V. E. Schwab, author of The Invisible Life of Addie LaRue, launches her incredible world of super beings with this dazzlingly illustrated graphic novel set in the five years between Vicious and Vengeful.
ExtraOrdinary follows the tale of a teenage girl named Charlotte Tills who, after a fatal bus crash, seemingly dies only to wake up to discover she has become an EO — a person with ExtraOrdinary abilities. In Charlotte’s case, it’s the ability to see people’s deaths, but when she looks into her own future, sees her own murder at the hands of the self-proclaimed hero and notorious EO killer Eli Ever, who is currently in prison for the murder of Victor Vale. Refusing to accept her fate, Charlotte sets off to find–and change–her future–before it comes for her.
The issue was released November 30. Variant covers and samples of the interior art follow the jump.
…Here in New England, I find that as the leaves begin to turn and October shadows lengthen, so too do my thoughts drift from my natural sword-and-sorcery bent toward the nether regions of horror. Edgar Allan Poe and Stephen King, classic Hammer movies and bad slasher films, bring it on, all of it.
But I’m also reminded that I need not necessarily choose between the two. Sword-and-sorcery after all is bedfellows with horror. Though he loathed the term, Karl Edward Wagner described S&S as “a fascinating synthesis of horror, adventure, and imagination … the common motif is a universe in which magic works and an individual may kill according to his personal code.”…
We’ve come a long way since Art Spiegelman’s Maus. When the first collected edition published in 1986, it appeared to be a singular and wholly unimagined thing: a comic-book — garishly colored, childishly-plotted things that were mostly concerned with muscled men in tights — about the Holocaust. German philosopher Theodore Adorno once claimed that “To write poetry after Auschwitz is barbaric”…so how can one justify the writing and drawing of comic-books?!
Flash-forward to 2021 and it’s clear that Maus has long stopped being a singular event. There are many more comics about the Holocaust including two graphic adaptations of The Diary of Anne Frank (one of which recently got a movie treatment), A Family Secret, Yossel, The Boxer, Hidden, and even the superhero genre feeling confident enough to take on the subject with the likes of Magneto: Testament….
(5) START AT THE TOP. And work your way down. Mark Lawrence has finally received a satisfactory result from his recent battles with Kindle Direct Publishing. The updated saga is here. “My attempts to get sense from KDP”.
… At this point, having aired the first version of this blog post, I get advice from self-publishing experts. Email Jeff Bezos they say. So I do.
I find his email address and email him, explaining that I understand the email will land with one of his team of assistants but that I would appreciate any help in the issue (which I then lay out).
Additionally, I remember that: hey, I’m actually published by Amazon – my Impossible Times trilogy is published by 47North (there’s a story or two in there to be told one day!), one of Amazon’s own publishing imprints. So, I also email one of the people involved in the production of those books, and she very kindly agrees to reach out to someone she knows at KDP.
A day later I get an email from the Executive KDP team! This was on October 7th. A phone call from America follows and I get to speak to a human. A charming and helpful American human called Jeremy. He tells me that both my email to Jeff Bezos and to 47North reached his desk and either one would have prompted the call. So, at least you don’t have to be published by Amazon and sell 100,000+ books for them before they’ll listen.
However – we still had another 13 exciting days to go!…
(6) SKEPTICAL RESPONSE. Following a Last Dangerous Visions progress report, J. Michael Straczysnki fielded criticisms that the writer list (as so far revealed) lacks diverse representation. His explanations prompted further discussion in a thread Karen Osborne kicked off here.
…Terry’s scarf and hat also appeared in the first season of the show.
Several Good Omens fans shared how much they loved the dedication to Terry on set, with one writing: ‘It warms my heart to see Terry Pratchett still represented. I miss the wit and wisdom of his books.’
…Lots of prose and comics publishers have used crowdfunding to bring out new work, but few have been doing it as long or as well as C. Spike Trotman, publisher/CEO of Chicago-based independent comics publisher Iron Circus Comics. Trotman recently wrapped up her 30th Kickstarter campaign, The Woman in the Woods and Other North American Stories, a new volume of comics stories by indigenous creators which raised more than $330,000 (the goal was $20,000) in September, marking more than $2 million raised by Trotman through the platform since 2009. But beyond the quantitative success, Trotman has led the way in using crowdfunding as part of a scalable publishing business model that brings unique projects from diverse creators into the mainstream comics and trade book distribution system.
… “I have one foot in international distribution through old-fashioned methods and one foot in the world of Kickstarter,” she said. “I’m distributed by Consortium Book Sales and Distribution, a division of Ingram that specializes in the quirky small press lines.”
She explained that it is not a prevalent strategy for crowdfunders because book distributors generally expect presses to put out at least 10 books per year. “A lot of crowdfunders can’t manage 10 books for trade bookstores, and I understand because it’s really hard. What got me through the door, in addition to volume, was that I had made the step between exclusively self-distributing through conventions or a website, and a larger company like Ingram. I was already reaching out to comic stores and independent bookstores, emailing them PDFs of my books and my catalog, and giving them special discount codes if they ordered from me direct.”
By the time she approached Ingram, Trotman already had more than 40 retailers placing orders. “We couldn’t fulfill the wholesale orders of 40 or 45 stores and run the business, so it’s good they were able to work with us.”…
The year is 2014, the Oscars release a selfie of the world’s biggest movie stars, Justin Bieber’s mugshot surfaces, Emma Watson speaks at the United Nations for gender equality, ‘The Fault in Our Stars’ popularizes the infinity sign; just about everything seems right in the world. As someone who lived and breathed the culture of 2014, everything in the world of pop-culture just seemed easy.
There is a bitter-sweet existence in knowing that decades have passed since the beginning of ‘Harry Potter’ with eight films from 2001-2011 earning 7.7 billion USD from the box office. Or the next successful franchise, ‘Twilight’ with five films from 2008-2012 earning 3.3 billion USD from the box office. Both YA franchises were the kick-start to a rapid incline of young adult dystopian films centered around political impact, connections, love, and loss. Ultimately the success of pop culture, income, and fan-bases from the ‘Harry Potter’ and ‘Twilight’ franchises became the reason as to why studios reached out to the most popular young adult novels in order to try and gain that same impact for more films. So much so that the number of franchises that were successful compared to the ones that failed before their sequel is rather devastating. At the same time, some films give off the apparent reason as to why they failed with lousy acting, even poorer attention to storyline adaptation, timing, and in cases simply didn’t work for audiences.
… With the success of the previous films mentioned, studios began to create anything they thought would be comparable or better than the previous successors. But, with the heavy amount of failures as opposed to the successes, the amount of YA dystopian fiction adaptations diminished into almost nothing. Nowadays, studios are choosing to create YA films targeting important meanings or values such as gay relationships, movements such as Black Lives Matter, or the realism of cyberbullying….
(10) MEDIA BIRTHDAY.
1967 – Fifty-four years ago on this evening, NBC first aired Star Trek’s “Doomsday Machine” which was scripted by Norman Spinrad. It was the sixth episode of the second season. The principal guest star was William Windom as Commodore Matt Decker. The episode is considered one of the finest of the series with the TV Guide ranking it the fourth best, and SciFiNow recently ranked it the tenth best episode of the original series. The special effects and much of the episode were digitally remastered fifteen years ago. And yes, it was nominated for a Hugo at Baycon, one of five Trek episodes so nominated that Con with the Harlan Ellison scripted “The City on the Edge of Forever” being the winner.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born October 20, 1882 — Bela Lugosi. He’s best remembered for portraying Count Dracula in the 1931 film franchise Drácula. He came to hate that he played that character feeling he’d been typecast which he certainly had. Now tell me what’s your favorite film character that he played? (Died 1956)
Born October 20, 1905 — Frederic Dannay. One half with Manfred Bennington Lee of the writing team who created Ellery Queen. ISFDB lists two Ellery Queen novels as being genre, And on the Eight Day and The Scrolls of Lysis, plus a single short story, “ A Study in Terror”. (Died 1982.)
Born October 20, 1916 — Anton Diffring, A long career with many genre roles which I’ll note but a few of here. He was Fabian in Fahrenheit 451 who the sixty-eighth anniversary of the novel we noted yesterday, Graf Udo Von Felseck of Purbridge Manor in The Masks of Deaths (a rather well-crafted Holmes film) and he played De Flores, a neo-Nazi in “Silver Nemesis”, a most excellent Seventh Doctor story. (Died 1989.)
Born October 20, 1923 — Erle Korshak. He’s a reminder of how old fandom is. He discovered SF in 1934 with the August Astounding magazine and became a very serious collector in 1937 according to several sources. By 1939 he was a well-known fan and one of the leaders of the Moonstruck Press publishing house which was created to created a bibliography of all fantasy books. He was part of the leadership triumvirate of Chicon 1, the 1940 Worldcon. He later founded a publishing house whose first major work was Everett F. Bleiler’s The Checklist of Fantastic Literature in the late Forties, a pioneering work of SF bibliography. This was followed by major works by Heinlein, Bester, Fredric Brown and other SF suthors. He was absent from fandom from the late 50s for thirty years, then rejoined fandom and was attending cons with his children. He was inducted into the First Fandom Hall of Fame in 1996, and won the Barry R. Levin Science Fiction and Fantasy Literature Lifetime Collectors Award in 2001. (Died 2021.)
Born October 20, 1934 — Michael Dunn. He’s best remembered for his recurring role on the Wild Wild West as Dr. Miguelito Loveless attempting to defeat our heroes over and over, but he has had other appearances in genre television. He would be Alexander, a court jester, in the Trek “Plato’s Stepchildren” episode and a killer clown in the Voyage to the Bottom of the Sea’s “The Wax Men” episode. He was even in the Get Smart! pilot as Mr. Big. (Died 1973.)
Born October 20, 1937 — Emma Tennant. To the manor born and a lifelong supporter of Labour, ISFDB lists nine of her novels as being as SFF. As the Literary Encyclopedia says “ Her work is feminist, magical and wicked, and uses the fantastic and the Gothic to interpret and explore everyday women’s roles.“ I’ve not read her, so do tell me about her please if you’ve read her! (Died 2017.)
Born October 20, 1958 — Lynn Flewelling, 63. The lead characters of her Nightrunner series are both bisexual, and she has stated this is so was because of “the near-absence of LGBT characters in the genre and marginalization of existing ones.” (As quoted in Strange Horizon, September 2001) The Tamír Triad series is her companion series to this affair.
Born October 20, 1966 — Diana Rowland, 55. New Orleans writer with a fascinating job history that includes cop, a crime scene investigator, and a morgue assistant. She’s best known for her Kara Gillian series and White Trash Zombie series. Her only award is a Phoenix Award, a lifetime achievement award for a science fiction professional who has done a great deal for Southern Fandom, given by DeepSouthCon.
(13) BLACK PANTHER #200. Marvel’s Black Panther comics will reach its milestone 200th issue in January. To celebrate, Black Panther #3 will be an oversized issue with bonus stories celebrating the past and foreshadowing the future of the Black Panther and the world of Wakanda. (Click on gallery for larger images.)
Writer John Ridley will introduce a new hero who rises up to protect the people of Wakanda while T’Challa finds his life and role as Black Panther thrown into turmoil! Fans will be able to witness the beginning of this new hero’s journey before seeing him become a key player of Ridley’s run in future issues.
In addition, the main story in the 200th issue of BLACK PANTHER will see T’Challa face off against the X-Men! With assassins closing in and Wakanda’s faith in him shaken, T’Challa goes to visit Storm on the newly terraformed Mars. But this will not be a happy reunion as T’Challa has ulterior motives for his visit. And back home, Shuri discovers who is behind the attacks on Wakanda’s secret agents — a revelation that will change everything.
Publishers Weekly: The power you gave Charlotte is a truly horrifying one: When she looks at someone’s reflection, she can vividly foresee the moment of their death. How did you come up with that?
V.E. Schwab: It’s the very first power I ever created for the Villains universe. In the first iteration of Vicious, I had as my main character a man who arrives in this city and two warring groups of people try to recruit him, the Heroes and the Villains. They’re essentially gangs. This character had this ability to see deaths in reflective surfaces, and I loved that ability. The story didn’t work. I ended up just stopping for a minute to write the backstories for the gang leaders, and that’s where I got the Victor and Eli story which would go on to be the series. But I always was looking for someone to give this power to. The way that the powers work in this world is that they’re tied to near-death experiences. You can’t just give the power to anyone; you almost have to retroactively figure out the person from the power. So I had to figure out what circumstance puts Charlotte into the situation where she has a near-death experience that leads to this ability.
…The feature film it was bundled with was the movie I’d been most eagerly looking forward to at Fantasia, and it did not disappoint. The Spine of Night, written and directed by the team of Morgan Galen King and Philip Gelatt, is billed as a feature-length animated sword-and-sorcery film for adults in the vein of the Heavy Metal movie. And it very much is that. It’s more serious than Heavy Metal in many ways, but the violence and cosmic scope is if anything even greater….
Variety, nutrition, and taste are some considerations when developing food for astronauts. For NASA’s Deep Space Food Challenge, students, chefs, small businesses, and others whipped up novel food technology designs to bring new solutions to the table.
NASA has selected 18 U.S. teams to receive a total of $450,000 for ideas that could feed astronauts on future missions. Each team will receive $25,000. Additionally, NASA and the Canadian Space Agency (CSA) jointly recognized 10 international submissions.
NASA Television, the NASA app, and the agency’s website will air a show on the Deep Space Food Challenge at 11 a.m. EST Nov. 9 with details about the competition, winning solutions, and what could be next for the teams.
Special guests during the show will include celebrity chef Martha Stewart and retired NASA astronaut Scott Kelly, who will announce the winners of two awards honoring international teams that demonstrated exceptional innovation. Other participants will include retired CSA astronaut Chris Hadfield and celebrity chef Lynn Crawford…
…And coming 4 February, 2022, a truly bold experiment in the genre is set to take place. Daikaiju No Atoshimatsu (lit. “The Great Monster’s Remains“, tentative English title: Kaiju Cleanup) marks the first time veteran film studios Shochiku and Toei have teamed up on a single feature. Perhaps the reason two companies were needed is that this movie boasts the largest monster in Japanese movie history.
However, it’s dead for pretty much the whole film….
That’s because Daikaiju No Atoshimatsu picks up where most tokusatsu films leave off. The evil kaiju collapses in defeat, the hero walks off into the sunset, and credits roll, but also those poor extras who have already been through so much, now have a gigantic rotting corpse to dispose of….
… Previous studies have established there was such a cosmic ray event in the year 993 that for a few months caused greater than usual levels of radioactive carbon-14 in the carbon dioxide of the atmosphere.
Trees “breathe” carbon dioxide as they grow, and so the researchers used that radioactive carbon signature to determine which of the annual growth rings seen in cross-sections of the wood was from 993, Kuitems said.
They then used a microscope to count the later growth rings until the bark of the wood, which gave them the exact year the tree had stopped growing — in other words, when it had been felled by the Norse.
To their surprise, each of the three pieces of wood they tested was from a tree cut down in 1021, although they were from three different trees — two firs and probably one juniper….
(19) LOST AND FOUND. Cowboy Bebop’s “The Lost Session” teaser debuts online. The live-action remake arrives at Netflix November 19.
(20) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Squid Game Pitch Meeting” on Screen Rant, Ryan George, in a spoiler-packed episode, confuses the producer, who thinks the game is in the Shark Tales universe. But why are the bad guys pretending to be PlayStation buttons?
[Thanks to Mike Kennedy, Martin Morse Wooster, JJ, Dann, Cora Buhlert, Lise Andreasen, John King Tarpinian, Andrew Porter, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]
Wings of Fire. The Dragonet Prophecy by Tui. T Sutherland; adapted by Barry Deutsch and Rachel Swirsky
Intermediate Division (Grades 7-9)
City of Ghosts by Victoria Schwab
Senior Division (Grades 10-12)
Five Feet Apart by Rachael Lippincott
Nominations came from students, librarians, teachers, and parents in the Pacific Northwest – Alaska, Alberta, British Columbia, Idaho, Montana, Oregon, and Washington.
Nominated titles must be published three (3) years before the award year (for example, for the 2022 nominees must have a copyright date of 2019), printed in the United States or Canada. Nominations may include fiction, nonfiction, and graphic format titles.
The voters are anyone in grades four through twelve in the Pacific Northwest, with ballots generally being cast in a student’s school library or a participating public library. The winners are judged based on popularity with readers and several other factors.
Shades Of Magic: The Steel Prince – The Rebel Army – the epic finale of The Steel Prince graphic novel trilogy by New York Times bestselling author V.E. Schwab is on sale today from Titan Comics.
In the months following his defeat and unmasking by Prince Maxim Maresh at the climax of the Night of Knives Tournament, Rowan, its architect and Antari magician, has forcefully taken command of a ragtag pirate fleet known as the Rebel Army.
Through a campaign of pillaging and conscription of Arnes’ coastal towns, Rowan has grown the Rebel Army into a force powerful enough to usurp a prince and destroy an empire.
Now, all that stands between the fall of the House of Maresh and the sacking of Red London is Maxim and his garrison, unless the young headstrong prince can win the hearts and minds of the inhabitants of Verose and convince them to join him in one final stand against the most powerful magician he has ever faced.
Today File 770 presents an extract from Shades of Magic:
Night of Knives by V.E. Schwab published by Titan Comics.
This is the second
volume in V.E. Schwab’s
three-arc prequel to her Shades of Magic novels. It collects Shades of Magic:
Night of Knives issues #5-8.
Shades of Magic: The Steel Prince: Night of Knives Writer: V E Schwab, Artist: Budi Setiawan, Andrea Olimpieri Softcover, 112pp, $16.99, £13.99 ISBN: 9781782762119
Written by #1 New York Times bestselling author V.E. Schwab and torn from the universe of the Shades of Magic sequence, this all-original comic book adventure continues the story begun in The Steel Prince – perfect for fans of bloody, swashbuckling adventure and gritty fantasy.
The young and arrogant prince Maxim Maresh, having faced the terror of the Pirate Queen, now aims to capture the respect of the combative port town of Verose – by taking the impossible challenges of the Night of Knives… and surviving, where none has survived before.
These are the hidden, secret adventures of Maxim, from long before he became the king of Red London and adoptive father to Kell, the lead of A Darker Shade of Magic
The first issue in the final volume, The Rebel Army, is available now, too, from Titan
(1) WEAR FOR ART THOU. The Geek’s
Guide to Ugly Christmas Sweaters promises their Star Wars Christmas sweaters “will keep you warmer
than the inside of a tauntaun (and smell better, too!)” They also offer
designs from Marvel, DC, and Disney film franchises, as well as Game of
Thrones and Harry Potter.
(2) #FLYINGWHILEDISABLED. Mari Ness has battled Aer Lingus for
repairs to her broken wheelchair. Thread starts here.
(3) SFF AT NATIONAL BOOK FESTIVAL. [Item by Rob
Thornton.] The Library of Congress taped the
presentations made at this year’s National Book Festival and they are available
at the Library’s website. Here are four of the presentations that were related
Marketing campaigns for Captain Marvel, The Lion King and The Irishman are among the theatrical nominees for the 2019 Clio Entertainment Awards.
On the television side, Killing Eve, The Twilight Zone, Leaving Neverland, When They See Us and Fosse/Verdon made the shortlist for the awards, which will be handed out Nov. 21 at the Dolby Theatre in Hollywood.
Craig Robinson is set to host the show, where the bronze, silver, gold and grand award winners also will be revealed.
Other theatrical nominees include campaigns for the upcoming Top Gun sequel, Spider-Man: Into the Spider-Verse and John Wick: Chapter 3 — Parabellum.
Nominees also were announced in several other categories, including games and home entertainment.
“When Francis [Ford Coppola] uses the words ‘those films are despicable,’ to whom is he talking? Is he talking to Kevin Feige who runs Marvel, or Taika Waititi who directs or Ryan Coogler who directs for us or Scarlett Johansson,” Iger said. “I don’t get what they’re criticizing us for when we’re making films that people are obviously enjoying going to because they’re doing so by the millions.”
(6) SUPERHERO MOVIES AS A RORSCHACH TEST. [Item by Olav Rokne.] Perhaps you can see what you want to see in your average superhero origin story. Writing in the Guardian, Steve Rose wades into the feud between auteur directors like Martin Scorsese and fans of superhero movies. Without taking a side in the debate, Rose offers a nuanced exploration of superhero stories, superhero fatigue, and fandom. “Auteurs assemble! What caused the superhero backlash?”
“People who wear masks are driven by trauma,” says Smart’s FBI agent in the new Watchmen. “They’re obsessed with justice because of some injustice they’ve suffered.” Maybe that’s been happening on a global level. Maybe still we need more of it. There are always arguments for and against processing reality through genre escapism and there are always “healthy” and “unhealthy” examples of it.
(7) TODAY IN HISTORY.
October 23, 1959. “The Sixteen-Millimeter Shrine” featured Ida Lupino (1918 – 1995) who was the only person to have worked as both actress and though uncredited at the time as a director in the same episode of The Twilight Zone. She will be credited with directing “The Masks”. She was also the only woman to direct an episode of The Twilight Zone.
October 23, 1998 — T-Rex: Back To The Cretaceous premiered. It was shot for the IMAX 3D format. It starred Liz Stauber, Peter Horton and Kari Coleman. It did very well at the box office and it had a stellar 70% rating at Rotten Tomatoe
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born October 23, 1880 — Una O’Connor. Jenny Hall in the classic Invisible Man. She’d be Minnie in The Bride of Frankenstein, and Mrs. Umney in the Cantervillie Ghost. (Died 1959.)
Born October 23, 1918 — James Daly. He was Mr. Flint in Trek‘s “Requiem for Methuselah” episode. He also showed up on The Twilight Zone, Mission:Impossible and The Invaders. He was Honorious in The Planet of The Apes, and Dr. Redding in The Resurrection of Zachary Wheeler. (Died 1978.)
Born October 23, 1953 — Ira Steven Behr, 66. Producer and screenwriter responsible for the best of the Treks, Deep Space Nine. He went on to work on Dark Angel, The Twilight Zone, The 4400, Alphas, and Outlander. An impressive tally indeed.
Born October 23, 1955 — Graeme Revell, 64. New Zealand composer responsible for such genre soundtracks as The Crow, From Dusk Till Dawn, The Saint (1997), Titan A.E., Lara Croft: Tomb Raider, Daredevil and Sin City.
Born October 23, 1959 — Sam Raimi, 60. Responsible for, and this is not a complete listing, the Darkman franchise , M.A.N.T.I.S., the Jack of All Trades series that Kage loved, the Cleopatra 2525 series, the Hercules: The Legendary Journeys and Xena: Warrior Princess series and the Spider-Man trilogy.
Born October 23, 1976 — Ryan Reynolds, 43. Lead in that Green Lantern film. He was Hannibal King in Blade: Trinity, and Seth in Sabrina the Teenage Witch. He portrayed Wade Wilson / Weapon XI in X-Men Origins: Wolverine. And he’s Deadpool.
Born October 23, 1986 — Emilia Clarke, 33. She’ll be most remembered as Daenerys Targaryen on the Game of Thrones. Her genre film roles include Sarah Connor in Terminator Genisys and Kira in Solo: A Star Wars Story. She was also Verena in Voice from the Stone, a horror film. Not to mention Savannah Roundtree in Triassic Attack, a network film clearly ripping off Jurrasic Park.
Superman Smashes the Klan is a three-part graphic novel about a young Superman battling racists, helping an immigrant family, and wrestling with his own status as an alien outsider. It’s extremely charming.
The book comes from the award-winning cartooning team of Gene Luen Yang and Gurihiru, who were inspired by the 1946 Superman story “Clan of the Fiery Cross.” That story wasn’t a comic, but rather an arc of the immensely popular Adventures of Superman radio serial. In the audio adventure, Superman battled the racist machinations of the Ku Klux Klan. Excoriated and embarrassed by one of the country’s most popular radio shows, the white supremacist group actually saw a drop in membership.
Superman Smashes the Klan is the first time “Clan of the Fiery Cross” has been adapted to comics…
…I refuse to grovel, to attempt to put into words what will always be unsayable, which is to say that what makes certain stories reach into your chest cavity and rip out what is left of your heart needs not be discussed. It is itself all the justification a story will ever need. The best offense being no defense at all. And so: none offered. And you, my friend, recently said to me, “You’re lucky you write stories. I mean the form is an ideal forum for today’s uber-distracted society. Don’t you think?” And because I love and respect you, in spite of the pain in my soul the question inflicted, here I am answering by not answering which has been my MO for much of life. No I do not think. Ah, screw it: the short story is, with the glorious exception of poetry, absolutely the least ideal mode of expression for our distracted society because it takes a certain kind of intense concentration. Compassionate concentration? To appreciate. To grasp. To love. I’m talking about a reading a story, a good story. What’s a good story? How am I defining—
You tell me. Because you know. This is personal. To you and to me.
A Tennessee haunted house billed as the scariest in the world requires visits to sign a 40-page waiver, pass a physical and undergo a background check — and no one has ever finished the attraction.
Russ McKamey, owner of McKamey Manor in Summertown, said the price of admission is only a bag of food for his five dogs, and the prize for finishing is $20,000, but no one has ever collected the prize money.
… The visitors must then watch a 2-hour video called And Then There Were None, which features footage of every visitor from July 2017 and August 2019 quitting before the end of the experience. Visitors leave by uttering the code phrase, “You really don’t want to do this.”
(15) INSURANCE CLAIM. The house in this commercial is a
little creepy, nothing that would make you forget what they’re selling,
The gecko helps a new homeowner search through the attic of his home, and makes some creepy discoveries.
Tiny satellites are taking on a big-time role in space exploration.
CubeSats are small, only about twice the size of a Rubik’s Cube. As the name suggests, they’re cube-shaped, 4 inches on each side, and weigh in at about 3 pounds. But with the miniaturization of electronics, it’s become possible to pack a sophisticated mission into a tiny package.
…”I saw a flyer on a bus stop that said, ‘Want to build a satellite?’ ” says Hannah Goldberg. At the time, in 1999, she was an undergraduate engineering major at the University of Michigan. The flyer caught her attention, and she decided that building satellites was exactly what she wanted to do.
Today, Goldberg works at GomSpace, a Danish satellite company making CubeSats for the European Space Agency.
“In the beginning, in the early days of CubeSats, they kind of had a bad reputation,” Goldberg says. “People didn’t think you could do much science or much engineering benefit with them.”
…But with the advent of smartphones, Goldberg says, engineers started getting really good at packing a bunch of electronics into a small space. CubeSats started getting more sophisticated, and the cost of electronics that could be used in space came down. Scientists started to take notice.
Google says an advanced computer has achieved “quantum supremacy” for the first time, surpassing the performance of conventional devices.
The technology giant’s Sycamore quantum processor was able to perform a specific task in 200 seconds that would take the world’s best supercomputers 10,000 years to complete.
Scientists have been working on quantum computers for decades because they promise much faster speeds.
In their Nature paper, John Martinis of Google, in Mountain View, and colleagues set the processor a random sampling problem – where it checks a set of numbers that has a truly random distribution.
Sycamore was able to complete the task in three minutes and 20 seconds. By contrast, the researchers claim in their paper that Summit, the world’s best supercomputer, would take 10,000 years to complete the task.
Original stars Arnold Schwarzenegger and Linda Hamilton are reunited in this latest instalment of the cyborg franchise – but otherwise it’s pointless, writes Nicholas Barber.
Well, he did say he’d be back. Arnold Schwarzenegger made that promise in The Terminator in 1984, little realising that “I’ll be back” would become his most famous line of dialogue, or that the homicidal cyborg he was playing would become his defining role. True to his word, he was back for Terminator 2: Judgment Day in 1991, along with the original film’s writer-director, James Cameron, and its co-star, Linda Hamilton. After that, Schwarzenegger was back for Terminator 3: Rise of the Machines in 2003, Terminator Salvation in 2009, and Terminator Genisys in 2015, but they wandered further and further from the lean, mean high-concept thrills of the 1984 classic. And now he is back again in Terminator Dark Fate.
…[Most] viewers will be waiting for Arnie and Linda to show up – and when they eventually do, it’s worth the wait. Much like Jamie Lee Curtis’s Laurie Strode in last year’s Halloween – another exercise in course-correcting a franchise by pretending several of the sequels didn’t happen – Hamilton’s Sarah Connor is now silver-haired, surly, armed to the teeth, and with a voice so low and harsh that it sounds as if her cigarette intake will kill her before any robots manage to. She is an icon from the moment she strides out of her car carrying a gun the size of a fully grown Christmas tree. Schwarzenegger’s arrival is even more welcome. That stillness… that deadpan line-delivery… that physical resemblance to one of Stonehenge’s standing stones… even at the age of 72, he is better than anyone at playing an unstoppable cyborg (Luna just doesn’t have the requisite menace). And he is quite touching, too, as a killing machine who has reformed and settled down as a grey-bearded family man.
(19) VIDEO OF THE DAY. Robot Chicken’s “O
Great Pumpkin” parody.
[Thanks John King Tarpinian, JJ, Chip Hitchcock, Todd Mason, Mike
Kennedy, Olav Rokne, Martin Morse Wooster, Cat Eldridge, and Andrew Porter for
some of these stories. Title credit goes to File 770 contributing editor of the
day Russell Letson.]
First a word of warning. The images take a while to load and might be even slower depending on your internet connection. However, that speeds up as your browser caches some of them.
The basic idea is this. There are seven layers of images which you can control. The images load as thumbnails (actually the full image is loading into your browser’s memory hence it being a bit slow). You then press a button and all the images you’ve picked get stacked together into an HTML Canvas. If you right click on the canvas then you can save the combined image to your computer.
You can tell the output is authentic space opera because these covers have no tavern and no snow!
As Lee eventually reveals, the Hexarchate’s calendar relies on regular “remembrances”, in which heretics are ritually tortured to commemorate specific victories or the suppression of a particular heresy. In order to maintain their power and the empire’s technologies, the Hexarchate’s doctrinal authorities have to provide it with a continuous stream of rebels and heretics, which requires either a constant expansion of the empire’s borders, or a constant narrowing of the range of permissible behaviors. As weird as the calendar notion initially seems, I’m struggling to think of a fantastical device that so perfectly captures the pernicious trap of life under totalitarianism, the way that such systems feed themselves on their own citizens while sapping any survivors of the capacity for resistance.
The stars in our part of the Milky Way (with some notable exceptions) tend to be headed in the same general direction at the same general speed, but not exactly in the same direction and not exactly at the same speed. Over time, the distances between stars change. Today, our closest known neighbour is Alpha Centauri at 4.3 light years. 70,000 years ago, it was Scholz’s Star at as little as 0.6 light years.
This error does not come up often. It’s a timescale thing: stars move on a scale marked in increments like time elapsed since the invention of beer. That is a lot slower than plot, for the most part, unless your plot covers thousands of years. Still, if your novel is set in the Solar System a billion years from now, don’t namecheck Alpha Centauri as Sol’s closest neighbor….
“Where do you think we are?” the young Middle Eastern woman with the intense eyes asked.
Jyri smiled at her and accepted a smoothie from a tanned aide.
“I think this is a Greek island.” He pointed at the desolate gray cliffs. They loomed above the ruined village where the 50 contestants in the Race were having breakfast. “Look at all the dead vegetation. And the sea is the right color.”
In truth, he had no idea. At SFO, he’d been ushered into a private jet with tinted windows. The last leg of the journey had been in an autocopter’s opaque passenger pod. The Race’s location, like everything else about it, was a closely guarded secret.
Take a random selection of athletes at any Olympic Games. No matter their discipline, they will have one factor in common: a burning desire to win, and a motivation to be the best in the world. Imagine if we could develop a short cut to that kind of passion.
Sharon Lee and Steve Miller will be signing the thirtieth anniversary edition of Agent of Change, and whatever else comes to hand, at Children’s Book Cellar, 52 Main Street, Waterville, Maine 04901, on! Friday, November 2, from 7:30-9 pm. Hope to see you there!
There’s something mysterious coming up from the frozen ground in Antarctica, and it could break physics as we know it.
Physicists don’t know what it is exactly. But they do know it’s some sort of cosmic ray — a high-energy particle that’s blasted its way through space, into the Earth, and back out again. But the particles physicists know about — the collection of particles that make up what scientists call the Standard Model (SM) of particle physics — shouldn’t be able to do that. Sure, there are low-energy neutrinos that can pierce through miles upon miles of rock unaffected. But high-energy neutrinos, as well as other high-energy particles, have “large cross-sections.” That means that they’ll almost always crash into something soon after zipping into the Earth and never make it out the other side.
The underlying paper(s) they’re reporting on are on the arXiv service:
Popsci articles reporting on not-yet-published papers can get a little breathless and further can just plain get stuff wrong. What’s being reported in the underlying papers is that 2 anomalous events from one of the flights of ANITA (NASA’s Antarctic Impulsive Transient Antenna experiment with uses a balloon to loft the experiment over the Antarctic) — along with some supporting data from the underground IceCube neutrino detector (also in Antarctica) — just might point to previously unseen particles not contained in the Standard Model. This would be Very Big News if true… but the scientists and/or the popular science writers may well be getting ahead of themselves on this one
And speaking of that, what’s *your* latest book, and why is it awesome?Implanted, my debut from Angry Robot, is a cyberpunk adventure featuring light espionage, high-tech gadgets, romance, and hard questions about the future. The main character is a young woman named Emery Driscoll who’s blackmailed into working as a courier for a shadowy organization, and the book explores what happens when the life she was forced to leave behind comes back to haunt her after she’s left holding the bag on a job gone wrong.
I don’t know about you but I’ve been finding the world a very stressful place recently. That can make it really hard for me to focus. So I thought I’d put together a list of comforting stories. Because sometime I just need to read something that reminds me of the good in the world. I learned from talking about hopeful stories that some of the stories I found bleak others found hopeful, so I suspect that not everyone will be comforted by these stories. There’s a lot family in these stories: both blood family and found family; a fair bit of food; and plenty of people being nice to each other and trying their best. Those are the things I try and hold on to when things are hard. I hope they bring you some comfort.
One example –
”Sun, Moon, Dust” by Ursula Vernon — This story about a young man who inherits a magic sword from his grandmother—but he just wants to be a farmer! I love this story because it’s about valuing feeding people and taking care of the land.
(9) TODAY’S BIRTHDAYS
[Compiled by Cat Eldridge and JJ.]
Born September 28, 1897 – Mary Gnaedinger, Editor, from 1939 through 1953, of Famous Fantastic Mysteries and Fantastic Novels Magazine, plus two years of A. Merritt’s Fantasy Magazine. There is evidence that she was once a member of the New York Futurians.
Born September 28, 1923 – William Windom, Actor, known for playing Commodore Decker in the episode “The Doomsday Machine” of the original Star Trek series, a role he reprised in the Star Trek: New Voyages fan series. He also had numerous guest roles in genre TV series including The Twilight Zone, The Invaders, Night Gallery, Ghost Story, Mission: Impossible, and The Bionic Woman, played the President of the U.S. in Escape from the Planet of the Apes, and voiced a main character in the Sonic the Hedgehog series.
Born September 28, 1938 – Ron Ellik, Writer and Editor, a well-known SF fan who was a co-editor with Terry Carr of the Hugo winning fanzine, Fanac, in the late 1950s. Ellik was also the co-author of The Universes of E.E. Smith with Bill Evans, which was largely a concordance of characters and the like. Fancyclopedia 3 notes that “He also had some fiction published professionally, and co-authored a Man from U.N.C.L.E. novelization.” The Encyclopaedia of Science Fiction says he died in in an auto accident the day before his wedding.
Born September 28, 1946 – Herbert Jefferson Jr., 72, Actor, best known to genre fans as Lieutenant Boomer in Battlestar Galactica (later promoted to Colonel when he reprised that role in Galactica 1980).
Born September 28, 1964 – Janeane Garofalo, 54, Actor, Writer, Producer, and Comedian who has had roles in odd genre movies, including Dogma, Mystery Men, and The Adventures of Rocky & Bullwinkle, and has done lots of voice acting in animated series and films including the Ratatouille movies.
Born September 28, 1967 – Mira Sorvino, 51, Actor and Producer whose genre credits include the TV series Falling Skies and Intruders, and the movies Mimic and Space Warriors.
Born September 28, 1968 – Naomi Watts, 50, English/Welsh Actor whose genre roles have included leads in the short-lived TV series Sleepwalkers and the movies Stay, King Kong (the 2005 remake), and Dream House, as well as the Divergent movie series.
Michael Coney takes a look at mass hysteria in “The Byrds,” in which a Canada which is struggling with population problems sends out questionnaires to the elderly which encourage them to choose euthanasia. In one family, as Gran gets on in years, she refuses to kill herself and instead strips naked, paints herself like a bird, and straps on an anti-gravity belt before taking to the trees to the mortification of her family.
I write fantasy to make cracks in the foundation of a reader’s expectations, to challenge the solidity of their assumptions and beliefs.
I write fantasy because I want to bolster the believers, and make the skeptics wonder, to instill doubt and hope in equal measure. To help readers envision a time, a place, a world in which fantastical concepts like magic, or immortality, or equality, seem within reach.
It would be impossible to list all the difficulties storytellers create for themselves, but here are eight of the most common….
The second on the list is —
Separate Fighting Styles
I used to think it was strange how often I would see people online asking how to realistically write women in fight scenes. I thought, “Simple: pointy end goes into the other fighter.” But then I realized that people were actually confused and that the debates over which killing tools would work as “women’s weapons” are largely spawned by existing stories.
Every time a novel depicts a woman needing to find a special weapon or a film gives women a sexy fighting style, it furthers the idea that the way women fight is inherently different from the way men fight. This is nonsense – the physics of murder don’t change based on gender – but the idea persists.
Storytellers can free themselves from this problem by simply accepting that women in their setting fight the same way men fight. A sword doesn’t particularly care about its wielder’s pronouns. If a storyteller actually wants to know what tactics a physically weaker fighter would employ against a stronger opponent, they can ask that, but it should be decoupled from gender. If that level of detail is important to the setting, then it should be considered any time combatants differ in strength, not just when one of them is female.
Millions of years before the brontosaurus roamed the Earth, a massive relative was lumbering around South Africa.
Scientists think this early Jurassic dinosaur was, at the time, the largest land creature ever to have lived. And unlike the even bigger creatures that came later, they think it could pop up on its hind legs.
They’ve dubbed the newly discovered dinosaur Ledumahadi mafube, which translates in the Sesotho language to “a giant thunderclap at dawn.” And the discovery sheds light on how giants like the brontosaurus got so huge.
This episode of Nerd & Tie’s big topic is childhood cartoons we loved that hardly anyone else seems to remember. Trae, Gen and Nick all had different childhoods, so the list ends up being pretty diverse.
Before that though, we hit the news — where Telltale Games is shutting down, Disney is admitting that they’ve been milking Star Wars too hard, and DC showed everyone Batman’s wing wang.
We talk about that last one for waaaaaay too long.
The virtual reality adaptation of Philip K. Dick’s The Great C is now making its way to VR headsets after debuting at the Venice Film Festival. It will be available for the Oculus Rift and HTC Vive as soon as October 9th, but PlayStation VR owners will unfortunately have to wait until 2019. Fans can expect to be thrust into a 37-minute immersive sci-fi adventure when they put on their headsets and fire up the experience.
The Great C is a post-apocalyptic story that revolves around the remnants of humanity under the rule of an all-powerful supercomputer called “The Great C.” Every year, a human tribe living nearby has to sacrifice a young person to the machine in order to appease it. The VR adventure by Secret Location focuses on a woman named Clare whose fiancé was chosen for that particular year’s pilgrimage from which nobody ever returns.
Before there was Lucasfilm Games, there was the Lucasfilm Computer Division, founded in 1979 to experiment with computer animation and digital effects, technologies with obvious applications for the making of special-effects-heavy films. Lucasfilm Games had been almost literally an afterthought, an outgrowth of the Computer Division that was formed in 1982, a time when George Lucas and Lucasfilm were flying high and throwing money about willy-nilly.
In those days, a hit computer game, one into which Lucasfilm Games had poured their hearts and souls, might be worth about as much to the parent company’s bottom line as a single Jawa action figure — such was the difference in scale between the computer-games industry of the early 1980s and the other markets where Lucasfilm was a player. George Lucas personally had absolutely no interest in or understanding of games, which didn’t do much for the games division’s profile inside his company. And, most frustrating of all for the young developers who came to work for The House That Star Wars Built, they weren’t allowed to make Star Wars games — nor, for that matter, even Indiana Jones games — thanks to Lucas having signed away those rights to others at the height of the Atari VCS fad. Noah Falstein, one of those young developers, would later characterize this situation as “the best thing that could have happened” to them, as it forced them to develop original fictions instead — leading, he believes, to better, more original games.
(19) HEROIC PILOT. Here’s the extended sneak peek of Star Wars Resistance —
A daring pilot embarks upon a secret mission against the First Order… with a lot of help from his friends in Star Wars Resistance. Premiering Sunday, October 7 at 10pm ET/PT on Disney Channel.
[Thanks to Chip Hitchcock, Joey Eschrich, John King Tarpinian, JJ, Martin Morse Wooster, Cat Eldridge, Mike Kennedy, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Kip W.]
Ava DuVernay is ushering Octavia Butler’s work into a new era. The director is adapting Butler’s 1987 book Dawn for television, alongside director Victoria Mahoney (a Queen Sugar collaborator) and producer Charles D. King (Fences).
She confirmed the news on Twitter, writing that she is honored “to bring legend Octavia Butler’s stellar work to screen.”
Dawn is the first book in Butler’s Lilith’s Brood trilogy. The futuristic sci-fi tale takes place in a post-apocalyptic world where nearly all humans are gone, and the remaining few have been whisked away by an alien race called the Oankali, who want to breed with them. The story follows Lilith Iyapo, a black woman who wakes up to a new world after being taken by the aliens.
As part of a Twitter conversation, one of my favorite gamewriters, Ken St. Andre, suggested I write up something about SFWA and independent writers that goes into enough detail that people can understand why — or why not — they might want to join. This is part one of a multi-part series that will talk about some of the history behind the decision, and in this first part I want to talk about the organization prior to admitting independent writers. Part two will discuss how SFWA came to change membership criteria in order to make it possible for people to qualify for membership with indie sales in 2016, and some of the changes made as part of planning for that expansion. Part three will focus on how SFWA has changed in the intervening time, while part four will look at what I see as the changes that will continue as we move forward over the next decade. In all of this, I’m trying to provide something of an insider’s look that may or may not be useful, but certainly will be full of many words.
…. Initially SFWA was exactly what you would expect of a volunteer organization run by the most chaotic, capricious, and disorganized creatures possible: science fiction writers. Stories abound, including records getting lost because someone’s cat peed on them, Jerry Pournelle inviting Newt Gingrich to be the Nebulas toastmaster and a subsequent heated brouhaha that included some people walking out of the ceremony and Philip K. Dick agitating to get Stanislaw Lem expelled. My favorite remains Joe Haldeman’s account of the SFWA finances being somewhere in the realm of $2.67 when he became SFWA treasurer, so he bought the notebook to keep track of them out of his own pocket.
(5) UH-OH. Apparently you really can’t tell a book by its cover.
The Russian edition of Shades of Magic has been my favorite. This week I learned that they redacted the entire queer plot w/out permission.
I am announcing the new Adam-Troy Castro Awards. These new Awards, trophies cast in the shape of Adam-Troy Castro, will be awarded only to Adam-Troy Castro. This is to correct the injustice of Adam-Troy Castro not getting certain other major genre awards. These will prove that all other writing awards suck and are the product of nefarious cabals. My own nefarious cabal of Adam-Troy Castro will make sure that only Adam-Troy Castro is eligible.
You think your alternate awards are sufficiently anti-diversity? Fie, I say on you! Fie! Mine are so non-diverse that they can only go to works by one person! They will not engage in favoritism. All works by Adam-Troy Castro will have the same chance as all other works by Adam-Troy Castro. This is fair! This is equitable! This is self-pleasuring of an order even higher than your awards!
Michael E. Brown is often called “the guy who killed Pluto.” But he takes the moniker in stride. Sitting in his sunny Pasadena office at the California Institute of Technology, Brown jokes that Pluto, which was reclassified as a dwarf planet in 2006, had it coming. The year before, Brown had discovered Eris, a frosty dwarf in the outer solar system more massive than Pluto and named, fittingly, for the Greek goddess of strife.
Brown now has good reason to hope that history will remember him not for the Eris-instigated demotion of Pluto but as codiscoverer of an as yet unseen, true ninth planet—a Neptune-size world so massive that it may have tipped the entire solar system a few degrees sideways.
I meet Brown in the late afternoon, shortly after his breakfast. The 52-year-old, sporting a week-old beard and Converse sneakers, is shifting his sleep schedule to spend the coming nights remotely babysitting a giant telescope as it scans the heavens from the snowy summit of Mauna Kea, Hawaii. Calculations that Brown published last year with Konstantin Batygin, a former student of Brown’s who now occupies the faculty office next to his, suggest that Planet Nine is real. Somewhere out there, they are convinced, drifts a frozen world so distant from the sun—perhaps 5.5 light-days, or roughly 150 billion kilometers—that high noon on its surface is no brighter than a moonlit night on Earth.
(11) VIDEO OF THE DAY. Traveling Through Brush and Ink is an animated journey on Vimeo through great classical Chinese paintings held by the National Palace Museum in Taiwan
[Thanks to James Davis Nicoll, Adam-Troy Castro, Martin Morse Wooster, Cat Eldridge, Cat Rambo, JJ, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Kevin Harkness.]