 2022’s website and opened online registration early this week.

“While it’s been a challenge to organize and prepare for an event with a shorter time span than normal due to COVID, and Hurricane Ida didn’t help any,” said Hanlon, “we’re thrilled to have a committee with ideas and participation from New Orleans, throughout the South and across borders. We have an amazing committee who are working hard to ensure this year’s World Fantasy Convention exceeds our members’ expectations.” The event will be held at the Hyatt Regency New Orleans, located downtown within walking distance of many historical sites.

Although registration officially opened at the 2021 World Fantasy Convention in Montreal, this week’s website launch made online registration possible. Initial pricing is $150 US for attending memberships and $50 US for supporting membership. “We are planning to host a hybrid convention, with a strong virtual component,” says Hanlon. “Our initial price for virtual membership is $50, the same as a supporting membership.” The prices for attending and virtual memberships will increase on February 1, 2022, while the supporting membership will remain $50.

This year’s WFC will be the second held in New Orleans. Hanlon also chaired the first one in 1994.

[Based on a press release.]

Dublin 2019 Photos by Rich Lynch – Friday

A cold truth surfaces…

The Dublin Convention Centre is too small for the size of this convention.  By a lot.  Thursday was chaos in the halls leading into the meeting rooms.  Packed solid with people trying to exit rooms where panels had ended and others who were wanting to get into those same rooms for the next round of panels.  Convention Centre staff became the traffic police in a mostly vain attempt to keep everybody moving.

By Friday the chaos had abated by a bit, but there have still been severe people flow problems.  Overnight each floor of the Convention Centre was taped off into queue lanes, one for each meeting room.  It’ll not quite an airport boarding lounge situation but very similar.  And this created addition confusion until, finally, everybody started to figure it all out.  But this system created lots of delays and there are usually lines of people waiting access for some rooms even after the scheduled panel  starting time.

This has resulted in plenty of people with frayed tempers, from what I’ve observed, but no meltdowns.  At least for now but there are still three days to go. 

One other thing I observed— the traffic police are not to be messed with!  More than one person was firmly directed to clear out of some area where queues would be forming.  Don’t think anybody has dared to jump a line after seeing them in action!

Heicon Memories panel

Panel opened with round of applause for Silverberg when he stated that this is his 66th Worldcon.  He has the record, I think.

Suzanne Tompkins, Ginjer Buchanan, Robert Silverberg, and Mary Burns.

Suzanne Tompkins, Ginjer Buchanan, Robert Silverberg, and Mary Burns.

eFanzines Live!

Bill Burns and Geri Sullivan.  Unsurprisingly, most everybody in the room not only knew about the site, they also were frequent visitors.  And many of us even have Fanzines hosted by the site!

Geri Sullivan and Bill Burns

Keith Kato’s Chili Party

…was held in Oscar Wilde’s House.  There was even a docent tour.

Oscar Wilde

It’s Official: 77th Worldcon Will Be in Dublin

For the first time in history of the World Science Fiction Convention (Worldcon) the convention will take place in Dublin, Ireland.

Today, Dublin was confirmed as the 2019 location by site selection voters at Worldcon 75 in Helsinki. Worldcon 75 reports 1,227 votes were received.

Dublin 2019 will take place at the Convention Centre Dublin from August 15-19, 2019. The Guests of Honour range from writers to scientists and beyond – Bill and Mary Burns, Diane Duane, Ginjer Buchanan, Ian McDonald, Jocelyn Bell Burnell, and Steve Jackson.

Dublin 2019 chair James Bacon said:

The whole team are delighted to be bringing the Worldcon to Ireland for the first time. It’s a huge achievement and we are very proud to be able to welcome thousands of fans to this beautiful country that is steeped in storytelling. We have fantastic guests and we will building an exciting programme covering all aspects of science fiction, fantasy and horror in all media, including prose, comics, art, film, cosplay, science, TV to name a few in what will be a fabulous celebration here in Dublin.

The Worldcon is held in a different city every year and usually has around 5,000 attendees from around the globe.  Some of the highlights of the five day event include the Hugo Awards, the Masquerade and programming that runs all five days with over a thousand items including panels, talks, workshops, films, autograph sessions and more.

About the guests:

  • Bill and Mary Burns (New York):  Avid readers who have attended Worldcon since 1967.  Bill was the recipient of the Doc Weir Award in 2003 and both were Fan Guests of Honour at Eastercon LX.
  • Diane Duane (Wicklow): Diane’s first novel was published in 1979 and have sold more than fifty other novels during her career.  She has won numerous awards and has also written extensively for tv and film.
  • Ginjer Buchanan (New York): Ginjer has over fifty years in fandom and over 30 years as professional editor.  She has been nominated for the Best Editor- Long Form Hugo six times and won in 2014.
  • Ian McDonald (Belfast): Is a writer who has over written over 20 novels and numerous short stories.  In addition he has also worked in programme development in Ireland. He has won awards for his short fiction as well as novels.
  • Jocelyn Bell Burnell (Lurgan Co Armagh): Jocelyn is a Northern Irish astrophysicist who as a postgraduate student discovered the first radio pulsars.
  • Steve Jackson (Texas): Steve is a game designer by trade who owns Steve Jackson Games.  He has received 12 Origin Awards as well as various other honours for game design.

“World Science Fiction Society,” “WSFS,” “World Science Fiction Convention,” “Worldcon,” “NASFiC,” “Hugo Award,” and the distinctive design of the Hugo Award Rocket are service marks of the World Science Fiction Society, an unincorporated literary society.

[Based on a press release.]

2017 Endeavour Award Finalists

Five books written by writers from the Pacific Northwest are finalists for the 19th annual Endeavour Award. The Award comes with an honorarium of $1,000. The winner will be announced November 17 at OryCon in Portland, Oregon.

  • Arabella of Mars by Portland, OR, writer David D. Levine, Tor Books;
  • Dreams of Distant Shores by North Bend, OR, writer Patricia McKillip, Tachyon;
  • Eocene Station by Victoria, BC, writer Dave Duncan, Five Rivers Publishing;
  • Lovecraft Country by Seattle, WA, writer Matt Ruff, Harper; and
  • Waypoint Kangaroo by Portland, OR, writer Curtis Chen, Thomas Dunne Books/St Martin’s Press

The Endeavour Award honors a distinguished science fiction or fantasy book, either a novel or a single-author collection, created by a writer living in the Pacific Northwest. All entries are read and scored by seven readers randomly selected from a panel of preliminary readers. The five highest scoring books then go to three final judges, who are all professional writers or editors from outside of the Pacific Northwest.

The judges for the 2017 Award are.

  • Ginjer Buchanan

In the early 1970s, Ginjer Buchanan moved from Pittsburgh, PA. to New York City where she made her living as a social worker, while doing freelance editorial work. In 1984, she took a job as an editor at Ace Books. She was promoted several times over the years and in 2007, became Editor-in-Chief, Ace/Roc Books. In April of 2014, she retired. She is now enjoying sleeping late, reading a lot, watching an inordinate amount of television, and polishing the Hugo she won at Loncon, for Best Editor–Long Form.

  • John R. Douglas

John R. Douglas was born in Toronto, Ontario, Canada. He moved to the United States and married fellow fan, Ginjer Buchanan in 1975. In 1978, he stumbled into a job in publishing and spent over twenty years working as an editor for four different major mass market publishers. Although he handled Science Fiction and Fantasy for all of them, he also edited mysteries, thrillers and other genre fiction and many kinds of non-fiction. He has been an editorial freelancer since late 1999 continuing to work with words in many different ways.

  • Andy Duncan

Andy Duncan’s stories have been honored with a Nebula Award, a Theodore Sturgeon Memorial Award, and three World Fantasy Awards. His third collection, An Agent of Utopia: New and Selected Stories, is upcoming from Small Beer Press. A native of Batesburg, S.C., and an alumnus of Clarion West 1994, he teaches writing at Frostburg State University in Maryland.

Award Eligibility for 2018: To be eligible for next year’s Endeavour Award the book — either a novel or a single-author collection of stories — must be either science fiction or fantasy. The majority of the book must have been written, and the book accepted for publication, while the author was living in the Pacific Northwest (Oregon, Washington, Idaho, Alaska, British Columbia, or the Yukon.)

The deadline to enter books published during 2017 is February 15, 2018. Full information on entering the Award is available on the Endeavour Web site. Click on Entry Form in the left-hand column for a fill-in PDF of the form.

The Endeavour Award is sponsored by Oregon Science Fiction Conventions, Inc. (OSFCI), a 501(c)(3) non-profit corporation.

[Thanks to Jim Fiscus for the story.]