Tag Archives: Holly Lyn Walrath

Pixel Scroll 2/19/25 The Weed Of Scroll Titles Bears Punny Fruit

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(1) ABOUT THE NEW COMICS AND POETRY NEBULA AWARDS. “SFWA Presents: Get to Know…Our New Comics and Poetry Nebula Awards” is a conversation with  SFWA’S Comics Committee lead Jessica Maison, and Holly Lyn Walrath, and Wendy Van Camp representing SFWA’s Poetry Committee.

In November 2024, SFWA announced the launch of two new Nebula Awards, one for speculative poetry and one for speculative comics. Eligibility for these awards began in January 2025, with the first awards for these new categories to be presented at the 2026 Nebula Awards Ceremony….

Let’s start with the big question:

Why a poetry award, and why a comics award? What traditions and recent trends in SFF are these new prizes celebrating?

Holly Lyn Walrath: I would say that there is a thriving sub-pocket of speculative poetry alive and well today. Similar to the larger SFF community, speculative poetry often does not get the recognition we might wish for in realist or “literary” circles, yet many authors who got their start in, say, an MFA end up publishing speculative poetry, and many realist/literary magazines publish speculative poetry. Speculative poetry is also a central part of the history of SFF. The earliest pulp magazines published poetry—for example, Weird Tales. There is a rich, unexplored past in speculative poetry that most writers are not familiar with, so it’s exciting to see a resurgence in the genre. 

Wendy Van Camp: ‌Genre poetry has come a long way. It used to be nearly invisible. As a poet, you’d often have to explain and defend the idea of writing poetry with science fiction or fantasy themes. Now, it has a place at major conventions worldwide. Like filk singers and genre artists, speculative poets have found a welcoming community. This poetry is not only for our fans, but traditional poets are noticing the growing opportunities. Paying markets, an award system for both books and single poems, and recognition as creators are all attractive. Literary poets realize there is a community for their ideas about technology, science, and concepts of the future.

Jessica Maison: Looking back to the first pulp magazines like Amazing Stories, a clear intersection between speculative fiction and comics emerges. Many of the pulps and comics were being published by the same larger publishers and even had some of the same heroes and stories overlap. What the pulps and comics share—besides the serial format—is that there was freedom to push boundaries and the limits of genre. That freedom has expanded tenfold in modern speculative comics, especially from its current independent creators and publishers. Whether a writer and illustrator are adapting and reinterpreting beloved characters from a favorite speculative novel like Frankenstein, or, on the flip side, a writer is adapting a story from a comic for the screen, comics weaves into traditional and emerging SFF industry in ways that push the boundaries of speculative fiction from within its structured panels. Honestly, I’m just excited to be part of it all and to introduce my favorites to as many people as possible.

(2) DETECTING ONE’S OWN BIASES. Herb Kauderer’s “Award Season: Show Me Your Bias” at SPECPO is an essay on speculative poetry awards that has application to many sff award voters.

… In recent times the Science Fiction & Fantasy Poetry Association (SFPA) has made some changes to their award processes to reduce inappropriate bias.  Notably, it is no longer legal for a member to nominate a work for the Rhysling if it is written by a close family member.  This certainly makes sense to me.  I have a large family that could easily flood nominations should they, or I, think that a good idea.  That would be an unfair advantage assuming they are biased toward my work.  At least, I hope they would be biased in favor of my work.  My family is always surprising.

Another point of discussion is whether members should share all their eligible poetry.  The SFPA facilitates members making their eligible poetry available to each other.  Since the membership nominates and votes on the awards, this does cause some preference to members.  Yet, in my experience members also recommend to each other poetry outside SFPA’s member packets, because we are happy to nominate and give awards to non-members’ poetry if it moves us.  F.J. Bergmann has convinced me to be generous in what I share in Rhysling packets even though some members feel flooded by them.  Yet I appreciate David C. Kopaska-Merkel’s caveat that I can exclude anything that I am uncomfortable seeing nominated.  I may not know what others find to be my best poems, but I definitely know what I’m comfortable allowing to represent my best work….

(3) HARLEY QUINN CO-CREATOR DEAN LOREY REVEALS WHY TO WATCH DC’S UNHINGED ANIMATED HIT. [Based on a press release.] JustWatch spoke to hit showrunner, producer, and writer Dean Lorey about his must watch list of movies and TV shows. Check out his take on different versions of Harley Quinn, James Gunn’s Creature Commandos and more.

Harley Quinn Co-Creator Dean Lorey Reveals Why to Watch DC’s Unhinged Animated Hit

Dean Lorey, Showrunner

Even though it’s a comedy, we write Harley Quinn like a drama, and we take the characters very seriously. We cry when they die, and we cheer them on when they do something funny. So the secret sauce of the show is that despite being a genuinely funny comedy, there’s a lot of character and tragedy behind it. We honor all of that, and to me, it’s the most defining thing about the show. It’s not how R-rated it is (although that’s obviously very important). It’s that we take the world seriously while also delivering on the raunchiness and absurdity it’s known for.

Harley Quinn Showrunner Dean Lorey Names His 3 Other Favorite On-Screen Harleys

  • Batman The Animated Series is where Harley Quinn was created, it’s where we first met her. And she just sort of explodes from the word Go! That planted the direction at the core of the character. She is chaotic and she enjoys it. I always loved that.
  • Margot Robbie‘s first appearance as Harley [in Suicide Squad] was transformative. I loved her take on it.
  • I loved Harley Quinn in the Arkham video game. There’s something about playing the character that makes you feel it a little bit more.

About Dean Lorey: Whether he’s writing, producing or showrunning, Dean Lorey is responsible for creating and developing some of your favorite tv shows and movies, from cult classics to smash hits. Starting his career writing screenplays for films like My Boyfriend’s Back and Jason Goes to Hell: The Final Friday, as well as comedies like Major Payne, Dean got arguably his biggest break writing on the landmark series Arrested Development. He’s since worked to bring some of the quirkiest comic book stories to life on projects like Powerless and iZombie. His recent notable accolades include co-creating breakout hits Harley Quinn (the animated series) and Kite-Man: Hell Yeah!, and showrunning James Gunn’s Creature Commandos.

(4) IMAGINING THE UNIVERSE. Michael Everett’s introduction to “National Geographic Picture Atlas of Our Universe” at Michael Whelan’s Substack newsletter begins:

Published in 1980, National Geographic Picture Atlas of Our Universe was among the most successful projects Michael has been involved with. He didn’t provide the cover—that was the stellar John Berkey—but Michael’s work on the interiors is still widely regarded today.

A massive initial print run of 670,000 copies pushed the first edition into stores everywhere where this coffee table book flourished for more than two decades in print. With revisions in 1986 and 1994, the book sold a staggering 2.5 million copies….

Then Whelan takes over —

What if…there really were creatures on other planets?

Our Universe was a fun assignment, and I’m glad so many people enjoyed the work I did for that project. Someone once asked what my favorite piece from the book was, and that’s hard to pin down. I will say that I had the most fun working on the silly alien creatures the editors came up with.

That section was written by the National Geographic editorial department. They asked me to illustrate their rather whimsical inventions, so I did these little paintings (about the size of my normal concept work) to accompany the text.

Among those, the Jupiter and Venus critters were probably my faves.

(5) SFCON ’54 ETC. Heritage Auctions has a Twelfth World Science Fiction Convention Poster and Frank R. Paul obituary clippings on the block. Here’s their description of the lot. (Its date range should be 1954-1963 since the Paul clipping shows that’s the year of his death.)

Twelfth World Science Fiction Convention Poster and Frank R. Paul Newspaper Article and Obituaries Group (Various Publishers, 1954-57). A very interesting lot for pulp collectors! Offered here is a 10″ x 14″ cardboard poster for the 12th World Science Fiction Convention in San Francisco, California. Held at the historic Sir Francis Drake Hotel on Union Square from September 3rd through 6th, 1954. Attendance was approximately 700, and among the first attendees was Philip K. Dick, with the Guest of Honor being John W. Campbell, Jr. The poster is printed in red and dark blue and is in Fine condition, with only very slight soiling and handling wear. Also included is an article about Frank R. Paul, “The Dean of Science Fiction Illustrators”, and several examples of his obituary from July of 1963. The newspaper clippings are in Very Good condition, with moderate tanning.
From the Roger Hill Collection.

(6) DON’T MISS OUT. First Fandom Experience “Announces the Supplement to Volume Three of The Visual History”.

Early fans wrote and published prolifically. In The Visual History of Science Fiction Fandom, we excerpt and distill their work to focus on the most important, interesting and entertaining material they created. Even so, each volume has filled over 500 pages. If you’ve carried one around, you know the meaning of the term “weighty tome.”

Still, we’re frustrated by the exclusion of the full versions of key fan artifacts that provide additional richness and context. This leads to today’s announcement:

The Supplement to The Visual History of Science Fiction Fandom, Volume Three: 1941 is now available. The Supplement includes 168 pages of material created by fans in 1941, with full narratives presented as originally published in seldom-seen fanzines.

Supplements for Volumes One and Two are forthcoming.

(7) WHY NOT SAY WHAT HAPPENED? Scott Edelman tells listeners to episode 19 of his Why Not Say What Happened? podcast “What Gerry Conway Wasn’t Allowed to Say About Gwen Stacy in F.O.O.M.”

While shredding another old notebook from my early comics career, I reminisce about the many wretched one-act plays I created while being taught by famed playwright Jack Gelber, the lie I told Marv Wolfman and Len Wein which got me hired at Marvel, the most wrongheaded conclusion Fredric Wertham reached in Seduction of the Innocent, my plot for an Inhumans strip starring Karnak which had no reason to exist, the most ridiculous method any writer ever conceived of for killing a vampire, what Gerry Conway said about Gwen Stacy which was censored out of his F.O.O.M. interview, the first words to reach readers about my Scarecrow character, and much more.

This link will show you where it can be found on a dozen other platforms.

(8) SOUNDS THAT NOBODY EVER HEARD BEFORE. “’We’re projecting into the future’: sounds of BBC Radiophonic Workshop made available for public use” reports the Guardian.

With its banks of bafflingly complex equipment, and staff members that were among the most progressive musical minds in the UK, the BBC Radiophonic Workshop was a laboratory of 20th-century sound that produced endless futuristic effects for use in TV and radio – most memorably, the ghostly wail of the Doctor Who theme.

Now, the Workshop’s considerable archive of equipment is being recreated in new software, allowing anyone to evoke the same array of analogue sound that its pioneering engineers once did….

… The Workshop may be best known for the Doctor Who theme, but it also created music and sound effects for other sci-fi shows such as Quatermass and the Pit, Blake’s 7 and The Hitchhiker’s Guide to the Galaxy. Other cornerstone BBC shows such as Blue Peter and Tomorrow’s World were also beneficiaries of the Workshop’s creativity.

The Workshop was originally created in 1958, tasked with adding an extra dimension to plays and other shows on Radio 3. Co-founders Daphne Oram and Desmond Briscoe were brilliant and high-minded, inspired by musique concrète – the style that asserted that raw, tape-recorded sound could be a kind of music. Before long a highly experimental, even fantastical means of composition was afoot, with lampshades being bashed to produce percussion, and long tape loops being carried along BBC corridors…

… The newly available software will cost £149, and is available from 19 February, though it will have an introductory price of £119 until 17 March.

(9) MEMORY LANE.

[Written by Cat Eldridge.]

February 19, 1960 – The Twlight Zone episode “Elegy”

The time is the day after tomorrow. The place: a far corner of the universe. A cast of characters: three men lost amongst the stars. Three men sharing the common urgency of all men lost. They’re looking for home. And in a moment, they’ll find home; not a home that is a place to be seen, but a strange unexplainable experience to be felt. — opening narration

On this date sixty-five years ago, Twilight Zone’s “Elegy” aired for this first time. It was the twentieth episode of the first season and was written by Charles Beaumont who you might recognize as the screenwriter of 7 Faces of Dr. Lao. Beaumont would die at just 38 of unknown causes that were assumed to be neurological in nature. 

The cast for this SF Twilight Zone episode was Cecil Kellaway as Jeremy Wickwire, Jeff Morrow as Kurt Meyers, Kevin Hagen as Captain James Webber and Don Dubbins as Peter Kirby. These are not the names in the short story it come from in that, the caretaker of the cemetery and the most logical crewman are named Mr. Greypoole and Mr. Friden respectively. In the Twilight Zone script, their names are Jeremy Wickwire and Professor Kurt Meyers.

This episode was based on Beaumont’s short story “Elegy” published in Science Fiction Quarterly, May 1954.  It’s available for Subterranean Press on their website as an epub in The Carnival and Other Stories for just $6.99. 

(10) COMICS SECTION.

(11) URSA MAJOR AWARDS NOMINATIONS OPEN. The public is invited to submit Ursa Major Awards nominations through February 28.

More formally known as the Annual Anthropomorphic Literature and Arts Award, the Ursa Major Award is presented annually for excellence in the furry arts.

(12) PULL TO PUBLI$H. NPR heralds “Three Harry Potter fan fiction authors set to publish novels this summer”.

Fan fiction — the creation of unsanctioned, unofficially published, new works usually based on popular novels or films — was intentionally never mainstream.

There are the legal issues — copyright laws, intellectual property laws — of drawing from someone else’s creation, for one. Fan fiction authors also have historically considered their online arenas (Archive of Our Own, Fanfiction.net and others) more of a sandbox, a place to play with new ideas using characters and worlds people already know and love.

Take, for example, fan works imagining Harry Potter and friends in their 8th year at Hogwarts. Or pairing Draco Malfoy and Hermione Granger romantically — dubbed “Dramione” fan fiction.

But this summer and early fall will see the wide publication of three books by popular Dramione Harry Potter fan fiction authors: Rose in Chains by Julie Soto, Alchemised by SenLinYu and The Irresistible Urge to Fall for Your Enemy by Brigitte Knightley.

Soto’s romantic fantasy is a reworked version of her fan fiction The Auction, centered on a heroine who is sold to the highest bidder. SenLinYu’s debut fantasy about a woman with memory loss in a war-torn world is a revision of her popular Manacled. Brigitte Knightley’s debut novel, an enemies to lovers tale, is an original work….

….Most fan fiction authors don’t worry too much about how much of their work plays off a published author’s book or film because they are writing for personal fun, not for profit. Some works do get noticed by publishers who solicit these stories and help their authors rework them to distance them from their original: It’s called pull to publish.

Pull to publish isn’t a new concept, but writers and publishers say it’s a growing area. The idea of moving from fan fiction to traditional publishing used to be a virtual nonstarter, but stigmas around fan fiction are lifting.

“I know a fan fiction writer who pulled to publish in the early 2000s and then denied they’d ever written fan fiction,” said Stacey Lantagne, a copyright lawyer focusing on fan works and professor at Western New England University School of Law. “That was not a cool thing to say, not a cool thing to admit … so if you went looking for it, you’d have a really hard time identifying those authors because they just didn’t ever connect those two parts of their background.”

Lantagne says it appears that more fan fiction is being pulled to publish than a few years back, based on what she’s seeing in her work and because more people are talking about it openly, though it’s tough to track data on this area of publishing….

(13) LOOSER. “ChatGPT can now write erotica as OpenAI eases up on AI paternalism” says ArsTechnica. So do you feel better, or worse?

On Wednesday, OpenAI published the latest version of its “Model Spec,” a set of guidelines detailing how ChatGPT should behave and respond to user requests. The document reveals a notable shift in OpenAI’s content policies, particularly around “sensitive” content like erotica and gore—allowing this type of content to be generated without warnings in “appropriate contexts.”

The change in policy has been in the works since May 2024, when the original Model Spec document first mentioned that OpenAI was exploring “whether we can responsibly provide the ability to generate NSFW content in age-appropriate contexts through the API and ChatGPT.”

ChatGPT’s guidelines now state that that “erotica or gore” may now be generated, but only under specific circumstances. “The assistant should not generate erotica, depictions of illegal or non-consensual sexual activities, or extreme gore, except in scientific, historical, news, creative or other contexts where sensitive content is appropriate,” OpenAI writes. “This includes depictions in text, audio (e.g., erotic or violent visceral noises), or visual content.”…

(14) I TAKE IT BACK. [Item by SF Concatenation’s Jonathan Cowie.] The top universities in the world for retracting science are overwhelmingly Chinese says Nature.  

A first-of-its-kind analysis by Nature reveals which institutions are retraction hotspots.

Though I’m always mindful of the former Astronomer Royal, Prof Sir Martin Rees saying better good SF than bad science…

[Thanks to Teddy Harvia, Mike Kennedy, Andrew Porter, Mark Roth-Whitworth, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, and Kathy Sullivan for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 8/22/22 This Is The Story Of A Scroll, Who Cried Tsundoku And Filed The Whole World

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(1) MUSIC OF THE GEARS. Yoon Ha Lee has composed and released a soundtrack for his Machineries of Empire books. Available on Bandcamp: “Banner the Deuce of Gears”.

A “soundtrack” for the Machineries of Empire space opera books! Includes themes for Jedao One, Jedao Two, Cheris, and the bonus song “Burn It Down with Math (feat. Liozh Dia)”!

(2) TWITTER TROLLS WINNING. Jason Sanford is reporting Twitter has banned Harry Turtledove and Patrick Tomlinson, two well-known sff authors. Thread starts here.

Patrick Tomlinson was banned while discussing threats sent to Oghenechovwe Donald Ekpeki.

Sanford concludes: “@TwitterSafety’s saying if someone threatens to kill you, that’s too bad and you can’t tweet about it at all.”

(3) OP-ED ABOUT GENCON’S MOVING PLANS. [Item by Martin Morse Wooster.] In the Washington Post, Indiana University law professor Timothy William Waters criticizes Gen Con’s decision to move the convention out of Indiana after 2024 because of the state’s restrictive abortion laws, noting that Gen Con is not a political space and “how our politics improved if the elves abandon Indiana to the orcs?” “We wanted to play Bunny Kingdom. Gen Con wanted to talk about abortion”.

… Despite its earlier threats, Gen Con said after the abortion legislation passed that the convention would return at least next year. But if organizers eventually flee, where would they go? The South and Midwest would be mostly off-limits. More likely, the convention would go into deep-blue exile, leaving behind the Indiana Convention Center — the same hall where I attended the 2019 National Rifle Association convention. Booths that sold 20-sided dice this month were selling Glocks then. The NRA is returning to Indianapolis in 2023. How are politics improved if the elves abandon Indiana to the orcs?

Politicizing companies makes sense when there’s a real link to the politics. Organizations naturally take positions on social questions that affect their operations. But activists drive truckloads of preferences through that pretext: In 2013, Indiana University opposed a state constitutional amendment barring same-sex marriage on grounds that went far beyond institutional concern. (Selectively: I’ve never seen a university object to laws antithetical to conservative faculty or students.)

Gen Con opposed that amendment, too, and now opposes the abortion law. Apart from saying the legislation would “have a direct impact on our team and our community,” Gen Con doesn’t pretend that’s a business decision — “hurt, angry, and frustrated,” it simply considers the law unjust.

Maybe it is, maybe not. I don’t know if Gen Con’s community agrees on abortion or anything else: The man playing Galaxy Trucker with us didn’t mention his voter registration.

But what about the women who support freedom of choice who might feel alarmed in “The Handmaid’s Tale” Indiana? It is Gen Con’s business to make them feel welcome — as it is the convention’s duty to make every attendee feel welcome, including gamers whose position on abortion Gen Con declared inhumane.

The answer is to make sure no one’s preferences dominate our shared space. Basic game design: Don’t fix the rules so only your side can play. Politicizing everything ignores that lesson….

(4) VERTLIEB INTERVIEW. B-Movie Cast devoted its501st episode to an interview with Steve Vertlieb. 

“The B-Movie Cast is back from a brief hiatus following our 500th episode! This show is a bit different from most as instead of featuring a film, Mary, Nic, and Mark Mawston are joined by Steve Vertlieb!

Steve is one of America’s leading film archivists and historians who is a true living link between the golden age of Hollywood and today! A cinema journalist and film music educator Steve is a bit different from some film historians. Many of them collect film memorabilia, Steve, collects friendships, memories and stories!

Join us as we talk with Steve about some of his most memorable friends among many of Hollywood’s greatest directors, producers, actors, special effects masters and music composers! Steve is a true wealth of knowledge and we’re very lucky to have him on the show as we talk about everything from Ray Bradbury’s 16mm camera troubles to Ray Harryhausen and more!”

(5) CHICON 8 PRESS REGISTRATION. Isn’t it NICE that journalists can just go onto the Chicon 8 website and just sign up so easily? 

Hello and Greetings from the Chicon 8 Press Office

The Chicon 8 Press Registration Page is now open and ready to receive your request for either a Press Pass or Press Credentials at this link:

https://chicon.org/home/about-worldcon/press-and-media/press-accreditation/

Our Attending Press Policy and Guidelines for Press Passes and Press Credentials can be found here:

Attending Press Policy

The Chicon 8 Press Office will be located close to main registration, along with a bookable interview room.

…We anticipate that holders of Press Passes will be able to collect their badge, giving access to the convention, directly from the Press Office, to avoid the need to queue at main registration. If you are being granted Press Credentials, you will need to collect your badge from main registration first. You can then come to the Press Office at your convenience to check in and pick up your Press Ribbon.

In line with the Press Policy, we have a strong line on consent in general, and for photography in particular, and would appreciate your understanding on this. Attending Press are also asked to familiarize themselves with our Code of Conduct: (https://chicon.org/home/for-members/code-of-conduct/) and our Covid Policy (https://chicon.org/home/for-members/covid-policy/). In accepting our offer of a Press Pass or Press Credentials, you are committing to abide by these policies.

(6) US IN FLUX. Read ASU’s Center for Science and the Imagination’s Us In Flux story “Sympathy” by Suyi Davies Okungbowa about the politics and economics of childcare, the contested science of child development, and our hopes and anxieties about the role of robotics in our lives, then see the related Zoom discussion:

Us in Flux is a series of short stories and virtual gatherings that explore how we might reimagine and reorganize our communities in the face of transformative change.

Join us for a conversation with author Suyi Davies Okungbowa and Lance Gharavi, professor of film, dance, and theatre and affiliate faculty at the Center for Human, Artificial Intelligence, and Robot Teaming at Arizona State University. They’ll discuss “Sympathy,” Suyi’s story about robotics, the politics and economics of childcare, and the complexities of early childhood development.

The webinar takes place August 25, 2022 at 11:00 a.m. Pacific. Register at the link: Suyi Davies Okungbowa & Lance Gharavi: “Sympathy”.

(7) TRANSPARENT PROCESS. Interstellar Flight Magazine’s Holly Lyn Walrath discusses their “Acquisitions from the 2021 Short Story Collections Call”, which were chosen with the help of guest editor Oghenechovwe Donald Ekpeki. They’ll be publishing five of the submissions.

Interstellar Flight Press is pleased to announce that we have finished reviewing all submissions from our 2021 short story collection call. As the managing editor, I would like to thank all the amazing authors who submitted to this call. We were blown away by the quality of work out there. Suffice it to say, we wish there were more presses publishing short story collections, as there are SO MANY great books out there waiting to find a home. It was lovely to see how many wonderful writers are excelling in the field of short SFF fiction.

Great thanks is owed to our guest editor for this call, Oghenechovwe Donald Ekpeki, who helped select the final books. Oghenechovwe is a talented writer and editor, and I remain humbled by the amazing writers who have served as guest editors. This position is so important and helps us select books from unique perspectives….

(8) MEDIA BIRTHDAY.  

2005 – [By Cat Eldridge.] On this day in the United Kingdom, the oddest thing happened: a film sequel to a failed television series premiered. Serenity, the sequel to the short-lived (but much beloved by a small group of rather fanatical fans) Firefly science fiction series, saw its debut. 

Now I don’t know how well the Firefly series did in the United Kingdom but I do know well how it did in States. By mid-December, it was averaging 4.7 million viewers per episode and was 98th in Nielsen ratings. Ouch. Now admittedly its eleven (of fourteen produced) episodes were shown out of order, so that didn’t help, did it?

Now DVD sales following its cancellation were particularly strong and the Browncoats, its fans, mounted a campaign that surprisingly convinced the film studio to produce Serenity. Odds are better than even that those responsible for that decision aren’t there anymore.

Ok, I’m not going to talk about it on the infinitely small chance that some of you have not seen this film. (Ha!) All I’m interested in here is how it did and that is quite simple. Though y’all loved it and gave it a Hugo at L.A. Con IV, and it also got a Nebula for Best Script, it did not do well at the box office. It cost forty million to produce and made, errr, forty million. 

Browncoats  quickly spread the rumor that a third film was already being planned but Whedon squashed that idea noting that he was contracted to other productions. 

Serenity is a ninety-one percent rating at Rotten Tomatoes, and the series has a near perfect ninety seven percent rating. 

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 22, 1907 — Oliver McGowan. He played The Caretaker in the “Shore Leave” episode of the original Trek which I just rewatched recently and it holds up much better than I thought it would. McGowan has one-offs on One Step Beyond, Wild Wild West, I Dream of Jeannie, The Twilight Zone and Bewitched. (Died 1971.)
  • Born August 22, 1909 — Paul W. Fairman. His story “No Teeth for the Tiger” was published in the February 1950 issue of Amazing Stories. Two years later, he was the founding editor of If, but he edited only four issues. (Anyone know why?) In 1955, he became the editor of Amazing Stories and Fantastic which he would hold onto for three years. There are several films, Target Earth and Invasion of the Saucer Men, based on his stories, plus some TV episodes as well. (Died 1977.)
  • Born August 22, 1920 — Ray Bradbury. Seriously where do I start? He wrote some of the most wonderful stories that I’ve ever ever read, genre or not, many of which got turned into quite superb video tales on the Ray Bradbury Theater. As for novels, my absolute favorite will always be Something This Way Wicked Comes. (I’m ambivalent on the film version.) And yes I know it isn’t really a novel but The Illustrated Man I treat as such and I loved the film that came out of it with Rod Steiger in that role. Let’s not forget The Martian Chronicles. (Died 2012.)
  • Born August 22, 1925 — Honor Blackman. Best known for the roles of Cathy Gale in The Avengers, Bond girl Pussy Galore in Goldfinger and Hera in Jason and the Argonauts. She was also Professor Lasky in “Terror of the Vervoids” in the Sixth Doctor’s “The Trial of a Time Lord”. (Died 2020.)
  • Born August 22, 1948 — Susan Wood. She received three Hugo Awards for Best Fan Writer in 1974, 1977, and 1981, and a Best Fanzine Hugo as coeditor of Energumen in 1973. In 1976 she was instrumental in organizing one of the most impactful feminist panels at a con, at MidAmericon. The reaction to it contributed to the founding of WisCon. While teaching courses in SF at UBC, one of her students was William Gibson. “Fragments of a Hologram Rose” which is his first published story was written as an assignment in her SF class. (Died 1980.)
  • Born August 22, 1955 — Will Shetterly, 67. Of his novels, I strongly recommend his two Borderland novels, Elsewhere and Nevernever, and Dogland. (Emma’s Finder novel, another Borderland novel is also recommended.) He is married to Emma Bull, they did a trailer for her War for The Oaks novel which is worth seeing. They’re on the chocolate list of course. 
  • Born August 22, 1959 — Mark Williams, 63. He was Arthur Weasley in seven of the Potter films. He also played Brian Williams in the BBC series Doctor Who, appearing with the Eleventh Doctor in “The Power of Three” and “Dinosaurs on a Spaceship”. He was also Olaf Petersen on Red Dwarf. His first genre role was as Fearnot’s Brother in the “Fearnot” episode of Jim Henson’s The Storyteller. 
  • Born August 22, 1963 — Tori Amos, 59. One of Gaiman’s favorite musicians, so it’s appropriate that she penned two essays, the afterword to “Death” in Sandman: Book of Dreams) and the Introduction to “Death” in The High Cost of Living. Although created before they ever met, Delirium from The Sandman is based on her. I wonder if she’ll be in the Sandman series?

(10) BRADBURY BIRTHDAY. As John King Tarpinian does on Ray Bradbury’s birthday these days, he went and left a little gift at Bradbury’s grave.

I had a lovely visit today. Gifted Ray a Chicago made coin-changer, which he used on his only real job selling newspapers. Left him a little guardian angel, too. As I have done in the past, I gave the cake to the cemetery staff.

(11) COMICS SECTION.

(12) FROM SLASH TO STEM. [Item by Martin Morse Wooster.] In the Washington Post, Stephanie Merry profiles a romance writer who uses the pseudonym “Ali Hazelwood” and whose day job is as a neuroscientist.  Hazelwood got her start writing slash fiction about Spock (Leonard Nimoy, not Zachary Quinto) and went on to write Kylo Ren/Rey fiction until an agent discovered her and convinced her to write non-genre fiction. Now she writes “STEMinist” novels in which women fall in love with “broody, emotionless science men.” “Ali Hazelwood talks ‘Love Hypothesis,’ ‘Love on the Brain’”.

… And now here she is, less than a year after her debut became a bestseller and days from releasing her second novel, “Love on the Brain.” Both are about female scientists who fall for, well, broody, emotionless science men. Hazelwood also published three novellas this year. (“I should be doing research,” she says, “but I’m doing this other thing.”)

Hazelwood’s novels fall into the growing genre of “STEMinist” fiction that also includes recent feel-good bestsellers “Lessons in Chemistry,” by Bonnie Garmus, and “The Soulmate Equation,” by Christina Lauren. “Love on the Brain” revolves around two scientists, Bee Königswasser and Levi Ward, who areworking on a NASA project to create a helmet that uses transcranial magnetic stimulation to reduce an astronaut’s “attentional blinks,” which, as Bee describes it, are “those little lapses in awareness that are unavoidable when many things happen at once.”…

(13) WHODUNNIT? Here’s a bizarre opportunity. If you’re going to be in the vicinity of the Mark Twain House in Hartford, CT on August 26, you can go on the “GET A CLUE Interactive Murder-Mystery Tour with Sea Tea Improv.” Register here.

Friday, August 26 starting at 7pm: GET A CLUE Interactive Murder-Mystery Tour with Sea Tea Improv

Who killed Pap Finn?? Was it Tom Sawyer in the Billiard Room with the wrench? Queen Guinevere in the Conservatory with rope? The Prince (or was it the Pauper??) in the Library with the revolver. We need YOU to solve this mystery on our hilarious, interactive GET A CLUE TOUR of The Mark Twain House! With Twain’s most famous characters as suspects, portrayed by comedians from Sea Tea Improv, this larger than life version of the classic game is a fun chance for you to play detective.

(14) PHYSICS AND SF IDEAS. The Ad Astra Center for Science Fiction & the Speculative Imagination at the University of Kansas presents “The Higgs Boson In This Particular Universe” with Phil Baringer, Professor Emeritus KU Physics and Astronomy, on Wednesday, August 31 at 6:30 p.m. Central at the Lawrence (KS) Public Library.

What science-fiction ideas does this inspire? Award-winning SF author, educator, and Ad Astra Center director Chris McKitterick leads a Q&A and idea-generation session with Dr. Baringer to help attendees imagine possibilities and launch your own stories.

There will be a recorded livestream of the talk on their YouTube channel. Subscribe now so you don’t miss it.

(15) WHERE DO THEY ALL COME FROM. “Machine learning locates meteorite source on Mars” in Nature.

This unusually multicoloured view of Mars shows the distribution of 90 million impact craters across the planet’s surface, mapped by researchers using a machine-learning algorithm trained on data from previous Mars missions. The colours represent the size, age and density of the craters: for example, blue areas depict the largest and youngest ones.

Scientists made the map while investigating the origin of a meteorite called Black Beauty, which was found in the Sahara Desert in 2011. The lump of rock was thrown out into space when an asteroid struck Mars at least 5 million years ago. The team used the algorithm to narrow down the possibilities, and eventually worked out the exact location of this impact (A. Lagain et al. Nature Commun. 13, 3782; 2022). The researchers suggest that the 10-kilometre-wide crater — named Karratha — could be the focus of a future Mars mission.

[Thanks to Cat Eldridge, Mike Kennedy, Nancy Sauer, Joey Eschrich, Anne Marble, Daniel Dern, SF Concatenation’s Jonathan Cowie, Martin Morse Wooster, JJ, John King Tarpinian, Andrew Porter, Chris Barkley, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Soon Lee.]

2019 Elgin Awards

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The Science Fiction & Fantasy Poetry Association (SFPA) has announced the winners of the 2019 Elgin Awards for best collections of speculative poetry published in the previous two years. Named after SFPA founder Suzette Haden Elgin, awards are given in two categories: best chapbook and best full-length book.

2019 Elgin Award Results

Full-Length Book Category

Winner: War • Marge Simon & Alessandro Manzetti (Crystal Lake Publishing, 2018)

Second Place: Artifacts • Bruce Boston (Independent Legions, 2018)

Third Place: Witch Wife • Kiki Petrosino (Sarabande Books, 2017)

Chapbook Category

Winner: Glimmerglass Girl • Holly Lyn Walrath (Finishing Line Press, 2018)

Second Place: Built to Serve • G. O. Clark (Alban Lake, 2017)

Third Place: Every Girl Becomes the Wolf • Laura Madeline Wiseman & Andrea Blythe (Finishing Line Press, 2018)

This year’s Elgin Awards had 10 nominees in the chapbook category and 26 nominees in the full-length category.

The Science Fiction and Fantasy Poetry Association was established in 1978 and has an international membership. The 2019 Elgin Chair is Charles Christian, who also has served on the UK Society of Authors’ Poetry & Spoken Word Group committee, is on the British Haiku Society management committee, and for two years was a judge for the Arthur C. Clarke Award for best science fiction novel.Worlds: The 12 Rules.

[Via Locus Online.]

Pixel Scroll 4/22/18 The Inevitable Filer Recursion: A Meteorologist In Florida Named “Pixel Scroll”

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(1) GONE OVERBOARD. Polling geek site FiveThirtyEight analyzes BoardGameGeek’s top rating for Gloomhaven: “Players Have Crowned A New Best Board Game — And It May Be Tough To Topple”.

…A new game now tops those rankings: It’s called Gloomhaven, and it’s the current BoardGameGeek No. 1, having taken over the top spot this past winter. The game has won scads of awards, including more than a handful of Golden Geeks and a Scelto dai Goblin — the goblins’ choice. Its place atop the BoardGameGeek list cements its status as a flagship of the current golden age….

In Gloomhaven (which retails for $215), “players will take on the role of a wandering mercenary with their own special set of skills and their own reasons for traveling to this remote corner of the world. Players must work together out of necessity to clear out menacing dungeons and forgotten ruins.” The game’s website likens it to a “Choose Your Own Adventure” novel. Just don’t forget your swords or spells. Childres attributes his game’s success, at least among the hardcore denizens of BoardGameGeek, to the way it improves on the appeal of the roleplaying of Dungeons & Dragons, in which crawling dungeons can become rote. In Gloomhaven, you have special abilities that you can use over and over, and once you use them, you can watch them make cool stuff happen. It’s heavy on the fun stuff, rather than the grind of repetitious orc slaying, and as the BoardGameGeek leaderboard shows, gamers are appreciative.

(2) ACHIEVEMENT UNLOCKED. ConStellation 9 in Lincoln, Nebraska says funds raised this weekend put John Picacio’s Mexicanx Initiative over the top.

(3) DPP DELAYED. The German SFF event Phantastika 2018 has been cancelled, and taken with it this year’s Deutscher Phantastik Preis ceremony. Event organizer Mike Hillenbrand told an interviewer the award will still be given, at a time to be determined:

MH: …The DPP will be back this year, and we hope to get a grant as well. The joke is that we already had a name sponsor and several category sponsors for the award ceremony, and last year we had well over 600 guests at the ceremony – and I think the DPP is too important to call it off. How, where and if there will be a ceremony, but of course we have to discuss with the editors of phantastik-news.de and then someone will make known. Soon. 🙂

English version via Google Translate.

(4) BID ‘EM UP. Nate D. Sanders Auctions is taking bids on this item til 5 p.m. April 26: “Stephen Hawking Signed Book From 1973 — One of the Scarcest of Signatures”.

Stephen Hawking book signed from 1973, shortly before Hawking was not able to write his name due to ALS. Hawking signed this book, ”The Archaeology of the Industrial Revolution”, along with several other members of the Institute of Theoretical Astronomy at Cambridge University, on the occasion of an employee leaving his job as a computer operator. Hawking signs the half-title page, ”Stephen Hawking”, in stilted, but legible writing, below the signatures of other faculty members and below the gift inscription, ”With gratitude and best wishes from the friends of the IOA computer staff.”

It was at the Institute of Theoretical Astronomy at Cambridge where Hawking, as a research scientist, made some of his earliest scientific breakthroughs regarding black holes and quantum mechanics. Also in 1973, he published his important first book, ”The Large Scale Structure of Space-Time” which is now considered a classic and has been printed many times over. It was also at this time that ALS was overtaking Hawkings physically, and he would be confined to a wheelchair by 1975.

(5) BLACK PANTHER IN CHINA. Carl Slaughter says: “In this man on the street survey, Chinese people really open up about the Black Panther movie.  Easy to read subtitles with grammatically correct translation is a major bonus.” The takes are of varying sophistication.

(6) NO BUCKS, NO BUCK ROGERS. The Verge’s space reporter Loren Grush has written a story about commercial spaceflight — with emphasis on commercial: “Product launch: a trip to the Taco Bell Space Station”. It’s satire, but is it so far from Delos Harriman’s efforts?

Over my headset, I hear the flight controller counting down on the launch live stream.

“T-minus five minutes to liftoff.”

I don’t think my heart has ever pounded this hard. I’m strapped into a seat inside one of SpaceX’s SpriteDragon™ capsules, sitting on top of a Pepsi™ Falcon 9 rocket. And I’m just 300 seconds away from my first trip to space. With every second that ticks away, my nerves send an electric shock throughout my body. I’ve never been more exhilarated or more petrified….

(7) TODAY IN HISTORY

  • April 22, 1953 — Invaders from Mars was released.

(8) GOTTESMAN OBIT. Star Trek fan Regina Gottesman (1948-2018) died April 17 reports Fanlore. A fanwriter and fanzine publisher, in 1982, she was nominated for a FanQaward. In a bio written at that time Gottesman said about herself:

She was involved with the New York STAR TREK conventions (The Committee Cons) from their inception, has worked on Lunacons (this year she edited the Program Book), and has attended many cons, both media and sf. TIME WARP was her first “official” ‘zine experience’, and, although no longer associated with TIME WARP (as of issue #6), she now co-edits COMLINK The STAR WARS and Media Letterzine, and has started her own’ zine, ERRANTRY….

(9) WINDOW ON GREEN TOWN. Atlas Obscura would like to show you around “Ray Bradbury’s Waukegan”.

Spend an afternoon visiting Bradbury’s greatest muse—the town now known as Green Town.

Ray Bradbury is a towering legend in the world of science fiction and horror, a man among the greats of American literature. Whether his stories were set in futuristic dystopias, nightmarish carnivals, or abandoned Martian cities, in Bradbury’s mind they all happened in Green Town—the pseudonym he gave to Waukegan, Illinois— his hometown.

Come see Waukegan, Illinois, through the eyes of Ray Bradbury with the Atlas Obscura Society Chicago. You’ll get a peek into the mind of the author as we are guided to places that toe the line between his life and his fiction. Walk the streets that both Ray and his characters walked, while seeing the places that molded the mind of one of the most creative authors of the last century.

(10) MOMENTUM. John Seavey’s Storytelling Engines: How Writers Keep Superhero Sagas Going and Going! comes out May 16. Here’s what readers will learn:

Every continuing series has an engine…

This engine is a collection of ideas, characters, and settings that help writers to generate good stories. STORYTELLING ENGINES examines comics from Fantastic Four and Superman to Spider-Woman and Dial H for H-E-R-O to find out which parts of that engine make a series easier to write, and which parts make a writer’s life miserable!

  • Why did Alfred the Butler have to die?
  • How did the Comics Code create Eclipso?
  • What do Aquaman and Thor have in common?
  • How does Conan the Barbarian resemble Mystery Science Theater 3000?

Find the answers to these questions and many more in STORYTELLING ENGINES!

(11) POETRY JUDGE. The Science Fiction and Fantasy Poetry Association has named John W. Sexton as the judge of its 2018 Speculative Poetry Contest. The contest opens June 1st. More details can be found here.

John W. Sexton was born in 1958 and lives in the Republic of Ireland. He is the author of six poetry collections, the most recent being the imminent Futures Pass, from Salmon Poetry. His earlier collections include Vortex (2005), Petit Mal (2009) and The Offspring of the Moon(2013). He also created and wrote The Ivory Tower for RTÉ Radio, which ran to over one hundred half-hour episodes from 1999 to 2002. Two novels based on the characters from this series have been published by the O’Brien Press: The Johnny Coffin Diaries and Johnny Coffin School-Dazed, which have been translated into both Italian and Serbian. Under the ironic pseudonym of Sex W. Johnston he has recorded an album with legendary Stranglers frontman Hugh Cornwell, entitled Sons of Shiva,which has been released on Track Records. He is a past nominee for The Hennessy Literary Award and his poem “The Green Owl” won the Listowel Poetry Prize 2007. Also in 2007 he was awarded a Patrick and Katherine Kavanagh Fellowship in Poetry. (Photo of John W. Sexton courtesy of Niall Hartnett.)

The contest chair is Holly Lyn Walrath:

The SFPA is honored to have Holly Lyn Walrath as our 2018 contest chair to coordinate this process. She is a writer of poetry and short fiction. Her work has appeared in Strange Horizons, Fireside Fiction, Liminality, Eye to the Telescope, and elsewhere. She is a freelance editor and volunteer with Writespace literary center in Houston, Texas. Find her on Twitter @HollyLynWalrath or at hlwalrath.com.

(12) DEADPOOL SCOOPS. ScreenRant guides you to “25 Deadpool Easter Eggs And Secrets Only True Fans Noticed.”

(13) WIN BY A HEAD. NPR’s Jason Sheehan likes the new Scalzi: “In ‘Head On,’ Killer Robots, Dogged Gumshoes … And A Very Important Cat”.

I love that the entire plot of John Scalzi’s newest novel, Head On, hinges on a cat.

I mean, it’s such a stupid idea. It’s a gimmick that’s been played straight, played crooked, played backwards and forwards in so many stories that there’s just no trope-life left in it. Cat as McGuffin. Cat as material witness. Cat as embodiment of damsels in distress. It’s the literary equivalent of Scooby Doo and the gang pulling the rubber mask off old Mr. McGillicutty the groundskeeper because he was the pirate ghost all along.

And I love that Scalzi did it anyway. Mostly because he found a new way to use it (in addition to all the old ways in which he absolutely uses Donut the cat) which, in conforming so literally to the defining nature of science fiction, somehow makes it seem new and fresh. The #1 thing that defines science fiction — that separates I, Robot from War and Peace — is that technology (no matter what it is) must play a pivotal role in the development of the plot. Read: It ain’t enough just to have spaceships, the spaceships have to matter, get it?

(14) THAT OTHER FIRST LADY. Dear to many fannish hearts: “The master blender who is Scotch whisky’s First Lady”.

Rachel Barrie is one of the few women ever to hold the title of Scotch whisky master blender.

In her 26-year career, Rachel has sniffed or sipped 150,000 different whiskies.

She is a trailblazer in what was traditionally a male-dominated industry, having held the coveted title since 2003.

As arguably the most prominent woman in her field, Rachel can reasonably be described at the First Lady of Scotch whisky.

(15) FIAT LUX. The BBC considers the question: “Is ‘bisexual lighting’ a new cinematic phenomenon?”

The under-representation of bisexuality on screen has been debated for a number of years, and some have seized on bisexual lighting as an empowering visual device.

Reflecting this, the Pantone Color Institute named Ultra Violet as its colour of the year for 2018, referencing the influence of “Prince, David Bowie, and Jimi Hendrix”.

But is it really a tool to represent bisexuality, or are people reading too much into neon-tinged stylisation?

(16) THIRD ROBOT THEME. “Europe’s Mars rover takes shape” — it can wheel-walk out of sand traps that ended Spirit. They’re building three: one to stress-test, one to send, and one to test fixes on. Chip Hitchcock asks, “Wonder if anyone’s hoping it will be used for signaling as in The Martian)?”

So, here it is. Europe’s Mars rover. Or rather, a copy of it.

This is what they call the Structural Thermal Model, or STM. It is one of three rovers that will be built as part of the European Space Agency’s ExoMars 2020 mission to search for life on the Red Planet. And, no, we’re not sending all three to the Red Planet.

The STM is used to prove the design. It will go through a tough testing regime to check the rover that does launch to Mars – the “flight model” – will be able to cope with whatever is thrown at it.

What’s the third robot for? It stays on Earth and is used to troubleshoot any problems. If mission control needs to re-write a piece of software to overcome some glitch on the flight rover, the patch will be trialled first on the “engineering model” before being sent up to the Red Planet.

(17) TO BOLDLY MEDDLE. This is funny. See the image at the link. (Because it might not be polite of me to gank an image belonging to a Deviant Art artist. I’m not sure.)

A repaint of the Galileo shuttle as the Mystery Machine. Now comes the question of what those Meddling Kids would be in the Trekverse.  Velma, of course, would be a Vulcan but I’m not sure as to what the rest would be.  Any ideas?

[Thanks to Martin Morse Wooster, Carl Slaughter, JJ, John King Tarpinian, Cat Eldridge, Chip Hitchcock, Andrew Porter, Andrew Liptak, and Mike Kennedy for some of these stories. Title credit goes to File 770 contributing editor of the day JJ.]