25 Hail Pixels, We Who Are About To File Salute You

Posted on March 6, 2025 by Mike Glyer

(1) BRADBURY IN THE WAUKEGAN MUSEUM. The Chicago Tribune is there as “Visitors get sneak peek at newly restored Waukegan History Museum”.

Walking into the almost fully restored, more than century-old, one-time Waukegan Public Library — that is now the Waukegan History Museum at the Carnegie — visitors can take a step back in time….

…Lori Nerheim, the historical society’s president, said part of the intent of the $15 million restoration was to give visitors a feel for the experience a young Ray Bradbury had when he spent hours there as a boy reading and nurturing the imagination which led the famed author to the writing of his books.

“We wanted to bring it back to its original look and feel,” she said of the museum operated jointly by the historical society and the Waukegan Park District. “I feel tremendous pride. I am excited to see people’s reaction.”

… To enter the building, visitors ascend a few steps before entering the door where they see a staircase on either side leading to two floors of permanent exhibits, and before them some steps going to the top, main floor containing a permanent exhibit honoring Bradbury as well as a room for research.

Before the building closed as the library in 1965, the room containing the Bradbury exhibit was the children’s reading room. He spent hours there in the 1920s and 1930s reading and developing his thirst for books. Nerheim said she hopes the environment will inspire future authors.

“I can see children today sitting in that room where Ray Bradbury sat as a child and reading books he read,” she said. “Perhaps they will be inspired to write or tell their own stories.”

Filling the bookcases in the Bradbury room are the author’s private collection of thousands of volumes he willed to the Waukegan Public Library when he died in 2012…..

(2) FAMOUS BOOKSTORE MAY REOPEN ‘NEXT WEEK’. Mysterious Galaxy bookstore in San Diego is in the process of repairing flood damage sustained in late February. On Monday their latest newsletter gave a progress report: “Flooded! Curbside Pickup Is Available!”

First, thank you to all of the customers, authors, publishers, and other community members that have reached out to offer their support in the last week. The outpouring of support has been incredibly heartwarming and has helped us get through the uncertainty of the last week. We also want to extend a special thank you to our fellow independent bookstores who have offered support including opening their spaces for last minute event venues. This is truly a special book community and one we are so happy to be a part of.

We wanted to reach out with an update on the store and forecast of what’s to come. As this situation is continually evolving, there may be additional changes, but we promise to communicate as much as possible.

The good news:
No inventory was damaged in the flooding. THE BOOKS ARE OK! The vinyl flooring is also intact and does not need to be removed.

The bad news:
The carpet in the children’s section was flooded and is being replaced. Additionally, they found some significant water damage in the walls on the west side of the unit as well as in the wall behind the YA section separating the front area of the store from the back room. The drywall needs to be replaced. There was also damage to the fixtures.

What does this mean?:
Mysterious Galaxy is currently closed to in-store shopping and events. If you purchased a ticket to an upcoming event, please keep a lookout for an email with more information. However, the demo has already begun and we are hoping to reopen to browsing by early next week! (*knocks on wood*)
The construction is such that it is not safe to have customers browsing at this time. However, fortunately (or unfortunately) for us, we are not strangers to running a closed bookstore, and we are ready to work through the challenges that are sure to arise in the coming weeks.

(3) SUIT AGAINST N.E.A. OVER EXECUTIVE ORDER. “Theaters Sue the N.E.A. Over Trump’s ‘Gender Ideology’ Order” – the New York Times explains the litigation. (Story is behind a paywall.)

Several arts organizations sued the National Endowment for the Arts on Thursday, challenging its new requirement that grant applicants agree to comply with President Trump’s executive orders by promising not to promote “gender ideology.”

The groups that filed the suit have made or supported art about transgender and nonbinary people, and have received N.E.A. funding in the past. They say the new requirement unconstitutionally threatens their eligibility for future grants.

“Because they seek to affirm transgender and nonbinary identities and experiences in the projects for which they seek funding, plaintiffs are effectively barred by the ‘gender ideology’ certification and prohibition from receiving N.E.A. grants on artistic merit and excellence grounds,” the lawsuit says.

The groups are being represented in the litigation by the American Civil Liberties Union, which said in the lawsuit that the N.E.A. rule “has sowed chaos in the funding of arts projects across the United States.” After Mr. Trump began his second term, the N.E.A. said it would require grant applicants to agree “that federal funds shall not be used to promote gender ideology,” which Mr. Trump said in an executive order includes “the false claim that males can identify as and thus become women and vice versa.”

The N.E.A. did not immediately respond to a request for comment.

The suit was filed in a federal court in Rhode Island on behalf of Rhode Island Latino Arts, which promotes art made by Latinos; the Theater Offensive, an organization in Boston that presents work “by, for and about queer and trans people of color”; and National Queer Theater, a New York company best known for its Criminal Queerness Festival, which presents the work of international artists with roots in countries where their sexuality is criminalized or censored.

(4) NERO GOLD PRIZE. The ultimate Nero accolade and £30,000 prize went to a non-genre (and nonfiction) book, Maurice and Maralyn: An Extraordinary True Story of Shipwreck, Survival and Love. “Maurice And Maralyn By Sophie Elmhirst Announced As Winner Of 2024 Nero Gold Prize Book Of The Year”.

(5) TOLKIEN WAS PEEVED. [Item by Steven French.] I am not sure that Tolkien’s loathing of sloppiness and love of language is quite the exclusive that the Guardian thinks it is! “’Reduced to nonsense’: JRR Tolkien’s irritation with typist revealed in archive”.

JRR Tolkien was so irritated by a careless typist’s slapdash work on one of his manuscripts that he vented his frustration in a letter that has come to light.

The Lord of the Rings author said in despair: “She reduced [my manuscript] to nonsense. I have some sympathy with the typist faced with such unfamiliar matter; though evidently she wasn’t paying much attention.”

He mocked her confusion of “poche for poetic, highballs(!) for high halls, and arias for cries”.

The letter is within a collection of largely unpublished correspondence that reflects Tolkien’s loathing of sloppiness and love of language.

It is part of an archive that includes the last major Tolkien manuscript in private hands, The Road Goes Ever On, his collaboration with the composer Donald Swann of the musical comedy duo Flanders and Swann….

(6) WELCOME TO EARTH. Gizmodo invites us to “Watch 5 Mysterious Clips From Alien: Earth’s Crashed Ship” – a series of teasers from the upcoming FX series.

…What’s about to happen is the debut of Alien: Earth, FX’s upcoming show set years before any of the Alien films. It follows a team of soldiers who investigate a ship that has crashed on Earth and are forced to deal with what it contains. We assume, of course, that it contains something that will eventually create an alien, but what exactly? …

…So here you get to see the cat get the camera put on him and walk around a bit. The key takeaway is the end where we see a computer—much like Mother in the first Alien—with a very similar “Priority One” message: “Acquisition and safe return of all organisms for analysis. All other considerations secondary.” So, this ship was sent out to find something. And find something, it did….

…We see one of the crew members in hypersleep when something goes wrong. A fire. Is this the incident that started the crash back to Earth? What caused the fire? We don’t know.

All of this is a very cool way to tease the show and it’s culminating later this week in Austin, Texas. That’s where FX has recreated the crash site of the Maginot for fans to check out at SXSW. Learn more about that here.…

(7) THE RIGHT WAY, THE WRONG WAY, AND THE JANEWAY. According to Inverse, “A Much-Demanded Star Trek Spinoff Just Got A Hopeful Update”.

…We’re talking about the possibility of Star Trek: Janeway, a series focused on the return of Kate Mulgrew as Admiral Kathryn Janeway, set sometime after the events of Prodigy and perhaps, after the events of Picard Season 3. Speaking to a crowd of fans during the official Star Trek Cruise, Mulgrew answered a question about the possibility of a Janeway-focused spinoff TV series, or, failing that, her returning to the franchise in any capacity.

“There is a conversation happening,” Mulgrew said, according to WhatCulture. “It is being pursued.”

Mulgrew has long been vocal about galvanizing fans, which partially resulted in Star Trek: Prodigy Season 2 ending up on Netflix. But in terms of any new Star Trek series focusing on the post-Voyager era, nothing on the current Paramount+ slate fits that description. Strange New Worlds will run for at least two more seasons, and Starfleet Academy is expected to debut either later this year or sometime in 2026. At the same event on the Star Trek: The Cruise, Mulgrew expressed concerns that a Janeway live-action series might not live up to what fans wanted. And she also didn’t want to do a show as a “vanity project.”

(8) DUNE WHAT COMES NATURALLY. “1 of Dune’s Most Crucial Events Is Secretly Way Smarter Than Fans Realize (& It Proves Frank Herbert Was Brilliant)” asserts CBR.com.

…Frank Herbert’s masterpiece Dune emerged from various fascinating influences, beginning with an unlikely source: the Oregon coast. In 1957, after publishing his novel The Dragon in the Sea, Herbert traveled to Florence, Oregon, where he observed the U.S. Department of Agriculture’s efforts to stabilize massive dunes using poverty grasses. The sight of these imposing dunes, which Herbert believed could “swallow whole cities, lakes, rivers, highways,” sparked a deep interest in ecology and desert environments that would become central to his epic novel. The ecological themes in Dune were further shaped by Herbert’s interactions with Native American mentors, particularly Howard Hansen and “Indian Henry” Martin from the Quileute reservation. Hansen’s warning that white men were “eating the earth” and could turn the planet into a wasteland “just like North Africa” resonated deeply with Herbert, who incorporated these environmental concerns into his story….

Many science fiction novels include predictions regarding technology, but Frank Herbert deliberately stayed away from that. Instead, Herbert’s novels focus on the power of the human mind and its ability to focus on discipline to overcome fears and regain control over thoughts, feelings, and even bodily functions. Herbert summed this up in one of his most iconic quoted Dune lines:

“Fear is the mind-killer.”…

(9) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

March 6, 1928 — William F. Nolan. (Died 2021.)

By Paul Weimer: Is the crystal in your palm blinking?

While he did write two sequels to it, plenty of short stories, a number of screenplays and a fair number of critical works, the name William F. Nolan means one and one thing only for me: Logan’s Run.

Well, two, if you count the movie.

The book, co-authored with George Clayton Johnson, came first. Ironically, while I read the book first, and only saw the movie some years later, the edition I read of the book first and had for years until it fell apart was one of those “movie/tv tie in” editions, that even had some stills/photos from the movie in it. So I “saw” a couple of scenes from the movie thanks to reading and re-reading this edition long before actually watching the movie.

Such a strange, wild book. 21 is the age of mandatory death., the triumph of youth. Feels very weird, today, in our sometimes gerontocratic governments. You’ll never get away from a homer, homer, homer. Casual use of drugs. Casual sex. It’s a good thing that my parents never knew what was in the book, they’d have been shocked. A breakneck plot and scenes all across the country, from domed cities to the frozen prison of hell to Crazy Horse and the Thinker, to a Civil War re-enactment with robots!

I did visit Crazy Horse in 2008, inspired by the novel, and was disappointed in how slow the construction has gone (far different than in the Logan’s Run timeline). It’s…worse than a tourist trap, somehow. Alas.

But the movie is something else. The future as a giant enclosed shopping mall. Lots of things missing from the books and a very different set of confrontations–the original book has a fight with a tiger, but the movie has…house cats? And the utter disappointment that while in the book some people are escaping and becoming free, in the movie, apparently, they all were frozen into frozen food by Box, who was turned from a chilling sadist into a figure of comedy in the movie. And yet like the book, the movie subtly is suggesting that the current world order cannot stand, and in fact must change, or else.

Yes, this birthday turned into a Logan’s Run’s remembrance rather than a Nolan remembrance. Nolan died in 2021. Requiescat in pace.

(10) COMICS SECTION.

The Argyle Sweater explains how comics will solve newspaper shrinkage.
Free Range shows why you should say “No” to wearing full plate at the next medieval reenactment.
Nancy takes some convincing about the power of stories.
Saturday Morning Breakfast Cereal has the long and short versions.

(11) SIMPSONS ART AUCTION. On March 15 Heritage Auctions will hold “Cowabunga II – Celebrating the Art of The Simpsons Animation Art Showcase Auction”. Among the 300+ lots going under the hammer is this animation cel:

The Simpsons Treehouse of Horror VIII “The HΩmega Man” Original Kang and Kudos Production Cel (Fox, 1997). This original production cel from The Simpsons episode “Treehouse of Horror VIII” (Season 9, Episode 4) features the iconic alien duo Kang and Kodos Johnson from Rigel 7. Taken from the first segment, “The HΩmega Man,” this rare cel captures their brief yet hilarious appearance as they witness Springfield’s demise from space. In the segment, France launches a neutron bomb at Springfield after Mayor Quimby insults the French with a “frog legs” joke. As the bomb travels through space, it flies past Kang and Kodos’ flying saucer, prompting Kang to exclaim, “What the hell was that?” This humorous moment occurs near the 2:58 timestamp, adding to the duo’s memorable cameos.

(12) AHH, ROMANCE. Booklegger tells Facebook readers how a bookstore figured into a couple’s anniversary celebration.

A few days ago I noticed a customer browsing the shelves in the science fiction/fantasy section. I asked him if there was anything I could help him find. “No, I’m doing fine, thanks,” he responded,” “but actually I do have a question I wanted to ask you.” His expression was animated and I wondered where this was heading.

He went on to tell me that he and his girlfriend were approaching their first anniversary, and that they had come to Booklegger on their first date. They were planning on re-creating that first date by visiting Dick Taylor for chocolates, and then coming to our store. He had created a little 42 page book for her as an anniversary gift, and he wondered if he could come in on the morning of their anniversary and plant the book on our shelves for her to find when they came to our shop later in the day.

I was 100% on board with this idea! What a compliment that they had their first date at our place, and what a sweet, creative surprise to mark the occasion. So this morning just as we opened Kiloe came in and showed me the book that he had created. 42 pages of things that he adores about Sarah, inside jokes between them, remembrance of fun things they’ve done together etc. And yes, it’s 42 things because they are both fans of Douglas Adams. He planted the book between Jim Butcher titles, knowing that she would browse that area….

(13) WAX ON, WAX OFF. [Item by Mark Roth-Whitworth.] Goldman Sachs, in a research note Thursday (the note isn’t publicly posted) reported by Slashdot: “Goldman Sachs: Why AI Spending Is Not Boosting GDP”.

Annualized revenue for public companies exposed to the build-out of AI infrastructure increased by over $340 billion from 2022 through 2024Q4 (and is projected to increase by almost $580 billion by end-2025). In contrast, annualized real investment in AI-related categories in the US GDP accounts has only risen by $42 billion over the same period. This sharp divergence has prompted questions from investors about why US GDP is not receiving a larger boost from AI….

Or, as I think it was Cory Doctorow posted months ago, they haven’t come up with a real, usefull killer usage for the thing. I am reminded of a news story on the radio in the early oughts, after the tech bubble collapsed, som3eone saying “they were spending money like mad, making fancy websites… and hoping that they’d eventually find a way to monetize it (they didn’t).

(14) WATER IN THE EARLY UNIVERSE. [Item by SF Concatenation’s Jonathan Cowie.] One of the determinants many think is the need for water for life.

(I myself am a primacy of water man, though my former colleague, and fellow SF fan, Jack Cohen, was more broadminded than I.) Anyway, news comes that water has been discovered very early in the Universe’s history. This means that the Universe has had water in it for nearly all its time. This boosts the prospects for life arising elsewhere before now… Primary research here….

Of course, if you are not a primacy of water person then this news will be of lesser import…

Scientists from the University of Portsmouth have discovered that water was already present in the Universe 100-200 million years after the Big Bang.

The discovery means habitable planets could have started forming much earlier – before the first galaxies formed and billions of years earlier than was previously thought.

The study was led by astrophysicist Dr Daniel Whalen from the University of Portsmouth’s Institute of Cosmology and Gravitation. It is published today (3 March 2025) in Nature Astronomy.

It is the first time water has been modelled in the primordial universe.

According to the researchers’ simulations, water molecules began forming shortly after the first supernova explosions, known as Population III (Pop III) supernovae. These cosmic events, which occurred in the first generation of stars, were essential for creating the heavy elements – such as oxygen – required for water to exist.

The key finding is that primordial supernovae formed water in the Universe that predated the first galaxies.

Dr Daniel Whalen, from the University of Portsmouth’s Institute of Cosmology and Gravitation

Dr Whalen said: “Before the first stars exploded, there was no water in the Universe because there was no oxygen. Only very simple nuclei survived the Big Bang – hydrogen, helium, lithium and trace amounts of barium and boron.

“Oxygen, forged in the hearts of these supernovae, combined with hydrogen to form water, paving the way for the creation of the essential elements needed for life.”…

(15) TILT. The company’s Sunday landing was a success, however, today’s encore was not: “Private lunar lander may have fallen over while touching down near the moon’s south pole” – AP News has the story.

A privately owned lunar lander touched down on the moon with a drill, drone and rovers for NASA and other customers Thursday, but quickly ran into trouble and may have fallen over.

Intuitive Machines said it was uncertain whether its Athena lander was upright near the moon’s south pole — standing 15 feet (4.7 meters) tall — or lying sideways like its first spacecraft from a year ago. Controllers rushed to turn off some of the lander’s equipment to conserve power while trying to determine what went wrong.

It was the second moon landing this week by a Texas company under NASA’s commercial lunar delivery program. Sunday’s touchdown was a complete success….

(16) VIDEO OF THE DAY. Mark Barsotti has rolled a sixth installment of his Paul Di Filippo interview: “Sci-Fi Writer Paul Di Filippo #6 ~ Weird Names & Cyberpunk Jazz Scatting”.

[Thanks to SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, Steven French, Mark Barsotti, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Jayn.]

Pixel Scroll 1/22/25 Like Pixels Through A Scroll, So Are The Comments Of Filers

Posted on January 22, 2025 by Mike Glyer

(1) BRAM STOKER AWARDS. The Horror Writers Association (HWA) today dropped the 2024 Bram Stoker Awards Preliminary Ballot. See what’s on the list at File 770’s post “2024 Bram Stoker Awards Preliminary Ballot Announced”.

This is not the list of finalists, nor are they called nominees: it is the list which HWA members will choose from when they vote to determine the finalists.

The Final Ballot will be announced on or around February 23, 2025.

(2) EDGAR AWARDS NOMINEES. Mystery Writers of America today announced the nominees for the Edgar Allan Poe Awards. The 79th Annual Edgar® Awards will be celebrated on May 1, 2025. The complete list of nominees is in File 770’s post “2025 Edgar Award Nominations”.

(3) AUDIE AWARDS FINALISTS. Finalists in 28 competitive categories for the 2025 Audie Awards were announced by the Audio Publishers Association (APA) on January 22. File 770 picks out the works of genre interest followed by the complete list of “Audie Awards 2025 Finalists”.

(4) CLARKESWORLD READERS’ POLL. The flash nomination phase for the 2024 Clarkesworld Readers’ Poll began today and continues until January 24 at 3:00 p.m. Eastern. Editor Neil Clarke invites readers to celebrate their favorite Clarkesworld cover art and stories, all of which can be found in his January editorial column: “2024 In Review”.

The link to the survey is: 2024 Clarkesworld Readers’ Poll – Nomination Phase Survey (surveymonkey.com)

The top five go onto the final round in February when a winner will be determined by a second round of voting.

(5) DID YOU EVER ADJUST YOUR RABBIT EARS? Lee Weinstein helps File 770 readers remember the Fifties TV series “Science Fiction Theatre” in a post today.

…. Science Fiction Theatre was something different. It was aimed at adults. In addition, unlike earlier genre shows, it was shot on film and remained in syndication for decades. Its 78 episodes had no rocket ships or ray guns, and if some of the characters hinted at being of extraterrestrial origin, they appeared to be human. The series was, or at least pretended to be, well-based in real science. The credits at the end of the first season episodes list one Maxwell Smith as “scientific adviser on electronics and radar operation.” Several episodes did deal with such paranormal phenomena as telepathy, but at the time this was the subject of legitimate scientific inquiry…

(6) BUCKS FOR THE BUCK ROGERS. [Item by Mike Kennedy.] Two of the four American Innovation dollar coins to be released by the US Mint this year will have space themes. The Florida coin will feature the Space Shuttle. The Texas coin will feature the International Space Station.

Three previous coins in the series have also had space themes, including Alabama (Saturn V takeoff, issued 2024), Delaware (Annie Jump Cannon who worked on classifying stars, issued 2019), and Maryland (Hubble Space Telescope, issued 2020). Future designs have not been announced. The series will continue with four coins a year through 2032. “First look at space shuttle, Mission Control 2025 dollar coins from US Mint” at Space.com.

…Texas’ coin is set to go on sale this summer. Release dates for both coins have yet to be announced.

Both states’ dollars will be struck at the mint’s Philadelphia and Denver facilities. They will initially be sold as uncirculated coins in rolls of 25 and bags of 100 for $36.95 and $123.50, respectively….

(7) MEMORY LANE.

[Written by Cat Eldridge.]

Caprica series (2010)

Fifteen years ago, the Caprica series, a prequel for the rebooted Battlestar Galactica, aired on Syfy. It came out right after the original Battlestar Galactica finished up and was followed by the Battlestar Galactica: Blood & Chrome film.

The show, like many genre series such as Stargate SG-1, was shot in and around Vancouver, British Columbia. In addition, buildings from the financial district of Dubai have been digitally added to the cityscape of Vancouver to create the futuristic image of Caprica City.

Unfortunately, the ratings were less than great by quite a bit, and it was cancelled rather quickly so there were only nineteen episodes ever made. You can find it streaming on Peacock. The original and rebooted Battlestar Galactica series are currently running over on Prime. The Blood & Chrome series film which is not streaming anywhere. There is interestingly an unrated version of the latter.

Reception among critics was fantastic with Annalee Newitz of io9.com saying that “Caprica may be starting off a little unevenly, but it’s packed with such a wealth of great ideas that you won’t want to miss a single episode.” And Kris King of Slant magazine stating, “Caprica manages to take on some daring themes with that familiar dedication to character and plot.”

Audience reviewers at Rotten Tomatoes currently give it an excellent ninety-one percent on their Popcornmeter.

(8) COMICS SECTION.

Macanudo does not leave the mark you expect.
Moderately Confused adds a surprise character.
Reality Check is strict.
Wumo’s fun house isn’t fun for all.

(9) MIND PILOTING. [Item by Steven French.] “Paralysed man flies virtual drone using brain implant” in Nature.

Researchers have developed a device that let a 69-year-old man with paralysis fly a virtual drone using only his thoughts.

The brain–computer interface (BCI) decoded the man’s brain activity as he imagined moving three groups of digits in real time. By associating neural signals with the movements of multiple fingers, the work builds on previous BCI research, most of which has focused on moving a single computer cursor or whole virtual hand. The feat offers hope that BCIs could one day help people with paralysis to perform a wider range of activities, such as typing or playing complex video games.

“There’s a lot of things that we enjoy or do as humans where we use multiple individuated finger movements, so like typing, sewing, playing a musical instrument,” says study co-author Matthew Willsey, a neurosurgeon at the University of Michigan in Ann Arbor. “That’s what this line of work is focused on, how we enable the control of multiple things at the same time.”

The study, published on 20 January in Nature Medicine, was inspired by the participant’s own request to use a BCI to fly a drone. He told the researchers that controlling the virtual object was like playing a musical instrument. “Flying it is tiny little finesses off a middle line, a little bit up, a little bit down,” he said.’…

(10) UAP DOCUMENTARY. Deadline introduces “’The Age Of Disclosure’ Trailer”.

Watch the trailer for The Age of Disclosure, the documentary directed and produced by Dan Farah that just got a prime opening weekend slot at SXSW. This comes on the heels of bi-partisan Congressional hearings on Unidentified Anomalous Phenomena (UAP, aka UFOs) and proposed legislation to disclose what the Government knows.

Farah got 34 senior members of the U.S. Government, military, and intelligence community to come on camera. He says they reveal an 80 year cover-up of the existence of non-human intelligent life and a secret war amongst major nations to reverse engineer technology of non-human origin. The film explores the profound impact the situation has on the future of humanity, while providing a look behind-the-scenes with those at the forefront of the bi-partisan disclosure effort. The film was granted unprecedented access and support from senior members of the U.S. Government, military, and intelligence community. Everyone interviewed in the film has direct knowledge of UAP as a result of their work for the U.S. Government.

Amongst those featured in the landmark film are Secretary of State Marco Rubio, Senator Kirsten Gillibrand, Lue Elizondo (former Department of Defense official, member of the Government’s Advanced Aerospace Threat Identification Program, aka AATIP), Senator Mike Rounds, Jay Stratton (former DIA official, Director of the Government’s UAP Task Force), General Jim Clapper (former Director of National Intelligence), Mike Gold (NASA UAP Study Team member), Admiral Tim Gallaudet (Former Navy Chief Oceanographer), Brett Feddersen (former Director of Aviation Security on the White House’s National Security Council), Jim Semivan (former senior CIA official), Representative Carson, Mike Gallagher (former Chairman of the House Select Committee on the Chinese Communist Party), Christopher Mellon (former Department of Defense official), senior scientist from multiple Government UAP programs such as Dr. Garry Nolan, quantum physicist Hal Puthoff Ph.D., astrophysicist Eric Davis Ph.D., military eye-witnesses of UAP events over U.S. military bases, and more.

(11) DONATE TODAY! Ryan George produced a PDA for the charity that will be started on the Red Planet “When The Billionaires Move To Mars”.

(12) VIDEO OF THE DAY. Mark Barsotti returns with a new installment of his video interview with SF Writer Paul Di Filippo: “I WAS LIKE ZONKER HARRIS IN COLLEGE”.

Legendary science fiction writer Paul Di Filippo talks about growing up in Rhode Island, Harlan Ellison, the weirdest story he ever wrote, potential stories that may or may not get written, Thomas Wolfe, and much more! Interview: 11-18-24.

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Mark Barsotti, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, and Teddy Harvia for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 12/7/24 Get Your Scrolls Here, Just A Pixel Each

Posted on December 7, 2024 by Mike Glyer

(1) THEY FOLLOWED THE YELLOW BRICK ROAD. The Hollywood Reporter listens to the gavel bang when the “Ruby Slippers from ‘The Wizard of Oz’ Sell for a Record $28 million”. (The Wicked Witch’s hat sold, too.)

A pair of the ruby slippers worn by Judy Garland in 1939’s The Wizard of Oz fetched an all-time auction record for entertainment memorabilia when they sold on Saturday afternoon for $28 million. The sale was handled by Dallas-based Heritage Auctions. With the buyer’s premium, the total is $32.5 million, and the buyer currently remains anonymous.

Auctioneer Mike Sadler announced at the podium at the conclusion of the lot’s bidding that the slippers had far surpassed the previous auction record of $5.52 million for the white halter dress designed by William Travilla and worn by Marilyn Monroe in 1955’s The Seven Year Itch. That costume also was sold at Heritage in 2011 and was part of the famed collection of Debbie Reynolds….

… Three other pairs of ruby slippers are known to exist. One pair resides in the National Museum of American History at the Smithsonian Institution in Washington, D.C., while in 2012 Leonardo DiCaprio and Steven Spielberg led a consortium of buyers to purchase a pair of ruby slippers, for a reported $2 million, to reside in the permanent collection of the Academy Museum of Motion Picture Arts & Sciences. A third pair is believed to be owned by a private collector….

… Also sold on Saturday: a witch’s hat worn by Margaret Hamilton, who played the Wicked Witch of the West in the Victor Fleming-directed film based on the beloved L. Frank Baum story. The black pointed hat, which was screen-matched to Hamilton’s first scene as the Wicked Witch in the film, sold for $2.93 million with buyer’s premium….

(2) THOSE GREAT EXPECTATIONS. Works in Progress presents “The world of tomorrow”, where Virginia Postrel asks, “When the future arrived, it felt… ordinary. What happened to the glamour of tomorrow?”

… In the twentieth-century, ‘the future’ was a glamorous concept.

Joan Kron, a journalist and filmmaker born in 1928, recalls sitting on the floor as a little girl, cutting out pictures of ever more streamlined cars from newspaper ads. ‘I was fascinated with car design, these modern cars’, she says. ‘Industrial design was very much on our minds. It wasn’t just to look at. It was bringing us the future.’

Young Joan lived a short train ride from the famous 1939 New York World’s Fair, whose theme was The World of Tomorrow. She went again and again, never missing the Futurama exhibit. There, visitors zoomed across the imagined landscape of America in 1960, with smoothly flowing divided highways, skyscraper cities, high-tech farms, and charming suburbs. ‘This 1960 drama of highway and transportation progress’, the announcer proclaimed, ‘is but a symbol of future progress in every activity made possible by constant striving toward new and better horizons.’

‘All I wanted to do,’ Kron says, ‘was go into the World of Tomorrow.’ She wasn’t alone. Anticipating a bright future was a defining characteristic of the era, especially in the United States.

When Disneyland opened in 1955, Tomorrowland embodied the promise of progress. A plaque at the entrance announced ‘a vista into a world of wondrous ideas, signifying man’s achievements . . . a step into the future, with predictions of constructive things to come.’

Back then, the Year 2000 and the Twenty-first-century were glamorous destinations….

(3) YOU’RE FROM THE SIXTIES! Dwell analyzes “How ‘Star Trek’ Helped Make Midcentury-Modern the Signature Sci-Fi Aesthetic”.

When Star Trek first premiered in the mid-1960s, it was meant to portray a far-off future, with Captain James T. Kirk and Mr. Spock traversing the universe 300 years hence. While the sci-fi television series has come to be recognized for many things in the decades since, like having the first Black female leading character on network TV, a king’s ransom of spin-offs, and an extremely dedicated global fan base, another major aspect of its legacy is its space-age-inspired visual identity that helped shape the intersection of midcentury modernism and what consumers see as “futuristic design,” even now.

While the show’s aesthetic choices were partially practical—its Warren Platner arm chairs and Stemlite lamps were the types of pieces set designers could snag from Los Angeles–area stores that looked more futuristic than grandma’s old divan—they also presented a sleek, nontraditional look that encapsulated the spirit of technological innovation and utopian vision that characterized midcentury modernism. By using something like Eero Saarinen’s 1950s Tulip chair (or, more accurately, a Maurice Burke–designed knockoff, which was more cost-effective at the time, and which the Star Trek crew then modified) the set designers could convey an alien future without having to create pieces from scratch….

(4) EATING THE FANTASTIC. Scott Edelman invites listeners to share scallops with R. S. A. Garcia in Episode 242 of the Eating the Fantastic podcast.

Garcia won both the Nebula Award and the Theodore Sturgeon Memorial Award for her short story “Tantie Merle and the Farmhand 4200,” published in Uncanny, and was a Nebula finalist the previous year as well for her novella “Bishop’s Opening,” which appeared in Clarkesworld. She is also the winner of the MIFRE Media Award, and a Sturgeon, Locus, Ignyte and Eugie Foster Award finalist. Her short fiction has appeared in venues such as Escape Pod, Strange Horizons, and Internazionale Magazine, as well as a number of anthologies, including the The Best of World SF, The Best Science Fiction of the Year, and The Apex Book of World SF.

Her Amazon bestselling science fiction mystery, Lex Talionis, received a starred review from Publishers Weekly and the Silver Medal for Best Scifi/Fantasy/Horror Ebook from the Independent Publishers Awards. Her sci-fantasy duology, beginning with The Nightward, was published by Harper Voyager US in October, plus The Unbearable Taste of Fruit and Wine will be out next Valentine’s Day from Android Press.

We discussed how the idea for her Nebula-winning short story caused her to leap up and walk out of a writing workshop, how editor Ellen Datlow’s advice changed her life, why writing is a verb, not an adjective, the way she decides whether or not to rise to the occasion of a themed anthology invite, her convoluted journey in finding an agent to negotiate her first novel sale even though there was already an offer on the table, why there are some rejections you should be grateful for, how Sigourney Weaver’s role in Alien inspired the sorts of stories she wanted to tell, the Easter eggs in her fiction only a Trinidadian would get, how and why she’s a complete pantser, the importance of community as well as the danger of it disappearing, her hope that readers get even more from her fiction upon rereading, and much more.

(5) SHARPER THAN A SERPENT’S TOOTH. “Replica Harry Potter swords recalled for breaking weapons law” reports BBC.

Replicas of a sword featured in the Harry Potter film franchise have been recalled in Japan for violating the country’s strict weapons law.

The full-sized replicas of Godric Gryffindor’s sword – which measure 86cm (34 inches) and are affixed to a wooden display plaque – were sold by Warner Bros. Studio Japan LLC from May 2023 to late April of this year.

But it was only in November that authorities told the company those pieces were sharp enough to be categorised as an actual sword.

More than 350 replicas of Godric Gryffindor’s sword were sold, reports add, with each one going for 30,000 yen ($200; £158).

The sword was sold at the Warner Bros. Studio Tour Tokyo: The Making of Harry Potter, which opened in 2023 in Tokyo. It is billed as the first such studio tour in Asia and the largest indoor Harry Potter attraction in the world.

Warner Bros. Studios Japan LLC has published a recall notice for the sword on its site, citing “a distribution issue in Japan” and requesting people who bought it to get in contact for “necessary action including logistics and refund”….

(6) GRAPHIC NOVEL ROUNDUP. [Item by Steven French.] Some genre related riches here! “The best graphic novels of 2024” in the Guardian. The list includes:

…One of the year’s most talked-about releases, World Without End (translated by Edward Gauvin, Particular), outsold Astérix in its native France. Artist Christophe Blain walks us through climate expert Jean-Marc Jancovici’s urgent explanation of economic progress, sustainability and global warming in a book that’s statistics-packed but – thanks to Blain’s deceptively jaunty, eye-opening visuals – brilliantly accessible….

(7) TEN BEST SFF BOOKS OF YEAR. New York Times columnist Amal El-Mohtar names “The Best Science Fiction and Fantasy Books of 2024” (gift link bypasses paywall).

Of the many great books I read this year, the following 10 have stayed with me, undergirded my thoughts as I go about my days and provoked excellent, chewy conversations about craft and pleasure, empire and resistance. While I’m a little haunted by the violence publishers seem to be doing to the very concept of a series — claiming sequels are stand-alones, while insufficiently supporting and labeling the parts of actual series — I hope you find something to enjoy among these fantastic works.

This list begins with –

The Book of Love By Kelly Link

“The Book of Love” is a landmark, the kind of fantasy novel that has its own gravity and distorts the genre terrain around it. Set in a small town called Lovesend, it tells the story of teenagers who return from the dead and must compete to remain alive by completing magical tasks. A tender tribute to romance novels, fairy villains and fairy lovers, “The Book of Love” does justice to its name.

(8) SEASON INNIE, SEASON OUTIE. Apple TV+ has dropped the Severance — Season 2 Official Trailer. Season 2 premieres January 17.

In Severance, Mark Scout (Adam Scott) leads a team at Lumon Industries, whose employees have undergone a severance procedure, which surgically divides their memories between their work and personal lives. This daring experiment in “work-life balance” is called into question as Mark finds himself at the center of an unraveling mystery that will force him to confront the true nature of his work… and of himself. In season two, Mark and his friends learn the dire consequences of trifling with the severance barrier, leading them further down a path of woe.

(9) TODAY’S BIRTHDAY.

[Written by Cora Buhlert.]

Born December 7, 1915 — Leigh Brackett. (Died 1978.)

By Cora Buhlert: I first became aware of Leigh Brackett via her contribution to the screenplay for The Empire Strikes Back, during a time when I sought out everything that anybody involved with Star Wars had ever done or been influenced by. That way, I found some very good works, some not so good ones and some which were frankly baffling. Leigh Brackett definitely belongs to the first category.

According to interviews later in life, Leigh Brackett discovered her love of both science fiction and writing in 1923 at the age of eight, when she read The Gods of Mars by Edgar Rice Burroughs. The novel blew her mind and set her on the path to becoming a science fiction writer. It’s probably no accident that so many of her stories would be set on a Mars that was not that far removed from Burroughs’ Barsoom. Meanwhile, the foundation for Leigh Brackett’s later career as a screenwriter were laid during her time at a private girls’ high school, where she penned plays for the theatre group.

Ray Bradbury and Leigh Brackett. Photo by Len Moffatt.

In 1939, Leigh Brackett joined the Los Angeles Science Fiction Society and befriended such current and future luminaries as Robert A. Heinlein, Ray Bradbury, Henry Kuttner and C.L. Moore. Kuttner and Moore not only supported her fledgling career, but also introduced her to Edmond Hamilton, who was eleven years her senior and already a pulp science fiction veteran. The two started dating and married in 1946. Ray Bradbury was the best man.

Leigh Brackett broke into the science fiction magazines with “Martian Quest”, which appeared in the February 1940 issue of Astounding Science Fiction. Two more stories for Astounding followed in 1940 and 1942, but Leigh Brackett did not get along with John W. Campbell (neither did Edmond Hamilton) and so took her talent to magazines that were more suited to the type of adventure packed planetary romance that Brackett excelled at. Planet Stories published some of her best-known stories, but her work also appeared in Startling Stories, Thrilling Wonder Stories, Amazing Stories, Weird Tales and other magazines of the era. By the late 1940s, Leigh Brackett was known as “the Queen of Space Opera”.

Most of her stories were set in a version of our solar system that never was, where Mars was a dying desert world littered with ancient ruins, Venus was a mist-shrouded tropical ocean world, Mercury was a tidally locked hellhole and Earth was hellbent on colonizing the rest of the solar system. Leigh Brackett’s work belies claims that the science fiction of the golden age was exclusively white, male, racist and colonialist. Brackett’s protagonists were often outsiders – drifters, outlaws, drug addicts – and several of them, most notably Eric John Stark, were not white. The women were alien temptresses or interplanetary Girl Fridays, but always formidable. Her takes on Mars and Venus were dripping with atmosphere and often melancholic and particularly her early stories were often critical of colonialism and imperialism and how they impact the indigenous population. In her 1944 novel Shadow Over Mars, the evil corporation that operates slave mines on Mars is called the Terran Exploitation Company, a rare case of truth in advertising.

Leigh Brackett’s science fiction often has a certain noir sensibility and so it’s no surprise that she also started writing hardboiled crime fiction. Her 1944 crime novel No Good From a Corpse brought her to the attention of Howard Hawks who hired her to co-write the screenplay for The Big Sleep, kickstarting her screenwriting career which led to penning the scripts for such cinematic classics as Rio Bravo, El Dorado, Hatari and The Long Goodbye. Her screenplay draft for The Empire Strikes Back was very much the capstone of Leigh Brackett’s career both as a science fiction and screenwriter – especially since her work influenced both Star Wars and Indiana Jones – and it’s only fitting that the movie is dedicated to her memory. It also won her a posthumous Hugo Award, her first, even though she was nominated as early as 1956 for her post-apocalyptic novel The Long Tomorrow as the first ever female Hugo finalist along with her friend C.L. Moore.

Leigh Brackett was one of the most important science fiction writers of the golden age. But the fact that the majority of her stories appeared in what were considered second tier magazines (they weren’t, but that’s a story for another day) is also why her stories was less reprinted and remembered than they should have been. By the time, I became interested in her work in the late 1980s, all of it was out of print and I had to hunt down yellowing paperbacks in used bookstores. As a result, the first thing by Leigh Brackett that I actually read – though I had seen several of the movies for which she wrote screenplays – was the Skaith Trilogy from the mid 1970s, where Leigh Brackett revisited her most famous character Eric John Stark and sent him to a distant dying star, since the Mars and Venus he’d roamed in the 1940s had long since been debunked by the Mariner space probes. The novels were good enough that I wanted to read more, but not as good as her stories from the 1940s.

In many ways, Leigh Brackett was a victim of bad timing. The planetary adventures on which she’d built her career fell out of fashion by the 1950s and her markets died off one by one. L. Sprague De Camp considered hiring her to write new Conan adventures, but went with Lin Carter instead (Oh, what might have been). And Leigh Brackett died too young, aged only 62, to take advantage of the space opera resurgence in the wake of Star Wars. But she will forever remain the Queen of Space Opera.

Leigh Brackett in High School performance.

(10) COMICS SECTION.

Off the Mark fell short of the goal.
Pearls Before Swine rolls the bone.
Sherman’s Lagoon finds a spacecraft.
Bliss updates a classic.

(11) THIS JOB IS NOT THAT F#%$! EASY. Invincible Season 3 arrives February 6 on Prime Video — first three episodes that day, then weekly through March 13.

Based on Robert Kirkman’s award-winning comic book series, Invincible follows 19-year-old Mark Grayson, as he inherits his father’s superpowers and sets out to become Earth’s greatest defender, only to discover the job is more challenging than he could have ever imagined. Everything changes as Mark is forced to face his past, and his future, while discovering how much further he’ll need to go to protect the people he loves.

(12) FRANKENSTEIN IS THE PEN’S NAME. LeBoeuf Pens will be happy to sell you The Mary Shelley Frankenstein Limited Edition Fountain Pen for the monstrous price of $225.

But if money is no object for you, immediately order this most elaborate Montegrappa Universal Monsters Fountain Pen – Frankenstein (Limited Edition) — $6200 from Atlas Stationers. Did you ever see such a desk set? Talk about impressive!

(13) EARLY BIG MEALS. [Item by SF Concatenation’s Jonathan Cowie.] The cover story in this week’s Science Advances journal relates to ancient N. American diets. Although it has long been recognised that the Clovis peoples of North America (13,000 to12,000 years ago) hunted consumed megafauna such as the mammoth, controversy continued about whether they specialised in these species or if they had a broader diet. Using stable isotopic analysis of the remains of the 18-month-old Anzick-1 child researchers reconstructed his mother’s diet and found that mammoth was the largest contributor to it, followed by elk and bison. They then compared her diet with those of carnivores from the region and found that it was closest to that of the now-extinct scimitar-toothed cat, which specialized in hunting mammoths. The researchers suggest that this focus on mammoth procurement facilitated the rapid spread of Clovis culture.

Research here: “Mammoth featured heavily in Western Clovis diet”.

(14) SINGULAR SENSATION. “Technological Singularity in 7 Years?” – SCIFI.radio doesn’t see it happening.

… WHAT IS THE SINGULARITY ANYWAY?

The Singularity is a theoretical point in the future when technological growth becomes uncontrollable and irreversible, resulting in profound changes to human civilization. Often associated with advancements in artificial intelligence (AI), the Singularity is marked by the emergence of super-intelligent systems capable of surpassing human intellectual capacity in virtually every domain.

WHAT WOULD CHANGE IF THE SINGULARITY HAPPENED?

Exponential Growth of Technology: Rapid technological advancements, particularly in AI, biotechnology, and nanotechnology, lead to innovations that accelerate progress in unprecedented ways.
Artificial General Intelligence (AGI): The development of AI systems with cognitive abilities on par with or exceeding human intelligence, enabling them to perform any intellectual task a human can do—and potentially far better.
Automation and Transformation: Profound shifts in economies, work, and daily life as automation and AI take over increasingly complex tasks, rendering many traditional human roles obsolete.
Integration with Technology: Potential merging of human biology with technology (e.g., brain-computer interfaces) to enhance physical and cognitive abilities, challenging the definition of what it means to be human.

NOW YOU KNOW THE OUTCOME. DO WE LOOK CLOSE TO YOU?

We are a civilization at war with itself, battling against runaway corporate capitalism, failed democracies, strong-man authoritarian governments springing up all over the planet, three to nine military conflicts of varying degrees taking place all over the planet, runaway climate change effects, microplastics in every ocean and now in the wind raining down on populated areas, diseases that were almost annihilated are running rampant again, deforestation, over-fishing, and climate migration taking place on every continent.

Does this look like a world able to usher in the development of a world-transforming technological breakthrough just as liable to destroy humanity as it is to save it?

(15) IT AIN’T ME BABE. “New York woman blames Star Trek license plates for tens of thousands of dollars in accidental tickets” – CBS New York has the story.

A Long Island retiree says she’s getting traffic tickets from all over the country.

But the thing is, she stopped driving four years ago.

So how could this be happening?

Beda Koorey’s love of Star Trek may be at the root of it all

“These came yesterday from Chicago, speeding tickets. They are $100 each,” Beda Koorey said.

Back in 2020, the Huntington resident surrendered her license plates, sold her car, and stopped driving.

“I don’t have a car. I don’t drive. Those plates were turned in,” the 76-year-old said.

Yet, many walks to her mailbox bring the retiree unwanted surprises.

“They are persistent and they keep sending me tickets,” Koorey said.

Her old custom plates honored Star Trek and had the same number as the Starship Enterprise — NCC-1701.

However, for $15 on Amazon and eBay, some Trekkies have been easily replacing their real plates with the same novelty plates — and getting away with it.

Their accrued tickets from all over the country are being mailed to Koorey.

“Red light, speeding, parking, school zone,” she said, describing the types of tickets she receives.

She also gets hit with E-ZPass tolls.

“I got a phone call from Ohio, a police chief looking for plates because they were involved in a robbery,” Koorey said….

(16) KRUGMAN RETIRES FROM NYT. [Item by Scott Edelman.] Paul Krugman announced his retirement from the New York Times, which caused me to remember I recorded his talk at the 2009 Montreal Worldcon, where he discussed how Asimov’s Foundation Trilogy got him into comics, Charlie Stross, and a bunch of other topics related to us.

(17) THE PDF FILES. Mark Barsotti continues his interview with Paul Di Filippo in this fourth installment: “WRITER PAUL Di FILIPPO ~ ‘I hate talking about myself.’”

[Thanks to Teddy Harvia, Mike Kennedy, Andrew Porter, N., Mark Barsotti, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, and Kathy Sullivan for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 12/3/24 I See Files Of Blue, Red Pixels Too, I See Them Purr For Me And You

Posted on December 3, 2024 by Mike Glyer

(0) FILE 770 TURNS ON ‘LIKE’ FUNCTION. Starting today you can now tag posts and comments with a “like”.

(1) SUPER SPOILER ALERT! Superman and Lois ends with a climactic fight, and a highly sentimental flashforward to the beginning of Superman’s supernatural life. I found both clips pretty impressive, so just imagine their impact on those who watched the series faithfully.

Superman & Lois: The Final Fight between Superman and Lex Luthor – Series Finale

Superman & Lois 4×10 Epilogue “Life Goes By So Fast” Scene (HD) Series Finale

(2) FROM BC TO AD TO DC. “The CW’s DC Era Ends With ‘Superman & Lois’ Finale: Numbers Behind the Enduring Franchise” from The Hollywood Reporter.

The series finale of Superman & Lois aired Monday night on The CW. It marked not just the end of the show’s four-season run, but also an entire programming philosophy at the network.

Superman & Lois was the last series based on DC Comics characters to air at the network. It was also the last connection to The CW’s Arrowverse (even if it wasn’t technically part of the main continuity of that franchise), which defined the 2010s for the network and became one of the more successful multi-show franchises in TV history.

The ending of Superman & Lois, which — spoiler alert — flashes forward several decades to show the end of its title characters’ (Tyler Hoechlin and Elizabeth Tulloch) lives, precludes any continuation of the show elsewhere — as do new regimes at both The CW and DC parent Warner Bros. Discovery, which both have very different approaches than they did during the Arrowverse’s heyday in the mid- and late 2010s….

… 10: The number of series based on DC characters that aired on The CW, beginning with Arrow in October 2012. All of them came from Warner Bros. TV and what was then called DC Entertainment, and nine — Arrow, The Flash, Supergirl, Legends of Tomorrow, Black Lightning, Batwoman, Stargirl, Superman & Lois and Gotham Knights — were executive produced by Berlanti via his Berlanti Productions. The 10th is 2022’s Naomi, co-created by Ava DuVernay and Jill Blankenship and produced by DuVernay’s ARRAY Filmworks along with DC and WB….

… 817, 797: The combined episode total from all 10 shows, and those that ran on The CW; Supergirl‘s first season, which spanned 20 episodes, aired on CBS. The 817 episodes are more than all but three multi-show franchise since 1990 — only Law & Order (1,363 episodes as of publication time), JAG/NCIS (1,249) and CSI (838) have more. NBC’s Chicago franchise will need to air 131 more episodes — about six 22-episode seasons’ worth of shows — to pass the DC total….

(3) DIVERSE READING AID. Rocket Stack Rank reminds us of “Outstanding SF/F by People of Color 2023”. See the list at the link.

62 outstanding SF/F short stories by People of Color from 2023 that were finalists for major SF/F awards, included in “year’s best” SF/F anthologies, or recommended by prolific reviewers. (40 free online, 18 with podcasts)….

… Readers asked us to make it easy for them to find good stories written by authors with diverse racial backgrounds, and that’s what this list is meant to accomplish (author identity plays no role in our ratings)….

(4) MORPHIN’ INTO CASH. By the time Heritage Auction’s November 18-19 Power Rangers Hasbro Hollywood & Entertainment Signature^® Auction wrapped it had realized $3.3 million dollars in sales.

Every costume, monster, prop, weapon and warrior offered in the landmark event — nearly 700 lots! — found a new home.

As a result, the auction realized $3,310,929, with countless surprises and smash hits throughout the largest and most comprehensive collection of Power Rangers memorabilia ever assembled, spanning the classic Power Rangers Mighty Morphin to the most recent season, Power Rangers Cosmic Fury, which premiered last year.

From the latter series came the auction’s top lot: the original hero Cosmic Fury Cannon, the team’s signature weapon that combines all five of the Cosmic Fury Rangers’ individual dino-themed powers into an 80-inch-long laser blaster. After a prolonged bidding war during the auction’s second day, the Cosmic Fury Cannon shot up to its final price of $87,500.

Another smash hit was one of this auction’s numerous centerpieces: the Transformable Astro Megaship/Astro Megazord hero filming miniature from 1998’s Power Rangers in Space, one of the only complete Zords in this auction used on screen as the Rangers’ spacecraft and battle Zord. It’s fully articulated, an armed warrior and battle carrier that still moves like a well-oiled machine — and is so complete it still has the fishing line used to open its chest. It opened live bidding at $19,000 and finally realized $47,500 after a lengthy bidding war.

Weapons wielded significant power during this event, with the Green Ranger Hero Dragon Dagger from last year’s Mighty Morphin Power Rangers: Once & Always realizing $23,750. And six Cosmic Morpher Hero Props from Power Rangers Cosmic Fury blasted their way to a $17,500 finish.

Numerous costumes worn throughout the series’ 31-year run realized five figures, among them the Green Ranger hero costume worn by Jason David Frank, as Tommy Oliver, during the initial run of Mighty Morphin Power Rangers in the mid-1990s. It realized $30,000, while his complete White Ranger hero costume from 1995’s Mighty Morphin Power Rangers: The Movie sold for $16,250. The auction’s second day began with a moment of silence in tribute to Frank….

A couple more favorites:

Fierce Fashions: Trini Kwan’s Yellow Ranger costume, Saber-Toothed Tiger Power Morpher included, roared to $23,750. Kimberly Hart’s Pink Ranger suit wasn’t far behind, landing $22,500.

Villains Rule: Even baddies got their moment in the spotlight, with Goldar Maximus strutting off for $21,250 and Master Zedd securing $18,750.

(5) TERMINALS OF ENDEARMENT. “Lovable Movie Robots Are Coming to Charm Your Children” writes Diego Hadis in the New York Times (great article, but behind a paywall).

One near certainty about raising a young child these days is that you and your offspring will be exposed to a lot of stories about robots. Another is that the robots working their charms most effectively on you will belong to a new kind of archetype: the sympathetic robot. Sitting in darkened theaters with my 5-year-old son, I have watched any number of these characters. They are openhearted and often dazzled by the wonders of everyday life — innocently astounded by, say, the freedom of playing in the surf, the bliss of dancing with a loved one or the thrill of just holding hands. They might be more winningly human than some of the humans you know….

… Take Roz, the main character of the animated film “The Wild Robot,” which came out in September. Like the Peter Brown book series on which it is based, the movie focuses on a robot protagonist that gains emotional complexity after she washes ashore on an island unpopulated by humans, learns to communicate with the animals she meets there and becomes the surrogate mother of an orphaned gosling. Roz changes and adapts; she goes from seeing her care for the gosling as a rote task to welcoming it as a real connection. She embraces the wildness of the animals around her and ceases to be the unfeeling machine that her programming intended. Instead, she becomes an unnatural champion for the natural world — one whose touching incomprehension of how to care for a newborn makes her charming….

…We’re now inarguably living in the future that science fiction once imagined. Artificial intelligences weaned on vast libraries of human endeavor are coming online, their boosters hyping their potential to either fulfill our greatest wishes or realize our deepest fears. It feels notable that we are raising our children on pointedly comforting stories about robots that, instead of relieving us of our jobs or edging us to the brink of Armageddon, offer to show us how to be more human. Granted, computers are an inescapable facet of our world now. As they grow up, our children will consume stories about humanlike robots as naturally as our ancestors delighted in tales about anthropomorphic animals. Still, these stories seem to be doing an inordinate amount of work to help children feel warm toward the technologies that increasingly dominate our lives….

…This is all in spite of the remarkably bleak near future portrayed in many of these children’s films. They tend to show us a world of ecological ruin devastated by climate change. “The Wild Robot” offers haunting images like the Golden Gate Bridge submerged in San Francisco Bay as a flock of geese passes overhead. The Earth in “Wall-E” has been reduced to a lifeless, postindustrial horrorscape reminiscent of the works of the photographer Edward Burtynsky; humans have fled it entirely. “Robot Dreams” evades this by being set in and around its 1980s New York, but even that film concerns itself greatly with the natural world. We see the robot experiencing the changing seasons on a wintry beach; the dog takes pity on a fish that he has caught and releases it. There is even a scene — echoing the surrogate parenting in “The Wild Robot” — in which the robot helps encourage a young bird to learn how to fly.

There is an echo here of the classic robot stories: Humanity’s hubris has once again led us to get in over our heads. But now we’re encouraged to take pleasure in watching a robot try to navigate what’s left, slowly figuring out that human values — love, connection, caretaking — are eternally important. The sympathetic robots are devised as much to comfort us parents as they are to make technology appealing to our kids. Despite the destabilized world that we’re leaving to our offspring, they reassure us, artificial intelligences could one day serve as our surrogates — and care for our children or, who knows, even love them for us when we’re gone.

(6) WRITERS NEED HELP. [Item by Steven French.] Worrying news: “Royal Literary Fund’s hardship grants for writers see applications increase by 400%” in the Guardian.

Applications for the Royal Literary Fund’s (RLF’s) hardship grants for professional writers increased by 400% between last year and this year, the charity has said.

There was a nearly fivefold increase in applications in the first quarter of this year compared with the same period in 2023, RLF CEO Edward Kemp told the Guardian.

The RLF’s grant applications are open to writers who need short- or long-term financial support because they are, for example, facing an unexpected bill, reduced income, or are unable to write due to a “change in circumstances, sickness, disability, or age”, according to the RLF.

The grants are given as a donation towards the “removal of distress for the applicant”, rather than to help complete literary works. Writers must have published (via a traditional publisher, not self-published) at least two books in the UK or Ireland to be eligible for a grant.

The rise in applications comes after research published by the Authors’ Licensing and Collecting Society in 2022 showed authors’ median earnings were just £7,000 a year, down from £12,330 in 2006.

(7) FUTURE WORLDS PRIZE JUDGES NAMED. TheFuture Worlds Prize for Fantasy and Science Fiction Writers of Colour has announced the judging panel for its 2025 prize. The prize aims to find new talent based in the UK writing in the SFF space and is funded by author Ben Aaronovitch and actor Adjoa Andoh. The judges are:

2023 winner Mahmud El Sayed
Shadow and Bone actor Amita Suman
Bestselling author Saara El Arifi
Literary agent Amandeep Singh
Author Rogba Payne.

The winner of Future Worlds Prize receives £4,500, and the runner-up receives £2,500. The remaining six shortlisted writers each receive £850. All eight writers also get mentoring from one of the prize’s publishing partners: Bloomsbury, Daphne Press, Gollancz, HarperVoyager, Hodderscape, Orbit, Penguin Michael Joseph, Simon & Schuster, Titan and Tor.

Future Worlds Prize closes for entries at 23:59 GMT on Sunday 26th January 2025.

(8) KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present Sarah Pinsker and Yume Kitasei on Wednesday, December 11 at 7:00 p.m. Eastern.

SARAH PINSKER

A starred Booklist review called Sarah Pinsker’s latest, Haunt Sweet Home, “Fun, eerie, [and] unexpectedly beautiful…” She is the Hugo and Nebula winning author of the novels A Song For A New Day and We Are Satellites, plus the collections Sooner or Later Everything Falls Into the Sea and Lost Places, both published by Small Beer Press, and over sixty pieces of short fiction. She’s currently the Kratz Writer in Residence at Goucher College, and lives in Baltimore with her wife and two weird dogs.

YUME KITASEI

Yume Kitasei is the author of The Deep Sky, The Stardust Grail, and Saltcrop (forthcoming in 2025). She is half Japanese and half American and grew up in a space between two cultures—the same space where her stories reside. She lives in Brooklyn with two cats, Boondoggle and Filibuster. Her stories have appeared in publications including New England Review, Catapult, SmokeLong Quarterly, and Baltimore Review. You can find more information about her at www.yumekitasei.com. She chirps occasionally @Yumewrites at Instagram, TikTok, and Blue Sky.

Meets at the KGB Bar, 85 East 4th Street, New York, NY 10003 (Just off 2nd Ave, upstairs).

(9) WALT BOYES AND JOY WARD JOIN MISTI MEDIA, LLC. Walt Boyes and Joy Ward, longtime chief editors for Eric Flint’s Ring of Fire Press, and Top of the World Publishing, are joining Misti Media as Editors-at-Large. They will be responsible for the startup of Misti Media’s new Science Fiction, Fantasy, and Horror imprint: Nazca Press. They will also be working with Misti Media’s other main imprints and alongside Sandra Murphy who oversees content for specialty imprint Sandra Murphy Presents. For the Misti Media story, see Misti Media, LLC.

“Nazca Press doesn’t have a website yet, as Misti Media is only a year old and growing its Internet presence,” says Walt Boyes, “but what we do have is close to 100 years of editing and publishing experience in both fiction, genre fiction, and non-fiction. And when you add this to the incredible 30 years of industry experience brought to Misti Media by CEO and Publisher Jay Hartman, we are the real deal.”

“We moved first to create world-class distribution for both ebooks and trade paperbacks,” Jay Hartman explains. “We have worldwide distribution in nearly every country, including bookstores and libraries, and we have begun publishing some fantastic authors. Now, with Walt and Joy’s experience and knowledge, we can start looking for more great authors to join our family.”

You can reach Walt at wboyes@mistimedia.com; Joy at jward@mistimedia.com; and Jay Hartman at jhartman@mistimedia.com.

(10) LARPING IN SOCAL. The Washington Post takes you “Inside Twin Mask, an elaborate fantasy world just miles from L.A.” (This gift article bypasses the paywall, but you still need a free WaPo account to read it.)

…The entire weekend — Friday night until Sunday morning — would be spent inside this elaborate fantasy realm with its many rules and intricate replicas.

Held at the site of the Koroneburg Renaissance Festival about an hour outside Los Angeles, the live-action role-playing (LARP) game Twin Mask stands out for its sheer size and lifespan. It’s far more elaborate than other games of its ilk, with anywhere from 400 to 600 players converging in character at events held every month and a half or so.

“You eat food in character, you walk to the bathroom in character,” says its creator, John Basset, who started Twin Mask 14 years ago. “It really feels like you’re in another world.”

Given its proximity to Hollywood, it attracts a fair number of players whose day jobs are in the film industry. And they revel in making a next-level spectacle.

… In the dark world of Adelrune, characters share a unifying aspect — they each have been resurrected from death. Whether they’re a knight, a healer or a merchant, allthe players, known collectively as “The Returned,” have detailed backstories….

… Twin Mask is run by a detailed system of unpaid volunteers and staff who take on everything from writing the story, to ensuring people (and mythical creatures) are hydrated and safe, to performing as non-player characters who help guide the storyline. Still, every player can influence the plot, which continues long after the weekend is over….

… A little over an hour into the game, no one is in charge and a criminal underworld is beginning to take hold. Much of the site is eerily quiet.

Not so at the tavern in the center of town where the single dusty road splits. The boisterous bar is filled with the chatter of players who never break character. Some are making deals while others are socializing. The crowd is soon silenced by the sound of a ringing bell. Players returning from death quietly shuffle in.…

(11) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

December 3, 1958 — Terri Windling, 66.

I first encountered Terri Windling’s writing through reading The Wood Wife, a truly extraordinary fantasy that deserved the Mythopoeic Award it won. (The Hole in the Wall bar in it would be borrowed by Charles de Lint with her permission for a scene in his Medicine Road novel, an excellent novel.) I like the American edition with Susan Sedona Boulet’s art much better than I do the British edition with the Brian Froud art as I feel it catches the tone of the novel.

I would be very remiss not mention about her stellar work as the founding editor along with Ellen Datlow of what would be called The Year’s Best Fantasy and Horror after the first volume which was simply The Year’s Best Fantasy, that being noted for those of you who would doubt correct me for not noting that. The series won three World Fantasy Awards and a Stoker as well.

They also edited the most splendid Snow White, Blood Red anthologies which were stories based on traditional folk tales. Lots of very good stuff there. Like the Mythic Fiction series is well worth reading and available at usual suspects and in digital form as well.

Oh, and I want to single out The Armless Maiden and Other Tales for Childhood which took on the difficult subject of child abuse. It garnered a much warranted Otherwise nomination.

Now let’s have a beer at the Dancing Ferret as I note her creation and editing (for the most part) of the Bordertown series. I haven’t read all of it, though I did read her first three anthologies several times and love the punks as you can see here on Life on the Border, but I’ve quite a bit of it and all of the three novels written in it, Emma Bull’s Finder: A Novel: of The Borderlands, is one of my comfort works, so she gets credit for that.

So now let’s move to an art credit for her. So have you seen the cover art for Another Way to Travel by Cats Laughing? I’ve the original pen and ink art that she did here.

Which brings me to the Old Oak Wood series which is penned by her and illustrated by Wendy Froud. Now Wikipedia and most of the reading world thinks that it consists of three lovely works — A Midsummer Night’s Faery Tale, The Winter Child and The Faeries of Spring Cottage.

But there’s a story that Terri wrote that never got published anywhere but on Green Man. It’s an Excerpt from The Old Oak Chronicles: Interviews with Famous Personages by Professor Arnel Rootmuster. It’s a charming story, so go ahead and read it.

Photo posted by Terri on Bluesky. Photographer unstated.

(12) COMICS SECTION.

Heathcliff faces top competition.
Rubes visits Acme world.
Wizard of Id doesn’t have sunshine coming out of there.
Bizarro takes things literally.
Saturday Morning Breakfast Cereal finds a destiny that isn’t dull.

(13) PREPARE TO BLEEP AND BLUR. [Item by Mike Kennedy.] The House of Mouse said nay to one line of dialogue in Deadpool & Wolverine. Ryan Reynolds came up with a replacement that was just as raunchy, but didn’t reference Steamboat Willie’s willy. People says, “We Now Know the Super-Raunchy Mickey Mouse Joke Disney Asked Ryan Reynolds to Cut from Deadpool & Wolverine”.

…Director Shawn Levy previously said there was “only one line in the entire movie that we were asked to change,” telling Entertainment Weekly in August that he and star Ryan Reynolds made a “pact” to “go to our grave with that line.”

However, Marvel Studios has shared the film’s official screenplay online as part of a For Your Consideration campaign this awards season, and in the script, that original deleted line is revealed.

In the scene where Deadpool (Reynolds) asks if Magneto is also in the film, he’s told the character is dead. He then says, “F—! What, we can’t even afford one more X-Man? Disney is so cheap. I can barely breathe with all this Mickey Mouse c–k in my throat.”

The actual line in the final cut of the movie is: “F—, now Disney gets cheap? It’s like Pinocchio jammed his face in my ass and started lying like crazy.”

The scene features the surprise cameos made by Jennifer Garner as Elektra, Wesley Snipes as Blade and Channing Tatum as Gambit. The screenplay showcases the Stranger Things–inspired code names the writers used to keep the characters’ identities a secret. Gambit is “Gatsby,” Elektra is “Eleven” and Blade is “Billy,” plus, earlier, Chris Evans’ Johnny Storm is listed as “Jonathan Byers.”…

(14) SFF ON LEARNEDLEAGUE: PAOLO BACIGALUPI. [Item by David Goldfarb.] Season 103 of LearnedLeague feature this as the third question of the twelfth match day:

Emiko, the central character in Paolo Bacigalupi’s 2009 dystopian science fiction novel, is a genetically engineered humanoid designed for servitude known as what type of girl, as referenced in the book’s title?

Although this refers to a Hugo-winning novel, it’s sufficiently obscure that not all Filers might know it: the answer is “windup”; the novel is The Windup Girl.

11% of LearnedLeague players got this right (your reporter being one of them). The most common wrong answer actually had a higher rate than the right answer: 16% guessed “geisha” — not totally unreasonable if you have to guess something.

One interesting note is that the question originally gave the author’s name as “Paulo” and the answer as “wind up”, two words. I contacted the League commissioner and got it corrected. (I don’t know how many other people might also have done so.)

LearnedLeague competition allows you to control the points available on each question, within limits, and makes extensive history available to the players. My opponent did not avail himself of this resource! He gave me the maximum points for this one, when even a quick search would suggest that I’d know it.

Brick Barrientos sent along his own comment about the difficulty of this LL question:

“Emiko, the central character in Paulo Bacigalupi’s 2009 dystopian science fiction novel, is a genetically engineered humanoid designed for servitude known as what type of girl, as referenced in the book’s title?”

The answer, of course, is Windup. Only 11% got it right. I thought it was a very hard question for a general knowledge, non-specialist trivia quiz. In my mind, I tried to think of three more recent Hugo novel winners that maybe 30% of trivia enthusiasts could get. In other words, if you gave the author, said it was a Hugo novel winner, some elements of the plot, and a hint at the title, would a mainstream audience get it? I came up with The Three Body Problem by Cixin Liu, Redshirts by John Scalzi, and maybe Network Effect by Martha Wells.

Extend it to novellas, and you could add This is How You Lose the Time War by Amal El-Mohtar and Max Gladstone. If this becomes a Pixel Scroll item, what genre novels have had major mainstream exposure in the last 15 years?

(15) COULROPHOBIA CENTRAL. Those of you who made it to the Westercon in Tonopah have already driven past this landmark: “Creepy vibes drives booming business at Tonopah’s Clown Motel” in the LA Times (behind a paywall).

Business is so good at the Clown Motel, you might expect more of its painted faces to be smiling.

But as Vijay Mehar has learned in his years as owner of the creepiest motel in Tonopah, Nev., happy clowns are not what most of his customers want.

What they seem to want is fear, loathing, painted faces, circus vibes and hints of paranormal activity. Basically, Mehar said recently, “they want to be scared.”

So aiming to lure more people off Main Street (a.k.a. U.S. 95) to visit this 31-room motel in the dusty, stark middle of Nevada, Mehar is boosting his creepiness quotient.

By the end of 2025, he’s hoping to have completed a 900-square-foot addition, doubling the size of the motel’s busy, disquieting lobby-museum-gift shop area. Meanwhile, behind the motel, Mehar is planning a year-round haunted house, to be made of 11 shipping containers….

…“America’s Scariest Motel,” read the brochures by the register. “Let fear run down your spine.”

There are paintings, dolls and ceramic figures, each with its own expression — smiling, laughing, smirking, weeping or silently shrieking. And then there are the neighbors. The motel stands next to the Old Tonopah Cemetery, most of whose residents perished between 1900 and 1911, often in mining accidents…

…“If we had paid 60, or 70, or even 80 bucks, this place might have been worth it,” wrote one unamused motel customer on Trip Advisor recently.

“We had good fun, and even better we weren’t murdered,” wrote another….

(16) TRADING PLACES. [Item by SF Concatenation’s Jonathan Cowie.] Over here in Brit Cit we have a shop chain called Games Workshop that sells tabletop games and models. It has been steadily growing and now may become one of the nation’s top 100 companies on the UK stock market…. “Alliance Witan and Games Workshop expected to join FTSE 100 this month” reports Shares Magazine.

(17) HEARING FROM PAUL DI FILIPPO. Mark Barsotti recently interviewed prolific sff author Paul Di Filippo and through the creative use of photos and book covers turned the recordings into a three-part video series.

PAUL Di FILIPPO INTERVIEW ~ SCIENCE FICTION’S MOST UNDERRATED WRITER? ~ Part 1

Part one of my interview with writer Paul Di Filippo, who in a better world would make the bestseller lists. Interview: November 11, 2024.

PAUL Di FILIPPO INTERVIEW ~ SCIENCE FICTION SUPER SCRIBE! ~ Part 2

Part two of my interview with writer Paul Di Filippo, who in a juster world would make a lot more money. Paul talks about his multiverse novel VANGIE’S GHOST. Interview 11, 2024.

PAUL Di FILIPPO ~ A PINT-SIZED VOLTAIRE?

Part 3 on my interview with science fiction writer Paul Di Filippo, who discusses his latest novel, Vangie’s Ghosts, “technopunk jazz scatting” and not being a miserabilist. Interview: 11-11-24.

[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mark Barsotti, Walt Boyes, Cathy Green, Brick Barrientos, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Jeff “What A Wonderful World” Smith.]

Harlan Ellison Tribute Roundup

Posted on June 28, 2018 by Mike Glyer

Acclaimed speculative fiction writer Harlan Ellison died today at the age of 84. Here is a selection of tributes and reactions posted in social media immediately following the announcement.

Stephen King

Harlan Ellison: There was no one quite like him in American letters, and never will be. Angry, funny, eloquent, hugely talented. If there's an afterlife, Harlan is already kicking ass and taking down names.

— Stephen King (@StephenKing) June 28, 2018

Samuel Delany on Facebook

Here’s the guy who started the notable part of my career. At the Tricon, he ran up to me and demand a story: I wrote it at the upcoming Milford–Aye and Gomorrah, which won the following year’s Nebula Award.

Patton Oswalt

My heart is broken. Off to gather what few thoughts I can for awhile.

What an awful day.

Harlan Ellison is dead.

— Patton Oswalt (@pattonoswalt) June 28, 2018

Arthur Cover on Facebook

As most of the planet knows, Harlan Ellison passed away in his sleep last night. I am seriously bummed. Little did I know when I bought the first volume of the paperback edition on Dangerous Visions when I was a sophomore at Tech did those two words would have such a profound impact on my life. Harlan was responsible for my first sale, to the mythical Last Dangerous Visions, at a Clarion Workshop.

He became a big brother figure to me, and I stayed at Ellison Wonderland on and off during the many times when I was *ahem* between places in LA. I knew his dog Abu, who used to sneak out of the house to get some Hungarian Goulash from a couple down the street. I knew his maid Yosondua, a wonderful person. And I missed meeting his mother by a couple of weeks. There’s so much to remember about him that I can barely stand it.

I met a whole bunch of interesting people thanks to him. Forget the famous ones like Erica Jong; thanks to him, I met Pam Zoline, author of “The Heat Death of the Universe.” We saw Borges together. Thanks to him, I discovered Mahler and Bruckner. I turned him on to Kalinnikov. We both read comics and he liked to impersonate the Hulk with the voice of Ronald Coleman. (Try it.) He tried to set me up with young women; usually I ignored them, thus driving him stinking bonkers. And that was just the 70s.

Then there’s that Dangerous Visions thing – a whole bunch of autograph parties just for starters. (And let’s not forget the time he streaked A Change of Hobbit.) He was immensely supportive throughout the entire frustrating, rewarding enterprise. True, he had his faults; usually I ignored them too. But the exception of my family and friends from Tazewell, I wouldn’t know any of you today were it not for his generosity and friendship. He was a helluva guy, and I have been proud to be his friend forever.

Barbara Hambly on Facebook

Just got word that my friend Harlan Ellison passed away last night. An amazing man to know. I knew he was very ill – he’d never really recovered from a stroke a couple of years ago. So I feel no surprise. Just very, very sad.

Michael Cassutt on Facebook

A talented writer for sure, a self-made writer for absolutely sure…. I so remember “Repent, Harlequin” and “On the Downhill Side” and THE CITY ON THE EDGE OF FOREVER… and his columns that became THE GLASS TEAT, which sent me here to LA…. and more, the friendship that developed in the past decade or so, where I would pop up to Ellison Wonderland and have coffee with HE in his kitchen…. telling tales of George O. Smith and who else. I am actually bawling right now…..Harlan was my big brother and while his passing now, given his stroke three years back, is not a surprise…. it’ s still a shock.

Jaym Gates on Facebook

Harlan Ellison has died. My sympathies to those who will miss him. His voice was powerful, sometimes for good.

As a woman, I am not sad that there will be one less person who thinks it is funny to grope a woman on stage, and who was often used as a smoke screen for bad behavior by creative men.

Wil Wheaton on Twitter

Rest in Peace, Harlan. You always treated me like I was a person whose voice mattered, and I will cherish that memory for the rest of my life.

David Gerrold on Facebook

Harlan didn’t drink. I rarely drink.

Today I will drink.

Today I will toast a man who was a role model, a mentor, a critic, a friend — and ultimately my big brother.

He knew how much I loved him. I told him more than once.

The one thing he said about me that I cherish the most was shortly after I adopted Sean. He said, introducing me to someone else, “David Gerrold is the most courageous man I know.” Actually, it was Sean who needed the courage, but I understood what he was saying. He was acknowledging that I had finally grown up.

Harlan had a great public persona — but it was the private soul I loved the most. And goddammit, I’m going to miss that man.

Charles de Lint on Facebook

I’m very sad to have to write this but Harlan Ellison has passed away. He was a voice of reason, if somewhat contrary, and one of the best short story writers this field, or really any field, has known. He wore his “angry young man” persona lost after he was a young man but behind that bluster was a kind and generous man who would do anything for a friend. He will be greatly missed.

Cory Doctorow on Boing Boing

Ellison’s voice was infectious and has a tendency to creep into his fans’ writing. When I was 19, I attended a writing workshop at a local convention taught by Ann Crispin, who told me that I would be pretty good writer once I stopped trying to write like Harlan Ellison (I went on to sell that very Ellisonian story to Pulphouse).

Harlan was one of my Clarion instructors in 1992. He taught us remotely, by speakerphone, from his hospital bed in LA where he was recovering from angioplasty. I had attended that year because I couldn’t miss the opportunity to learn from Harlan Ellison, whom I held in highest regard (“hero worship” is not too strong a phrase to use here).

Ellison was not a good teacher (that year, at least). In fact, I think it’s safe to say that his instructional methods, which involved a combination of performative bullying and favorite-playing, were viewed as a disaster by all of my classmates, at least in hindsight.

Confronting the very real foibles of the object of my hero-worship was the beginning of a very important, long-running lesson whose curriculum I’m still working through: the ability to separate artists from art and the ability to understand the sins of people who’ve done wonderful things.

John Scalzi in the Los Angeles Times

…My second Harlan Ellison story was from 2011, the last time he was a finalist for the Nebula Award, given out by SFWA. Traditionally, SFWA contacts the Nebula finalists by phone to see if they’ll accept being on the ballot, and knowing of Harlan’s sometimes irascible phone manners, I was the one to call.

Harlan was not irascible. He wept into the phone. He had been ill, he said, and he wondered if what he was writing now still resonated and still mattered to people. To have his professional peers nominate him for one of the field’s most significant awards, he said, meant everything to him.

In that moment he wasn’t a giant of the field, a figure equally loved and loathed, a man about whom everyone had a story, or an opinion, about. He was simply a writer, happy to be in the company of, and remembered by, other writers.

Jeff VanderMeer on Facebook

He was a monumental personality who was influential in his day and to some extent today. He dove into the style and issues of his times with vigor, which sometimes makes his work feel dated but also resulted in classics that feel timeless. As an anthologist, he pushed boundaries in ways that, like his fiction, risked looking silly or actively terrible to modern audiences, but because of that also published a ton of innovative material and furthered the careers of writers who were quite experimental.

In erratic and sporadic fashion Ellison tended to be immensely helpful to some beginning writers and actively not helpful to others for no particular reason. Sometimes, I think, because he was too caught up in his mythology. Sometimes because he had a chip on his shoulder and was mercurial. I have mixed feelings about him for that reason, not to mention others, but there’s no denying he was a protean creative talent. I did learn to take risks in my writing from him, while also learning who I did not want to be as a teacher.

Richard Pini on Facebook

There are no words. He used them all anyway, and far better than most.

Robert Crais on Facebook

We lost Harlan Ellison today. The dedication to THE FIRST RULE reads as follows: “For my friend, Harlan Ellison, whose work, more than any other, brought me to this place.”. He cannot be replaced. He was a giant. He mattered.

David Brin on Facebook

Harlan was wickedly witty, profanely-provocative, yet generous to a fault. His penchant for skewering all authority would have got him strangled in any other human civilization, yet in this one he lived – honored – to 84… decades longer than he swore he would, much to our benefit with startling, rambunctious stories that will echo for ages.

John Hertz

I can’t remember who first remarked that “H.E.” stood equally for Harlan Ellison and High Explosive.

It also stands for His Excellency. Our H.E. being a whole-souled egalitarian would never have stood for that. But if one can break from the bonds of aristocratic associations – which in principle he was always for – it’s true.

I’m glad, not I hope without humility, that what pushed down the Montaigne piece was your notice of Brother Ellison’s death. Although Montaigne and the nature of zeal were two topics I never discussed with him, he might – and he did this sometimes – have approved.

David Doering

I feel a strong sense of loss with his passing. While he and I shared few opinions in common, I always appreciated his ability to stir up discussion.

To be clear, I did not have much personal interaction with Harlan over the years. The first tho was at a Worldcon in the 80s when he asked a large audience who had read a particular book he appreciated. Turned out that only he and I had done so. We chatted for a minute sharing comments, and, as a first encounter, I found him pleasant despite his reputation.

The other time was when Ray Bradbury suggested I call “his friend Harlan” about serving as a guest to LTUE. I can just imagine what must have gone through Harlan’s mind when he got a call from Utah, and from very Mormon BYU at that, asking about being a guest. (Had it happened, it would certainly have stirred things up here!) He was polite, straightforward, and nothing like his public “persona”. I came away appreciating him much more.

The last time was at a LASFS meeting at the old “Hooverville” building. He looked tired, but came to be with fen and seemed to have a good time. I’ll keep that image in my mind as I remember him.

Deadline.com — “Harlan Ellison Dead: Legendary ‘Star Trek’, ‘A Boy And His Dog’ Sci-Fi Writer was 84”

Along with the Star Trek episode, Ellison’s 1964 Outer Limits installment “Demon with a Glass Hand” is widely considered among the best of its series. The bizarre, uncanny episode starred Robert Culp as a man who wakes with no memory but an apparently all-knowing glass hand. For years, rumors persisted that “Demon” inspired Terminator, though Ellison was quoted to have said, “Terminator was not stolen from ‘Demon with a Glass Hand,’ it was a ripoff of my OTHER Outer Limits script, ‘Soldier.’” According to a 1991 Los Angeles Times article, Ellison once again sued and settled.

ComicBook.com — Sci-Fi Writer Harlan Ellison Dies At 84

…Ellison also crafted a script for the Batman ’66 television series that would’ve introduced Two-Face into the show’s canon, but it was never shot. The story recently was turned into a comic titled Batman ’66: The Lost Episode, which officially brings the character into the series.

Variety — Harlan Ellison Dead: Sci-Fi Writer Was 84

…When he dealt with Hollywood, he fearlessly said exactly what he thought again and again — often causing fallout as a result. In the wake of the 1977 release of “Star Wars,” a Warner Bros. executive asked Ellison to adapt Isaac Asimov’s short story collection “I, Robot” for the bigscreen.

Ellison penned a script and met with studio chief Robert Shapiro to discuss it; when the author concluded that the executive was commenting on his work without having read it, Ellison claimed to have said to Shapiro that he had “the intellectual capacity of an artichoke.” Needless to say, Ellison was dropped from the project. Ellison’s work was ultimately published with permission of the studio, but the 2004 Will Smith film “I, Robot” was not based on the material Ellison wrote.

Perhaps Ellison’s most famous story not adapted for the screen was 1965’s “Repent, Harlequin! Said the Ticktockman,” which celebrates civil disobedience against a repressive establishment. “Repent” is one of the most reprinted stories ever.

Shawn Crosby

[Editor’s note: The evil done to Harlan Ellison’s television scripts by cigar-chomping producers has long been part of his legend. In some of the worst cases he refused to have his name appear in the credits, and they aired with his pseudonym Cordwainer Bird shouldering the blame.]

Harlan’s death is accompanied by the passing of Cordwainer Bird, his writing partner of many years, described as “a short, choleric, self-possessed writer of mystery stories and science-fiction for television”, who “has no compunction about punching directors and producers two foot taller than himself right in the mouth.” Bird’s parents were Jason Bird and Rhonda Rassendyll, and he is nephew to The Shadow and a descendent of Leopold Bloom. As a member of the Wold Newton Family himself, Bird’s illustrious heritage has made him something of a fighter for justice in his own right.

Godspeed, gentlemen…

Mark Barsotti

A great voice silenced.

Until you pick up one of his books…

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