Pixel Scroll 6/27/23 All The World Seems Less Vile When We’re Reading The File

(1) AI AND CLICK FARMERS GAMING KINDLE UNLIMITED. AI-generated books are hitting the best-seller lists in the Kindle Unlimited store. Stacy King points out that one of the best-sellers in the War & Military Fiction category is “URGENT CHARACTER NAME: URGENT CHARACTER NAME” by Minh Duong. Thread starts here.

(2) BOSEMAN SELECTED FOR WALK OF FAME. GamesRadar+ reports “Chadwick Boseman to receive posthumous star on the Hollywood Walk of Fame” and names the other who will be honored in 2024.

Chadwick Boseman is set to receive a posthumous star on the Hollywood Walk of Fame as part of their class of 2024. The actor died from colon cancer in August 2020 at the age of 43. He was diagnosed with the disease in 2016, but kept his illness private until his death. 

Best known for his starring role in Marvel’s Black Panther as King T’Challa of Wakanda and the titular superhero (and other appearances in the Avengers movies), Boseman also starred in films like Da 5 Bloods21 Bridges, and Ma Rainey’s Black Bottom. He received a posthumous Oscar nomination for his performance in the latter, and he was also posthumously awarded the Emmy for Outstanding Character Voice-Over Performance for his work in animated Marvel series What If…?

Boseman was selected to appear on the Walk of Fame in the motion picture category, with other groups including television, recording, live theatre/live performance, and radio. Honorees are chosen every year by the Hollywood Chamber of Commerce out of hundreds of nominees. Other new additions to the movie category include Gal Gadot, Michelle Yeoh, Chris Pine, Maggie Gyllenhaal, Christina Ricci, Marvel Studios president Kevin Feige, and Illumination CEO Chris Meledandri.

Those in the TV category include Ken Jeong, Eugene Levy, Sheryl Lee Ralph, Michael Schur, and Kerry Washington. The cohort’s other posthumous honoree is Otis Redding, in the live performance category. Redding died in a plane crash in 1967.

(3) SPIDER-MAN’S POWERFUL B.O. The Hollywood Reporter is taken by surprise as the new Spider-Man movie bounces back to the top of the charts: “Box Office: Spidey Beats ‘Elemental’, ‘The Flash’ Tanks”.

In a box office upset, Sony holdover Spider-Man: Across the Spider-Verse edged out Pixar’s Elemental to win the weekend all the way in its fourth outing. Rarely does a film reclaim the top spot like that amid fierce summer competition.

Spidey took in an estimated $19.3 million as it raced past the $300 million mark domestically to finish Sunday with a North American total of $317.1 million and an impressive $560.3 million worldwide.

Elemental took in an estimated $18.5 million upon falling only 39 percent in its second weekend, a strong hold after suffering the worst start in the modern history of Pixar. The film’s hold means it’s being helped by strong word of mouth….

… The news for DC and Warner Bros.’ big-budget superhero pic The Flash — which opened last weekend opposite Elemental to a sobering $55.1 million — grew worse as it fell off 72 percent to $15.3 million for a domestic cume of $87.6 million. Unlike ElementalThe Flash received poor exit scores. (The studio had hoped for a decline of 55 percent.) Insiders concede the film, starring Ezra Miller, is a huge miss and is being rejected by audiences on a wholesale basis….

(4) MAKING THE ROUNDS. Craig Miller comments on screenings of Ruby Gillman, Teenage Kraken and Elemental before reporting on a Propstore reception where some top-end costumes and art were displayed ahead of an auction. See the photos on his Facebook page.

…Herewith, photos of a few of the pieces. I think the gem of the auction is Carrie Fisher/Princess Leia’s Medal Ceremony dress from the end of “Star Wars”. Estimated to sell for, perhaps, $1,000,000. Also on display were an asteroid miniature from “The Empire Strikes Back”, Michael Keaton’s Batman costume from “Batman Returns” and Tommy Lee Jones’ Two-Face costume from “Batman Forever”, an original painting by Ralph McQuarrie done for the ILM crew shirt for “Star Wars”, a matte painting for the Death Star trench (interesting at least to me, I have hanging in the hall outside my office the matching photo – about 3’x3′ – of the Death Star trench miniature that was painted over and cut out to make this matte), Harrison Ford’s “Blade Runner” costume, Daniel Radcliff’s costume from “Harry Potter and the Chamber of Secrets”….

(5) MISSING FROM HISTORY. After Thomas Monteleone got expelled from the Horror Writers Association, and Mort Castle started a kerfuffle about being left out of an HWA Blog Q&A series, author Lionel Ray Green asked Brian Keene: “Feeling forgotten: Do older horror writers have a point?”

…In his June 21st podcast, Keene addressed the Castle and Monteleone controversies.

“I know there was a big kerfuffle with Mort Castle,” Keene said. “I did not see Mort’s comments, but people I trust have paraphrased them for me. I think we can have empathy for Mort. I don’t think it’s terrible of him to feel forgotten. I think his feelings are valid because Mort did some important things. I don’t know, maybe Mort should’ve read the room … maybe there was a better way of expressing it. 

“Tom’s comments were reprehensible. They were inexcusable. And I’m in no way defending him. But I do think Tom’s comments stem from a place of hurt, of feeling forgotten. There was a time when Tom Monteleone did a lot in this genre. He was one of the movers and shakers. In some of the much-deserved blowback to his comments, you saw a lot of ‘Who’s Tom Monteleone?’ which kind of proves the point. The guy was feeling forgotten.” 

Keene said he talked to Bram Stoker Award-nominated author Ronald Malfi about the issue during StokerCon 2023 earlier this month. 

“Ron Malfi and I had a heart-to-heart about this in the bar at StokerCon,” Keene said. “We feel it’s our generation’s responsibility to spotlight some of these people. I try to do that in my newsletter. Right now, I’m campaigning for Chet Williamson to get a Lifetime Achievement Award from the HWA. I think he deserves it.” 

Williamson received six Stoker Award nominations from 1987 to 1990, including two for his novels Ash Wednesday and Reign….

(6) FUTURAMA TRAILER. Paste Magazine sets the table: “Futurama Lives on Hulu, Entire Cast Returns in First Trailer”.

…Oh yeah, we’re definitely mining some nostalgia here. It certainly feels like this iteration of the show is attempting to go back and replicate nearly everything fans still love and reference about the original series, right down to bit players like the colony of worms that once invaded Fry’s colon after some bad truck stop egg salad. At least the voices of the characters sound more or less intact, mercifully avoiding the tiredness and unnatural delivery that has become an expected part of new Simpsons episodes for the last decade. We’re also not sure how to feel exactly about the series seemingly making a point of falling back on topical humor, with jokes clearly directed at the COVID-19 pandemic, cryptocurrency and even the popularity of Frank Herbert’s Dune following its big-screen adaptation. Hopefully, this version of Futurama can prove it still has some reason to exist, beyond brand recognition….

(7) TURNING IN THE WORK. “Rosamund Pike acts in ‘Wheel of Time’ and reads (and reads and reads) it, too” the Washington Post learned.

When told how long she’s been recording the audiobooks for the Wheel of Time, the fantasy series by Robert Jordan, Rosamund Pike sounded disconcerted.

“You mean so far, with the three I’ve done?” she asked. “It’s 80 hours?” (To be precise, between “The Eye of the World,” “The Great Hunt” and the most recent installment, “The Dragon Reborn,” which has just been released, it’s 87 hours and 23 minutes.) Pike was calling in from Prague, where she and her family moved a few years ago for the production of the television series adapted from Jordan’s books. She is a producer of the series and stars as the magical priestess Moiraine. Over video, what passed over her face, hearing that time estimate, could be called a grimace. “Well — that’s good.” Her eyebrow arched. “Yeah, that’s … nice.”

Pike’s account of how she got involved in this epic project has a “hero’s journey” ring to it: the call to adventure, the reluctant protagonist, then some intervention that encourages them to leave the world they knew. When Macmillan Audio initially approached her, she turned the job down. Though she’d recorded audiobooks before — including Jane Austen, a historical spy novel and a murder mystery — for most of her life she hadn’t been much of a fantasy fan: “I think I’d always been quite grounded in reality,” Pike told Stephen Colbert in 2021. “… I didn’t feel I needed to branch out into creatures and mythological beasts…”

(8) MEMORY LANE.

1986 [Written by Cat Eldridge from a choice by Mike Glyer.]

And then there’s Gene Wolfe. What an amazing writer. I was surprised in doing this write-up to find that he had not won any Hugos, though he has won World Fantasy Awards both for his long and short form work, along with a BSFA, a BFA and Nebulas.

So what do I like by him? First and foremost is the exemplary The Book of the New Sun series. Now this is what fantasy should be. I’ve not read all of The Wizard Knight series but what I have read has been very enjoyable; and likewise the stand-alone novels Pirate Freedom and the fascinating travel affair The Land Across as I love imaginary European countries.

So our Beginning this Scroll is from Soldier of the Mist, the first novel of the Latro series. It was published by Gollancz in 1986. It picked up Nebula and World Fantasy Award nominations. 

And here’s our Beginning…

I write of what has just occurred. The healer came into this tent at dawn and asked whether I recalled him. When I said I did not, he explained. He gave me this scroll, with this stylus of the slingstone metal, which marks it as though it were wax. 

My name is Latro. I must not forget. The healer said I forget very quickly, and that is because of a wound I suffered in a battle. He named it as though it were a man, but I do not remember the name. He said I must learn to write down as much as I can, so I can read it when I have forgotten. Thus he has given me this scroll and this stylus of heavy slingstone metal. 

I wrote something for him in the dust first. He seemed pleased I could write, saying most soldiers cannot. He said also that my letters are well formed, though some are of shapes he does not know. I held the lamp, and he showed me his writing. It seemed very strange to me. He is of Riverland. 

He asked me my name, but I could not bring it to my lips. He asked if I remembered speaking to him yesterday, and I did not. He has spoken to me several times, he says, but I have always forgotten when he comes again. He said some other soldiers told him my name, “Latro,” and he asked if I could remember my home. I could. I told him of our house and the brook that laughs over colored stones. I described Mother and Father to him, just as I see them in my mind, but when he asked their names, I could tell him only “Mother” and “Father.” He said he thought these memories very old, perhaps from twenty years past or more. He asked who taught me to write, but I could not tell him. Then he gave me these things.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 27, 1909 Billy Curtis. You’ll best remember him as the Small Copper-Skinned Ambassador in Trek’s “Journey to Babel” episode. His genre experienced goes all the way back to Wizard of Oz where he was a Munchkin, and later on he’s a mole-man in Superman and The Mole-Men, and later on a little person in The Incredible Shrinking Man. He had lots of one-offs, be it on Batman (twice there), Bewitched, Gilligan’s IslandPlanet of The Apes or Twilght Zone. (Died 1988.)
  • Born June 27, 1941 James P. Hogan. A true anti-authoritarian hard SF writer in the years when that was a respectable thing to be. I’m sure that I’ve read at least Inherit the Stars and The Gentle Giants of Ganymede. Tell me about his short fiction please. A decent amount of his work is available on the usual suspects. (Died 2010.)
  • Born June 27, 1952 Mary Rosenblum. SF writer who won the Compton Crook Award for Best First Novel for The Drylands, her first novel. She later won the Sidewise Award for Alternate History Short Form for her story, “Sacrifice.” Water Rites and Horizons are the only ones available at the usual suspects. (Died 2018.)
  • Born June 27, 1959 Stephen Dedman, 64. Australian author of The Art of Arrow-Cutting, a most excellent novel. I really should read Shadows Bite, the sequel to it.  He’s the story editor of Borderlands, the tri-annual Australian science fiction, fantasy and horror magazine published in Perth. Apple Books has nothing for him, Kindle has The Art of Arrow-Cutting and a few other titles. 
  • Born June 27, 1966 J. J. Abrams, 57. Let’s see… He directed and produced the rebooted Star TrekStar Wars: The Force Awakens and Star Wars: The Rise of Skywalker (he was a co-writer on the latter two), but I think I will single him out as the executive producer of the Fringe series, the Lost series, and Person of Interest
  • Born June 27, 1972 Christian Kane, 51. You’ll certainly recognize him as he’s been around genre video fiction for a while first playing Lindsey McDonald on Angel before become Jacob Stone on The Librarians. And though Leverage may or may not be genre, his role as Eliot Spencer there is definitely worth seeing. 
  • Born June 27, 1975 Tobey Maguire, 48. Spider-man in the Sam Raimi trilogy of the Spidey films. His first genre appearance was actually in The Revenge of the Red Baron which is one serious weird film. Much more interesting is his role as David in Pleasantville, a film I love dearly. He produced The 5th Wave, a recent alien invasion film.
  • Born June 27, 1987 Ed Westwick, 36. British actor who has roles in the dystopian Children of MenS. Darko (a film I couldn’t begin to summarize), Freaks of Nature (a popcorn film if ever there was one), the “Roadside Bouquets” episode of the British series Afterlife (which I want to see) and The Crash (which may or may not be SF).

(10) DIRECT ANSWERS. Hear from the renowned comic dealer in “ICv2 Video Interview: Bud Plant, Part 1”.

For his article on direct market pioneer Bud Plant (see “Bud Plant, a Pioneer“), Dan Gearino (author of The Comic Shop, see “New Edition of ‘Comic Shop’“) conducted a meaty video interview with Plant, which you can watch in three parts:

  • In Part 1 (see video below), Plant talks about the very early days of the comics business in the 1960s, and some of the first comic stores in California. 
  • In Part 2, he talks about meeting Phil Seuling, the beginnings of the direct market, and opening the first Comics & Comix store.
  • In Part 3, he talks about rapid growth in the 1980s, selling his wholesale business to Diamond, and the meaning of it all.

We are also making available full transcripts of the interview, in three parts corresponding to the three parts of the video interview.

ICv2 Interview Transcript: Bud Plant Part 1
ICv2 Interview Transcript: Bud Plant Part 2
ICv2 Interview Transcript: Bud Plant Part 3

(11) MOSCOW SUCKS. “’First trailer for timely Moscow-set sci-fi horror Empire V” at Deadline.

Victor Ginzburg’s timely sci-fi horror Empire V, which is described as a social parody of Russia being controlled by vampires, world premieres at Montreal’s Fantasia Fest this July.

Ahead of the debut, Deadline can reveal a first trailer for the film which has gained fresh resonance following the revolt in Russia over the weekend by Yevgeny Prigozhin’s Wagner mercenary group.

Based on a 2006 satirical novel by Victor Pelevin, the film revolves around a 19-year-old Muscovite who is turned into a vampire, propelling him into an elite and powerful echelon of society that has controlled humanity since time immemorial.

… Sony had been due to release the film in Russia on more than 1,800 screens in the first quarter of 2022, but the government refused to release its distribution permit, effectively banning the film….

There is an “exclusive” trailer embedded in the Deadline article, which visually is probably 99% the same as this one released a year ago.

(12) THE WITCHER INFOGRAPHIC. The premiere of season 3 of the Geralt of Rivia adventures is coming this week. On this occasion, JustWatch thought you’d like to see how the miniseries and animated film performed compared to Netflix’s tentpole, starring Henry Cavill. 

Despite efforts, The Witcher: Blood Origin failed to captivate viewers, receiving -2.3% less popularity than the animated film The Witcher: Nightmare Of The Wolf. The movie also pales in comparison to Netflix’s flagship series The Witcher, that surpassed the combined popularity of the miniseries and film by a remarkable 8 times.

[Thanks to SF Concatenation’s Jonathan Cowie, Mike Kennedy, John Hertz, Andrew Porter, John King Tarpinian, Chris Barkley, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Jack Lint.]

Pixel Scroll 2/7/23 Who Needs Pixels? Scrolls Are Much Better

(1) HARPERCOLLINS STRIKE DRAWS VISITORS FROM PRO ORGANIZATIONS. Last week representatives from The Authors Guild and the Association of American Literary Agents met with HarperCollins management and union representatives to discuss concerns over the ongoing strike. “Update on AG/AALA Meetings with HarperCollins Management and HarperCollins Union” from The Authors Guild.

…The AG and the AALA stressed in both meetings that our intention was not to take sides but rather, like submitting an amicus curiae brief to a court, to advise both HarperCollins and the union about the damaging effects of the strike. Both the AG and the AALA reached out to our members ahead of the meetings to solicit feedback about how the dispute has impacted them and summarized the described experiences.

The Authors Guild relayed authors’ stories of being unable to reach their editors, their lack of any marketing support—even for imminent books and those just published—delays in publishing, and overworked and stressed editors, as well as a total lack of reviews, interviews, or events for their new books due to pressure for third parties not to support HarperCollins books. Authors used words such as “disappointing” and “devastating” when describing how, after years of working on their books and finally getting them to the point of publication, they now risk failing to reach readers due to no fault of their own.

AALA representatives expressed concerns about their members’ inability to get necessary marketing services as well as frustration with publication delays. Such delays impact authors’ and agents’ finances, causing potential long-term damage to writers’ careers and damage to their relationships with HarperCollins going forward. They stressed how weak sales performance on one book can impact an author’s entire career, since it may prevent the sales of future books and the ability to license the book internationally or option it for TV or film. The AALA Board delegation conveyed that in the recent follow-up to their December survey, anger and frustration are now dominating the discourse with deep concern regarding permanent damage to all if it does not resolve soon….

(2) STAR TREK: VOYAGER QUIZ ON LEARNEDLEAGUE; JEOPARDY! BAIT AND SWITCH. [Item by David Goldfarb/] LearnedLeague has just had a One-Day Special quiz on Star Trek: Voyager. You can read the questions here. (I lost interest in Voyager partway through the first season, and could only answer three questions; my wife was more of a fan and got nine.) 

The Monday, February 6 episode of Jeopardy! had a category in the first round titled “Doctor Who”…except it turned out to be entirely about medical personnel associated with the World Health Organization. “Doctor WHO” rather than Doctor Who. Disappointing!

(3) UNPAID “NEW TALENT”? The Maul magazine, a horror genre publication, is the subject of discussion for its offer to publish material from minors without compensation. There is a regular rate for material purchased to appear in the magazine – “New Talent” submissions aren’t in the magazine, but on its web page. The discussion about that begins here.

The Maul’s editor Brian Rosten explains their policy in “A Minor FAQ”.

Can I be published in The Maul Magazine if I’m under 18?

Not really. Anyone under 18 is free to submit to our “New Talent” section of themaulmag.com’s web page. (We’re thinking of changing the name “New Talent,” because admittedly, it does make it sound like they’re a part of our main issues) None of those stories appear in any issues of The Maul. The stories for “New Talent” are under completely separate guidelines. There is also no competition for those publications. Anyone who meets the guidelines gets published providing they accept our edits. 

As someone on Twitter pointed out, this is more like an open mic. It’s a chance for kids to get excited about horror, practice their hand at the craft, and talk to an editor a little bit about the process of submitting to a magazine. 

We do not accept submissions from those under 18 for any issues of The Maul.

What do authors in the “New Talent” Section get paid?

Currently, we do not pay them. But we are willing to hear out ideas, as we cannot pay them directly, and they do not compete for publication.

(4) THE EXPANSE COMICS CROWDFUNDING BLOWS THE DOORS OFF. Bleeding Cool reports “Boom Studios To Kickstart ‘Season Six-And-A-Half’ Of The Expanse”.

…Boom Studios will be launching a Kickstarter for The Expanse: Dragon Tooth, the new comic book series by Andy Diggle and Christian Ward set between books six, Babylon’s Ashes, and seven, Persepolis Rising, of The Expanse, and following where season six of the Syfy and Prime Video TV series left off. Their Day One exclusive bonus item – The Expanse Rocinante Challenge Coin – will be available only for the first 24 hours of the campaign. Boom Studios has a history of using Kickstarter to raise the profile of media-prominent projects, such as Keanu Reeves and Brzrkr….

On its first day the Kickstarter has raised over $266,000 of its $25,000 goal  – “THE EXPANSE Continues In The DRAGON TOOTH Graphic Novels! by BOOM! Studios”

(5) MONTELEONE Q&A. Book and Film Globe – in a spirit that very much reminds me of Upstream Reviews – reports that the “Horror Writers’ Association Kicks Tom Monteleone To The Curb” and interviews him “to see if he cares.”

There have always been literary feuds. Has this “wreck the other guy’s career” always been a thing? Or is it peculiar to the Internet age?

I think social media and the instantaneous access to technology that can record you and send you anywhere has made it very easy for people to go after whoever they want — with as much speed and viciousness as possible.  I have been told there have been some posts that have savaged me in terrible ways—I haven’t bothered to read them—and often of the ad hominem variety. They gave me a LAA 6 years go, but now I am apparently not only an asshole, but also a no-talent has-been as well. And I do believe there is a certain type of individual out there who gets a true glee at knowing he or she has the power to destroy others with a few keyboard strokes….

(6) NEXT: HACKING AT WARPSPEED. Bruce Schneier explains the topic of his nonfiction book A Hacker’s Mind at Whatever: “The Big Idea: Bruce Schneier”.

…All systems are hackable. Even the best-thought-out sets of rules will be incomplete or inconsistent. They’ll have ambiguities, and things the designers haven’t thought of. As long as there are people who want to subvert the goals of a system, there will be hacks.

What will change everything is artificial intelligence, and what will happen when AIs start hacking. Not the problems of hacking AI, which are both ubiquitous and super weird, but what happens when an AI is able to discover new hacks against these more general systems. What happens when AIs find tax loopholes, or loopholes in financial regulations. We have systems in place to deal with these sorts of hacks, but they were invented when hackers were human and reflect the human pace of hack discovery. They won’t be able to withstand an AI finding dozens, or hundreds, of loopholes in the financial network. We’re simply not ready for the speed, scale, scope, and sophistication of AI hackers….

(7) MEMORY LANE.

1968 [Compiled by Cat Eldridge.] Peter S. Beagle’s The Last Unicorn

This past autumn the authors edition of Peter S. Beagle’s The Last Unicorn came out. It was an edition that Beagle has long wanted to do and his editor, Deborah Grabien, author of the Haunted Ballad series, helped him craft it.

Published fifty-five years ago, it tells the tale of a unicorn who believes she is the last of her kind in the world at large and goes questing to see what happened to all other unicorns. It is a very, very charming tale. 

It’s one of my favorite works by him, amazingly well written given it was only his second novel after A Fine and Private Place. The Rankin/Bass animated film is much liked by Peter.

The Beginning of The Last Unicorn is I think one of the best that I’ve seen for a fantasy novel. It describes our protagonist in detail, telling us exactly what she’s like, and what her circumstances are now. 

The Last Unicorn lived in a lilac wood, and she lived all alone. She was very old, though she did not know it, and she was no longer the careless color of sea foam, but rather the color of snow falling on a moonlit night. But her eyes were still clear and unwearied, and she still moved like a shadow on the sea. 

She did not look anything like a horned horse, as unicorns are often pictured, being smaller and cloven-hoofed, and possessing that oldest, wildest grace that horses have never had, that deer have only in a shy, thin imitation and goats in dancing mockery. Her neck was long and slender, making her head seem smaller than it was, and the mane that fell almost to the middle of her back was as soft as dandelion fluff and as fine as cirrus. She had pointed ears and thin legs, with feathers of white hair at the ankles; and the long horn above her eyes shone and shivered with its own seashell light even in the deepest midnight. She had killed dragons with it, and healed a king whose poisoned wound would not close, and knocked down ripe chestnuts for bear cubs. 

Unicorns are immortal. It is their nature to live alone in one place: usually a forest where there is a pool clear enough for them to see themselves—for they are a little vain, knowing themselves to be the most beautiful creatures in all the world, and magic besides. They mate very rarely, and no place is more enchanted than one where a unicorn has been born. The last time she had seen another unicorn the young virgins who still came seeking her now and then had called to her in a different tongue; but then, she had no idea of months and years and centuries, or even of seasons. It was always spring in her forest, because she lived and she wandered all day among the great beech trees, keeping watch over the animals that lived in the ground and under bushes, in nests and caves, earths and treetops. Generation after generation, wolves and rabbits alike, they hunted and loved and had children and died, and as the unicorn did none of these things, she never grew tired of watching them.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born February 7, 1812 Charles Dickens. Author of more genre fiction according to ISFDB than I knew. There’s A Christmas Carol that I’ve seen performed lived myriad times but they also list The Chimes: A Goblin Story of Some Bells That Rang an Old Year Out and a New Year InThe Cricket on the Hearth: A Fairy Tale of HomeThe Battle of LifeThe Haunted Man and the Ghost’s Bargain and The Christmas Books. OK, that appears to be a lot of genre, doesn’t it? (Died 1870.)
  • Born February 7, 1908 Buster Crabbe. He also played the title role in the Tarzan the FearlessFlash Gordon, and Buck Rogers series in the Thirties, the only person to do though other actors played some of those roles.  He would show up in the Seventies series Buck Rogers in the 25th Century as a retired fighter pilot named Brigadier Gordon. (Died 1983.)
  • Born February 7, 1913 Henry Hasse. Best known for being the co-author of Ray Bradbury’s first published story, “Pendulum”, which appeared in November 1941 in Super Science Stories. ISFDB lists a single novel by him, The Stars Will Wait, and some fifty short stories if I’m counting correctly. The Stars Will Wait is available at the usual suspects. (Died 1977.)
  • Born February 7, 1929 Alejandro Jodorowsky, 94. The Universe has many weird things in it such as this film, Jodorowsky’s Dune. It looks at his unsuccessful attempt to film Dune in the mid-1970s. He’s also has created a sprawling SF fictional universe, beginning with the Incal, illustrated by the cartoonist Jean Giraud which is rooted in their work for the Dune project which is released as comics.
  • Born February 7, 1942 Gareth Hunt. Mike Gambit in The New Avengers, the two-season revival of The Avengers that also starred Joanna Lumley as Purdey and Patrick Macnee as John Steed. Quite excellent series. He was also Arak in the Third Doctor story, “Planet of The Spiders”. (Died 2007.)
  • Born February 7, 1949 Alan Grant. He’s best known for writing Judge Dredd in 2000 AD as well as various Batman titles from the late 1980s to the early 2000s.  If you can find it, there’s a great Batman / Judge Dredd crossover “Judgement on Gotham” that he worked on. His recent work has largely been for small independents including his own company. (Died 2022.)
  • Born February 7, 1950 Karen Joy Fowler, 73. Her first work was “Recalling Cinderella” in L Ron Hubbard Presents Writers of the Future, Vol I. Her later genre works are Sarah Canary, the Black Glass collection and the novel The Jane Austen Book Club, which is not SF though SF plays a intrinsic role in it, Also two short works of hers, “Always” and “The Pelican Bar” won significant awards. Her latest genre novel, We Are All Completely Beside Ourselves, is being adored far and wide. 
  • Born February 7, 1950 Margaret Wander Bonanno. She wrote seven Star Trek novels, several science fiction novels set in her own worlds, including The Others, a novel with Nichelle Nichols. In putting together this Birthday, several sources noted that she had disavowed writing her Trek novel Probe because of excessive editorial meddling by the publisher. She self-published Music of the Spheres, her unapproved version of Probe, the official publication. According to her, Probe has less than ten per cent of the content of her version. This led to Bonanno being blacklisted from the Star Trek publishing universe for over 11 years; in 2003 she returned with Catalyst of Sorrows,part of the Star Trek: The Lost Era series. (Died 2021.)

(9) COMICS SECTION.

  • Get Fuzzy introduces readers to cat jurisprudence.

(10) BUTLER’S HOMETOWN. From the New York Times: “Diving Into Octavia Butler’s World in Southern California”, a “tour of the places that shaped the science fiction writer.”

Octavia Butler wrote 12 novels and won each of science fiction’s highest honors. She was the first science fiction writer to be awarded a MacArthur “genius” grant.

In 2020, 14 years after her death, one of her novels, “Parable of the Sower,” appeared on The New York Times’s best-seller list for the first time, a testament to how much readers still connect with her writing today.

And much of that work was greatly shaped by her life in California. Butler was born and went to school in Pasadena. Her mother cleaned houses in the city’s wealthy neighborhoods, and Butler became a fixture at the Peter Pan Room, the children’s section of the elegant Pasadena Central Library. As an adult, she regularly traveled across the Southland, scrutinizing the world around her and drawing on those observations for her books….

(11) MITTENS, THE EVIL CHESSBOT. CNN Business invites you to “Meet the innocent looking cat that upended the chess world” in a video at the link.

This harmless looking cat-themed chess bot called “Mittens” has a single digit Elo score, but it has bewildered the world of chess while evolving into an internet meme.

(12) AI COMEDY SUSPENDED. [Item by Mike Kennedy.] AI-generated trans- and homophobia. Who would’ve guessed? (Raises hand.) GIGO. At best. “Twitch Kicks AI-Generated Seinfeld Show Off Air After Not-Jerry Makes Transphobic Remark” from Gizmodo.

After becoming the new hotness for fans of surreal insanity, the never ending AI-generated stream inspired by the 90s sitcom Seinfeld called Nothing, Forever has been temporarily kicked off the air. Just like some other famed comedians, the series main character “Larry Feinberg” was slapped down hard after making an ill-fitting transphobic and homophobic joke.

Each “episode” of Nothing, Forever contains a section where Larry performs a comedy set akin to what Jerry Seinfeld does at the start of the real-life show. As first reported by Vice, Twitch issued a 14-day ban on Nothing, Forever Sunday night after video showed Larry dive into Dave Chappelle-levels of anti-self-reflection….

(13) CENSORSHIP UPDATE. “Disney removes Simpsons ‘forced labour’ episode in Hong Kong” reports BBC News.

…There have been rising concerns about censorship in Hong Kong after it passed several controversial laws.

The city had previously had access to more civil freedoms than the Chinese mainland, but Beijing has clamped down on these rights since major pro-democracy protests rocked the city in 2019.

In the episode, which first aired last October, the character Marge Simpson is shown images of the Great Wall of China during an exercise class.

During the class, her instructor comments: “Behold the wonders of China: Bitcoin mines, forced labour camps where children make smartphones.”

The BBC has reported that hundreds of thousands of ethnic minority people in the western region of Xinjiang have been forced into manual labour.

The Chinese government denies this and says the factories are part of a voluntary “poverty alleviation” scheme.

The Simpsons has been shown on and off in mainland China since the early 2000s. Clips from the current season can be found on Chinese streaming sites, but not of that particular scene, according to a BBC check on Tuesday.

The removal of the latest Simpsons episode comes after Disney in 2021 also removed a show episode referring to the 1989 Tiananmen Square crackdown.

Censorship of Western TV is commonplace in mainland China, and critics say this pattern has been increasing in Hong Kong….

(14) YOUR FLYING VACUUM CLEANER AWAITS. Giant Freakin Robot tells fans where to “See The First Flying Bike Designed Just Like Star Wars Landspeeders”.

The Star Wars franchise is home to a number of iconic technologies that fans have fantasized about. Although most fans first think of the lightsaber as Star Wars‘ signature technological device, another one is closer to becoming a reality. According to the website of the company Aerwins, it has produced the XTURISMO, a flying bike that in many ways resembles the iconic Star Wars vehicle. Check out one of the first looks at the XTURISMO flying bike in the promotional video from Aerwin below…

[Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, John King Tarpinian, Chris Barkley, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day by Cat Eldridge.]

Pixel Scroll 2/3/23 Listen To Them, The Pixels Of The Scroll! What Files They Make!

(1) SPACE UNICORNS SOUND OFF. You have until February 21 to make your voice heard: “Uncanny Celebrates Reader Favorites of 2022!”.

…While we have our personal favorites, we’d like to know which stories YOU loved from Uncanny in 2022.

We’ve set up a poll for Uncanny readers to vote for their top three favorite original short stories from 2022. (You can find links to all of the stories here.)

The poll will be open from January 31 to February 21, after which we’ll announce the results. We’re excited for you to share which Uncanny stories made you feel!

snazzy certificate will be given to the creator whose work comes out on top of  the poll!

(2) LOCUS RECOMMENDED READING LIST. The 2022 Locus Recommended Reading List from the magazine’s February issue has been posted by Locus Online.

(3) CEMETARY DANCE DROPS MONTELEONE. [Item by rcade.] He was still an active columnist for the magazine, 29 years after the bigoted column. Not any more, though:

(4) A FAREWELL TO HARMS. Priya Sridhar writes “My Goodbye Letter To J.K. Rowling: What To Do When Your Magical World Has Cast You And Your Friends Out With Hate” at Medium in Counter Arts. (Via Cat Rambo.)

… J.K. Rowling has joined the list of these creators that break their pedestals. I’ve been debating on writing this article for several years, because I did not understand. How could a woman that wrote about fighting tyranny with courage and friendship say such things, to hurt people? Why would she dig herself deeper, going from misappropriating Navajo beliefs to claiming that trans people do not exist?

This recent transphobia has provided the answer. YouTuber Jessie Gender posted a video revealing that JKR found her tweets about Jessie talking about Hogwarts Legacy, and decided to send her own fanbase against one person, labeling her a “trans gamer”. Jessie had to spend Christmas in Buffalo, New York, dealing with the fallout. According to the video, JKR apparently earns more money every time she talks about this issue in her hateful way. She didn’t care that she would be hurting a vulnerable person if it got the desired reaction.

JKR isn’t causing controversy because she is being an idiot. She’s harassing marginalized creators and critics to earn more revenue from her books and establish power over those that disagree with her.

Now, doesn’t that sound familiar? Oh yes, I know two bigoted characters that did exactly the same thing in the Harry Potter series. Spoiler alert: they were not protagonists, or even heroic side characters….

(5) BLACK HERITAGE IN HORROR. The Horror Writers Association Blog continues its series: “Black Heritage in Horror: Interview with Beatrice Winifred Iker”.

What was it about the horror genre that drew you to it?

I grew up in Southern Appalachia with a rich sociocultural history to draw from. The horrors and allure of the South are genuinely neverending, fostering my interest in the genre, specifically in the subgenre of southern gothic.

Aside from that, I’m fascinated with the darker tendencies and desires of the human mind. We spend so much time assimilating and confining ourselves to social norms, but I’m more interested in examining people and histories who choose not to or don’t have a choice….

(6) IT’S A FELONY. Them explains why “Some Florida Teachers Are Removing Books from Classrooms Due to New State Law”.

Teachers in Florida’s Manatee and Duval counties are removing or physically covering up books in their classrooms after the State Board of Education ruled that a law restricting the books a district may possess applies not only to school libraries but to teachers’ classroom books as well.

House Bill 1467, which went into effect last July, requires that all schools’ books may only be displayed if they’ve been deemed appropriate by a librarian or “certified media specialist” who has undergone state retraining. Under the guidelines, books must be “free of pornographic material” and “appropriate for the age level and group.” New training approved by the State Board of Educators also asks media specialists to avoid books with “unsolicited theories that may lead to student indoctrination.”

Breaking the law is a third-degree felony: A teacher could face up to five years in prison and a $5,000 fine for displaying or giving students a banned book. 

There’s a good chance that these “unsolicited theories” and “student indoctrination” tactics apply to the disproportionately high number of banned books that feature queer and trans characters, as well as other marginalized communities. A report from nonprofit group PEN America released last September found that over 41% of books banned over the past school year were targeted due to LGBTQ+ content…

(7) SCAM REVEALED. At Writer Beware, Victoria Strauss alerts everyone to: “Peak Fake: United Writers Organization and the Perpetual Eagle Awards”.

There’s a new solicitation doing the rounds. It’s from United Writers Organization, which describes itself as a “leading professional organization” for writers and publishers, and it delivers exciting news: you’ve been nominated for an award! A “complimentary nomination certificate” is yours for the asking–you don’t even have to pay! Although of course it would be nice if you became a UWO member, which will cost you a mere $99….

… Of course this is a scam–the out of the blue solicitation is a big clue, as are the language and grammar mistakes and telltale info from UWO’s domain registration–just 7 days old as of this writing, somewhat contradicting “Est. 1957” in the UWO logo….

(8) FESTIVAL OF MONSTERS. The Center for Monster Studies has put out a call for papers for the 2023 Festival of Monsters Conference. The conference will be held October 13-15, 2023 at the University of California, Santa Cruz. The deadline to submit abstracts and short bios is March 1.

The Center for Monster Studies at the University of California, Santa Cruz is an interdisciplinary research, arts, and outreach organization focused on the ways monsters and tropes of monstrosity both perpetuate and contravene forms of social and cultural injustice. Each year we host a Festival of Monsters that brings together scholars, artists, students, and members of the general public to consider these issues.

Our 2023 Festival of Monsters (Oct. 13-15 in beautiful Santa Cruz) includes an academic conference, performances, readings, presentations from monster-makers in theatre, film and television, and events in association with an exhibit at the Santa Cruz Museum of Art and History (MAH) entitled Werewolf Hunters, Jungle Queens, and Space Commandos: The Lost Worlds of Women Comics Artists.

We invite proposals for 20-minute papers or presentations on any aspect of monsters or monster studies. We are particularly interested in work that addresses the following topics:

Women creators of monsters

Monsters and misogyny

Monsters in comics

Monsters and sexual politics from any time period

Monsters and queerness

Papers from all disciplines are welcome. Because participants in the Festival include members of the general public as well as people from within the academic community, we ask that proposed papers consider the Festival’s mixed audience. We welcome complex theoretical concepts and scholarly interventions, but please make sure the terms and stakes of your paper are articulated as clearly as possible.   

Please submit 250-word abstracts and 50-word bios to [email protected] and [email protected] by March 1, 2023.

(9) MEMORY LANE.

1937 [Compiled by Cat Eldridge.]

Now it is time for my all-time favorite Beginnings. It’s the first words of Tolkien’s The Hobbit, a novel I’ve read so many times that I know it by heart at this point. I consider it a perfect novel. 

Now we all know that the hobbit here is named Baggins but that won’t know here until the third paragraph of the novel, a nice touch indeed.  

In a hole in the ground there lived a hobbit. Not a nasty, dirty, wet hole, filled with the ends of worms and an oozy smell, nor yet a dry, bare, sandy hole with nothing in it to sit down on or to eat: it was a hobbit-hole, and that means comfort.

It had a perfectly round door like a porthole, painted green, with a shiny yellow brass knob in the exact middle. The door opened on to a tube-shaped hall like a tunnel: a very comfortable tunnel without smoke, with panelled walls, and floors tiled and carpeted, provided with polished chairs, and lots and lots of pegs for hats and coats—the hobbit was fond of visitors. The tunnel wound on and on, going fairly but not quite straight into the side of the hill—The Hill, as all the people for many miles round called it—and many little round doors opened out of it, first on one side and then on another. No going upstairs for the hobbit: bedrooms, bathrooms, cellars, pantries (lots of these), wardrobes (he had whole rooms devoted to clothes), kitchens, dining-rooms, all were on the same floor, and indeed on the same floor, and indeed on the same passage. The best rooms were all on the left-hand side (going in), for these were the only ones to have windows, deep-set round windows looking over his garden, and meadows beyond, sloping down to the river.

This hobbit was a very well-to-do hobbit, and his name was Baggins. The Bagginses had lived in the neighbourhood of The Hill for time out of mind, and people considered them very respectable, not only because most of them were rich, but also because they never had any adventures or did anything unexpected: you could tell what a Baggins would say on any question without the bother of asking him. This is a story of how a Baggins had an adventure, and found himself doing and saying things altogether unexpected. He may have lost the neighbours’ respect, but he gained—well, you will see whether he gained anything in the end.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born February 3, 1925 John Fiedler. He’s solely here as he played the ever so bland bureaucrat who gets possessed by the spirit of Jack the Ripper on the Trek episode “Wolf in the Fold”. I’m less interested in him, though it was a stellar episode, than who wrote that screenplay. It was written by Robert Bloch, a master of horror who would write two other Trek episodes, “What Are Little Girls Made Of?” and “Catspaw”. (Died 2005.)
  • Born February 3, 1933 George Gipe. Screenwriter, The Man with Two Brains. He also wrote Dead Men Don’t Wear Plaid but it’d be a stretch to consider that even genre adjacent. He wrote novelizations of Back to the FutureExplorers and Gremlins. And his Nearer to the Dust: Copyright and the Machine is interesting early (mid sixties) look at the potential effects of computers on copyrights. (Died 1986.)
  • Born February 3, 1938 Victor Buono. I remember him best in his recurring role of Count Manzeppi in The Wild Wild West. In his very short life, he showed up in a number of other genre roles as well including as a scientist bent on world domination in the Voyage to the Bottom of the Sea in an episode titled “The Cyborg”, as Adiposo / Fat man in Beneath the Planet of the Apes, Colonel Hubris in  The Man from U.N.C.L.E., Professor William McElroy / King Tut in Batman, Sir Cecil Seabrook in The Girl from U.N.C.L.E. and Mr. Schubert on Man from Atlantis. (Died 1982.)
  • Born February 3, 1954 Shawna McCarthy, 69. Editor of Asimov’s Science Fiction from 1983 to 1985, and Realms of Fantasy from 1994 to 2011. Sheila Williams in her history of the former said “While remaining a welcoming home for new writers, Shawna’s Asimov’s acquired an edgier and more literary and experimental tone.” 
  • Born February 3, 1963 Alex Bledsoe, born 1963, aged sixty years. I highly recommend his Tales of The Tufa which can sort of be described as Appalachian Fae though that’s stretching it. His Eddie LaCrosse novels remind of Cook’s Garrett PI series and that’s a high compliment as that’s one of my favorite fantasy PI series. Anyone read his Firefly Witch series? And to my surprise, he’s stopped writing fiction altogether.
  • Born February 3, 1970 Warwick Davis, 53. At least fifty live and voice appearances since first appearing in the Return of the Jedi in in place of Kenny Baker who was going to be a Ewok before he fell ill. Did you know he’s in Labyrinth as a member of the Goblin Corps? I certainly didn’t. Or that he did a series of humorous horror films centered around him as a Leprechaun? They did well enough that there was six of them. Hell he even shows up in Doctor Who during the Time of the Eleventh Doctor. 
  • Born February 3, 1979 Ransom Riggs, 44. He’s best known for Miss Peregrine’s Home for Peculiar Children which I’ll confess I know absolutely nothing about, so educate me. I know it was turned into a film by Tim Burton which could a Very Good Thing. 

(11) CHEAP IS GOOD, FREE IS BEST. “12 Surprisingly Low-Tech Special Effects Moments In Movies” – these are Ranker’s favorites.

Before there was computer-generated imagery (CGI), special effects crews often had to use practical effects to achieve their cinematic vision. Many of these practical effects were surprisingly low-tech genius creations that prove creative thinking often trumps throwing loads of money at a problem.

Practical effects include any special effects created without the use of computer-generated imagery. It’s a kitchen-sink term that incorporates everything from prosthetics to pyrotechnics to miniature models. Find out which grotesque movie monster was constructed in part with strawberry jam and creamed corn. How did they create that swirling tornado in The Wizard of Oz, which still looks great even by today’s visual effects standards? Some of these films were made more recently when computer effects were readily available. Yet, the filmmakers opted to get creative and go old-school low-tech practical effects that yielded a more authentic-looking result.

First up –

The Tornado In ‘The Wizard of Oz’ Was Made From A Stocking Wrapped Around Chicken Wire

Back in the 1930s, practical effects were not a stylistic choice, they were a necessity. At the beginning of The Wizard of Oz, a tornado takes Dorothy (Judy Garland) from the barren lands of Kansas to the magically magnificent world of Oz. 

The production hired prolific special effects master Arnold Gillespie to figure out how to create the movie’s famous twister. The Academy Award winner attempted several different methods before finally getting it right…. 

(12) RETRO SFF. Michael Dirda reviews The Hopkins Manuscript by R.C. Sherriff in “The moon falls to Earth in a 1939 novel that remains chillingly relevant” at the Washington Post (behind a paywall.)

Late last month, NASA announced that an asteroid would pass exceptionally close to the Earth. As Jennifer Hassan wrote in The Washington Post, “NASA was quick to reassure people that the asteroid, which is estimated at between 11 feet (about 3.5 meters) and 28 feet (8.5 meters) across, would not end life as we know it on our planet.” Suppose, though, a much larger celestial object — say, the moon — were actually to crash into Earth. What then?

This is the scenario of R.C. Sherriff’s novel “The Hopkins Manuscript” (1939), recently reissued by Scribner. From its opening pages we learn that more than eight centuries have gone by since “the Cataclysm” and that Europe, particularly England, has been left a barren wasteland. For years, however, archaeologists of the Royal Society of Abyssinia have been seeking artifacts to help “reconstruct the lost glory of the ‘white man.’” During one expedition to what was once London, a young scientist, out gathering brushwood, unearths a small vacuum flask, inside which is a handwritten account of life in a small village called Beadle during the days leading up to the lunar catastrophe….

(13) IT’S BEING LET GO. “’Never Let Me Go’ Series Not Moving Forward at FX” reports Variety.

… The show was originally picked up to series by FX back in October and was meant to air exclusively on Hulu. It had originally been reported as being in development at FX in May 2022. According to an individual with knowledge of the situation, production had not yet begun before the decision to scrap the series was made.

The drama series was inspired by Kazuo Ishiguro’s 2005 science fiction novel of the same name, which was previously adapted into a film in 2010. The film was written by Alex Garland, directed by Mark Romanek, and produced by Andrew Macdonald and Allon Reich….

(14) BIG APPETITES. [Item by SF Concatenation’s Jonathan Cowie.] Raquel Welch please note… “Neanderthals lived in groups big enough to eat giant elephants” says a Science story.

Meat from the butchered beasts would have fed hundreds.

On the muddy shores of a lake in east-central Germany, Neanderthals gathered some 125,000 years ago to butcher massive elephants. With sharp stone tools, they harvested up to 4 tons of flesh from each animal, according to a study that is casting these ancient human relatives in a new light. The degree of organization required to carry out the butchery—and the sheer quantity of food it provided—suggests Neanderthals could form much larger social groups than previously thought…

[Thanks to Mike Kennedy, John King Tarpinian, Chris Barkley, James Reynolds, SF Concatenation’s Jonathan Cowie, Andrew Porter, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day by Jack Lint.]

Monteleone Aftermath: Authors Seek Perspective on His Damaging Statements

Brian Keene and Barney Dannelke have added two notable responses to the widespread discussion about the ouster of Thomas Monteleone from the Horror Writers Association.

In a YouTube video aired yesterday, Brian Keene, Mary SanGiovanni, and Christopher Golden, who each have known Monteleone a long time, used their exceptional gifts to analyze and share the deep emotional hurt they’re feeling over the things he said on Facebook and in a recent podcast. (An auto-generated transcript is available at the link,)

Barney Dannelke has also provided insights about the facts and issues in a Facebook post. Here are some excerpts.

…Little did I know that within 48 hours of my mentioning Thomas F. Monteleone in a Breakfast With Barney that Tom would walk out on to the public square, dowse himself with the kerosene of his own bullshit and gleefully and cheerfully set himself on fire….

…In that capacity he WAS a member of the Horror Writers of America (H.W.A.) and in that capacity he can/could nominate people for the HWA Lifetime Achievement Award – and so he nominated Stuart David Schiff. Except he did it in a manner (or perhaps he only proposed to do it, check my work here) that could best be described as a total dick move. Essentially, he drew attention to the fact that Schiff is an old white male, proposing that to dare to do such a thing in this day and age was somehow a revolutionary act.

Turned out, it was an act of pure “fuck around and find out.” He picked up the heavy stick. He walked straight up to the hornet nest that he had been watching for years. Then he hit the nest with the stick as hard as he could (not very) and then he pretended to be shocked that hornets waiting for an idiot with a stick, went and did what hornets were designed to do. Namely, sting the shit out of him.

Then (!) he went on a podcast linked to YouTube and complained in the most racist and misoginystic ways he could think of for OVER TWO HOURS about how stupid hornets were and how they didn’t properly appreciate him and how confusing sexual designations are for hornets these days and how dumb fat black hornets are and how lucky he was that he made enough money that his kids didn’t have to go to school with hornets and how he has gallons of hornet cream and being old and rich and Italian (note the Fedora) he doesn’t feel shit anyways.

I listened to the entire podcast. I have read the entire 38 page transcript. I am sure you will let me know if I am exaggerating any of this.

Running in background for the last 48 hours there have been dozens of comment threads about this. The most damning addition was a Cemetery Dance op-ed piece from Tom where he explains to the rest of us poor suckers that the ONLY reason that Samuel R. Delany had a career in SF was because of his skin color and that the work had no merit whatsoever….

(There is a copy of that issue of Cemetery Dance #21 [1994-Summer] downloadable from the Internet Archive.)

Dannelke does not object to Monteleone being removed from HWA, however, there are things he would have preferred to be said more explicitly, or not altogether omitted from HWA’s announcement. See the rest of his discussion at Facebook.

Samples of Social Media Reaction to Monteleone Before and After HWA Expelled Him

Author and editor Thomas F. Monteleone was expelled from the Horror Writers Association on January 31 for violating the organization’s antiharassment policies.

Here are a few examples of what appeared in social media immediately prior to that decision, and after it was announced.

BEFORE

Alan Baxter

“An open letter to the HWA regarding Thomas F. Monteleone”

… It is particularly saddening to see someone who was considered a legend in the field reveal themselves to be as racist, transphobic, and bigoted as Monteleone has. But more important than lamenting the self-immolation of one person is the direct harm those comments and actions cause to so many others.

Allowing Monteleone to remain in the organisation and to attend HWA events will be putting a large number of people directly in harm’s way. It will also show the HWA is complicit rather than active in the face of hate speech….

Todd Keisling

“An open letter to the HWA regarding author Thomas F. Monteleone”

I’m writing to add my voice to the chorus of members demanding Tom Monteleone be expelled from the organization and barred from attending all HWA events going forward. His actions on social media, and most recently his statements on the disgusting “Facebook Has AIDS” podcast, have revealed his true character to all.

Specifically, his racist, transphobic, and bigoted comments aimed at fellow HWA members, as well as whole classes of people, fly in the face of what the HWA stands for. I believe that maintaining ties with Mr. Monteleone in the organization and allowing him entry to future HWA-sanctioned events such as StokerCon will not only put fellow members in harm’s way but also invite controversy overall.

Doug Murano

Brian Keene

Brian Keene announced that the Borderlands Boot Camp, which Monteleone helped found, will be rebranded so that it does not share a name with his anthology series.

Scares That Care adamantly condemns the recent comments made on Facebook and a podcast by one of the founders of Borderlands Boot Camp. Effective immediately, Borderlands Boot Camp (which became part of the Scares That Care family of events in 2022) will be rebranded as the Scares That Care Writers Workshop.

We are also announcing that effective immediately, two (2) annual scholarships for marginalized writers (writers of color, writers from the LGBTQIA+ community, writers with disabilities, writers suffering from economic hardships, etc.) will be available yearly. While interested parties will be responsible for their travel and lodging, Scares That Care will waive the $750 tuition fee for these two individuals. Interested parties can contact board members Brian Keene ([email protected]) or Sonora Taylor ([email protected]) to inquire. Deadline for this year’s applicants is Friday, February 17th.

Respectfully,

The Scares That Care Board of Directors — Joe Ripple, Alfred Guy, Brian Keene, Jason Cherry, Sonora Taylor, Angel Hollman, Andrew Ely, and Donna Thew — and workshop organizer Mary SanGiovanni.

CAMP NECON

The Camp Necon statement does not name anyone, but it can be inferred from the timing what it’s about: “An Important Statement From Camp Necon”.

In light of recent abhorrent public statements and behaviors (on social media and via other media), we, the Camp Necon Board, feel obligated to take this opportunity to publicly state that we stand against bigotry and prejudice and are dedicated to our efforts to make Camp Necon a welcoming and safe experience for ALL attendees. We cannot be idle while friends and colleagues are deliberately maligned and their well-earned achievements mocked. It cannot stand, and we will not allow it at any space Camp Necon inhabits (be that online or in person). 

The legendary Charles L. Grant, often called “The Godfather of Camp Necon,” consistently championed new voices in horror and always insisted that, “By growing the pie, we all eat more.” It is in Charlie’s spirit and tradition that we’d like to state that by championing not just new, but diverse voices within the genre we believe we all eat BETTER. In that regard, we are moving forward with new initiatives to ensure ours is a place where all voices feel welcome and heard, in addition to taking steps to address present and future barriers to safety and inclusivity. We will continue to work to ensure ours is the kind of event that brings people together in an atmosphere of acceptance and collegiality. We hope to continue to have your support.

We understand that statements such as this may have the effect of “self-selecting” membership in our Campers’ roll. We are fine with that. If you do not feel fully aligned with what Camp Necon has become or the direction we continue to head, please follow your conscience. We have made our choice and we stand by both it and our community…. 

Tim Waggoner on Facebook.

Tom Monteleone encouraged me early in my writing career and gave me so much good advice. I thanked him in my acceptance speech when I won my first Bram Stoker Award. He published my collection A LITTLE AQUA BOOK OF MARINE TALES. He accepted two of my stories for BORDERLANDS anthologies. I asked him to write the introduction to WRITING IN THE DARK. He’s been a big supporter of me and my writing for many years. I have so many of his books on my shelves, and reading his short story “Wendigo’s Child” when I was a child myself was a formative experience for me. I used his IDIOT’S GUIDE TO WRITING A NOVEL as a textbook in my novel writing classes.

I admired him so much.

I’m sickened by the overt bigotry Tom has displayed over the last few days.

It doesn’t matter how good he’s been to me when he’s treated others so horribly. Once Tom was a role model for me in terms of artistry and professionalism. Now he’ll be a role model for what I hope never to become as a writer and member of the horror community as I grow older. I hope my mind never becomes so closed. I hope I never start to lash out from intolerance. I hope I never show such disrespect to people who I should view as colleagues. I hope I continue to build people up instead of tearing them down.

You taught me so many things over the years, Padrone. I suppose I should thank you for this final lesson. I just wish it was one I never had to learn.

AFTER

Adam Troy-Castro on Facebook:

… I said something early in this mess that may now be risky to say now.

I remember the Tom Monteleone I once knew, who I laughed with at I-Con in Long Island and at other places, with considerable fondness. I remember the Tom Monteleone who wrote (mostly) great columns about his experiences, for CEMETERY DANCE. I remember loving some of his fiction, including one novel he churned out for a subpar house that contained one of the worst sentence constructions I have ever read, and another I liked very much that existed in the “evil carnival” sub-subgenre. I harbor considerable affection for that Tom Monteleone of thirty-forty years ago, that none of this banishes. To me, the contrast with current events put that Tom Monteleone in a little memory vault. I do not apologize for feeling that way.

Alas, the Tom Monteleone of today, who ate that Tom Monteleone, was already present way back when, though his manifestations, bad as they could be, were intermittent.

I am mourning, at most, a minor but treasured acquaintance. But I still feel the loss.

That is the end of the risky part.

Understand that the Tom Monteleone I feel sorry for, today, is that one from thirty years ago. I think the one from today invited this fate, however seriously he now takes it, and I am pretty damn certain that there is no coming back from this. I am unsure whether he was still producing work, but he was certainly still an influential figure, an elder statesman, and an important editor, who in a few days of frenetic resentment set fire to his legacy. This is a tragedy, but in the Greek sense, where people suffer the fates their character calls for. This is the natural development of groundwork he laid.

What will happen to Tom Monteleone is that he will not shut up about this, and will continue to court the only audience that still cares about him, the people who share his resentments. He will become more and more fringe, a Theodore Beale of horror, a Kevin Sorbo of horror. I promise you. He will humiliate himself further and he will do it willingly…

Chuck Wendig

David Niall Wilson – Twitter thread starts here.

Pixel Scroll 1/31/23 A Subway Named Moebius, Larryus, And Curlyus

(1) KINDRED CANCELED. Can the news get any worse? The Hollywood Reporter tells us “’Kindred’ Canceled at FX”. The drama was based on Octavia E. Butler’s 1979 novel about a young Black woman who is pulled back and forth in time.

Sources tell The Hollywood Reporter that the Disney-backed basic-cable network has canceled the drama based on Octavia E. Butler’s 1979 novel about a young Black woman who is pulled back and forth in time. Showrunner Branden Jacobs-Jenkins (Watchmen) is expected to shop the drama from FX Productions as he envisioned a multiple-season run for the series.

Reps for FX declined to comment.

Kindred debuted Dec. 13, launching all eight episodes of the drama that starred Mallori Johnson as an L.A. woman who is pulled back in time to the 19th century South.

…The drama, which streamed exclusively on Hulu, currently has a 70 percent score among critics on Rotten Tomatoes and a 51 percent rating among viewers. In his reviewTHR chief TV critic Daniel Fienberg said Kindred was “often effective, but key choices aren’t clicking.” (Hulu does not release traditional viewership data.)…

(2) FUTURE TENSE. The January 2023 entry in the Future Tense Fiction series, “Bigfeet” by Torie Bosch, is a story on “de-extincting a creature that (probably) never existed” —  about a rogue effort to genetically engineer Bigfoot.

It was published along with a response essay, “De-extinction and conservation: When introducing a new species goes wrong” by conservation researcher Challie Facemire.

… This fictional scenario has many real-world counterparts: In the 1920s, sport hunters released a dozen mountain goats on the Olympic Peninsula in western Washington state—the same region where some of the story’s Bigfeet are set loose. Like the Bigfeet, the mountain goat population grew out of control quickly. The goats have caused problems since, from eating sparse alpine plants to trying to lick salt off hikers’ clothes and gear—salt deposits don’t occur naturally in the peninsula, but the goats need it in their diet. As a result, federal and state land managers were forced to carefully devise a multiyear plan to relocate or extirpate the goats (including lifting some by helicopter to more suitable habitats)….

(3) KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present Jeffrey Ford and Marie Vibbert in person at the KGB Bar on Feburary 8, beginning at 7:00 Eastern.

Jeffrey Ford

Jeffrey Ford is a New York Times Notable author for his novel The Physiognomy. In addition, his eleven novels and eight collections of stories have garnered multiple genre awards. His short stories have appeared in a myriad of venues within the SFF/H genres and beyond, He has new stories coming out this year from Tor.com, Asimov’s, and a couple of anthologies. He is recently retired from 40 plus years teaching literature and writing. He lives somewhere out in Ohio in a hundred-and twenty-year-old farmhouse with his wife and seven cats, four dogs, and a turtle.

Marie Vibbert

Marie Vibbert is the Hugo-longlisted author of over 80 short stories, translated into four languages, as well as three novels, some poems, comics, and video games. Her first novel, Galactic Hellcats, was longlisted for the BSFA in 2021. Her latest novel is The Gods Awoke.

Where: KGB Bar, 85 East 4th Street, New York, NY 10003 (Just off 2nd Ave, upstairs). When: February 8th, 2023, 7:00 p.m. Eastern.

(4) MONTELEONE INTERVIEW RESURFACES. Hatchet Mouth Episode 158 “Facebook has AIDS w/ Tom Monteleone” seems to have reappeared if you haven’t heard enough toxicity yet today. It includes the insulting anecdotes referenced in yesterday’s Scroll.

(5) HARPERCOLLINS STRIKE. Literary Hub shares “Why I’m Still on Strike: Portraits from the HarperCollins Picket Line”.

…As the only union in the Big 5, we are in the unique position to push the needle forward for all publishing, not just HarperCollins—a weight and opportunity that isn’t lost on any of us. You can feel it in our picket line chants, in our weekly membership meetings, in our Slack conversations. It’s palpable—the outcome of this strike will determine if hundreds of brilliant workers will leave publishing forever, or if people will finally be able to see a future for themselves in an industry desperately in need of change.

We’re on Day 58 of the strike, with no idea of how much longer this will stretch on. I admit it: I’m terrified and exhausted. I also have never believed in our mission more….

(6) HAUNTED HOUSES IN SPACE. [Item by Ben Bird Person.] YouTuber Romancing the Gothic posted this video exploring “Haunted Houses in Space” through the films SolarisAlien, and Event Horizon.

(7) JEOPARDY! Andrew Porter was pleased to see tonight’s episode of Jeopardy! had an entire category, “Sci-Fi and Fantasy”. Some of the entries were too tough for the contestants.

Answer: This Joe Haldeman classic tells of William Mandella, who fights the interstellar Taurans for a really long time.

No one could ask, “What is ‘The Forever War’?”

Answer: A “Star Trek” homage, this colorful John Scalzi title refers to clothing soon-to-die crew members wear.

Wrong question: “What is a red shirt?”

Right question: “What are the red shirts?”

Rich Lynch, who also was watching, adds that “One of the clues was a head shot of GRRM.”

(8) MEMORY LANE.

1948 [Compiled by Cat Eldridge.]

In tonight’s Scroll, we debut a new essay series which is First Paragraphs. To start this off, we have the beginning of the Lensmen series by E.E. “ Doc” Smith which was chosen by Mike Glyer who says, “First paragraphs — it’s actually the first line  of E. E. ‘Doc’ Smith’s Triplanetary: A Tale of Cosmic Adventure that I love the most. It really sets the tone for what he turned into a six-book saga.” 

The magazine version of Triplanetary appeared in 1934 and only later was turned into a fix-up novel, a prequel that begins the series. Four of the Lensmen series as this would known as would be nominated for Retro Hugos though this was not one of them. 

The entire series is available for free from the usual suspects. And, I kid you not at all, there are eleven different audio recordings of Triplanetary

Two thousand million or so years ago two galaxies were colliding; or, rather, were passing through each other. A couple of hundreds of millions of years either way do not matter, since at least that much time was required for the inter-passage. At about that same time—within the same plus-or-minus ten percent margin of error, it is believed—practically all of the suns of both those galaxies became possessed of planets.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born January 31, 1923Norman Mailer. I never knew he wrote in the genre but he did. Ancient Evenings certainly has the elements of fantasy and The Castle in the Forest is interesting retelling of Adolf Hitler and his last days. (Died 2007.)
  • Born January 31, 1937Philip Glass, 86. 1000 Airplanes on the Roof: A Science Fiction Music-DramaEinstein on the BeachThe Making of the Representative for Planet 8 (with a libretto by Doris Lessing based on her novel of the same name), The marriages between zones three, four, and five (1997, libretto by Doris Lessing, after her second novel from Canopus in Argos), The Witches of Venice and The Juniper Tree would be a fragmentary listing of his works that have a genre bias. 
  • Born January 31, 1947Jonathan Banks, 76. First genre role was as Deputy Brent in Gremlins, a film I adore. In the same year, he’s a Lizardo Hospital Guard in another film I adore, The Adventures of Buckaroo Banzai Across the 8th Dimension. Ahhh, a good year indeed. Next I see him playing Michelette in Freejack, another better than merely good sf film. The last thing I see him doing film wise is voicing Rick Dicker in the fairly recent Incredibles 2.  Series wise and these are just my highlights, I’ve got him on Star Trek: Deep Space Nine as Shel-la in the “Battle Lines” episode, in Highlander: The Series as Mako in the “Under Colour of Authority” episode and as Kommander Nuveen Kroll in short lived Otherworld series. In SeaQuest 2032 also had for two episodes as Maximillian Scully. 
  • Born January 31, 1960Grant Morrison, 63. If you can find it, their early stuff on such U.K. publishers as Galaxy Media and Harrier Comics is worth searching out. Not your hero in tights materials at all. For their work in that venue, I’d recommend his run on The Resurrection of Ra’s al Ghul, all of his Doom Patrol work (and the HBO series is based on their work and is quite spectacular), Seven Soldiers and The Multiversity which is spectacularly weird.
  • Born January 31, 1962Will McIntosh, 61. Best known for the dozens of short stories he’s written that have been published in magazines including Asimov’s, InterzoneLightspeed and Strange Horizons. He won a Hugo for his short story “Bridesicle“ at Aussiecon 4.
  • Born January 31, 1973Portia de Rossi, 50. She first shows up as Giddy in Sirens which would I’d stretching things to even include as genre adjacent but which is definitely worth watching. For SFF roles, she was in Catholic Church tinged horror film Stigmata, musical Zombie comedy Dead & Breakfast and werewolf horror Cursed. She was Lily Munster in the delightfully weird Mockingbird Lane pilot that never went to series. 
  • Born January 31, 1977Kerry Washington46. Alicia Masters in Fantastic Four and Fantastic Four: Rise of the Silver Surfer. Also played Medical Officer Marissa Brau in 30,000 Leagues Under the Sea. She voices Natalie Certain in Care 3. She also voices Princess Shuri in a short run Black Panther series. 

(10) COMICS SECTION.

  • Non Sequitur applies logic to the idea of colonizing Mars.

(11) WORD POWER. The Hugo Book Club Blog reviews R. F. Kuang’s Babel in “All Words In All Languages Are Metaphors”.

…This is a novel that uses the form of Regency-era historical fantasy to tackle themes of social justice that are at the forefront of today’s cultural vanguard in science fiction and fantasy. In short, it uses the cultural precepts of England at the peak of its colonial power to disclose and critique the social impacts of those systems.

It’s worth noting that although many American authors have attempted to mimic the style of period British prose, the vast majority have failed, often sounding affected, or pompous, or leaden. But instead of clumsy pastiche, Babel feels like a fantasy that William Makepeace Thackeray might have written. Kuang evokes era-appropriate ambiance and regionally-believable prose and dialogue so skillfully that we double-checked to see if she was born and raised in Hertfordshire or Dorset. (We strongly encourage everyone to read the “Author’s Note on Her Representations of Historical England, and of the University of Oxford in Particular,” which precedes the text of the novel.) It is especially gratifying that a book that is deeply concerned with language as a concept uses it so skillfully….

(12) MARVEL’S THIRD ANNUAL X-MEN ELECTION STARTS TODAY. Make your mutant voice heard! For the third consecutive year, Marvel is putting the fate of the X-Men in the hands of fans The 2023 X-Men election will run from Tuesday, January 31 until Friday, February 3. Participants can vote now at marvel.com/xmenvote. The results, along with the full new X-Men team, will be unveiled during the Hellfire Gala in Marvel comics this July.

For three years, the X-Men election has given True Believers everywhere the opportunity to determine the newest protector of Krakoa. In 2021, Polaris won the first-ever election and was featured in Gerry Duggan and Pepe Larraz’s X-MEN. And in 2022, fan-favorite Firestar was chosen to become the newest member of the X-Men, where she then took on a starring role in Duggan’s second year of X-MEN, with artists C.F. Villa and Joshua Cassara.

Once again, several nominations have been accepted to determine the final member of the new X-team. Only one vote is allowed per person, so read about the nominees below and choose wisely!

2023 X-Men Ballot Nominations:

CANNONBALL: One of the original “New Mutants,” the second class of students in the Xavier School, Sam Guthrie has come a long way. His ability to transform into a human cannonball, propelling himself with great force at high speeds while making himself “nigh invulnerable” has taken him from an awkward lanky teen to a married father who is both a former X-Man and Avenger! Why not rocket him to the front lines again?

DAZZLER: Dazzler first made it to the scene as a pop star, using her secret mutant power to transform sound into light as part of her stage show. Becoming a hero and joining the X-Men never dimmed her star-power, even as she learned to use her ability to dazzle as an offensive weapon. Since then, she’s been a S.H.I.E.L.D. agent, a freedom fighter, mother to a time paradox, and a vampire hunter. Isn’t it time for Alison Blaire to reclaim center stage?

FRENZY: Superhuman strength, speed, stamina, agility, reflexes and durability have made Joanna Cargill a formidable opponent to any who crosses her. From her early days opposed to the X-Men as a member of Apocalypse’s Alliance of Evil, her time as one of Magneto’s Acolytes, and Mister Sinister’s Marauders, to her time on the side of good with the Jean Grey School, and eventually as an intergalactic ambassador with S.W.O.R.D., Frenzy has what it takes to tackle anything!

JUBILEE: Having joined the X-Men as a teenaged runaway, Jubilation Lee had been shooting explosive fireworks out of her hands into the face of evil for many years when she lost her powers in M-Day. Even so, that didn’t stop her from fighting for what’s right—first as a New Warrior using a power suit, and later as a vampire, going against every monstrous urge that came with that transformation. Cured of that curse and with her mutant powers returned, Jubilee deserves to reclaim her spot on the X-team!

JUGGERNAUT: The non-mutant stepbrother of Professor X, Cain Marko long ago claimed the gem of the ancient “god” Cyttorak, transforming him into the unstoppable brute known as Juggernaut. For many years he was a thorn in the X-Men’s side, frequently rampaging through their lives leaving wreckage behind. More recently, however, Cain has shaken off the evil influence of his dark master, claiming the power of Juggernaut under his own terms and making amends for his past deeds.

PRODIGY: Prodigy possesses the power of psychomimetry—a form of telepathy that grants him the skills and knowledge of those in his proximity. This allows him equal mastery of any skill—mental or physical—as those around him. His ability to retain knowledge from those sources makes him an even more formidable mutant – one who is brilliant at biology, computers, martial arts, and strategic planning. David Alleyne may borrow from others, but he is one of a kind.

(13) PLEISTOCENE PARK. [Item by Mike Kennedy.] A Dallas-based company believes it’s well on its way to resurrecting the woolly mammoth. They’ve targeting 2027 to re-introduce this “cold-resistant elephant“ in Siberia. Or, well, maybe somewhere else given the current political situation. “Woolly Mammoth Coming Back to Life by 2027: De-Extinction Details”.

…The woolly mammoth’s DNA is a 99.6 percent match of the Asian elephant, which leads Colossal to believe it’s well on its way toward achieving its goal. “In the minds of many, this creature is gone forever,” the company says. “But not in the minds of our scientists, nor the labs of our company. We’re already in the process of the de-extinction of the Woolly Mammoth. Our teams have collected viable DNA samples and are editing the genes that will allow this wonderful megafauna to once again thunder through the Arctic.”

Through gene editing, Colossal scientists will eventually create an embryo of a woolly mammoth. They will place the embryo in an African elephant to take advantage of its size and allow it to give birth to the new woolly mammoth. The eventual goal is to then repopulate parts of the Arctic with the new woolly mammoth and strengthen local plant life with the migration patterns and dietary habits of the beast….

(14) STEAM THEME. “New Universal Citywalk LA Restaurant Goes Full Steampunk Willy Wonka” reports Eater – LA.

Fresh off the buzz from the Super Mario Brothers-themed Toadstool Cafe, Universal CityWalk opens a new and immersive dining restaurant called Toothsome Chocolate Emporium & Savory Feast Kitchen on Friday, January 27. This new spot took over the former Hard Rock Cafe and feels very much like a merger of steampunk industrialism cobbled together with the Cheesecake Factory — and sprinkled with plenty of Willy Wonka vibes to boot.

This isn’t a new concept for Toothsome Chocolate Emporium, since there are locations in both Orlando and Beijing, but it is new for Los Angeles. The entire full-service space, complete with a bar area and multi-level dining room, runs with its bigger-than-life theme to extremes and even offers an extensive backstory involving two live dolled-up characters named Penelope and Jacques that’ll rove throughout the eatery to interact with the guests….

(15) ON THE WAY FROM DC. In this video James Gunn shares his vision for the future of the DC Universe and the upcoming slate from DC Studios. “Chapter 1 – Gods and Monsters”.

[Thanks to Andrew Porter, Michael Toman, Cat Eldridge, N., Rich Lynch, Olav Rokne, Ben Bird Person, Mike Kennedy, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Thomas Monteleone Ousted By Horror Writers Association

The Horror Writers Association Board of Trustees today expelled author Thomas Monteleone from membership, condemning his “recent words and actions” which violate their anti-harassment policies. Monteleone, an HWA Lifetime Achievement Award winner (2017) is also barred from attendance and participation in StokerCon 2023, banned from future HWA events, and his benefits as an LAA winner have been revoked.

Within the past week Monteleone, alleging that “gatekeepers” at the Horror Writers Association websites were keeping his post from appearing, had taken to Facebook ostensibly to nominate Stuart David Schiff for an HWA Lifetime Achievement Award. However, before sharing the reasons Schiff should receive the recognition, Monteleone made known his real agenda: “…That said, and despite the last few LAA years looking very much like a very obvious DEI project, I am compelled to nominate a smart, old white guy: Stu Schiff…” Before it was taken down the Facebook post drew over 800 comments, some approving what he said and adding their own feelings about “virtue signaling” and “wokeness”, while others called for him to apologize. The worthiness of two of the 2020 LAA winners was also belittled.

Then, two days ago, YouTube’s Hatchet Mouth posted a “Tom Monteleone Interview” where Monteleone delivered more remarks in the vein of his Facebook post. Telling an anecdote about a World Fantasy Award winner who expressed ambivalence about receiving the Lovecraft bust, he slurred them in derogatory racial terms (while making every effort to assign the wrong ethnicity to the person being insulted), and gave the same treatment to the woman who called for the John W. Campbell Award for Best New Writer to be renamed (as it was). The video is no longer online.

A number of HWA members posted calls in social media for the organization to remove him from membership.

The Horror Writers Association explained its decision in the “Thomas F. Monteleone Statement” posted on the HWA Blog.


The Board of Trustees for the Horror Writers Association does not condone hate speech in any way, shape, or form. We stand in support of our members’ right to feel safe, welcome, and above all else, respected. The Horror Writers Association condemns the recent words and actions of Thomas Monteleone and in accordance with our anti-harassment policies, The Board of Trustees has voted to ban Mr. Monteleone from attendance and participation in StokerCon 2023.

Furthermore, in respect to those same policies, the Board of Trustees has voted to ban Mr. Monteleone from attending our future events.

Lastly, the Board of Trustees has voted to expel Mr. Monteleone from membership in the Horror Writers Association, thus revoking the benefits of his Lifetime Achievement Award, per Horror Writers Association Bylaws Article III, section 24:

“The Board may, by a vote of 80% of the officers and trustees then in office, expel any member for good and sufficient cause. For avoidance of confusion, 80% of the officers and trustees then in office must vote to expel the member in order for such expulsion to be effective. In the event of expulsion, the expelled member’s dues, if paid, shall be refunded on a pro-rata basis. An expelled member shall be reinstated if the Board shall receive a petition for reinstatement signed by a number of Active members equal to no less than two-thirds of the Active membership as of the date of receipt.”

Members of the Board of Trustees were unanimous in this decision-making process and are also pursuing other options available under the bylaws of the organization.

We are dedicated to making our StokerCons, other HWA-sponsored events, and official HWA online spaces safe and comfortable for all participants, as per our anti-harassment policy available at horror.org/hwa-anti-harassment-policy/.


Pixel Scroll 1/30/23 Many Scrolls And Files Knew What It Was To Be Roasted In The Depths Of The Pixels That Day, I Can Tell You

(1) PUBLISHING CONTROVERSY REVISITED. Pamela Paul, former New York Times Book Review editor, returned to the three-year-old American Dirt controversy in an op-ed for the New York Times: “The Long Shadow of ‘American Dirt’”.

…From the moment Cummins’s agent sent “American Dirt” out to potential publishers, it looked like a winner. The manuscript led to a bidding war among nine publishing imprints, resulting in a game-changing, seven-figure deal for its author. In the run-up to publication, as the editor of The New York Times Book Review, I asked attendees at Book Expo, then the most significant annual publishing conference, which upcoming book they were most excited about. The answer was as unanimous as I’ve ever heard: “American Dirt.” Publishers, editors, booksellers, librarians were all wildly enthusiastic: “American Dirt” wasn’t only a gripping novel — it brought attention to one of the most vexing and heartbreaking issues of our time, the border crisis. This, its champions believed, was one of those rare books that could both enthrall readers and change minds.

But in December 2019, a month before the novel’s release, Myriam Gurba, a Latina writer whose memoir, “Mean,” had been published a couple of years earlier by a small press, posted a piece that Ms. magazine had commissioned as a review of “American Dirt,” and then killed. In her blog post and accompanying review, Gurba characterized the novel as “fake-assed social justice literature,” “toxic heteroromanticism” and “sludge.” It wasn’t just that Gurba despised the book. She insisted that the author had no right to write it.

A central charge was that Cummins, who identifies as white and Latina but is not an immigrant or of Mexican heritage, wasn’t qualified to write an authentic novel about Latin American characters. Another writer soon asserted in an op-ed that the “clumsy, ill-conceived” rollout of Cummins’s novel was proof that American publishing was “broken.” The hype from the publisher, which marketed the book as “one of the most important books for our times,” was viewed as particularly damning. Echoing a number of writers and activists, the op-ed writer said it was incumbent upon Mexican Americans and their “collaborators” to resist the “ever-grinding wheels of the hit-making machine,” charging it was “unethical” to allow Oprah’s Book Club to wield such power. More than 100 writers put their names to a letter scolding Oprah for her choice….

Dana Snitzky takes issue: “This Week in Books: It’s Pamela Paul Week”.

…American Dirt was merely criticized. Criticized, probably most famously (yet not by any means initially) in the pages of the New York Times Book Review. The New York Times Book Review as edited by Pamela Paul. Yes, friends, you heard correctly—as Max Read and others online have pointed out, Pamela Paul’s powers of discourse are such that she has established a vertically integrated outrage machine, seeing the process through from initial cancellation to reactionary backlash…. 

Silvia Moreno-Garcia addressed Paul’s op-ed in an extended Twitter thread that starts here. A few of her comments are:

(2) ELSEWHERE MONTELEONE KEEPS DIGGING THE HOLE DEEPER. It was taken down today, however, yesterday YouTube’s Hatchet Mouth posted their “Tom Monteleone Interview”, an extended opportunity for Monteleone to deliver more remarks in the vein of his now-removed Facebook post. He belittled a past Horror Writers Association award winner in derogatory racial terms (while making every effort to assign the wrong ethnicity to the person being insulted), and gave the same treatment to the woman who called for the John W. Campbell Award for Best New Writer to be renamed (as it was). Copies of the YouTube auto-generated transcript are floating around. In fact, I made my own if you need to see one…

(3) BACK TO THE DINOSAURS. Apex Publishing’s Jason Sizemore, responding to a particular thread within the Monteleone kerfuffle, told Facebook readers what was wrong with the latest attack on an award-winning story.  

There’s another old white male author who has found offense at the award recognition of non-white, non-male writers by the HWA. It’s been all over my FB feed.

Inevitably, the usual cadre of traditionalists and self-anointed old school sci-fi readers rallied around this writer rehashing the same tired arguments that showcase a poor understanding of capitalism, reality, and the depth of fiction they bemoan.

Apex Magazine was accused of catering to reactionary and psychotic (not my words) people.

“If You Were a Dinosaur, My Love” by Rachel Swirsky was evoked. Again. This story came out in March of 2013….

(4) BUFFY SLAYS TROLLS & SLIMEBALLS. [Item by Mike Kennedy.] Working now from a position of earned respect and power, Sarah Michelle Gellar expressed her opinions on mistreatment of women in visual media. In an interview with the Guardian, she takes shots at both the trolls who sit in front of the screen and certain slimeballs who reside behind the cameras. “’A lot of the demons seem a little cheesy now’: Sarah Michelle Gellar on Buffy, her burnout and her comeback”.

…For all its similarities to Buffy, Wolf Pack has one key difference: this time Gellar is in a position of influence, as an executive producer as well as the lead.

The title can be almost meaningless, a way to sweeten the deal for a star, but Gellar says she told Davis: “I’ve been doing this for 40 years. I have a lot of experience, and I have a lot to bring to the table. If you’re just looking for an actor that just wants to have the credit, I’m not your person. I’m going to have ideas, and I’m going to be vocal about them.”…

(5) IN MEMORIAM 2022. Steven H Silver’s list “In Memoriam: Those We Have Lost in 2022” has been posted at Amazing Stories.

(6) LISA LORING OBITUARY. TV’s original Wednesday Addams, Lisa Loring, died January 30 at age 64 reports the BBC.

…Her daughter, Vanessa Foumberg, told The Hollywood Reporter she died of a stroke caused by high blood pressure.

“She went peacefully with both her daughters holding her hands,” Foumberg said.

The actress had been on life support for three days, her friend Laurie Jacobson posted on Facebook.

“She is embedded in the tapestry that is pop culture and in our hearts always as Wednesday Addams,” she said in her post.

The Addams Family, which was the first adaptation of Charles Addams’ New Yorker cartoons, ran from 1964 to 1966 on ABC.

Ms Loring also appeared in the soap opera “As the World Turns” and the sitcom “The Pruitts of Southampton.”…

(7) MEMORY LANE.

1987 [Compiled by Cat Eldridge.]

And now we come to the end of the genre quotes (at least for now) with a most splendid one from Ellen Kushner’s Swordspoint: A Melodrama of Manners novel. As y’all know, it’s the first work of the Riverside series which continues in The Fall of the Kings, was co-written with her wife Delia Sherman, and finished in The Privilege of the Sword.

Yes, it’s one of my favorite novels, and the series as well, to re-read. Preferably on a cold winter’s night. I do think that Swordspoint is the best of the novels though The Privilege of the Sword is quite tasty as well. 

And you have to love a society where chocolate is the drink of choice among everyone. 

BY MIDDAY, MOST OF THE NOBLES ON THE HILL COULD be counted on to be awake. The Hill sat lordly above the rest of the city, honeycombed with mansions, landscaped lawns, elaborate gates, and private docks on the cleanest part of the river. Its streets had been built expressly wide and smooth enough to accommodate the carriages of nobles, shortly after carriages had been invented. Usually, mornings on the Hill were passed in leisurely exchange of notes written on colored, scented, and folded paper, read and composed in various states of dishabille over cups of rich chocolate and crisp little triangles of toast (all the nourishment that ought to be managed after a night’s reveling); but on the morning after the garden duel, with the night’s events ripe for comment, no one had the patience to wait for a reply, so the streets were unusually crowded with carriages and pedestrians of rank.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born January 30, 1911 Hugh Marlowe. First let me note that he was first to play the title character in the very first radio version of The Adventures of Ellery Queen. No, it’s not even genre adjacent but neat nonetheless. As regards genre roles, he’s Tom Stevens in The Day the Earth Stood Still, and Dr. Russell A. Marvin in Earth vs. the Flying Saucers. He was also Harold McPherson in Seven Days in May if you want to count that as genre which I definitely think you should. (Died 1982.)
  • Born January 30, 1920 Michael Anderson. English Director best remembered for Around the World in 80 Days, Logan’s Run, and perhaps not nearly as much for, Doc Savage: The Man of Bronze. Yes, I saw it. It was, errrr, interesting. He also directed The Martian Chronicles series. (Died 2018.)
  • Born January 30, 1924 Lloyd Alexander. His most well-crafted work is The Chronicles of Prydain. Though drawn off Welsh mythology, they deviate from it in significant ways stripping it of much of its negativity.  To my belief, it is his only genre writing as I don’t hold the Westmark trilogy to actually be fantasy, just an alternative telling of European history. Splitting cats hairs? Maybe. He was also one of the founders of Cricket, an illustrated literary journal for children. The late illustrator Trina Schart Hyman whose art I lust after, errrr, adore was another founder. (Died 2007.)
  • Born January 30, 1926 Peter Brachacki. Set designer for the very first episode of Doctor Who. Everything I’ve been able to read on him says that he was not at all interested in working on the series and did so reluctantly under orders. Doctor Who producer Verity Lambert would later recount that she was impressed with Brachacki’s work on the TARDIS interior even though she personally did not like him at all. His design elements persist throughout the fifty years the series has been produced. His only other genre work that I’ve been able to find was Blake’s 7 and a short series called the The Witch’s Daughter done in the late Seventies. The BBC wasn’t always great at documenting who worked on what series. (Died 1980.)
  • Born January 30, 1941 Gregory Benford, 82. His longest running series is Galactic Center Saga, a series I find a little akin to Saberhagen’s Beserker series. I’ve not read enough of it to form a firm opinion though I know some of you of have done so.  Other novels I’ve read by him include Timescape (superb) and A Darker Geometry: A Man-Kzin Novel which was actually was quite excellent. Yes I do read Baen Books. 
  • Born January 30, 1955 Judith Tarr, 68.  I’m fond of her Richard the Lionheart novels which hew closely to the historical record while introducing just enough magic to make them fantasy. The novels also make good use of her keen knowledge of horsemanship as well. Her Queen of the Amazons pairs the historical Alexander the Great, with a meeting with the beautiful Hippolyta, who is queen of the Amazons. Highly recommended.
  • Born January 30, 1973 Jordan Prentice, 50. Inside every duck is a self-described person of short stature. His words, not mine. In the case of Howard the Duck from the movie of the same name, one of those persons was him. He’s not in a lot of SFF roles after his performing debut there though he shows up next as Fingers Finnian in Wolf Girl, playing Sherrif Shelby in Silent But Deadly, Napoleon in Mirror Mirror and Nigel Thumb in The Night Before the Night Before Christmas.
  • Born January 30, 1974 Christian Bale, 49. First enters our corner of the mediaverse in a Swedish film called Mio in the Land of Faraway where he plays a character named Yum Yum. Note though that he doesn’t speak in this role as his Swedish voice is done by Max Winerdah. So his playing Demetrius in A Midsummer Night’s Dream is his first speaking role. Next up is American Psycho in which he was Patrick Bateman, that was followed by a role in Reign of Fire as Quinn Abercromby. He was John Preston in Equilibrium, and he voiced Howl in Howl’s Moving Castle, a film well worth seeing.  Need I say who he plays in Batman Begins? I thought not. He’d repeat that in The Dark Knight and The Dark Knight Rises. Amidst being Batman, he was also John Connor in Terminator Salvation. His last genre role to date was voicing Bagheera in Mowgli: Legend of the Jungle asked off Kipling’s All the Mowgli Stories. He’s got a television genre credit, to wit Jim Hawkins in Treasure Island off the Robert Louis Stevenson of that name.

(9) COMICS SECTION.

  • Candorville shows a dad telling his shrink about trying to get his kid to watch Star Trek.
  • Foxtrot’s “Goodnight Doom” adapts the verses of a children’s book to a kid’s computer.

(10) ALTERNATE OVAL OFFICES. [Item by Mike Kennedy.] Welcome to an alternate universe. Actually, six different ones.

Have you ever wondered what the White House Oval Office would look like if it were outfitted completely in IKEA furniture? Or perhaps another home furnishing brand? House Fresh will be glad to show you.

Some of the choices are breathtaking; albeit perhaps not in the way a President might desire. “If 6 Iconic Home Brands Redesigned The Oval Office” at HouseFresh.

Consider the Pottery Barn version….

(11) THE BIRD HAS THE WORD. “’An Ostrich Told Me the World Was Fake’ Director Discusses Oscar Nom” in Variety.

…The short film follows a young telemarketer named Neil who is confronted by a mysterious talking ostrich who tells him that the universe is actually stop-motion animation. Neil, voiced by Pendragon, then tries to convince his colleagues about the discovery….

Let’s talk about “An Ostrich Told Me the World Was Fake” and its journey. Where did it begin?

It was part of a doctorate in visual arts program at film school. It had to come from a research perspective. The project needed to have a level of innovation and something that you were doing differently that you could write about and talk about. I wanted to do something on stop-motion because it’s something that I love doing, but I hadn’t thought too much about it yet. There was so much potential about what could be done and explored.

I wanted to look at the handmade quality of stop-motion animation and ensure they were as apparent as possible. That led me down this path of doing something that breaks the fourth wall and deconstructs it, so that the audience could be watching the behind-the-scenes as they were watching the film. I thought it was entertaining because it would show all that goes into making this kind of film. But then on the other side, it’s like, how do I make sure that it’s not too distracting that you can still connect with these characters? Finding that balance was difficult….

(12) VIDEO OF THE DAY. “Honest Trailers – Snakes on a Plane” shows that if you steal ideas from enough different places it’s not plagiarism. But first, you also have to steal enough special effects snakes.

[Thanks to Chris Barkley, Andrew Porter, Michael Toman, Daniel Dern, Cat Rambo, Cat Eldridge, Mike Kennedy, John King Tarpinian, for some of these stories. Title credit belongs to File 770 contributing editor of the day Bill.]

Pixel Scroll 1/27/23 Gully File Is My Name, And The Scroll’s My Destination

(1) 2023 SMOFCON NEWS. MCFI president Rick Kovalcik has announced new discount rates for Smofcon40, being held December 1-3, 2023 at the Marriott Downtown, Providence, RI, USA. 

There is now a $40 (attending) rate for First Smofcon Attendees, Young Adult (Under 33 Years Old / Born After 1 December 1990), or Unwaged / Retired / Hardship. We expect these rates to be good at least through the end of pre-registration. We trust people not to abuse the Unwaged / Retired / Hardship rate. Unfortunately, we will not be refunding $10 to anyone who already bought at the $50 rate. The $50 full attending rate is good at least through 28 February 2023.

We have been working on our official website at smofcon40.org and expect to have an integrated membership / payment system up shortly. In the meantime, memberships may still be bought by filling out the form at  https:tinyurl.com/Smofcon40Membership and paying by PayPal to [email protected] or mailing a check to MCFI at PO Box 1010, Framingham, MA 01701 USA.

Gay Ellen Dennett has been chosen as Smofcon40 Chair and can be reached at [email protected].

The committee has a signed contract with the hotel. They expect to publish a link for room reservations in the late spring. Any additional questions may be sent to [email protected].

(2) BOOK SHOPPING IN MONGOLIA. [Item by Mikael Thompson.] Here are two recent translations I saw in Mongolian bookstores recently. First is Howl’s Moving Castle (literally, “Howl’s habitually-nomadizing castle”–nüü- meaning ‘to move, shift pastures, nomadize’ and -deg indicating habitual aspect). Second is the just-released translation of The Man Who Fell to Earth.   

(3) EKPEKI WILL VISIT ASU IN MARCH. Oghenechovwe Donald Ekpeki has been named a 2023 Visiting Fellow of the Future of Being Human initiative, in collaboration with the Arizona State University Center for Science and the Imagination.

Oghenechovwe will be visiting the ASU Tempe campus at the end of March, where he will be engaging with initiative communities, participating in meetups, and talking about his work and it’s connection to how we think about being human in a technologically advances future in a number of venues.

(4) AUTHOR WEBSITES. Michael Burton-Murphy has set up his own, but is looking around the field to decide how to use it: “Author Websites: A Survey of Sorts”   (Via Cat Rambo.)

… I’m not really a good hand for visuals, so I usually have a hard time figuring out what I want to do with a new website like this. I decided I’d take a survey of the sites put up by some of the authors whose work I’ve enjoyed over the years, and see what I could infer from them.

Ugly On Purpose

Let’s start with a couple of sites that aren’t formatted for visual appeal.

Charlie Stross is a writer of deep, complex, even mind-bending fiction. He’s also a veteran of multiple tech startups. His author website is spartan….

(5) EATING THE FANTASTIC. Scott Edelman invites listeners to lunch on Laotian food with Cory Doctorow in Episode 190 of the Eating the Fantastic podcast.

Cory Doctorow

Cory is a science fiction writer, journalist and technology activist who in 2020, was inducted into the Canadian Science Fiction and Fantasy Hall of Fame. In the years since I published his first professional fiction sale in Science Fiction Age magazine (though I didn’t buy his first professionally sold short story, a distinction we get into during our chat), he’s won the Locus, Prometheus, Copper Cylinder, White Pine and Sunburst Awards, and been nominated for the Hugo, Nebula and British Science Fiction Awards.

His novels include Down and Out in the Magic Kingdom (2003), Eastern Standard Tribe (2004), Someone Comes to Town, Someone Leaves Town (2005), Little Brother (2008), his most recent, Walkaway (2017), and others. His most recent short story collection is Radicalized (2019). He’s also a special consultant to the Electronic Frontier Foundation, a non-profit civil liberties group that defends freedom in technology law, policy, standards and treaties.

We discussed how different D.C. seems to him now that he’s a U.S. citizen, the way his remarkable evening hanging with both David Byrne and Spider Robinson put things in perspective, the lessons we learned (both good and bad) from Harlan Ellison, our differing levels of hope and despair at the current state of the world, the major effect Judith Merril had on the direction of his life, how an ongoing column he wrote for Science Fiction Age magazine predicted the next 20 years of his life, our differing opinions as to what it means when we say stories are didactic, how to continue on in the face of rejection — and then once we do, how not to become parodies of ourselves, the best piece of advice he didn’t follow, our differing views on spoilers, what he recently came to understand about the reactionary message of traditional hardboiled fiction — and how he used that in his upcoming trilogy, knowing when to break the rules of writing, and much more.

(6) A STOPPED CLOCK TELLS THE RIGHT TIME. Camestros Felapton initially discusses a point made by Larry Correia that he agrees with – how did that happen? But they soon part company again in “Guns & Nonsense: Part 5, Defence in Depth”.

…However, Correia is apparently naïve enough to think that gun control must be perfect before it can be an additional layer of security. The opposite is obviously true. Making it harder for people who wish to hurt others to get access to guns is an additional layer of security. It’s not a perfect layer but as demonstrated in multiple wealthy nations, it is a very effective layer.

Of course, if Correia conceded that gun control is an effective layer in a model of “defence in depth” then a rather alarming conclusion would logically follow: gun control is part of self-defence. Ah. The implication of that is both huge but also demonstrable. A right to protect yourself from harm applied equitably i.e. a right that makes it easier for everybody is the opposite of tyranny….

(7) MEMORY LANE.

1968 [Compiled by Cat Eldridge.] Agatha Christie’s At Bertram’s Hotel

Food has an important role in Christie’s fiction. (And yes, I adore her detectives, all of them. That’s why you will see more culinary quotes from her fiction.) Hercule Poirot and his oh so perfect breakfast,  or the quote this time from At Bertram’s Hotel, a Miss Marple novel (she is taking a two-week holiday in London at this hotel though she doesn’t figure into our quote, though she loved breakfast here, “Miss Marple inserted a knife gingerly but with confidence. She was not disappointed. Rich deep yellow yolk oozed out, thick and creamy. Proper eggs! “) The manager is telling one of the guests what an English breakfast once was like, and what he can have there now.

‘Eggs and bacon?’

‘As you say—but a good deal more than that if you want it. Kippers, kidneys and bacon, cold grouse, York ham, Oxford marmalade.’

‘I must remember to get all that… don’t get that sort of a thing any more at home.’

Humfries smiled. ‘Most gentlemen only ask for eggs and bacon. They’ve—well, they’ve got out of the way of thinking about the things there used to be.’

‘Yes, yes… I remember when I was a child. … Sideboards groaning with hot dishes. Yes, it was a luxurious way of life.’

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born January 27, 1940 James Cromwell, 83. I think we best know him as Doctor Zefram Cochrane In Star Trek: First Contact which was re-used in the Enterprise episode “In a Mirror, Darkly (Part I)”.  He’s been in other genre films including Species IIDeep ImpactThe Green MileSpace CowboysI, Robot, Spider-Man 3 and Jurassic World: Fallen Kingdom. He played characters on three Trek series, Prime Minister Nayrok on “The Hunted” episode of Star Trek: The Next Generation and Jaglom Shrek in the two part “Birthright” story, Hanok on the “Starship Down” episode of Deep Space Nine and Zefram Cochrane once as noted before on Enterprise
  • Born January 27, 1950 Michaela Roessner, 73. She won the Astounding Award for Best New Writer after writing Walkabout Woman. Though not genre, her two historical novels, The Stars Dispose and The Stars Compel, about Catherine de Medici are excellent.  ISFDB lists another novel of genre status, Vanishing Point. None of her fiction is available digitally, alas. 
  • Born January 27, 1953 Joe Bob Briggs, 70. Writer, actor, and comic performer. Host of the TNT MonsterVision series, and the ongoing The Last Drive-in with Joe Bob Briggs on Shudder from 2018–present. The author of a number of nonfiction review books including Profoundly Disturbing: Shocking Movies that Changed History!  And he’s written one genre novel, Iron Joe Bob. My favorite quote by him is that after contracting Covid and keeping private that he had, he said later that “Many people have had COVID-19 and most of them were much worse off than me. I wish everybody thought it was a death sentence, because then everyone would wear the f*cking mask and then we would get rid of it.”
  • Born January 27, 1956 Mimi Rogers, 67. Her best known SFF role is Professor Maureen Robinson in the Lost in Space film which I did see in a theatre I just realized. She’s also Mrs. Marie Kensington in Austin Powers: International Man of Mystery, and she’s Orianna Volkes in the Penny Dreadful hitchhiker horror film. She’s got one-offs in Tales from The CryptThe X-FilesWhere Are You Scooby Doo? and Ash v. Evil Dead.
  • Born January 27, 1957 Frank Miller, 66. He’s both an artist and writer so I’m not going to untangle which is which here. What’s good by him? Oh, I love The Dark Knight Returns, both the original comic series and the animated film, though the same not no true of Sin City where I prefer the original series much more. Hmmm… What else? His runs on Daredevil and Electra of course. That should do. 
  • Born January 27, 1965 Alan Cumming, 58. I’m now watching The Good Wife where plays Eli Gold, the ultimate crisis manager. His film roles include performances as Boris Grishenko in GoldenEye, Fegan Floop In the Spy Kids trilogy, Loki, god of Mischief in Son of the Mask, Nightcrawler In X2 and Judas Caretaker in Riverworld (anyone know this got made?). 
  • Born January 27, 1966 Tamlyn Tomita, 57. I’m fairly sure I first saw her in a genre role on the Babylon 5 film The Gathering as Lt. Cmdr. Laurel Takashima. Or it might have been on The Burning Zone as Dr. Kimberly Shiroma. And she had a recurring late on Eureka in Kate Anderson, and Ishi Nakamura on Heroes? She’s been in a number of SFF series in one-off roles including HighlanderQuantum LeapThe SentinelSeven DaysFreakyLinks, Stargate SG-1 and a recurring as late as Tamiko Watanabe in The Man in The High Castle.
  • Born January 27, 1970 Irene Gallo, 53. Creative Director for Tor.com and Tor Books. She’s won an amazing thirteen Chelsey Awards, and two World Fantasy Awards, as art director of Tor.com and for the Worlds Seen in Passing: Ten Years of Tor.com Short Fiction anthology. She also co-wrote Revolution: The Art of Jon Foster with Jon Foster and Cathy & Arnie Fenner.

(9) IF YOU CAN MAKE IT THERE. FANAC.org’s next FanHistory Project Zoom Session will be “New York Fandom in the 70s with Moshe Feder, Andy Porter, Steve Rosenstein and Jerry Kaufman”. Catch it live on February 11, 2023 at 4:00 p.m. Eastern

The story of New York fandom is fascinating. From the worldcon in the 60s to fragmentation and multiple fannish groups in the 70s, there’s a real story to tell. How did NY fandom come to break apart? What were the fannish clubs and how were they different? Who were the movers and shakers? How did the emergence of Star Trek and Star Trek conventions affect NY fandom? Did moving Lunacon out of the city have a big effect? What were the highlights and heartbreaks? Join four of the stalwarts of 70s New York fandom, as they revisit those days.

(10) JEOPARDY! SF QUESTIONS 2023-01-26 [Item by David Goldfarb.] Troy Meyer continues to extend his winning streak. On Thursday’s Jeopardy! episode there were two clues with SF content, both in the Double Jeopardy round.

Line in the Sand, $1600: A passage in this novel relays: “Gurney saw Fremen spread out across the sand there in the path of the worm”

Emma Moore responded correctly.

“B” Movies [i.e., movies whose titles began with the letter B], $2000: This Terry Gilliam fantasy features a futuristic bureaucracy

Troy Meyer responded correctly.

(11) FOUNDATIONS OF MIDDLE-EARTH. Austin Gilkeson delves into “The Lore of the Rings” at the New York Review of Books.

One September day in 1914, a young J.R.R. Tolkien, in his final undergraduate year at Oxford, came across an Old English advent poem called “Christ A.” Part of it reads, “Éalá Éarendel engla beorhtast/ofer middangeard monnum sended,” which he later rendered: “Hail Éarendel, brightest of angels/above the middle-earth sent unto men!” Safe in his aunt’s house in Nottinghamshire while battles raged on the continent, Tolkien took inspiration from this ode to the morning and evening star and wrote his own poem in modern English, “Éarendel the Mariner.” That poem was not published in his lifetime, but after it came the stories that would become The SilmarillionThe Hobbit, and The Lord of the Rings, which in turn inspired, to varying degrees, EarthseaStar Wars, Dungeons & Dragons, Harry PotterThe Wheel of TimeThe WitcherGame of Thrones, and so on, an apostolic succession of fantasy.

The latest in the line is The Lord of the Rings: The Rings of Power. Amazon Studios does not have the rights to The Silmarillion, the posthumous collection of Tolkien’s mythology that serves as a sort of bible for Middle-earth, nor is it adapting The Lord of the Rings, Tolkien’s 1954 novel about the hobbit Frodo’s quest to save Middle-earth by destroying the One Ring, which holds the power of the Dark Lord Sauron. Peter Jackson’s film trilogy still looms too large. Instead, the showrunners, J.D. Payne and Patrick McKay, have crafted a prequel, set thousands of years before the events of the three-volume novel and drawn from bits of lore in its prologue, “Concerning Hobbits,” and extensive appendices on Middle-earth history and culture. It’s an undertaking not dissimilar from Tolkien’s own reworking of “Christ A,” spinning out a narrative from a few textual scraps—the kind of academic exercise an Oxford professor of Old English could appreciate….

(12) SUN DIALS ARE RIGHT OUT. “What time is it on the Moon?” in Nature. “Satellite navigation systems for lunar settlements will require local atomic clocks. Scientists are working out what time they will keep.” SF authors and Andy Weir take note…

The coming decade will see a resurgence in lunar exploration — including dozens of missions and plans to establish permanent bases on the Moon. The endeavours pose myriad challenges. Among them is a subtle, but fundamental, question that meteorologists worldwide are working to answer: what time is it on the Moon?… 

The Moon doesn’t currently have an independent time. Each lunar mission uses its own timescale that is linked, through its handlers on Earth, to coordinated universal time, or UTc — the standard against which the planet’s clocks are set. But this method is relatively imprecise and spacecraft exploring the Moon don’t synchronize the time with each other. The approach works when the Moon hosts a handful of independent missions, but it will be a problem when there are multiple craft working together. Space agencies will also want to track them using satellite navigation, which relies on precise timing signals.

It’s not obvious what form a universal lunar time would take. Clocks on Earth and the Moon naturally tick at different speeds, because of the differing gravitational fields of the two bodies. Official lunar time could be based on a clock system designed to synchronize with UTC, or it could be independent of Earth time….

(13) HWA KERFUFFLE. Tom Monteleone, alleging that “gatekeepers” at the Horror Writers Association websites were keeping his post from appearing, took to Facebook to nominate David Schiff for an HWA Lifetime Achievement Award.  But before sharing the reasons Schiff should receive the recognition, Monteleone made known his real agenda:

…That said, and despite the last few LAA years looking very much like a very obvious DEI project, I am compelled to nominate a smart, old white guy: Stu Schiff…

Since then people have left over 500 comments, some applauding what he said and adding their own feelings about “virtue signaling” and “wokeness”, while others have called for him to apologize. He has made additional comments which others are engaging. The worthiness of some of the 2017 LAA winners has also been denigrated.

Former HWA president John Palisano chimed in:

As the person who was president of the HWA when these LAA awards were selected and given, I stood behind them then, and I stand behind them today. And I also stand behind Kevin Wetmore and the LAA committee who made these selections.

I’m more than disappointed their names have been attacked. I have zero tolerance for the transphobia and hateful comments spewed forth.

For the record? They were chosen on merit, period. Anyone who thinks otherwise is dead wrong. I was there. Their Race, gender, sexuality. Etc. we’re not the defining factors.

Also? SCHIFF’s validation and consideration will not be based negatively based upon this hurtful thread.

Even though I’m not president now, I know my colleagues in the HWA will not hold this against a candidate. In fact? Proof of such can be seen in the fact that many people who’ve been very critical against the HWA in the past have been brought in as GOH and in other capacities. There’s always room for growth and learning…

Brian Keene finally decided he needed to come off the sidelines and wrote a long comment that includes this quote:

… But now, with this second topic, there *are* people speaking up directly, and telling you [Monteleone] that some of the things you’re saying here are hurtful. They’re not going through me to do it. They’re saying it right here, directly to you. Maybe you’re not hearing them, so let me try saying it instead.

You’re publishing Mary’s collection of Edward Lucas White stories. She turned that in to you two days ago. That night, she said to me, quote: “Back in the day, Tom was the first editor in this business to treat me like a colleague and not like a groupie.” End quote. Today she saw your trans comments elsewhere in this thread. As the mother of a trans daughter, she was incredibly hurt by them. She’s downstairs right now, trying to reconcile all this. As the soon-to-be step-father to a trans-daughter, and as someone who has known that child since she was 4 years old, and has seen her struggle first hand, I’m hurt by them, too. You have always been kind and generous and supportive of Mary and I both, but what are we supposed to do at the wedding reception? Stick you at a back table like “that one uncle”? Because that’s how it’s coming across to us both…

[Thanks to Cat Eldridge, Mike Kennedy, John King Tarpinian, Mikael Thompson, David Goldfarb, SF Concatenation’s Jonathan Cowie, Chris Barkley, Andrew Porter, and Michael Toman  for some of these stories. Title credit belongs to File 770 contributing editors of the day Jayn and David Goldfarb.]

Pixel Scroll 2/23/18 In The Unlikely Event Of A Pixel Landing, Scrolls May Be Used For Flotation Devices

(1) EL-MOHTAR LAUNCHES. This week Amal El-Mohtar took up her duties as sff reviewer for the New York Times “Otherworldly” column: “The Latest in Science Fiction and Fantasy”.

…Del and Sofia Samatar are siblings, and MONSTER PORTRAITS (Rose Metal, paper, $14.95) is a dialogue between Del’s art and Sofia’s words that is equal parts exploration, investigation and meditation about monsters and monstrosity. From the title I expected something like a bestiary, where the text would build fictions out of the art to pen (as it were) the creatures into a mythology — but this book is nothing so simple or straightforward; it is, if anything, an anti-bestiary, organized around the systems that produce bestiaries. Most of the portraits describe an author’s encounters with the creatures depicted, encounters that spark real-world musings on race and diaspora, framing the often contradictory ways in which we represent, consume or reject monstrosity. It’s a book of discomfort, of itching beneath the skin — which dovetails beautifully with the fact that Del Samatar works as a tattoo artist, and that many of the images in this book are easily imagined inked onto bodies….

(2) ARE THEY NEEDED? Rafia Zakaria speaks “In Praise of Negative Reviews” at The Baffler.

“Startlingly smart,” “remarkable,” “endlessly interesting,” “delicious.” Such are the adulatory adjectives scattered through the pages of the book review section in one of America’s leading newspapers. The praise is poignant, particularly if one happens to be the author, hoping for the kind of testimonial that will drive sales. Waiting for the critic’s verdict used to be a moment of high anxiety, but there’s not so much to worry about anymore. The general tone and tenor of the contemporary book review is an advertisement-style frippery. And, if a rave isn’t in order, the reviewer will give a stylized summary of sorts, bookended with non-conclusions as to the book’s content. Absent in either is any critical engagement, let alone any excavation of the book’s umbilical connection to the world in which it is born. Only the longest-serving critics, if they are lucky enough to be ensconced in the handful of newspapers that still have them, paw at the possibility of a negative review. And even they, embarking on that journey of a polemical book review, temper their taunts and defang their dissection. In essence they bow to the premise that every book is a gem, and every reviewer a professional gift-wrapper who appears during the holidays.

It is a pitiable present, this one that celebrates the enfeebling of literary criticism, but we were warned of it.

(3) FRIED GREEN TOMATOES. Scott Edelman invites Eating the Fantastic listeners to “Gobble fried green tomatoes with Thomas F. Monteleone”.

I don’t know which meal you’re getting ready for wherever you happen to be, but here at Eating the Fantastic world headquarters, it’s time for lunch at the Mountain Branch Grille & Pub with Thomas F. Monteleone, a five-time winner of the Bram Stoker Award, who’s published more than 100 stories since his first one appeared in Amazing back in 1972.

My first fictional encounter with him, though, wasn’t until 1975, when his first novel, Seeds of Change, became the debut title for the famed (or infamous, depending on how you look at it) Laser Books science fiction line, and in this episode you’ll get to hear all about the serendipity which made that sale happen.

He’s accomplished so much since those early sales that last year, the Horror Writers Association honored him with its Lifetime Achievement Award. He’s also a highly opinionated guy, as is proven by his ongoing no-holds-barred column The Mothers And Fathers Italian Association, a collection of which won the 2003 Bram Stoker Award for Non-Fiction …and is also proven by this episode.

We discussed the tricks he teaches to transform writers at his famed Borderlands Bootcamp, the 200+ rejections he received before he finally made his first fiction sale, how Theodore Sturgeon helped him realize it was possible for him to become a writer, why he ended up as a horror icon after his big start in science fiction, which horror writers you want on your team when you’re choosing sides for softball, the reason his live readings have become legendary, how Peter Straub reacted when Tom put him on his list of most overrated writers, how a challenge from Damon Knight changed his life, and much more.

(4) ADAPTATION AND ANNIHLATION. At Lit Hub, Jeff VanderMeer and Christina Sibul talk about “What’s It Really Like to Have Your Book Made Into a Movie”.

JV:  . . . But with regard to the monster [in Annihilation], I think what I was after in the books was to destabilize the usual reveal. The reason it’s gradual is to kind of acclimate you so when you actually finally see it you notice more than just the horror and surprise of it but the beauty and the strangeness of it as well. And I think Garland [the director of the Annihilation adaptation] gets there a different way. He’s still thinking about the same things, and in many ways, it’s a very loose translation of the book. But you can see many points where he is translating, where he is reacting to something in the book, and so I do think that in the third act of the movie where you do see the crawler—and you don’t see it before that—he somehow manages visually to get the horror and beauty of it by being very precise.

The thing I found fascinating is on the set visit they had what I would call a three-act structure of the visual imagination. Like, literally on the walls all around this building they had just pasted photographs and pictures, some of which they found and some of which they created as, like, what is the tone and texture of this part. And for the third act, several of the images they had that were inspiration for the monster were the same things that I’d come up with during my research, but we had not communicated about this. They had just come to it through parallel evolution. So, I think that the depiction of the crawler is very accurate in some ways. And very horrific and beautiful at the same time. There’s another monster too in there because there’s the moaning creature in the books, and the moaning creature he translated into this strange bear that also combines aspects of the boar that’s in the book. So, there’s another translation of the monster where someone may see it and say, “That’s not from the book,” but in actual fact it kind of is, you know

(5) COMICS SECTION.

  • John King Tarpinian and I are old enough to get the visual references in Heathcliff. Maybe you are, too.
  • And this Dracula joke in Speedbump is pretty dumb, but I laughed.

(6) THE GOODBYE BATGIRL. Yesterday I read somewhere “Joss Whedon Drops Out of Batgirl”. Adam-Troy Castro won’t miss him: “Joss Whedon Quit the BATGIRL Movie For All The Right Reasons”.

Joss Whedon has stepped down from scripting duties on a proposed BATGIRL movie, saying he just couldn’t come up with a story.

I suspect he had some other reasons, some of which speak well of him and some of which don’t, but that’s a boring subject. (So is whether there should be a Batgirl movie, period. Let’s just say that my personal enthusiasm at this point, is limited. We have more than enough movies in this genre, thank you.)

But let us talk of his stated reason for having so much trouble with the character: paraphrased, he couldn’t think of a reason why this girl’s head would be so messed up she would start doing this thing.

And instantly you know that he doesn’t get the character at all and that stepping away was a good thing.

You see, the premise that a person’s head must be “messed up” in some way to become a hero in this genre is based on only a very few examples.

(7) DEATH OF THE MIGHTY THOR. Jane Foster’s time as The Mighty Thor may be coming to an end. And in this case I don’t think that’s a spoiler.

For more than three years, Jason Aaron has been building Jane Foster’s story to its epic conclusion – and it all comes together in Mighty Thor #705! This March, don’t miss the final chapter of Thor’s journey, written by Jason Aaron and drawn by Russell Dauterman, as Mangog’s rampage threatens to bring about the end of Asgard as we know it – and the Goddess of Thunder herself.

 

(8) COMICS BUYER. Daniel P. Dern sends a link to io9’s “Ordering Physical Comics Books Is About to Get Slightly Easier”, which says Diamond’s new Pullbox will simplify (pre)ordering your hardcopy comics from your comic store.

It’s not completely digital—you still have to go and physically collect your orders from your local store, after all, so if you’re looking to avoid the potentially intimidating act of heading into a comics store, Pullbox isn’t the solution.

Dern comments: “I’d like to think that not all comic stores are intimidating, e.g., certainly not <shoutout>The Outer Limits, in Waltham MA</shoutout> (where I’ve been a customer since it opened back in 1983). A larger concern, I’d guess, would be the decreasing # of comic shops, as in, (not) having one near (enough). Yeah, you can mail-order, but not the same experience.

“I’m happy that it sounds like this new service isn’t trying to disintermediate the stores, but rather work with and within them.”

(9) CREATIVE TEAM BEHIND BLACK PANTHER. Calgary comic book scholar Michael Hoskin offers a roundup of all the comic book creators who had a hand in the Black Panther movie. He makes a compelling case that Christopher Priest (the first full-time black writer at Marvel comics) should be getting more credit for what was seen on screen: “Black Panther (2018) creator credits”.

(10) EXPANSE. Syfy dropped The Expanse Season 3 teaser trailer.

(11) GONE FISHING. The industry has a surprising amount of coverage: “New Maps Reveal Global Fishing’s ‘Vast Scope Of Exploitation Of The Ocean'”.

The maps show the most intense fishing activity along the coasts of heavily populated areas like Europe and China. But fishing also covers much of the high seas. According to the researchers, commercial fishing operations covered at least 55 percent of the world’s oceans. That area, it calculates, is four times larger than the area devoted to agriculture on land.

The researchers also were able to distinguish between fishing vessels from different countries. According to the study, five countries — China, Spain, Taiwan, Japan, and South Korea — accounted for 85 percent of all high-seas fishing.

The BBC also has a summary.

(12) TOUGH TO KILL Jurassic Dead is coming to theaters. Run away!

PLOT: A cracked scientist aligns with the Axis of Evil to bring down the US of A with EMP blasts, toxic zombification gas and an unleashing of the ultimate undead killing monstrosity — the Z-REX. When a hot-wired militia squad and a crew of college hipsters are thrown together to do something about it, chaotic Predator-Thunder action runs amok.

 

(13) THE REAL FUTURE OF AI. On the Nextnature blog, Menno Gutfeld and Koort van Mensvoort interview Bruce Sterling about how bodies will become mechancially augmented in the future and when artificial intelligence will become sentient: “Interview: Bruce Sterling on the Convergence of Humans and Machines”.

 Lots of people are actually talking about and also investing a lot of money in this idea of convergence of the machine and humans. What are your thoughts on this?

That convergence will not happen, because the ambition is basically metaphysical. It will recede over the horizon like a heat mirage.  We are never going to get there. It works like this: first, far-fetched metaphysical propositions. Then an academic computer scientist will try and build one in the lab. Some aspect of that can actually be commercialized, distributed and sold.

This is the history of artificial intelligence. We do not have Artificial Intelligence today, but we do have other stuff like computer vision systems, robotic abilities to move around, gripper systems. We have bits and pieces of the grand idea,  but those pieces are big industries. They do not fit together to form one super thing. Siri can talk, but she cannot grip things. There are machines that grip and manipulate, but they do not talk. You end up with this unbundling of the metaphysical ideas and their replacement by actual products and services. Those products exist in the marketplace like most other artifacts that we have: like potato chips, bags, shoes, Hollywood products, games.

(14) VIDEO OF THE DAY. In “The (End) of History Illusion)–Miu Miu Women’s Tales” on Vimeo, Celia Rowlson-Hall describes the fabulous future after atomic attack, where you can live in a bunker wearing swell clothes from the 1950s and eat all the canned carrots you want!

[Thanks to John King Tarpinian, JJ, Cat Eldridge, Chip Hitchcock, Martin Morse Wooster, Olav Rokne, Carl Slaughter, Daniel P. Dern, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Joe H.]