Rotsler Award To Ditmar

Dick Jenssen in 2000.

Dick Jenssen in 2000.

Martin James Ditmar (“Dick”) Jenssen is the winner of the 2016 Rotsler Award, given for long-time artistic achievement in amateur publications of the science fiction community. Established in 1998, the award carries an honorarium of US$300.

Known among fans as Dick or Ditmar, Jenssen got his first look at sf art – a painting of Saturn by Chesley Bonestell – when he was eight. Immediately his imagination kicked into gear, and he found himself able to visualize variations in the color, the point of view, and other details or hardware. By the time he was a teenager, he was producing art for his friends’ mimeographed fanzines, which involved using a metal stylus to draw on waxed master sheets.

Seeing for the first time Morris Scott Dollens’ black-and-white space and planetary scenes made him want to learn another technique, scraperboard. This was a thin white clay bonded to a cardboard base, which could be covered in India ink, then scraped away with a scalpel to reveal the white underneath. Ditmar’s efforts in this vein were published on the covers of Australian fanzines.


The advent of computers gave Ditmar a new tool for producing exotic color compositions. “Since I usually always wanted to redo what I had created, in order to reorganize the compositional elements, and/or the coloring, and/or the elements themselves, it seemed that graphic packages would be ideal. Software which would allow me to generate three-dimensional objects in a virtual world, to organize their spatial distribution and relations, to color them as I wished, to manipulate them in unreal ways.” And digital and online fanzine publishers, freed from the cost of printing color art on paper, responded with approval, publishing several elaborate folios of these images.


The Rotsler Award is sponsored by the Southern California Institute for Fan Interests, a non-profit corporation, which hosted the 1984, 1996, and 2006 World Science Fiction Conventions. The award is named for the late Bill Rotsler, a talented and prolific artist over many years. Sue Mason, Mike Glyer, and John Hertz served as this year’s judges.

The award was formally announced at Loscon 43. An exhibit honoring Ditmar’s work was displayed in the Art Show.

Online galleries

Colin Barnes’ Codebreakers Series

By Carl Slaughter: Colin Barnes’ popular Codebreakers series is back!  The four novels and the prequel novella are out in audio in November.



Code Breakers: Alpha is a futuristic, high-stakes thrill ride. In a post-apocalyptic future, humanity survives within a single domed city run by a shadowy benefactor known only as The Family. Each week the death lottery claims more lives and Gerry Cardle, head of the lottery, inexplicably finds himself the next on the list. Something’s wrong with the system. A deadly artificial intelligence has breached security. Gerry has just 7 days to live. Forced off the grid, Gerry has to do the unthinkable: willingly leave the city. What he finds in the abandoned lands will shatter his perception of what it means to be human. Everything he had been told before was a lie. In a deadly world of conspiracies, Gerry has to sacrifice everything he loves in order to save it, and time is running out.



Being human is no longer enough. The fanatical Red Widows sweep destruction across the abandoned lands. Their aggression threatens to destroy the city Gerry had risked his life to save. Petal, the woman Gerry has come to love is dying. The despotic cabal, The Family, demand he bring her to them, but she’s missing, running from the Widows, searching for the truth of her origins before it’s too late. When their paths cross, Petal and Gerry will hold the fate of humankind in their hands—if they can survive the malevolent digital entity that stalks them from the shadows.



How much sacrifice should anyone have to give? Petal and Gabriel are forced to decide, as the mad, digital entity, Elliot Robertson, is determined to dominate the world. His influence, spread by an insurgent group, The Ronin, seeks to control and enslave the last of humanity. With time running out, Petal and Gabriel must travel to the far reaches of the abandoned lands in order to repair a server they believe will be the key to defeating Elliot and his ronin. All the while, Petal has a ticking time bomb inside her head: Gerry Cardle’s uploaded consciousness. The code of which is mutating, but to what end? Together with their few allies, Petal and Gabriel must face either victory or total annihilation.



Gabriel and Petal have tracked Gabe’s mother back to Hong Kong. But to find her Gabe has to face his old gang and the ghosts he thought he had laid to rest years before. While helping him, Petal stumbles on a way of getting Gerry’s mind out of her head, but like Gabe, she too has to return to a place full of ghosts: Libertas.

Enna is now the Prime Minister of the domed city, and when Petal arrives she discovers Enna has developed her Transcendent technology. However, to give Gerry a new existence, they’ll need more help—help from someone within the Family.

Faced with shifting loyalties and an uncertain future, Petal and Gerry will for the last time face a dire threat to their existence when Jess is kidnapped by a shadowy figure. It’s a race against time to find her and uncover the conspiracy before the Family has the last laugh.



Rogue hackers Petal and Gabriel are low on food and water. Their reputation precedes them and they are no longer able to hustle the crime community for supplies. With survival becoming harder, they’re left with no other choice but to accept a risky job from a dangerous individual. The two will have to negotiate with the Tinker – a woman whose reputation for psychotic behaviour is known across the nuclear-blasted Abandoned Lands; infiltrate a town overrun with killers; and recover a cache of exceptionally rare information. They will have to put their very lives on the line in order to succeed, and with the odds considerably stacked against them, they’ll need more than luck on their side.

Pixel Scroll 12/5/16 And They Will Know Us By The Trail Of Pixels

(1) POSTER CHILD. Early this year Cat Rambo placed herself at the forefront of the movement encouraging writers to put up awards eligibility posts, and using the authority vested in her by the Science Fiction Writers of America now calls on everyone to do it.

Practicing what she preaches, Rambo has done a year-end recap of her publications:

The stories of my own I am pushing this year are “Left Behind” (short story), “Red in Tooth & Cog” (novelette), “Haunted” (novella co-written with Bud Sparhawk), and the fantasy collection Neither Here Nor There. SFWA members should be able to find copies of those on the member boards; I am happy to mail copies to people reading for awards whether or not you are a member. Drop me a line and let me know the preferred format. I am looking for reviewers interested in Neither Here Nor There and happy to send copies as needed.

The post contains links to nearly 30 other F&SF writer awards eligibility posts.

(2) PW PRIDE. Rambo is also proud of Publishers Weekly’s starred review for her new short story collection Neither Here Nor There.

This double collection showcases Rambo’s versatility within the fantasy genre. In the “Neither Here” half, tales set in her existing worlds of Tabat (“How Dogs Came to the New Continent”) and Serendib (“The Subtler Art”) rub shoulders with new worlds of magic and mystery. “Nor There” displays her skill at seeing our world through different lenses, with locations including steampunk London (“Clockwork Fairies”) and urban fantasy Seattle (“The Wizards of West Seattle”)…

(3) SCREEN TIME. George R.R. Martin is getting busy recommending things for Hugos – including other people’s things.

For my part, I already know what two of my Hugo nominations for Best Dramatic Presentation, Long Form will be. ARRIVAL, to start with. Terrific adaptation of a classic story by Ted Chiang. Brilliant performance from Amy Adams. (She is always great, I think, but this was her best role to date). A real science fiction story, not a western in space. Intelligent, thought-provoking, with some wonderfully alien aliens. And WESTWORLD, season one, from HBO. Of course, as with GAME OF THRONES, one can nominate individual episodes of this one in Best Dramatic Presentation, Short Form… but for me it makes more sense to nominate the entire season in Long Form. (GAME OF THRONES season one was nominated in this fashion

(4) HITS AT THE LIBRARY. Library Journal’s “Best Books 2016” picked these as the top five titles from the year’s SF and fantasy.

Borderline, by Mishell Baker
The Long Way To A Small, Angry Planet, by Becky Chambers
The Invisible Library, by Genevieve Cogman
Every Heart A Doorway, by Seanan McGuire
Behind The Throne, by K.B. Wagers

(5) SURPASSING THE MASTER. No spoilers for the movie Arrival in the following excerpt, only for the story it’s based on. But it’s only natural that the movie spoilers quickly follow in Peter Watts analysis of the adaptation: “Changing Our Minds: ‘Story of Your Life’ in Print and on Screen”.

What might come as a shock— and I hesitate to write this down, because it smacks of heresy— is that in terms of storytelling, Arrival actually surpasses its source material.

It’s not that it has a more epic scale, or more in the way of conventional dramatic conflict. Not just that, anyway. It’s true that Hollywood— inevitably— took what was almost a cozy fireside chat and ‘roided it up to fate-of-the-world epicness. In “Story of Your Life”, aliens of modest size set up a bunch of sitting rooms, play Charades with us for a while, and then leave. Their motives remain mysterious; the military, though omnipresent, remains in the background. The narrative serves mainly as a framework for Chiang to explore some nifty ideas about the way language and perception interact, about how the time-symmetric nature of fundamental physics might lead to a world-view— every bit as consistent as ours— that describes a teleological universe, with all the Billy Pilgrim time-tripping that implies. It’s fascinating and brow furrowing, but it doesn’t leave you on the edge of your seat. Going back and rereading it for this post, I had to hand it to screenwriter Eric Heisserer for seeing the cinematic potential buried there; if I was going to base a movie on a Ted Chiang story, this might be the last one I’d choose.

(6) CALL FOR PAPERS. GIFcon, Glasgow International Fantasy Conversations, is looking for papers and creative works. The deadline is December 19. The SFWA Blog gave their announcement a signal boost:

With a focus on intersections (academic and creative writing; film, art, and games) we aim for GIFCON’s inaugural event to be a crossroads at which these communities can meet and come into conversation.

Fantasy at the Crossroads: Intersections, Identities, and Liminality

29th – 30th March 2017

What is Fantasy? This is a question that the University of Glasgow’s MLitt in Fantasy has explored throughout its first year. While this may seem an unanswerable question, for many of us, fantasy is where reality and the impossible meet. Fantasy inspires a sprawling collection of worlds that stem from a myriad of identities, experiences, and influences. From traditional epics to genre-melding, fantasy branches out into every style imaginable. Cross-sections of genre and identity create cracks in traditional forms, opening in-between spaces from which bloom new ideas and stories.

Examples of intersections in fantasy can be found in:

– Julie Bertagna’s Exodus trilogy, which explores environmentalism within the context of fantasy and science fiction.

– Arianne “Tex” Thompson’s Children of the Drought series, which focuses on subversions of race and gender.

– China Miéville’s The City and the City, which fuses the detective novel with the fantastic.

– Eowyn Ivey’s The Snow Child, which uses fairy tale inspirations to create a magical realist setting and narrative.

– Netflix’s Stranger Things, which melds horror with Dungeons and Dragons via a coming-of-age science fiction story.

– The Elder Scrolls video game series, which intersects narrative, music, and visual arts.

– Frank Beddor’s Looking Glass Wars series, which combines science fiction and fantasy to explore unique, genre-melded world-building.

…Please submit a 300-word abstract, along with a 100-word biography (both in DOC or RTF format) to by Monday 19th December 2016.

(7) RIVENDELL AUDIO. Here is the schedule of December Readings from Rivendell program in the Twin Cities, MN.


(8) WETA DIGITAL END OF YEAR PARTY 2016. I’d love to be on the invitation list for this shindig —

The Weta Digital End of Year Party has always had the reputation of being the best party in town. As with previous years, no one knew where the party was being held, or what was involved, all we knew was we had to go to platform 9 at the Wellington train station. After boarding buses at the station, we were transported to the secret location. This is what went down after we arrived… The party was themed by the four elements of nature – Water, Fire, Air/Wind and Earth. As you can see in the video, the themed installations and performance art at the party location were fantastic, and an amazing time was had by all! A big thanks to Weta Digital for putting on such an incredible party!


(9) PUCK VS. CUPID. The Book Smugglers present Tansy Rayner Roberts’ review of the year’s favorites in “Smugglivus 2016: A Very TansyRR Smugglivus”. There’s a lot of entertaining writing in the post, not to mention revelations about the previously unsuspected (by me, anyway) subgenres of gay hockey comics and novels.

This has also been an important year for Check! Please, one of my favourite all time web comics. I a couple of scary, stressful months earlier in the year, and the Check! Please fandom pulled me through until I was ready to face the world again. Check! Please was already an adorable gay hockey comic about bros and sports and friendship and pies, but its creator Ngozi gave us so many gifts this year, starting in February with The Kiss which pretty much made the comics fandom lose their collected minds.

Their love is so canon, y’all!

We’ve also had several waves of updates throughout the year, following the ups and downs of our hero Bitty and his secret NHL boyfriend. Ngozi also launched a Kickstarter for the book publication of Year 2 which was crazy successful, showing how dramatically her work’s popularity has soared since Jack Zimmermann got a clue that he was a character in a sweet gay rom com, not a gritty hockey tragedy.

(10) HINES BENEFIT AUCTION #9. The ninth of Jim C. Hines’ 24 Transgender Michigan Fundraiser auctions is for an autographed copy of Jenna Black’s Replica, and a matching handmade pendant to go with it.

Today’s auction is for an autographed copy of REPLICA and a handmade pendant to go with it (pictured below). You can see samples of Black’s other gorgeous pendants at her Etsy store.

About the Book:

Sixteen-year-old Nadia Lake’s marriage has been arranged with the most powerful family in the Corporate States. She lives a life of privilege even if she has to put up with paparazzi tracking her every move, every detail of her private life tabloid fodder. But her future is assured, as long as she can maintain her flawless public image—no easy feat when your betrothed is a notorious playboy.

Nathaniel Hayes is the heir to the company that pioneered human replication: a technology that every state and every country in the world would kill to have. Except he’s more interested in sneaking around the seedy underbelly of the state formerly known as New York than he is in learning to run his future company or courting his bride-to-be. She’s not exactly his type…not that he can tell anyone that.

But then Nate turns up dead, and Nadia was the last person to see him alive.

When the new Nate wakes up in the replication tanks, he knows he must have died, but with a memory that only reaches to his last memory back-up, he doesn’t know what—or rather, who—killed him. Together, Nadia and Nate must discover what really happened without revealing the secrets that those who run their world would kill to protect.

(11) NOT ASKING SANTA FOR THESE. This links leads to a page from Hunter’s Planet of the Apes Archive. Consider it an online museum of print advertising for Planet of the Apes merchandise.

(12) IN DOORSTOPS TO COME. Ann and Jeff VanderMeer have sold another Big Book – “Announcing The Big Book of Classic Fantasy”.

As Ann and I announced on social media last week, we’re thrilled to have sold another behemoth of an anthology, The Big Book of Classic Fantasy, to editor Tim O’Connell at Vintage Books!! Tentatively scheduled for publication in 2018 and covering roughly the period 1850 up to World War II. Thanks to our agent, Sally Harding, and the Cooke Agency. This will be our fourth huge anthology project, following this year’s The Big Book of Science Fiction, The Time Traveler’s Almanac, and the World Fantasy Award-winning The Weird.

Will this anthology include not just your favorite classics from the English language, but also translations from all over the world? Yes. Will it include never-before-translated new stories? Yes. Will it include the best of the Decadents and the Surrealists in a fantastical vein? Oh yes, most certainly. We hope to widen our net on the translation side, focusing on areas of the world that have been underrepresented in prior anthologies.

(13) WILLIAMS OBIT. Van Williams, famed as television’s The Green Hornet, has died at the age of 82.

Variety reports he actually died on Nov. 28, but his passing only became publicly known on Sunday.

Born in 1934 in Forth Worth, Texas, Williams was working as a diving instructor in Hawaii when he was discovered in 1957 by producer Mike Todd, who persuaded him to move to Hollywood. He earned his big break two years later with a lead role on the ABC private detective drama “Bourbon Street.” He followed that with “Surfside 6,” starring opposite Troy Donahue.

However, it’s on the short-lived “Green Hornet” that Williams made a lasting mark as newspaper publisher Britt Reid, who fought crime as the masked Green Hornet alongside his partner Kato, so memorably played by Bruce Lee.


  • December 3, 1974 – The last new episode of Monty Python’s Flying Circus was broadcast on the BBC.


  • Born December 5, 1901 – Walt Disney


(16) A CAPRINE TRAGEDY. As discussed in comments on an earlier Scroll, the Gävle Yule Goat was burned down on its inauguration day, and replaced by a baby goat made of straw.

Only a week later, a vandal drove a car into the replica.

But in the early hours of Monday, those who were unable to sleep and instead found themselves watching the goat’s webcam feed (we’re told this is a thing) were able to see in real-time how someone raced towards the new goat in their car and brutally ran it over.

(17) SEND THE BILL TO LUCASFILMS. VentureBeat has been reliably informed coff that “The Death Star would cost $7.8 octillion a day to run”.

The British energy supplier Ovo has put some very well-spent hours into a comprehensive calculation of the operating costs of the Death Star, which will return to the spotlight in the December 16th movie Rogue One. They conclude that operating the planet-destroying starbase would cost 6.2 octillion British pounds, or $7.8 octillion, per day—that’s $7,800,000,000,000,000,000,000,000,000.

To put that absurdly large number in perspective, $7.8 octillion is more than 100 trillion times the $70 trillion annual global economic activity of Earth, or 30 trillion times the roughly $200 trillion in wealth on our little blue planet.

(18) WHAT IF THEY’RE NOT LITTLE AND GREEN? NPR reports on NASA’s efforts to recognize life if they find it:

There’s a growing interest in so-called biosignatures — or substances that provide evidence of life — because NASA has upcoming missions that have real potential to search for them. Those include a visit to Europa in the 2020s and the 2018 launch of the James Webb Space Telescope, which could scan the atmospheres of planets around other stars.

The last thing NASA officials want is a repeat of the experience with the Viking missions back in the 1970s, when analysis of Martian soil chemistry produced what was initially interpreted as evidence of life — but then later deemed a false-positive.

“I remember the aftermath of that,” says James Kasting, a professor of geosciences at Penn State University, who was tasked with planning this week’s meeting. “NASA was criticized heavily for looking for life before they had investigated the planet and for not having thought that through carefully. They’re hoping to avoid that same experience.”

Finding life means first defining life, and NASA’s Green says the key features are that it must metabolize, reproduce and evolve.

(19) ESA WILL BUILD ROVER. The European Space Agency will build a Mars rover, even if the cost keeps going up.

Europe will push ahead with its plan to put a UK-assembled robotic rover on the surface of Mars in 2021.

Research ministers meeting in Lucerne, Switzerland, have agreed to stump up the outstanding €436m euros needed to take the project through to completion.

The mission is late and is costing far more than originally envisaged, prompting fears that European Space Agency member states might abandon it.

But the ministers have emphatically reaffirmed their commitment to it

(20) AUTO INTELLIGENCE. Uber has bought an AI company to move toward self-driving car.

Ride-sharing service Uber has acquired a New York-based artificial intelligence start-up which it hopes can speed up its progress in creating self-driving cars.

The deal, for an undisclosed sum, will see Uber gain 15 specialist researchers who will form a new division at the company known as Uber AI Labs.

(21) DISAPPEARING STAR. Did you enjoy the video of Chris Pratt’s magic, linked here the other day? Cards aren’t the only medium he does tricks in — “Chris Pratt keeps cropping Jennifer Lawrence out of Instagram selfies and it’s hilarious”.

The acting megastar duo are both starring in upcoming sci-fi romance Passengers, but throughout the film’s promo tour 37-year-old Pratt has been enjoying social media hijinks by cutting out 26-year-old Lawrence whenever the pair share a snap together….


(22) WINTER IS COMING. At Dangerous Minds, “Stunning images of pagan costumes worn at winter celebrations around the world”.

In a recent interview, French photographer Charles Fréger revealed that he has always been fascinated by European tribal traditions. This fascination inspired the well-known artist to travel all around Europe to capture images of people dressed in ritualistic costumes honoring the arrival of winter and other seasonal celebrations.

Fréger began his journey in Austria and to date has photographed stunning costumes and rituals from 21 countries around the world. According to Fréger there are many celebrations that mark the arrival of winter that take place in the Czech Republic and, say, Italy that are quite similar when it comes to the materials that are used to create the costumes. Such as the incorporation of animal pelts, branches from trees, horns and bells into the costumes. Though they may share similar appearances, the story behind each living piece of folklore varies from country and location. Here’s more from Fréger about why so many of these celebrations often involve a human masquerading as an animal:

It is not about being possessed by a spirit but it is about jumping voluntarily in the skin of an animal. You decide to become something else. You chose to become an animal, which is more exciting than being possessed by a demon.

(23) LOL. Larry Correia goes through the comments carefully answering everyone’s questions about when the electronic and audiobook versions of his latest novels will be available, when one fan decides to yank his chain:

Ben Smith: Will the leather bound book have a kindle version?

(24) MR. GREEN HAS ARRIVED. Let’s kick off the verse segment of today’s Scroll with a link to Theodora Goss’ “The Princess and the Frog” which begins….

I threw the ball into the water.
The frog came out and followed after,
bringing me the golden ball —
which I did not want at all, at all.

(25) SEASONED GREETING. Joe H. and Heather Rose Jones produced this collaboration in comments.

Lo, how a pixel scrolling,
From tender file hath sprung…
Of Glyer’s laptop coming
As SMOFs of old hath sung

(26) THEN ONE FOGGY CHRISTMAS EVE. In a piece called “Hamildoph (An American Christmas Story)” the group Eclipse 6 performs “Rudolph, the Red-Nosed Reindeer” as if it was done by the cast of Hamilton.

I cannot fly if I cannot see, people!
I’m in dire need of assistance.
Your Excellency, you wanted to see me?
Rudolph, come in—did you say “brrr”?
Yes, sir, ‘cause it’s freezing.


[Thanks to JJ, Chip Hitchcock, Cat Rambo, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Peer.]

Barkley — So Glad You (Didn’t) Ask: A Column of Unsolicited Opinions — #2

When the Blinders Are On, The Knives Come Out

By Chris M. Barkley:

Belief – Understanding = Ignorance

We, collectively, live on a very large, complex, noisy, crowded and messy planet.  And on this planet, at this particular time, communicating your ideas clearly and concisely is not only important, it’s essential.

If only it were that easy.

Mind you, if you wanted to communicate your feelings to a broad audience, you can do it as easily as ordering a latte from Starbucks. Which can be a big problem when you have a lot of people with conflicting ideas and ideologies competing for you money, attention and time.

But consider this; what if your fervent belief in your own values could be hindering your ability to engage your empathy for those who you disagree with, politically or socially?

On the afternoon of September 15, on Hoffman Avenue in the Olde Towne East neighborhood of Columbus Ohio, a thirteen year old black teenager, Tyre King, was shot left temple, the upper left chest and upper left side of the abdomen by Bryan Mason, a white Columbus Police officer. It was alleged by police that King, along with several other teenagers, had robbed a man of ten dollars with a gun. When police responded and confronted two of the teens, King allegedly pulled a gun from his waistband, which is when Officer Mason fired.

On September 16, knowing just these few scant details, I came across a post on Facebook page of a prominent fan from the United Kingdom, lamenting about this latest police involved shooting.

(Note: I am not naming this fan or any of those who support this point of view, because as much as I disagree with what happened next; no one should not be subject to recriminations or harassment by anyone reading this.)

I wrote that the situation was terrible but, under the circumstances, we should withhold any final judgment about what happened until the investigation had been completed. The reaction, from this person and other friends from around the UK and Europe was swift, harsh and unrelenting.

What the hell was I talking about? A cop shot a child. America’s police forces were out of control. America is full of corrupt cops. America is like the Wild West. When will the police stop killing? End of story, pal.

I found myself being quite startled and bewildered by these reactions. I have to explain that I have always been a bit of an optimist and that I have always considered myself to be a human being first, then an American and black, in that order. But being an African-American, I have always had to walk a tightrope of emotions when it comes to living here. I have experienced the worst sorts of discrimination, violence, insults and racism just based on my appearance as a black man. I feel and experience it every day, whether I like it not. But one of the safe spaces I have enjoyed over the past forty years, until very recently was being in the company of fans, writers, artists and editors in sf and fantasy fandom.

When I was in my formative years, I briefly entertained thoughts of being a police officer myself. And that period, the late 60’s through the early 70’s, the United States was rife with more violent crime and domestic terrorism than we do today. But as a teenager, I was more attracted to the gritty movies and tv shows of the day, The French Connection, Dirty Harry, The Seven Ups, Kojak, Hawaii Five-O and Adam-12.

All of this came to a grinding halt at the tender age of fifteen, thanks to Detective Sergeant Joseph Wambaugh of the Los Angeles Police Department.

Wambaugh, a former marine, served with the LAPD for fourteen years before retiring to write full-time.

I first stumbled across his first novel, The New Centurions (1971), at the public library in 1973. That, plus his other early novels, The Blue Knight, The Choirboys and his stunning non-fiction best seller, The Onion Field, pulled back the glamorous veneer of police work and showed me what it truly was, dark, dangerous and only occasionally fulfilling. He was also an executive story consultant for NBC’s Police Story (1973-1979), an anthology series whose episodes, more often than not, dared to show the dark underbelly of policing.

Reading Joseph Wambaugh’s works probably saved my life. I could not imagine that I would have survived the emotional and physical toll the job would have taken on me over any lengthy period of time.

On top of all this, my brother-in-law, who married my sister straight out of high school, went straight to the police academy and served in the Cincinnati Police department for thirty years, on patrol duty, undercover, an elite street robbery unit and internal affairs. I find it remarkable that he appears to be whole and sane after seeing, hearing and experiencing what he did over his career in police work.

So, when I graduated from high school, I opted for a slightly safer occupation; journalism courses and a degree in English.

Throughout my life of sixty years, I have stayed alive because of my knowledge of the police and how they operate, along with a good dose of common sense. I also have a great deal of empathy for the police, because I know what it is doing to them on emotional level.

Which brings me back to the Facebook discussion; I explained, several times to the posters on the thread that police work, no matter where or who is practicing it, is not only physically dangerous, it is, more importantly, emotionally dangerous, which is what Joseph Wambaugh taught me. No one wants to see a cop unless someone is shooting or robbing them. Otherwise, some people feel, your speeding, broken car parts, expired license, decrepit vehicle, driving with your headlights off, public drunkenness or impaired driving, is no one else’s business.

And of course, this is dead wrong. Public safety, which incorporates all of the activities above and countless other infractions, comes under their purview.

The police, I explained, are human beings, too. And like all human beings, they miscalculate, misunderstand and, through their own experiences, come with a set of values and judgments that come from dealing with the public on a daily basis. Most cops deal with this precarious balance of sense and sensibility. Others, unfortunately, do not.

Over the decades, the police departments in many cities, most notably in New York, Chicago, Los Angeles and yes, even Cincinnati, have been placed under investigation or scrutiny by the Department of Justice for unwarranted shootings or violence, against unarmed civilians, most of them being minorities.

I tried to explain to the thread that In this day and age of cell phone cameras, dashcams, the internet and the vigilance of an informed public, police shootings, justified or not, will not go unnoticed. I told them that as flawed as it was, I believe in our system of due process and trial by evidence, not public opinion.

Will justice be served in the case of every shooting? No. But the record for posterity and the memories of those left behind will never be erased from history.

As far as I could tell, all of the correspondents condemned me.  One poster wrote, “Well, obviously you must be white”, an astonishing and surreal accusation that could have been easily avoided had she bothered to check my Facebook profile. A child was dead and a cop shot him, case closed. I, in turn, asked if you were a police officer in that situation, and a gun was present, such as a 2014 case in Cleveland, Ohio, when twelve-year-old Tamir Rice was shot in a public park while holding a realistic looking air rifle, could you tell the difference between a real gun and air gun? A police officer, who is already under duress, has to make a choice in seconds whether or not that gun is real. No one wanted to deal with the reality they face EVERY SINGLE DAY that they might end up being on the receiving end of a fatal gunshot.

But this argument came to a head the very next day. Some of my posts featured words in caps, when I tried to emphasize a point when everyone was ignoring my arguments, the owner of the wall declared that I was “shouting” and I summarily blocked.

Now mind you, I have known this person for a few years and had some pleasant conversations at Worldcons in the past. Being summarily dismissed over a difference of opinion shocked and angered me.

And as for the shooting in Columbus that started this argument? Upon examination, the weapon in fact, turned out to be an air gun fitted with a laser sight. An autopsy released by the coroner on November 10th revealed that King had no drugs or alcohol in his system and that the left side wound indicates that King was turning to run or was running when he was shot. An independent autopsy done at the behest of the King family matched the official autopsy. Sean Walton, an attorney for the family, planned to call for an independent investigation and send their report to other forensic experts for further analysis.

On November 22, Demetrius E. Braxton, 19, who was also arrested at the scene, was sentenced to three years in prison for one count of robbery as part of a plea agreement.

As of this date, Officer Mason is still on desk duty and Columbus Police are still investigating the shooting. I wonder if any of the people who denigrated me actually followed up on what happened in Columbus?

Indeed, I wonder if any of these righteous people had heard of or care about the five valiant police officers who died protecting Black Lives Matter protesters when the officers were brutally ambushed by a sniper this past July.

How about Detective Benjamin Marconi of San Antonio, Texas, who was fatally shot on November 20th while writing a traffic ticket. And Deputy Sherriff Eric James Oliver of the Nassau County Sheriff’s Office, Florida, who was struck by a vehicle while pursuing a suspect on November 22nd.? And what about Officer Reginald “Jake” Gutierrez of Tacoma, Washington, who was killed by gunfire when he responded to a domestic disturbance call on November 30th? NOTE: The total of police killed in the line of duty in 2016 as of November 30th stood at 133, according to the Officer Down Memorial Page. Of those, 60 deaths were from gunfire.

So yeah, I get it; there are some police officers who kill or maim unarmed civilians with malice. Some of them are caught and punished, others are not. But do you care, do you give a damn or a thought to the police officers who are hurt or killed performing their sworn duty to protect the public?

Why do some people vehemently turn on other people they know over some minor disagreement?  Especially people, neighbors or friends who have similar views and outlooks?

Actually, as a progressive leaning person, this is not something I had really not given much thought to until, strangely enough, Black Friday morning. I had planned on getting up at 5 a.m. to attend a sale at a local bookstore but, in deference to my rather sleepy partner, I opted to listen to National Public Radio’s Morning Edition instead.

The very first story that morning featured host Steve Inskeep interviewing Columbia University professor Mark Lilla, who had published a controversial essay in the New York Times on what he called identity liberalism and how that was one of the main causes of the startling election of Donald Trump. The interview can be heard here and the essay is here.

In brief, Professor Lilla thinks that enlightened self-interest is at times overcome by myopic concerns on a few or even one issue. As I lay in bed listening, I found myself flashing back to that incident on Facebook. And what Lilla theorized made perfect sense in retrospect; when the blinders go on, the knives come out.

Now, before we all start feeling all smug and condescending about liberals or sf fandom, these same of standards could be equally applied to the conservative forces that have been obstructing President Obama’s agenda during his two terms or any of the more strident supporters of President-Elect Trump.

We all carry some inherently bias in one way or another, either through our political or social or intimate interactions.

A few days after the NPR interview, I encountered a few Trump supporters on my open and public page. Instead of blasting them and summarily blocking them, as I had done in the past, I tried a different approach. I told them while I was not pleased at all with President-Elect Trump and his cabinet appointees; there were serious concerns about his conflicts of interests with his businesses. I also pointed out that the people peacefully protesting were not the enemy, they were citizens and had a right to do so. Furthermore, since we’re all in this boat together, we should concentrate on finding common areas to work on together instead of attacking each other on everything we disagree on.

And the responses in return were remarkable. One man explained why he voted for Trump and said that for one, he enjoyed engaging with someone who wasn’t calling him an “alt-right nazi” at the drop of a hat. The other said that he did not like fighting all the time online and wished that more people like me would just try talking instead of shouting at each other all of the time.

Buddhists have a phrase, “the middle path”, in which they describe a philosophy where extremism is avoided and wisdom is gained through understanding. Western political thought has other comparable terms, compromise and empathy.

Over the past few years, fandom has faced a problem with dissidents; the Sad and Rabid Puppies. The us and them, push and pull and political gamesmanship over the very nature of the fandom has stressed it to the point of being permanently fractured, much like the United States is presently.

The only way any of us are going to survive the Trump Administration, or each other, is to stop shouting at each other and start listening more. I say this not as an excuse to accommodate the racism, sexism, homophobia or religious persecution. We are going to be fighting these battles for some time to come and we, collectively, should spare no effort to combating it.

But we need to start somewhere. We need to understand in order to overcome the conflict, animosity and anger we all carry with us each day.

We start by listening.

Knowledge + Empathy = Enlightenment

2016 Tiptree Fellowships Awarded

The 2016 Tiptree Fellowship winners have been selected, Mia Sereno and Porpentine Charity Heartscape.

The Tiptree Fellowship program, created in 2015 by the James Tiptree Jr. Literary Award Council, is “designed to provide support and recognition for the new voices who are making visible the forces that are changing our view of gender today.”

Each Fellow will receive $500. The work produced as a result of this support will be recognized and promoted by the Tiptree Award.

Mia Sereno is a visual artist and poet:

[She] uses her art to explore the weight of her heritage as a queer Filipino which in her words means being “heir to a history of struggle and revolution, colonization and war; descendant of women who spoke and fought, built and taught, and were as unflinching in their pursuit of their goals as they were whole hearted in love.” She describes her work as arising at “the point where women and monsters wear the same face,” where she can celebrate “the act of throwing off conceptions of women and femininity that were imposed on us by colonizers.” The support of the Tiptree Fellowship will help Sereno bring her project, a series of illustrations tentatively named The Magnificent Ones, to fruition. The series reimagines Filipina woman as near-mythological figures of fantastic grandeur.

Porpentine Charity Heartscape “makes stories and games that draw on the powerful world building potential of science fiction and fantasy to experiment with gender, femininity, and/or non-normative mental states in new ways.”

She describes her work as being “about the visceral body, a body that sweats and dissociates and aches and desires and above all fights for itself until the day it dies.” In addition to making her own work, much of which is available for free online, she has popularized accessible tools for working with electronic literature, running workshops and helping people online. She will use the fellowship to pay for rent and healthcare to ensure that she can focus on her current projects – feminine-centered work that innovates both technology and socially, often in collaboration with other disenfranchised women.

The Fellowship Committee also awarded honorable mentions to writers Emily Coon, Marianne Kirby, and K. Tempest Bradford.

The fellowship selection committee was composed of the 2015 Tiptree Fellows, Elizabeth LaPensée and Walidah Imarisha; Tiptree Award winner Nike Sulway; and Tiptree Motherboard member Alexis Lothian.

Kristine Kathryn Rusch Discusses Fiction River with Carl Slaughter

By Carl Slaughter: Magazine editor, anthology editor, book publisher, novelist, short story writer, franchise novelizer. Kristine Kathryn Rusch knows good fiction and meets a lot of people. All this comes in handy when you edit a multi genre anthology magazine.

CARL SLAUGHTER: What was the need for Fiction River? What has it been doing that wasn’t being done before?

KRISTINE KATHRYN RUSCH: Fiction River is multi-genre, which no one else is doing. It’s essentially good fiction, done to a theme at times, and at times just to an editor’s whim. Dean and I did a Kickstarter in 2012 to see if there was interest, and there was, much more than we expected. We funded in hours. We were stunned—and Fiction River was launched.

CS: What’s the business model?

KKR: The anthology series comes out every two months. It’s an anthology magazine. An anthology in that each volume is self-contained and somewhat different from the others. A magazine in that its appearance is regular. The unifying factor is me and Dean as series editors and the format itself. We have guest editors, but we oversee what they do. Sometimes we reject stories they want. Sometimes we suggest writers. We also act as editors ourselves. We believe in having different voices all the way through, from editing to the writers themselves.

The other thing I should mention is that the volumes don’t go out of print. You can pick up Issue 1: Unnatural Worlds in all formats right now. Issue 20: Last Stand came out this week (as I type this). You can get that and every issue going back to the beginning. You can find out how to get them all at your favorite bookstore or at Fiction River‘s website:

CS: Any podcasting or audio?

KKR: We did podcasting in our first year, when WMG Publishing had an audio director. She’s since left the company, so we stopped doing a podcast in the short-term. One will start up again in a year or so. The first eight volumes are in audio right now, with more to come. We’re auditioning audio producers, trying to decide if we want an outside producer or to hire one directly for Fiction River. Still on the fence about that.

CS: Who does your art?

KKR: Publisher Allyson Longueira of WMG Publishing handles all the design, including the covers. She’s an award-winning graphic designer. Sometimes she commissions artists and sometimes she blends previously published pieces she finds on art sites. It just depends on the issue.

CS: What genres does Fiction River include? What genres does it not include?

KKR: It’s easier to say what it doesn’t include. It doesn’t include erotica. I think that’s the only genre we don’t do or aren’t planning on doing.

CS: How many stories? How long are these stories? How many total words?

KKR: The issues are between 70-90,000 words. The story length varies. We’ve published novellas, novelettes, shorts, and short-shorts. Some volumes have 20+ stories, some have ten or less.

CS: How many stories are original and how many are reprints?

KKR: ALL are original.

CS: How do you generate material?

KKR: Invites to our favorite authors. Because Dean and I teach so much, sometimes we snatch up a story from one of the workshops we do, either online or here on the Oregon Coast. Then, every year, we do an anthology workshop, and sometimes we use Fiction River for the writers to write for. The anthology workshop is for professional writers only, and has existed long before Fiction River ever did. We used to call it the Denise Little workshop, because Denise came every year. (It looks like she’ll be back in 2018.) Often, she would bring a “live” anthology—like a DAW anthology or something else she was editing. Sometimes Dean and I would use an anthology we were trying to sell (often under pen names.) When Fiction River started, we just brought it to the writers.

I have to tell you: Gathering 50 professional writers, having them write on a theme or an idea or a genre, is a godsend. Because all of the stories we see are high quality, and all of them are worthy of being published. Many of the ones that get rejected from Fiction River show up in other publications a year or so later. We sort of stumbled on this side way of reading for the series, and I personally love it. I’m seeing stories I would never otherwise see from writers who write all over the genre map. It’s spectacular.

CS: Who writes for you?

KKR: Everyone from New York Times bestsellers to beginners we discover thanks to our large network of writers.

CS: What kind of feedback have you gotten from readers?

KKR: They love it. They’re constantly referring friends and promoting the volumes.

CS: Any major awards?

KKR: Award nominations, including some for the project itself. We seem to do best in mystery, with several nominations for the various short fiction awards, including the prestigious Derringer. Stories have been shortlisted for The Best American Mystery Stories and have appeared in The Best Mystery and Crime Stories 2016.

CS: Fiction River has been going for several years. This is on a landscape that has been in constant upheaval for a while. How do you explain Fiction River’s endurance?

KKR: It’s of consistent high quality and it’s different every volume. So people know they’ll enjoy the read, but they don’t know what they’re going to get exactly. I think readers value that. We just held our third Fiction River Kickstarter, and we raised double what we’ve raised before. We do Kickstarters in lieu of regular subscription drives. The support grows and grows. We’re very fortunate.

CS: How long will this project continue?

KKR: Until we tire of it—which I don’t see coming at all.

CS: What’s new on the horizon?

KKR: We just started reprint volumes, Fiction River Presents, edited by Allyson Longueira. The fourth one will appear this month. They’re very popular as well.

Can you tell we’re having fun?

Pixel Scroll 12/4/16 I Wept Because I Had No Pixels, Until I Met A Fan Who Had No Scroll

(1) BOLD GOING. Jason Sanford says “Space operas boldly go to the heart of the human soul”.

Only after seeing Star Wars did I begin reading literary science fiction and discover that the film not only wasn’t overly original, but that George Lucas had borrowed his themes and motifs from a number of genre sources. Among these was what is likely the first space opera as readers would recognize the genre, The Skylark of Space by E. E. “Doc” Smith, published in Amazing Stories in 1928.

There are a number of earlier stories which can lay claim to being space operas, such as Edgar Rice Burroughs’ highly influential Barsoom series, featuring his famous hero John Carter of Mars. But E.E. Smith introduced something different with Skylark: true interstellar travel and space ships combined with adventures on other planets. He continued this trend with his influential Lensman series of stories.

He also introduced mediocre writing and poor science, with the space engine at the center of his Skylark adventures powered by copper which is magically transformed when connected to an unknown “element X.” But if the heart of the ship’s space drive made no sense, the heart of the story resonated with readers. They ate it up.

As did other authors, who began playing in the space opera sandbox of stars, mixing romance with the clash of civilizations and interstellar drama and action. Authors such as Leigh Brackett (known as the “Queen of Space Opera”) and C. L. Moore filled the pulp magazines with these exciting stories.  As did A. E. van Vogt, who published the well-known novel The World of Null-A. Even Isaac Asimov space opera’ed away with his extremely influential Foundation series. These space operas and many more set the stage for the Golden Age of Science Fiction.

(2) FLINT ON THE COVER. An excerpt from his interview in the December issue of Locus, “Eric Flint: Remaking History”, has been posted at Locus Online.

‘‘I’ve been a full-time author since the end of 1999. I never had a job that lasted more than five years. I thought about it the other day. Of course, I’m 69, so I don’t know that anybody would want to hire me as a machinist. If I wanted to go back to work in a factory, I couldn’t put together a résumé because most of the places I’ve worked have gone out of business. It’s ironic for me, being a writer, but that’s partly because I stayed on topic. Jim Baen once said to me, ‘You know, I’m surprised. For a commie, you haven’t made any career mistakes.’ I said, ‘Jim, it’s because I’m never caught off-guard when capitalism lives down to my expectations.’ I’ll give him credit: he laughed. He thought that was funny. I’ve had a very successful career.

‘‘Andre Norton’s prose is pedestrian, and I hear her rough drafts were even worse, and she needed a lot of editing. Nevertheless, she had one of the most successful careers in the field, because she was a terrific storyteller. I like to think that I write better than that, but, like her, I’m first and foremost a storyteller. I can teach the craft of writing, but what I cannot do is tell someone how to make a good story. I have a good friend, a photographer, and he used to be a professional for years. It’s not his eyesight – he’s got terrible eyesight. It’s just that he can look at something, and I’ll see exactly the same thing he’s looking at, but he can see that if you framed it this way, it’d be a great picture. I can’t see the frame. That’s what a storyteller does, is frame a sequence of events in such a way that there’s a point to it, it makes sense, and you go somewhere with it. I don’t know how you teach that.”

(3) GRAPHIC NOVELS. Comixology has put together its list of 50 Essential Graphic Novels which, coincidentally, they would love to sell you.

(4) MIYAZAKI PROJECT. A BBC profile, “Hayao Miyazaki: Japan’s godfather of animation?”, includes hints about a possible upcoming film.

Miyazaki has tried to retire – reportedly at least six times – but it appears he is not finished telling his stories. Since last year he has been working on a short film called Boro the Caterpillar, based on a story in development for two decades.

Last month he said it would be turned into a full-length film, which may only be released in 2021 – he will be 80 years old by then.

(5) IN SUO ANNO. When C.S.E. Cooney won a World Fantasy Award, her hometown paper took notice: “World award is no fantasy for Westerly author Claire Cooney”

When she was in third grade, Claire Cooney wrote her first musical. When she was in sixth grade, she wrote her first novel.

When she was 33, she was nominated for a Science Fiction and Fantasy Writers of America-sponsored Nebula Award for her first novella, “The Bone Swans of Amandale.”

In October the soon-to-be 35-year-old Westerly resident earned another feather for her colorful cap. She won the 2016 World Fantasy Award for “Bone Swans: Stories,” in the Best Short Story Collection category.

“I had no expectation of winning so I didn’t prepare any comments,” said Cooney, whose stories take readers on fantastical journeys through reimagined fairy tales and myths. “I just sat there saying ‘No way’ … until my friends started screaming.”

(6) HORROR APPRECIATION. This week on Jump Scare, Cierra breaks gives us a brief look at how gothic literature has help to inspire and shape horror. “A Brief Look at the Inspiration of Gothic Literature”

(7) BINKS STILL STINKS. Jerseys and bobbleheads galore in this article at Cut4 — “Get weird with 10 of the best Minor League promotions from 2016”.

MLB promotions are always a joy, but the Minors are where the most unique promotions are going to be. Teams routinely honor ’90s cartoons, give away weird bobbleheads and have the best and strangest between-innings contests.

But even in the world of zany promotions, we still must separate the wheat from the chaff. These were 10 of our favorite promotions from the last year….

  1. Altoona Curve – Jar Jar Binks jerseys

Given that “Star Wars” might be the most successful and profitable film franchise of all-time (somehow more than Space Jam), it makes sense that plenty of teams at both the Minor and Major League level host nights devoted to the space opera. But only the Altoona Curve, the Double-A affiliate of the Pirates, were willing to look back at that cruelly overlooked and maligned character: Jar Jar Binks.

The team would lose, 3-0, that night, though. Perhaps Jar Jar is fairly maligned.

(8) MONSTER MAINTENANCE MAN. Ray Harryhausen Podcast “Episode 11 – Conservation and Restoration with Alan Friswell”.

Episode 11 of the Ray Harryhausen Podcast sees us interview Alan Friswell, the Foundation’s official conservator, about the work he has carried out in maintaining Ray’s models for future generations.

Listen to Alan speak about how he ended up working with Ray, and the amazing models which he has restored over the years, including most recently the original latex model of ‘Gwangi!’

(9) MTV FOR MILLENNIALS. The Washington Post’s Jennifer Swann reports that MTV is rebroadcasting Clone High, a 2003 cartoon about “historical figures resurrected as part of a government experiment (that) return to high school” because it’s part of a plan to bring back any show that appeals to cord-cutting Millennials who liked to watch cartoons as kids.  The show was one of the first projects of Chris Miller, who went on to co-create The Lego Movie and The Last Man on Earth“Feeding the nostalgia beast: MTV and other networks bring back their vintage shows”.

Abraham Lincoln spent the entire summer growing out his sideburns in the hopes of impressing Cleopatra, but it was a goth-styled Joan of Arc who yearned for his attention at John F. Kennedy’s back-to-school kegger.

Such was the plot of the pilot for “Clone High,” an animated teen comedy series whose premise was so absurd — historical figures cloned as part of a government experiment return to high school — that it could have only been produced by MTV in 2003. The network was experimenting in its attempt to find a follow-up to “Daria,” which also championed teen misfits and social outcasts. But “Clone High” never caught on; it was canceled after just 13 episodes.

“It was just like the kookiest idea ever, but that show was gone, lost,” says Erik Flannigan, executive vice president of music and multiplatform strategy for MTV. He’d all but forgotten about its existence until meeting Chris Miller, the series’ co-creator (better known as co-director of “The Lego Movie”) when their children attended the same kindergarten in Los Angeles. Around the same time, MTV was undertaking a massive archiving project, working with the data management company Iron Mountain to digitize its assets, eventually spurring Flannigan and his colleagues to launch a new network centered entirely on old content.

(10) A LITTLE SUNDAY MAGIC. Chris Pratt (Star-Lord) entertained with this card trick on The Graham Norton Show.

[Thanks to Chip Hitchcock, John King Tarpinian, Martin Morse Wooster, and Michael J. Walsh for some of these stories. Title credit goes to File 770 contributing editor of the day Kip W.]

Fantastic Beers and Where To Find Them

Delaware’s Mispillion River Brewing came out with five Harry Potter beers last month. They served them at the “Fantastic Beers and Where to Find Them” event held the day Fantastic Beasts opened in theaters. The four named for the houses of Hogwarts were served in matching souvenir glasses.

The Milford brewery (255 Mullet Run) will pair the beers with four commemorative glasses, each dedicated to a house of Hogwarts School of Witchcraft and Wizardry — Gryffindor (9% ABV Double IPA) , Slytherin (dry hopped sour), Hufflepuff (6% ABV Kolsch) and Ravenclaw (5.2% ABV Porter). Deathly Hallows, the brewery’s small batch Belgian Tripel, will make its annual return as well.

The fifth Harry Potter-themed beer, The Deathly Hallows, translates into a brew with the following flavors:

The Elder Wand, the Ressurection Stone, and the Cloak of Invisibility composed the mythical Deathly Hallows.  Our version is a Belgian Trippel brewed with candi sugar.  Bright yellow, the Deathly Hallows features spicy notes from the yeast.

Mispillion River Brewing does a lot of pop culture-themed beers, anything to draw attention to the product. With a new Star Wars movie coming out in December, it’s not hard to guess the inspiration behind their December 17 promotion.


The commemorative Vader pint glass —


They also have a channel on YouTube where you can see such videos as Star Wars Brewer.

Here are some of their other creations with genre appeal.

Threat Level Purple is an 11% ABV Imperial IPA (or, as they say, it has “an 11% fallout”) which you can take to your shelter when The Big One hits.  This high-octane brew will keep you fortified during long periods of global devastation.  And when you emerge, assuming there’s any civilization left, you can recycle the can!


Holy Crap! comes in a can with a psychedelically-colored dinosaur on the front.


Holy Crap! evolved by accident, when our brewer blended two different styles of beer. After months of digging for the recipe, we learned: you can’t suppress a brewer’s gust instinct. This 8.5% ABV Imperial Red Ale leads with a strong malt body and finishes with the dry bitterness of a 65-million year extinction. Hold on to your butts!!!

Space Otter features a furry astronaut.


When designing a beer specifically for your benevolent leader, one must address the existential question, “But what is his spirit animal”? With those words, the Space Otter was launched. This 5% ABV pale ale is brewed with Citra and Azacca hops and is out of this world.

[Thanks to Martin Morse Wooster for the story.]

Fran Wilde Fulfills Her Early Promise

Fran Wilde

Fran Wilde

By Carl Slaughter: Fran Wilde burst onto the scene in 2015 with her Nebula-nominated, Andre Norton-winning, and Compton Crook-winning Updraft from Tor. Publishers Weekly said, “Extraordinary worldbuilding and cascading levels of intrigue make Wilde’s debut fantasy novel soar.” 92% of Amazon reviews were 4 and 5 star.

In September, Wilde came out with Cloudbound, the sequel to Updraft. Consensus among critics is that Cloudbound exceeded Updraft. Ken Liu said, “Cloudbound by Fran Wilde is a thrilling and complex tale about the most difficult stage of a revolution: what do you do after you win? Highly recommended both for the story it tells as well as how it tells that story. Wilde takes risks that pay off hugely.” Aliette de Bodard said,“A fantastic follow-up to Updraft?I liked it better than its predecessor, particularly for what it says about the politics of fear and prejudice, and how giving people what they want isn’t always the best thing.” Locus said, “In terms of pace, style, structure, and sheer flair? Cloudbound represents the opposite of a sophomore slump. It’s that rare bird, the follow-up to a highly praised first novel that doesn’t just equal its predecessor’s accomplishments, but exceeds them. I felt Updraft was a promising debut effort; Cloudbound sees much of that promise realized, with hints of more to come.”

In May, Wilde came out with The Jewel and Her Lapidary. Ken Liu said, “The Jewel and Her Lapidary is a splendid tale of courage and transformation in a world as exquisite as Wilde’s prose. You will be utterly entranced.”

Wilde’s short stories have appeared in Asimov’s, Nature, and Beneath Ceaseless Skies. She also blogs about food and genre at Cooking the Books for the popular social-parenting website GeekMom.



Kirit Densira cannot wait to pass her wingtest and begin flying as a trader by her mother’s side, being in service to her beloved home tower and exploring the skies beyond. When Kirit inadvertently breaks Tower Law, the city’s secretive governing body, the Singers, demand that she become one of them instead. In an attempt to save her family from greater censure, Kirit must give up her dreams to throw herself into the dangerous training at the Spire, the tallest, most forbidding tower, deep at the heart of the City.

As she grows in knowledge and power, she starts to uncover the depths of Spire secrets. Kirit begins to doubt her world and its unassailable Laws, setting in motion a chain of events that will lead to a haunting choice, and may well change the city forever-if it isn’t destroyed outright.

Welcome to a world of wind and bone, songs and silence, betrayal and courage.



After the dust settles, the City of living bones begins to die, and more trouble brews beneath the clouds in this stirring companion to Fran Wilde’s Updraft.

When Kirit Densira left her home tower for the skies, she gave up many things: her beloved family, her known way of life, her dreams of flying as a trader for her tower, her dreams. Kirit set her City upside down, and fomented a massive rebellion at the Spire, to the good of the towers–but months later, everything has fallen to pieces.

With the Towers in disarray, without a governing body or any defense against the dangers lurking in the clouds, daily life is full of terror and strife. Nat, Kirit’s wing-brother, sets out to be a hero in his own way–sitting on the new Council to cast votes protecting Tower-born, and exploring lower tiers to find more materials to repair the struggling City.

But what he finds down-tier is more secrets–and now Nat will have to decide who to trust, and how to trust himself without losing those he holds most dear, before a dangerous myth raises a surprisingly realistic threat to the crippled City.



The kingdom in the Valley has long sheltered under the protection of its Jewels and Lapidaries, the people bound to singing gemstones with the power to reshape hills, move rivers, and warp minds. That power has kept the peace and tranquility, and the kingdom has flourished.

Jewel Lin and her Lapidary Sima may be the last to enjoy that peace.

The Jeweled Court has been betrayed. As screaming raiders sweep down from the mountains, and Lapidary servants shatter under the pressure, the last princess of the Valley will have to summon up a strength she’s never known. If she can assume her royal dignity, and if Sima can master the most dangerous gemstone in the land, they may be able to survive.