Tag Archives: Thomas F. Monteleone

Pixel Scroll 7/30/24 Then Shall All The Scrolls Be Still And Peace Will Come To Pixelville

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(1) BOOKER PRIZE 2024 LONGLIST. [Steven French.] Several genre or adjacent works tucked away in here! “Three British novelists make Booker 2024 longlist among ‘cohort of global voices’” in the Guardian surveys all 13 books.

Percival Everett, Hisham Matar and Sarah Perry are among the 13 novelists longlisted for the 2024 Booker prize. The “Booker dozen” also features works by Richard Powers, Tommy Orange, Rachel Kushner and Anne Michaels.

This year’s “glorious” list comprises “a cohort of global voices, strong voices and new voices”, said judging chair and artist Edmund de Waal….

File 770 has a genre-focused post here: “Booker Prize 2024”.

(2) REJECTING TACIT AGREEMENT. Christopher Golden sends a message “To those of you nodding along with Tom Monteleone…”

A note to certain members of the horror community. I know you’re out there—writers and readers who saw the substack post from Tom Monteleone over the weekend and quietly agree with his estimation of many of the writers who’d received Stoker Awards, or Lifetime Achievement Awards from the HWA. Honestly, it’s easy to do. We get wrapped up in our lives and perceptions and rely on our own experiences and acquired knowledge to filter the information we’re receiving. If you read Monteleone’s screed and agreed with it, even somewhat, maybe you haven’t taken the single moment of wondering if there’s another way to approach it….

… Let’s take a look at some of the authors Monteleone views as unworthy of recognition.

He dismisses Linda Addison mostly, I believe, because she’s best known as a poet. In order to receive the Lifetime Achievement Award, Monteleone reminds us, one must have “significantly contributed to and influenced the field.” It’s obvious he views the field as comprised as writers like himself, never considering that one’s contributions and influence do not need to touch you or even enter your awareness to be legitimate and worth celebrating. Linda Addison does not need you to acknowledge her worth to be worthy. She doesn’t need to have been embraced by readers who are not interested in poetry for her contributions to be significant. You don’t need to have felt her influence or even observed it for her to be influential. I wonder how many horror writers have written poetry because Linda Addison makes them sit up and take notice of the art form. I’d wager the number is far higher than the number of authors who took up writing horror novels because they’d read something by Thomas F. Monteleone. Linda has blazed a trail for others to follow, and lit the goddamn path for them. She’s been a mentor and an example to follow. How many can say the same?

And to claim you consider her your friend? Shame on you. Learn something. Instead of assuming Linda’s race is the reason for her recognition, consider that her race is the reason you haven’t educated yourself as to why she has actually been honored….

(3) KSR ON BBC. The Climate Question team interviews Kim Stanley Robinson in this episode of the BBC World Service program: “The Climate Question, Can Science Fiction help us fight climate change?”

The acclaimed US sci-fi author Kim Stanley Robinson is also a star in the world of climate activism because his work often features climate change – on Earth and beyond. Robinson has been a guest speaker at the COP climate summit, and novels such as The Ministry For The Future and The Mars Trilogy are admired by everyone from Barack Obama to former UN climate chief Christiana Figueres. Robinson’s books are not just imaginative but scientifically accurate, and some of their ideas have even inspired new thinking about climate-proofing technology. Kim Stanley Robinson has been talking to the Climate Question team.

(4) STOP PALPATINE! Gizmodo introduces us to a three-book Star Wars tale coming out in 2026 and 2027: “Star Wars’ New Book Trilogy Explores the Politics Behind the Rise of the Rebellion”.

…As you can tell by the cover of the first novel in the series, The Mask of Fear by Alexander Freed (writer of the absolutely incredible Alphabet Squadron series) Reign of the Empire will examine the struggle against the Empire through the eyes of some familiar faces. Mon Mothma, Bail Organa, and Saw Gerrera–all with their own differing perspectives on what must be done to stop Palpatine–play key roles in the trilogy, alongside a new cast of original characters as the galaxy begins to reckon with the grip of the Empire. Here’s the official logline for The Mask of Fear:

Before the Rebellion, the Empire reigned.

“In order to ensure the security and continuing stability, the Republic will be reorganized into the first Galactic Empire! For a safe and secure society!”

With one speech, and thunderous applause, Chancellor Palpatine brought the era of the Republic crashing down. In its place rose the Galactic Empire. Across the galaxy, people rejoiced and celebrated the end to war—and the promises of tomorrow. But that tomorrow was a lie. Instead the galaxy became twisted by the cruelty and fear of the Emperor’s rule.

During that terrifying first year of tyranny, Mon Mothma, Saw Gerrera, and Bail Organa face the encroaching darkness. One day, they will be three architects of the Rebel Alliance. But first, each must find purpose and direction in a changing galaxy, while harboring their own secrets, fears, and hopes for a future that may never come, unless they act.

The Mask of Fear will be followed by two more novels: the first written by Resistance Reborn‘s Rebecca Roanhorse, and the second by Fran Wilde…

(5) RHONDI SALSITZ (1949-2024). Prolific sff novelist Rhondi Salsitz, who went into hospice care on June 30, died on July 29 Facebook friends learned today.

She was a 1979 Clarion graduate. Her first published story, “Persephone”, appeared in Damon Knight’s Orbit 21 (1980).

Salsitz was born in Phoenix, Arizona. She told a BookReview.com interviewer:

I started writing short stories when I was in the 3rd grade. I wrote my first science fiction novel when I was in the 5th grade. Needless to say, they weren’t very good but I knew very early on that I wanted to be an author. My mother was a writer …so, I grew up with an inherent love for books and I thought being a writer was probably one of the best things in the world you could be. I spent a lot of my early years trading letters with Walter Farley of Black Stallion fame. He was a wonderful author for a child to communicate with. He always wrote back… He was …very encouraging. …I was very lucky. I was always encouraged.

…I got a lot of rejections for a lot of years before I finally started selling. But I’m stubborn. My dad used to say that if I fell in a river, I’d float upstream. I was determined to get published and I did….

During her career she wrote under many names: Sara Hanover, Emily Drake, Anne Knight, Elizabeth Forrest, Charles Ingrid, Rhondi Greening, Rhondi Vilott Salsitz, Jenna Rhodes, R.A.V. Salsitz, and Rhondi Vilott.

Her eight series included the space opera Sand Wars books and fantasy sequences such as Magickers, Patterns of Chaos, and Dragontales. The 14-book Dragontales series was interactive fiction similar to Choose Your Own Adventures. Salsitz also told the BookReview.com interviewer, “I received hundreds of letters from kids who read those. As a matter of fact, I still run into people who read them when they were younger.”

A 2022 anthology she co-edited with Crystal Sarakas, Shattering The Glass Slipper, boasted a finalist for the 2023 WSFA Small Press Award, R.Z. Held’s story “Ashes of a Cinnamon Fire”.

You can hear Salsitz interviewed by Scott Edelman – another 1979 Clarion grad – at the link for his Eating the Fantastic podcast in 2023.

Rhondi Salsitz at the 1988 ABA. Photo by and (c) Andrew Porter.

(6) MEMORY LANE.

[Written by Cat Eldridge.]

Anniversary: July 30, 1966 — Batman (also known as Batman: The Movie) (1966)

So let’s have pure nostalgia for this Scroll which is the Batman film that came out in 1966. Need I say it starred Adam West as Batman and Burt Ward as Robin? Of course not. But who were the villain or villians here this time that our cape crusaders dealt with while protecting the citizens of Gotham City and keeping their real identities secret?

I’ll come to that eventually but first let us look at who put the Batman film together.  It was written by Lorenzo Semple Jr., one of the primary writers for the series who would go one to write the scripts of two best political thrillers ever produced, The Parallax View and Three Days of the Condor. I’d consider The Parallax View to be genre adjacent.

The director was Leslie Herbert Martinson who’s later was responsible for Wonder Woman: Who’s Afraid of Diana Prince? along with episodes of This Immortal, Mission: Impossible, Wonder Woman, Fantasy Island and several other genre series. He produced Rescue from Gilligan’s Island.

Yes, Bob Kane is credited as the creator, but Bill Finger alas goes uncredited. 

So most members of the original series cast, with the exception of Julie Newmar as Catwoman are here. She was replaced by Lee Meriwether. I must say that she made a most purrfect Catwoman just as Newmar had. 

Those villains are a Rouges Gallery of Gotham City’s criminal masterminds. In addition to Catwoman, we have Cesar Romero as The Joker, Burgess Meredith as The Penguin and Frank Gorshin as The Riddler. I’ll freely admit that Newmar’s Catwoman was by far my favorite of Batman’s foes. She was just the funnest of them, and the one I think the actress liked playing her role most of all the villains. 

It premiered in Austin, Texas on this date followed by general release the following weekend.

It cost one point four million dollars and made three point nine million making it a rather nice box office success in those days. 

We don’t do Story here even on an almost sixty-year-old films as we got criticized for giving away the plot of a forty-year-old TV episode once. Suffice it to say that if you like liked the series, this is for you; if you’ve not seen the series, it’s still a good piece of entertainment. 

(7) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

July 30, 1975 – Cherie Priest, 45.

By Paul Weimer: I started with Priest’s work as many people have done–her Steampunk Clockwork Century novels. Boneshaker came out during a boom cycle for Steampunk fiction, and since I was avidly reading Steampunk at the time (trying to keep up with the trend). I decided to give Boneshaker a try. I loved its alternate American take on a subgenre that for a long while seemed terribly British-centric. With its sequels, Priest proved to me that she could master a subgenre with her characters and sharp writing, and I started picking up novels of interest she’s written ever since.

Cherie Priest in 2009. Photo by Caitlin Kittredge.

Horror and dark fantasy, with mystery and gothic touches, make up her major power chords of books she’s written since, with books like The Toll, or the more recent Cinderwich. Cinderwich shows that, beginning with and since her Clockwork Century novels, she has a really excellent sense and style of making a place come to life. Sure, her characters are fully fleshed and real, and sometimes so badly hurt by events. But it is the locales and places that they inhabit, or are trying to escape from, that really makes her fiction special for me. Grave Reservations, a supernatural mystery that is less Gothic and more quirky, has its Seattle come to life for me, for example. 

Her most audacious work, and my favorite, are Maplecroft and Chapelwood.  Lizzie Borden in this pair of novels faces off against Cosmic Horrors, with her axe. These two books are exactly for the people excited by that concept and Priest delivers in spades. The really strong use of point of view makes the novels feel inhabited, and alive. (And a really good message about confronting prejudice and hate that make the novels feel endlessly timely). And yes, once again, the settings and landscapes come alive in her writing.

(8) COMICS SECTION.

(9) HEATHER WOOD’S MUSIC. Thank Goodness It’s Folk devotes an episode of the podcast to “Remembering HEATHER WOOD”, a sff publishing figure who enjoyed even greater musical fame.

James and Sam bring this season of TGIF to a close with a special episode dedicated to the memory of Heather Wood, the inspirational singer and folklorist who sadly passed away this week. Her records with The Young Tradition are benchmarks in unaccompanied harmony singing, nearly sixty years after they formed. We play some of her wonderful solo singing, an absolute belter of a Young Tradition live performance, and some of the music that surrounded them in London in the 1960s where they lived, sang and worked together. 

In the second half, Sam is joined by Eliza Carthy to talk about her plans with Martin Carthy to record his latest, and critically important, project “East” – and how you can get involved to help this be born. Sam plays two exclusive, never-before-broadcast live recordings of Martin singing from this project. 

(10) MUST HAVE? [Item by Daniel Dern.] Here’s the buy-it link for the book bookbag: “Library Print Shoulder Bag” at TeezAvenue. (They also offer the design as a skirt or a dress.)

(11) HERE THERE BE SPOILERS. You’ve been warned. Variety explains “‘Deadpool & Wolverine’s Shockingly Sweet Eulogy for 20th Century Fox”.

For all the raunchy jokes, club drugs, buckets of blood and meta punchlines, “Deadpool & Wolverine” may be the most sentimental movie of the summer. Hollywood insiders and superhero film fans were stunned to discover that last weekend’s Marvel blockbuster basically amounts to a big, sobbing, “Steel Magnolias”-grade sendoff to 20th Century Fox.

After all, it was at that defunct studio, founded in 1935 and sold by Rupert Murdoch to Disney in 2019, that “Deadpool” first shimmied on-screen in a skintight bondage suit and pistols. It’s also where two decades’ worth of Marvel films were made, most notably the “X-Men” series, which catapulted Hugh Jackman to stardom. These characters first appeared in Marvel Comics but were licensed to Fox, leaving them operating outside the Marvel Cinematic Universe (the moniker for Disney’s film and TV Marvel adaptations). The merger with Disney changed all that….

(12) AND IF YOU WANT SPOILERS. The New York Times heads this article: “Spoiler Alert: Here’s a Guide to the Cameos in ‘Deadpool & Wolverine’”. However, it’s paywalled, so it may be hard to give into the temptation to peek at the list.  

(13) BAD TRIP. “Astronaut traveling to Titan loses his grip on reality in 1st ‘Slingshot’ trailer” – Space.com has a synopsis:

Laurence Fishburne…shares the screen with the Academy Award-winning Casey Affleck (“Manchester By the Sea”) and Tomer Capone (“The Boys”) in Bleecker Street’s upcoming outer space thriller, “Slingshot,”…The basic plot revolves around a harrowing 1.5-billion-mile trek to Saturn’s moon Titan and one astronaut’s inability to distinguish nightmares from real-life due to the side effects of a drug meant to induce hibernation sleep for the long haul….

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Paul Weimer, Daniel Dern, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Thomas the Red.]

Pixel Scroll 7/27/24 The Roads Must Scroll

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(1) MONTELEONE’S NEW SUBSTACK REPEATS OLD MESSAGE. Author Thomas F. Monteleone, who early in 2023 was ousted from the Horror Writers Association for violating its Code of Conduct, today launched a Substack newsletter with “Allow Me To Introduce Myself”, which rehearses many of the views that he was expressing on Facebook and in video interviews when HWA removed him from membership.

Sheena Forsberg also has screencaps of the newsletter in a thread on X.com: “Oh.. JFC. Tom Monteleone’s back.. I suspect this wasn’t what your friends and colleagues meant when they urged you to go the substack route.”.

(2) CASHING IN ON FANHISTORY. [Item by Chris Barkley.] A copy of the pamphlet that triggered the Exclusion Act at the first Worldcon in 1939, which yesterday’s Scroll reported was up for auction, went for $750 reports Stellar Books & Ephemera.

(3) 1929: THE GENRE GETS A NAME. Jim Emerson’s year-by-year history Futures Past will reach 1929 in the latest volume due in August.

FUTURES PAST is dedicated to all those amazing people who helped to shape our modern world by giving us a sense of wonder, by showing us possible futures and addressing social issues long before they touched the mainstream, and by simply daring to ask, “what if…” Our goal is to keep alive the people, works and memories of a great genre and introduce them to a whole new generation of readers, thinkers and dreamers.

You can download an excerpt: “The Stirrings of a New Genre”

…One of the feature articles for 1929 is an extensive look at the evolution of the term “science fiction” which was not called that until this year.  In fact, the word “science” was not coined until the early 1800s, and that is where this article begins….

(4) STEPHEN GRAHAM JONES Q&A. In the New York Times: “Stephen Graham Jones, Author of ‘I Was a Teenage Slasher’, on His Reading Life”. (Gift link bypasses Times paywall.)

How do you sign books for your fans?

I cross my name out then write it for real. I can’t use markers on grabby paper. That raspy sound makes me crawl out of my skin like Mr. Krabs, molting….

What do your English department colleagues at the University of Colorado Boulder make of your horror writing?

Lot of them read it, and talk to me about it. It’s nice to work with faculty without that inbuilt prejudice against genre. Or, I’m a little bit tall, so it’s tricky to look down your nose at me. Unless you lean just way back….

(5) SHARING EXPERTISE. “Show up, love the process, don’t follow trends: insider tips on how to write a book” – the Guardian publicizes a creative writing podcast.

The novelist and podcaster Elizabeth Day, host of the How to Fail series, has created a “podclass” to answer those questions and more, hosted by three publishing pros: novelist Sara Collins, agent Nelle Andrew and publisher Sharmaine Lovegrove. Here, the four share their key advice for getting a book out into the world.

One of Sara Collins’ tips is:

3. Pay attention

Writing is a way of filtering the world. The best writers are the ones who make an art of paying attention, who find joy in being curious. Curate a notebook (to be honest, in my case it’s mostly in the notes app on my phone). Make a note of anything that strikes you. One of the best feelings about being in the midst of a project is how you can become a tuning fork, alive to the material that wants to find its way in. Everything is copy, as Nora Ephron said.

Episode 1 of How To… Write A Book is available at Apple Podcasts and many other places.

Sara Collins is the bestselling novelist and screenwriter currently serving as a judge for the 2024 Booker Prize. Her debut novel, The Confessions of Frannie Langton, won the Costa book awards in 2019 and she later wrote the TV screenplay. Nelle Andrew is a literary agent and former Agent of the Year at the

British Book Awards, and Sharmaine Lovegrove is the co-founder and managing director of Dialogue Books, an inclusive imprint at a major publishing house. Each of them is an expert in one stage of the publishing journey…. and all are literary nerds (in the best possible way).

(6) SMOKED PENGUIN WILL NOT BE ON THE MENU. “’The Penguin’ Comic-Con Activation Evacuated After Fire Breaks Out” reports Variety.

A fire broke out in the building hosting the San Diego Comic-Con activation for the HBO series ”The Penguin,” causing the venue to be evacuated on Friday evening. The alarm was sounded in the midst of the press preview for the activation. Members of the media, including reporters from Variety, were escorted outside by officials at roughly 7:30 PM. Update: The activation is now back up and running. There were no injuries.

A representative for the San Diego Police Department confirms that a three-alarm fire was reported at the venue on 5th Avenue and E Street in the city’s downtown area. The fire began in a Brazilian steakhouse that was also in the building….

… The multi-level installation for “The Penguin” involved an elaborate, immersive experience that put attendees inside the seedy and cavernous criminal hang-out dive known as the Iceberg Lounge, first seen in the 2022 film “The Batman.” The HBO crime series is a spin-off of the Matt Reeves-directed blockbuster, with Colin Farrell reprising his role as the villainous gangster Oswald Cobblepot. The Comic-Con activation represents the most lavish promotional push yet for the DC Comics series….

(7) STAR WARS AUCTION ITEMS GO FOR UP TO SEVEN FIGURES. Variety listens to the cash register chime as “’Star Wars’ Y-Wing Miniature, Princess Leia Bikini Sold at Auction”.

A filming miniature of a Y-Wing Starfighter helmed by Gold Leader, who aided Luke Skywalker in destroying the Death Star in 1977’s “Star Wars: A New Hope,” sold for a whopping $1.55 million Friday at Heritage’s July Entertainment Auction.

Another highlight of the collection was a Princess Leia gold bikini costume from Jabba the Hutt’s scenes in 1983’s “Return of the Jedi,” which sold for $175,000. The ensemble includes seven pieces from Industrial Light & Magic chief sculptor Richard Miller’s collection–a bikini brassiere, bikini plates, hip rings, an armlet and bracelet….

… Other items featured at the Heritage auction included final movie poster artwork for “Star Trek IV: The Voyage Home” by Bob Peak, which sold for $106,250. Paramount’s 1986 sci-fi film was directed by Leonard Nimoy, who also played Spock. Additionally, a piece of John Alvin’s concept art for his 1982 “Blade Runner” movie poster fetched $100,000….

(8) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

July 27, 1968 — Farah Mendlesohn, 56.

By Paul Weimer: I would not say that Farah Mendlesohn is twice the science fiction reviewer and critic that I am. I would say that she is perhaps three or four times the science fiction reviewer and critic that I am. Mendlesohn has a strength and depth to her analysis and writing that I can’t even approach even on the best of days. She remains and will probably always remain the lightspeed barrier of criticism that I will never ever reach, but I will still try.

Farah Mendelsohn. Photo by Scott Edelman

Her best work, her deepest and perhaps her most essential work is her book on the work of Robert Heinlein, The Pleasant Profession of Robert A. Heinlein. Although many on the far right hate it for not being hagiographic enough about Heinlein and his work, I have found her views instructive, interesting, and more than one occasion has caused me to reassess what I had just read myself. I got into a pattern over on the SFF Audio podcast where we were doing Heinleins regularly. Each time, I dipped into the Pleasant Profession to see what Farah had to say, and each time, I came away with a new perspective and new point of view, even with books such as Farnham’s Freehold. The Pleasant Profession is a mandatory read if you want to dig deeper into any Heinlein title that you are thinking of reading or re-reading. It amazes me that it had to be crowdfunded to come into existence, Mendlesohn has done plenty of other publications, of course, including the Cambridge Guide to Science Fiction, works on Diana Wynne Jones, A short history of fantasy and plenty more. I think of her work as my gateway (and perhaps yours, reader) into the academic side of science fiction, a country I will never enter, but perhaps can wave at from not far from the border.

(9) COMICS SECTION.

(10) BRINGING UP BABY. A snippet of fascinating comics history in “The Strafford – 777 West End Avenue” at Daytonian in Manhattan.

…Iancu Urn Liber was born in Eastern Romania where he suffered intense antisemitism.  Upon immigrating to America, he changed his name to Jack Lieber.  In the spring of 1920, Jack married Celia Solomon and they moved into The Strafford.  Two years later, on December 28, 1922, they welcomed their first son, Stanley Martin Lieber.  Like his father had done, Stanley would change his name, becoming Stan Lee–the creative leader of Marvel comic books….

The same article includes an unrelated bit of interesting Titanic history.

(11) STAR TREK NEWS. Variety was at Comic-Con when they unveiled “Star Trek: Strange New Worlds, Section 31, Lower Decks First Looks”.

The “Star Trek” Universe uncloaked a litany of first looks during its epic panel at San Diego Comic-Con on Friday, including panels for the third season of “Star Trek: Strange New Worlds,” the fifth and final season of “Star Trek: Lower Decks” and the first television feature film in the franchise, “Star Trek: Section 31.”

(12) CREATURE COMMANDOS. “Creature Commandos Teaser Unveiled, New DC Studios Logo” – Deadline sets the frame.

James Gunn beamed in from the Superman set Friday at Comic-Con to show off the new teaser for Max’s animated series Creature Commandos, which he wrote all seven episodes on. Premiere date is December.

In the footage… Viola Davis reprises her role as Amanda Waller. She walks Captain Flag down to inner prison areas where we’re introduced to a bunch that’s crazier than the Suicide Squad: Weasel, The Bride, G.I. Robot, Dr. Phosphorus, Frankenstein and Nina Mazursky.

“These assholes aren’t human,” Waller tells Rick Flag. G.I. Robot later pops up, “It’s been oh., so long since G.I. Robot sent Nazis back to hell!”…

(13) SDCC’S SIMPSONS PANEL FEATURES VIDEO OF KAMALA HARRIS QUOTING LINE FROM SHOW.  It’s not a new video, as you can learn from reading beyond the clickbait headline. “Kamala Harris Surprises ‘Simpsons’ Fans With Message at Comic-Con” in The Hollywood Reporter.

The Simpsons panel at San Diego Comic-Con saved a final surprise for last, as the event ended with a resurfaced video message from Vice President Kamala Harris.

After introducing the final clip as coming from a “super fan,” Matt Groening — who created the animated Fox series that is soon to launch its 36th season — set up footage of a laughing Harris delivering a well-known line from a previous “Treehouse of Horror” episode. The clip was recorded years ago by a group of University of Chicago students who were tasked with getting an elected official to recite the Simpsons quote.

“We must move forward, not backward; upward, not forward; and always twirling, twirling, twirling towards freedom,” Harris said in the clip. It led to big cheers from the crowd, who appeared to assume that the moment was filmed for the panel, given that no context was given about the clip.

The quote is from season eight’s “Treehouse of Horror VII” that aired Oct. 27, 1996, just ahead of that year’s presidential election between then-President Bill Clinton and Bob Dole. The episode’s segment features aliens Kang and Kodos impersonating the two candidates, with the Clinton imposter delivering the muddled message during a public event….

(14) KEPLER’S LEGACY. Phys.org explains how “Kepler’s 1607 pioneering sunspot sketches solve solar mysteries 400 years later”.

“Kepler’s legacy extends beyond his observational prowess; it informs ongoing debates about the transition from regular solar cycles to the Maunder Minimum, a period of extremely reduced solar activity and anomalous hemispheric asymmetry between 1645 and 1715,” Hayakawa explained.

“By situating Kepler’s findings within broader solar activity reconstructions, scientists gain crucial context for interpreting changes in solar behavior in this pivotal period marking a transition from regular solar cycles to the grand solar minimum.”

“Kepler contributed many historical benchmarks in astronomy and physics in the 17th century, leaving his legacy even in the space age,” said Hayakawa.

“Here, we add to that by showing that Kepler’s sunspot records predate the existing telescopic sunspot records from 1610 by several years. His sunspot sketches serve as a testament to his scientific acumen and perseverance in the face of technological constraints.”

Sabrina Bechet, a researcher at the Royal Observatory of Belgium, added, “As one of my colleagues told me, it is fascinating to see historical figures’ legacy records convey crucial scientific implications to modern scientists even centuries later.

“I doubt if they could have imagined their records would benefit the scientific community much later, well after their deaths. We still have a lot to learn from these historical figures, apart from the history of science itself. In the case of Kepler, we are standing on the shoulders of a scientific giant.”

(15) THAT EYE GUY. “’Lord of the Rings: The Rings of Power’ Season 2 Trailer: More Sauron” is Deadline’s simple verdict.

Amazon Prime, once again, spared no expense in banging the drums –literally– for its hit series, Lord of the Rings: The Rings of Power at Comic-Con. Today’s Hall H panel fired up with composer Bear McCreary leading a big drum percussion and choir with themes from Season 2 of the hit series.

That’s not all — an orc stormed on stage screaming his support of Adar. Also, you know it’s a special moment in Hall H when they open up the massive wrap-around 180-degree-plus screens.

Last night, Amazon celebrated the Aug. 29 launch of Season 2 with a cast and showrunner reception decked out ala Lord of the Rings with a golden flowers and dark forests theme at Venue 808 last night before stirring up a 6,500-strong filled Hall H with the new trailer….

As for the trailer – the YouTube blurb says:

About The Rings of Power Season 2: Sauron has returned. Cast out by Galadriel, without army or ally, the rising Dark Lord must now rely on his own cunning to rebuild his strength and oversee the creation of the Rings of Power, which will allow him to bind all the peoples of Middle-earth to his sinister will. Building on Season 1’s epic scope and ambition, Season 2 of Amazon’s The Lord of the Rings: The Rings of Power plunges even its most beloved and vulnerable characters into a rising tide of darkness, challenging each to find their place in a world that is increasingly on the brink of calamity. Elves and dwarves, orcs and men, wizards and Harfoots… as friendships are strained and kingdoms begin to fracture, the forces of good will struggle ever more valiantly to hold on to what matters to them most of all… each other.

[Thanks to Andrew Porter, John King Tarpinian, Paul Weimer, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, Teddy Harvia, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 6/27/23 All The World Seems Less Vile When We’re Reading The File

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(1) AI AND CLICK FARMERS GAMING KINDLE UNLIMITED. AI-generated books are hitting the best-seller lists in the Kindle Unlimited store. Stacy King points out that one of the best-sellers in the War & Military Fiction category is “URGENT CHARACTER NAME: URGENT CHARACTER NAME” by Minh Duong. Thread starts here.

(2) BOSEMAN SELECTED FOR WALK OF FAME. GamesRadar+ reports “Chadwick Boseman to receive posthumous star on the Hollywood Walk of Fame” and names the other who will be honored in 2024.

Chadwick Boseman is set to receive a posthumous star on the Hollywood Walk of Fame as part of their class of 2024. The actor died from colon cancer in August 2020 at the age of 43. He was diagnosed with the disease in 2016, but kept his illness private until his death. 

Best known for his starring role in Marvel’s Black Panther as King T’Challa of Wakanda and the titular superhero (and other appearances in the Avengers movies), Boseman also starred in films like Da 5 Bloods, 21 Bridges, and Ma Rainey’s Black Bottom. He received a posthumous Oscar nomination for his performance in the latter, and he was also posthumously awarded the Emmy for Outstanding Character Voice-Over Performance for his work in animated Marvel series What If…?

Boseman was selected to appear on the Walk of Fame in the motion picture category, with other groups including television, recording, live theatre/live performance, and radio. Honorees are chosen every year by the Hollywood Chamber of Commerce out of hundreds of nominees. Other new additions to the movie category include Gal Gadot, Michelle Yeoh, Chris Pine, Maggie Gyllenhaal, Christina Ricci, Marvel Studios president Kevin Feige, and Illumination CEO Chris Meledandri.

Those in the TV category include Ken Jeong, Eugene Levy, Sheryl Lee Ralph, Michael Schur, and Kerry Washington. The cohort’s other posthumous honoree is Otis Redding, in the live performance category. Redding died in a plane crash in 1967.

(3) SPIDER-MAN’S POWERFUL B.O. The Hollywood Reporter is taken by surprise as the new Spider-Man movie bounces back to the top of the charts: “Box Office: Spidey Beats ‘Elemental’, ‘The Flash’ Tanks”.

In a box office upset, Sony holdover Spider-Man: Across the Spider-Verse edged out Pixar’s Elemental to win the weekend all the way in its fourth outing. Rarely does a film reclaim the top spot like that amid fierce summer competition.

Spidey took in an estimated $19.3 million as it raced past the $300 million mark domestically to finish Sunday with a North American total of $317.1 million and an impressive $560.3 million worldwide.

Elemental took in an estimated $18.5 million upon falling only 39 percent in its second weekend, a strong hold after suffering the worst start in the modern history of Pixar. The film’s hold means it’s being helped by strong word of mouth….

… The news for DC and Warner Bros.’ big-budget superhero pic The Flash — which opened last weekend opposite Elemental to a sobering $55.1 million — grew worse as it fell off 72 percent to $15.3 million for a domestic cume of $87.6 million. Unlike Elemental, The Flash received poor exit scores. (The studio had hoped for a decline of 55 percent.) Insiders concede the film, starring Ezra Miller, is a huge miss and is being rejected by audiences on a wholesale basis….

(4) MAKING THE ROUNDS. Craig Miller comments on screenings of Ruby Gillman, Teenage Kraken and Elemental before reporting on a Propstore reception where some top-end costumes and art were displayed ahead of an auction. See the photos on his Facebook page.

…Herewith, photos of a few of the pieces. I think the gem of the auction is Carrie Fisher/Princess Leia’s Medal Ceremony dress from the end of “Star Wars”. Estimated to sell for, perhaps, $1,000,000. Also on display were an asteroid miniature from “The Empire Strikes Back”, Michael Keaton’s Batman costume from “Batman Returns” and Tommy Lee Jones’ Two-Face costume from “Batman Forever”, an original painting by Ralph McQuarrie done for the ILM crew shirt for “Star Wars”, a matte painting for the Death Star trench (interesting at least to me, I have hanging in the hall outside my office the matching photo – about 3’x3′ – of the Death Star trench miniature that was painted over and cut out to make this matte), Harrison Ford’s “Blade Runner” costume, Daniel Radcliff’s costume from “Harry Potter and the Chamber of Secrets”….

(5) MISSING FROM HISTORY. After Thomas Monteleone got expelled from the Horror Writers Association, and Mort Castle started a kerfuffle about being left out of an HWA Blog Q&A series, author Lionel Ray Green asked Brian Keene: “Feeling forgotten: Do older horror writers have a point?”

…In his June 21st podcast, Keene addressed the Castle and Monteleone controversies.

“I know there was a big kerfuffle with Mort Castle,” Keene said. “I did not see Mort’s comments, but people I trust have paraphrased them for me. I think we can have empathy for Mort. I don’t think it’s terrible of him to feel forgotten. I think his feelings are valid because Mort did some important things. I don’t know, maybe Mort should’ve read the room … maybe there was a better way of expressing it. 

“Tom’s comments were reprehensible. They were inexcusable. And I’m in no way defending him. But I do think Tom’s comments stem from a place of hurt, of feeling forgotten. There was a time when Tom Monteleone did a lot in this genre. He was one of the movers and shakers. In some of the much-deserved blowback to his comments, you saw a lot of ‘Who’s Tom Monteleone?’ which kind of proves the point. The guy was feeling forgotten.” 

Keene said he talked to Bram Stoker Award-nominated author Ronald Malfi about the issue during StokerCon 2023 earlier this month. 

“Ron Malfi and I had a heart-to-heart about this in the bar at StokerCon,” Keene said. “We feel it’s our generation’s responsibility to spotlight some of these people. I try to do that in my newsletter. Right now, I’m campaigning for Chet Williamson to get a Lifetime Achievement Award from the HWA. I think he deserves it.” 

Williamson received six Stoker Award nominations from 1987 to 1990, including two for his novels Ash Wednesday and Reign….

(6) FUTURAMA TRAILER. Paste Magazine sets the table: “Futurama Lives on Hulu, Entire Cast Returns in First Trailer”.

…Oh yeah, we’re definitely mining some nostalgia here. It certainly feels like this iteration of the show is attempting to go back and replicate nearly everything fans still love and reference about the original series, right down to bit players like the colony of worms that once invaded Fry’s colon after some bad truck stop egg salad. At least the voices of the characters sound more or less intact, mercifully avoiding the tiredness and unnatural delivery that has become an expected part of new Simpsons episodes for the last decade. We’re also not sure how to feel exactly about the series seemingly making a point of falling back on topical humor, with jokes clearly directed at the COVID-19 pandemic, cryptocurrency and even the popularity of Frank Herbert’s Dune following its big-screen adaptation. Hopefully, this version of Futurama can prove it still has some reason to exist, beyond brand recognition….

(7) TURNING IN THE WORK. “Rosamund Pike acts in ‘Wheel of Time’ and reads (and reads and reads) it, too” the Washington Post learned.

When told how long she’s been recording the audiobooks for the Wheel of Time, the fantasy series by Robert Jordan, Rosamund Pike sounded disconcerted.

“You mean so far, with the three I’ve done?” she asked. “It’s 80 hours?” (To be precise, between “The Eye of the World,” “The Great Hunt” and the most recent installment, “The Dragon Reborn,” which has just been released, it’s 87 hours and 23 minutes.) Pike was calling in from Prague, where she and her family moved a few years ago for the production of the television series adapted from Jordan’s books. She is a producer of the series and stars as the magical priestess Moiraine. Over video, what passed over her face, hearing that time estimate, could be called a grimace. “Well — that’s good.” Her eyebrow arched. “Yeah, that’s … nice.”

Pike’s account of how she got involved in this epic project has a “hero’s journey” ring to it: the call to adventure, the reluctant protagonist, then some intervention that encourages them to leave the world they knew. When Macmillan Audio initially approached her, she turned the job down. Though she’d recorded audiobooks before — including Jane Austen, a historical spy novel and a murder mystery — for most of her life she hadn’t been much of a fantasy fan: “I think I’d always been quite grounded in reality,” Pike told Stephen Colbert in 2021. “… I didn’t feel I needed to branch out into creatures and mythological beasts…”

(8) MEMORY LANE.

1986 – [Written by Cat Eldridge from a choice by Mike Glyer.]

And then there’s Gene Wolfe. What an amazing writer. I was surprised in doing this write-up to find that he had not won any Hugos, though he has won World Fantasy Awards both for his long and short form work, along with a BSFA, a BFA and Nebulas.

So what do I like by him? First and foremost is the exemplary The Book of the New Sun series. Now this is what fantasy should be. I’ve not read all of The Wizard Knight series but what I have read has been very enjoyable; and likewise the stand-alone novels Pirate Freedom and the fascinating travel affair The Land Across as I love imaginary European countries.

So our Beginning this Scroll is from Soldier of the Mist, the first novel of the Latro series. It was published by Gollancz in 1986. It picked up Nebula and World Fantasy Award nominations. 

And here’s our Beginning…

I write of what has just occurred. The healer came into this tent at dawn and asked whether I recalled him. When I said I did not, he explained. He gave me this scroll, with this stylus of the slingstone metal, which marks it as though it were wax. 

My name is Latro. I must not forget. The healer said I forget very quickly, and that is because of a wound I suffered in a battle. He named it as though it were a man, but I do not remember the name. He said I must learn to write down as much as I can, so I can read it when I have forgotten. Thus he has given me this scroll and this stylus of heavy slingstone metal. 

I wrote something for him in the dust first. He seemed pleased I could write, saying most soldiers cannot. He said also that my letters are well formed, though some are of shapes he does not know. I held the lamp, and he showed me his writing. It seemed very strange to me. He is of Riverland. 

He asked me my name, but I could not bring it to my lips. He asked if I remembered speaking to him yesterday, and I did not. He has spoken to me several times, he says, but I have always forgotten when he comes again. He said some other soldiers told him my name, “Latro,” and he asked if I could remember my home. I could. I told him of our house and the brook that laughs over colored stones. I described Mother and Father to him, just as I see them in my mind, but when he asked their names, I could tell him only “Mother” and “Father.” He said he thought these memories very old, perhaps from twenty years past or more. He asked who taught me to write, but I could not tell him. Then he gave me these things.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 27, 1909 — Billy Curtis. You’ll best remember him as the Small Copper-Skinned Ambassador in Trek’s “Journey to Babel” episode. His genre experienced goes all the way back to Wizard of Oz where he was a Munchkin, and later on he’s a mole-man in Superman and The Mole-Men, and later on a little person in The Incredible Shrinking Man. He had lots of one-offs, be it on Batman (twice there), Bewitched, Gilligan’s Island, Planet of The Apes or Twilght Zone. (Died 1988.)
  • Born June 27, 1941 — James P. Hogan. A true anti-authoritarian hard SF writer in the years when that was a respectable thing to be. I’m sure that I’ve read at least Inherit the Stars and The Gentle Giants of Ganymede. Tell me about his short fiction please. A decent amount of his work is available on the usual suspects. (Died 2010.)
  • Born June 27, 1952 — Mary Rosenblum. SF writer who won the Compton Crook Award for Best First Novel for The Drylands, her first novel. She later won the Sidewise Award for Alternate History Short Form for her story, “Sacrifice.” Water Rites and Horizons are the only ones available at the usual suspects. (Died 2018.)
  • Born June 27, 1959 — Stephen Dedman, 64. Australian author of The Art of Arrow-Cutting, a most excellent novel. I really should read Shadows Bite, the sequel to it.  He’s the story editor of Borderlands, the tri-annual Australian science fiction, fantasy and horror magazine published in Perth. Apple Books has nothing for him, Kindle has The Art of Arrow-Cutting and a few other titles. 
  • Born June 27, 1966 — J. J. Abrams, 57. Let’s see… He directed and produced the rebooted Star Trek, Star Wars: The Force Awakens and Star Wars: The Rise of Skywalker (he was a co-writer on the latter two), but I think I will single him out as the executive producer of the Fringe series, the Lost series, and Person of Interest. 
  • Born June 27, 1972 — Christian Kane, 51. You’ll certainly recognize him as he’s been around genre video fiction for a while first playing Lindsey McDonald on Angel before become Jacob Stone on The Librarians. And though Leverage may or may not be genre, his role as Eliot Spencer there is definitely worth seeing. 
  • Born June 27, 1975 — Tobey Maguire, 48. Spider-man in the Sam Raimi trilogy of the Spidey films. His first genre appearance was actually in The Revenge of the Red Baron which is one serious weird film. Much more interesting is his role as David in Pleasantville, a film I love dearly. He produced The 5th Wave, a recent alien invasion film.
  • Born June 27, 1987 — Ed Westwick, 36. British actor who has roles in the dystopian Children of Men, S. Darko (a film I couldn’t begin to summarize), Freaks of Nature (a popcorn film if ever there was one), the “Roadside Bouquets” episode of the British series Afterlife (which I want to see) and The Crash (which may or may not be SF).

(10) DIRECT ANSWERS. Hear from the renowned comic dealer in “ICv2 Video Interview: Bud Plant, Part 1”.

For his article on direct market pioneer Bud Plant (see “Bud Plant, a Pioneer“), Dan Gearino (author of The Comic Shop, see “New Edition of ‘Comic Shop’“) conducted a meaty video interview with Plant, which you can watch in three parts:

  • In Part 1 (see video below), Plant talks about the very early days of the comics business in the 1960s, and some of the first comic stores in California. 
  • In Part 2, he talks about meeting Phil Seuling, the beginnings of the direct market, and opening the first Comics & Comix store.
  • In Part 3, he talks about rapid growth in the 1980s, selling his wholesale business to Diamond, and the meaning of it all.

We are also making available full transcripts of the interview, in three parts corresponding to the three parts of the video interview.

ICv2 Interview Transcript: Bud Plant Part 1
ICv2 Interview Transcript: Bud Plant Part 2
ICv2 Interview Transcript: Bud Plant Part 3

(11) MOSCOW SUCKS. “’First trailer for timely Moscow-set sci-fi horror Empire V” at Deadline.

Victor Ginzburg’s timely sci-fi horror Empire V, which is described as a social parody of Russia being controlled by vampires, world premieres at Montreal’s Fantasia Fest this July.

Ahead of the debut, Deadline can reveal a first trailer for the film which has gained fresh resonance following the revolt in Russia over the weekend by Yevgeny Prigozhin’s Wagner mercenary group.

Based on a 2006 satirical novel by Victor Pelevin, the film revolves around a 19-year-old Muscovite who is turned into a vampire, propelling him into an elite and powerful echelon of society that has controlled humanity since time immemorial.

… Sony had been due to release the film in Russia on more than 1,800 screens in the first quarter of 2022, but the government refused to release its distribution permit, effectively banning the film….

There is an “exclusive” trailer embedded in the Deadline article, which visually is probably 99% the same as this one released a year ago.

https://www.youtube.com/watch?v=VUsejOXVCUY

(12) THE WITCHER INFOGRAPHIC. The premiere of season 3 of the Geralt of Rivia adventures is coming this week. On this occasion, JustWatch thought you’d like to see how the miniseries and animated film performed compared to Netflix’s tentpole, starring Henry Cavill. 

Despite efforts, The Witcher: Blood Origin failed to captivate viewers, receiving -2.3% less popularity than the animated film The Witcher: Nightmare Of The Wolf. The movie also pales in comparison to Netflix’s flagship series The Witcher, that surpassed the combined popularity of the miniseries and film by a remarkable 8 times.

[Thanks to SF Concatenation’s Jonathan Cowie, Mike Kennedy, John Hertz, Andrew Porter, John King Tarpinian, Chris Barkley, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Jack Lint.]

Pixel Scroll 2/7/23 Who Needs Pixels? Scrolls Are Much Better

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(1) HARPERCOLLINS STRIKE DRAWS VISITORS FROM PRO ORGANIZATIONS. Last week representatives from The Authors Guild and the Association of American Literary Agents met with HarperCollins management and union representatives to discuss concerns over the ongoing strike. “Update on AG/AALA Meetings with HarperCollins Management and HarperCollins Union” from The Authors Guild.

…The AG and the AALA stressed in both meetings that our intention was not to take sides but rather, like submitting an amicus curiae brief to a court, to advise both HarperCollins and the union about the damaging effects of the strike. Both the AG and the AALA reached out to our members ahead of the meetings to solicit feedback about how the dispute has impacted them and summarized the described experiences.

The Authors Guild relayed authors’ stories of being unable to reach their editors, their lack of any marketing support—even for imminent books and those just published—delays in publishing, and overworked and stressed editors, as well as a total lack of reviews, interviews, or events for their new books due to pressure for third parties not to support HarperCollins books. Authors used words such as “disappointing” and “devastating” when describing how, after years of working on their books and finally getting them to the point of publication, they now risk failing to reach readers due to no fault of their own.

AALA representatives expressed concerns about their members’ inability to get necessary marketing services as well as frustration with publication delays. Such delays impact authors’ and agents’ finances, causing potential long-term damage to writers’ careers and damage to their relationships with HarperCollins going forward. They stressed how weak sales performance on one book can impact an author’s entire career, since it may prevent the sales of future books and the ability to license the book internationally or option it for TV or film. The AALA Board delegation conveyed that in the recent follow-up to their December survey, anger and frustration are now dominating the discourse with deep concern regarding permanent damage to all if it does not resolve soon….

(2) STAR TREK: VOYAGER QUIZ ON LEARNEDLEAGUE; JEOPARDY! BAIT AND SWITCH. [Item by David Goldfarb/] LearnedLeague has just had a One-Day Special quiz on Star Trek: Voyager. You can read the questions here. (I lost interest in Voyager partway through the first season, and could only answer three questions; my wife was more of a fan and got nine.) 

The Monday, February 6 episode of Jeopardy! had a category in the first round titled “Doctor Who”…except it turned out to be entirely about medical personnel associated with the World Health Organization. “Doctor WHO” rather than Doctor Who. Disappointing!

(3) UNPAID “NEW TALENT”? The Maul magazine, a horror genre publication, is the subject of discussion for its offer to publish material from minors without compensation. There is a regular rate for material purchased to appear in the magazine – “New Talent” submissions aren’t in the magazine, but on its web page. The discussion about that begins here.

The Maul’s editor Brian Rosten explains their policy in “A Minor FAQ”.

Can I be published in The Maul Magazine if I’m under 18?

Not really. Anyone under 18 is free to submit to our “New Talent” section of themaulmag.com’s web page. (We’re thinking of changing the name “New Talent,” because admittedly, it does make it sound like they’re a part of our main issues) None of those stories appear in any issues of The Maul. The stories for “New Talent” are under completely separate guidelines. There is also no competition for those publications. Anyone who meets the guidelines gets published providing they accept our edits. 

As someone on Twitter pointed out, this is more like an open mic. It’s a chance for kids to get excited about horror, practice their hand at the craft, and talk to an editor a little bit about the process of submitting to a magazine. 

We do not accept submissions from those under 18 for any issues of The Maul.

What do authors in the “New Talent” Section get paid?

Currently, we do not pay them. But we are willing to hear out ideas, as we cannot pay them directly, and they do not compete for publication.

(4) THE EXPANSE COMICS CROWDFUNDING BLOWS THE DOORS OFF. Bleeding Cool reports “Boom Studios To Kickstart ‘Season Six-And-A-Half’ Of The Expanse”.

…Boom Studios will be launching a Kickstarter for The Expanse: Dragon Tooth, the new comic book series by Andy Diggle and Christian Ward set between books six, Babylon’s Ashes, and seven, Persepolis Rising, of The Expanse, and following where season six of the Syfy and Prime Video TV series left off. Their Day One exclusive bonus item – The Expanse Rocinante Challenge Coin – will be available only for the first 24 hours of the campaign. Boom Studios has a history of using Kickstarter to raise the profile of media-prominent projects, such as Keanu Reeves and Brzrkr….

On its first day the Kickstarter has raised over $266,000 of its $25,000 goal  – “THE EXPANSE Continues In The DRAGON TOOTH Graphic Novels! by BOOM! Studios”

(5) MONTELEONE Q&A. Book and Film Globe – in a spirit that very much reminds me of Upstream Reviews – reports that the “Horror Writers’ Association Kicks Tom Monteleone To The Curb” and interviews him “to see if he cares.”

… There have always been literary feuds. Has this “wreck the other guy’s career” always been a thing? Or is it peculiar to the Internet age?

I think social media and the instantaneous access to technology that can record you and send you anywhere has made it very easy for people to go after whoever they want — with as much speed and viciousness as possible.  I have been told there have been some posts that have savaged me in terrible ways—I haven’t bothered to read them—and often of the ad hominem variety. They gave me a LAA 6 years go, but now I am apparently not only an asshole, but also a no-talent has-been as well. And I do believe there is a certain type of individual out there who gets a true glee at knowing he or she has the power to destroy others with a few keyboard strokes….

(6) NEXT: HACKING AT WARPSPEED. Bruce Schneier explains the topic of his nonfiction book A Hacker’s Mind at Whatever: “The Big Idea: Bruce Schneier”.

…All systems are hackable. Even the best-thought-out sets of rules will be incomplete or inconsistent. They’ll have ambiguities, and things the designers haven’t thought of. As long as there are people who want to subvert the goals of a system, there will be hacks.

What will change everything is artificial intelligence, and what will happen when AIs start hacking. Not the problems of hacking AI, which are both ubiquitous and super weird, but what happens when an AI is able to discover new hacks against these more general systems. What happens when AIs find tax loopholes, or loopholes in financial regulations. We have systems in place to deal with these sorts of hacks, but they were invented when hackers were human and reflect the human pace of hack discovery. They won’t be able to withstand an AI finding dozens, or hundreds, of loopholes in the financial network. We’re simply not ready for the speed, scale, scope, and sophistication of AI hackers….

(7) MEMORY LANE.

1968 — [Compiled by Cat Eldridge.] Peter S. Beagle’s The Last Unicorn

This past autumn the authors edition of Peter S. Beagle’s The Last Unicorn came out. It was an edition that Beagle has long wanted to do and his editor, Deborah Grabien, author of the Haunted Ballad series, helped him craft it.

Published fifty-five years ago, it tells the tale of a unicorn who believes she is the last of her kind in the world at large and goes questing to see what happened to all other unicorns. It is a very, very charming tale. 

It’s one of my favorite works by him, amazingly well written given it was only his second novel after A Fine and Private Place. The Rankin/Bass animated film is much liked by Peter.

The Beginning of The Last Unicorn is I think one of the best that I’ve seen for a fantasy novel. It describes our protagonist in detail, telling us exactly what she’s like, and what her circumstances are now. 

The Last Unicorn lived in a lilac wood, and she lived all alone. She was very old, though she did not know it, and she was no longer the careless color of sea foam, but rather the color of snow falling on a moonlit night. But her eyes were still clear and unwearied, and she still moved like a shadow on the sea. 

She did not look anything like a horned horse, as unicorns are often pictured, being smaller and cloven-hoofed, and possessing that oldest, wildest grace that horses have never had, that deer have only in a shy, thin imitation and goats in dancing mockery. Her neck was long and slender, making her head seem smaller than it was, and the mane that fell almost to the middle of her back was as soft as dandelion fluff and as fine as cirrus. She had pointed ears and thin legs, with feathers of white hair at the ankles; and the long horn above her eyes shone and shivered with its own seashell light even in the deepest midnight. She had killed dragons with it, and healed a king whose poisoned wound would not close, and knocked down ripe chestnuts for bear cubs. 

Unicorns are immortal. It is their nature to live alone in one place: usually a forest where there is a pool clear enough for them to see themselves—for they are a little vain, knowing themselves to be the most beautiful creatures in all the world, and magic besides. They mate very rarely, and no place is more enchanted than one where a unicorn has been born. The last time she had seen another unicorn the young virgins who still came seeking her now and then had called to her in a different tongue; but then, she had no idea of months and years and centuries, or even of seasons. It was always spring in her forest, because she lived and she wandered all day among the great beech trees, keeping watch over the animals that lived in the ground and under bushes, in nests and caves, earths and treetops. Generation after generation, wolves and rabbits alike, they hunted and loved and had children and died, and as the unicorn did none of these things, she never grew tired of watching them.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born February 7, 1812 — Charles Dickens. Author of more genre fiction according to ISFDB than I knew. There’s A Christmas Carol that I’ve seen performed lived myriad times but they also list The Chimes: A Goblin Story of Some Bells That Rang an Old Year Out and a New Year In, The Cricket on the Hearth: A Fairy Tale of Home, The Battle of Life, The Haunted Man and the Ghost’s Bargain and The Christmas Books. OK, that appears to be a lot of genre, doesn’t it? (Died 1870.)
  • Born February 7, 1908 — Buster Crabbe. He also played the title role in the Tarzan the Fearless, Flash Gordon, and Buck Rogers series in the Thirties, the only person to do though other actors played some of those roles.  He would show up in the Seventies series Buck Rogers in the 25th Century as a retired fighter pilot named Brigadier Gordon. (Died 1983.)
  • Born February 7, 1913 — Henry Hasse. Best known for being the co-author of Ray Bradbury’s first published story, “Pendulum”, which appeared in November 1941 in Super Science Stories. ISFDB lists a single novel by him, The Stars Will Wait, and some fifty short stories if I’m counting correctly. The Stars Will Wait is available at the usual suspects. (Died 1977.)
  • Born February 7, 1929 — Alejandro Jodorowsky, 94. The Universe has many weird things in it such as this film, Jodorowsky’s Dune. It looks at his unsuccessful attempt to film Dune in the mid-1970s. He’s also has created a sprawling SF fictional universe, beginning with the Incal, illustrated by the cartoonist Jean Giraud which is rooted in their work for the Dune project which is released as comics.
  • Born February 7, 1942 — Gareth Hunt. Mike Gambit in The New Avengers, the two-season revival of The Avengers that also starred Joanna Lumley as Purdey and Patrick Macnee as John Steed. Quite excellent series. He was also Arak in the Third Doctor story, “Planet of The Spiders”. (Died 2007.)
  • Born February 7, 1949 — Alan Grant. He’s best known for writing Judge Dredd in 2000 AD as well as various Batman titles from the late 1980s to the early 2000s.  If you can find it, there’s a great Batman / Judge Dredd crossover “Judgement on Gotham” that he worked on. His recent work has largely been for small independents including his own company. (Died 2022.)
  • Born February 7, 1950 — Karen Joy Fowler, 73. Her first work was “Recalling Cinderella” in L Ron Hubbard Presents Writers of the Future, Vol I. Her later genre works are Sarah Canary, the Black Glass collection and the novel The Jane Austen Book Club, which is not SF though SF plays a intrinsic role in it, Also two short works of hers, “Always” and “The Pelican Bar” won significant awards. Her latest genre novel, We Are All Completely Beside Ourselves, is being adored far and wide. 
  • Born February 7, 1950 — Margaret Wander Bonanno. She wrote seven Star Trek novels, several science fiction novels set in her own worlds, including The Others, a novel with Nichelle Nichols. In putting together this Birthday, several sources noted that she had disavowed writing her Trek novel Probe because of excessive editorial meddling by the publisher. She self-published Music of the Spheres, her unapproved version of Probe, the official publication. According to her, Probe has less than ten per cent of the content of her version. This led to Bonanno being blacklisted from the Star Trek publishing universe for over 11 years; in 2003 she returned with Catalyst of Sorrows, part of the Star Trek: The Lost Era series. (Died 2021.)

(9) COMICS SECTION.

  • Get Fuzzy introduces readers to cat jurisprudence.

(10) BUTLER’S HOMETOWN. From the New York Times: “Diving Into Octavia Butler’s World in Southern California”, a “tour of the places that shaped the science fiction writer.”

Octavia Butler wrote 12 novels and won each of science fiction’s highest honors. She was the first science fiction writer to be awarded a MacArthur “genius” grant.

In 2020, 14 years after her death, one of her novels, “Parable of the Sower,” appeared on The New York Times’s best-seller list for the first time, a testament to how much readers still connect with her writing today.

And much of that work was greatly shaped by her life in California. Butler was born and went to school in Pasadena. Her mother cleaned houses in the city’s wealthy neighborhoods, and Butler became a fixture at the Peter Pan Room, the children’s section of the elegant Pasadena Central Library. As an adult, she regularly traveled across the Southland, scrutinizing the world around her and drawing on those observations for her books….

(11) MITTENS, THE EVIL CHESSBOT. CNN Business invites you to “Meet the innocent looking cat that upended the chess world” in a video at the link.

This harmless looking cat-themed chess bot called “Mittens” has a single digit Elo score, but it has bewildered the world of chess while evolving into an internet meme.

(12) AI COMEDY SUSPENDED. [Item by Mike Kennedy.] AI-generated trans- and homophobia. Who would’ve guessed? (Raises hand.) GIGO. At best. “Twitch Kicks AI-Generated Seinfeld Show Off Air After Not-Jerry Makes Transphobic Remark” from Gizmodo.

After becoming the new hotness for fans of surreal insanity, the never ending AI-generated stream inspired by the 90s sitcom Seinfeld called Nothing, Forever has been temporarily kicked off the air. Just like some other famed comedians, the series main character “Larry Feinberg” was slapped down hard after making an ill-fitting transphobic and homophobic joke.

Each “episode” of Nothing, Forever contains a section where Larry performs a comedy set akin to what Jerry Seinfeld does at the start of the real-life show. As first reported by Vice, Twitch issued a 14-day ban on Nothing, Forever Sunday night after video showed Larry dive into Dave Chappelle-levels of anti-self-reflection….

(13) CENSORSHIP UPDATE. “Disney removes Simpsons ‘forced labour’ episode in Hong Kong” reports BBC News.

…There have been rising concerns about censorship in Hong Kong after it passed several controversial laws.

The city had previously had access to more civil freedoms than the Chinese mainland, but Beijing has clamped down on these rights since major pro-democracy protests rocked the city in 2019.

In the episode, which first aired last October, the character Marge Simpson is shown images of the Great Wall of China during an exercise class.

During the class, her instructor comments: “Behold the wonders of China: Bitcoin mines, forced labour camps where children make smartphones.”

The BBC has reported that hundreds of thousands of ethnic minority people in the western region of Xinjiang have been forced into manual labour.

The Chinese government denies this and says the factories are part of a voluntary “poverty alleviation” scheme.

The Simpsons has been shown on and off in mainland China since the early 2000s. Clips from the current season can be found on Chinese streaming sites, but not of that particular scene, according to a BBC check on Tuesday.

The removal of the latest Simpsons episode comes after Disney in 2021 also removed a show episode referring to the 1989 Tiananmen Square crackdown.

Censorship of Western TV is commonplace in mainland China, and critics say this pattern has been increasing in Hong Kong….

(14) YOUR FLYING VACUUM CLEANER AWAITS. Giant Freakin Robot tells fans where to “See The First Flying Bike Designed Just Like Star Wars Landspeeders”.

The Star Wars franchise is home to a number of iconic technologies that fans have fantasized about. Although most fans first think of the lightsaber as Star Wars‘ signature technological device, another one is closer to becoming a reality. According to the website of the company Aerwins, it has produced the XTURISMO, a flying bike that in many ways resembles the iconic Star Wars vehicle. Check out one of the first looks at the XTURISMO flying bike in the promotional video from Aerwin below…

[Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, John King Tarpinian, Chris Barkley, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day by Cat Eldridge.]

Pixel Scroll 2/3/23 Listen To Them, The Pixels Of The Scroll! What Files They Make!

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(1) SPACE UNICORNS SOUND OFF. You have until February 21 to make your voice heard: “Uncanny Celebrates Reader Favorites of 2022!”.

…While we have our personal favorites, we’d like to know which stories YOU loved from Uncanny in 2022.

We’ve set up a poll for Uncanny readers to vote for their top three favorite original short stories from 2022. (You can find links to all of the stories here.)

The poll will be open from January 31 to February 21, after which we’ll announce the results. We’re excited for you to share which Uncanny stories made you feel!

A snazzy certificate will be given to the creator whose work comes out on top of  the poll!

(2) LOCUS RECOMMENDED READING LIST. The 2022 Locus Recommended Reading List from the magazine’s February issue has been posted by Locus Online.

(3) CEMETARY DANCE DROPS MONTELEONE. [Item by rcade.] He was still an active columnist for the magazine, 29 years after the bigoted column. Not any more, though:

(4) A FAREWELL TO HARMS. Priya Sridhar writes “My Goodbye Letter To J.K. Rowling: What To Do When Your Magical World Has Cast You And Your Friends Out With Hate” at Medium in Counter Arts. (Via Cat Rambo.)

… J.K. Rowling has joined the list of these creators that break their pedestals. I’ve been debating on writing this article for several years, because I did not understand. How could a woman that wrote about fighting tyranny with courage and friendship say such things, to hurt people? Why would she dig herself deeper, going from misappropriating Navajo beliefs to claiming that trans people do not exist?

This recent transphobia has provided the answer. YouTuber Jessie Gender posted a video revealing that JKR found her tweets about Jessie talking about Hogwarts Legacy, and decided to send her own fanbase against one person, labeling her a “trans gamer”. Jessie had to spend Christmas in Buffalo, New York, dealing with the fallout. According to the video, JKR apparently earns more money every time she talks about this issue in her hateful way. She didn’t care that she would be hurting a vulnerable person if it got the desired reaction.

JKR isn’t causing controversy because she is being an idiot. She’s harassing marginalized creators and critics to earn more revenue from her books and establish power over those that disagree with her.

Now, doesn’t that sound familiar? Oh yes, I know two bigoted characters that did exactly the same thing in the Harry Potter series. Spoiler alert: they were not protagonists, or even heroic side characters….

(5) BLACK HERITAGE IN HORROR. The Horror Writers Association Blog continues its series: “Black Heritage in Horror: Interview with Beatrice Winifred Iker”.

What was it about the horror genre that drew you to it?

I grew up in Southern Appalachia with a rich sociocultural history to draw from. The horrors and allure of the South are genuinely neverending, fostering my interest in the genre, specifically in the subgenre of southern gothic.

Aside from that, I’m fascinated with the darker tendencies and desires of the human mind. We spend so much time assimilating and confining ourselves to social norms, but I’m more interested in examining people and histories who choose not to or don’t have a choice….

(6) IT’S A FELONY. Them explains why “Some Florida Teachers Are Removing Books from Classrooms Due to New State Law”.

Teachers in Florida’s Manatee and Duval counties are removing or physically covering up books in their classrooms after the State Board of Education ruled that a law restricting the books a district may possess applies not only to school libraries but to teachers’ classroom books as well.

House Bill 1467, which went into effect last July, requires that all schools’ books may only be displayed if they’ve been deemed appropriate by a librarian or “certified media specialist” who has undergone state retraining. Under the guidelines, books must be “free of pornographic material” and “appropriate for the age level and group.” New training approved by the State Board of Educators also asks media specialists to avoid books with “unsolicited theories that may lead to student indoctrination.”

Breaking the law is a third-degree felony: A teacher could face up to five years in prison and a $5,000 fine for displaying or giving students a banned book. 

There’s a good chance that these “unsolicited theories” and “student indoctrination” tactics apply to the disproportionately high number of banned books that feature queer and trans characters, as well as other marginalized communities. A report from nonprofit group PEN America released last September found that over 41% of books banned over the past school year were targeted due to LGBTQ+ content…

(7) SCAM REVEALED. At Writer Beware, Victoria Strauss alerts everyone to: “Peak Fake: United Writers Organization and the Perpetual Eagle Awards”.

There’s a new solicitation doing the rounds. It’s from United Writers Organization, which describes itself as a “leading professional organization” for writers and publishers, and it delivers exciting news: you’ve been nominated for an award! A “complimentary nomination certificate” is yours for the asking–you don’t even have to pay! Although of course it would be nice if you became a UWO member, which will cost you a mere $99….

… Of course this is a scam–the out of the blue solicitation is a big clue, as are the language and grammar mistakes and telltale info from UWO’s domain registration–just 7 days old as of this writing, somewhat contradicting “Est. 1957” in the UWO logo….

(8) FESTIVAL OF MONSTERS. The Center for Monster Studies has put out a call for papers for the 2023 Festival of Monsters Conference. The conference will be held October 13-15, 2023 at the University of California, Santa Cruz. The deadline to submit abstracts and short bios is March 1.

The Center for Monster Studies at the University of California, Santa Cruz is an interdisciplinary research, arts, and outreach organization focused on the ways monsters and tropes of monstrosity both perpetuate and contravene forms of social and cultural injustice. Each year we host a Festival of Monsters that brings together scholars, artists, students, and members of the general public to consider these issues.

Our 2023 Festival of Monsters (Oct. 13-15 in beautiful Santa Cruz) includes an academic conference, performances, readings, presentations from monster-makers in theatre, film and television, and events in association with an exhibit at the Santa Cruz Museum of Art and History (MAH) entitled Werewolf Hunters, Jungle Queens, and Space Commandos: The Lost Worlds of Women Comics Artists.

We invite proposals for 20-minute papers or presentations on any aspect of monsters or monster studies. We are particularly interested in work that addresses the following topics:

Women creators of monsters

Monsters and misogyny

Monsters in comics

Monsters and sexual politics from any time period

Monsters and queerness

Papers from all disciplines are welcome. Because participants in the Festival include members of the general public as well as people from within the academic community, we ask that proposed papers consider the Festival’s mixed audience. We welcome complex theoretical concepts and scholarly interventions, but please make sure the terms and stakes of your paper are articulated as clearly as possible.   

Please submit 250-word abstracts and 50-word bios to chemers@ucsc.edu and rafox@ucsc.edu by March 1, 2023.

(9) MEMORY LANE.

1937 — [Compiled by Cat Eldridge.]

Now it is time for my all-time favorite Beginnings. It’s the first words of Tolkien’s The Hobbit, a novel I’ve read so many times that I know it by heart at this point. I consider it a perfect novel. 

Now we all know that the hobbit here is named Baggins but that won’t know here until the third paragraph of the novel, a nice touch indeed.  

In a hole in the ground there lived a hobbit. Not a nasty, dirty, wet hole, filled with the ends of worms and an oozy smell, nor yet a dry, bare, sandy hole with nothing in it to sit down on or to eat: it was a hobbit-hole, and that means comfort.

It had a perfectly round door like a porthole, painted green, with a shiny yellow brass knob in the exact middle. The door opened on to a tube-shaped hall like a tunnel: a very comfortable tunnel without smoke, with panelled walls, and floors tiled and carpeted, provided with polished chairs, and lots and lots of pegs for hats and coats—the hobbit was fond of visitors. The tunnel wound on and on, going fairly but not quite straight into the side of the hill—The Hill, as all the people for many miles round called it—and many little round doors opened out of it, first on one side and then on another. No going upstairs for the hobbit: bedrooms, bathrooms, cellars, pantries (lots of these), wardrobes (he had whole rooms devoted to clothes), kitchens, dining-rooms, all were on the same floor, and indeed on the same floor, and indeed on the same passage. The best rooms were all on the left-hand side (going in), for these were the only ones to have windows, deep-set round windows looking over his garden, and meadows beyond, sloping down to the river.

This hobbit was a very well-to-do hobbit, and his name was Baggins. The Bagginses had lived in the neighbourhood of The Hill for time out of mind, and people considered them very respectable, not only because most of them were rich, but also because they never had any adventures or did anything unexpected: you could tell what a Baggins would say on any question without the bother of asking him. This is a story of how a Baggins had an adventure, and found himself doing and saying things altogether unexpected. He may have lost the neighbours’ respect, but he gained—well, you will see whether he gained anything in the end.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born February 3, 1925 — John Fiedler. He’s solely here as he played the ever so bland bureaucrat who gets possessed by the spirit of Jack the Ripper on the Trek episode “Wolf in the Fold”. I’m less interested in him, though it was a stellar episode, than who wrote that screenplay. It was written by Robert Bloch, a master of horror who would write two other Trek episodes, “What Are Little Girls Made Of?” and “Catspaw”. (Died 2005.)
  • Born February 3, 1933 — George Gipe. Screenwriter, The Man with Two Brains. He also wrote Dead Men Don’t Wear Plaid but it’d be a stretch to consider that even genre adjacent. He wrote novelizations of Back to the Future, Explorers and Gremlins. And his Nearer to the Dust: Copyright and the Machine is interesting early (mid sixties) look at the potential effects of computers on copyrights. (Died 1986.)
  • Born February 3, 1938 — Victor Buono. I remember him best in his recurring role of Count Manzeppi in The Wild Wild West. In his very short life, he showed up in a number of other genre roles as well including as a scientist bent on world domination in the Voyage to the Bottom of the Sea in an episode titled “The Cyborg”, as Adiposo / Fat man in Beneath the Planet of the Apes, Colonel Hubris in  The Man from U.N.C.L.E., Professor William McElroy / King Tut in Batman, Sir Cecil Seabrook in The Girl from U.N.C.L.E. and Mr. Schubert on Man from Atlantis. (Died 1982.)
  • Born February 3, 1954 — Shawna McCarthy, 69. Editor of Asimov’s Science Fiction from 1983 to 1985, and Realms of Fantasy from 1994 to 2011. Sheila Williams in her history of the former said “While remaining a welcoming home for new writers, Shawna’s Asimov’s acquired an edgier and more literary and experimental tone.” 
  • Born February 3, 1963 — Alex Bledsoe, born 1963, aged sixty years. I highly recommend his Tales of The Tufa which can sort of be described as Appalachian Fae though that’s stretching it. His Eddie LaCrosse novels remind of Cook’s Garrett PI series and that’s a high compliment as that’s one of my favorite fantasy PI series. Anyone read his Firefly Witch series? And to my surprise, he’s stopped writing fiction altogether.
  • Born February 3, 1970 — Warwick Davis, 53. At least fifty live and voice appearances since first appearing in the Return of the Jedi in in place of Kenny Baker who was going to be a Ewok before he fell ill. Did you know he’s in Labyrinth as a member of the Goblin Corps? I certainly didn’t. Or that he did a series of humorous horror films centered around him as a Leprechaun? They did well enough that there was six of them. Hell he even shows up in Doctor Who during the Time of the Eleventh Doctor. 
  • Born February 3, 1979 — Ransom Riggs, 44. He’s best known for Miss Peregrine’s Home for Peculiar Children which I’ll confess I know absolutely nothing about, so educate me. I know it was turned into a film by Tim Burton which could a Very Good Thing. 

(11) CHEAP IS GOOD, FREE IS BEST. “12 Surprisingly Low-Tech Special Effects Moments In Movies” – these are Ranker’s favorites.

Before there was computer-generated imagery (CGI), special effects crews often had to use practical effects to achieve their cinematic vision. Many of these practical effects were surprisingly low-tech genius creations that prove creative thinking often trumps throwing loads of money at a problem.

Practical effects include any special effects created without the use of computer-generated imagery. It’s a kitchen-sink term that incorporates everything from prosthetics to pyrotechnics to miniature models. Find out which grotesque movie monster was constructed in part with strawberry jam and creamed corn. How did they create that swirling tornado in The Wizard of Oz, which still looks great even by today’s visual effects standards? Some of these films were made more recently when computer effects were readily available. Yet, the filmmakers opted to get creative and go old-school low-tech practical effects that yielded a more authentic-looking result.

First up –

The Tornado In ‘The Wizard of Oz’ Was Made From A Stocking Wrapped Around Chicken Wire

Back in the 1930s, practical effects were not a stylistic choice, they were a necessity. At the beginning of The Wizard of Oz, a tornado takes Dorothy (Judy Garland) from the barren lands of Kansas to the magically magnificent world of Oz. 

The production hired prolific special effects master Arnold Gillespie to figure out how to create the movie’s famous twister. The Academy Award winner attempted several different methods before finally getting it right…. 

(12) RETRO SFF. Michael Dirda reviews The Hopkins Manuscript by R.C. Sherriff in “The moon falls to Earth in a 1939 novel that remains chillingly relevant” at the Washington Post (behind a paywall.)

Late last month, NASA announced that an asteroid would pass exceptionally close to the Earth. As Jennifer Hassan wrote in The Washington Post, “NASA was quick to reassure people that the asteroid, which is estimated at between 11 feet (about 3.5 meters) and 28 feet (8.5 meters) across, would not end life as we know it on our planet.” Suppose, though, a much larger celestial object — say, the moon — were actually to crash into Earth. What then?

This is the scenario of R.C. Sherriff’s novel “The Hopkins Manuscript” (1939), recently reissued by Scribner. From its opening pages we learn that more than eight centuries have gone by since “the Cataclysm” and that Europe, particularly England, has been left a barren wasteland. For years, however, archaeologists of the Royal Society of Abyssinia have been seeking artifacts to help “reconstruct the lost glory of the ‘white man.’” During one expedition to what was once London, a young scientist, out gathering brushwood, unearths a small vacuum flask, inside which is a handwritten account of life in a small village called Beadle during the days leading up to the lunar catastrophe….

(13) IT’S BEING LET GO. “’Never Let Me Go’ Series Not Moving Forward at FX” reports Variety.

… The show was originally picked up to series by FX back in October and was meant to air exclusively on Hulu. It had originally been reported as being in development at FX in May 2022. According to an individual with knowledge of the situation, production had not yet begun before the decision to scrap the series was made.

The drama series was inspired by Kazuo Ishiguro’s 2005 science fiction novel of the same name, which was previously adapted into a film in 2010. The film was written by Alex Garland, directed by Mark Romanek, and produced by Andrew Macdonald and Allon Reich….

(14) BIG APPETITES. [Item by SF Concatenation’s Jonathan Cowie.] Raquel Welch please note… “Neanderthals lived in groups big enough to eat giant elephants” says a Science story.

Meat from the butchered beasts would have fed hundreds.

On the muddy shores of a lake in east-central Germany, Neanderthals gathered some 125,000 years ago to butcher massive elephants. With sharp stone tools, they harvested up to 4 tons of flesh from each animal, according to a study that is casting these ancient human relatives in a new light. The degree of organization required to carry out the butchery—and the sheer quantity of food it provided—suggests Neanderthals could form much larger social groups than previously thought…

[Thanks to Mike Kennedy, John King Tarpinian, Chris Barkley, James Reynolds, SF Concatenation’s Jonathan Cowie, Andrew Porter, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day by Jack Lint.]

Monteleone Aftermath: Authors Seek Perspective on His Damaging Statements

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Brian Keene and Barney Dannelke have added two notable responses to the widespread discussion about the ouster of Thomas Monteleone from the Horror Writers Association.

In a YouTube video aired yesterday, Brian Keene, Mary SanGiovanni, and Christopher Golden, who each have known Monteleone a long time, used their exceptional gifts to analyze and share the deep emotional hurt they’re feeling over the things he said on Facebook and in a recent podcast. (An auto-generated transcript is available at the link,)

Barney Dannelke has also provided insights about the facts and issues in a Facebook post. Here are some excerpts.

…Little did I know that within 48 hours of my mentioning Thomas F. Monteleone in a Breakfast With Barney that Tom would walk out on to the public square, dowse himself with the kerosene of his own bullshit and gleefully and cheerfully set himself on fire….

…In that capacity he WAS a member of the Horror Writers of America (H.W.A.) and in that capacity he can/could nominate people for the HWA Lifetime Achievement Award – and so he nominated Stuart David Schiff. Except he did it in a manner (or perhaps he only proposed to do it, check my work here) that could best be described as a total dick move. Essentially, he drew attention to the fact that Schiff is an old white male, proposing that to dare to do such a thing in this day and age was somehow a revolutionary act.

Turned out, it was an act of pure “fuck around and find out.” He picked up the heavy stick. He walked straight up to the hornet nest that he had been watching for years. Then he hit the nest with the stick as hard as he could (not very) and then he pretended to be shocked that hornets waiting for an idiot with a stick, went and did what hornets were designed to do. Namely, sting the shit out of him.

Then (!) he went on a podcast linked to YouTube and complained in the most racist and misoginystic ways he could think of for OVER TWO HOURS about how stupid hornets were and how they didn’t properly appreciate him and how confusing sexual designations are for hornets these days and how dumb fat black hornets are and how lucky he was that he made enough money that his kids didn’t have to go to school with hornets and how he has gallons of hornet cream and being old and rich and Italian (note the Fedora) he doesn’t feel shit anyways.

I listened to the entire podcast. I have read the entire 38 page transcript. I am sure you will let me know if I am exaggerating any of this.

Running in background for the last 48 hours there have been dozens of comment threads about this. The most damning addition was a Cemetery Dance op-ed piece from Tom where he explains to the rest of us poor suckers that the ONLY reason that Samuel R. Delany had a career in SF was because of his skin color and that the work had no merit whatsoever….

(There is a copy of that issue of Cemetery Dance #21 [1994-Summer] downloadable from the Internet Archive.)

Dannelke does not object to Monteleone being removed from HWA, however, there are things he would have preferred to be said more explicitly, or not altogether omitted from HWA’s announcement. See the rest of his discussion at Facebook.

Samples of Social Media Reaction to Monteleone Before and After HWA Expelled Him

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Author and editor Thomas F. Monteleone was expelled from the Horror Writers Association on January 31 for violating the organization’s antiharassment policies.

Here are a few examples of what appeared in social media immediately prior to that decision, and after it was announced.

BEFORE

Alan Baxter

“An open letter to the HWA regarding Thomas F. Monteleone”

… It is particularly saddening to see someone who was considered a legend in the field reveal themselves to be as racist, transphobic, and bigoted as Monteleone has. But more important than lamenting the self-immolation of one person is the direct harm those comments and actions cause to so many others.

Allowing Monteleone to remain in the organisation and to attend HWA events will be putting a large number of people directly in harm’s way. It will also show the HWA is complicit rather than active in the face of hate speech….

Todd Keisling

“An open letter to the HWA regarding author Thomas F. Monteleone”

I’m writing to add my voice to the chorus of members demanding Tom Monteleone be expelled from the organization and barred from attending all HWA events going forward. His actions on social media, and most recently his statements on the disgusting “Facebook Has AIDS” podcast, have revealed his true character to all.

Specifically, his racist, transphobic, and bigoted comments aimed at fellow HWA members, as well as whole classes of people, fly in the face of what the HWA stands for. I believe that maintaining ties with Mr. Monteleone in the organization and allowing him entry to future HWA-sanctioned events such as StokerCon will not only put fellow members in harm’s way but also invite controversy overall.

Doug Murano

https://twitter.com/muranofiction/status/1620201809842409474

Brian Keene

Brian Keene announced that the Borderlands Boot Camp, which Monteleone helped found, will be rebranded so that it does not share a name with his anthology series.

Scares That Care adamantly condemns the recent comments made on Facebook and a podcast by one of the founders of Borderlands Boot Camp. Effective immediately, Borderlands Boot Camp (which became part of the Scares That Care family of events in 2022) will be rebranded as the Scares That Care Writers Workshop.

We are also announcing that effective immediately, two (2) annual scholarships for marginalized writers (writers of color, writers from the LGBTQIA+ community, writers with disabilities, writers suffering from economic hardships, etc.) will be available yearly. While interested parties will be responsible for their travel and lodging, Scares That Care will waive the $750 tuition fee for these two individuals. Interested parties can contact board members Brian Keene (briankeene@live.com) or Sonora Taylor (sonorataylor@gmail.com) to inquire. Deadline for this year’s applicants is Friday, February 17th.

Respectfully,

The Scares That Care Board of Directors — Joe Ripple, Alfred Guy, Brian Keene, Jason Cherry, Sonora Taylor, Angel Hollman, Andrew Ely, and Donna Thew — and workshop organizer Mary SanGiovanni.

CAMP NECON

The Camp Necon statement does not name anyone, but it can be inferred from the timing what it’s about: “An Important Statement From Camp Necon”.

In light of recent abhorrent public statements and behaviors (on social media and via other media), we, the Camp Necon Board, feel obligated to take this opportunity to publicly state that we stand against bigotry and prejudice and are dedicated to our efforts to make Camp Necon a welcoming and safe experience for ALL attendees. We cannot be idle while friends and colleagues are deliberately maligned and their well-earned achievements mocked. It cannot stand, and we will not allow it at any space Camp Necon inhabits (be that online or in person). 

The legendary Charles L. Grant, often called “The Godfather of Camp Necon,” consistently championed new voices in horror and always insisted that, “By growing the pie, we all eat more.” It is in Charlie’s spirit and tradition that we’d like to state that by championing not just new, but diverse voices within the genre we believe we all eat BETTER. In that regard, we are moving forward with new initiatives to ensure ours is a place where all voices feel welcome and heard, in addition to taking steps to address present and future barriers to safety and inclusivity. We will continue to work to ensure ours is the kind of event that brings people together in an atmosphere of acceptance and collegiality. We hope to continue to have your support.

We understand that statements such as this may have the effect of “self-selecting” membership in our Campers’ roll. We are fine with that. If you do not feel fully aligned with what Camp Necon has become or the direction we continue to head, please follow your conscience. We have made our choice and we stand by both it and our community…. 

Tim Waggoner on Facebook.

Tom Monteleone encouraged me early in my writing career and gave me so much good advice. I thanked him in my acceptance speech when I won my first Bram Stoker Award. He published my collection A LITTLE AQUA BOOK OF MARINE TALES. He accepted two of my stories for BORDERLANDS anthologies. I asked him to write the introduction to WRITING IN THE DARK. He’s been a big supporter of me and my writing for many years. I have so many of his books on my shelves, and reading his short story “Wendigo’s Child” when I was a child myself was a formative experience for me. I used his IDIOT’S GUIDE TO WRITING A NOVEL as a textbook in my novel writing classes.

I admired him so much.

I’m sickened by the overt bigotry Tom has displayed over the last few days.

It doesn’t matter how good he’s been to me when he’s treated others so horribly. Once Tom was a role model for me in terms of artistry and professionalism. Now he’ll be a role model for what I hope never to become as a writer and member of the horror community as I grow older. I hope my mind never becomes so closed. I hope I never start to lash out from intolerance. I hope I never show such disrespect to people who I should view as colleagues. I hope I continue to build people up instead of tearing them down.

You taught me so many things over the years, Padrone. I suppose I should thank you for this final lesson. I just wish it was one I never had to learn.

AFTER

Adam Troy-Castro on Facebook:

… I said something early in this mess that may now be risky to say now.

I remember the Tom Monteleone I once knew, who I laughed with at I-Con in Long Island and at other places, with considerable fondness. I remember the Tom Monteleone who wrote (mostly) great columns about his experiences, for CEMETERY DANCE. I remember loving some of his fiction, including one novel he churned out for a subpar house that contained one of the worst sentence constructions I have ever read, and another I liked very much that existed in the “evil carnival” sub-subgenre. I harbor considerable affection for that Tom Monteleone of thirty-forty years ago, that none of this banishes. To me, the contrast with current events put that Tom Monteleone in a little memory vault. I do not apologize for feeling that way.

Alas, the Tom Monteleone of today, who ate that Tom Monteleone, was already present way back when, though his manifestations, bad as they could be, were intermittent.

I am mourning, at most, a minor but treasured acquaintance. But I still feel the loss.

That is the end of the risky part.

Understand that the Tom Monteleone I feel sorry for, today, is that one from thirty years ago. I think the one from today invited this fate, however seriously he now takes it, and I am pretty damn certain that there is no coming back from this. I am unsure whether he was still producing work, but he was certainly still an influential figure, an elder statesman, and an important editor, who in a few days of frenetic resentment set fire to his legacy. This is a tragedy, but in the Greek sense, where people suffer the fates their character calls for. This is the natural development of groundwork he laid.

What will happen to Tom Monteleone is that he will not shut up about this, and will continue to court the only audience that still cares about him, the people who share his resentments. He will become more and more fringe, a Theodore Beale of horror, a Kevin Sorbo of horror. I promise you. He will humiliate himself further and he will do it willingly…

Chuck Wendig

https://twitter.com/ChuckWendig/status/1620580945224167424

David Niall Wilson – Twitter thread starts here.

https://twitter.com/CrossroadPress/status/1620597886345170944

Pixel Scroll 1/31/23 A Subway Named Moebius, Larryus, And Curlyus

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(1) KINDRED CANCELED. Can the news get any worse? The Hollywood Reporter tells us “’Kindred’ Canceled at FX”. The drama was based on Octavia E. Butler’s 1979 novel about a young Black woman who is pulled back and forth in time.

Sources tell The Hollywood Reporter that the Disney-backed basic-cable network has canceled the drama based on Octavia E. Butler’s 1979 novel about a young Black woman who is pulled back and forth in time. Showrunner Branden Jacobs-Jenkins (Watchmen) is expected to shop the drama from FX Productions as he envisioned a multiple-season run for the series.

Reps for FX declined to comment.

Kindred debuted Dec. 13, launching all eight episodes of the drama that starred Mallori Johnson as an L.A. woman who is pulled back in time to the 19th century South.

…The drama, which streamed exclusively on Hulu, currently has a 70 percent score among critics on Rotten Tomatoes and a 51 percent rating among viewers. In his review, THR chief TV critic Daniel Fienberg said Kindred was “often effective, but key choices aren’t clicking.” (Hulu does not release traditional viewership data.)…

(2) FUTURE TENSE. The January 2023 entry in the Future Tense Fiction series, “Bigfeet” by Torie Bosch, is a story on “de-extincting a creature that (probably) never existed” —  about a rogue effort to genetically engineer Bigfoot.

It was published along with a response essay, “De-extinction and conservation: When introducing a new species goes wrong” by conservation researcher Challie Facemire.

… This fictional scenario has many real-world counterparts: In the 1920s, sport hunters released a dozen mountain goats on the Olympic Peninsula in western Washington state—the same region where some of the story’s Bigfeet are set loose. Like the Bigfeet, the mountain goat population grew out of control quickly. The goats have caused problems since, from eating sparse alpine plants to trying to lick salt off hikers’ clothes and gear—salt deposits don’t occur naturally in the peninsula, but the goats need it in their diet. As a result, federal and state land managers were forced to carefully devise a multiyear plan to relocate or extirpate the goats (including lifting some by helicopter to more suitable habitats)….

(3) KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present Jeffrey Ford and Marie Vibbert in person at the KGB Bar on Feburary 8, beginning at 7:00 Eastern.

Jeffrey Ford

Jeffrey Ford is a New York Times Notable author for his novel The Physiognomy. In addition, his eleven novels and eight collections of stories have garnered multiple genre awards. His short stories have appeared in a myriad of venues within the SFF/H genres and beyond, He has new stories coming out this year from Tor.com, Asimov’s, and a couple of anthologies. He is recently retired from 40 plus years teaching literature and writing. He lives somewhere out in Ohio in a hundred-and twenty-year-old farmhouse with his wife and seven cats, four dogs, and a turtle.

Marie Vibbert

Marie Vibbert is the Hugo-longlisted author of over 80 short stories, translated into four languages, as well as three novels, some poems, comics, and video games. Her first novel, Galactic Hellcats, was longlisted for the BSFA in 2021. Her latest novel is The Gods Awoke.

Where: KGB Bar, 85 East 4th Street, New York, NY 10003 (Just off 2nd Ave, upstairs). When: February 8th, 2023, 7:00 p.m. Eastern.

(4) MONTELEONE INTERVIEW RESURFACES. Hatchet Mouth Episode 158 “Facebook has AIDS w/ Tom Monteleone” seems to have reappeared if you haven’t heard enough toxicity yet today. It includes the insulting anecdotes referenced in yesterday’s Scroll.

(5) HARPERCOLLINS STRIKE. Literary Hub shares “Why I’m Still on Strike: Portraits from the HarperCollins Picket Line”.

…As the only union in the Big 5, we are in the unique position to push the needle forward for all publishing, not just HarperCollins—a weight and opportunity that isn’t lost on any of us. You can feel it in our picket line chants, in our weekly membership meetings, in our Slack conversations. It’s palpable—the outcome of this strike will determine if hundreds of brilliant workers will leave publishing forever, or if people will finally be able to see a future for themselves in an industry desperately in need of change.

We’re on Day 58 of the strike, with no idea of how much longer this will stretch on. I admit it: I’m terrified and exhausted. I also have never believed in our mission more….

(6) HAUNTED HOUSES IN SPACE. [Item by Ben Bird Person.] YouTuber Romancing the Gothic posted this video exploring “Haunted Houses in Space” through the films Solaris, Alien, and Event Horizon.

(7) JEOPARDY! Andrew Porter was pleased to see tonight’s episode of Jeopardy! had an entire category, “Sci-Fi and Fantasy”. Some of the entries were too tough for the contestants.

Answer: This Joe Haldeman classic tells of William Mandella, who fights the interstellar Taurans for a really long time.

No one could ask, “What is ‘The Forever War’?”

Answer: A “Star Trek” homage, this colorful John Scalzi title refers to clothing soon-to-die crew members wear.

Wrong question: “What is a red shirt?”

Right question: “What are the red shirts?”

Rich Lynch, who also was watching, adds that “One of the clues was a head shot of GRRM.”

(8) MEMORY LANE.

1948 — [Compiled by Cat Eldridge.]

In tonight’s Scroll, we debut a new essay series which is First Paragraphs. To start this off, we have the beginning of the Lensmen series by E.E. “ Doc” Smith which was chosen by Mike Glyer who says, “First paragraphs — it’s actually the first line  of E. E. ‘Doc’ Smith’s Triplanetary: A Tale of Cosmic Adventure that I love the most. It really sets the tone for what he turned into a six-book saga.” 

The magazine version of Triplanetary appeared in 1934 and only later was turned into a fix-up novel, a prequel that begins the series. Four of the Lensmen series as this would known as would be nominated for Retro Hugos though this was not one of them. 

The entire series is available for free from the usual suspects. And, I kid you not at all, there are eleven different audio recordings of Triplanetary. 

Two thousand million or so years ago two galaxies were colliding; or, rather, were passing through each other. A couple of hundreds of millions of years either way do not matter, since at least that much time was required for the inter-passage. At about that same time—within the same plus-or-minus ten percent margin of error, it is believed—practically all of the suns of both those galaxies became possessed of planets.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born January 31, 1923 — Norman Mailer. I never knew he wrote in the genre but he did. Ancient Evenings certainly has the elements of fantasy and The Castle in the Forest is interesting retelling of Adolf Hitler and his last days. (Died 2007.)
  • Born January 31, 1937 — Philip Glass, 86. 1000 Airplanes on the Roof: A Science Fiction Music-Drama, Einstein on the Beach, The Making of the Representative for Planet 8 (with a libretto by Doris Lessing based on her novel of the same name), The marriages between zones three, four, and five (1997, libretto by Doris Lessing, after her second novel from Canopus in Argos), The Witches of Venice and The Juniper Tree would be a fragmentary listing of his works that have a genre bias. 
  • Born January 31, 1947 — Jonathan Banks, 76. First genre role was as Deputy Brent in Gremlins, a film I adore. In the same year, he’s a Lizardo Hospital Guard in another film I adore, The Adventures of Buckaroo Banzai Across the 8th Dimension. Ahhh, a good year indeed. Next I see him playing Michelette in Freejack, another better than merely good sf film. The last thing I see him doing film wise is voicing Rick Dicker in the fairly recent Incredibles 2.  Series wise and these are just my highlights, I’ve got him on Star Trek: Deep Space Nine as Shel-la in the “Battle Lines” episode, in Highlander: The Series as Mako in the “Under Colour of Authority” episode and as Kommander Nuveen Kroll in short lived Otherworld series. In SeaQuest 2032 also had for two episodes as Maximillian Scully. 
  • Born January 31, 1960 — Grant Morrison, 63. If you can find it, their early stuff on such U.K. publishers as Galaxy Media and Harrier Comics is worth searching out. Not your hero in tights materials at all. For their work in that venue, I’d recommend his run on The Resurrection of Ra’s al Ghul, all of his Doom Patrol work (and the HBO series is based on their work and is quite spectacular), Seven Soldiers and The Multiversity which is spectacularly weird.
  • Born January 31, 1962 — Will McIntosh, 61. Best known for the dozens of short stories he’s written that have been published in magazines including Asimov’s, Interzone, Lightspeed and Strange Horizons. He won a Hugo for his short story “Bridesicle“ at Aussiecon 4.
  • Born January 31, 1973 — Portia de Rossi, 50. She first shows up as Giddy in Sirens which would I’d stretching things to even include as genre adjacent but which is definitely worth watching. For SFF roles, she was in Catholic Church tinged horror film Stigmata, musical Zombie comedy Dead & Breakfast and werewolf horror Cursed. She was Lily Munster in the delightfully weird Mockingbird Lane pilot that never went to series. 
  • Born January 31, 1977 — Kerry Washington, 46. Alicia Masters in Fantastic Four and Fantastic Four: Rise of the Silver Surfer. Also played Medical Officer Marissa Brau in 30,000 Leagues Under the Sea. She voices Natalie Certain in Care 3. She also voices Princess Shuri in a short run Black Panther series. 

(10) COMICS SECTION.

  • Non Sequitur applies logic to the idea of colonizing Mars.

(11) WORD POWER. The Hugo Book Club Blog reviews R. F. Kuang’s Babel in “All Words In All Languages Are Metaphors”.

…This is a novel that uses the form of Regency-era historical fantasy to tackle themes of social justice that are at the forefront of today’s cultural vanguard in science fiction and fantasy. In short, it uses the cultural precepts of England at the peak of its colonial power to disclose and critique the social impacts of those systems.

It’s worth noting that although many American authors have attempted to mimic the style of period British prose, the vast majority have failed, often sounding affected, or pompous, or leaden. But instead of clumsy pastiche, Babel feels like a fantasy that William Makepeace Thackeray might have written. Kuang evokes era-appropriate ambiance and regionally-believable prose and dialogue so skillfully that we double-checked to see if she was born and raised in Hertfordshire or Dorset. (We strongly encourage everyone to read the “Author’s Note on Her Representations of Historical England, and of the University of Oxford in Particular,” which precedes the text of the novel.) It is especially gratifying that a book that is deeply concerned with language as a concept uses it so skillfully….

(12) MARVEL’S THIRD ANNUAL X-MEN ELECTION STARTS TODAY. Make your mutant voice heard! For the third consecutive year, Marvel is putting the fate of the X-Men in the hands of fans The 2023 X-Men election will run from Tuesday, January 31 until Friday, February 3. Participants can vote now at marvel.com/xmenvote. The results, along with the full new X-Men team, will be unveiled during the Hellfire Gala in Marvel comics this July.

For three years, the X-Men election has given True Believers everywhere the opportunity to determine the newest protector of Krakoa. In 2021, Polaris won the first-ever election and was featured in Gerry Duggan and Pepe Larraz’s X-MEN. And in 2022, fan-favorite Firestar was chosen to become the newest member of the X-Men, where she then took on a starring role in Duggan’s second year of X-MEN, with artists C.F. Villa and Joshua Cassara.

Once again, several nominations have been accepted to determine the final member of the new X-team. Only one vote is allowed per person, so read about the nominees below and choose wisely!

2023 X-Men Ballot Nominations:

CANNONBALL: One of the original “New Mutants,” the second class of students in the Xavier School, Sam Guthrie has come a long way. His ability to transform into a human cannonball, propelling himself with great force at high speeds while making himself “nigh invulnerable” has taken him from an awkward lanky teen to a married father who is both a former X-Man and Avenger! Why not rocket him to the front lines again?

DAZZLER: Dazzler first made it to the scene as a pop star, using her secret mutant power to transform sound into light as part of her stage show. Becoming a hero and joining the X-Men never dimmed her star-power, even as she learned to use her ability to dazzle as an offensive weapon. Since then, she’s been a S.H.I.E.L.D. agent, a freedom fighter, mother to a time paradox, and a vampire hunter. Isn’t it time for Alison Blaire to reclaim center stage?

FRENZY: Superhuman strength, speed, stamina, agility, reflexes and durability have made Joanna Cargill a formidable opponent to any who crosses her. From her early days opposed to the X-Men as a member of Apocalypse’s Alliance of Evil, her time as one of Magneto’s Acolytes, and Mister Sinister’s Marauders, to her time on the side of good with the Jean Grey School, and eventually as an intergalactic ambassador with S.W.O.R.D., Frenzy has what it takes to tackle anything!

JUBILEE: Having joined the X-Men as a teenaged runaway, Jubilation Lee had been shooting explosive fireworks out of her hands into the face of evil for many years when she lost her powers in M-Day. Even so, that didn’t stop her from fighting for what’s right—first as a New Warrior using a power suit, and later as a vampire, going against every monstrous urge that came with that transformation. Cured of that curse and with her mutant powers returned, Jubilee deserves to reclaim her spot on the X-team!

JUGGERNAUT: The non-mutant stepbrother of Professor X, Cain Marko long ago claimed the gem of the ancient “god” Cyttorak, transforming him into the unstoppable brute known as Juggernaut. For many years he was a thorn in the X-Men’s side, frequently rampaging through their lives leaving wreckage behind. More recently, however, Cain has shaken off the evil influence of his dark master, claiming the power of Juggernaut under his own terms and making amends for his past deeds.

PRODIGY: Prodigy possesses the power of psychomimetry—a form of telepathy that grants him the skills and knowledge of those in his proximity. This allows him equal mastery of any skill—mental or physical—as those around him. His ability to retain knowledge from those sources makes him an even more formidable mutant – one who is brilliant at biology, computers, martial arts, and strategic planning. David Alleyne may borrow from others, but he is one of a kind.

(13) PLEISTOCENE PARK. [Item by Mike Kennedy.] A Dallas-based company believes it’s well on its way to resurrecting the woolly mammoth. They’ve targeting 2027 to re-introduce this “cold-resistant elephant“ in Siberia. Or, well, maybe somewhere else given the current political situation. “Woolly Mammoth Coming Back to Life by 2027: De-Extinction Details”.

…The woolly mammoth’s DNA is a 99.6 percent match of the Asian elephant, which leads Colossal to believe it’s well on its way toward achieving its goal. “In the minds of many, this creature is gone forever,” the company says. “But not in the minds of our scientists, nor the labs of our company. We’re already in the process of the de-extinction of the Woolly Mammoth. Our teams have collected viable DNA samples and are editing the genes that will allow this wonderful megafauna to once again thunder through the Arctic.”

Through gene editing, Colossal scientists will eventually create an embryo of a woolly mammoth. They will place the embryo in an African elephant to take advantage of its size and allow it to give birth to the new woolly mammoth. The eventual goal is to then repopulate parts of the Arctic with the new woolly mammoth and strengthen local plant life with the migration patterns and dietary habits of the beast….

(14) STEAM THEME. “New Universal Citywalk LA Restaurant Goes Full Steampunk Willy Wonka” reports Eater – LA.

Fresh off the buzz from the Super Mario Brothers-themed Toadstool Cafe, Universal CityWalk opens a new and immersive dining restaurant called Toothsome Chocolate Emporium & Savory Feast Kitchen on Friday, January 27. This new spot took over the former Hard Rock Cafe and feels very much like a merger of steampunk industrialism cobbled together with the Cheesecake Factory — and sprinkled with plenty of Willy Wonka vibes to boot.

This isn’t a new concept for Toothsome Chocolate Emporium, since there are locations in both Orlando and Beijing, but it is new for Los Angeles. The entire full-service space, complete with a bar area and multi-level dining room, runs with its bigger-than-life theme to extremes and even offers an extensive backstory involving two live dolled-up characters named Penelope and Jacques that’ll rove throughout the eatery to interact with the guests….

(15) ON THE WAY FROM DC. In this video James Gunn shares his vision for the future of the DC Universe and the upcoming slate from DC Studios. “Chapter 1 – Gods and Monsters”.

[Thanks to Andrew Porter, Michael Toman, Cat Eldridge, N., Rich Lynch, Olav Rokne, Ben Bird Person, Mike Kennedy, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Thomas Monteleone Ousted By Horror Writers Association

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The Horror Writers Association Board of Trustees today expelled author Thomas Monteleone from membership, condemning his “recent words and actions” which violate their anti-harassment policies. Monteleone, an HWA Lifetime Achievement Award winner (2017) is also barred from attendance and participation in StokerCon 2023, banned from future HWA events, and his benefits as an LAA winner have been revoked.

Within the past week Monteleone, alleging that “gatekeepers” at the Horror Writers Association websites were keeping his post from appearing, had taken to Facebook ostensibly to nominate Stuart David Schiff for an HWA Lifetime Achievement Award. However, before sharing the reasons Schiff should receive the recognition, Monteleone made known his real agenda: “…That said, and despite the last few LAA years looking very much like a very obvious DEI project, I am compelled to nominate a smart, old white guy: Stu Schiff…” Before it was taken down the Facebook post drew over 800 comments, some approving what he said and adding their own feelings about “virtue signaling” and “wokeness”, while others called for him to apologize. The worthiness of two of the 2020 LAA winners was also belittled.

Then, two days ago, YouTube’s Hatchet Mouth posted a “Tom Monteleone Interview” where Monteleone delivered more remarks in the vein of his Facebook post. Telling an anecdote about a World Fantasy Award winner who expressed ambivalence about receiving the Lovecraft bust, he slurred them in derogatory racial terms (while making every effort to assign the wrong ethnicity to the person being insulted), and gave the same treatment to the woman who called for the John W. Campbell Award for Best New Writer to be renamed (as it was). The video is no longer online.

A number of HWA members posted calls in social media for the organization to remove him from membership.

The Horror Writers Association explained its decision in the “Thomas F. Monteleone Statement” posted on the HWA Blog.

The Board of Trustees for the Horror Writers Association does not condone hate speech in any way, shape, or form. We stand in support of our members’ right to feel safe, welcome, and above all else, respected. The Horror Writers Association condemns the recent words and actions of Thomas Monteleone and in accordance with our anti-harassment policies, The Board of Trustees has voted to ban Mr. Monteleone from attendance and participation in StokerCon 2023.

Furthermore, in respect to those same policies, the Board of Trustees has voted to ban Mr. Monteleone from attending our future events.

Lastly, the Board of Trustees has voted to expel Mr. Monteleone from membership in the Horror Writers Association, thus revoking the benefits of his Lifetime Achievement Award, per Horror Writers Association Bylaws Article III, section 24:

“The Board may, by a vote of 80% of the officers and trustees then in office, expel any member for good and sufficient cause. For avoidance of confusion, 80% of the officers and trustees then in office must vote to expel the member in order for such expulsion to be effective. In the event of expulsion, the expelled member’s dues, if paid, shall be refunded on a pro-rata basis. An expelled member shall be reinstated if the Board shall receive a petition for reinstatement signed by a number of Active members equal to no less than two-thirds of the Active membership as of the date of receipt.”

Members of the Board of Trustees were unanimous in this decision-making process and are also pursuing other options available under the bylaws of the organization.

We are dedicated to making our StokerCons, other HWA-sponsored events, and official HWA online spaces safe and comfortable for all participants, as per our anti-harassment policy available at horror.org/hwa-anti-harassment-policy/.

Pixel Scroll 1/30/23 Many Scrolls And Files Knew What It Was To Be Roasted In The Depths Of The Pixels That Day, I Can Tell You

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(1) PUBLISHING CONTROVERSY REVISITED. Pamela Paul, former New York Times Book Review editor, returned to the three-year-old American Dirt controversy in an op-ed for the New York Times: “The Long Shadow of ‘American Dirt’”.

…From the moment Cummins’s agent sent “American Dirt” out to potential publishers, it looked like a winner. The manuscript led to a bidding war among nine publishing imprints, resulting in a game-changing, seven-figure deal for its author. In the run-up to publication, as the editor of The New York Times Book Review, I asked attendees at Book Expo, then the most significant annual publishing conference, which upcoming book they were most excited about. The answer was as unanimous as I’ve ever heard: “American Dirt.” Publishers, editors, booksellers, librarians were all wildly enthusiastic: “American Dirt” wasn’t only a gripping novel — it brought attention to one of the most vexing and heartbreaking issues of our time, the border crisis. This, its champions believed, was one of those rare books that could both enthrall readers and change minds.

But in December 2019, a month before the novel’s release, Myriam Gurba, a Latina writer whose memoir, “Mean,” had been published a couple of years earlier by a small press, posted a piece that Ms. magazine had commissioned as a review of “American Dirt,” and then killed. In her blog post and accompanying review, Gurba characterized the novel as “fake-assed social justice literature,” “toxic heteroromanticism” and “sludge.” It wasn’t just that Gurba despised the book. She insisted that the author had no right to write it.

A central charge was that Cummins, who identifies as white and Latina but is not an immigrant or of Mexican heritage, wasn’t qualified to write an authentic novel about Latin American characters. Another writer soon asserted in an op-ed that the “clumsy, ill-conceived” rollout of Cummins’s novel was proof that American publishing was “broken.” The hype from the publisher, which marketed the book as “one of the most important books for our times,” was viewed as particularly damning. Echoing a number of writers and activists, the op-ed writer said it was incumbent upon Mexican Americans and their “collaborators” to resist the “ever-grinding wheels of the hit-making machine,” charging it was “unethical” to allow Oprah’s Book Club to wield such power. More than 100 writers put their names to a letter scolding Oprah for her choice….

Dana Snitzky takes issue: “This Week in Books: It’s Pamela Paul Week”.

…American Dirt was merely criticized. Criticized, probably most famously (yet not by any means initially) in the pages of the New York Times Book Review. The New York Times Book Review as edited by Pamela Paul. Yes, friends, you heard correctly—as Max Read and others online have pointed out, Pamela Paul’s powers of discourse are such that she has established a vertically integrated outrage machine, seeing the process through from initial cancellation to reactionary backlash…. 

Silvia Moreno-Garcia addressed Paul’s op-ed in an extended Twitter thread that starts here. A few of her comments are:

https://twitter.com/silviamg/status/1618700650937987073
https://twitter.com/silviamg/status/1618703856724246530
https://twitter.com/silviamg/status/1618739635634724864

(2) ELSEWHERE MONTELEONE KEEPS DIGGING THE HOLE DEEPER. It was taken down today, however, yesterday YouTube’s Hatchet Mouth posted their “Tom Monteleone Interview”, an extended opportunity for Monteleone to deliver more remarks in the vein of his now-removed Facebook post. He belittled a past Horror Writers Association award winner in derogatory racial terms (while making every effort to assign the wrong ethnicity to the person being insulted), and gave the same treatment to the woman who called for the John W. Campbell Award for Best New Writer to be renamed (as it was). Copies of the YouTube auto-generated transcript are floating around. In fact, I made my own if you need to see one…

(3) BACK TO THE DINOSAURS. Apex Publishing’s Jason Sizemore, responding to a particular thread within the Monteleone kerfuffle, told Facebook readers what was wrong with the latest attack on an award-winning story.  

There’s another old white male author who has found offense at the award recognition of non-white, non-male writers by the HWA. It’s been all over my FB feed.

Inevitably, the usual cadre of traditionalists and self-anointed old school sci-fi readers rallied around this writer rehashing the same tired arguments that showcase a poor understanding of capitalism, reality, and the depth of fiction they bemoan.

Apex Magazine was accused of catering to reactionary and psychotic (not my words) people.

“If You Were a Dinosaur, My Love” by Rachel Swirsky was evoked. Again. This story came out in March of 2013….

(4) BUFFY SLAYS TROLLS & SLIMEBALLS. [Item by Mike Kennedy.] Working now from a position of earned respect and power, Sarah Michelle Gellar expressed her opinions on mistreatment of women in visual media. In an interview with the Guardian, she takes shots at both the trolls who sit in front of the screen and certain slimeballs who reside behind the cameras. “’A lot of the demons seem a little cheesy now’: Sarah Michelle Gellar on Buffy, her burnout and her comeback”.

…For all its similarities to Buffy, Wolf Pack has one key difference: this time Gellar is in a position of influence, as an executive producer as well as the lead.

The title can be almost meaningless, a way to sweeten the deal for a star, but Gellar says she told Davis: “I’ve been doing this for 40 years. I have a lot of experience, and I have a lot to bring to the table. If you’re just looking for an actor that just wants to have the credit, I’m not your person. I’m going to have ideas, and I’m going to be vocal about them.”…

(5) IN MEMORIAM 2022. Steven H Silver’s list “In Memoriam: Those We Have Lost in 2022” has been posted at Amazing Stories.

(6) LISA LORING OBITUARY. TV’s original Wednesday Addams, Lisa Loring, died January 30 at age 64 reports the BBC.

…Her daughter, Vanessa Foumberg, told The Hollywood Reporter she died of a stroke caused by high blood pressure.

“She went peacefully with both her daughters holding her hands,” Foumberg said.

The actress had been on life support for three days, her friend Laurie Jacobson posted on Facebook.

“She is embedded in the tapestry that is pop culture and in our hearts always as Wednesday Addams,” she said in her post.

The Addams Family, which was the first adaptation of Charles Addams’ New Yorker cartoons, ran from 1964 to 1966 on ABC.

Ms Loring also appeared in the soap opera “As the World Turns” and the sitcom “The Pruitts of Southampton.”…

(7) MEMORY LANE.

1987 — [Compiled by Cat Eldridge.]

And now we come to the end of the genre quotes (at least for now) with a most splendid one from Ellen Kushner’s Swordspoint: A Melodrama of Manners novel. As y’all know, it’s the first work of the Riverside series which continues in The Fall of the Kings, was co-written with her wife Delia Sherman, and finished in The Privilege of the Sword.

Yes, it’s one of my favorite novels, and the series as well, to re-read. Preferably on a cold winter’s night. I do think that Swordspoint is the best of the novels though The Privilege of the Sword is quite tasty as well. 

And you have to love a society where chocolate is the drink of choice among everyone. 

BY MIDDAY, MOST OF THE NOBLES ON THE HILL COULD be counted on to be awake. The Hill sat lordly above the rest of the city, honeycombed with mansions, landscaped lawns, elaborate gates, and private docks on the cleanest part of the river. Its streets had been built expressly wide and smooth enough to accommodate the carriages of nobles, shortly after carriages had been invented. Usually, mornings on the Hill were passed in leisurely exchange of notes written on colored, scented, and folded paper, read and composed in various states of dishabille over cups of rich chocolate and crisp little triangles of toast (all the nourishment that ought to be managed after a night’s reveling); but on the morning after the garden duel, with the night’s events ripe for comment, no one had the patience to wait for a reply, so the streets were unusually crowded with carriages and pedestrians of rank.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born January 30, 1911 — Hugh Marlowe. First let me note that he was first to play the title character in the very first radio version of The Adventures of Ellery Queen. No, it’s not even genre adjacent but neat nonetheless. As regards genre roles, he’s Tom Stevens in The Day the Earth Stood Still, and Dr. Russell A. Marvin in Earth vs. the Flying Saucers. He was also Harold McPherson in Seven Days in May if you want to count that as genre which I definitely think you should. (Died 1982.)
  • Born January 30, 1920 — Michael Anderson. English Director best remembered for Around the World in 80 Days, Logan’s Run, and perhaps not nearly as much for, Doc Savage: The Man of Bronze. Yes, I saw it. It was, errrr, interesting. He also directed The Martian Chronicles series. (Died 2018.)
  • Born January 30, 1924 — Lloyd Alexander. His most well-crafted work is The Chronicles of Prydain. Though drawn off Welsh mythology, they deviate from it in significant ways stripping it of much of its negativity.  To my belief, it is his only genre writing as I don’t hold the Westmark trilogy to actually be fantasy, just an alternative telling of European history. Splitting cats hairs? Maybe. He was also one of the founders of Cricket, an illustrated literary journal for children. The late illustrator Trina Schart Hyman whose art I lust after, errrr, adore was another founder. (Died 2007.)
  • Born January 30, 1926 — Peter Brachacki. Set designer for the very first episode of Doctor Who. Everything I’ve been able to read on him says that he was not at all interested in working on the series and did so reluctantly under orders. Doctor Who producer Verity Lambert would later recount that she was impressed with Brachacki’s work on the TARDIS interior even though she personally did not like him at all. His design elements persist throughout the fifty years the series has been produced. His only other genre work that I’ve been able to find was Blake’s 7 and a short series called the The Witch’s Daughter done in the late Seventies. The BBC wasn’t always great at documenting who worked on what series. (Died 1980.)
  • Born January 30, 1941 — Gregory Benford, 82. His longest running series is Galactic Center Saga, a series I find a little akin to Saberhagen’s Beserker series. I’ve not read enough of it to form a firm opinion though I know some of you of have done so.  Other novels I’ve read by him include Timescape (superb) and A Darker Geometry: A Man-Kzin Novel which was actually was quite excellent. Yes I do read Baen Books. 
  • Born January 30, 1955 — Judith Tarr, 68.  I’m fond of her Richard the Lionheart novels which hew closely to the historical record while introducing just enough magic to make them fantasy. The novels also make good use of her keen knowledge of horsemanship as well. Her Queen of the Amazons pairs the historical Alexander the Great, with a meeting with the beautiful Hippolyta, who is queen of the Amazons. Highly recommended.
  • Born January 30, 1973 — Jordan Prentice, 50. Inside every duck is a self-described person of short stature. His words, not mine. In the case of Howard the Duck from the movie of the same name, one of those persons was him. He’s not in a lot of SFF roles after his performing debut there though he shows up next as Fingers Finnian in Wolf Girl, playing Sherrif Shelby in Silent But Deadly, Napoleon in Mirror Mirror and Nigel Thumb in The Night Before the Night Before Christmas.
  • Born January 30, 1974 — Christian Bale, 49. First enters our corner of the mediaverse in a Swedish film called Mio in the Land of Faraway where he plays a character named Yum Yum. Note though that he doesn’t speak in this role as his Swedish voice is done by Max Winerdah. So his playing Demetrius in A Midsummer Night’s Dream is his first speaking role. Next up is American Psycho in which he was Patrick Bateman, that was followed by a role in Reign of Fire as Quinn Abercromby. He was John Preston in Equilibrium, and he voiced Howl in Howl’s Moving Castle, a film well worth seeing.  Need I say who he plays in Batman Begins? I thought not. He’d repeat that in The Dark Knight and The Dark Knight Rises. Amidst being Batman, he was also John Connor in Terminator Salvation. His last genre role to date was voicing Bagheera in Mowgli: Legend of the Jungle asked off Kipling’s All the Mowgli Stories. He’s got a television genre credit, to wit Jim Hawkins in Treasure Island off the Robert Louis Stevenson of that name.

(9) COMICS SECTION.

  • Candorville shows a dad telling his shrink about trying to get his kid to watch Star Trek.
  • Foxtrot’s “Goodnight Doom” adapts the verses of a children’s book to a kid’s computer.

(10) ALTERNATE OVAL OFFICES. [Item by Mike Kennedy.] Welcome to an alternate universe. Actually, six different ones.

Have you ever wondered what the White House Oval Office would look like if it were outfitted completely in IKEA furniture? Or perhaps another home furnishing brand? House Fresh will be glad to show you.

Some of the choices are breathtaking; albeit perhaps not in the way a President might desire. “If 6 Iconic Home Brands Redesigned The Oval Office” at HouseFresh.

Consider the Pottery Barn version….

(11) THE BIRD HAS THE WORD. “’An Ostrich Told Me the World Was Fake’ Director Discusses Oscar Nom” in Variety.

…The short film follows a young telemarketer named Neil who is confronted by a mysterious talking ostrich who tells him that the universe is actually stop-motion animation. Neil, voiced by Pendragon, then tries to convince his colleagues about the discovery….

Let’s talk about “An Ostrich Told Me the World Was Fake” and its journey. Where did it begin?

It was part of a doctorate in visual arts program at film school. It had to come from a research perspective. The project needed to have a level of innovation and something that you were doing differently that you could write about and talk about. I wanted to do something on stop-motion because it’s something that I love doing, but I hadn’t thought too much about it yet. There was so much potential about what could be done and explored.

I wanted to look at the handmade quality of stop-motion animation and ensure they were as apparent as possible. That led me down this path of doing something that breaks the fourth wall and deconstructs it, so that the audience could be watching the behind-the-scenes as they were watching the film. I thought it was entertaining because it would show all that goes into making this kind of film. But then on the other side, it’s like, how do I make sure that it’s not too distracting that you can still connect with these characters? Finding that balance was difficult….

(12) VIDEO OF THE DAY. “Honest Trailers – Snakes on a Plane” shows that if you steal ideas from enough different places it’s not plagiarism. But first, you also have to steal enough special effects snakes.

[Thanks to Chris Barkley, Andrew Porter, Michael Toman, Daniel Dern, Cat Rambo, Cat Eldridge, Mike Kennedy, John King Tarpinian, for some of these stories. Title credit belongs to File 770 contributing editor of the day Bill.]